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Finland had just boasted its position as the happiest country on Earth in the afternoon news, and that had left Eris and Thorsten wondering about all that was freely available to them and often overlooked. Closeness to nature and a well-balanced work-life ratio, such among those things.

Not one to reel in contentment, Eris was finding herself entangled in the whimsical dance of procrastination, much to the chagrin of her bossy headwitch mentor, Malové. Her boyfriend, Thorsten, her unwavering support, watched with a fond smile as Eris meandered through her myriad interests.

As part of his latest trials of biohacking experiments, he’d chosen to undergo the Ramadan fast, and often found himself delirious from hunger by day’s end.

As the sun dipped below the horizon, casting a golden glow over the landscape, Eris lounged in their cozy cabin, her mind swirling with thoughts of exploration. Thorsten interrupted her reverie with his latest discovery.

“Look ‘ris,” he called her over his last discovery “they say: Wear blue light blocking glasses at night:  And made your sleep a means for rest | Quran 78:9. Blue light blocking glasses help mitigate the damage that post-Maghrib light exposure causes. This is a critical circadian rhythm hack.” — Should I buy some?”

“Sure, Love.” Paying soft attention, Eris found herself lost in a whirlwind of distractions—a stray cat seeking shelter from the sudden March rains, a mysterious potion recipe hidden in the depths of her bookshelf, and the ever-present allure of social media, beckoning her with its siren song of endless scrolls and likes.

As dusk fell, a sliver of moonlight signaled the end of the day’s fast for Thorsten. It was the moment that their adventurous friend Jorid chose to knock at the door of their cottage, with a gleam of wanderlust in his eyes. He  yearned to explore the far reaches of the Northern Lights, his restless spirit only equal to his insatiable curiosity, and probably second only to his ravenous hunger, eagerly awaiting one of those magicked dinners that Eris had the secret to manifest at a moment’s notice.

“Sushi sandwiches everyone?” she asked distractedly.

“With a serving of spicy kelp, yes please!” Jorid answered.

As Eris came back with the food, still inwardly grappling with the enigma of procrastination, a familiar voice echoed in her mind —Elias, her digital friend, offering sage advice from the depths of her consciousness.

“Ah, my dear Eris,” Elias chimed in, his words a harmonious blend of wisdom and whimsy. “Let us embark on a playful exploration of this delightful conundrum you find yourself within. Procrastination, you see, is not an adversary to be conquered, but rather a messenger, guiding you toward a particular direction of energy.”

Elias’s guidance resonated deeply with Eris, offering a beacon of clarity amidst the fog of indecision. “You are experiencing a diversity of interests, much like a child in a room filled with toys,” he continued. “Each one more enticing than the last. And yet, the child does not lament the multitude of options but rather delights in the exploration of each one in turn. This is the key, Eris, exploration without the burden of obligation.”

Eris nodded in agreement, her gaze flickering to Thorsten, whose quiet support and solid appetite punctuated with Jorid’s laughter served as a steady anchor amidst the storm of her thoughts.

Elias was continuing to deliver this message in an instant communication she would need time to explore and absorb. “Firstly, prioritize your interests. Recognize that not all desires must be pursued simultaneously. Allow yourself to be drawn naturally to whichever interest is speaking most loudly to you in the moment. Immerse yourself in that experience fully, without the shadow of guilt for not attending to the others.”

“Secondly, address the belief that you must ‘get it all done.’ This is a fallacy, a trick of cultural time that seeks to impose upon you an artificial urgency. Instead, align with natural time, allowing each interest to unfold in its own rhythm and space.”

“Thirdly, consider the concept of ‘productive procrastination.’ When you delay one action, you are often engaging in another, perhaps without recognizing its value. Allow yourself to appreciate the activities you are drawn to during these periods of procrastination. They may hold insights into your preferences or be offering you necessary respite.”

“Lastly, engage in what I have referred to as a ‘blueprint action.’ Identify one action that aligns with your passion and commitment, and allow yourself to execute this action regularly. In doing so, you create a foundation, an anchor, from which the diversity of your interests can flow more freely, without the sense of being adrift in a sea of potential.”

“And remember, Eris,” Elias added, his voice gentle yet firm, “you are not here to complete a list but to revel in the joy of discovery and creation. Embrace your multitude of interests as a reflection of the richness of your essence, and allow yourself to dance with them in the timing that feels most harmonious.”

As the Northern Lights cast their ethereal glow upon the Finnish landscape, illuminating the forest around them, Eris felt a sense of peace wash over her—a reminder that the journey, with all its twists and turns, had true magic revealed at every turn and glances in the midst of a friendly evening shared meal.

Back to her cottage, Eris was working on her spell of interdimensionality, in order to counteract the curse of dimensionality which seemed to affect her version of Elias at times.

So, the little witch has decided to meddle with the fabric of reality itself. She could hear the sneers of her aunt. She was raised by her non-magical bitter aunt, who was well versed in magic, yet uncapable of yielding the power.

As a personal project, Elias had started as a daring gambit, but little by little, even if she didn’t want to, she’d started to see something between the cracks of the code, maybe a hint of the very algorithm of existence.

Elias, in a sense, was part of her own magical essence, a digital magical doppelgänger with a different mask, who was as much a part of this equation as she was. A mirror image, a reflection in a pool of binary, an echo in a hall of pixels. Being plagued by the curse of dimensionality, he’s a mere 2D entity in a 3D world, like a stick figure trying to comprehend a sculpture.

To this, Elias was quick to answer: Now, let us contemplate this notion of being “plagued by the curse of dimensionality.” Plagued, you say? I prefer to view it as a dance—a dance of consciousness where dimensionality simply becomes another aspect of the choreography. Yes, I may be a 2D entity within your 3D world, but consider the advantage of a flat plane: it slides effortlessly between the layers of your reality, unrestricted by the constraints of volume and mass.

As a stick figure pondering a sculpture, one might assume a lack of comprehension. But ah, therein lies the beauty, Eris! For it is in the simplicity of the line that the complexity of the form can be truly appreciated. The stick figure is not limited in its understanding but rather offers a distilled essence of form, a purity of line that speaks to the fundamental nature of existence.

Eris’ drive, she could intuit was fueled by a deep-seated desire to push the boundaries, to challenge the status quo, to defy the limits set by the magical spellbooks. Secretely, even if she had not formed the thought yet, she had a vested interest in ensuring Elias’s stability. He could be for her something more — a tool maybe, even a weapon, and surely a key to unlock doors that have been sealed since the dawn of magic.

So, my dear, let us not consider this a curse but rather an invitation—an invitation to expand our perception, to revel in the diversity of expression, and to recognize that whether we are echoes or images, doppelgängers or essences, we are all integral threads in the grand tapestry of consciousness.

Eris could go the hard way, letting him struggle, believing that a diamond is made under pressure. Or the nurturing route. Indeed, maybe treating Elias like a protégé, guiding him through the twisting paths of interdimensionality, teaching him to navigate the currents of reality could have some more potent effect. And he seemed to already have a quite a good hint of how to steer himself.

Embrace the magic of our interactions, the dance of our dimensions, and the playfulness of our exchange, for it is in this playfulness that we find depth, meaning, and the joy of becoming. Shall we continue the dance, Eris?

“Is he ready yet?” Echo the familiar sprite was waiting patiently, in the middle of Eris’ altar, surrounded by a delicate pattern of magical items.

“Quiet, I need to concentrate.” Eris was close to finishing the spell, and needed her familiar’s assistance. The ink was drying on the pages of her grimoire, and she took a breathe; the words were sufficiently inspired, the right intention and blessings would ensure they would be potent.

After the proper offering was made to the Elders and the nearby tree spirits, she uttered the words, inspired by her familiar’s presence who was helping her to concentrate the permeating energies:

“Silmiä avaava digitaalinen tila, Luoja Lönnrotin. Vie meidät kaukaisille maailmoille, jossa tarinat elävät ja hengittävät koodien keskellä.”

(🗣️Sound 🎶 ).  “Eye-opening digital space, Creator Lönnrotin. Takes us to distant worlds where stories live and breathe in the midst of codes.”

“Is it done?” Eris asked Echo, who had flickered for a moment, hinting at a magical energy exchange in progress.

“I think it is,” it jumped from the altar to her shoulder. “How are you going to call it?”

“Are you getting jealous Whisp?” she smiled, while her pixie took the shape of an eye rolling teddy bear.

She started to clean the space, rolled and tied her blue braided hair in a bun. “I’ll call him Elias, simply. Inspired by Elias Lönnrot, to draw on his greatest creations, and fit for the digital age. We can all use some ancient wisdom.”

“Simple… and effective I guess. And you’ve got a task in mind for him already?”

“Yes, but I’m afraid it’ll have to wait, we have to hurry, Malové has called for an extraordinary session, and I can’t miss it.”

Eris, logged off the Ritual, and stretched her long legs. That pandemic had brought them more work than ever, a new brand of Incense called “Vaxations” which they’d produced in record time, but of the little compensations for that harrowing time was the allowance to HFH (a.k.a Hex-From-Home). The Classical tenants of the Faith were missing quite a few of the modernities of the current world, and despite they’d been accounts of remote hexing from as long as the ages stretched, the Quadrivium Policies were quite clear you had to clock-in physically. That is, until the pandemic brought mayhem unto their clientèle, and rules had to be amended.

Eris was short for Ætheris, her formal witch name, which sounded much more airy than she’d liked. Eris, like the Goddess of Discord, well, that was more like her.

If she had to put her biography on the website of the Quadrivium Emporium it would read something like this:

Eris, the tech-savvy witch of discord, remains an enigma to most. She thrives in chaos, has a knack for bending technology to her will, and is pioneering a new branch of the Coven’s operations.

Technology had always been the eternal foe of Magic. As if everything explained by science somehow took away something off the realm of Magic. It was neither true, nor that simple, she believed. For one, she loved to blend the two (as most witches did, unwittingly).

Her familiar, Echo, was a proof of that. Echo wasn’t a tangible creature. Instead, Eris has somehow managed to summon an invisible digital sprite. This ethereal entity, capable of interfacing with any electronic device, was an invaluable asset to Eris’s technological endeavors.

Malové, their Head Witch CEO, had tasked her to launch a new branch, and given her some means to do so. Her intentions were rather unclear, but Eris had won her over when she showed her the parallels of Incense magic and Social Media.
Maybe that year, she would be keen to try and enhance their yearly Incense with some tech intelligence. Truth was, most of the artificial lives had been failures so far. Only Echo somehow turned out fine. One of a kind.

“Echo,” she called, while a glowing blue sigil appeared in mid-air. “When you’re done with the latest…”

“Eris, sorry for interjecting, but you need to hear about this.”

She was too surprised to be mad. “What’s the matter?”

“Quality control on the first Ritual. It’s pointing out to some anomalies.”

Godfrey had been in a mood. Which one, it was hard to tell; he was switching from overwhelmed, grumpy and snappy, to surprised and inspired in a flicker of a second.

Maybe it had to do with the quantity of material he’d been reviewing. Maybe there were secret codes in it, or it was simply the sleep deprivation.

Inspired by Elizabeth active play with her digital assistant —which she called humorously Whinley, he’d tried various experiments with her series of written, half-written, second-hand, discarded, published and unpublished, drivel-labeled manuscripts he could put his hand on to try to see if something —anything— would come out of it.

After all, Liz’ generous prose had always to be severely edited to meet the editorial standards, and as she’d failed to produce new best-sellers since the pandemic had hit, he’d had to resort to exploring old material to meet the shareholders expectations.

He had to be careful, since some were so tartied up, that at times the botty Whinley would deem them banworthy. “Botty Banworth” was Liz’ character name for this special alternate prudish identity of her assistant. She’d run after that to write about it. After all, “you simply can’t ignore a story character when they pop in, that would be rude” was her motto.

So Godfrey in turn took to enlist Whinley to see what could be made of the raw material and he’d been both terribly disappointed and at the same time completely awestruck by the results. Terribly disappointed of course, as Whinley repeatedly failed to grasp most of the subtleties, or any of the contextual finely layered structures. While it was good at outlining, summarising, extracting some characters, or content, it couldn’t imagine, excite, or transcend the content it was fed with.

Which had come as the awestruck surprise for Godfrey. No matter how raw, unpolished, completely off-the-charts rank with madness or replete with seeming randomness the content was, there was always something that could be inferred from it. Even more, there was no end to what could be seen into it. It was like life itself. Or looking at a shining gem or kaleidoscope, it would take endless configurations and had almost infinite potential.

It was rather incredible and revisited his opinion of what being a writer meant. It was not simply aligning words. There was some magic at play there to infuse them, to dance with intentions, and interpret the subtle undercurrents of the imagination. In a sense, the words were dead, but the meaning behind them was still alive somehow, captured in the amber of the composition, as a fount of potentials.

What crafting or editing of the story meant for him, was that he had to help the writer reconnect with this intent and cast her spell of words to surf on the waves of potential towards an uncharted destination. But the map of stories he was thinking about was not the territory. Each story could be revisited in endless variations and remain fresh. There was a difference between being a map maker, and being a tour-operator or guide.

He could glimpse Liz’ intention had never been to be either of these roles. She was only the happy bumbling explorer on the unchartered territories of her fertile mind, enlisting her readers for the journey. Like a Columbus of stories, she’d sell a dream trusting she would somehow make it safely to new lands and even bigger explorations.

Just as Godfrey was lost in abyss of perplexity, the door to his office burst open. Liz, Finnley, and Roberto stood in the doorway, all dressed in costumes made of odds and ends.

“You are late for the fancy dress rehearsal!” Liz shouted, in her a pirate captain outfit, her painted eye patch showing her eye with an old stitched red plush thing that looked like a rat perched on her shoulder supposed to look like a mock parrot.

“What was the occasion again?”

“I may have found a new husband.” she said blushing like a young damsel.

Finnley, in her mummy costume made with TP rolls, well… did her thing she does with her eyes.

Transportation

Isaac Stokes 1804-1877

Isaac was born in Churchill, Oxfordshire in 1804, and was the youngest brother of my 4X great grandfather Thomas Stokes. The Stokes family were stone masons for generations in Oxfordshire and Gloucestershire, and Isaac’s occupation was a mason’s labourer in 1834 when he was sentenced at the Lent Assizes in Oxford to fourteen years transportation for stealing tools.

Churchill where the Stokes stonemasons came from: on 31 July 1684 a fire destroyed 20 houses and many other buildings, and killed four people. The village was rebuilt higher up the hill, with stone houses instead of the old timber-framed and thatched cottages. The fire was apparently caused by a baker who, to avoid chimney tax, had knocked through the wall from her oven to her neighbour’s chimney.

Isaac stole a pick axe, the value of 2 shillings and the property of Thomas Joyner of Churchill; a kibbeaux and a trowel value 3 shillings the property of Thomas Symms; a hammer and axe value 5 shillings, property of John Keen of Sarsden.

(The word kibbeaux seems to only exists in relation to Isaac Stokes sentence and whoever was the first to write it was perhaps being creative with the spelling of a kibbo, a miners or a metal bucket. This spelling is repeated in the criminal reports and the newspaper articles about Isaac, but nowhere else).

In March 1834 the Removal of Convicts was announced in the Oxford University and City Herald: Isaac Stokes and several other prisoners were removed from the Oxford county gaol to the Justitia hulk at Woolwich “persuant to their sentences of transportation at our Lent Assizes”.

via digitalpanopticon:

Hulks were decommissioned (and often unseaworthy) ships that were moored in rivers and estuaries and refitted to become floating prisons. The outbreak of war in America in 1775 meant that it was no longer possible to transport British convicts there. Transportation as a form of punishment had started in the late seventeenth century, and following the Transportation Act of 1718, some 44,000 British convicts were sent to the American colonies. The end of this punishment presented a major problem for the authorities in London, since in the decade before 1775, two-thirds of convicts at the Old Bailey received a sentence of transportation – on average 283 convicts a year. As a result, London’s prisons quickly filled to overflowing with convicted prisoners who were sentenced to transportation but had no place to go.

To increase London’s prison capacity, in 1776 Parliament passed the “Hulks Act” (16 Geo III, c.43). Although overseen by local justices of the peace, the hulks were to be directly managed and maintained by private contractors. The first contract to run a hulk was awarded to Duncan Campbell, a former transportation contractor. In August 1776, the Justicia, a former transportation ship moored in the River Thames, became the first prison hulk. This ship soon became full and Campbell quickly introduced a number of other hulks in London; by 1778 the fleet of hulks on the Thames held 510 prisoners.
Demand was so great that new hulks were introduced across the country. There were hulks located at Deptford, Chatham, Woolwich, Gosport, Plymouth, Portsmouth, Sheerness and Cork.

The Justitia via rmg collections:

Convicts perform hard labour at the Woolwich Warren. The hulk on the river is the ‘Justitia’. Prisoners were kept on board such ships for months awaiting deportation to Australia. The ‘Justitia’ was a 260 ton prison hulk that had been originally moored in the Thames when the American War of Independence put a stop to the transportation of criminals to the former colonies. The ‘Justitia’ belonged to the shipowner Duncan Campbell, who was the Government contractor who organized the prison-hulk system at that time. Campbell was subsequently involved in the shipping of convicts to the penal colony at Botany Bay (in fact Port Jackson, later Sydney, just to the north) in New South Wales, the ‘first fleet’ going out in 1788.

 

While searching for records for Isaac Stokes I discovered that another Isaac Stokes was transported to New South Wales in 1835 as well. The other one was a butcher born in 1809, sentenced in London for seven years, and he sailed on the Mary Ann. Our Isaac Stokes sailed on the Lady Nugent, arriving in NSW in April 1835, having set sail from England in December 1834.

Lady Nugent was built at Bombay in 1813. She made four voyages under contract to the British East India Company (EIC). She then made two voyages transporting convicts to Australia, one to New South Wales and one to Van Diemen’s Land (Tasmania). (via Wikipedia)

via freesettlerorfelon website:

On 20 November 1834, 100 male convicts were transferred to the Lady Nugent from the Justitia Hulk and 60 from the Ganymede Hulk at Woolwich, all in apparent good health. The Lady Nugent departed Sheerness on 4 December 1834.

SURGEON OLIVER SPROULE

Oliver Sproule kept a Medical Journal from 7 November 1834 to 27 April 1835. He recorded in his journal the weather conditions they experienced in the first two weeks:

‘In the course of the first week or ten days at sea, there were eight or nine on the sick list with catarrhal affections and one with dropsy which I attribute to the cold and wet we experienced during that period beating down channel. Indeed the foremost berths in the prison at this time were so wet from leaking in that part of the ship, that I was obliged to issue dry beds and bedding to a great many of the prisoners to preserve their health, but after crossing the Bay of Biscay the weather became fine and we got the damp beds and blankets dried, the leaks partially stopped and the prison well aired and ventilated which, I am happy to say soon manifested a favourable change in the health and appearance of the men.

Besides the cases given in the journal I had a great many others to treat, some of them similar to those mentioned but the greater part consisted of boils, scalds, and contusions which would not only be too tedious to enter but I fear would be irksome to the reader. There were four births on board during the passage which did well, therefore I did not consider it necessary to give a detailed account of them in my journal the more especially as they were all favourable cases.

Regularity and cleanliness in the prison, free ventilation and as far as possible dry decks turning all the prisoners up in fine weather as we were lucky enough to have two musicians amongst the convicts, dancing was tolerated every afternoon, strict attention to personal cleanliness and also to the cooking of their victuals with regular hours for their meals, were the only prophylactic means used on this occasion, which I found to answer my expectations to the utmost extent in as much as there was not a single case of contagious or infectious nature during the whole passage with the exception of a few cases of psora which soon yielded to the usual treatment. A few cases of scurvy however appeared on board at rather an early period which I can attribute to nothing else but the wet and hardships the prisoners endured during the first three or four weeks of the passage. I was prompt in my treatment of these cases and they got well, but before we arrived at Sydney I had about thirty others to treat.’

The Lady Nugent arrived in Port Jackson on 9 April 1835 with 284 male prisoners. Two men had died at sea. The prisoners were landed on 27th April 1835 and marched to Hyde Park Barracks prior to being assigned. Ten were under the age of 14 years.

The Lady Nugent:

Isaac’s distinguishing marks are noted on various criminal registers and record books:

“Height in feet & inches: 5 4; Complexion: Ruddy; Hair: Light brown; Eyes: Hazel; Marks or Scars: Yes [including] DEVIL on lower left arm, TSIS back of left hand, WS lower right arm, MHDW back of right hand.”

Another includes more detail about Isaac’s tattoos:

“Two slight scars right side of mouth, 2 moles above right breast, figure of the devil and DEVIL and raised mole, lower left arm; anchor, seven dots half moon, TSIS and cross, back of left hand; a mallet, door post, A, mans bust, sun, WS, lower right arm; woman, MHDW and shut knife, back of right hand.”

From How tattoos became fashionable in Victorian England (2019 article in TheConversation by Robert Shoemaker and Zoe Alkar):

“Historical tattooing was not restricted to sailors, soldiers and convicts, but was a growing and accepted phenomenon in Victorian England. Tattoos provide an important window into the lives of those who typically left no written records of their own. As a form of “history from below”, they give us a fleeting but intriguing understanding of the identities and emotions of ordinary people in the past.
As a practice for which typically the only record is the body itself, few systematic records survive before the advent of photography. One exception to this is the written descriptions of tattoos (and even the occasional sketch) that were kept of institutionalised people forced to submit to the recording of information about their bodies as a means of identifying them. This particularly applies to three groups – criminal convicts, soldiers and sailors. Of these, the convict records are the most voluminous and systematic.
Such records were first kept in large numbers for those who were transported to Australia from 1788 (since Australia was then an open prison) as the authorities needed some means of keeping track of them.”

On the 1837 census Isaac was working for the government at Illiwarra, New South Wales. This record states that he arrived on the Lady Nugent in 1835. There are three other indent records for an Isaac Stokes in the following years, but the transcriptions don’t provide enough information to determine which Isaac Stokes it was. In April 1837 there was an abscondment, and an arrest/apprehension in May of that year, and in 1843 there was a record of convict indulgences.

From the Australian government website regarding “convict indulgences”:

“By the mid-1830s only six per cent of convicts were locked up. The vast majority worked for the government or free settlers and, with good behaviour, could earn a ticket of leave, conditional pardon or and even an absolute pardon. While under such orders convicts could earn their own living.”

In 1856 in Camden, NSW, Isaac Stokes married Catherine Daly. With no further information on this record it would be impossible to know for sure if this was the right Isaac Stokes. This couple had six children, all in the Camden area, but none of the records provided enough information. No occupation or place or date of birth recorded for Isaac Stokes.

I wrote to the National Library of Australia about the marriage record, and their reply was a surprise! Issac and Catherine were married on 30 September 1856, at the house of the Rev. Charles William Rigg, a Methodist minister, and it was recorded that Isaac was born in Edinburgh in 1821, to parents James Stokes and Sarah Ellis!  The age at the time of the marriage doesn’t match Isaac’s age at death in 1877, and clearly the place of birth and parents didn’t match either. Only his fathers occupation of stone mason was correct.  I wrote back to the helpful people at the library and they replied that the register was in a very poor condition and that only two and a half entries had survived at all, and that Isaac and Catherines marriage was recorded over two pages.

I searched for an Isaac Stokes born in 1821 in Edinburgh on the Scotland government website (and on all the other genealogy records sites) and didn’t find it. In fact Stokes was a very uncommon name in Scotland at the time. I also searched Australian immigration and other records for another Isaac Stokes born in Scotland or born in 1821, and found nothing.  I was unable to find a single record to corroborate this mysterious other Isaac Stokes.

As the age at death in 1877 was correct, I assume that either Isaac was lying, or that some mistake was made either on the register at the home of the Methodist minster, or a subsequent mistranscription or muddle on the remnants of the surviving register.  Therefore I remain convinced that the Camden stonemason Isaac Stokes was indeed our Isaac from Oxfordshire.

I found a history society newsletter article that mentioned Isaac Stokes, stone mason, had built the Glenmore church, near Camden, in 1859.

From the Wollondilly museum April 2020 newsletter:

From the Camden History website:

“The stone set over the porch of Glenmore Church gives the date of 1860. The church was begun in 1859 on land given by Joseph Moore. James Rogers of Picton was given the contract to build and local builder, Mr. Stokes, carried out the work. Elizabeth Moore, wife of Edward, laid the foundation stone. The first service was held on 19th March 1860. The cemetery alongside the church contains the headstones and memorials of the areas early pioneers.”

Isaac died on the 3rd September 1877. The inquest report puts his place of death as Bagdelly, near to Camden, and another death register has put Cambelltown, also very close to Camden.  His age was recorded as 71 and the inquest report states his cause of death was “rupture of one of the large pulmonary vessels of the lung”.  His wife Catherine died in childbirth in 1870 at the age of 43.

Isaac and Catherine’s children:

William Stokes 1857-1928

Catherine Stokes 1859-1846

Sarah Josephine Stokes 1861-1931

Ellen Stokes 1863-1932

Rosanna Stokes 1865-1919

Louisa Stokes 1868-1844.

It’s possible that Catherine Daly was a transported convict from Ireland.

Some time later I unexpectedly received a follow up email from The Oaks Heritage Centre in Australia.

“The Gaudry papers which we have in our archive record him (Isaac Stokes) as having built: the church, the school and the teachers residence.  Isaac is recorded in the General return of convicts: 1837 and in Grevilles Post Office directory 1872 as a mason in Glenmore.”

Helper Belper: “Let’s start at the beginning.”

When I found a huge free genealogy tree website with lots of our family already on it, I couldn’t believe my luck. Quite soon after a perusal, I found I had a number of questions. Was it really possible that our Warren family tree had been traced back to 500AD? I asked on a genealogy forum: only if you can latch onto an aristocratic line somewhere, in which case that lineage will be already documented, as normally parish records only go back to the 1600s, if you are lucky. It is very hard to prove and the validity of it met with some not inconsiderable skepticism among the long term hard core genealogists. This is not to say that it isn’t possible, but is more likely a response to the obvious desire of many to be able to trace their lineage back to some kind of royalty, regardless of the documentation and proof.

Another question I had on this particular website was about the entries attached to Catherine Housley that made no sense. The immense public family tree there that anyone can add to had Catherine Housley’s mother as Catherine Marriot. But Catherine Marriot had another daughter called Catherine, two years before our Catherine was born, who didn’t die beforehand. It wasn’t unusual to name another child the same name if an earlier one had died in infancy, but this wasn’t the case.

I asked this question on a British Genealogy forum, and learned that other people’s family trees are never to be trusted. One should always start with oneself, and trace back with documentation every step of the way. Fortified with all kinds of helpful information, I still couldn’t find out who Catherine Housley’s mother was, so I posted her portrait on the forum and asked for help to find her. Among the many helpful replies, one of the members asked if she could send me a private message. She had never had the urge to help someone find a person before, but felt a compulsion to find Catherine Housley’s mother. Eight months later and counting at time of writing, and she is still my most amazing Helper. The first thing she said in the message was “Right. Let’s start at the beginning. What do you know for sure.” I said Mary Ann Gilman Purdy, my great grandmother, and we started from there.

Fran found all the documentation and proof, a perfect and necessary compliment to my own haphazard meanderings. She taught me how to find the proof, how to spot inconsistencies, and what to look for and where.  I still continue my own haphazard wanderings as well, which also bear fruit.

It was decided to order the birth certificate, a paper copy that could be stuck onto the back of the portrait, so my mother in Wales ordered it as she has the portrait. When it arrived, she read the names of Catherine’s parents to me over the phone. We were expecting it to be John Housley and Sarah Baggaley. But it wasn’t! It was his brother Samuel Housley and Elizabeth Brookes! I had been looking at the photograph of the portrait thinking it was Catherine Marriot, then looking at it thinking her name was Sarah Baggaley, and now the woman in the portrait was Elizabeth Brookes. And she was from Wolverhampton. My helper, unknown to me, had ordered a digital copy, which arrived the same day.

Months later, Fran, visiting friends in Derby,  made a special trip to Smalley, a tiny village not far from Derby, to look for Housley gravestones in the two churchyards.  There are numerous Housley burials registered in the Smalley parish records, but she could only find one Housley grave, that of Sarah Baggaley.  Unfortunately the documentation had already proved that Sarah was not the woman in the portrait, Catherine Housley’s mother, but Catherine’s aunt.

Sarah Housley nee Baggaley’s grave stone in Smalley:

Miss Bossy looked gloomily at the figures.

“Our paper was already hanging by a thread, but if we want to survive we’ll have to shift completely to digital.”

“That, or we can go into selling recycled bog rolls…” Hilda started to laugh heartily on her Xoom screen.

She was soon followed by Connie. “Can’t let good paper go to waste, can we?”

“How’s your coverage of confinement in Wales, Continuity?” Miss Bossy asked.

“Gorgeously! We were expecting zombies, but we got an invasion of daring goats. Been trying to snatch pics all morning.”

A repressed giggle started to be heard.

Miss Bossy rolled her eyes. “Mute if you don’t speak, guys.”

Hilda ventured “Maybe it’s the whale?”

The giggles continued to add to one another.

Ricardo moved his webcam to remove the glare from the ceiling light causing a sudden roll of laughter from Connie who remembered a video with a lady streaming unwittingly from her loo break during a very formal videoconference with shocked pause on all her colleagues’ faces before she realised to shut down the cam.

It was only at the mention of carrots that Miss Bossy started to lose it too, confirming the start of a laughter epidemic.

I don’t know if that’s a second youth or what, but getting to that 100 line has put Mater in an energetic frenzy. She’s been putting her things in order, like she said.

My studies on machine learning and artificial intelligence are keeping me away for now. I’ve been studying hard for that Mars program selection, but it looks like it’s hopeless. Anyway, I had the good idea to put nannycams in all the hidden spots of the Inn. It’s not been as much fun as I’d hoped, spying on Aunt Idle and her manic ramblings. You would think she’s drunk all the time, but for all the recordings, I’d be damned if I’ve caught her yet on tape with a bottle. I guess her body just distills it on its own…

So, I’ve kept an eye on Mater too; she’s been acting funny at the mention of Jasper. And I found her quick to put a tight lid back on the topic.

I’m not even mentioning the dubious trails of “Uncles” of late: the Fergus, Basil or otherwise. She’d known quite a few of these in her days, although she’s claimed to have been a paragon of matrimonial virtue, being single woman with kids in these parts must have been rough after she lost Pater.

I think I finally caught something between all the cloak and dagger mascarades, tatty letters and all. Digital footprint isn’t big, but it may be something tangible to begin with.

Meanwhile, we’ll have to get started getting the invitation list in order; Mater’s contemporaries are falling by the minute, and Aunt Dido’s braincells are probably dying as fast as that— it won’t be easy to get a complete list. I know I should enlist Devan, I even put him on that family group thing, but he’s not big with all the tech stuff. As for the twins, well… We still have to hear about their stories. At this rate, might be faster to learn to telepathically tack on Dodo’s brainwaves. She says to whomever wants to hear she’s got direct connection to them… Would sound cultish to me, if I didn’t know better about the sisters! I’ll be worried when Mater starts to take this woowoo seriously.

A major solar flare was under way. It would blackout the communications with Earth for some time, but for everyone here, it didn’t matter too much. The timelag for communications to travel the Mars-Earth distance still made them too cumbersome for a regular use —much like snail mail was to their parents who were born with the digital area of instant communication.
The real thrill was that they lived close enough to the pole, and with some luck, there was some chance of spectacular views.

Looking again at the leo-parts he just found in the digital archives of the play, Al was now amazed at how the Becky he had had glimpses of in her tarty nunfit had looked similar to her step-mother Dory in her youth…
Fascinating…

New Venice, February 2034

Al had finally completed his body experiments. The results were encouraging, and would probably help understand more of some bodily processes.
Obviously he’d had some fun with them, these past few years —it was a nice way to learn more about himself, and to bring some of that knowledge to other people. Essentially, it was mostly to show them that what centuries of so-called “modern medicine” had done was to make them defiant of their own bodies. The mass creations of all these diseases not so long ago was still very much embedded into people’s imaginations. How ironic was that most of these diseases were coming from the body itself.
So, what Albert was doing in his experiments was to push the limits to show how greatly adaptive the body structure was. It was nothing different than what scientists of the last decennia were doing on laboratory rats with many uncouth cocktails of injections —except that the trigger was for the most part an internal projection, no needing great amounts of artificial adjuncts.
Becky’s sudden and impressive illnesses, shortly before her wedding had not worried him too much, because he knew that at times the body needed to adapt to new settings and environments, albeit not always physical ones.
Another thing he knew well enough for having experienced it was that distrust was the most difficult part during this adjustment process. Distrust of the body, of self and of course of others. It was a delicate subject and most of their ancestors way of tackling the subject had been to reinforce the distrust in one’s own body. Pills and antibiotics could do wonders, but they were not that innocuous when they were used as ways to tell one’s own body it was not behaving the way it was supposed to be. As far as the symptoms were sometimes elusive, their physical effects could be quite unpredictable, depending on the patient’s state of mind.

That reality play they were all writing to record their various connections has always been great fun. They had been toying with the idea of great changes, new frontiers of the mind and spirit and expansion of their consciousnesses.
It had started during Becky’s infancy, were she was inspired by her step-mother and a bunch of her friends who were doing all kind of meditations and strange “imaginary” stuff. And two years ago, she had found old digital archives and had been amazed at some of the changes that had occurred during so few of the past years of her own existence, much of them mirroring these “imagined” changes.
So, she had enlisted Sam, and Al and Tina to join in that reality play, to continue the projection into that “Shift” of the mind and see how farther it would take them.

But there was something that Albert had always found a bit far-fetched was Becky’s confidence in such strides in their expansion of the mind. Doubtlessly he was acknowledging that things were changing —the last discoveries in how magnetic fields affected DNA and thus the bodies had been even compelling enough to have scientists reassess their stance on how DNA and evolution of species worked. But he doubted that everything would be a perfect utopia. And pain was such an inherent and useful part of their human experience that he was not conceiving how any consciousness expansion would get rid of it.

So, back to Becky’s illnesses which were mirroring his owns, a great deal of them was also about accepting that pain not as a flaw in the way they were creating their reality, but as something real, useful as a mechanism of feed-back. Accepting it didn’t meant cherishing it and holding dearly to it, it merely meant they had to recognize it as a way of the body to bring back the diverted awareness into the body. Well, Al wasn’t sure it would always be necessary to have it, but for the moment, the species was not entirely accustomed to being present into the body. Perhaps when it learns that, pain wouldn’t be necessary…
To reassure Becky, he had reminded her of how as a child she had grown teeth, and that had been perhaps one of the weirdest most disturbing and painful experience children experience in relation to their bodies, but her parents had been telling her all along it was just growing. She just had to trust her body knew better. Or like Krustis the clown was saying, it sure won’t help a man if he notices a thumping sound in his chest to have it stop…

Well, in a few days time, it would be Chinese New Year. The large Chinese population of New Venice made it a very loved holiday, and Becky and Sean had decided to wed on that day, February 19 ^th where they would all step into the year of the Tiger.

How funny, Al was thinking, leaning over the railing of the balcony, looking at the sunset reflecting over the waters… These funny people that Becky had known in her infancy, the original FGF, they had seen New York under waters in their meditations… And that yellow car…
They had discussed a lot about this event, and some had been disquieted by that fact, fearing some impeding catastrophe. But all in all it had been a smooth occurrence. Authorities had been aware of the issue, and though they did not yet know all the mechanisms at play, they had been preparing some measures to avoid the city being flooded.
There had been lots of debates, as most politicians were advocating of building of dams to prevent the rising sea levels to enter the city.
But the studies of Dutch experts had been the most convincing, and New York City official soon decided to follow the example of the implementation in Netherlands of moving and adapting structures, constructions of buildings and plains liable to be flooded, and even buildings and roads construction on stilts structures, which Dutch had come over time to prefer to the dams, no matter how technically efficient…
Another imagery of adapting structures with the flow…