Ted was quite fond of Ogrean.
Twilight was a bit sorry for the sheriff, for she had thought him a good guy at first,… whatever that means… but obviously he was a bit blinded by the slickness of the slimy condescending Pompousaur.

But something interesting had happened this day, and she wondered how it would change things again.
Apparently, from what she had caught from the scene, Ted had left the saloon in a cold rage, and it was quite obvious that the Pudgeon was a bit distraught… What could have moved the jovial sheriff like that?

When she and Anna were changing clothes behind the scene after the representation, Anna started to talk quite freely and unexpectedly about the accident.

— That Marshall guy is not as silly as he seems…

As she was more talking to herself, Twilight didn’t answer.

— What d’ya reckon? Anna asked more directly
— Oh me? I don’t really know what happened…
— Don’t play dumb with me, girl. You’re smarter than you wanna show.

Twilight took some time to ponder…
— I don’t think that Ogrean tried to bribe the sheriff, not as obviously…
— Yeah…
— Apparently, he started to explain the sheriff who he was supposed to arrest, and that didn’t please him the least.
— More likely, yes. Definitely sounds like him…
— Anna?
— Yes?

Twilight almost wanted to tell her how she did understand Anna and how it must have been difficult for her with that child from Mc Gaughran, but she couldn’t express all of that.

— Terry is sweet.
— Yes he is, he’s a lovely boy. I love him so much despite…
— I know.

When she came back to their ranch, Twilight felt relieved somewhat about what had occurred. Perhaps that this era of heavy cloaked ruthless order incarnated by Ogrean was coming to an end.
She was a hopeless dreamer.

— The legend of Mævel — (Part VII)

Today was the Day of the Forgotten. Mævel had slept well, nestled into the soft and warm depth of her dreams, her head resting on the short blue fur of the fox.
In sharp contrast with the lovely night, she awoke strangely irritated. Even the birds songs were like noise to her ears, and every sound of the forest she heard with acute intensity and a sense of being submerged by many sensory inputs.
Hopefully, the blue fox voice was still very comforting, and she started to wonder how they could come across a Forgotten One in need.

— I think I know where we can find some Forgotten One in need.
— Where? asked Mævel

The fox paused, then answered her question:
— Near your human parents’ home.

Mævel was surprised. She trusted the fox, and never had really questioned him, because more than that she trusted her own feelings, but now her feelings were telling her that there was something the fox had not told her. Or had told her partially. She was silent, pondering the unseen implications.

— Mæ, I’ll try my best to answer your questions, but remember I cannot tell you everything. I can help you remember some things, but there are things that my curse does not allow me to reveal. You have to find them by your own, in order to free us…
— Free us? I thought you were the one Cursed?…
— Yes I am, and…
— How do you know my parent’s home? How much do you know about me?
— I know you since you are a baby actually. And even before…
— Before? I don’t understand a thing… I feel there are some unseen links, that I cannot decipher, yet they are so close to…
— You’re right, there are links, links that are important, and that I cannot reveal.
— Why can’t you reveal them?
— Let’s go to your human parent’s home…
— Why do you always say my human parents?

The fox blew in front of him, creating a wobbling sound into the air in the form of a ring large enough for them to go through it. And he hopped inside, disappearing in mid-air.

Mævel was perplexed, but did not hesitate. She hopped too into the watery ring in front of her and found herself falling into a void, to reemerge on a bed of dry leaves in front of her parent’s home. Blohmrik the blue fox was seated in front of her, observing a shadowy form at a distance in front of them.

— Is that the Forgotten One we will help?
— Yes.
— Why do you need me? You could help her, couldn’t you?
— She wouldn’t see me, Forgotten Ones are usually obsessed by a few people, those who they feel can remember them, and don’t usually see other people. Their perception is quite different than ours.
— Hang on a minute… Why do you think she will see me?

Mævel looked into the eyes of the fox, and she knew.

— We are linked.

It was more an affirmation than a question.
Mævel wondered who that shadowy figure was. When she focused on her, the form was getting more solid, and she could catch glimpses of how she looked like. And she was surprised. She was about her age, with long blond hair as hers.
Mævel’s voice was broken:
— My parents had told me I was about to die when I was a baby, then by a sort of miracle, I became healthy… Was that true?… I mean… Was that a gentle way of telling me that I had a twin who died or…
— No, Mæ. She is not you. She is not linked to you by blood. You can talk to her, she will listen to you.

So Mævel went to see the shadowy figure. She had stopped wandering and trying to find an opening around the house, for there were none for spirits: all openings were locked by stripes of red cloth hung onto the doors and windows.
Mævel felt the pain of the Forgotten One as she approached her.

— Who are you? she suddenly asked Mævel, raising her head at her approach.
— I am Mævel.
— Mævel… It means marvel of Maÿ… I was born in Maÿ…
— What are you doing here?
— This is my parents’ home.
— How is that possible?
— Twenty one year ago, I was taken away from them, given to Shaint Lejüs in place of a fairy princess. But Shaint Lejüs was no fool, he had sent his apprentice to spy on the fairy king.
— Blohmrik?!
— Yes, Blohmrik… But Blohmrik disobeyed the Elder God, and when he saw the exchange that was about to happen, he let it happen. He wanted to protect the fairy princess from his master. Because Shaint Lejüs wanted the princess as a bride. Ahahaha, how disappointed Lejüs was when he saw that I could not perform the most basic magic spells. I was good at nothing, so he let me go wandering into his Realm. He’d just thought the half-fairy princess had inherited no magic from her father.
— How do you know all that?

— I told her, the blue fox said. I was hoping to bring her relief. But she started to look for her parents, and Lejüs discovered the truth… Because she was not looking for a fairy king. She was heading here, year after year.
— That’s the reason of your curse, is it?
— Yes. She can’t see me because I was Forgotten too, in that form of a blue fox. But as Forgotten Ones don’t forget, I didn’t forget. I couldn’t tell her, because she couldn’t see me.
— So, I am that fairy princess you are talking about… that strange idea was starting to dawn on Mævel.
— Yes. When Lejüs discovered who you were, he wasn’t interested in you any longer, because he thought your magical potential had been irremediably damaged by all those years spent in human company.

— Who are you talking to? the shadowy figure asked, bemused.
— Blohmrik, he is here. But it’s untrue, Mævel said, there is magic in me.
— Yes there is, answered the blue fox, and you can undo what has been done with it.

Mævel remembered the useless key she had manifested when she had tried to go out of her human parents’ house. She had not even looked at it closely.

— You can manifest it again Mæ, said the fox. It is with you. You are its lock.

And no sooner had Mævel thought of the big rusted key, than it appeared in her hand again. But this time the rust on it was crackled, and it started to disintegrate, and a brilliant shiny metal started to show beneath it.

Scratching what was left of the rust, Mævel started to look at the beautiful key, it was shaped as a musical note, and it had some word written on it, in an ancient language she didn’t know how to read. But she knew the sound when she ran her finger on the surface of the word.

« Araoni »

That was her. She was remembering, and everything started to change.

The wedding of the God Blohmrik, son of Mirÿnda, Goddess of Mirth and of Bälias, God of the Sparkles with Araoni, daughter of the Fairy Queen Theÿa and the Fairy King Aldurion was pronounced on a bright day of Maÿ, in a beautiful orchard in the presence of Araoni’s human parents and sisters and brothers.

Even Lejüs had been invited, even though he would have preferred to be Forgotten…

And so my story ends… said Captain Bone to Tomkin.

— And was the shadow remembered by her true parents? had asked Tomkin.
— Oh, yes she was… Of course. She just didn’t want to steal the limelight from Mævel, you see. Her parents were happy of course to find back their true daughter.
— You didn’t tell me the name of the true daughter, did you?
— No, I didn’t, said Captain Bone with a wink.

The legend of The Weaving Princess

Once upon a time, in the Warring Kingdom of Landgurdy, lived the Yellow Princess Atiara. She was living with her father, the Yellow King of Landgurdy in the Subtle Palace of Aram Ardun, the capital.

The day of Her 20 ^th birthday was a very special day. As for any normal citizen of the Warring Kindgom, it was the day She fully became an adult. And furthermore, it was the day of Her wedding with the man to whom she was betrothed the day of her 12 ^th birthday, Prince Shomar At Gurna from the War Clan Gurna Drom.

The Yellow King had organized a sumptuous banquet in the Palace, and although the people of Landgurdy was not invited in the Palace, many banquets had been set all around the country. Only the War Clanners of Landgurdy were to be admitted in Her presence in this most special day.

At the very moment of the blessing by the Priest of Tatasi, the slaughter had already been perpetrated. The treacherous War Clanner Namad Gurdin had made an agreement with the Warring Kingdom of Cromash Tur. One of them had been replaced by the Assassin Varad Romash Karad Din, Master of this infamous Guild. Cromash Tur had sworn that very day would be the end of the Landgurdy. And it was. Many had tried to unfold the mystery of the sudden death of all the War Clanners and the Nobles present at that moment. The fact is that they were all found dead by the servants who were intrigued by the silence following the blessing… No wound, no trace of poison. The death of all these people remains a mystery.

Though, two were missing. The Assassin, and the Yellow Princess.

Cromash Tur’s army invaded the Landgurdy shortly after that… No resistance encountered, no more War Clanners to assure the safety of the land.

Though Cromash Tur’s Warlord always denied having captured the Yellow Princess, she was supposed held captive in an unknown shadowy place of the Marshes of Doom.

The Death Guards were keeping an eye on her, and every cloth, every dish, every book that was given to her was meticulously checked. Nothing was to bear the slightest trace of yellow. According to the legend, her family was famous with their use of this magic color, one of their most powerful talent was the control of the weather pattern, and the King of Cromash Tur feared strongly she would use her power to destroy his Kingdom if She could see a yellow dot.

The Marshes of Doom were so grey and shadowy, she could never see any trace of yellow there.

(to be continued)

— The legend of Mævel — (Part III)

When the blue fox had disappeared, deep into the woods, Mævel was left wondering if all of that had only been a dream. Perhaps it was just a dream, and something that would make her parents raise their shoulders in dismay.
Especially since she had lost their gift carelessly they would say, the little pearl white ribbon…

She picked up the clothes that were left hanging to dry up in the wind, and came back to the little house.

Of course, her father Jorg noticed that she was not wearing the ribbon, but he was not much of a question asker, and things were or were not, and analyzing them was unnecessary for him. But of course, Ilga noticed it too, and she felt sad for poor Jorg who had endured so many sacrifices to buy the little ribbon that Mævel was no longer wearing. She wanted an explanation! Was it no longer to Mævel’s tastes, had Mævel lost it?

So Mævel, who could not lie to anybody, told them her encounter with Blohmrik, the cursed god in the woods, in the shape of a wounded blue fox… and at each of her words, was seeing their faces more and more disconcerted.
Their poor girl, who was already so different, had completely lost it,… ribbon and all that was left of common sense in her.

So they locked her up in the bedroom, that she was now occupying alone, as all of her brothers and sisters had left. Just to save her from herself, and see if that would help her gain some more solid sense of reality.

Mævel understood her parents, but she was deeply contrite that they could not understand what she had lived. Mævel was still doubting the reality of her meeting the blue fox, so she asked for some sign from the Gods before going to sleep, to see clearly.

That night, Mævel dreamt of a dark-haired young man with a white diadem¹ around his head, dressed in a cerulean blue tunic and wearing a sword. He was enshrouded in a warm light and as she took the hand he was extending, they were carried away by a springing scented wind into a meadow of multicoloured flowers, some of which she had not even known could exist. She had felt at home.
When she woke up, in the middle of the night, Mævel was transfixed by the beautiful soothing dream. She could not remember much more, but he had told her something. That there was deep magic in her, and it would help her find her true home, but that she would have to gain back her true name from the Elder God who had took it from her.

She quickly took her decision. She knew she had to search for the blue fox in the forest. But how could she escape the locked bedroom? She was starting to feel desperate again, but she remembered that there was some magic in her, and how she had felt it deeply true in her dream.
As she was focusing on the warm expanding feeling of her dream, an old rusty key materialized in her hand.

—

¹ diadem: [ ˈdī-ə-ˌdem (dəm) ] from Greek diadēma, from diadein to bind around; akin to Sanskrit dāman rope — was originally a white ribbon, ending in a knot and two strips that were placed often on the shoulders, that surrounded the head of the king to denote his authority.

— The legend of Mævel — (Part II)

The young fairy princess, whose secret name had been forgotten, and thus her very existence to whoever had known her, grew up as a beautiful child.
Mævel she was, and the youngest of the clan too. Her delicate features stood out of the many children that Jorg and Ilga, her human parents already had, and they first saw her as probably their most useless child, being frail and unfit to the works of the woods. But she’d been saved from a sure death, and that had proved to them that the child was some odd gift from the Gods.

Mævel looking at her brothers and sisters, was constantly reminded of how different she was, as small and fair and fragile as a sparfly’s egg. She helped her mother Ilga as much as she could in the kitchen, preparing meals for the clan. Her parents did not know how she could ever get a husband, as she would never be much of a great cook either.
So, she was feeling not fulfilled by what she was doing. She loved her parents, and sisters, and brothers, but there was something else that she did not know how to express.
During the springing and sunny seasons, and even the rainy and icy one, she would go after her works had been done to the little meadow brook, and watch for hours the little rosy trouts dancing in the clear waters.

And much of her young years passed, and she learned how to cook, how to sew and how to wash clothes and many other tasks that could help the family. She had improved much in her skills and could do wonderful adornments to her sisters and brothers clothes. But noone cared about the adornments, which would be useless for them. But they loved their little sister nonetheless, though they did not understand.
Soon, all the elder brothers left the house, one by one, and the sisters too. And as Mævel turned twenty one, she was left alone with old Jorg and old Ilga.

That day, her parents had offered her a pearl white ribbon, for her to tie her hair, and they had thought it would probably please her, as it was as useless a thing as their mind could imagine. And indeed she was delighted by the gift, and to please her parents, she had danced and sung in the night, barefooted on the floorboard, her shiny golden hair swirling around her, as they both loved her to do.

The next day, Mævel went to the brook to wash some clothes, when she noticed a reddish bluish spark of light coming from the forest nearby. How strange she thought. Perhaps it is only my imagination. But soon, a plaintiff cry came from the same direction, and she was deeply moved by the cry.
Leaving her clothes to dry up, she went to the forest, knowing she could trust her instincts and that no wild beast would harm her. Calling to see if someone was there, a voice called her, crying “here, here!”

Behind some fern trees, she was surprised as she saw a wounded blue fox. Was it the fox that had spoken?
— Yes, that was me, answered the blue fox
— Oh, a talking fox! You are wounded, aren’t you? asked Mævel
— Yes, a stupid arrow from a stupid hunter… I can’t extract it, would you help me?
— Of course, answered Mævel, hold on a second.

And she leaned forward to draw the arrow from the fox’s leg, holding fast so that it would not hurt the creature. She was just knowing what to do, as if she had done it many times already. Then she drew out her white handkerchief, and bandaged the bleeding wound, tying it tightly with her pearl white ribbon.

— I must leave now, said the fox, I am greatly indebted to you, young lady
— Will you tell me your name?
— I am called Blohmrik. And may I inquire as to your name?
— I’m called Mævel, but you can call me Mæ
— Such a lovely name…
— How come you are a talking fox?
— I was not always in the form that you see now. This form is due to a curse from the God of the Forgotten, from which I foolishly tried to stole secrets when I was a young god learning magic.
— Ooh, so you are a god? Mævel was amazed
— Oh, smiled sadly the fox, as you are also, though you probably don’t realize. Gods are not so different than what you think…
— Oh, really? So there isn’t anything I can do for you, is there?
— You have already done much for today Mæ
Mævel was blushing… She dared ask to her new friend
— And will I see you again?
— Perhaps sooner than you know.

Blue quote thingy

The blue quote thingy is made with bq. (blockquote) at the beginning of a new line.

bq. will give that

will give that

If it extends to many paragraphs, then use

bq.. my long quote
continued

p.  *back to normal paragraph again*

my long quote

continued

back to normal paragraph again

You can have more details in the Textile help file for other more complex designs…

Searching

I tried in both the search tab, and the “quicksearch”, and it seems OK.

Only trick is in the search tab, when you look up, say… “Arona”… you have to click on the highlighted extract, and not on the title, if you want to be brought directly to the one of the many comments where Arona appears

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…

Huÿgens was not much of a cat person.

He liked his dogs because they were solid, loyal companions, and he could count on them to take care of his herd of langoats.

Langoats were a kind of three-eyed manic woolly and horned creatures, with a big sensing tongue, attracted to every new sound, or scent, or colour, or texture… well almost anything new that came before their eyes (when said eyes were not covered by thick layers of wool that is). And as their memory was short too, all kinds of things were always new to them.

That was why the dogs were extremely useful in channeling their movements; not that the langoats would have hurt themselves, because they were very able to provide for themselves, and jump from the top of a cliff without suffering much injuries. But they could very well loose all notion of their physicality and pop in and out of the fabric of time and space.

When they came back, because they always did magically come back, even after months of wandering, they would at times be reconfigured into another creature, and that would be pointless applying too much effort in trying to bring them back to their previous form, because it was said, in relation to their stubbornness that once a langoat, always a langoat…

Huÿgens had already lost some, especially during the shearing season.

And he had found himself back once with a cumbersome hippoliphant, and a bouncy shulimeek instead of two langoats.

Anyway, langoats wool was a very precious asset, highly sought after, as it could very easily bind with magical spells. Most of the clothes made for royalties were actually made with langoat wool, and it was also said that some enchanters had used langoat wool to make magical tapestries that would shapeshift, and reveal things to their owners.

So losing a langoat was not small concern for Huÿgens, and he had to be careful during the shearing season to leave some mops of hair to cover the three eyes of the beasts, so as to curb their insatiable thirst for discoveries.

But these days, Huÿgens had been very concerned about his herding dog Fjutch. Fjutch was a fluffy black dog he had found when it was still a puppy. He had trained it to become the head of his pack of dogs, when he had noticed the old rheumatic Thöm was taking the puppy under its wing —because the old faithful dog was knowing that it would depart and would reconfigure into a new form, but would not allow that to happen, not before he could have found a reliable companionship for his beloved master Huÿgens.

The healing properties of the langoat milk seemed to had done wonders once again, and Fjutch dis-ease was probably just a false alarm, but it had reminded Huÿgens how much he appreciated his dogs, every one of them, every day he was with them.

As for the cats… Illi, that was her name, had decided to come back to the cave, and he was showing her the way to the place where he had found her. He had asked BelleDora to pack a few things for her. He could not give Illi the beverage she was referring to as “coffee”, as that plant was not found in their region, but in compensation, he gave her a gourd of langoat milk, because she seemed like she would probably need some.

When he left her near the hole, he had some tears in his eyes when Illi hugged Fjutch very tenderly, as if the dog was reminding her of something dear. Illi after a moment hesitation, where she was like speaking to herself and not knowing what to do, finally hugged Huÿgens too, thanking him for everything he had done.

And off she was… free and unfettered as a gripshawk…

When Illi had finished arguing with Illi about having her hug the big man, while this was not manners of her kind, she sighed as she saw that the opening she had first thought was here (yeah, because I fell in there! she said), her senses where telling her that it was now closed…

— How quaint said Illi for herself.
— Well, as a matter of fact, it reminds me of something, said Illi F. There was that delicious gentleman, John Lubbock who said “What we see depends mainly on what we look for” and somehow it seems perfect.
— I don’t know any Grubbeck, grumbled Illi, a bit irritated that the hole, which was there before, wouldn’t be here, now she needed it.
— Lubbock was such a nice person, said Illi dreamily… Perhaps I could just try to have a peek inside the cave, if you let me.
— What?! Do again your wizzy wooey thing and I’ll strangle you! Don’t know how I would do it, but I’ll do it!
— Oh, you are so sluggishly gloomy! That was just to help you…
— Mmm, sorry for that, I was a bit upset, said Illi. What could you do?
— Just focus on the inside, and carry us both inside… But actually you would have to leave your body here, and we’ll probably see other things that do not belong to this place, but heck! that should be fun, Illi F said grinning widely.

They were interrupted by some munching sounds and ruffling heavy breath.

— What the bejeezus is that?! hissed Illi the cat (who didn’t even know how she knew so funny sounding words as bejeezus)
— Can’t you see? That’s obviously a dragon eating some bushes… How strange… replied Illi F airily.
— A WHAT? I HATE DRAGONS!
— Ahahah, relax, I was just pulling your leg.
— That’s not funny.
— Well he has funny colours by the way. Pinkish purple I wouldn’t dare to wear in London streets.
— That’s REALLY NOT FUNNY!
— Why so? You can’t see it anyway…
— And what if he sees me? Dragons are vicious creatures.
— He’s too busy eating these funny berries, and will probably collapse of exhaustion once he’s full.
— A chance! A vegetarian dragon!
— OK. Shall we try to find an entrance in the cave with my method, or do we ask the dragon? He looks well-mannered by the way.
— Oh, by the eyeballs of the Mighty Shrimp, you tell me…
— No, you choose.
— No, you.
— You…
— Ooooh, bugger off…

India Louise had been switching her own book with Cuthbert’s that night. And as she was exploring some of the stories told in his, he was having a peek into hers.

Very quickly, he became aware of a whole new continent, in that World, across the Middle Seas. In that continent far North of the one where Malvina’s was living, lived some intrepid people. They were strong with big voices, and a bit quarrelsome too. Their ways had forgotten lots about Magix and they placed most of the value into tangible items.

The next page, a man was sailing across the Middle Seas with a handful of trusted men. He was a captain pirate, named Båd Al’Guz, which meant, Båd son of Guz. His crew referred to him as Bådul.

Cuthbert was intrigued by this man, and had begun to discuss with him mentally, asking who he was, who were his people. The same as Cuthbert had been very innocently doing with gentle Malvina.

But Bådul was tricky, and after a bit of a surprise, very soon discovered that the little boy could be a very interesting informant, though an unusual one.

And in fact, his information was much more interesting than that which the shamans of King Wulfrick babbled in the most inspired manner.

Till now, from the mouths of the buck-pelts clothed shamans had only came stupid gibberish that the King and his court gobbled endlessly. Something about “YaWn”, as they said: You animate Worlds neatly .

How stupid was that? Their only answers were useless to him, they were only telling him that he activated and animated the Worlds neatly, and that, in short, nothing was fixed and he could do anything.

Well, with that boy, that was different. He was talking about a cave with gilded dragon eggs, and THAT was of a great value to Bådul.

But of course, he would not frighten the young boy and pretended that his intentions were that of an explorer, trying to discover new shores and new continents, so as to become closer to understand from where he came, and hopefully make people aware of their closeness to each others.

He was such an eloquent actor that he almost shed a tear saying that sentence.

As a matter of fact, for as long as he remembered, he had been wandering in many situations, and lots of them had not been very pleasant. Born from uncaring parents, as lots, if not all, of his people were, working as a janitor in a sordid tavern, then as a warden (if not executioner when requested) in an even more sordid jail… Were the Gods to be blamed for that? Well, according to the shamans, he was the only one to be blamed, because he did not accept his responsibility as a weaver of Worlds.

Idiots.

At least, he had found his passion. He love sailing, and taking riches for his pleasure. Whatever then, he would take his share, and not care about what was next.

At least, if he could coax the boy into revealing more about that cave.