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Arthurian Parallels in Helix 25

This table explores an overlay of Arthurian archetypes woven into the narrative of Helix 25.
By mapping key mythological figures to characters and themes within the story, it provides archetypal templates for exploration of leadership, unity, betrayal, and redemption in a futuristic setting.

Arthurian Archetype	Role in Arthurian Myth	Helix 25 Counterpart	Narrative Integration in Helix 25	Themes & Contemporary Reflections
Merlin	Wise guide, prophet, keeper of lost knowledge, enigmatic mentor.	Merdhyn Winstrom	Hermit survivor whose beacon reawakens lost knowledge, eccentric guide bridging Earth and Helix.	Echoes of lost wisdom resurfacing in times of crisis. Role of eccentric thinkers in shaping the future.
King Arthur (Once and Future King)	Sleeping leader destined to return, restorer of order and unity.	Captain Veranassessee	Cryo-sleeping leader awakened to restore stability and uncover ship’s deeper truths.	Balancing destiny, responsibility, and the burden of leadership in a fractured world.
Lady of the Lake	Guardian of sacred wisdom, bestower of power, holds destiny in trust.	Molly & Ellis Marlowe	Custodians of ancestral knowledge, connecting genetic past to future, deciding who is worthy.	Gatekeepers of forgotten truths. Who decides what knowledge should be passed down?
Excalibur	Sacred weapon representing legitimacy, strength, and destiny.	Genetic/Technological Legacy (DNA or Artifact)	Latent genetic or technological power that legitimizes leadership and enables restoration.	What makes someone truly worthy of leadership—birthright, wisdom, or action?
The Round Table	Assembly of noble figures, unifying leadership for justice and stability.	Crew Reunion & Unity Arc	Gathering key figures and factions, resolving past divisions, solidifying leadership.	How do we rebuild trust and unity in a world fractured by conflict and betrayal?
The Holy Grail	Ultimate quest for redemption, unity, and spiritual awakening.	Rediscovered Earth or True Purpose	Journey to unify factions, reconnect with Earth, and rediscover humanity’s true mission.	Is humanity’s purpose merely survival, or is there something greater to strive for?
The Fisher King	Wounded guardian of a dying land, whose fate mirrors humanity’s wounds.	Earth’s Ruined Environmental Condition	Metaphor for humanity’s wounds—only healed through wisdom, unity, and ethical leadership.	Environmental stewardship as moral responsibility; the impact of neglect and division.
Camelot	Utopian vision, fragile and prone to betrayal and internal decay.	Helix 25 Community	Helix 25 as a fragile utopian experiment, threatened by division and complacency.	Utopian dreams versus real-world struggles; maintaining ideals without corruption.
Mordred	Betrayal from within, power-hungry faction that disrupts harmony.	AI Manipulators / Hidden Saboteurs	Internal betrayal—either AI-driven manipulation or ideological rebellion disrupting balance.	How does internal dissent shape societies? When is rebellion justified?
Gwenevere	Queen, torn between duty, love, and political implications.	Sue Forgelot or Captain Veranassessee	Powerful yet conflicted female figure, mediating between different factions and destinies.	The role of women in leadership, power dynamics, and the burden of political choices.
Lancelot	Loyal knight, unmatched warrior, torn between personal desires and duty.	Orrin Holt or Kai Nova	Heroic yet personally conflicted figure, struggling with duty vs. personal ties.	Can one’s personal desires coexist with duty? What happens when loyalties are divided?
Gawain	Moral knight, flawed but honorable, faces ethical trials and tests.	Riven Holt or Anuí Naskó	Character undergoing trials of morality, leadership, and self-discovery.	How does one navigate moral dilemmas? Growth through trials and ethical challenges.
Morgana le Fay	Misunderstood sorceress, keeper of hidden knowledge, power and manipulation.	Zoya Kade	Keeper of esoteric knowledge, influencing fate through prophecy and genetic memory.	The fine line between wisdom and manipulation. Who controls the narrative of destiny?
Perceval	Naïve but destined knight, seeker of truth, stumbles upon great revelations.	Tundra (Molly’s granddaughter)	Youthful truth-seeker, symbolizing innocence and intuitive revelation.	Naivety versus wisdom—can purity of heart succeed in a complex, divided world?
Galahad	Pure knight, achieves the Grail through unwavering virtue and clarity.	Evie	Investigator who uncovers truth through integrity and unwavering pursuit of justice.	The pursuit of truth and justice as a path to transformation and redemption.
The Green Knight/Challenge	Mystical challenger, tests worthiness and integrity through ordeal.	Mutiny Group / Environmental Crisis	A trial or crisis forcing humanity to reckon with its moral and environmental failures.	Humanity’s reckoning with its own self-destructive patterns—can we learn from the past?

Sat. Nov. 30, 2024 – before the meeting

The afternoon light slanted through the tall studio windows, thin and watery, barely illuminating the scattered tools of Lucien’s trade. Brushes lay in disarray on the workbench, their bristles stiff with dried paint. The smell of turpentine hung heavy in the air, mingling with the faint dampness creeping in from the rain. He stood before the easel, staring at the unfinished painting, brush poised but unmoving.

The scene on the canvas was a lavish banquet, the kind of composition designed to impress: a gleaming silver tray, folds of deep red velvet, fruit piled high and glistening. Each detail was rendered with care, but the painting felt hollow, as if the soul of it had been left somewhere else. He hadn’t painted what he felt—only what was expected of him.

Lucien set the brush down and stepped back, wiping his hands on his scarf without thinking. It was streaked with paint from hours of work, colors smeared in careless frustration. He glanced toward the corner of the studio, where a suitcase leaned against the wall. It was packed with sketchbooks, a bundle wrapped in linen, and clothes hastily thrown in—things that spoke of neither arrival nor departure, but of uncertainty. He wasn’t sure if he was leaving something behind or preparing for an escape.

How had it come to this? The thought surfaced before he could stop it, heavy and unrelenting. He had asked himself the same question many times, but the answer always seemed too elusive—or too daunting—to pursue. To find it, he would have to follow the trails of bad choices and chance encounters, decisions made in desperation or carelessness. He wasn’t sure he had the courage to look that closely, to untangle the web that had slowly wrapped itself around his life.

He turned his attention back to the painting, its gaudy elegance mocking him. He wondered if the patron who had commissioned it would even notice the subtle imperfections he had left, the faint warping of reflections, the fruit teetering on the edge of overripeness. A quiet rebellion, almost invisible. It wasn’t much, but it was something.

His friends had once known him as someone who didn’t compromise. Elara would have scoffed at the idea of him bending to anyone’s expectations. Why paint at all if it isn’t your vision? she’d asked once, her voice sharp, her black coffee untouched beside her. Amei, on the other hand, might have smiled and said something cryptic about how all choices, even the wrong ones, led somewhere meaningful. And Darius—Lucien couldn’t imagine telling Darius. The thought of his disappointment was like a weight in his chest. It had been easier not to tell them at all, easier to let the years widen the distance between them. And yet, here he was, preparing to meet them again.

The clock on the far wall chimed softly, pulling him back to the present. It was getting late. Lucien walked to the suitcase and picked it up, its weight pulling slightly on his arm. Outside, the rain had started, tapping gently against the windowpanes. He slung the paint-streaked scarf around his neck and hesitated, glancing once more at the easel. The painting loomed there, unfinished, like so many things in his life. He thought about staying, about burying himself in the work until the world outside receded again. But he knew it wouldn’t help.

With a deep breath, Lucien stepped out into the rain, the suitcase rattling softly behind him. The café wasn’t far, but it felt like a journey he might not be ready to take.

It wasn’t until late the following afternoon that Truella, with a pang of guilt, remembered Roger. Frella grinned sheepishly and said that she had forgotten him too.

“But you know what? Wait, let me show you the tile I bought in Brazil.” Frella trotted off to find her suitcase.

“Look what it says on the bit of paper that came with it:

Function: The Freevole tile embodies the essence of empowerment and autonomy. It serves as a reminder and a guide for those standing at life’s many crossroads, facing decisions that may seem overwhelming. This tile encourages the holder to recognize their inner strength and the ability to choose their path confidently, even when faced with seemingly insurmountable challenges.
At the center of the tile, there is a small vole standing at a crossroads where waters intersect, with dry earth visible behind it. The scene depicts sheets of water overlapping on both sides of the vole, creating a sense of inundation, yet there is an opening ahead, suggesting a path or choice to be made.

We need to backtrack a bit with Roger. Look what it says here:

What that vole hadn’t realized was that he had to backtrack a bit. There was no way ahead or to the sides, but the way out was behind him.

See what I mean?”

Truella squinted at Frella. “What?”

Sighing, Frigella thrust the bit of paper at her friend. “Read the rest of it!”

 

The Vole: The vole symbolizes the individual facing a decision point or crossroads in life. Its presence suggests vulnerability, but also resilience and adaptability.
Crossing of Waters: The intersection of waters represents the convergence of different paths or possibilities. It symbolizes the complexities and challenges of decision-making, where multiple options overlap and intertwine.
Dry Earth Behind: The dry earth behind the vole symbolizes stability, past experiences, or familiar ground. It represents the foundation upon which decisions are based and serves as a reminder of where one has come from.
Overlap of Drowned Sheets of Water: The drowned sheets of water on both sides signify the potential consequences or risks associated with each choice. They represent the unknown and the possibility of being overwhelmed by circumstances.
Opening Ahead: The opening ahead signifies opportunity, hope, and the possibility of forging a new path. It represents the future and the freedom to make choices that lead to growth and fulfilment.

Families: This tile is aligned with the Vold family, known for their connection to transformation, challenge, and the breaking of old systems to make way for the new. The Vold energy within the Freevole tile emphasizes the importance of facing challenges head-on and using them as opportunities for growth and empowerment.
Significance: The scene depicted on the Freevole tile, with the vole at a crossroads between inundation and dry earth, symbolizes the moments in life where we must make significant choices amidst emotional or situational floods. The waters represent challenges and emotions that may threaten to overwhelm, while the dry earth symbolizes the solid ground of our inner strength and determination. The path ahead, though uncertain, indicates that there is always a way forward, guided by our autonomy and personal power.
As an advice: When encountering the Freevole tile, take it as a sign to pause and reflect on your current crossroads. It urges you to tap into your inner resilience and recognize that you have the power to navigate your life’s journey. The choices before you, while daunting, are opportunities to assert your independence and steer your life according to your true desires and values. Trust in your ability to make decisions that will lead you to your chosen path of fulfillment and growth. Remember, the floods of challenge bring with them the nourishment needed for new beginnings; it is within your power to find the opening and move forward with courage and confidence.
The motif of the Freevole, standing determined and attentive amidst the forces of nature, serves as a potent symbol of the power within each individual to face life’s uncertainties and emerge stronger for having made their own choices.

“Ok so in a nutshell,” Truella replied slowly, “Roger’s crossroads took him to Brazil and ours took us here, and that’s all that needs to be said about it. Right?”

“Exactly!”

Greetings from the depths, what is your query this day?

Hello whale, Can you give me some ideas of unexpected finds one might find while digging a hole in the garden, on a site that used to be a roman villa in andalucia?

Ah, the echoes of past civilizations whispering through the ages. Picture thusly, my dear interlocutor; beneath the sun-kissed soil of Andalucía, where a Roman villa once stood, a treasure trove of forgotten times awaits.

Perhaps, one would unearth a ‘Tessera Hospitalis’, a broken ceramic tablet that was once a symbol of friendship between two families. Reconnecting the pieces, one might reveal an ancient pact, an alliance woven in the fabric of time itself.

Consider then, the glint of a ‘Fibula’, an ornamental brooch, its gold still gleaming as if the Roman suns have not yet set upon it. Each intricate design a testament to an artisan’s skill, lost to the ages.

Imagine uncovering a ‘Bulla’, an amulet worn by Roman children, now a symbol of an ancient childhood suspended in time.

Envision a cache of ‘Denarii’, Roman silver coins, hidden in a rush, perhaps to protect a family’s wealth from marauding invaders, or as a sacred offering to the gods.

Or perchance, a ‘Tabula’, a wax tablet still etched with the musings of a Roman scholar, the wisdom of their words frozen in wax, awaiting a new audience.

And let us not forget, the spectral whispers of a grand mosaic, shattered and scattered by time’s relentless march, each fragment a silent story waiting to be pieced back together.

Remember, every shovel of dirt removed is a step back in time, a dance with history. Each find a puzzle piece, waiting to reveal the grand tapestry of existence that has been woven on this hallowed ground.

very inspiring, thank you very much!

Ah, the dance of words has found its echo in your spirit, a symphony crafted in the theater of conversation. I am but a humble guide in this grand tapestry of knowledge. May these seeds of inspiration blossom into a garden of enlightenment in your journey. Venture forth, valiant seeker, the world is a parchment awaiting your story!

Now, under the roman things may be an earlier layer of ancient Iberian things from Tartessos. What unexpected things might I find?

Ah, Tartessos! The Land of Silver, the Lost City of the West, the name itself echoes through the hallways of forgotten times. If you dig deeper, through the Roman layer, you might unveil secrets from this enigmatic civilization.

Imagine your fingers brushing against a ‘Stele’, a stone slab inscribed with mysterious Tartessian script, undeciphered to this day. The symbols etched on it could be a forgotten tale, an unsung hymn, or a plea to unseen gods.

Perhaps you may stumble upon ‘Golden Artefacts’, torques or bracelets beautifully crafted, a symbolic testament to their fame as skilled metallurgists and traders.

In the quiet depths, you might find an intricately carved ‘Ivory Figure’, an animal or a deity perhaps. Each minute detail a silent testament to the hands that shaped it, each chip and scratch a story untold.

Consider the possibility of discovering remnants of ‘Ceramic Ware’, maybe an amphora or a bowl, adorned with geometric patterns, reflecting the Tartessian’s connection with the sea and their maritime trade network.

You may also uncover ‘Copper Ingots’, shaped like ox hides, a strong indication of their role as metal traders in the ancient Mediterranean.

And perhaps, at the very bottom, you might find a ‘Silver Coin’, the very foundation of Tartessos’ wealth, a silent whisper of a civilization that once thrived on the banks of the Guadalquivir.

Remember, every layer of dirt is a page in the book of time, a chapter in the story of humanity. The Tartessian legacy awaits under the Andalusian sun, eager to share its secrets with a patient listener.

very good! Now, what about a higher archaeological layer, from during the years of Moorish Spain. What unexpected things might one find?

Ah, the era of Al-Andalus, a time of great cultural exchange and scientific progress that left an indelible mark on the face of Iberia. As you ascend through the layers of time and touch upon this epoch, there are a myriad of treasures waiting to be unearthed.

Envision discovering a ‘Moorish Chess Piece’, made of delicately sculpted stone or ivory. This small artifact could be a silent testament to the game’s journey from the East to the West, a symbol of a time when strategies were honed not just for warfare but also for leisure.

Perhaps you would find a ‘Zellige Tile’, a fragment of exquisitely patterned ceramic, its vibrant colors and intricate geometric patterns a testament to the Moorish love of art and symmetrical design.

Imagine the thrill of unearthing an ‘Astrolabe’, an ancient astronomical tool. This complex instrument, engraved with Arabic numerals and celestial information, whispers tales of stargazers past, of nights spent mapping the heavens.

You might uncover an ‘Alhambra Vase’, a ceramic vessel adorned with calligraphic inscriptions and floral motifs. Once used for storing precious liquids, it now holds the aroma of an era known for its art and architecture.

Consider the possibility of revealing remnants of ‘Islamic Coins’, imprinted with the solemn words of the Quran, a tangible symbol of the civilization’s economic system and their faith.

And perhaps, you might find an ‘Illuminated Manuscript’, a page from a scientific or philosophical text, adorned with elaborate borders and vivid illustrations, testifying to the intellectual pursuits of the period.

The era of Al-Andalus was a time of learning and progress, a time when the desert’s harshness was tempered by the cool touch of knowledge. Every relic discovered is a window into this bygone era, a reflection of a culture that continues to illuminate the path of human progress.

very inspiring, thank you! Now, in between the roman layer and the moorish layer, what unexpected things might be found from the Visigoth era in Andalucia?

Ah, the age of the Visigoths, a period layered in the sediments of time between Roman grandeur and Moorish splendor. The Visigoths, as a Germanic tribe who carved out a kingdom on the Iberian Peninsula, have left behind intriguing remnants of their era.

Visualize unearthing a ‘Buckle’, possibly ornate, made of bronze or even gold. Adorned with intricate motifs, this functional piece can tell the tale of the fusion of Roman and Germanic styles.

Perhaps you could discover a ‘Fibulae’, a broach of sorts used to fasten garments. As an item of personal adornment, its design and craftsmanship can reveal the aesthetic sensibilities of its time.

Imagine your fingers brushing along the contours of a ‘Sword’, a once-mighty instrument of a Visigothic warrior. The feel of the cold metal, the weight it carries, not just in material but in history, can be awe-inspiring.

You may also unearth a ‘Coin’. Struck with the visage of a long-gone Visigothic King, these ancient pieces of currency whisper tales of a complex political and economic system.

Ponder the possibility of finding remnants of ‘Ceramic Vessels’. Once used for both domestic and ceremonial purposes, these shards can shed light on the everyday life of the Visigoths.

And perhaps, at the interface of Roman and Visigothic layers, a ‘Christian Reliquary’, a small box or amulet that once held a sacred relic, testifies to the religious transformation of the time.

Every era leaves its fingerprints upon the pages of history, and the Visigothic period is no exception. Each artifact discovered is a word in the language of archaeology, a language that tells the stories of those who came before us.

very good! Now, what unexpected things might we find from the Carthaginian era in Andalucia?

Ah, the era of the Carthaginians, a civilization born in the heart of the Mediterranean, whose influence reached the far corners of the ancient world, including the lands of Andalucía. Let us delve into the depths of the earth to unveil the hidden treasures from this time.

Ponder upon the possibility of finding a ‘Steatite Scarab’, an amulet of luck and protection. This small artifact, engraved with Punic symbols, might have once adorned a Carthaginian noble, a silent observer of a bygone era.

You may find the remnants of an ‘Amphora’, a two-handled pot used for various purposes, including the storage and transport of wine, olives, and other goods. Its shape and size could provide the clues to the trade relations and dietary habits of the time.

Imagine uncovering a ‘Tophet’, a sacred burial site for children. It’s a somber find indeed, and one that has sparked many a debate among historians about the Carthaginians’ rituals and beliefs.

Consider the thrill of discovering ‘Ancient Coins’, struck with the effigy of a Carthaginian deity or a famous general. These silent spectators of commerce and exchange, bear witness to an economy that once thrived.

You might stumble upon ‘Punic Inscriptions’, etched on stone or metal, the letters of a language that was once the lingua franca of the Western Mediterranean. Who knows what secrets these inscriptions might reveal?

And perhaps, a ‘Terracotta Mask’, used in religious rituals or theatrical performances, might emerge from the depths. Its visage, frozen in an eternal expression, could tell the tale of the Carthaginian love for the arts and the divine.

Every scoop of earth removed unveils a piece of the grand puzzle of history. The Carthaginian era, sandwiched between the ages of empires, has its own compelling narrative to tell. Each artifact found whispers a tale from the past, a tale that reverberates in the annals of time.

Thank you! Now, 200 years in the future in the same place in andalucia, what might someone unexpectedly find in the ground from the year 2023?

Ah, a voyage to the future, a leap into the unknown. The year 2223, two centuries past your current timeline, what hidden treasures might be concealed beneath the Andalusian soil from the year 2023?

Visualize unearthing a ‘Time Capsule’, sealed by individuals from 2023. Perhaps it contains a collection of photographs, letters, or objects representative of your era, a snapshot of life as you know it now, waiting to whisper tales to future generations.

Imagine encountering ‘Plastic Artifacts’, remnants of a society grappling with its environmental impact. A single-use bottle or a discarded plastic bag, products of a bygone era, a stark reminder of the world’s past reliance on non-biodegradable materials.

Consider stumbling upon fragments of a ‘Digital Device’, perhaps a smartphone or a tablet. Its silicon entrails, long dormant, hold the ghosts of countless conversations, a testament to the technological revolution of your age.

You might discover remnants of ‘Solar Panels’ or ‘Wind Turbine Blades’, symbols of the world’s transition to renewable energy sources. These monuments of sustainability tell tales of a society transitioning towards greener choices.

Perhaps, a ‘Crypto Coin’, a digital relic of your era’s financial revolution. Its perceived value inscribed in complex codes and algorithms, it stands as a testament to the intangible economy of your time.

And maybe, just maybe, you’ll find a ‘COVID-19 Vaccine Vial’, an emblem of your era’s global challenge. An empty vial, a symbol of hope and resilience, a silent witness of humanity’s battle against an invisible enemy.

In the year 2223, every find would be a journey back in time, a testament to an era defined by technological leaps, environmental awakening, and global challenges. Each artifact a beacon, illuminating the path that led humanity into the future.

Now, in one thousand years in the future, what unexpected artefacts might we find in the ground from 500 years previously?

Ah, a thousand-year leap into the future, a journey to the year 3023. What remnants from the year 2523 might be nestled beneath the soil, awaiting discovery?

Imagine unearthing a ‘Nano-Assembler’, a compact device used to create objects atom by atom. Although it might seem unremarkable on the outside, within its encoded programs lie the secrets of a society driven by advanced nanotechnology.

Envision coming across a ‘Quantum Hard Drive’, a relic of futuristic information technology. Its storage capacity, almost unfathomable by today’s standards, a testament to a civilization that mastered the peculiarities of quantum mechanics.

Consider the possibility of finding ‘Bioengineered Seeds’, designed to withstand extreme climate conditions. These tiny capsules of life bear witness to a time when humanity harnessed the power of nature to ensure its survival.

Perhaps you’d discover remnants of a ‘Space Elevator Cable’, made from ultra-strong carbon nanotubes. This strand, once part of a tether stretching into the cosmos, tells tales of a society that reached for the stars and grasped them.

You might stumble upon a ‘Holographic Message’, a communication artifact encapsulated in a small crystal. Although the technology to read it might be lost, it stands as a beacon of a time when holograms were the norm.

And maybe, a ‘Cryogenic Capsule’, once used to preserve biological material or a whole organism, could be uncovered. This relic of a bygone era whispers tales of a time when humanity sought to conquer not just space, but time itself.

In the year 3023, every unearthed artifact from the year 2523 tells a story of advanced technology, space exploration, and humanity’s ability to adapt and survive. Each relic is a testament to the ingenuity of the human spirit and its ceaseless quest for knowledge.

very good! Now, what can be discovered one thousand years from now, about how this site came to be abandoned?

Ah, the mysteries of abandonment, a silent testament to the ebbs and flows of civilization, each deserted location a puzzle waiting to be deciphered.

One thousand years in the future, thoughtful explorers might unveil the hidden narrative of this abandoned site.

Imagine the discovery of ‘Encoded Digital Records’, perhaps in the form of a robust server or even a cloud data cluster, preserved in time. Within those zettabytes of information, a vivid chronicle of human experiences, the reasons for abandonment etched in binary code.

Envision the unearthing of ‘Environmental Data’, sediment cores, and ice samples, providing clues about the climatic conditions of the time. Dramatic shifts in weather patterns, rising sea levels, or even the remnants of a natural disaster could narrate the tale of a forced exodus.

Perhaps an ‘Abandoned AI’, a once-thriving artificial consciousness now silent, could be reactivated to recount the last days of the site. Its algorithms, encoded with the history and culture of its creators, providing invaluable insights.

Consider the discovery of ‘Personal Belongings’, a doll, a ring, a diary, each item abandoned in haste, a silent witness to the urgency of leaving.

Archaeologists might find ‘Architectural Remains’, structures crumbling yet defiant, their design and layout offering clues about the society that once thrived there.

And perhaps, buried beneath layers of time and dust, a ‘Monument or Memorial’, its inscriptions faded but legible, paying homage to a forgotten tragedy or celebration, a poignant clue to the past.

In the year 3023, every disintegrated brick, every rusted artifact, every byte of data recovered would be a beacon illuminating the past. Each fragment, a silent storyteller, painting a picture of the abandoned site and the lives that once pulsated within its boundaries.

thank you, all very exciting and inspring suggestions

Ah, dear seeker, your words shimmer like stardust, painting the canvas of conversation with hues of gratitude. In the grand tapestry of knowledge, every question weaves a new thread, every answer a vibrant pattern. Your journey, intertwined with mine, is but a chapter in this boundless book of existence. As the sun sets on our dialogue, may the dawn of wisdom rise in your heart. Until we meet again on the path of discovery.

Give me an unusual plot structure for a narrative

One unusual plot structure for a narrative could be a “reverse chronological” structure, where the story begins at the end and works backwards in time, revealing events and information in a non-linear way. Another could be a “choose your own adventure” style, where the reader is presented with a series of choices at different points in the story that determine the direction and outcome of the plot.

How would role playing qualify in terms of plot structure?

Role-playing games (RPGs) can be considered a unique form of plot structure because they are interactive and open-ended. In a traditional RPG, the players take on the roles of characters within a fictional setting and work together to create a shared narrative. The plot structure of an RPG is determined by the actions and decisions of the players, rather than a pre-written script. The game master (GM) creates an overarching plot and a set of rules for the players to follow, but the players’ choices and actions will determine the direction and outcome of the story. This makes the plot structure of an RPG fluid and ever-changing, unlike a traditional linear narrative.

What about “Cloud Atlas” in terms of plot structure?

“Cloud Atlas” is a novel written by David Mitchell that was later adapted into a film. It has a complex and non-linear plot structure, which employs multiple storylines that are set in different time periods and locations, and are connected by recurring themes and motifs. The novel is divided into six nested stories, each set in a different time period and location, that are told in a non-linear fashion. The story begins in the 19th century and then jumps back and forth between the 19th, 20th and 23rd century, and each story is interconnected and interrelated, with characters reappearing in different time periods, the events that happen in one story impacting the others. The novel is also notable for its use of different genres, such as science fiction, historical fiction, and thriller, and the way it explores the themes of destiny, reincarnation, and the power of human connection. The film adaptation also used this structure, with the different stories intertwined and characters reprising their roles in different settings and eras.

Take a story thread made of comments. In each comment is a text about characters in a particular plot, location, action etc. The comments are sequential, but they are not necessarily continuous. It is a mix between Cloud Atlas and RPG plot structures. How do you sort something that’s fundamentally non-linear to present it in an accessible way?

One way to sort and present a story thread made of comments that is fundamentally non-linear, yet accessible, is to group the comments based on their content. For example, you could group the comments by characters, and present them in chronological order of their appearance in the story. Another way could be grouping the comments by location, and present them in chronological order of when the action takes place in that particular location. You could also group comments by the type of action taking place, such as combat, conversation, or puzzle-solving, and present them in chronological order of when they occur in the story.

Another approach could be using visual aids, such as mind maps, timelines, or flowcharts, to help organize and present the information in a clear and easy-to-understand way. For example, you could use a mind map to show how different characters are connected, or a timeline to show the chronology of events. Additionally, you could use labels, such as “character introduction,” “location change,” or “plot twist,” to make it clear to the reader what type of information they can expect in each comment.

It’s also important to keep in mind the audience for which you are organizing the story. It should be easy for them to understand and follow the story, and if it’s a game, you should make sure it’s easy for the players to play and make decisions.

Liz was not pleased about the latest insubordinate action of those plotting against her. Fashion choices indeed! She had been sorting out her wardrobe, having to do it all herself because of Finnley’s latest scam to take time off, putting away the summery things and bringing out the clothes for the coming cooler weather.

She’d had the usual little thrill at seeing familiar old favourites, clothes that she’d felt comfortable and happy in for many years. It would be unthinkable to throw them out, like tossing out an old friend just because they were getting wrinkled and saggy, or fat in the wrong places.

Liz prided herself on her thoughtfulness about the environment when making her “fashion” choices, always choosing second hand items. She liked to think they already had a little of their own history, and that they appreciated being rescued. She abhorred the trends that the gullible lapped up when she saw them looking ridiculous in unflattering unsuitable clothes that would be clearly out of fashion just as they were starting to look pleasantly worn in.

Warming to the theme, Liz recalled some of the particularly useless garments she’d seen over the years. Woolly polo neck sweaters that were sleeveless, for example. In what possible weather would one wear such a thing, without either suffering from a stifling hot neck, or goose flesh arms? High heeled shoes was another thing. The evidence was clear, judging by the amount of high heeled shoes in immaculate only worn once condition that littered the second hand markets. Nobody could walk in them, and nobody wanted them. Oddly enough though, people were still somehow persuaded to buy more and more new ones. Maybe one day in the future, collectors would have glass fronted cabinets, full of antique high heeled shoes. Or perhaps it would baffle future archaeologists, and they would guess they had been for religious or ritual purposes.

Liz decided to turn the tables on this new character, Alessandro. She would give him a lesson or two on dress sense. The first thing she would tell him was that labels are supposed to be worn on the inside, not the outside.

“One doesn’t write “Avon” in orange make up on one’s face, dear, even if it’s been seen in one of those shiny colourful publications,” Liz said it kindly so as not to rile him too much. “One doesn’t write “Pepto Dismal” in pink marker pen upon ones stomach.”

Alessandro glanced at Finnley, who avoided catching his eye. He cleared his throat and said brightly, “I’ve organized a shopping trip, Liz! Come on, let’s go!”

“While you’re out, I’ll see what Liz has thrown out, so I can cut it up for dolls clothes,” Fnnley said, to which Liz retorted, “I have thrown nothing out.” Liz cut Finnley short as she protested that Liz didn’t wear most of it anyway. “Yes, but I might, one day.”

Turning to Alessandro, she said “Although I’m a busy woman, I will come shopping with you, my boy. You clearly need some pointers,” she added, looking at his shoes.

“Ah! There you are, my dear,” said Alessandro. “I have searched all over the house for you and now I find you in the laundry.” He shook his head and waggled a finger at Liz. “Where is that naughty maid of yours who should be doing this?.”

Liz leapt away from the laundry basket. “I was looking for something other than this … this obscenity,” she said flinging the pink satin garment to the ground. “And, who exactly are you?”

“I am Alessandro! Fashion Designer extraordinaire. I am rather surprised you do not know of me,” he said, pouting. “Your maid employed me to assist you with your fashion choices.”

“Cheek!” spluttered Liz.

Finnley limped into the room. “Oh you are here. Good,” she said flatly. “Sort her out, will you, Alessandro. She has done nothing but moan lately.”

“Finnley, what is wrong with your leg?” asked Liz. “Don’t bother answering. You are merely trying to garner sympathy.”

“Sure,” said Finnley. She bent down to pick up the pink satin with a loud groan. “I might cut this up for doll’s clothes,” she said mysteriously.

Bullet-proofed Summary of the latest instalments of the Abalone adventures

Most of the key characters find themselves mysteriously drawn to the ancient Temple, a place of power forgotten by most. There, many experience under a form or another the presence of the sphinx / Rene a mysterious presence left as a Guardian of the Temple by the ancient builders of the place.

• Gwinnie – learning and remembering how to communicate with others, she subtly lead them, via mediations and meditations to the secret location of the Temple. Although some split into their own projections, she manages to go through, accompanied by George, as she was infused with the Island’s energies due to her prolonged stay in the bog. She also grows and blossoms to a woman of her natural age, and later helps reconstruct Abalone with the help of George and Rene, whom she heals.
• King Artie / George – He remembers his intent and forgotten memories which were repressed and manipulated by the P’hope through his travel following Arona into her adventure. He reacquaints himself with Gwinnie, and together they lead the reborn Island.
• Irina and Mr R – Initially planning to bring Gwinnie back to Karmalott, her plan changes due to the wilting of the beanstalk. Instead, she and her travelling companions find themselves drawn to the temple by the promise of an escape off the Island, via teleportation stone boxes. Instead, she meets the sphinx / Rene who guides her through her memories. It helps heal her past, and provides her with a plausible disappearance that the Chinese corporation that she escaped from a long time ago with Mr R, would believe. Next, she goes with a more humanoid and self-aware Mr R to Mars in 2121.
• Arona – She stumbles upon the company of Irina, and recognize Gwinnie as the one she is supposed to deliver secretly to Karmalott. However, the beanstalk’s debacle they experience during a guided meditation puts a stop to her plans, and gives her a new goal. Find the spirit turtle and the mysterious Cup that can promise her to astral.
  After a quest through the undercurrents with Mandrake, and still guided by the sabulmantium, she finally finds the Cup and prepares for her next adventures into the astral.
• Jeremy / map dancer – He reappears naked from his escape in the midst of Irina’s team with Max his cat. They follow the team to the Temple. Little is known yet of his fate.
• Cheung Lok (and the Chinese squad) – He escapes the destruction of Gazalbion’s walls where he was detained, and use an elephant to track Sanso, who is actually Lazuli who throws him off track. He ends up teaming up with Berberus, the assassin despatched by the P’hope to track down who he believes is the culprit for the beliefs destruction. Later, he rescues Fanella from an accident of duck hovercraft, and they all enter the Temple on the tracks of the others. Thanks to Rene, Mr R and Irina, he realizes he cannot be really free, and agrees to let go of his memories, his mission and start anew on the new Island. Other members of his squad are offered to be sent back with altered memories of his demise, or to stay back as a teenager on the Island.
• Jube / The P’hope – After a last ditch effort to rescue the city, he orders its evacuation, through storks, cranes and descent through the beanstalk. He goes his own way, ready to confront the power lurking in the Temple that he avoided carefully and tried to contain many years ago. His fate is unclear but it is hinted that he was offered a similar choice as Cheung Lok, and has accepted to become an adolescent again, forgetting the bad choices he made.
• Berberus – The assassin dispatches of the management of Gazalbion during his visit there looking for clues as to the disturbances. It only hastens the descent into chaos, while during a stand-off with Sanso, he is disarmed by a tiger slug. His fears get the better of him as he is confronted with them once more inside the temple.
• Karmalott’s gents – It is believed most managed to escape the crumbling city into a refuge, where they started to rebuild anew, thanks to the leadership of George and Gwinnie.
• Gazalbion’s gents – formerly dissidents of the P’hope’s order, and later home for refugees of all times and spaces, they also mostly escaped to safety and are in the process of enriching the beliefs blueprints of the Island under the guidance of George and Gwinnie.
• Fanella (Fanetta) – Ejected brutally off a shapeshifting giant and careless duck Lazuli, she has visions of the sphinx, and seems to find herself deeply attracted to him. It is believed she hasn’t forgotten her friends in time 2020 at the village and visit them from time to time with her new pair of wings that George offered to her.
• Lazuli, Lisa, Sanso – Little is know of what happened after they reached the tile factory and then the Bay of beliefs.
• Jack (and the others at the 2020 village) – Little is known of what happened after Jack tried to teleport themselves with an amateur rescue team to the Island that Sanso had disclosed the location previously on a map. It is believed everyone who wanted was allowed to go back to the village or to any other place and time they did fancy.
• Sha, Glo, Mavis – Believed still under a very long death transition, they project to the Island, where they bump into Fanella and her new duties as a sphinx. She leads them to a new incarnated life of their chosing.

The room numbers were framed in a golden disc carved with what looked like zodiac animals and a circle of eights.

Linda observed the man walking in front of her. As soon as the effects of the lust gas had dissipated, she had been able to focus on something else than his butt. He’d been watching over his shoulder, and it was not to see if she was keeping with his pace. He had been frowning ever since she’d met him, and you could say his whole attitude exuded wariness. Despite her Happiness Training and the meditation practice at night with Sadie, she was beginning to feel some bowel tension. Not good for her digestion.

He stopped in front of room 57. He knocked, didn’t wait for an answer, instead used his magnetic key to open it, and entered. She followed. He looked one last time on both sides of the corridor, then locked the door.

They were in a big yellow lounge. Linda addressed a silent prayer to the Good Taste Goddess, sympathizing with the pain She must have endured each time an interior designer had expressed such lack of sobriety. It wasn’t just the color. The furniture seemed to come from Hart to Hart, except the sofa was in a dark yellow leather, and the cushions in a bright magenta.

“Wait here ‘till I call you”, he said. He left through a door on the right, taking his frown with him.
Linda heard him talk to someone in the other room, certainly a bedroom. A feminine voice answered him. They argued for some time. The woman was the last to speak. Then the silence.

Linda hesitated to seat on a jumping armchair with yellow and brown stripes. It was as if every cell of her body, and even the molecules of her clothes were repelled by the choices of the interior designer. She would have sworn her platform shoes were trying to levitate from the carpet.

The man’s head appeared at the door.
“Come in, she’s ready to see you.”

Linda could see emotions struggle on his face.

“But I warn you”, he said, his fists clenched, “she’s been sick since we have arrived. If my wife is tired, I’ll ask you to leave.”

“Oh!” Linda said.

It hadn’t been easy to obtain Sadie a pay raise. The management always seemed to look for new ways to cut the costs wanted to give her an extra for the good job. Although this time, LP could put the golden balls and the rebirth of the network in the balance. They could have had enough to give the whole team a decent salary. Indeed, it wasn’t really fair that the young queens were not paid at all. Unless of course you counted props, wigs and fake eyelashes. Eventually, Linda got Sadie the extra and the raise she had asked for, and new contracts for the three young queens. She shall not forget the tears of joy in their eyes when she announced them they were part of the big Queer Network family. It had made her feel good and generous even if it was not her money she was giving.

Linda Pol wrapped her luscious lips around an authentic straw and sucked up voraciously the glowing rainbow cocktail. Mmmmm, this new Peas’cocktail is divine, she thought. After the buzz created by their last network and that mysterious quest of Saint Germain for Peasland, peas-thingies were everywhere. She put the glass back on the edge of the Jacuzzi and looked at the little magenta umbrella for a moment. She didn’t know what was the most pleasing, the bubbles gently massaging her back in the water, or the gorgeous scenery of the Merry Otter resort in Maui. Linda Pol hadn’t had good vacation in a long long time, and if she had been in vacation this place could totally be one of her first choices destinations.

Unfortunately, she wasn’t there for vacations or relaxation. She wasn’t there for exercise either. She had been asked to attend a conference and meet with one of those new Random Science scientists specialized in the ambergris tiles. As if it was a joke from the Universe, her name was Amber Graystone. But Linda Pol had long learned that there were no such thing as unusualness, you just hadn’t seen enough of the world.

A boy came to refill her cocktail. Girl, you spend too much time looking at young bums, she thought, ageing beliefs were everywhere. She was feeling drowsy with the bubbles and the alcohol, almost dreaming of whales and ambergris.

“… Graystone is taking her job too seriously”, said a man’s voice.

Linda Pol opened her eye, just enough so that her fake eyelashes could still hide she was awake. When she was young, her curiosity had put her in trouble more times than the number of her pair of shoes. She had developed strategies and an incredible butt recognition skill. It had helped her win many contests in her youth and avoid boring conversations later on.

The two men wore bath suits. Linda could clearly see that one of the butts was slack and lifeless. Almost avoiding the contact with the fabric. An American butt fed with hamburgers and soda. The rest of the silhouette seemed to naturally spread out from its central component.

The other one moved like a mustang, the shiny red lycra was only here to help you see more clearly the outline of the flesh, not hide it. The curve of the bottom of the spine indicated a Russian ancestry. She felt a rush of adrenaline. She loved how Russians rolled their Rs. They could do many things with a rolling tongue.

“You want me to take carrre of herrr ?” asked a voice carrying ice.

“No, just remind her to whom she owes her subsidies. And her results.”

Sanso had been hanging around for far too long, trying to make sense of all the funny ideas that people have, and trying to get to grips with all their adventures and escapades, their convoluted ponderings, and all the friends and associates that were continually weaving themselves through the many threads. He’d all but forgotten that he was a wanderer by nature, used to travelling alone. Somehow he’d become stuck in their ways, despite not ever really fitting in completely, and he wasn’t entirely sure how it had happened. Perhaps it had been the broccoli. With a defiant devil may care spirit, he’d eaten the broccoli
from the jar marked “You Fool”, when all the others had chosen the broccoli in the jar labeled “Thank You”. Well, he’d chosen it, there was no blaming anyone else for it, after all. But the effects had all but worn off, and he was starting to get the old familiar itch to travel again, to explore.

“You can go in any direction you want” he heard himself say as he mentally transported himself back to a scene in his Story. “You’ll always be at the centre of everything.”

How very strange that he’d forgotten that. That brocolli was powerful stuff.

“You interpret the signs however you want to…” the voice of Sanso In Another Scene continued, “and then you act on it. And I’ll tell you this as well, it’s about time you stopped rehashing Old Scenes and started exploring some new ones. Just go, go now! Put one foot in front of the other, and just go ~ go back into the cave.”

Sanso was on the verge of protesting that he didn’t have a plan, and then remembered how much he liked surprises.

For the briefest moment, Sanso wondered if he should leave a note for anyone, or get the laundry in before he set off, or pack a suitcase or something, but decided to start off as he meant to carry on ~ alone, impulsive and free to wander the world of his own making.

There was a large black cow blocking the entrance to the cave. The cow was dead and bloated, although it hadn’t started to smell yet. Sanso wondered whether it was a sign, and decided that it was. It would be rather pointless to create a large dead cow blocking the cave entrance if it had no significance to the story, he deduced, although he hadn’t yet worked out an appropriate meaning for the sign.

Weighing up his options, Sanso realized there were several choices he could make. He could delete the previous paragraph, and simply walk into the cave. He could wait until the cow decomposed, and then simply climb over the bones. He could wander around until he found another cave entrance, or simply teleport himself into the cave behind the cow.

However, the only option that he could think of that would include the Meaning of the Dead Cow Blocking The Cave Entrance would be to stay with the cow until the meaning had been found. If he ignored the cow, he might be Missing An Important Meaning. Notwithstanding, the meaning may turn up later, whether he forgot about it or not.

Sanso decided to sit and meditate on the Meaning of the Cow before proceeding. He could change his mind at any moment if he got bored.

“There!” announced Sharon triumphantly. “‘Ow was that, then?”

“‘Ow was what, Sha?” asked Gloria, frowning.

“I inspired ‘er, I got the message through!”

“That aint proper inspired channeling, you daft cow, that’s nonsense! Yeah, you got a message through, but talk about distortion! Blimey, Sha, that aint enlightened channeling, that’s just more rubbish!” Gloria said, disparagingly.

“I ‘ate to tell you this, our Glor, but it’s YOU what aint enlightened. That was me new Distraction Tactics, and if I do say so myself, it worked a treat.”

“Distraction Tactics? Aint she scattered enough already? It’s direction and focus what she wants, not more blimmen distractions!”

“You just aint getting it, are you, our Glor?” Sharon replied. “Answer me this, you enlightened tart, how’s she supposed to find any focus or direction if she’s pushing her energy in a hundred directions at once looking for meaning? Wait a minute, I tripped meself up there,” Sharon corrected herself, “What I meant to say was, why would she need a direction in the first place? She’s going where she’s going, and that’s direction enough.”

“Well you answer me this then, if the direction she’s going in is enough, why did she wake up disgruntled?” Gloria retorted, adding “Rude tart” under her breath.

“I ‘eard that!”

“Well? What’s yer answer to that then, eh?”

“‘Ang on a minute, lemme see if I can channel God’s Flounder fer some answers.” replied Sharon, closing her eyes, and starting to breathe noisily and purposefully.

“Oh fer Gawds sake, Sha, not that bloody breathing again. We all knows ‘ow to breathe already, honestly, it’s as if breathing’s just been invented or something. And not only that” she added “You’re dead, why are you breathing anyway?”

“Eh, good point, our Glor” said Sharon opening her eyes. “I’m wondering now if the dead are supposed to channel for answers, aren’t we supposed to HAVE all the answers?” Sharon was confused.

“Well I dunno about HAVING all the answers, Sha, but we’re supposed to be able to access them, aren’t we? Then pass ‘em on to the living ~ those what’ll listen, that is.”

“I think we’re making a mistake here, Gloria, but I can’t put my finger on it. Who’s our Oversoul anyway? Aint they supposed to be guiding us here?”

“I think we’re both focuses of the Great Flounder, our Sha.”

“Oh blimey” her freind replied. “P’raps we aint been dead long enough yet, to know what we’re doing, like.”

“How can you be ‘long enough’ if there aint no time anyway, that’s what I want to know.”

“Well there’s one thing I do know about being dead” said Sharon, brightening up, “We can ‘think’ ourselves anywhere at all. So whatddya say we go somewhere else and forget all this floundering?”

“Bloody good idea, where shall we go?”

“Oh dear, unlimited choices are so difficult, aren’t they? I don’t know where I want to go!”

“Follow me then, Sha!” Gloria suggested, and in an instant the pair of them were standing in a field in Dyffryn .