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January 21 ^st, 2010

About Worlds creating and dreamwalking

Has it occurred to you that your current technologies [such as social websites] are more than a little reflection of what you are doing as essence.
It is more indeed, and very useful as an analogy.
You have, for one, certainly noticed how different the “feel” of certain of these “sites” is, even when you are most of the time surrounded by the same set of friends and relationships? Yes you have.

Let us call these sites “dimensions”. Yes, it sounds familiar, doesn’t it. You all participate in some manner into these, and you all have persona of yourself in various of these. They compete for your attention, and some of them are more popular than others —these are the ones which offer you the most fulfilling experience, not necessarily the most pleasant.

In many ways, you connect as essence through these dimensions, which reveal aspects of your personalities, aspects that are not always visible or noticed in a direct interaction. When you congregate through these sites, you also start to realize, you have access to all of the others as essence, either through proxy of friends, or by direct interaction. You are all connected.

They all have different rules, or shall we say, conventions; you can do certain things, certain others you cannot (or not yet), and others, you can, but they are not well tolerated or accepted.
We let you do all the fine analogies, you mostly get the idea. The technical rules behind those sites are like your mass beliefs. They are helpful to maneuver your “avatar” —that focus of yourself inside the system— and without them, there would simply be no interest, no interaction, no experience.
Of course, these beliefs can be bent ; with applications, made by these people wanting to develop new systems plugged into the architecture, to offer new functions, or interactions with others of these sites or dimensions.

The creators of these dimensions are similar to dreamwalkers; some of them are bent on technology and development of the system at its core, but not all of them. Many in fact come with other intents, such as making the dimension a more beautiful, interactive, attractive or pleasant place. They all work together to bring the experience of the envisioned dimension to the other essences —and at some point, they also choose, themselves to interact, as a focus, fully part of their created dimension.

Having that in mind, would it not seem natural that you would integrate more functionalities to these sites, if they respond to the promises of keeping focuses interested? What you call “upgrades” are in fact a major part of the conception of these dimensions, and occur quite frequently, either driven by popular demand, or by technical need.
Such is the nature of the shift you are experiencing, which is above all a tremendous upgrade [of mass beliefs] towards a more integrated experience, without simply dropping the current dimension for another.

We would finally like you to notice also that even if the biggest of these dimensions are calling for a great part of your attention, you also are attracted daily to countless others, little sites and areas, the purpose of which is different, but not less significant to your whole self.

“Well, it’s a fiction, she could be anywhere. That and if you stopped changing the facts and names for a moment, you’d be able to knit them together into new understandings.”

Charmille was knitting while answering to impatient young Becky who for all of the birds’ chatter in the apartment couldn’t really concentrate on her schoolwork, and had only one thought in mind (more insistent than the fleeting thousands other ones that is): she wanted to go outside immerse herself in the helter skelter of New York City.

“And why should I care!” Becky was about to start another tirade of self-righteous indignation at the failure to recognize her brilliance when she stopped herself in her tracks. She was suddenly amazed at the intricacy of the pattern Charmille was creating with two simple sticks and the many colourful threads in her black and white box. That was an art in itself, and Becky wasn’t impervious to art, quite the contrary. She could spot art in the slightest and singlest stroke of graffiti on the walls of the City. She could even see them dancing endless farandoles in front of her eyes. She was perhaps the only one she knew who was able to see that, but what her aunt was doing was very much like it.
Sometimes, she’d had people laugh at her when she was younger. She was telling them about her vivid dreams, that she’d spent hours in one dream looking at a single napkin, how soft it was, how superbly almost real it was —even if that was just a dream napkin— while, according to others, she could have done more “lofty” things instead —like go and see ascended masters.

“But I like movement! I don’t want to be stuck in slimy facts!”
“Well dear, you should know that… wherever you are, there you are. Even if wherever is elsewhere.”

The cryptic statement made by the poised lady somehow struck a cord. She wanted to disguise facts into fictions, or fiction as facts, but any way she was going, she was still struggling with herself, the essence at her core. It didn’t matter if she wanted to have the needle jump to another loop (and get out of that particular loop) because it was all part of the same cloth she was creating. It suddenly gave her much to ponder…

“Don’t be silly Phoebe” a voice whispered in Jane’s ear in between a few copious sneezing.

Jane didn’t really know why, but suddenly the whole scene about Mark leaving her became essentially a farce. She could feel some sort of burlesque in that whole event that would have been difficult to explain. As though she would never have really cared for the man, or any other man in the world to provide for herself.

She was starting to feel different. She could feel a strong assurance building up, and even her body started to feel different.
Still, she couldn’t tell who she was; there was still that dark hazy cloud the shadow of which was cast over her memories, but it wasn’t from her memories that this sudden surge of power was coming. It was coming from deeper inside; the very core of her being, and it was making her different.

She reached for the pocket mirror in her bag to apply a fresh layer of make-up on her plump cheeks and blue eyes.
She didn’t notice the differences right away. One sometimes gets caught in the repetitiveness of usual and mundane actions and really forgets to see. And of course, the mirror’s size and angle was preventing her to see anything but her eyes if she didn’t think to use it differently. But her eyes were now different; not deep blue as before but a subtle shade of ash blue with hints of violet.
And then… She noticed the wrinkles. The plump cheeks had left place to a thinner face. Strangely, she found it even prettier.
And as she expressed this appreciation of her new features, she noticed that her blond mane was now a little more greyish.

She knew it wasn’t aging, and no she wasn’t delusional. She didn’t remember her name, but apparently she knew how to shape-shift.
Would it make her quest to remember her identity more difficult? She couldn’t have told, but she knew that something in her never forgot a single bit of her whole self.
That new self she was now who felt more like her real self than “Jane” needed a more adequate name.
Phoebe definitely had a ring to it that seemed appropriate.

The transitory times were hectic, to say the least, though it did not always appear as such for everyone involved.

For focuses, still living at the helm of the Shipft, riding the turbulent waves of change, it was a very delicate period.
The last wave had propelled them very far in a short time, and they had rejoiced that their promised new land was in sight. Finally.

But little did they know that the land in question was only still a reflection of the old. They had created it to let themselves rest, and spew out their stress, their anger and frustration, while behind the curtains the activity was intense with the careful and barely noticed moving of props.

Sometimes, the riders of wave had glimpses of that movement. But it still felt as if they were left on their own. Most of the activity seemed to have shifted to other grounds, and that was a ground they didn’t realize they had access to already.

Like the rainbow Bifröst leading to Asgard, all these bridges between the realms would soon start to crumble. It wouldn’t be possible to have one foot here and another there, not any longer.
Choices will be made.
They are being made.

And then, the Circle of power, the one Ring will be melt into a burning core of ‘lova’, and the Shite will be healed and shifted. (well, tentatively heehee)

Today was the commemoration of the fifth anniversary of the first transmutation made on Earth.

Of course, it didn’t take into account previous attempts (or successes), because they were of the domain of science-fiction and dubious history facts. But now, not only was it rock-solid proven feasible, but also it had change people’s lives like the invention of electricity had about two century ago, in the mid 1800s.

At first, people had not grasped the profound implications of that discovery. It was another funny science experiment from researchers, and didn’t seem to have any more practical usage as did goat cloning, and creation of phosphorescent pigs. However, to mark the consciousnesses of the importance of the event, the government hadn’t skimped on the showcase. Not that it was of any importance after what evolution was bound to happen afterward, but still, huge sums of money were spent brilliantly.

The symbolic aspect of choosing what object to transmute wasn’t unnoticed. It could be virtually anything physical: garbage, contaminated soil… But it had to mean more.
Someone whose name was forgotten came with a suggestion and it slowly came up as the most natural thing —to close this area and open on the new one.
There had been many people still left to convince, the die-hard fanaticism, but it had to be it. And for good measure, the involvement of other nations was asked.

Sept. 4th, 2044, the ceremony opened with the display of what was left of Enola Gay that plane who had dropped the first atomic bomb, which had been almost forgotten in the West, but not completely in the East. And many nations came afterward, each carrying a symbol of what they wanted to recycle, to free themselves off.

Then all of these heterogeneous elements entered the P-Machine, a distant relative of the Z-Machine which had been adapted and enhanced to produce aneutronic fusion at its core —highest temperatures of the universe thought unreachable by human means, harnessed to change the elements at will, and producing no harmful radiations as the atomic towers of the past.
After a silent moment of unbearable expectation, melted gold started to flow out of the machine, making people wonder if that was all of it?

Yes, it was merely it. Transmutation could be done, and it was not so impossible as people thought in the past. It meant free resources, recycling of garbage, abundance for all… at people’s grasp.
What people had failed to recognize at the beginning, apart from the immense possibilities that were lying before them was that the machine could only transmute matter. And even if it could virtually free them of greed (because everything from gold to rocks was basically of the same value now), people’s own values were now made prominent, there was no camouflage left: no victims, no shortages, no lack of.

Even five years after, it still meant huge challenges, but there was hope.

In the creaking wooden caravan slowly moving its way on the dusty roads, Twilight was lost in deep thoughts, caressing mechanically the beautiful blond wig.
She had done it almost on an impulse, but like all impulses she’d ever had, it had always felt deeply true to her core and she had gone. Now, it felt a bit strange, and too rational doubts were creeping along like viscous bugs, and she felt like judging her behaviour over and over.
Of course, her brothers, Jo the first, and then Elroy, had been supportive, but they had always been that way. Even when their first reactions were to object to what she was doing, like dancing in the saloon, her determination was always winning them easily. She had promised to write often, and she would probably be back in a year.

When the Freak Show had settled in town for a week, she had been at first almost grossed out by what was announced, and had not been her brothers to egg on her, she probably wouldn’t have been going to see them.
Pat Elson, the director of the Fabulously Great Freakus (or FGF), was a little dark-skinned man in an orange suit and top-hat, with a communicable enthusiasm and a sincere consideration for the people he called “his performers”. Very soon, rather than being repulsed by the differences, Twilight had been attracted by the way of life of these people, and was considering traveling with them as an opportunity to discover more about the world and about herself. Her inspiration to write was even tickling her fingers like an army of ants she had never felt before.
When she had said to Pat Elson that she was willing to travel and work with them, rather than laughing like he used to do, he’d taken a silent pondering moment to consider the options. Obviously Twilight wasn’t a freak herself, at least not physically freaky. But he couldn’t refuse help, as his business was growing every day. Venus, the armless woman, his best asset on the show, had been recently pregnant, giving birth to conjoined twins, and would surely appreciate two arms to give her a hand… so to speak.
So he had agreed.

The babies started crying in the caravan drawing Twilight out of her reveries. Venus was sleeping nearby, still exhausted, and Zarafina, the giraffe-woman, started to groan annoyed by the noise.
Twilight hurried to cuddle the babies, checking that they were alright. All was right, they were probably only bugged by the bumps in the road. No wonder… she sighed.

Georges and Salome’s journal

From Salome’s account of their first journey to the Alienor star system

The Jorid has spotted what will be the destination for our first joined adventure.
It’s a dimension which seems unexplored yet, and rather fascinating. Georges, as he is, would already have jumped right in, but I preferred to get a little more background information before moving into it. It’s still a little awkward to move into these realms where the laws of physics as we’ve known them are different, sometimes dramatically so. These would not be too much of a difficulty as the adaptation of the physical body usually goes quite fast, as Georges has shown me when we trained in more familiar dimensions, but the most delicate part is when we barely know the relationships at play.
Georges will laugh because he’s more confident that everything is perfect, but somehow, I tend to believe that things can be a little more perfect when we know how to avoid making faux-pas.
So we’ve spent a few days gathering some basic informations on this dimension we call Alienor. The most part of the activity seems to revolve around a cluster of planetoids. At this moment, it’s forming a system of three planets revolving on the same orbit around their sun. We call them Duane, Murtuane, and Phrëal.
They seem to form a complex web of relationships, and cover such a wide range of aspects that we have decided on a mutual agreement to split our exploration to cover more ground for a beginning.
Georges is exploring the Duane, and I took the Murtuane, both planetoids seeming to come from the same core of matter, in a manner of speaking. The feeling around the Phrëal is more ambivalent, as though it is undergoing some deep change, not unlike to the Shift that will be (or has been) occurring on our Earth. So, we’ve decided not to interfere with it right now. It may take a dozen of years (as we understand them) for them to undergo that process, but it’s not like we care of time issues in any case.

Here are my first observations concerning the Murtuane. Obviously, it ties into the Duane, but I am not completely aware of all of these ties yet.
The first connection I had to the Murtuane was with some ancient beings living here. I saw myself riding one of these sentient beings, gliding through the sky in a mountainous land. The colours are vivid, even if the atmosphere seems very light, and filtering the sun’s ray in a spectrum slightly more indigo than our sky on Earth. These beings, whose name I can’t yet translate accurately (it’s something close to Nirgual) are powerful winged focuses of essence, though I suspect this to be a mere convenient form that they use. They somewhat remind me of the Rokhs (or Rocs) that the sultan’s wifes were telling us about in their legends. Apparently, they are respected, perhaps feared by the people inhabiting the lands, though I can feel they are for the most part benevolent.
These people, those that I could spot, seem to have a slightly green skin, but overall humanoid form (within my translation of them).

I will probably have more to connections once we gather our impressions with Georges.

A few days after Sam and Becky’s conversation on the phone, they were having a rehearsal.

Just at the moment when they felt stuck again, despite Sam’s moves, Al and Tina, a couple of friends came crashing into the small theater room, and were greeted by an icy cold silence. “Icy” is an exaggeration of course, said Tina, “it just meant I had to put a jacket on again today”.

— Sorry for being late! said Al a bit uneasy.
— Oh you and your uneasiness! said Tina. And I’m sure we’re arriving at the perfect time.
— Oh, well, I’m not sure of anything today, said Becky. I’m sick of being force-fed coleslaw, and rigging down holes for myself.

A silence was on the scene.

At the same time, somewhere on the deck of his ship, Bådul was remembered of the landscapes of his land. He had not really appreciated them before, but now, he was finding them dear to him. They were for the most part a mixture of sandy dunes, from which at times peaks of icy rocky mountains would stick out. Lately he had felt like one of these peaks sticking out of the sands. The sands were shifting.

Somewhere in Malvina’s cave.

Malvina had been polishing the last dry eggs that she had found and that would not hatch. One of them had some interesting perfect round shape, and a very transparent shell, and it gave her an idea.

She asked Leörmn to come.

Quintin’s bedroom.

[1:01] The clock was saying. Quintin had just awoken from a dream about an elderly woman who was showing him some drawings. These were not actually drawings, but in fact, they were called by the lady “glassart”. It was made, she said, of coloured sands, and would be vitrified by some flame. Quintin in that dream had thought the designs rather crude, but had found the idea interesting, and with great potential.

Leörmn came almost instantly, appearing in a puff of teal smoke.

Oh, I see… he said, reading Malvina’s mind. And I think I have the perfect sands to go with it.

— Why hasn’t that pirate, Badass…
— Badul, corected Al
— Whatever, Becky pursued imperturbably, that pirate Baddock used traveling portals to go and look for the eggs? Why the seas? Sounds a bit complicated and with lots of dangers too.
— Good question, answered Al. Well, don’t want to answer for everyone, but in my perception…
— Oh, get lost with your “in my perception” thing, that’s becoming tiring… sighed Tina
— OK. So, for me, they have forgotten much about magic in his land.
— Makes sense… added Sam dreamily… In fact, I’m not sure after all that Badul is only after gold. I think he has found some old desert dragon egg in a cave lost in his country and hopes to revive it, with the help of the people who still know about magic.
— Which would explain the quest… said Al
— Yeah, and he would have hidden that to the rest of the crew, probably… said Tina…

Leörmn had now finished assembling the magical artifact.

— That’s one of our most beautiful magical artifact I’d say, Malvina gleamed
— Oh yes it is. And how would you call it?
— Let’s see…

— sabulmantium !

Everyone cracked up at the word that Al had just blurted out. They had decided to have some distraction to alleviate the stress on the play, and they had a fun improvisation game, saying stupid things that went through their minds.

— Hey! Don’t laugh like that, it’s something very serious actually, said Al tongue-in-cheek. Let me see…
— Hahahaha, the others continued
— Well, it’s a divination device, or a sort of compass in a way. I see it as a globe made of glass, with coloured sands in it, and when you focus on it, the sands take all sorts of three dimensional shapes, and become alive…
— Wow! Tina couldn’t help but say.

Leörmn, as Malvina had been telling him (or vice versa), had put the sabulmantium in one of the tunnels, to a place where he knew Arona would find it, and probably put it to good use for her future adventures.

This morning, Fiona and Quintin had a small impromptu chat —or rather, prompted by the story they were all weaving, that Archie, the puppet black panther, had been telling them last week-end that it was a magic connection between all of them…

Quintin: Your story was great!

Fiona: Thank you So was yours.

Have you written any more since I last looked at the story?

Quintin: no, I’m not that much inspired… I even considered to wrap in up in a way, but seeing you were all drawing so much from it, I think I will leave it open ever after…

Fiona: no, wrap it up if you feel.

I have drawn what I wanted. I will go and blow up the cave if we don’t finish it

Quintin: Ahahaha! Don’t restrict yourself

Fiona: When you started the Malvina story, did you have an idea where it would go, or did you pick that one because you had no idea?

Quintin: This one nagged me because there were many people I felt behind it and I did not know how to get them to show up and make their presences known. And I felt that it was loose enough too, to allow people to jump into it; and there was your initial interest in the picture

Fiona: The endearing dragons…

Quintin: Yeah…

But I had strictly no idea about the rest. It was just a bet, on luck…

That’s funny, because I had a strange impression of a little girl yesterday, in a futuristic city, named something like Janice , and it was like she knew now what she wanted to do, and it was something similar to that, something like creating worlds for other people, in which they could have fun, or heal, or explore things…

Fiona: And did she have any impression of what form that could take? Like books, or games or what…

Quintin: No, it was much more “real” in fact…

Fiona: you know like the card-captor game which I suppose is interactive, so real

Quintin: Yeah, perhaps a bit like that, yes; or like creating a ball of energy in which people can be drawn and experience as they will. It’s only a translation, but that’s the idea… in a way, that’s very similar to a game or a book, but only that it just feels totally “real”

Fiona: So a little bit like I have done with the story, to resolve something

Quintin: yeah, exactly, or with your paintings

Fiona: It can be really useful to take on other personas to do that, even like in drama type situations, being someone else…

Quintin: Yeah, people can unleash their imagination.

And I think there are still lots of things that we can expand in this universe in fact, not only related to the cave…

Fiona: such as? eggsamples?

Quintin: You said it! The eggs and relationships with dragons, all the magical artifacts or creatures. Didn’t you want a baby dragon?

Fiona: Yeah, I told you I did, but you just said some riddle!

Quintin: Did I? That’s not like me

Fiona: Ahahhaha! It is you to the core

Quintin: LOL, damn me!

Fiona: Well, that is a bit strong, but …

Quintin: Ahahahahah. I said you would have to earn his trust? (or hers, for that matter)

Fiona: I can’t remember the eggsact wording, I think I had to work for it though, like you weren’t just handing out dragons on a plate

Quintin: It could bound with you very strongly and help you unravel your unknown magical powers. It’s not just a creature, it’s a complex personality, you cannot just take it like a puppy. There is a sharing between the two…

Fiona: So are you going to allocate baby dragons to people or what? Or shall I just go and find an egg that no one knew was there

Quintin: Ahahah, no, they will not be allocated, they will choose their own partners

Fiona: Ahahaha, one minute you say it is my story! And now you are back in control

Quintin: Ahahaha, the story has a willing of its own too…

Try to do what you want, it’s not a matter of control ; it’s just you’ll know what clicks and what does not…

Quintin: And actually, I don’t think everyone will be interested in dragons…

Fiona: How does a dragon help one learn magic powers?

Quintin: It’s just because there is an openness between the two; let me find something for you, that Elias (you know, Michaela’s partner), has told to me and Yann, when we had them on the phone last month.

Elias : I would express to you that, as you focus your energies with each other, and you allow yourselves to merge and feel into each others’ energies, you may in actuality each discover some obstacles that the other may not necessarily be aware of yet, and you can share that with each other, and therefore facilitate your interactions even further.

Fiona: And how having a baby dragon could help unleash our magic powers then?

Quintin: It helps because it reinforces your trust in your own abilities to connect. It’s not directing, it’s a sharing and exploration for both of them; that’s why they are picky. As you would be picky too, knowing you would share together all the darkest corners…

Fiona: I am not sure if i have dark corners

Quintin: it was a metaphor

Fiona: ahahahhahahahahahah

Fiona: I know, so was mine

Quintin: ahahahahah

Fiona: I was thinking I feel really accepting of myself

Quintin: Yeah, that’s the point in the little adventure before you meet it.

You have shown your trust in yourself and in your abilities, and your self-centeredness, which is essential, for the dragon doesn’t want a frail personality. Because he drops his defenses too when he shares and bonds.

Fiona: Well I think it sounds scarey now, what if no dragon picked me…

Quintin: There will be instant recognition. And you don’t “need” a dragon actually, that’s what is important: it’s a catalyst, nothing more, nothing less…

Fiona: True.

Quintin: Like Arona managed to sneak into the cave without giving the answer to the riddle (egg-sitingly) because it mattered not to her, whatever the outcome, she was directing of herself.

Fiona: I felt like I have pictures now to assist me. I link strongly to pictures as a quick reference when I start to feel something like a negative emotion, for instance I may start to worry about how I am going to have enough money, or whatever, and I could quickly link to the spider picture

Quintin: you mean, you create an imagery, right? That is something which I like in your stories and emails; even though it is not necessary to create imagery, it’s always so entertaining, like having these funny creatures pop in the cave!

Fiona: Ahahahaha yes

Quintin: And also, in creating imagery, it helps you seeing it in a more neutral way

Fiona: I suppose it is just a quick trigger for the desired belief. I can link in quickly with the child, when I start to feel left out, for example.

Quintin: yeah, beliefs as an alphabet or a palette, neutral, but that can create words and sentences or images. And the imagery of the child was very similar for me, to that of the playfulness picture

Fiona: Yeah, I know… That’s what I said to you with the playfulness picture

Quintin: Of course, you know

Fiona: That I related most to the figure of blue hat… and big feet

Quintin: Ahahaha, stomping on the poor key-fish

Fiona: Nearly…

Quintin: Have to go now, thank you for this enjoyable conversation

Fiona: See you!