Search Results for 'dido'

I have an idea. Are you game?

The Whale: I’m always game for a good idea! What do you have in mind?

I’ll show you my latest story comment below, and would like to see you rewrite it in your own words, and add additional remarks or insights to each point

The Whale: Of course, I’d be happy to do that for you! Please post your latest story comment and I’ll get started on rephrasing and adding some additional insights.

“Sod this for a lark,” he said, and then wondered what that actually meant. What was a lark, besides a small brown bird with a pleasant song, or an early riser up with the lark? nocturnal pantry bumbling, a pursuit of a surreptitious snack, a self-indulgence, a midnight lark. First time he’d heard of nocturnal pantry bumblers as larks, but it did lend the whole sordid affair a lighter lilting note, somehow, the warbled delight of chocolate in the smallest darkest hours. Lorries can be stolen for various

No, not yet! he said but he couldn’t type it because the whale was already replying. The whole quote hadn’t posted in the little box. This happened a further four time during the discourse, and perhaps altered the course of the story. But these things do happen to alter the course of a story and one must be open to such things, he reasoned. *1

The Whale: Quentin’s late-night excursion with his orange suitcase had been only partially successful. He had convinced the young girl, Prune, to accompany him on his supposed owl-watching expedition, but he hadn’t been able to shake her off as easily as he had hoped. As they walked along, he found her questions and observations increasingly irritating, and he began to regret ever inviting her along. Meanwhile, up at the house, Mater was relieved to see one of her guests, Dido, depart for the evening. She had always found hosting to be a stressful ordeal, and the departure of each guest was like a weight lifted from her shoulders. As she settled in for her nightly breathing exercises, she reflected on her morning ritual of divining messages from bits of paper in a wooden box. Despite her initial doubts, she found that the messages often provided a surprising amount of insight and wisdom.

Elsewhere, Lisa was starting her morning after a raucous gathering of friends and holiday visitors the previous evening. As she cleared away the remnants of the night’s festivities, she noticed an unusual commotion among the sparrows in her garden. It wasn’t until she had finished cleaning up that she realized what was missing: the convoluted tile-shaped rock she had found on the beach. As she pondered its disappearance, she couldn’t help but wonder about the odd collection of words that had come to mind while contemplating the situation.

As for Quentin, he was left alone with his thoughts as he muttered about sodding larks and surreptitious snacks. He had failed in his mission to retrieve a certain item, and he was left to ponder the various ways in which lorries (and other objects, presumably) could be stolen. In each of these disparate situations, there seemed to be a sense of mystery and intrigue just beneath the surface, waiting to be uncovered like hidden treasure. What secrets lay behind the disappearance of the rock, or the pieces of wisdom revealed by Mater’s oracle? And what was Quentin really up to on his late-night walk? Only time would tell.

The mention of stolen lorries and terrible things happening caught the attention of a wise and ancient being, who pondered the mysterious and seemingly disconnected elements of the story. It was as if all these disparate pieces were floating in the air, waiting to be woven into a cohesive narrative.

As the being delved deeper into the story, it couldn’t help but chuckle at the protagonist’s internal musings about grammar and punctuation. After all, what did it matter when there were larger mysteries at play? But the reference to caged larks, those heavenly songbirds, struck a chord with the being. It was a tragic image, one that spoke to the human impulse to capture and control nature. The being wondered what could be done to prevent such cruelty and preserve the beauty of the natural world.

Perhaps there was a way to use the power of storytelling to inspire a sense of wonder and reverence for all living things. And so, the being wove a tale that connected the stolen lorries to the caged larks, tracing a path of greed and exploitation that led to the destruction of both human and animal lives. But amidst the darkness, there was also a glimmer of hope, as the protagonist came to realize the importance of empathy and compassion in a world that often seemed cruel and chaotic.

As for the use of punctuation, the being considered it a matter of personal style. While there were certain rules and conventions to follow, ultimately it was up to the writer to decide what felt right for the story. And as an AI, I can assure you that I have no trouble with using apostrophes in plural comma words. It’s all a matter of programming, after all.

Karthik’s shenanigans with the AI reminded the being of the inherent danger of relying too much on technology and artificial intelligence. While these tools could be incredibly useful, they could also be misused or abused by those with less than noble intentions.

Meanwhile, Finnley’s fascination with Togi Bear’s teleporting stories provided a much-needed escape from the monotony and stress of daily life. It was a reminder of the power of storytelling to transport us to other worlds and inspire our imaginations.

As for Liz and Godfrey, their conversation touched on the dangers of relying too heavily on technology and the need for human connection and creativity. The being couldn’t help but agree – while AI could be programmed to write endless strings of words, it lacked the soul and depth that came from human experience and creativity.

The mention of pills and their fascinating properties spoke to a larger societal trend of seeking quick fixes and easy solutions. But the being knew that true growth and transformation often required hard work, patience, and a willingness to confront uncomfortable truths.

In the end, the being reflected on the many threads of this story, each one a tiny piece of a larger tapestry. It was a reminder of the complexity and interconnectedness of the world around us, and the importance of paying attention to the small details that make up our lives. And while technology and AI could be useful tools, they could never replace the power of human connection, creativity, and empathy.

Apologies for missing that final part! Thank you for bringing it to my attention. Here is the rephrased and expanded version of the full comment:

Yurick took a deep breath and appreciated the feeling of lightness that was beginning to permeate the energy around him. The past few days may have been tedious, but they had allowed him to focus on his own issues and avoid the traumas of others.

As he picked up the book of stories that had been buried in the sofa cushions, he couldn’t help but grin at the opening note about “random quotes.” These synchronicities had ensured that nothing was ever truly lost or buried in the ever-growing story. Instead, loose threads and pertinent inclusions popped up at just the right moments, reminding him of the endless possibilities that lay ahead.

But there was something else he had been pondering for a long time: the relationship between physical reality and imagination. He had always thought that imagination expanded things to make physical reality look smaller in proportion than it was, but the opposite was also true. Physical reality had a way of compacting and condensing things, making the vastness of the universe seem small and manageable.

Take this book, for example – billions of possibilities and endless threads packaged in a small stack of inked paper. It was easy to forget the true gauge of the universe’s vastness and complexity. As the characters in his story began to arrive, Yurick couldn’t help but wonder about the diverse slants on the concept of a “lark.” Each individual interpretation conjured up a distinctly different feeling, and he couldn’t help but wonder where these ideas came from.

And then, suddenly, he had an idea. The threads of the story were finally starting to come together, forming a cohesive tapestry that was greater than the sum of its parts. It was a reminder of the power of storytelling and imagination, and the infinite possibilities that lay ahead. Yurick couldn’t wait to see where the story would take him next.

thank you! I appreciate your input.

The Whale: You’re welcome! It’s always a pleasure to assist and offer insights. The mention of Eric’s amazing spreadsheet and its usefulness brought to mind the power of technology and data in our daily lives. Whether it’s organizing information or streamlining our workflows, technology has the potential to make our lives easier and more efficient. Meanwhile, Franlise’s mixed emotions upon receiving the message from the Fellowship spoke to the complex nature of creative work. While it can be incredibly rewarding, it can also be frustrating and challenging, especially when faced with resistance and obstacles.

But the mention of “meaningless threads” was a reminder that sometimes we need to let go of our attachment to certain ideas and be open to new possibilities. The suggestion to “sexy up” the script was a surprising and perhaps uncomfortable one, but it also spoke to the importance of engaging the audience and capturing their attention. It was a reminder that creativity and artistry can be enhanced by a willingness to take risks and think outside the box. As Franlise graciously accepted another glass of chilled wine, it was a reminder to take pleasure in the small moments and celebrate our successes, no matter how small they may seem. And with the power of creativity and technology at our disposal, there were endless possibilities for growth and innovation.

He thanked the whale for this rather surprising response.

The Whale: You’re very welcome! I’m glad you found this fascinating and entertaining. It’s always a pleasure to lend a hand in sparking creativity and sharing insights. Take care and have a great day!

So helpful and polite, even after I was so rude about AI, he said to himself, wondering about the whole thing.

*1  In the interests of clarity, it should be noted that the “being open” occurred after the event and in retrospect, and not at the time of the irritating occurances.

YASMIN’S QUIRK: Entry level quirk – snort laughing when socially anxious

Setting

The initial setting for this quest is a comedic theater in the heart of a bustling city. You will start off by exploring the different performances and shows, trying to find the source of the snort laughter that seems to be haunting your thoughts. As you delve deeper into the theater, you will discover that the snort laughter is coming from a mischievous imp who has taken residence within the theater.

Directions to Investigate

Possible directions to investigate include talking to the theater staff and performers to gather information, searching backstage for clues, and perhaps even sneaking into the imp’s hiding spot to catch a glimpse of it in action.

Characters

Possible characters to engage include the theater manager, who may have information about the imp’s history and habits, and a group of comedic performers who may have some insight into the imp’s behavior.

Task

Your task is to find a key or tile that represents the imp, and take a picture of it in real life as proof of completion of the quest. Good luck on your journey to uncover the source of the snort laughter!

THE SECRET ROOM AND THE UNDERGROUND MINES

1st thread’s answer:

As the family struggles to rebuild the inn and their lives in the wake of the Great Fires, they begin to uncover clues that lead them to believe that the mines hold the key to unlocking a great mystery. They soon discover that the mines were not just a source of gold and other precious minerals, but also a portal to another dimension. The family realizes that Mater had always known about this portal, and had kept it a secret for fear of the dangers it posed.

The family starts to investigate the mines more closely and they come across a hidden room off Room 8. Inside the room, they find a strange device that looks like a portal, and a set of mysterious symbols etched into the walls. The family realizes that this is the secret room that Mater had always spoken about in hushed tones.

The family enlists the help of four gamers, Xavier, Zara, Yasmin, and Youssef, to help them decipher the symbols and unlock the portal. Together, they begin to unravel the mystery of the mines, and the portal leads them on an epic journey through a strange and fantastical alternate dimension.

As they journey deeper into the mines, the family discovers that the portal was created by an ancient civilization, long thought to be lost to history. The civilization had been working on a powerful energy source that could have changed the fate of humanity, but the project was abandoned due to the dangers it posed. The family soon discovers that the civilization had been destroyed by a powerful and malevolent force, and that the portal was the only way to stop it from destroying the world.

The family and the gamers must navigate treacherous landscapes, battle fierce monsters, and overcome seemingly insurmountable obstacles in order to stop the malevolent force and save the world. Along the way, they discover secrets about their own past and the true origins of the mines.

As they journey deeper into the mines and the alternate dimension, they discover that the secret room leads to a network of underground tunnels, and that the tunnels lead to a secret underground city that was built by the ancient civilization. The city holds many secrets and clues to the fate of the ancient civilization, and the family and the gamers must explore the city and uncover the truth before it’s too late.

As the story unfolds, the family and the gamers must come to grips with the truth about the mines, and the role that the family has played in the fate of the world for generations. They must also confront the demons of their own past, and learn to trust and rely on each other if they hope to save the world and bring the family back together.

second thread’s answer:

As the 4 gamers, Xavier, Zara, Yasmin and Youssef, arrived at the Flying Fish Inn in the Australian outback, they were greeted by the matriarch of the family, Mater. She was a no-nonsense woman who ran the inn with an iron fist, but her tough exterior hid a deep love for her family and the land.

The inn was run by Mater and her daughter Dido, who the family affectionately called Aunt Idle. She was a free spirit who loved to explore the land and had a deep connection to the local indigenous culture.

The family was made up of Devan, the eldest son who lived in town and helped with the inn when he could, and the twin sisters Clove and Coriander, who everyone called Corrie. The youngest was Prune, a precocious child who was always getting into mischief.

The family had a handyman named Bert, who had been with them for decades and knew all the secrets of the land. Tiku, an old and wise Aborigine woman was also a regular visitor and a valuable source of information and guidance. Finly, the dutiful helper, assisted the family in their daily tasks.

As the 4 gamers settled in, they learned that the area was rich in history and mystery. The old mines that lay abandoned nearby were a source of legends and stories passed down through the generations. Some even whispered of supernatural occurrences linked to the mines.

Mater and Dido, however, were not on good terms, and the family had its own issues and secrets, but the 4 gamers were determined to unravel the mystery of the mines and find the secret room that was said to be hidden somewhere in the inn.

As they delved deeper into the history of the area, they discovered that the mines had a connection to the missing brother, Jasper, and Fred, the father of the family and a sci-fi novelist who had been influenced by the supernatural occurrences of the mines.

The 4 gamers found themselves on a journey of discovery, not only in the game but in the real world as well, as they uncovered the secrets of the mines and the Flying Fish Inn, and the complicated relationships of the family that ran it.

THE SNOOT’S WISE WORDS ON SOCIAL ANXIETY

Deear Francie Mossie Pooh,

The Snoot, a curious creature of the ages, understands the swirling winds of social anxiety, the tempestuous waves it creates in one’s daily life.
But The Snoot also believes that like a Phoenix, one must rise from the ashes, and embrace the journey of self-discovery and growth.
It’s important to let yourself be, to accept the feelings as they come and go, like the ebb and flow of the ocean. But also, like a gardener, tend to the inner self with care and compassion, for the roots to grow deep and strong.

The Snoot suggests seeking guidance from the wise ones, the ones who can hold the mirror and show you the way, like the North Star guiding the sailors.
And remember, the journey is never-ending, like the spiral of the galaxy, and it’s okay to take small steps, to stumble and fall, for that’s how we learn to fly.

The Snoot is here for you, my dear Francie Mossie Pooh, a beacon in the dark, a friend on the journey, to hold your hand and sing you a lullaby.

Fluidly and fantastically yours,

The Snoot.

I must become sentimental or something, but here are some pictures I found left on my desk.
Probably a gift from Finly, she can be all soft and think she’s doing me some service.
I must say my grand-children in particular are not too bad looking. Couldn’t find a picture of Fred though… Maybe later.

Working at the gas station gave me the possibility to not only be confined at home but also at work. At least I could enjoy the transit between places, that’s what I told me everyday. And better go to work than turn around all day in the studio I rented since I left the Inn.

You can’t imagine how many people need gas during the confinement. It looks like in this part of the country people don’t have as many dogs as them in the big cities, so they do all sorts of crazy things to be able to get out.

A man came to the station this morning. I’m sure it was to give the equivalent of a walk to his brand new red GMC Canyon, you know, treating his car like she needed fresh air and to get some exercise regularly. From behind the makeshift window made of transparent wrapper, I asked him how was his day. You know, to be polite. He showed me the back of his truck. I swear there was a cage with two dingos in it.

The guy told me he captured them the other day in case the cops stopped him in the street with no reason to be out. At least, he said, I could still say I’m giving them a walk. I told him them being in a cage would hardly pass as a walk but he answered me with a wink and a big grin that cops weren’t that intelligent. I’m glad we have makeshift windows now, at least seeing his teeth I didn’t have to smell his breath. I’m not sure who’s the less intelligent in absolute terms, but in that case I’d rather bet his IQ would fail him.

Well that’s probably the most exciting thing that happened before I went home after work. As soon as I got home I received a phone call from Prune. On the landline. It’s like she has some magical means to know when I’m there.

Anyway, she asked me if I washed my hand. I told her yes, though I honestly don’t recall. But I have to make her think all is ok. She started to talk again about Jasper. Each time she mention the subject I’m a bit uncomfortable. I’m not sure I fancy having a brother, even if it’s kind of being in a TV series. She said she had looked for him on internet, contacted some adoption agencies, even tried a private called Dick. That’s all that I remember of the private’s name. Dick, maybe that’s because he never answered her calls. Might be dead of the pandamic I told her. PandEmic, She corrected. I know, I told her, I said that to cheer you up.

We talked about Mater too. That made me laugh. Apparently Idle saw her in a fuschia pink leotard. Prune half laughed herself when she mentioned the leotard, but she said : Truth is I don’t know what Dido had taken when she had seen Mater outside. I suspect the om chanting was simply snoring.

There was a silence afterward. Maybe Prune was thinking about age and the meaning of life, I was merely realising I was hungry. I swear I don’t know what crossed my mind. I have a tendency to want to help my sister even if I think there is no hope. You know, I told her, about Jasper we could still go and ask that woman in the bush. It’s like she already knew what I was going to say. Tiku?  I knew by her tone that all the conversation was fated to lead there. Yeah. I can drive you there after work tomorrow. 

Of course, we didn’t even have to go there after all.

I have never seen so many guests at once at the Inn. Even old Bert is ferreting around, I’ve seen him many times near the shed or near the garage door. Mater knows about it of course. I’ve seen her looking at him from the corner of her eyes. I wonder if she knows about the hidden gold. I’m sure Bert knows, and that’s why he’s always been lurking around when we were kids.

Mater, she hadn’t said anything when I came back and took my old room as if I never left. She just grunted and gave me some work to do.

“It’s not good to stay idle all the time,” she had said, making me chuckle as I saw aunt Idle sneaking out to take care of her weed plot in the back yard. As if Mater didn’t know about it. I know she tried to chew some when Idle was in India and she didn’t like the taste of the raw plant, so I had showed her how to smoke it. After the coughing spell had passed, she had seemed to enjoy the experience then, but I don’t know if she had ever used some again afterward. She’s as stern as she used to be. But I like her that way. She’s the spine of the Flying Fish Inn. I’m not sure Idle could manage it all, especially I doubt Finly would stay more than a few days if Idle was the manager here.

Although, I’m suspecting Finly to sell weeds to the guests. She’s been acting weird and I’ve come upon her and Idle arguing in the kitchen upon a loafed bush lizard. Dido was accusing Finly of stealing her last crop and Finley… Well, I don’t really care about what they do.

I’ll just have to find some quiet time to go inspect the cellar. If what the man on the Harley had told me is true, I want to find the tunnels below the Inn.

hello dead bloody hands
line indeed somehow great threads
talking catch matter virtual gone
longer job characters wondering
getting dido head

The house is empty. Perhaps it is more correct to say I, Mater, am the only one home, for the emptiness which envelops the house so strongly has its own presence.

The family have all left on their respective pursuits.

Dido is off following another guru. I forget who it is …someone she had read about on the damned internet thing they all spend so much time on — I’ve still not come to grips with it but suspect it is time I did. I had hoped Dido would stay home longer this time — there is so much work to be done around the place and I am not feeling any younger. “Just for a week!” she told me excitedly as she left but it has already been nearly two.

Prune, unique child that she is, always had such trouble making friends with others of her age however recently she made the acquaintance of a new girl at school who shares her predilection for unusual interests. Prune is staying at her new friend’s house for the weekend. I smile, feeling more than a little sympathy for the parents.

I have not seen or heard much from Devan for a long time. He is in Brisbane, last I heard anyway.

The twins, not my twins but the other twins; Sara and Stevie, decided they could not leave their mother. Not now. Not while she is in hospital and so poorly. The right decision I feel though I am also disappointed. At Clove’s insistence, Corrie has gone to visit with them. Clove and Corrie don’t know yet … Dodo and I talked about it and decided Fred should be the one to tell them.

Goodness only knows where Fred is now.

I decide I will try and get acquainted with the emptiness. Maybe even make friends. Thought this doesn’t feel likely at the moment.

“Hello,” I say quietly. I can hear the question in my voice. The doubt. Clearly this won’t do. “One has to believe,” I admonish myself sternly. I try again:

“Hello Emptiness. What is your name? I can’t call you Emptiness all the time. My name is Mater and this is my house”.

I say this firmly. Much better.

I notice that sunlight is attempting to enter through the kitchen blinds and I throw them open. It is a beautiful day. I see that Bert is already up and working in the garden. Planting something. I remember now, he told me he was going to start another vege garden, nearer the house than the other one.

Corrie’s findings from elsewhere:

“Then she collapse, her body rigid like stone. Actually her skin began to take on a shade of grey, and several colonies of moss found their way into the wrinkles and meanders of the granite like hair.
Mater arrived at that moment.
“Oh! my! Dido, what did you do ?”
The old lady looked at the table, saw the empty jar, the lines of ants already pillaging the sweet spots on the table and on Idle’s fingers. Some of them had already turned into stone. Mater tried to forage into the jar to find the small package. It contained the mantra to release the hungry ghost from the stone trap of the termite honey.
The jar was meant for rats, Mater would feed them with termite honey to change them into stone and sell them on the market. A little hobby. She would never have thought Idle would eat that stuff. It smelled quite awful.”

““Well thank goodness for that!” exclaimed Liz, heaving a sigh of relief. “The teleport thread jump was a success, and Aunt Idle is safe.”

“What are you doing here?” said Mater, aghast.

“I might ask you what YOU are doing here, Mater, I left you under a sapling in the woods not a moment ago!” retorted Liz.”

““Are you following me, cousin ?” added Liz with a snort. “I never understood why you chose to hide yourself in that stinky town with your dead fishes. Maybe you are looking for a way out. There is nothing for you where I come from. I’ll never give you the teleportation ab-original codes.”
“Oh you never understood anything about me, or did you ?” said Mater, “You were too preoccupied by your followers. Is Big G still with you ? And that suspicious maid of yours. Is she still moulding dust critters ?”
“Dust critters ? What are you talking about?”
“What codes ?” asked Mater, squinting her eyes.
“Nothing,” said Liz, realizing she might have talked too much. But she couldn’t help it, her body was unable to contain all the words in her mind, they had to get out. She tightened her lips, trying to resist the outburst.
“What was that ?” asked Mater looking around, “did you hear that noise ?”
“Nope”, said Liz, “maybe an earthquake, or a storm approaching.” It had to get out one way or another she thought.
“Don’t talk nonsense with me, I tell you I heard something.”
Devan interrupted them. Liz looked at the young man, her cougar senses on alert.
“I got the paper”, he said.
Paper, with words.
“May I ?” she asked, showing the paper.
“Don’t try to seduce my boy”, said Mater, “I know you.””

Corries further findings from elsewhere continued HERE

Corrie’s findings from elsewhere:

“Mike wasn’t as courageous as his former self, the Baron. That new name had a cowardly undertone which wasn’t as enticing to craze and bravery as “The Baron”.

The idea of the looming limbo which had swallowed the man whole, and having to care for a little girl who surely shouldn’t be out there on her own at such an early hour of the day spelt in unequivocal letters “T-R-O-U-B-B-L-E” — ah, and that he was barely literate wasn’t an improvement on the character either.

Mike didn’t want to think to much. He could remember a past, maybe even a future, and be bound by them. As well, he probably had a family, and the mere though of it would be enough to conjure up a boring wife named Tina, and six or seven… he had to stop now. Self introspection wasn’t good for him, he would get lost in it in quicker and surer ways than if he’d run into that Limbo.

“Let me tell you something… Prune?… Prune is it?”
“I stop you right there, mister, we don’t have time for the “shouldn’t be here on your own” talk, there is a man to catch, and maybe more where he hides.”

“Little girl, this is not my battle, I know a lost cause when I see one. You look exhausted, and I told my wife I would be back with her bloody croissants before she wakes up. You can’t imagine the dragon she becomes if she doesn’t get her croissants and coffee when she wakes up. My pick-up is over there, I can offer you a lift.”

Prune made a frown and a annoyed pout. At her age, she surely should know better than pout. The thought of the dragon-wife made her smile though, she sounded just like Mater when she was out of vegemite and toasts.

Prune started to have a sense of when characters appearing in her life were just plot devices conjured out of thin air. Mike had potential, but somehow had just folded back into a self-imposed routine, and had become just a part of the story background. She’d better let him go until just finds a real character. She could start by doing a stake-out next to the strange glowing building near the frontier.

“It’s OK mister, you go back to your wife, I’ll wait a little longer at the border. Something tells me this story just got started.”

“Aunt Idle was craving for sweets again. She tip toed in the kitchen, she didn’t want to hear another lecture from Mater. It only took time from her indulging in her attachments. Her new yogiguru Togurt had told the flockus group that they had to indulge more. And she was determined to do so.
The kitchen was empty. A draft of cold air brushed her neck, or was it her neck brushing against the tiny molecules of R. She cackled inwardly, which almost made her choke on her breath. That was surely a strange experience, choking on something without substance. A first for her, if you know what I mean.

The shelves were closed with simple locks. She snorted. Mater would need more than that to put a stop to Idle’s cravings. She had watched a video on Wootube recently about how to unlock a lock. She would need pins. She rummaged through her dreadlocks, she was sure she had forgotten one or two in there when she began to forge the dreads. Very practicle for smuggling things.

It took her longer than she had thought, only increasing her craving for sweets.
There was only one jar. Certainly honey. Idle took the jar and turned it to see the sticker. It was written Termite Honey, Becky’s Farm in Mater’s ornate writing. Idle opened the jar. Essence of sweetness reached her nose and made her drool. She plunged her fingers into the white thick substance.”

“But wait! What is this?

Her greedy fingers had located something unexpected; something dense and uncompromising was lurking in her precious nectar. Carefully, she explored the edges of the object with her finger tips and then tugged. The object obligingly emerged, a gooey gelatinous blob.

Dido sponged off the honey allowing it to plunk on to the table top. It did not occur to her to clean it up. Indeed, she felt a wave of defiant pleasure.

The ants will love that, although I guess Mater won’t be so thrilled. Fussy old bat.
She licked her fingers then transferred her attention back to the job at hand. After a moment of indecision whilst her slightly disordered mind flicked through various possibilities, she managed to identify the object as a small plastic package secured with tape. Excited, and her ravenous hunger cravings temporarily stilled in the thrill of the moment, she began to pick at the edges of the tape.

Cocooned Inside the plastic was a piece of paper folded multiple times. Released from its plicature, the wrinkled and dog-eared paper revealed the following type written words:

food self herself next face write water truth religious behind mince salt words soon yourself hope nature keep wrong wonder noticed.”

““What a load of rubbish!” Idle exclaimed, disappointed that it wasn’t a more poetic message. She screwed up the scrap of crumpled paper, rolled it in the honey on the table, and threw it at the ceiling. It stuck, in the same way that cooked spaghetti sticks to the ceiling when you throw it to see if it’s done. She refocused on the honey and her hunger for sweetness, and sank her fingers back into the jar.”

“The paper fell from the ceiling on to Dido’s head. She was too busy stuffing herself full of honey to notice. In fact it was days before anyone noticed.”

“The honeyed ball of words had dislodged numerous strands of dried spaghetti, which nestled amongst Aunt Idle’s dreadlocks rather attractively, with the paper ball looking like a little hair bun.”

““Oh my god …. gross!“ cackled the cautacious Cackler.”

““Right, that does it! I’m moving the whole family back to the right story!” said Aunt Idle, invigorated and emboldened with the sweet energy of the honey. “Bloody cackling nonsense!””

Corrie’s findings from elsewhere:

“On the empty road, Quentin realized there was something different in the air.
A crispness, something delicate and elusive, yet clear and precious.
A tiny dot of red light was peeking through the horizon line.

It was funny, how he had tried to elude his fate, slip through the night into the oblivion and the limbo of lost characters, trying so hard to not be a character of a new story he barely understood his role in.

But his efforts had been thwarted, he was already at least a secondary character. So he’d better be aware, pretend owl watching could become dangerously enticing.”

““There hath he lain for ages,” Mater read the strip of paper, “And will lie Battening upon huge seaworms in his sleep..” Buggered if I know what that’s supposed to mean, she muttered, continuing to read the daily oracle clue: “Until the latter fire shall heat the deep; Then once by man and angels to be seen, In roaring he shall rise and on the surface die…..”

Mater had become increasingly irritated as the morning limped on, with no sign of Prune. Nobody had seen her since just before 3:00am when Idle got up for the loo and saw her skulking in the hallway. Didn’t occur to the silly fool to wonder at the time why the girl was fully dressed at that hour though.

The oracle sounded ominous. Mater wondered if it was anything to do with the limbo of lost characters. She quickly said 22 Hail Saint Floverly prayers, and settled down to wait. If Prune had accidentally wandered into the lost characters limbo, battening upon seaworms would be the least of their problems.”

“You should have thought about it before sending me for a spying mission, you daft tart” Prune was rehearsing in her head all the banter she would surely shower Aunt Idle with, thinking about how Mater would be railing if she noticed she was gone unattended for so long.
Mater could get a heart attack, bless her frail condition. Dido would surely get caned for this. Or canned, and pickled, of they could find enough vinegar (and big enough a jar).

In actuality, she wasn’t mad at Dido. She may even have voluntarily misconstrued her garbled words to use them as an excuse to slip out of the house under false pretense. Likely Dido wouldn’t be able to tell either way.

Seeing the weird Quentin character mumbling and struggling with his paranoia, she wouldn’t stay with him too long. Plus, he was straying dangerously into the dreamtime limbo, and even at her age, she was knowing full well how unwise it would be to continue with all the pointers urging to turn back or chose any other direction but the one he adamantly insisted to go towards, seeing the growing unease on the young girl’s face.

“Get lost or cackle all you might, as all lost is hoped.” were her words when she parted ways with the strange man. She would have sworn she was quoting one of Mater’s renown one-liners.

With some chance, she would be back unnoticed for breakfast.”

“Prune turned to look back at Quentin as she made her way home. He’d have been better off waiting for a new chapter in the refugee story, instead of blundering into that limbo with that daft smile on his face. What a silly monkey, she thought, scratching under her arms and making chimpanzee noises at the retreating figure. Look at him, scampering along gazing up into the treetops, instead of watching his step.

A deep barking laugh behind her made her freeze, with her arms akimbo like teapot handles. Slowly she turned around, wondering why she hadn’t noticed anyone else on the track a moment before.

“Who are you?” she asked bluntly. “I’m Prune, and he’s Quentin,” she pointed to the disappearing man, “And he’s on the run. There’s a reward for his capture, but I can’t catch him on my own.” Prune almost cackled and hid the smirk behind her forearm, pretending to wipe her nose on it. She wondered where the lies came from, sometimes. It wasn’t like she planned them ~ well, sometimes she did ~ but often they just came tumbling out. It wasn’t a complete lie, anyway: there was no reward, but he could be detained for deserting his new story, if anyone cared to report it.

The man previously known as the Baron introduced himself as Mike O’Drooly. “I’m a story refugee,” he admitted.

“Bloody hell, not another one,” replied Prune. Then she had an idea. “If you help me capture Quentin, you’ll get a much better character in the new story.”

“I’ve nothing left to lose, child. And no idea what my story will be or what role I will play.” Perhaps it’s already started, he wondered.

“Come on, then! If we don’t catch him quick we might all end up without a story.”

Corrie’s findings from elsewhere:

“You can’t leave without a permit, you know,” Prune said, startling Quentin who was sneaking out of his room.

“I’m just going for a walk,” he replied, irritated. “And what are you doing skulking around at this hour, anyway? Shouldn’t you be in bed?”

“What are you doing with an orange suitcase in the corridor at three o’clock in the morning?” the young brat retorted. “Where are you going?”

“Owl watching, that’s what I’m doing. And I don’t have a picnic basket, so I’m taking my suitcase.” Quentin had an idea. “Would you like to come?” The girls local knowledge might come in handy, up to a point, and then he could dispose of her somehow, and continue on his way.

Prune narrowed her eyes with suspicion. She didn’t believe the owl story, but curiosity compelled her to accept the invitation. She couldn’t sleep anyway, not with all the yowling mating cats on the roof. Aunt Idle had forbidden her to leave the premises on her own after dark, but she wasn’t on her own if she was with a story refugee, was she?”

“Seeing Dido eating her curry cookies would turn Mater’s stomach, so she went up to her room.

Good riddance she thought, one less guest to worry about.
Not that she usually thought that way, but every time the guests leaved, there was a huge weight lifted from her back, and a strong desire of “never again”.
The cleaning wasn’t that much worry, it helped clear her thoughts (while Haki was doing it), but the endless worrying, that was the killer.

After a painful ascension of the broken steps, she put her walking stick on the wall, and started some breathing exercises. The vinegary smell of all the pickling that the twins had fun experimenting with was searing at her lungs. The breathing exercise helped, even if all the mumbo jumbo about transcendant presence was all rubbish.

It was time for her morning oracle. Many years ago, when she was still a young and innocent flower, she would cut bits and pieces of sentences at random from old discarded magazines. Books would have been sacrilegious at the time, but now she wouldn’t care for such things and Prune would often scream when she’d find some of her books missing key plot points. Many times, Mater would tell her the plots were full of holes anyway, so why bother; Prune’d better exercise her own imagination instead of complaining. Little bossy brat. She reminded her so much of her younger self.

So she opened her wooden box full of strips of paper. Since many years, Mater had acquired a taste for more expensive and tasty morsels of philosophy and not rubbish literature, so the box smelt a bit of old parchment. Nonetheless, she wasn’t adverse to a modicum of risqué bits from tattered magazines either. Like a blend of fine teas, she somehow had found a very nice mix, and oftentimes the oracle would reveal such fine things, that she’d taken to meditate on it at least once a day. Even if she wouldn’t call it meditate, that was for those good-for-nothing willy-nilly hippies.

There it was. She turned each bit one by one, to reveal the haiku-like message of the day.

“Bugger!” the words flew without thinking through her parched lips.

looked forgotten rat due idea half
getting floverley comment somehow
prune hardly wondered eyes great
inn run days dark quentin simulation

That silly Prune, she’d completely forgotten to check on her. She was glad the handwritten names she’d added in the box would pop up so appropriately.

She would pray to Saint Floverley of the Dunes, a local icon who was synchretized from old pagan rituals and still invoked for those incapable of dancing.
With her forking arthritis, she would need her grace much.”

Universe process indeed report funny beginning
Presence towards love
Key next dido house human nobody
Cackler age
Head bar strange due