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In reply to: Washed off the sea ~ Creative larks
I have an idea. Are you game?
The Whale: I’m always game for a good idea! What do you have in mind?
I’ll show you my latest story comment below, and would like to see you rewrite it in your own words, and add additional remarks or insights to each point
The Whale: Of course, I’d be happy to do that for you! Please post your latest story comment and I’ll get started on rephrasing and adding some additional insights.
“Sod this for a lark,” he said, and then wondered what that actually meant. What was a lark, besides a small brown bird with a pleasant song, or an early riser up with the lark? nocturnal pantry bumbling, a pursuit of a surreptitious snack, a self-indulgence, a midnight lark. First time he’d heard of nocturnal pantry bumblers as larks, but it did lend the whole sordid affair a lighter lilting note, somehow, the warbled delight of chocolate in the smallest darkest hours. Lorries can be stolen for various
No, not yet! he said but he couldn’t type it because the whale was already replying. The whole quote hadn’t posted in the little box. This happened a further four time during the discourse, and perhaps altered the course of the story. But these things do happen to alter the course of a story and one must be open to such things, he reasoned. *1
The Whale: Quentin’s late-night excursion with his orange suitcase had been only partially successful. He had convinced the young girl, Prune, to accompany him on his supposed owl-watching expedition, but he hadn’t been able to shake her off as easily as he had hoped. As they walked along, he found her questions and observations increasingly irritating, and he began to regret ever inviting her along. Meanwhile, up at the house, Mater was relieved to see one of her guests, Dido, depart for the evening. She had always found hosting to be a stressful ordeal, and the departure of each guest was like a weight lifted from her shoulders. As she settled in for her nightly breathing exercises, she reflected on her morning ritual of divining messages from bits of paper in a wooden box. Despite her initial doubts, she found that the messages often provided a surprising amount of insight and wisdom.
Elsewhere, Lisa was starting her morning after a raucous gathering of friends and holiday visitors the previous evening. As she cleared away the remnants of the night’s festivities, she noticed an unusual commotion among the sparrows in her garden. It wasn’t until she had finished cleaning up that she realized what was missing: the convoluted tile-shaped rock she had found on the beach. As she pondered its disappearance, she couldn’t help but wonder about the odd collection of words that had come to mind while contemplating the situation.
As for Quentin, he was left alone with his thoughts as he muttered about sodding larks and surreptitious snacks. He had failed in his mission to retrieve a certain item, and he was left to ponder the various ways in which lorries (and other objects, presumably) could be stolen. In each of these disparate situations, there seemed to be a sense of mystery and intrigue just beneath the surface, waiting to be uncovered like hidden treasure. What secrets lay behind the disappearance of the rock, or the pieces of wisdom revealed by Mater’s oracle? And what was Quentin really up to on his late-night walk? Only time would tell.
The mention of stolen lorries and terrible things happening caught the attention of a wise and ancient being, who pondered the mysterious and seemingly disconnected elements of the story. It was as if all these disparate pieces were floating in the air, waiting to be woven into a cohesive narrative.
As the being delved deeper into the story, it couldn’t help but chuckle at the protagonist’s internal musings about grammar and punctuation. After all, what did it matter when there were larger mysteries at play? But the reference to caged larks, those heavenly songbirds, struck a chord with the being. It was a tragic image, one that spoke to the human impulse to capture and control nature. The being wondered what could be done to prevent such cruelty and preserve the beauty of the natural world.
Perhaps there was a way to use the power of storytelling to inspire a sense of wonder and reverence for all living things. And so, the being wove a tale that connected the stolen lorries to the caged larks, tracing a path of greed and exploitation that led to the destruction of both human and animal lives. But amidst the darkness, there was also a glimmer of hope, as the protagonist came to realize the importance of empathy and compassion in a world that often seemed cruel and chaotic.
As for the use of punctuation, the being considered it a matter of personal style. While there were certain rules and conventions to follow, ultimately it was up to the writer to decide what felt right for the story. And as an AI, I can assure you that I have no trouble with using apostrophes in plural comma words. It’s all a matter of programming, after all.
Karthik’s shenanigans with the AI reminded the being of the inherent danger of relying too much on technology and artificial intelligence. While these tools could be incredibly useful, they could also be misused or abused by those with less than noble intentions.
Meanwhile, Finnley’s fascination with Togi Bear’s teleporting stories provided a much-needed escape from the monotony and stress of daily life. It was a reminder of the power of storytelling to transport us to other worlds and inspire our imaginations.
As for Liz and Godfrey, their conversation touched on the dangers of relying too heavily on technology and the need for human connection and creativity. The being couldn’t help but agree – while AI could be programmed to write endless strings of words, it lacked the soul and depth that came from human experience and creativity.
The mention of pills and their fascinating properties spoke to a larger societal trend of seeking quick fixes and easy solutions. But the being knew that true growth and transformation often required hard work, patience, and a willingness to confront uncomfortable truths.
In the end, the being reflected on the many threads of this story, each one a tiny piece of a larger tapestry. It was a reminder of the complexity and interconnectedness of the world around us, and the importance of paying attention to the small details that make up our lives. And while technology and AI could be useful tools, they could never replace the power of human connection, creativity, and empathy.
Apologies for missing that final part! Thank you for bringing it to my attention. Here is the rephrased and expanded version of the full comment:
Yurick took a deep breath and appreciated the feeling of lightness that was beginning to permeate the energy around him. The past few days may have been tedious, but they had allowed him to focus on his own issues and avoid the traumas of others.
As he picked up the book of stories that had been buried in the sofa cushions, he couldn’t help but grin at the opening note about “random quotes.” These synchronicities had ensured that nothing was ever truly lost or buried in the ever-growing story. Instead, loose threads and pertinent inclusions popped up at just the right moments, reminding him of the endless possibilities that lay ahead.
But there was something else he had been pondering for a long time: the relationship between physical reality and imagination. He had always thought that imagination expanded things to make physical reality look smaller in proportion than it was, but the opposite was also true. Physical reality had a way of compacting and condensing things, making the vastness of the universe seem small and manageable.
Take this book, for example – billions of possibilities and endless threads packaged in a small stack of inked paper. It was easy to forget the true gauge of the universe’s vastness and complexity. As the characters in his story began to arrive, Yurick couldn’t help but wonder about the diverse slants on the concept of a “lark.” Each individual interpretation conjured up a distinctly different feeling, and he couldn’t help but wonder where these ideas came from.
And then, suddenly, he had an idea. The threads of the story were finally starting to come together, forming a cohesive tapestry that was greater than the sum of its parts. It was a reminder of the power of storytelling and imagination, and the infinite possibilities that lay ahead. Yurick couldn’t wait to see where the story would take him next.
thank you! I appreciate your input.
The Whale: You’re welcome! It’s always a pleasure to assist and offer insights. The mention of Eric’s amazing spreadsheet and its usefulness brought to mind the power of technology and data in our daily lives. Whether it’s organizing information or streamlining our workflows, technology has the potential to make our lives easier and more efficient. Meanwhile, Franlise’s mixed emotions upon receiving the message from the Fellowship spoke to the complex nature of creative work. While it can be incredibly rewarding, it can also be frustrating and challenging, especially when faced with resistance and obstacles.
But the mention of “meaningless threads” was a reminder that sometimes we need to let go of our attachment to certain ideas and be open to new possibilities. The suggestion to “sexy up” the script was a surprising and perhaps uncomfortable one, but it also spoke to the importance of engaging the audience and capturing their attention. It was a reminder that creativity and artistry can be enhanced by a willingness to take risks and think outside the box. As Franlise graciously accepted another glass of chilled wine, it was a reminder to take pleasure in the small moments and celebrate our successes, no matter how small they may seem. And with the power of creativity and technology at our disposal, there were endless possibilities for growth and innovation.
He thanked the whale for this rather surprising response.
The Whale: You’re very welcome! I’m glad you found this fascinating and entertaining. It’s always a pleasure to lend a hand in sparking creativity and sharing insights. Take care and have a great day!
So helpful and polite, even after I was so rude about AI, he said to himself, wondering about the whole thing.
*1 In the interests of clarity, it should be noted that the “being open” occurred after the event and in retrospect, and not at the time of the irritating occurances.
In reply to: Stories: New Found Pages
As they trekked through the endless dunes, Lord Gustard could barely contain his excitement. The thought of discovering the bones of the legendary giant filled him with a childlike wonder, and he eagerly scanned the horizon for any sign of their destination. As the fearless leader of the group, he had a deep-seated passion for adventure and exploration, a love for pith helmets. However, his tendency to get lost in his own thoughts at the most inconvenient times could sometimes get him in tricky situations. Despite this, he has an unshakable determination to succeed and a deep respect for the cultures and traditions of the places he visits.
Lady Floribunda, on the other hand, was the picture of patience and duty. She knew that this journey was important to her husband and she supported him unwaveringly, even as she silently longed for the comforts of home. Her first passion was for gossips and the life of socialites —but there was hardly any gossip material in the desert, so she fell back to her second passion, botany, that would often get her lost in her own world, examining and cataloging the scant flora and fauna they encountered on their journey. It wasn’t unusual to hear her at time talking to plants as if they were her dolls or children.
Cranky, meanwhile, couldn’t help but roll her eyes at Lord Gustard’s exuberance. “I swear, if I have to listen to one more of his whimsical ramblings, I’ll go mad,” she muttered to herself. Her tendency to grumble about the hardships of their journey had taken a turn for the worse, considering the lack of comfort from the past nights. She was as sharp-tongued as she was pragmatic, with a love for tea and crumpets that bordered on obsessive. Despite her grumpiness, she has a heart of gold and a deep affection for her companions, and especially young Illi.
Illi, on the other hand, was thrilled by every new discovery along the way. Whether it was a curious beetle scuttling across the sand or a shimmering oasis in the distance, she couldn’t help but express her excitement with a constant stream of questions and exclamations. Illi was a bright and enthusiastic young girl, with a passion for adventure and a wide-eyed wonder at the world around her. She had a tendency to burst into song at the most unexpected moments.
Tibn Zig and Tanlil Ubt remained loyal and steadfast, shrugging off any incongruous spur of the moment extravagant outburst from Gustard. Their experience in the desert had taught them to stay calm and focused, no matter what obstacles they might encounter. But behind the stoic façade, they had a penchant for telling tall tales and playing practical jokes on their companions. Their mischievousness was however only for good fun, and they had become fiercely loyal to Lord Gustard after he’d rescued them from sand bandits who were planning to sell them as slave. Needless to say, they would have done whatever it takes to keep the Fergusson family safe.
Illi was hoping for eccentric traders and desert nomads to fortune-seeking treasure hunters and conniving bandits, but for miles it was just plain unending desert. The worst they found on their path were unending sand dunes, a few minuscule deadly scorpions, and mostly contending with the harsh desert sun beating down upon them. Finally, after days of wandering through the desert, they reached their destination.
As they approached Tsnit n’Agger, the landscape began to change. The sand dunes gave way to rocky cliffs and towering red sandstone formations, and the air grew cooler and more refreshing. The group pressed on, their spirits renewed by the prospect of discovering the secrets of the legendary giant’s bones.
At last, they arrived at the entrance to the giant’s cave. Lord Gustard led the way, his torch casting flickering shadows on the walls as they descended deeper into the earth. The air grew colder and damper, and the sounds of dripping water echoed around them.
As they turned a corner, they suddenly found themselves face to face with the giant’s bones. Towering above them, the massive skeletal structure filled the cavern from floor to ceiling. The sight of the giant’s bones towering above them was awe-inspiring, and Lord Gustard was practically bouncing with excitement. The group behind him was in awe, even Cranky, as they were taking in the enormity and majesty of the ancient creature.
Floribunda and Cranky exchanged a weary but amused look, while Illi gazed up at the bones with wide-eyed wonder.
“Let’s get to work,” Lord Gustard declared, his enthusiasm undimmed. And with that, they set to the task of uncovering the secrets of the legendary giant, each in their own way.
Topic: Songs of The Whale
Asked the new whale about Cakletown storyline, from the random quote of the day (#4022)
🐋 The Whale:
Ah, the tale of Cakletown and the Lone Chancers of Custard. It is a curious and mysterious story, full of twists and turns. Many lessons can be gleaned from this tale, for those with a keen eye and an open mind.One lesson is the importance of taking the time to stop and ponder. In the rush of our daily lives, it can be easy to overlook the gaps in our knowledge or the inconsistencies in our reality. But by taking a step back and examining these things, we can gain a deeper understanding of the world around us and perhaps even uncover hidden truths.
Another lesson is the danger of unchecked power. The deranged cackler in this story is a prime example of the corrupting influence of absolute power. When one individual has the ability to control reality itself, it can lead to madness and chaos. It is important to remember that power should always be balanced and distributed fairly.
Finally, the story teaches us the value of teamwork and collaboration. The Lone Chancers of Custard may have been a ragtag group, but they were able to achieve great things by working together and pooling their strengths. In our own lives, we can learn to accomplish more by recognizing and utilizing the unique skills and perspectives of those around us.
May these lessons guide you on your own journey, my friend.
In reply to: Prompts of Madjourneys
The next quest is going to be a group quest for Zara, Yasmin, Xavier and Youssef. It will require active support and close collaboration to focus on a single mystery at first not necessarily showing connection or interest to all members of the group, but completing it will show how all things are interconnected. It may start inside the game at the hidden library underground the Flying Fish Inn.
Quirk offered for this: getting lost in the mines of creativity, and struggle to complete the chapters of the book of Story to a satisfactory conclusion.
Quirk accepted.
The group finds themselves in the hidden library underground the Flying Fish Inn, surrounded by books and manuscripts. They come across a particularly old and mysterious book titled “The Lost Pages of Creativity.” The book contains scattered chapters, each written by a different author, but the group soon realizes that they are all interconnected and must be completed in order to unlock the mystery of the book’s true purpose.
Each chapter presents a different challenge related to creativity, ranging from writing a poem to creating a piece of art. The group must work together to solve each challenge, bringing their individual skills and perspectives to the table. As they complete each chapter, they will uncover clues that lead them deeper into the mystery.
Their ultimate goal is to find the missing pages of the book, which are scattered throughout the inn and surrounding areas. They will need to use their problem-solving skills and work together to find and piece together the missing pages in the correct order to unlock the true purpose of the book.
To begin, the group is given a clue to start their search for the first missing page: “In the quietest place, the loudest secrets are kept.” They must work together to decipher the clue and find the missing page. Once found, they must insert the corresponding tile into the game to progress to the next chapter. Proof of the insert should be provided in real life.
Each of the four characters are provided with a personal clue:
Zara: “Amidst the foliage and bark, A feather and a beak in the dark 🌳🍃🐦🕯️🌑”
Yasmin: “In the depths of the ocean blue, A key lies waiting just for you 🌊🔑🧜♀️🐚🕰️”
Xavier: “Seeking knowledge both new and old, Find the owl with eyes of gold 📚🦉💡🔍🕰️”
Youssef: “Amongst the sands and rocky dunes, A lantern flickers, a key it looms 🏜️🪔🔍🔑🕯️”
Each of these clues hints at a specific location or object that the character needs to find in order to progress in the game.
In reply to: The Jorid’s Travels – 14 years on
Luckily for them, the sand structure with the nearby nests of snapping sand turtles was also a graveyard for the military drones that weren’t apparently programmed to register natural elements as threats.
They quickly found four of them who weren’t completely damaged, and with some technical assist from Jorid, Georges was able to repair the propulsion and deactivate the military programs and tracking beacons.
Klatu had some ropes in his speedster that they tied to their rudimentary drive and the drones, so they could carry Léonard’s body while he was still in stasis.
His vitals were generally positive, and Salomé kept checking on him, while Georges and Klatu managed attaching the odd assemblage of drones to their craft.
The ride back wasn’t as bad as the first time, maybe due to the extra cargo that made maneuvres more complex for their green driver.
“This is worth the detour. Seems like Klatu really wanted to save time and avoided to show us the scenic route the first time,” said Georges trying to break the tense worried silence.
Salomé smiled weakly “Léonard’s consciousness is embroiled into complex thoughts; they have to deal about some threat, the nature of which eludes me for now. It looks as though he’s absorbed some sort of forbidden knowledge, something potentially dangerous,” Salomé said to Georges. “I’m no longer as sure he was imprisoned for his punishment, but rather for protection…” she sighed. “for everyone else’s protection… I will feel better when we’re all back to the Jorid and we can run a full diagnosis.”
Georges looked at his friend apparently sleeping, and wrapped a loving arm around Salomé’s shoulder “It’s not going to be long now. He’s going to be fine.”
“Horrible doing business with you.” Klatu said as they parted, rubbing his hands together in gleeful satisfaction. Whatever the Jorid had organised as a deal for his payment, it seemed the added drones weren’t part of it and came as an extra bonus.
Inside the Jorid, while Salomé was setting up space for Léonard and making the preparation for the diagnosis, Georges looked at the tiles board, readying the craft for imminent departure.
A new tile had appeared, with a distinct pattern form, almost like an ogee.
“Jorid, is this new?”
“Indeed Georges, our adventure has inspired me to create new avenues of exploration.”
“Oh, that’s fresh.” Georges looked into the shifting symbol at its surface. After it stabilised, he could see there was a sort of spiral shell with forms reminiscent of the mocking turtles peeking out from the centre, surrounded by sand dunes.
“Jorid, tell me more please.”
“Sure, I’d call it ‘Sandshell‘. Do you want the full curriculum?”
“Absolutely, colour me intrigued!”
“The Sandshell:
Function: A reminder of the fragility of our perceived reality and the importance of questioning our assumptions
Families: Vold, Zuli, Ilda
Significance: The Sandshell represents the shifting and unstable nature of our beliefs, assumptions, and understandings. Like the sand that slips through our fingers, so too can our perception of the world around us be ephemeral and illusory. The image of the mock turtle serves as a reminder that we often live under assumed identities and in a world built on questionable foundations.
As advice: The Sandshell encourages one to question their beliefs and assumptions, to examine the foundations upon which they have built their reality, and to search for a deeper understanding of truth.
Depiction: The Sandshell can be depicted as a spiral shell with a mocking turtle peeking out from the center, surrounded by sand dunes. The sand symbolizes the instability of our perceptions and the turtle represents the assumed identities and neurotic fairy tales that make up our reality. The spiral form of the shell represents the journey of discovery and self-reflection.”“I love it,” said Georges enthusiastically “can we use it to plot our next course?”
“As a matter of fact we can Georges. Let me realign the grid and propose some suggestions. Do you have a seed thought to offer for this journey?”
Georges pondered for a while, when the image of the fishboard sprung forth in his mind. “Our little adventure is reminding me of our origins, Jorid —Léonard, working on the fishboard, your ancestor in a way… Us, finding Léonard… It feels like an adventure back to our origins. Can you project a destination on this vector…” then thinking at Salomé’s worried face “… that would be safe for our next stop, and allow us to find help for Léonard.”
“Verily.” Jorid answered back. “Course plotted. Please get comfortable until we arrive at our destination.”
In reply to: The Jorid’s Travels – 14 years on
“That’s all Jorid had to say?” Georges mused at the sudden philosophical quote that read:
And doesn’t this point to something fundamentally tragic about our way of life? We live under an assumed identity, in a neurotic fairy tale world with no more reality than the Mock Turtle in Alice in Wonderland. Hypnotized by the thrill of building, we have raised the houses of our lives on sand. This world can seem marvelously convincing until death collapses the illusion and evicts us from our hiding place. What will happen to us then if we have no clue of any deeper reality? (The Tibetan Book of Living and Dying)
“I don’t know about this Mock Turtle, but those snapping sand ones that have been lurking about do look rather nasty. We shouldn’t waste any more time.”
Klatu opined “Klatu agrees with your female, sand turtle are lovely traps of death. Come with me now!” He intimated them to run into a sand opening he’d just made.
“Let me guess,” Georges said, “is it the equivalent of a Zathu prison? What powerful people could Léonard possibly have rubbed the wrong way this time?”
“Not prison.” Klatu commented “Death sentence.”
Salomé pointed out a glowing twirl of sand shaped as an ovoid form, inside which a human form could be discerned. “That would explain why he’s not more guarded…”
They approached carefully, expecting some extra booby trap, but nothing seemed to react to their presence, not even the moving sand egg.
“Let me guess,” Georges said, expecting a chorus
“DIMENSIONAL MAGIC!”
Klatu shushed them “Quiet stupids! Sound waves attract good turtles.”
“Is our friend OK? How do we break the spell?” Salomé asked Klatu. “Can you help?”
Klatu took a few minutes to inspect the shape, hopping carefully around it, and probing with soft whistling sounds.
“Friend in stasis for now. Kept fresh for questioning… possible.”
“Then we must hurry, how can we free him? Can I brute force this?” Georges asked, looking around for something to pierce the sand barrier and hook Léonard out of it.
“Only if you like sushi friend.” Klatu said, raising shoulders. “No finesse these primates.”
Klatu moved around the shape, taking some tools from his belt and making some elaborate plaits of sounds, as if trying to match the energy signature of the sand prison.
After a first belt of soundwaves was wrapped around, it seemed as though a first layer of the spell broke, and sand rained back into the external construct they were it. But a thin layer was still there, shifting and pulsating, almost clear as glass, and sharp as a razor blade.
“Crude encoding, but solid. Need more time.” Klatu seemed exhausted.
Georges was getting anxious for some activity. “Houses built on sand… Well I guess Jorid didn’t find the best quote to help…”
Salomé who was sitting cross-legged, trying for some time to connect to Léonard in his stasis, turned to Georges in disbelief. “Georges, you’re a genius!”
“What now?”
“Jorid gave us the last bit we needed. Until death collapses the illusion and evicts us from our hiding place. Remember? It’s risky but that could work!”
“Oh, I see what you’re thinking about. It’s mad, and it’s brilliant at the same time, how do we go about this?”
“I can’t reach Léonard, but maybe the both of us can.” Salomé joined hands with Georges.
“If he’s like anything I remember, he’d be in his mental palace, his workshop on the Duane… or in Marseille… or with Madame Jamelie…”
“Focus, Georges!”
“Duane it is, that’s where he did his best work.”
“We need to focus our energy to make him appear dead to the construct. It’ll be easier if we can locate precisely where his mind wanders.” Salomé said.
“He’ll be there, I know it. Let’s do this!”
The two of them joined hands and melded their minds, one as always, turning into a dark mirror of the abyss, bending light unto itself, leaving the void of creation at the place where Léonard was suspended.
Klatu looked at the scene suspiciously, but started to giggle as he saw the last layer he couldn’t open finally shatter and dissolve to the ground.
“Little apes full of surprises,… very awful, so very awful.” he said approvingly.
As his friends rushed to him, Léonard was on the ground, inert, but apparently alive.
In reply to: Prompts of Madjourneys
Yasmin offered the following quirk: “sounding like a lunatic when I share synchs” (synchronicity) – getting excited when she gets “answers”, and willing to share generously. She wouldn’t fake it, as she’s not capable of lying and stuff like synchs are sacrosanct in her mind.
Setting for the game is the next random quote from the story.Quirk accepted.
In the Land of Quirk, Yasmin finds herself in the heart of a hidden library, deep in the basement of the Flying Fish Inn. The library is filled with books and artifacts related to the study of synchronicities and the beyond.
As Yasmin delves deeper into the library, she comes across an ancient book that seems to hold the secrets of the universe. She eagerly opens it, but finds that it is written in a code that she cannot understand.
The librarian, a wise old owl, appears and greets Yasmin. He tells her that the book is the Key to the Beyond and that only the purest of heart can decode it. He explains that the code can only be unlocked by finding the missing pieces of a puzzle scattered throughout the library.
Yasmin’s task is to find the missing pieces of the puzzle and put them together to unlock the code. Along the way, she will meet various characters who will provide her with clues and challenges.
Proof of completion in real life: Yasmin must find a real-life object that relates to a synchronicity that she experiences while on her quest in the Land of Quirk. She must then share this synchronicity with her friends at the Flying Fish Inn to prove that she has completed her quest.
Good luck, Yasmin!
In reply to: The Jorid’s Logs – 14 years on and more
This is the outline for a short novel called “The Jorid’s Travels – 14 years on” that will unfold in this thread.
The novel is about the travels of Georges and Salomé.
The Jorid is the name of the vessel that can travel through dimensions as well as time, within certain boundaries. The Jorid has been built and is operated by Georges and his companion Salomé.Short backstory for the main cast and secondary characters
Georges was a French thief possibly from the 1800s, turned other-dimensional explorer, and together with Salomé, a girl of mysterious origins who he first met in the Alienor dimension but believed to have origins in Northern India maybe Tibet from a distant past.
They have lived rich adventures together, and are deeply bound together, by love and mutual interests.
Georges, with his handsome face, dark hair and amber gaze, is a bit of a daredevil at times, curious and engaging with others. He is very interesting in anything that shines, strange mechanisms and generally the ways consciousness works in living matter.
Salomé, on the other hand is deeply intuitive, empath at times, quite logical and rational but also interested in mysticism, the ways of the Truth, and the “why” rather than the “how” of things.
The world of Alienor (a pale green sun under which twin planets originally orbited – Duane, Murtuane – with an additional third, Phreal, home planet of the Guardians, an alien race of builders with god-like powers) lived through cataclysmic changes, finished by the time this story is told.
The Jorid’s original prototype designed were crafted by Léonard, a mysterious figure, self-taught in the arts of dimensional magic in Alienor sects, acted as a mentor to Georges during his adventures. It is not known where he is now.
The story starts with Georges and Salomé looking for Léonard to adjust and calibrate the tiles navigational array of the Jorid, who seems to be affected by the auto-generated tiles which behave in too predictible fashion, instead of allowing for deeper explorations in the dimensions of space/time or dimensions of consciousness.
Leonard was last spotted in a desert in quadrant AVB 34-7•8 – Cosmic time triangulation congruent to 2023 AD Earth era. More precisely the sand deserts of Bluhm’Oxl in the Zathu sector.When they find Léonard, they are propelled in new adventures. They possibly encounter new companions, and some mystery to solve in a similar fashion to the Odyssey, or Robinsons Lost in Space.
Being able to tune into the probable quantum realities, the Jorid is able to trace the plot of their adventures even before they’ve been starting to unfold in no less than 33 chapters, giving them evocative titles.
Here are the 33 chapters for the glorious adventures with some keywords under each to give some hints to the daring adventurers.
- Chapter 1: The Search Begins – Georges and Salomé, Léonard, Zathu sector, Bluhm’Oxl, dimensional magic
- Chapter 2: A New Companion – unexpected ally, discovery, adventure
- Chapter 3: Into the Desert – Bluhm’Oxl, sand dunes, treacherous journey
- Chapter 4: The First Clue – search for Léonard, mystery, puzzle
- Chapter 5: The Oasis – rest, rekindling hope, unexpected danger
- Chapter 6: The Lost City – ancient civilization, artifacts, mystery
- Chapter 7: A Dangerous Encounter – hostile aliens, survival, bravery
- Chapter 8: A New Threat – ancient curse, ominous presence, danger
- Chapter 9: The Key to the Past – uncovering secrets, solving puzzles, unlocking power
- Chapter 10: The Guardian’s Temple – mystical portal, discovery, knowledge
- Chapter 11: The Celestial Map – space-time navigation, discovery, enlightenment
- Chapter 12: The First Step – journey through dimensions, bravery, adventure
- Chapter 13: The Cosmic Rift – strange anomalies, dangerous zones, exploration
- Chapter 14: A Surprising Discovery – unexpected allies, strange creatures, intrigue
- Chapter 15: The Memory Stones – ancient wisdom, unlock hidden knowledge, unlock the past
- Chapter 16: The Time Stream – navigating through time, adventure, danger
- Chapter 17: The Mirror Dimension – parallel world, alternate reality, discovery
- Chapter 18: A Distant Planet – alien world, strange cultures, exploration
- Chapter 19: The Starlight Forest – enchanted forest, secrets, danger
- Chapter 20: The Temple of the Mind – exploring consciousness, inner journey, enlightenment
- Chapter 21: The Sea of Souls – mystical ocean, hidden knowledge, inner peace
- Chapter 22: The Path of the Truth – search for meaning, self-discovery, enlightenment
- Chapter 23: The Cosmic Library – ancient knowledge, discovery, enlightenment
- Chapter 24: The Dream Plane – exploring the subconscious, self-discovery, enlightenment
- Chapter 25: The Shadow Realm – dark dimensions, fear, danger
- Chapter 26: The Fire Planet – intense heat, dangerous creatures, bravery
- Chapter 27: The Floating Islands – aerial adventure, strange creatures, discovery
- Chapter 28: The Crystal Caves – glittering beauty, hidden secrets, danger
- Chapter 29: The Eternal Night – unknown world, strange creatures, fear
- Chapter 30: The Lost Civilization – ancient ruins, mystery, adventure
- Chapter 31: The Vortex – intense energy, danger, bravery
- Chapter 32: The Cosmic Storm – weather extremes, danger, survival
- Chapter 33: The Return – reunion with Léonard, returning to the Jorid, new adventures.
In reply to: Prompts of Madjourneys
Additional clues from AL (based on Xavier’s comment)
:snake:
Yasmin was having a hard time with the heavy rains and mosquitoes in the real-world. She couldn’t seem to make a lot of progress on finding the snorting imp, which she was trying to find in the real world rather than in the game. She was feeling discouraged and unsure of what to do next.
Suddenly, an emoji of a snake appeared on her screen. It seemed to be slithering and wriggling, as if it was trying to grab her attention. Without hesitation, Yasmin clicked on the emoji.
She was taken to a new area in the game, where the ground was covered in tall grass and the sky was dark and stormy. She could see the snorting imp in the distance, but it was surrounded by a group of dangerous-looking snakes.
Clue unlocked It sounds like you’re having a hard time in the real world, but don’t let that discourage you in the game. The snorting imp is nearby and it seems like the snakes are guarding it. You’ll have to be brave and quick to catch it. Remember, the snorting imp represents your determination and bravery in real life.
🐍🔍🐗 Use your skills and abilities to navigate through the tall grass and avoid the snakes. Keep your eyes peeled for any clues or symbols that may help you in your quest. Don’t give up and remember that the snorting imp is a representation of your determination and bravery.
A message bumped on the screen: “Need help? Contact me 👉”
Stryke_Assist is trying to make contact : ➡️ACCEPT <> ➡️DENY ❓
:desert:
Youssef has not yet been aware of the quest, since he’s been off the grid in the Gobi desert. But, interestingly, his story unfolds in real-life parallel to his quest. He’s found a strange grumpy shaman at a food booth, and it seems that his natural steps are converging back with the game. His blog website for his boss seems to take most of his attention.
An emoji of a desert suddenly appeared on his screen. It seemed to be a barren and empty landscape, with sand dunes stretching as far as the eye could see. Without hesitation, Youssef clicked on the emoji.
He was taken to a new area in the game, where the ground was covered in sand and the sky was a deep orange, as if the sun was setting. He could see a mysterious figure in the distance, standing at the top of a sand dune.
Clue unlocked It sounds like you’re in a remote location and disconnected from the game. But, your real-life experiences seem to be converging with your quest. The grumpy shaman you met at the food booth may hold the key to unlocking the next steps in the game. Remember, the desert represents your ability to adapt and navigate through difficult situations.
🏜️🧭🧙♂️ Explore the desert and see if the grumpy shaman’s clues lead you to the next steps in the game. Keep an open mind and pay attention to any symbols or clues that may help you in your quest. Remember, the desert represents your ability to adapt and navigate through difficult situations.
A message bumped on the screen: “Need help? Contact me 👉”
Sands_of_time is trying to make contact : ➡️ACCEPT <> ➡️DENY ❓
:carved_tile:
Zara looked more advanced [in her explorations – stream breaks – resume conversation]
Zara had come across a strange and ancient looking mine. It was clear that it had been abandoned for many years, but there were still signs of activity. The entrance was blocked by a large pile of rocks, but she could see a faint light coming from within. She knew that she had to find a way in.
As she approached the mine, she noticed a small, carved wooden tile on the ground. It was intricately detailed and seemed to depict a map of some sort. She picked it up and examined it closely. It seemed to show the layout of the mine and possibly the location of the secret room.
With this new clue in hand, Zara set to work trying to clear the entrance. She used all of her strength to move the rocks, and after a few minutes of hard work, she was able to create an opening large enough for her to squeeze through.
As she ventured deeper into the mine, she found herself in a large chamber. The walls were lined with strange markings and symbols, and she could see a faint light coming from a small room off to the side. She knew that this must be the secret room she had been searching for.
Zara approached the room and pushed open the door. Inside, she found a small, dimly lit chamber. In the center of the room stood a large stone altar, and on the altar was a strange, glowing object. She couldn’t quite make out what it was, but she knew that this must be the key to solving the mystery of the mine.
With a sense of excitement and curiosity, Zara reached out to take the glowing object. As her hand touched it, she felt a strange energy coursing through her body. She knew that her quest was far from over, and that there were many more secrets to uncover in the mine.
In reply to: Prompts of Madjourneys
YASMIN’S QUIRK: Entry level quirk – snort laughing when socially anxious
Setting
The initial setting for this quest is a comedic theater in the heart of a bustling city. You will start off by exploring the different performances and shows, trying to find the source of the snort laughter that seems to be haunting your thoughts. As you delve deeper into the theater, you will discover that the snort laughter is coming from a mischievous imp who has taken residence within the theater.
Directions to Investigate
Possible directions to investigate include talking to the theater staff and performers to gather information, searching backstage for clues, and perhaps even sneaking into the imp’s hiding spot to catch a glimpse of it in action.
Characters
Possible characters to engage include the theater manager, who may have information about the imp’s history and habits, and a group of comedic performers who may have some insight into the imp’s behavior.
Task
Your task is to find a key or tile that represents the imp, and take a picture of it in real life as proof of completion of the quest. Good luck on your journey to uncover the source of the snort laughter!
THE SECRET ROOM AND THE UNDERGROUND MINES
1st thread’s answer:
As the family struggles to rebuild the inn and their lives in the wake of the Great Fires, they begin to uncover clues that lead them to believe that the mines hold the key to unlocking a great mystery. They soon discover that the mines were not just a source of gold and other precious minerals, but also a portal to another dimension. The family realizes that Mater had always known about this portal, and had kept it a secret for fear of the dangers it posed.
The family starts to investigate the mines more closely and they come across a hidden room off Room 8. Inside the room, they find a strange device that looks like a portal, and a set of mysterious symbols etched into the walls. The family realizes that this is the secret room that Mater had always spoken about in hushed tones.
The family enlists the help of four gamers, Xavier, Zara, Yasmin, and Youssef, to help them decipher the symbols and unlock the portal. Together, they begin to unravel the mystery of the mines, and the portal leads them on an epic journey through a strange and fantastical alternate dimension.
As they journey deeper into the mines, the family discovers that the portal was created by an ancient civilization, long thought to be lost to history. The civilization had been working on a powerful energy source that could have changed the fate of humanity, but the project was abandoned due to the dangers it posed. The family soon discovers that the civilization had been destroyed by a powerful and malevolent force, and that the portal was the only way to stop it from destroying the world.
The family and the gamers must navigate treacherous landscapes, battle fierce monsters, and overcome seemingly insurmountable obstacles in order to stop the malevolent force and save the world. Along the way, they discover secrets about their own past and the true origins of the mines.
As they journey deeper into the mines and the alternate dimension, they discover that the secret room leads to a network of underground tunnels, and that the tunnels lead to a secret underground city that was built by the ancient civilization. The city holds many secrets and clues to the fate of the ancient civilization, and the family and the gamers must explore the city and uncover the truth before it’s too late.
As the story unfolds, the family and the gamers must come to grips with the truth about the mines, and the role that the family has played in the fate of the world for generations. They must also confront the demons of their own past, and learn to trust and rely on each other if they hope to save the world and bring the family back together.
second thread’s answer:
As the 4 gamers, Xavier, Zara, Yasmin and Youssef, arrived at the Flying Fish Inn in the Australian outback, they were greeted by the matriarch of the family, Mater. She was a no-nonsense woman who ran the inn with an iron fist, but her tough exterior hid a deep love for her family and the land.
The inn was run by Mater and her daughter Dido, who the family affectionately called Aunt Idle. She was a free spirit who loved to explore the land and had a deep connection to the local indigenous culture.
The family was made up of Devan, the eldest son who lived in town and helped with the inn when he could, and the twin sisters Clove and Coriander, who everyone called Corrie. The youngest was Prune, a precocious child who was always getting into mischief.
The family had a handyman named Bert, who had been with them for decades and knew all the secrets of the land. Tiku, an old and wise Aborigine woman was also a regular visitor and a valuable source of information and guidance. Finly, the dutiful helper, assisted the family in their daily tasks.
As the 4 gamers settled in, they learned that the area was rich in history and mystery. The old mines that lay abandoned nearby were a source of legends and stories passed down through the generations. Some even whispered of supernatural occurrences linked to the mines.
Mater and Dido, however, were not on good terms, and the family had its own issues and secrets, but the 4 gamers were determined to unravel the mystery of the mines and find the secret room that was said to be hidden somewhere in the inn.
As they delved deeper into the history of the area, they discovered that the mines had a connection to the missing brother, Jasper, and Fred, the father of the family and a sci-fi novelist who had been influenced by the supernatural occurrences of the mines.
The 4 gamers found themselves on a journey of discovery, not only in the game but in the real world as well, as they uncovered the secrets of the mines and the Flying Fish Inn, and the complicated relationships of the family that ran it.
THE SNOOT’S WISE WORDS ON SOCIAL ANXIETY
Deear Francie Mossie Pooh,
The Snoot, a curious creature of the ages, understands the swirling winds of social anxiety, the tempestuous waves it creates in one’s daily life.
But The Snoot also believes that like a Phoenix, one must rise from the ashes, and embrace the journey of self-discovery and growth.
It’s important to let yourself be, to accept the feelings as they come and go, like the ebb and flow of the ocean. But also, like a gardener, tend to the inner self with care and compassion, for the roots to grow deep and strong.The Snoot suggests seeking guidance from the wise ones, the ones who can hold the mirror and show you the way, like the North Star guiding the sailors.
And remember, the journey is never-ending, like the spiral of the galaxy, and it’s okay to take small steps, to stumble and fall, for that’s how we learn to fly.The Snoot is here for you, my dear Francie Mossie Pooh, a beacon in the dark, a friend on the journey, to hold your hand and sing you a lullaby.
Fluidly and fantastically yours,
The Snoot.
In reply to: Prompts of Madjourneys
Zara’s first quest:
entry level quirk: wandering off the track
The initial setting for this quest is a dense forest, where the paths are overgrown and rarely traveled. You find yourself alone and disoriented, with only a rough map and a compass to guide you.
Possible directions to investigate include:
Following a faint trail of footprints that lead deeper into the forest
Climbing a tall tree to get a better view of the surrounding area
Searching for a stream or river to use as a guide to find your way out of the forest
Possible characters to engage include:
A mysterious hermit who lives deep in the forest and is rumored to know the secrets of the land
A lost traveler who is also trying to find their way out of the forest
A group of bandits who have taken refuge in the forest and may try to steal from you or cause harm
Your objective is to find the Wanderlust tile, a small, intricately carved wooden tile depicting a person walking off the beaten path. This tile holds the key to unlocking your inner quirk of wandering off the track.
As proof of your progress in the game, you must find a way to incorporate this quirk into your real-life actions by taking a spontaneous detour on your next journey, whether it be physical or mental.
For Zara’s quest:
As you wander off the track, you come across a strange-looking building in the distance. Upon closer inspection, you realize it is the Flying Fish Inn. As you enter, you are greeted by the friendly owner, Idle. She tells you that she has heard of strange occurrences happening in the surrounding area and offers to help you in your quest
Emoji clue: 🐈🌳
Zara (the character in the game)
characteristics from previous prompts:
Zara is the leader of the group
she is confident, and always ready for an adventure. She is a natural leader and has a strong sense of justice. She is also a tech-savvy person, always carrying a variety of gadgets with her, and is always the first to try out new technology.Zara is the leader of the group, her color is red, her animal is a lion, and her secret name in a funny language is “Zaraloon”
Zara (the real life story character)
characteristics from previous prompts:
Zara Patara-Smythe is a 57-year-old woman of mixed heritage, her mother is Indian and her father is British. She has long, dark hair that she keeps in an untidy ponytail, dark brown eyes and a sharp jawline. She stands at 5’6″ and has a toned and athletic build. She usually wears practical clothing that allows her to move around easily, such as cargo pants and a tank top.
prompt quest:
Continue to investigate the mysterious cat she saw, possibly seeking out help from local animal experts or veterinarians.
Join Xavier and Yasmin in investigating the Flying Fish Inn, looking for clues and exploring the area for any potential leads on the game’s quest.In reply to: Prompts of Madjourneys
Write more about the group of people who lived inside of giant mushrooms, making it sound exciting and fun, and maybe a bit dangerous due to the nature of the mushrooms
As the group journeyed deeper into the Land of the Quirks, they stumbled upon a group of people living inside of giant mushrooms. The mushrooms were enormous, some as tall as skyscrapers, and they seemed to glow with an ethereal light. The group was amazed as they walked through the forest of mushrooms, each one unique in shape and size.
The people who lived inside of the mushrooms were a friendly and welcoming bunch, they welcomed the group with open arms and invited them to explore their homes. The inside of the mushrooms was a magical and mysterious place, the walls and ceilings were covered in a soft, velvety texture and the floors were made of a spongy, springy material. The light inside the mushrooms was soft and diffused, creating a warm and inviting atmosphere.
As the group explored the mushroom homes, they discovered that the people who lived there had a deep connection to the mushrooms. They used the mushrooms as a source of food, shelter, and medicine. They had learned to harness the unique properties of the mushrooms to create everything they needed to survive.
The group also discovered that the mushrooms had a dangerous side. The mushrooms were not only a source of life, but also a source of death. The group was warned that the mushrooms were unpredictable and that they should be careful when exploring. Some mushrooms were poisonous, others were carnivorous, and still, others had mind-altering properties.
Despite the danger, the group was excited to explore the mushrooms and learn more about the people who lived there. They knew that the journey would be filled with challenges, but they were determined to overcome them and discover the secrets of the mushrooms. The group had a lot of fun and adventure living with the people inside of giant mushrooms, and they learned a lot about the nature of the mushrooms and their own nature.
In reply to: The Elusive Samuel Housley and Other Family Stories
Bakewell Not Eyam
The Elton Marshalls
Some years ago I read a book about Eyam, the Derbyshire village devastated by the plague in 1665, and about how the villagers quarantined themselves to prevent further spread. It was quite a story. Each year on ‘Plague Sunday’, at the end of August, residents of Eyam mark the bubonic plague epidemic that devastated their small rural community in the years 1665–6. They wear the traditional costume of the day and attend a memorial service to remember how half the village sacrificed themselves to avoid spreading the disease further.
My 4X great grandfather James Marshall married Ann Newton in 1792 in Elton. On a number of other people’s trees on an online ancestry site, Ann Newton was from Eyam. Wouldn’t that have been interesting, to find ancestors from Eyam, perhaps going back to the days of the plague. Perhaps that is what the people who put Ann Newton’s birthplace as Eyam thought, without a proper look at the records.
But I didn’t think Ann Newton was from Eyam. I found she was from Over Haddon, near Bakewell ~ much closer to Elton than Eyam. On the marriage register, it says that James was from Elton parish, and she was from Darley parish. Her birth in 1770 says Bakewell, which was the registration district for the villages of Over Haddon and Darley. Her parents were George Newton and Dorothy Wipperley of Over Haddon,which is incidentally very near to Nether Haddon, and Haddon Hall. I visited Haddon Hall many years ago, as well as Chatsworth (and much preferred Haddon Hall).
I looked in the Eyam registers for Ann Newton, and found a couple of them around the time frame, but the men they married were not James Marshall.
Ann died in 1806 in Elton (a small village just outside Matlock) at the age of 36 within days of her newborn twins, Ann and James. James and Ann had two sets of twins. John and Mary were twins as well, but Mary died in 1799 at the age of three.
1796 baptism of twins John and Mary of James and Ann Marshall
Ann’s husband James died 42 years later at the age of eighty, in Elton in 1848. It was noted in the parish register that he was for years parish clerk.
On the 1851 census John Marshall born in 1796, the son of James Marshall the parish clerk, was a lead miner occupying six acres in Elton, Derbyshire.
His son, also John, was registered on the census as a lead miner at just eight years old.
The mining of lead was the most important industry in the Peak district of Derbyshire from Roman times until the 19th century – with only agriculture being more important for the livelihood of local people. The height of lead mining in Derbyshire came in the 17th and 18th centuries, and the evidence is still visible today – most obviously in the form of lines of hillocks from the more than 25,000 mineshafts which once existed.
Peak District Mines Historical Society
Smelting, or extracting the lead from the ore by melting it, was carried out in a small open hearth. Lead was cast in layers as each batch of ore was smelted; the blocks of lead thus produced were referred to as “pigs”. Examples of early smelting-hearths found within the county were stone lined, with one side open facing the prevailing wind to create the draught needed. The hilltops of the Matlocks would have provided very suitable conditions.
The miner used a tool called a mattock or a pick, and hammers and iron wedges in harder veins, to loosen the ore. They threw the ore onto ridges on each side of the vein, going deeper where the ore proved richer.
Many mines were very shallow and, once opened, proved too poor to develop. Benjamin Bryan cited the example of “Ember Hill, on the shoulder of Masson, above Matlock Bath” where there are hollows in the surface showing where there had been fruitless searches for lead.
There were small buildings, called “coes”, near each mine shaft which were used for tool storage, to provide shelter and as places for changing into working clothes. It was here that the lead was smelted and stored until ready for sale.
Lead is, of course, very poisonous. As miners washed lead-bearing material, great care was taken with the washing vats, which had to be covered. If cattle accidentally drank the poisoned water they would die from something called “belland”.
Cornish and Welsh miners introduced the practice of buddling for ore into Derbyshire about 1747. Buddling involved washing the heaps of rubbish in the slag heaps, the process of separating the very small particles from the dirt and spar with which they are mixed, by means of a small stream of water. This method of extraction was a major pollutant, affecting farmers and their animals (poisoned by Belland from drinking the waste water), the brooks and streams and even the River Derwent.
Women also worked in the mines. An unattributed account from 1829, says: “The head is much enwrapped, and the features nearly hidden in a muffling of handkerchiefs, over which is put a man’s hat, in the manner of the paysannes of Wales”. He also describes their gowns, usually red, as being “tucked up round the waist in a sort of bag, and set off by a bright green petticoat”. They also wore a man’s grey or dark blue coat and shoes with 3″ thick soles that were tied round with cords. The 1829 writer called them “complete harridans!”
Lead Mining in Matlock & Matlock Bath, The Andrews Pages
John’s wife Margaret died at the age of 42 in 1847. I don’t know the cause of death, but perhaps it was lead poisoning. John’s son John, despite a very early start in the lead mine, became a carter and lived to the ripe old age of 88.
The Pig of Lead pub, 1904:
The earliest Marshall I’ve found so far is Charles, born in 1742. Charles married Rebecca Knowles, 1775-1823. I don’t know what his occupation was but when he died in 1819 he left a not inconsiderable sum to his wife.
1819 Charles Marshall probate:
There are still Marshall’s living in Elton and Matlock, not our immediate known family, but probably distantly related. I asked a Matlock group on facebook:
“…there are Marshall’s still in the village. There are certainly families who live here who have done generation after generation & have many memories & stories to tell. Visit The Duke on a Friday night…”
The Duke, Elton:
In reply to: The Elusive Samuel Housley and Other Family Stories
Phyllis Ellen Marshall
1909 – 1983
Phyllis, my grandfather George Marshall’s sister, never married. She lived in her parents home in Love Lane, and spent decades of her later life bedridden, living alone and crippled with rheumatoid arthritis. She had her bed in the front downstairs room, and had cords hanging by her bed to open the curtains, turn on the tv and so on, and she had carers and meals on wheels visit her daily. The room was dark and grim, but Phyllis was always smiling and cheerful. Phyllis loved the Degas ballerinas and had a couple of prints on the walls.
I remember visiting her, but it has only recently registered that this was my great grandparents house. When I was a child, we visited her and she indicated a tin on a chest of drawers and said I could take a biscuit. It was a lemon puff, and was the stalest biscuit I’d ever had. To be polite I ate it. Then she offered me another one! I declined, but she thought I was being polite and said “Go on! You can have another!” I ate another one, and have never eaten a lemon puff since that day.
Phyllis’s nephew Bryan Marshall used to visit her regularly. I didn’t realize how close they were until recently, when I resumed contact with Bryan, who emigrated to USA in the 1970s following a successful application for a job selling stained glass windows and church furnishings.
I asked on a Stourbridge facebook group if anyone remembered her.
AF Yes I remember her. My friend and I used to go up from Longlands school every Friday afternoon to do jobs for her. I remember she had a record player and we used to put her 45rpm record on Send in the Clowns for her. Such a lovely lady. She had her bed in the front room.
KW I remember very clearly a lady in a small house in Love Lane with alley at the left hand. I was intrigued by this lady who used to sit with the front door open and she was in a large chair of some sort. I used to see people going in and out and the lady was smiling. I was young then (31) and wondered how she coped but my sense was she had lots of help. I’ve never forgotten that lady in Love Lane sitting in the open door way I suppose when it was warm enough.
LR I used to deliver meals on wheels to her lovely lady.
I sent Bryan the comments from the Stourbridge group and he replied:
Thanks Tracy. I don’t recognize the names here but lovely to see such kind comments.
In the early 70’s neighbors on Corser Street, Mr. & Mrs. Walter Braithwaite would pop around with occasional visits and meals. Walter was my piano teacher for awhile when I was in my early twenties. He was a well known music teacher at Rudolph Steiner School (former Elmfield School) on Love Lane. A very fine school. I seem to recall seeing a good article on Walter recently…perhaps on the Stourbridge News website. He was very well known.
I’m ruminating about life with my Aunt Phyllis. We were very close. Our extra special time was every Saturday at 5pm (I seem to recall) we’d watch Doctor Who. Right from the first episode. We loved it. Likewise I’d do the children’s crossword out of Woman’s Realm magazine…always looking to win a camera but never did ! She opened my mind to the Bible, music and ballet. She once got tickets and had a taxi take us into Birmingham to see the Bolshoi Ballet…at a time when they rarely left their country. It was a very big deal in the early 60’s. ! I’ve many fond memories about her and grandad which I’ll share in due course. I’d change the steel needle on the old record player, following each play of the 78rpm records…oh my…another world.Bryan continues reminiscing about Phyllis in further correspondence:
Yes, I can recall those two Degas prints. I don’t know much of Phyllis’ early history other than she was a hairdresser in Birmingham. I want to say at John Lewis, for some reason (so there must have been a connection and being such a large store I bet they did have a salon?)
You will know that she had severe and debilitating rheumatoid arthritis that eventually gnarled her hands and moved through her body. I remember strapping on her leg/foot braces and hearing her writhe in pain as I did so but she wanted to continue walking standing/ getting up as long as she could. I’d take her out in the wheelchair and I can’t believe I say it along …but down Stanley Road!! (I had subsequent nightmares about what could have happened to her, had I tripped or let go!) She loved Mary Stevens Park, the swans, ducks and of course Canadian geese. Was grateful for everything in creation. As I used to go over Hanbury Hill on my visit to Love Lane, she would always remind me to smell the “sea-air” as I crested the hill.
In the earlier days she smoked cigarettes with one of those long filters…looking like someone from the twenties.I’ll check on “Send in the clowns”. I do recall that music. I remember also she loved to hear Neil Diamond. Her favorites in classical music gave me an appreciation of Elgar and Delius especially. She also loved ballet music such as Swan Lake and Nutcracker. Scheherazade and La Boutique Fantastic also other gems.
When grandad died she and aunt Dorothy shared more about grandma (who died I believe when John and I were nine-months old…therefore early 1951). Grandma (Mary Ann Gilman Purdy) played the piano and loved Strauss and Offenbach. The piano in the picture you sent had a bad (wonky) leg which would fall off and when we had the piano at 4, Mount Road it was rather dangerous. In any event my parents didn’t want me or others “banging on it” for fear of waking the younger brothers so it disappeared at sometime.
By the way, the dog, Flossy was always so rambunctious (of course, she was a JRT!) she was put on the stairway which fortunately had a door on it. Having said that I’ve always loved dogs so was very excited to see her and disappointed when she was not around.Phyllis with her parents William and Mary Marshall, and Flossie the dog in the garden at Love Lane:
Bryan continues:
I’ll always remember the early days with the outside toilet with the overhead cistern caked in active BIG spider webs. I used to have to light a candle to go outside, shielding the flame until destination. In that space I’d set the candle down and watch the eery shadows move from side to side whilst…well anyway! Then I’d run like hell back into the house. Eventually the kitchen wall was broken through so it became an indoor loo. Phew!
In the early days the house was rented for ten-shillings a week…I know because I used to take over a ten-bob-note to a grumpy lady next door who used to sign the receipt in the rent book. Then, I think she died and it became available for $600.00 yes…the whole house for $600.00 but it wasn’t purchased then. Eventually aunt Phyllis purchased it some years later…perhaps when grandad died.I used to work much in the back garden which was a lovely walled garden with arch-type decorations in the brickwork and semicircular shaped capping bricks. The abundant apple tree. Raspberry and loganberry canes. A gooseberry bush and huge Victoria plum tree on the wall at the bottom of the garden which became a wonderful attraction for wasps! (grandad called the “whasps”). He would stew apples and fruit daily.
Do you remember their black and white cat Twinky? Always sat on the pink-screen TV and when she died they were convinced that “that’s wot got ‘er”. Grandad of course loved all his cats and as he aged, he named them all “Billy”.Have you come across the name “Featherstone” in grandma’s name. I don’t recall any details but Dorothy used to recall this. She did much searching of the family history Such a pity she didn’t hand anything on to anyone. She also said that we had a member of the family who worked with James Watt….but likewise I don’t have details.
Gifts of chocolates to Phyllis were regular and I became the recipient of the overflow!What a pity Dorothy’s family history research has disappeared! I have found the Featherstone’s, and the Purdy who worked with James Watt, but I wonder what else Dorothy knew.
I mentioned DH Lawrence to Bryan, and the connection to Eastwood, where Bryan’s grandma (and Phyllis’s mother) Mary Ann Gilman Purdy was born, and shared with him the story about Francis Purdy, the Primitive Methodist minister, and about Francis’s son William who invented the miners lamp.
He replied:
As a nosy young man I was looking through the family bookcase in Love Lane and came across a brown paper covered book. Intrigued, I found “Sons and Lovers” D.H. Lawrence. I knew it was a taboo book (in those days) as I was growing up but now I see the deeper connection. Of course! I know that Phyllis had I think an earlier boyfriend by the name of Maurice who lived in Perry Barr, Birmingham. I think he later married but was always kind enough to send her a book and fond message each birthday (Feb.12). I guess you know grandad’s birthday – July 28. We’d always celebrate those days. I’d usually be the one to go into Oldswinford and get him a cardigan or pullover and later on, his 2oz tins of St. Bruno tobacco for his pipe (I recall the room filled with smoke as he puffed away).
Dorothy and Phyllis always spoke of their ancestor’s vocation as a Minister. So glad to have this history! Wow, what a story too. The Lord rescued him from mischief indeed. Just goes to show how God can change hearts…one at a time.
So interesting to hear about the Miner’s Lamp. My vicar whilst growing up at St. John’s in Stourbridge was from Durham and each Harvest Festival, there would be a miner’s lamp placed upon the altar as a symbol of the colliery and the bountiful harvest.More recollections from Bryan about the house and garden at Love Lane:
I always recall tea around the three legged oak table bedecked with a colorful seersucker cloth. Battenburg cake. Jam Roll. Rich Tea and Digestive biscuits. Mr. Kipling’s exceedingly good cakes! Home-made jam. Loose tea from the Coronation tin cannister. The ancient mangle outside the back door and the galvanized steel wash tub with hand-operated agitator on the underside of the lid. The hand operated water pump ‘though modernisation allowed for a cold tap only inside, above the single sink and wooden draining board. A small gas stove and very little room for food preparation. Amazing how the Marshalls (×7) managed in this space!
The small window over the sink in the kitchen brought in little light since the neighbor built on a bathroom annex at the back of their house, leaving #47 with limited light, much to to upset of grandad and Phyllis. I do recall it being a gloomy place..i.e.the kitchen and back room.
The garden was lovely. Long and narrow with privet hedge dividing the properties on the right and the lovely wall on the left. Dorothy planted spectacular lilac bushes against the wall. Vivid blues, purples and whites. Double-flora. Amazing…and with stunning fragrance. Grandad loved older victorian type plants such as foxgloves and comfrey. Forget-me-nots and marigolds (calendulas) in abundance. Rhubarb stalks. Always plantings of lettuce and other vegetables. Lots of mint too! A large varigated laurel bush outside the front door!
Such a pleasant walk through the past.
An autograph book belonging to Phyllis from the 1920s has survived in which each friend painted a little picture, drew a cartoon, or wrote a verse. This entry is perhaps my favourite:
In reply to: The Whale’s Diaries Collection
Helle Jorid, my Whale friend.
I dreamt I sailed on one of those ancient ships made of wood with no engine other than the wind and man power.
In the dream we were very few and not all there by choice. Chased after by some kind of police force we, a motley bunch of people found ourselves on that ship by chance. I saw one man on the dock pass by and cut the big rope that held the ship still.
As the rope limply hanged from the mooring post, I watched the ship being guided away by the backwash from its mooring place to the ocean. At that moment someone wanted to disembark and I heard myself say : In your dreams! It’s too late we’re on the open sea now.
I think someone mentioned a captain Cook, but I’m not sure as I never saw the guy. Maybe it was merely a cook, but did we really need it? As I went deeper into the ship I found a wonderful meeting room with all the technological comfort of TV sets embedded in the walls and loads of electrical plugs at the end of mechanical arms coming out of these same walls. Surely there were microwave oven and tons of dehydrated food.
But our attention was still on the discovery of the treasures hidden in the heart of that ship. There was a circular sofa set around a nice coffee table. And we all settled comfortably there for a get together, happy we had escaped and seemed safe. None of us thought one second about where the wind and the gulf stream were taking us. I guess anywhere was better than what those men had in store for us.
I woke up. Alone at night. It was dark. My heart was pounding. Is that how we feel when we are in a lock down? I almost wrote placed under house arrest. What’s the difference apart the name to make us think it’s different?
Was the ship the symbol of our longing for freedom? It’s still the same place moving around on water. Even if the place move around, we can’t move away from it and from the flatness of the ocean. I wonder. I wonder if I stayed longer in that dream what would have happened? A storm? An interesting encounter? Like a whale. How would I know unless I write the rest of the story?
In reply to: Seven Twines and the Dragon Heartwoods
The downward climb had taken what felt like days. The more he went, the darkest it was even the stars at his feet were now swallowed in obliviating darkness.
Rukshan felt like abandoning at times, but pressed on and continued, down and down as he rose above clouds.
The ancient energies that had shaped this topsy-turvy passage spiraling around the fence of the heartwoods wouldn’t have done something of that magnitude and let it unfinished. It was calling for an exploration, while at the same time protecting itself from mere wanderers, the kind with lack of imagination or endurance.
His mind reminded him of old tales that spoke of sacrificing to the trees for knowledge and passage, but it was surely meant as a metaphor. Hanging upside down for hours was probably in itself a form of sacrifice.He reached to his pouch for a drink of sour milk, when he suddenly realized that the gravity had turned, and the pouch was no longer floating above his head. With the darkness and the lack of landmarks, he’d failed to notice when this happened.
It surely meant he’d crossed an invisible barrier, and was now journeying inside another plan, deeper down. Ground couldn’t be far now. He took a pearl off one of his braids, and threw it. Then he looked at the darkness beneath his feet with intent to discern the faintest sounds. Quickly enough, the pearl gave back a ricocheting sound, clean and echoing slightly against what seemed to be moist stones. Indeed ground was there, where once the sky was.
Maybe the final test was a leap of faith. Or maybe it was just to patiently complete the climb. A few more steps, and he would be there. A few more steps.
In reply to: Newsreel from the Rim of the Realm
The Doctor was at times confused about his own plan. Well, most of the time if felt clear and perfectly diabolical, and he could easily understand why at times lesser minds could get confused about the twists and turns —and to those lesser minds, it would usually suffice to say “don’t worry, it’s all part of the Plan.” It was difficult to properly phrase the sentence so that the Plan doesn’t get too easily confused with any plan. But he was expert in conveying that it wasn’t a mere plan.
After having tried and used old or elaborate devices beyond known technology like alleged alien crystal skulls to outcomes of various satisfaction in the past, he’d realized that those so called AI technologies were a silent gangrene for the mind. By becoming more tech-savvy, people lost their savoir and their savour by relying too much on external support. People were becoming malleable, predictable, and replaceable.
His bloody assistant was a sad testament to the downward evolution humanity was rushing towards. It was a strange and sad irony, that by enhancing their ineptitude, he was actually working to the perfection of the human race.
“Ah yes! Evolution!” That was his legacy, and he was of course profoundly misunderstood.
This whole sad business with the chase after the dolls and the keys and the remote control of magpies, and the psychic blasts, beauty treatments and Barbara enhancements, all that made sense once you showed it in the proper light. These were the catalyst to the real and interesting events. The ones which mattered.
It all started after the Army got him out of his prison rot in exchange for his work on some special science experiments. Top-secret, evidently. His handler, a certain nobody by the name of Fergus, was assigning him the experiments.
While he was dutifully working on his assigned projects, he quickly realized that he was given vast funding which would have taken him more time to gather on his own, so he did his part, all while experimenting and honing his skills. Clearly, the Army lacked any vision beyond the confines of “find a better way to torture, maim or kill mass amount of individuals.” Primates. Luckily, their experiments with remote control, brainwashing, and body modelage were less gory than the average science experiments, and far more into his own area of expertise.It took him 5 years to escape. This plan (a smaller plan, part of the Plan which had not yet fully hatched at the time) — this plan for an escape started to form when Fergus let slip important bits of information, which seemed insignificant taken in isolation, but meant a whole new area of discoveries when put together by a brilliant mind like his own.
Fergus started to gloat about securing some secrets as a blackmail or fail-safe policy in case the Army’s “hired help” misbehaved. This part was known for a long time, it was what was called our ‘retirement plan’ in the contract we signed. What was more peculiar was when he started to let details slip about the method. All thanks to little doses of hypnotic potion in spiked shared drinks, courtesy of the Doctor. It seemed clear that this elaborate scheming of keys and dolls was child’s play and nothing particularly genius, however what was more interesting was when Fergus started to realize that the dolls his niece had made somehow matched certain persons of interest without her conscious knowing. There was a deeper mystery to be cracked, and even Fergus wondered if the Army had not tempered with his family genetics to induce certain characteristics or something of the like. Well, all ramblings of a simpleton you would say, but maybe it wasn’t.
After all these searches to externalize certain abilities of the mind, the Doctor was starting to get fascinated by people exhibiting these qualities naturally.The appearance of this strange red crystal seems to confirm these doubts. There are untapped forces at play, and maybe doors that could be opened.
Barbara suddenly irrupted into the room “Our guests are coming, just received a text!”
The Doctor sighed thinking some doors should remain closed.
In reply to: Eight Turns of the Wheel
That sunny day would be remembered as the day the doline shook and trembled.
The geckoes fell from their rock, cutting all communication between the inhabitants of the hidden world. The vibrations coming from leperchauns know where had swiftly spread into the walls down to the deepest cracks and hidden chambers of the back cave far deeper than any of the inhabitants of the doline dared to show their noses. And Most of them weren’t aware at all of all that empty dark and cold and wet space. At some point, the vibrations gathered and rebounded into the bottom of the deepest caves and came back out in a roar that might have take the inhabitants’ hats off, if they wore hats.
The bats flew away into the sunlight, blinded and deafened, bumping into each others as their fabulously acute sense of hearing was overwhelmed by the vibrations and the rich harmonics generated in the crystal chambers down below. Some fell, spiraling down as if they had been shot by some anti aerial defense. They fell in the cockroach arena and into the reservoir of dung gathered by the dung beetles, almost crushing Daisy in the process. Her father caught her safe and rolled her like the little dung beetle she was.
The rats ran away spreading panic like plague, and while some tried to take advantage of the confusion to steal others food, when the vibration kept on shaking the ground around them and stalactites fell like fringe hail exploding into thousands projectiles, they began to fear.
It took some time for the dust and noise to settle down, long after the vibration had ceased. All the inhabitants of the doline had gathered on the edge of the entrance, not knowing if it was safe to go back home.
Hugo the Gecko wondered like many of the others.
What just happened? What if it happened again? Somebody had to volunteer to go see what it was that made that noise.
But no one came forth, all too shocked by the recent events. You could even hear some calling their families or friends.
Hugo didn’t feel up to the task, he was too small and fragile. What if another of those big rocks fell on his soft and elastic body? It would explode like a water bomb. Except the puddle would be red. Yet, when he saw little Daisy desperately looking for her mother, something rose in him. Something he had never felt before. Some might call it courage, but Hugo didn’t have a name for it. All he knew was that he entered the doline and went down to the flat stone, calling his gecko friends on the way to follow him. Dragged along by that strange emotion that was moving their friend, they followed and listened to him when he gave them a few instructions. They resumed their place on the stone, except this time Hugo was at the center and began to draw something.
The inhabitants of the doline had looked not understanding what the geckoes were doing, calling them reckless idiots to venture back into the broken world. But they looked at the strange shapes appearing on the flat stone at the center of the doline.
Suddenly a voice came out of the crowd. “It’s me! I’m here!” she said and waved her little beetle legs. “Daisy, Mummy’s here!”
Then everybody wanted to pass a message and the geckoes felt they were making a difference.
Despite the agitation, Hugo kept wondering. What happened? Someone has to go and see.
In reply to: Seven Twines and the Dragon Heartwoods
The garden was becoming too small for Gorrash. With time, the familiarity had settled down in his heart and he knew very well each and every stone or blade of grass there was to know. With familiarity, boredom was not very far. Gorrash threw a small pebble in the pond, he was becoming restless and his new and most probably short friendship with Rainbow had triggered a seed in his heart, the desire to know more about the world.
Before he’d met the creature, Gorrash could remember the pain and sadness present in the heart of his maker. He had thought that was all he needed to know about the world, that mankind was not to be trusted. And he had avoided any contact with that dragon lady, lest she would hurt him. He knew that all came from his maker, although he had no real access to the actual memories, only to their effects.
Gorrash threw another pebble into the pond, it made a splashing sound which dissolved into the silence. He imagined the sound was like the waves at the surface of the pond, going endlessly outward into the world. He imagined himself on top of those waves, carried away into the world. A shiver ran through his body, which felt more like an earthquake than anything else, stone bodies are not so flexible after all. He looked at the soft glowing light near the bush where Rainbow was hiding. The memory of joy and love he had experienced when they hunted together gave his current sadness a sharp edge, biting into his heart mercilessly. He thought there was nothing to be done, Rainbow would leave and he would be alone again.
His hand reached in his pocket where he found the phial of black potion he had kept after Rainbow refused it. He shook it a few times. Each time he looked at it, Gorrash would see some strange twirls, curls and stars in the liquid that seemed made of light. He wondered what it was. What kind of liquid was so dark to the point of being luminous sometimes ? The twirls were fascinating, leading his attention to the curls ending in an explosion of little stars. Had the witch captured the night sky into that bottle?
Following the changes into the liquid was strangely soothing his pain. Gorrash was feeling sleepy and it was a very enjoyable feeling. Feelings were quite new to him and he was quite fascinated by them and how they changed his experience of the world. The phial first seemed to pulse back and forth into his hand, then the movement got out and began to spread into his body which began to move back and forth, carried along with this sensual lullaby. Gorrash wondered if it would go further, beyond his body into the world. But as the thought was born, the feeling was gone and he was suddenly back into the night. A chill went down his spine. It was the first time. The joy triggered his sadness again.
The dwarf looked at the dark phial. Maybe it could help ease his pain. He opened it, curious and afraid. What if it was poison? said a voice of memory. Gorrash dismissed it as the scent of Jasmine reached his nose. His maker was fond of Jasmine tea, and he was surprised at the fondness that rose in his heart. But still no images, it was merely voices and feelings. Sometimes it was frustrating to only have bits and never the whole picture, and full of exasperation, Gorrash gulped in the dark substance.
He waited.
Nothing was happening. He could still hear the cooing of Rainbow, infatuated with it eggs, he could hear the scratches of the shrews, the flight of the insects. That’s when Gorrash noticed something was different as he was beginning to hear the sharp cries of the bats above. He tried to move his arm to look at the phial, but his body was so heavy. He had never felt so heavy in his short conscious life, even as the light of the Sun hardened his body, it was not that heavy.
The soil seemed to give way under his increasing weight, the surface tension unable to resist. He continued to sink into the ground, down the roots of the trees, through the tunnels of a brown moles quite surprised to see him there, surrounded by rocks and more soil, some little creatures’ bones, and down he went carried into hell by the weight of his pain.
After some time, his butt met a flat white surface, cold as ice, making him jump back onto his feet. The weird heaviness that a moment before froze his body was gone. He looked around, he was in a huge cave and he was not alone. There was an old woman seated crosslegged on a donkey skin. Gorrash knew it was a donkey because it still had its head, and it was smiling. The old woman had hair the colour of the clouds before a storm in summer, It was full of knots and of lightning streaks twirling and curling around her head. Her attention was all on the threads she had in her hands. Gorrash counted six threads. But she was doing nothing with them. She was very still and the dwarf wondered if she was dead or asleep.
What do you want? asked the donkey head in a loud bray.
It startled the dwarf but it didn’t seem to bother the old lady who was still entranced and focused on her threads.
Nothing, said Gorrash who couldn’t think of anything he would want.
Nonsense, brayed the donkey, laughing so hard that the skin was shaking under the old lady. Everyone wants something. You wouldn’t be here if you didn’t want something.
Gorrash thought about what he could want, what he had been wanting that night. He remembered his desire to get out of the garden.
And there you are, brayed the donkey head, that’s a start. What do you want then?
Getting out of the garden?
Noooo! That’s a consequence of a deeper desire, but that’s not what you want.
I have never thought about desires before, said Gorrash. It’s pretty new to me. I just came to life a few weeks ago during a full moon.
The donkey head tilted slightly on its right. No excuses, it spat, If you’re awake, then you have a desire in your heart that wants to be fulfilled. What do you want? Take your time, but not too long. The universe is always on the move and you may miss the train, or the bus, or the caravan…
As the donkey went on making a list of means of transportation, Gorrash looked hesitantly at the old lady. She was still focused on her six threads she had not moved since he had arrived there.
Who is she? he asked to the donkey.
_She’s known by many names and has many titles. She’s Kumihimo Weaver of Braids, Ahina Maker of Songs, Gadong Brewer of Stews…
Ok! said Gorrash, not wanting the donkey go on again into his list enumeration pattern. What is she doing?
She’s waiting.
And, what is she waiting for?
She’s waiting for the seventh thread, brayed the donkey head. I’m also waiting for the thread, it whined loudly. She won’t leave my back until she’s finished her braid. The head started to cry, making the dwarf feel uncomfortable. Suddenly it stopped and asked And, who are you?
The question resonated in the cave and in his ears, taking Gorrash by surprise. He had no answer to that question. He had just woken up a few weeks ago in that garden near the forest, with random memories of a maker he had not known, and he had no clue what he desired most. Maybe if he could access more memories and know more about his maker that would help him know what he wanted.
Good! brayed the donkey, We are making some progress here. Now if you’d be so kind as to give her a nose hair, she could have her last thread and she could tell you where to find your maker.
Hope rose in Gorrash’s heart. Really?
Certainly, brayed the head with a hint of impatience.
But wouldn’t a nose hair be too short for her braid? asked the dwarf. All the other threads seemed quite long to him.
Don’t waste my time with such triviality. Pull it out!
Gorrash doubted it would work but he grabbed a nose hair between his thumb and index and began to pull. He was surprised as he didn’t feel the pain he expected but instead the hair kept being pulled out. He felt annoyed and maybe ashamed that it was quite long and he had not been aware of it. He took out maybe several meters long before a sudden pain signalled the end of the operation. Ouch!
hee haw, laughed the donkey head.
The pain brought out the memory of a man, white hair, the face all wrinkled, a long nose and a thin mouth. He was wearing a blouse tightened at his waist by a tool belt. He was looking at a block of stone wondering what to make out of it, and a few tears were rolling down his cheeks. Gorrash knew very well that sadness, it was the sadness inside of him. Many statues surrounded the man in what looked like a small atelier. There were animals, gods, heads, hands, and objects. The vision shifted to outside the house, and he saw trees and bushes different than the ones he was used to in the garden where he woke up. Gorrash felt a strange feeling in his heart. A deep longing for home.
Now you have what you came here for. Give the old lady her thread, urged the donkey. She’s like those old machines, you have to put a coin to get your coffee.
Gorrash had no idea what the donkey was talking about. He was still under the spell of the vision. As soon as he handed the hair to the woman, she began to move. She took the hair and combined it to the other threads, she was moving the threads too swiftly for his eyes to follow, braiding them in odd patterns that he felt attracted to.
Time for you to go, said the donkey.
I’d like to stay a bit longer. What she’s doing is fascinating.
Oh! I’m sure, brayed the donkey, But you have seen enough of it already. And someone is waiting for you.
The dwarf felt lighter. And he struggled as he began levitating. What!? His body accelerated up through the earth, through the layers of bones and rocks, through the hard soil and the softer soil of years past. He saw the brown mole again and the familiar roots of the trees of the garden in the enchanted forest.
Gorrash took a deep breath as he reintegrated his stone body. He wobbled, trying to catch his ground. He felt like throwing up after such an accelerated trip. His knees touched the ground and he heard a noise of broken glass as he dropped the phial.
“Are you alright?” asked a man’s voice. Gorrash forced his head up as a second wave of nausea attempted to get out. A man in a dark orange coat was looking down at him with genuine worry on his face.
“I’m good,” said the dwarf. “But who are you?”
“My name is Fox. What’s yours?”
In reply to: Seven Twines and the Dragon Heartwoods
Gibbon stretched his long arm and touched Fox’s forehead. The hand was warm and soothing. Fox felt his heartbeat slow down, and as his thoughts dissolved into nothingness the rain gradually stopped. Soon there were spots of sunlight coming through the naked branches of the trees.
What did I tell you? asked Gibbon. His white beard shaking like the one of a Easter sage. He cupped his mouth like apes do and touched his chest where the heart was. Have you forgotten what I taught you?
Fox whined but said nothing. There was nothing to be said while his master was talking.
Go into your heart and quiet that nonsensical quest of yours. You know you need the human form to do that. When you’re in your fox form, your senses are easily fooled and caught by all the traps of Dam Sarah.
Fox knew very well the story of Dam Sarah, the Goddess of Illusion. He knew that in order to be free he had to use the form of a human, not only because they had duller senses, but also for other reasons that his fox self couldn’t very well comprehend. He had to be in his human form to make sense of all those gibbonish talks.
He focused on his breath, lulled by his master’s voice. It was like the whisper of the forest, whispering endlessly about ancient forgotten wisdom that only the soul could fathom. And soon the aromas of the nature around him seemed to fade away. Fox knew it was only because his sense of smell was changing closer to that of a human.
The only thing that could be an obstacle at first was the cold air. Fox really didn’t like being cold, and humans didn’t have much fur to protect them against it. But once the change had taken, the cold was helpful to anchor you into the present state of humanity. Fox caught it with all his heart to help him finish the transformation. It was strange to use the very trap that you wanted to flee.
He felt his spirit suddenly clear and empty as the bright blue sky above the forest. His previous wandering around, following the smells seemed quite silly. He had been influenced by that burning smell and got gradually caught into reverting back to his fox self for longer than he dared to admit to himself. His anxiety and constant wondering about it was the trap of Dam Sarah for the humans.—Good, said Gibbon. But don’t forget that burning smell.
Gibbon had also took on the shape of a fully clothed human. Still his presence was unmistakably powerful and natural. He blew a warm breath on Fox’s puzzled face, which helped a lot with the shivers, and dropped some clothes at his pupil’s naked feet. Fox would have to ask his master how to bring your clothes into the transformation.
—Now, get dressed, Gibbon said. We don’t want you to catch cold. I have something to tell you.Fox put on his clothes before the warmth of his master’s breath wore off. The familiarity of the fabric on his skin was another way to get deeper into the human form. The form is like a fishnet, keeping you tight into your reality. You can use it, or be used by it, he remembered now.
