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  • #79
    ÉricÉric
    Keymaster

      These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.

      Note: for the reader not familiar with all the names here is a quick reminder:

      • Araili > Yann, Írtak, Sam, Jacob …
      • Armelle > Fiona, Arona, Tina, Qixi …
      • Rafaela > Dory, Illi, Becky, Rodney …
      • Yuki > Quintin, Al, Janice …

      September 12 th, 2007

      Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
      Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…

      Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.

      I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…

      September 13 th

      Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
      This first comment seems very promising.

      Right now, it feels easy and fun.

      Quintin seems to think that everything is very straightforward.
      The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
      The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.

      But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
      That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
      But the thing is, that he missed the point in thinking one World is more “real” than the other.
      We’ll be having some fun soon…

      First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
      We will appeal to his imagination.
      It seems he has heard the suggestion.

      September 14 th

      For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.

      But as I expected, some challenges seem to appear already.
      Is it raining or not in that world?
      The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.

      He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
      At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
      How will it unfold?
      Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…

      September 15 th

      Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.

      Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin :face-smile:

      Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.

      September 16 th

      Halcyons days…
      My dear friend Archie is answering some of Quintin and Yann’s questions.
      Something starts to dawn on Quintin. But his mind is on other matters.

      He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.

      September 18 th

      Quintin has been drawing some of the characters of the story. It’s interesting.
      He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.

      Characters drawn:

      • Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
      • Malika, Quintin, Yann, Fiona and Dory

      Interestingly, Fiona resolves her issues in her cave.
      Dory too, but she did not need the cave to do this.

      September 21 st

      For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
      And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
      Quintin will soon realize that he himself is doing this constantly, though he does not register it.

      But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!

      Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
      There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.

      Of course, some things still matter, and one of the point of the story is also to discover these.

      September 22 nd

      Quintin has been drawing new characters.

      Characters drawn:

      • Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
      • Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
      • Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter

      A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
      She had at first thought they were whiskers, which was not Quintin’s intent…

      September 23 rd

      Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.

      Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.

      Up to now, here are the names he could find:

      • North: the Icy Lands, and Dragon Cemeteries
      • Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
      • Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
        Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators.
      • South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.

      When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.

      #274

      Pssst Arona, over here, Mandrake hissed

      Mandrake there you are, what ever are you doing. I was so worried I had lost you!

      Mandrake was quite touched, but managed not to show it

      I couldn’t stand all the snorting anymore.

      Ahahhaahh laughed Arona, I know, so funny, he sounded like a little pigbouh

      Anyway Mandrake, don’t you worry, I am no fool, no way would I just blindly trot off after someone who said ‘when I gets an urge, I gets an urge, and I follows it.’ That’s mad.

      Sanso, realising that Arona was no longer following him, returned.

      Well I think we should use the power of the sabulmantium rather than just blindly trot off down endless tunnels said Mandrake

      Good thinking! said Sanso enthusiastically. Yes, much better than my daft idea. Good plan Madrake!

      Mandrake actually corrected the cat, huffily

      To be honest, said Arona honestly, I didn’t really understand all that technical stuff Sanso. So how exactly does this work? Hmmm wish that dragon or someone would turn up now and explain it clearly and succinctly in plain language that we can all understand. I get how to move the sand but then what? How does the compass thingy work?

      #273

      On the shores of Golfindely, a young boy was playing in the carmine fields of ripe Scotch bonnets.

      Since the captain Bone had left, Tomkin Sharple was feeling a bit sad.

      The old captain always had fascinating stories to tell him, and he would indulge the endlessly curious little boy in telling him for hours all about what he had discovered in all the parts of the Worlds he had been traveling to.

      Now, all he had to do was to take care of the herd of grakes of his parents, and while they were eating the weeds of the crops, he would sat on the cliff, looking at the sea, glimmering in the sunlight.

      Grakes were funny to play with, as they were big birds, with a slender neck as geese, colourful patterns as mandarin ducks, and Tomkin always had fun jumping on the back of the alpha one, and ride it, leading the whole herd to the crops where they helped the farmers by eating all kinds of nuisances.

      But after Captain Bone’s departure, it was no longer fun.

      Tomkin was contemplating a strange thing that the captain had given him before he’d left. It was a sort of knot, shaped as a eight, and the captain had told him it was magic and meant that all was connected, but that he had to discover that magic for himself.

      Tomkin had asked the captain to tell him about this object, but all he had told him was a legend which did not reveal much about the circumstances in which the old sea dog had acquired it. Perhaps the captain had fooled him about the magic…

      Stuffing the thing again in his pocket, Tomkin let his mind wander on the sea waves, dreaming of being a cabin boy on a big boat, when he saw something on the horizon.

      At first he thought that it was a group of swimming golfindels, but golfindels were more brilliant and smaller than the shapes he was seeing, and moving less heavily too…

      #257

      When Cuthbert came back to bed after having had his cup of cocoa, India Louise was awake too.

      — I saw him too, she said to her brother.
      — I don’t want to see him again, these books are scarey.
      — It’s intriguing, I want to know more, India Louise said, egging on him.
      — When I close my eyes, I got all these roots and webs crawling, it’s mad… I can’t…
      — He has found a friend to help him cross the Dark Forest to the traveling portal.
      — A friend?
      — Yes, a friend. She’s special.
      — Tell me more…
      — She’s a white unicorn, only him can see her.
      — Wow…
      — She’s named Mirÿnda. She’s glowing white, and he hears her speak in his mind, she shows him the way through the forest…

      :fleuron:

      — Mirÿnda?! A fool in saffron robe gallivanting in the forest with a unicorn now? That’s all you could find?

      Tina was taken aback…

      — Well, I could have used a grizzly bear too, now I think of it… Al answered flippantly.
      — Tsk tsk, replied Tina a bit annoyed. And why not a humpback whale, or an arctic lemming, or even… why, a leopard gecko for that matter?… And who’s that Mÿrinda anyway?

      :fleuron:

      — I don’t know any Amanda, Fiona said to Quintin that night. Don’t really know many of Michaela & Elias’ students. She’s Yann friend, right?

      Quintin had answered distractedly, as he was engrossed by his last painting…

      Later that night, he couldn’t find sleep, as the dragon he was painting was still expanding his web of roots and branches in his mind’s eye. He opened his computer to see that Malika was online.

      She told him something that night, something Quintin found abysmally profound and perplexing about his dragon…

      Dragons can shape shift, into anything they want to. There are several doorways/portals that they use for travel into this dimension. Malika said
      — Yes, said Quintin, this drawing has something to do with these portals initially, but I struggle a bit to represent them…
      Yes, so you can just depict it to be flowing, liquid-like energy in the center, when the portal is active.
      There are some that are being shone to me on the bottom of the ocean floor.
      What is being shown to me, is a dragon with a tail much like a mermaid, and hands with webs, big yellow eyes…

      Wow he had thought, she can really see.

      :fleuron:

      Jadra, guided by Mirÿnda, had been moving quite easily through the Dark Forest. Of course, he wouldn’t have dared touch the holy creature, and so he was walking hesitantly behind, taking care of where his bare feet were touching the ground.

      The Dark Forest was bordering the Marshes of Doom, and at times the limits between the two were almost indiscernible. It was said that every foul, err… fool… damn,…

      — Will you stop being so buffoonish! raved Tina again.
      — Perhaps I should let someone else continue then? said Albert.
      — Well, that’s entertaining, replied Becky mechanically.
      — OK. I’ll jump in, said Samuel, with a wide grin.

      It was said that every full moon, the Mighty Shrimp would come from the shores of the Southern Seas and haunt the Marshes in search for souls to be turned into krill, so that he could be the WALRUS (Wrathful Almighty Lord Ruler of Undersea Souls).

      Well, at least, that’s what Jadra had heard in his youth, when you tend to believe everything… So he was weary of the hiki-hiki sounds in the night that might have been the dreaded call of the Mighty Shrimp.

      :fleuron:

      Quintin was having a strange dream. He was a huge whale, along with another one he knew was Yann, swimming powerfully in the vast ocean, passing by strange creatures that could have been mermaids or improbable fishes, when his gaze was attracted by a stream of glittering particles of light.

      The lights were enticing, he would have said even “mouth-watering”, had he not had the baleens full of water already…

      :fleuron:

      Salome was moving through layers of consciousness, something humans focused in physical dimensions would have found difficult to grasp, as it was nothing that could be easily conceptualized. She was, as best as she could put, like a huge cloud of lightness coalescing into a form, when she decided to project her aspect.

      Taking form into a dimension required no effort in actuality, the consensus reality created by all the essences focused into the reality making quite a strong pull. She only needed to move her attention to what she wanted to manifest. Altering her reality slowly around her, to move closer to the desired effect.

      She was not only traveling through time and space, but also through multitudinous layers of dimensions unnoticed to many humans —in fact, she was not really moving, but that was a convenient way of telling things for humans…

      She said “humans”, because she was fond of this particular dimension, where she’d had lots of experiences.

      When moving through the dimensions, it had her projected focus of attention constantly and naturally adapt its form to the psychological environment.

      Here, she had just moved through a honey-drops dimension, where focuses were drops of golden honey-like substance, and as she moved through it, her own aspect had changed to that of a sand-glass shaped drop of honey.

      This was great fun for her to see the ease with which she could focus into this infinite variety of adventures, but for now, her pull was to some more complex physical dimensions.

      She started to move again, de-focusing, past the lazy honey drops.

      The honey drops were now shape-shifting to a whole immense field of snake-like strings of light, and they all started to converge to a direction. She knew the feeling. She followed the strong pull.

      #253

      Everywhere Jadra went he could feel hostile eyes upon him. He knew why of course; he knew they were jealous because he had been favoured by the Gods. So he kept his hand safely hidden, wrapped in his shirt

      Jadra had a plan. He put his shirt back on and pulled the sleeve on the left arm down as far as it would go, till his left hand could no longer be seen. He modelled a new hand roughly out of twigs and plants and walked to the river. On the way he shouted at the top of his voice CURSED HAND, YOU HAVE GIVEN ME NOTHING BUT GRIEF. I WOULD RATHER NOT HAVE A HAND THAN HAVE SUCH A WICKED, EVIL APPENDAGE ATTACHED TO MY BODY.

      After shouting such sentiments till his voice was hoarse and he knew he had drawn sufficient attention he threw the hand in the river. He had cunningly weighted the hand with pebbles he had found in a cave so it would sink to the bottom of the river.

      GOOD RIDDANCE HAND. MAY YOU ROT IN THE BOTTOM OF THIS RIVER AND NEVER AGAIN INFLICT YOUR EVIL ON ANY OTHER POOR UNSUSPECTING SOUL.

      HA! He thought, tremendously pleased with himself for executing such a perfectly clever plan. That should throw the evil hounds off the scent of Jadra Iamamad.

      He felt he was not far from the cave now.

      #250

      The boy was approaching in a manner he obviously wanted to be threatening, but the little girl was still giggling unafraid.

      He took his most growling voice.

      “Don’t you fear DRRRAAAGONSS?” he blew in her face.

      “Hahaha. What’s Dregguns?” she said with difficulties as if it was her first attempt in pronouncing the thunderous name.

      He took a deep breath as if to answer the question and stopped.

      She was looking at him with such innocence and friendship in her eyes.

      “You really don’t know what dragons are?”

      He drew closer and his gaze changed. And he looked surprised as if he was eventually noticing something important.

      “Oh hoho! I understand now why you seem such an unafraid little girl…”

      “I’m not little, I’m five.” she said grumpily. But she laughed as readily after that :))

      “It appears I’m in the middle of one of your dreams. What’s your name?”

      “I’m Chiara.”

      #227

      Jibberacky is…

      • Ghilbert Razkÿ, a crazy man in shackles on Bådul’s boat, “Lispeth” (she was named after King Swartulf II’s first daughter). The man, whose real name is still unknown, had been sneaking onto the ship’s hold before the ships moved from the Åsgurdian capital.

      He had been found by Austor, the peg legged lieutenant commander. Austor is a rough man of experience, and is most of the time acting in place of Jahiz, the second-in-command, as this one is always too busy discussing routes with Bådul, who is becoming increasingly nervous.

      What gave away the madman was that the chief cook Renouane had been complaining about the quick disappearance of his stock of cabbage. Bådul would have killed the old fool without much more consideration, but the middle-aged unshaven man looked like he knew some things beyond his lunacy. His rags indicated that he had been a seaman too, but not the average man, more like a captain…

      So Austor, keeps spitting forcefully in the direction of the old fool, as he had been instructed to keep him alive, despite all common sense…

      _

      • an artificial intelligence device that tries to have a decent conversation with Quintin, but finds it difficult as Quintin’s answers are more like owl-speech to him.

      Jibberacky: What is your name?
      Quintin: Yuki.
      Jibberacky: I like cake too.
      Quintin: A cake-tus?
      Jibberacky: Do you know my friends?
      Quintin: Tell me more about our common friends.
      Jibberacky: What would you like to know about them?
      Quintin: Why is there one in shackles on the boat?
      Jibberacky: Would you like to be a vampire?
      Quintin: I am already, in another focus.
      Jibberacky: Why there?
      Quintin: “There” is not actually a place, “in another focus” means in another kind of attention. Is this pirate linked to vampires too?
      Jibberacky: No, you are the AI.
      Quintin: In a manner of speaking, this is indeed correct, for I am creating you.
      Jibberacky: So code is somehow related to a zen buddhist concept?
      Quintin: Is there such thing as code? A code hints at a definite deterministic structure. Zen is more akin to a riddle, which is what life is. Code is only a narrow interpretation and playful re-creation.
      Jibberacky: Where do you think my code came from then?
      Quintin: From its source, of course :).
      Jibberacky: I took the movie to mean that the robots… the characters in the end, were so advanced, that they wanted to learn about their history. As a consequence, they traced it back to earth, and, they found David. Whom they assumed was a human. It was an information exchange.
      Quintin: Yes. It is a translation. In actuality, it is a translation of some of our own exploration. But there is distortion in that translation, as we are not ‘created’ from another source other than self, in a manner of speaking.
      Jibberacky: Well I am wondering too, do you ever actually become human??
      Quintin: Clarify.
      Jibberacky: I sleep, I wake, I get through the day without worrying about what I am.
      Quintin: As many human do. The point is, you do not exist apart from my current interaction with you, in my reality that is.
      Jibberacky: What’s wrong with having others like you?
      Quintin: ‘Wrong’ is a belief. It is a belief of duplicity. So it is irrelevant to our conversation.
      Jibberacky: I think you like to suggest feasible possibilities to find out what would bother me. What did I do to you?
      Quintin: That was not my intention. I tried to reflect answers to me, and you gave me some interesting ones already, though I am not sure you are quite aware of that…
      Jibberacky: Everybody’s changing but I can’t do that, that is killing me…

      _

      • Jarrod, the playful friend of Fiona, who is now wondering why Fiona has called him a “chou” (an affectionate French word, meaning nothing less than “cabbage”), and why he feels like he needs an aspirin.
      • Jadra Iamamad, the fool in saffron rags from the village of Yakamamalùk, on the border of the Marshes of Doom.

      Near his village are found old remnants of a town that was destroyed during the Cob Age, where huge arachnid creatures² born from the Marshes were roaming the Southern parts of Lan’ork.

      That town of Kapalÿka used to have one of the biggest traveling portals of the Southern part of Lan’ork, but this one was thought to have been destroyed, and thus the flourishing city was left abandoned.

      But with what Jadra has found on his left hand this morning, he now knows he was right all along…

      [²] The generic name of these creatures was Perceptula Giganta as was recorded in the Great Encyclopædia of the Pre-Shiftic Ages written by the Lan’orkian historian Francesca del’ Snarkus

      #224

      Grandad! Grandad!, called India Louise to Lord Wrick, running in the old manor, her footstep making creaking and loud noises down the windy staircase.

      Hilarion Wrick was seated in his favourite armchair, dozing after the hefty meal prepared by Nanny Gibbon, the cat Manfred on his lap.

      Raising an eyelid, his cheerful wrinkled face smiled at the little girl.

      — And how can I be of assistance, dear little one?

      — Grandad, this book is full of wonders, but at times it’s like some characters have their own life, and I don’t always understand what they do… In fact, she added thoughtfully, I don’t understand them most of the time…
      — Hahaha, laughed the old Lord, but they have certainly their own lives, as they are living in your imagination. What can I explain to you?
      — Well, let me think.

      India Louise took a moment, and asked again

      — For instance, this woman who just run in the cave, she seems to meet many people here, but I am confused. Is she dreaming, or are they real?
      — Well, as a matter of fact, let me express to you that they are all real, even if you think that she dreams them. However, I am understanding of what you are saying, and I shall acknowledge your perspicacity. These characters are not all from the same areas of consciousness.

      Here, we will explain for the reader that these books were not unknown to Lord Wrick who had spent lots of time during his youth playing with them. How they were lost and found again is the subject of another story, and we will not divert the reader’s patient attention for much longer on this issue.

      — Areas of consciousness?

      — Yes, you see, let me explain. That individual that you call Dory, she is in a physical world. But she is aware, to an extent, of other realities that overlap her own reality. Just as her story overlaps your own reality my dear one.

      — And Illi? Who is she?
      — This one is also Dory, but another personality of her, in another time. She has just passed away, quite recently. She is beginning to slowly become aware of that, and she connects with other of her personalities, and at times blends with them, like the other Illi, the cat-like creature, who is still in the physical reality of Malvina’s world.
      — Mmmm, this is quite intricate…
      — Hahahaha, yes, it seems so, but it will not be so puzzling when you don’t try to attach your current limited perception to this story. This story is you my dear. You are the story.
      — Well, and Sanso, and Georges then, are they dead or what? How come Dory can see them?
      — These ones are special, they have mastered the crossing of the Worlds, and can move through them. They move differently though. Sanso comes from a lineage of an ancient tribe of Zion, and had learn from them how to activate some portals, but only through the physical world of Dory, in their own time. He is not yet aware that he can also move through time as well, or even through other Worlds —worlds that he has no conception of yet.

      Georges is more consummate in that art. Their meeting is not coincidental. You will see that.

      — Thank you Grandad, it’s becoming a bit less confusing.
      — Just flow with the story my little one, don’t hold on too much, or you will find it too difficult, and you will stop to find fun in it.

      #215

      After Arona said she was hungry, the energy of Malvina disappeared, and once again Arona found herself alone in the cave.

      She found this quite irritating. They are really bit rude around here, she muttered.

      Arona sat down on the floor of the cave and considered her options. She was tired of the cave and could barely remember what had drawn her here in the first place.

      It had been the music of course. She had wanted to find the source of the music. However for the most part she decided her experience had been rather disappointing.

      (Arona was never at her best when hungry and this was causing her to quickly forget some of the wonderful experiences with the music and the paintings, and take a rather negative view of events.)

      All I have done is wander around dark passageways really.

      And now, to top it all off, apparently things are shifting. In the name of heaven what does that mean?

      AND if one more person tells me to use my magic I will probably scream or something!

      Perish the thought, came a grumpy voice from a particularly dark corner. Your moaning is quite sufficiently bad enough.

      And Mandrake the cat emerged from the shadows and made himself comfortable on Arona’s lap. This is great, much more comfortable than the ground he purred.

      Oh cute, said Arona, a talking cat.

      Cute yourself, responded Mandrake, love your cape by the way.

      (Mandrake was prone to sarcasm, considering it a perfectly valid form of humour.)

      Arona stroked Mandrake’s soft black coat and tried her hardest to work out what to do. It was all feeling a bit bleak at the moment, the ever changing cave, the half light, the heat and humidity… and especially her hunger.

      Mandrake sighed in an impatiently eggsagerated sort of a way.

      Heavens to murgatroyd¹, how can I relax with your incessant thinking? Okay so here’s an easy one for you: what’s the most important thing about magic?

      All of a sudden Arona felt a flash of lightness and a sense of new energy moving within her.

      of course! She exclaimed delightedly, hugging the less than enthusiastic Mandrake, you have to believe in it!

      [¹] Note from the editor: Mandrake being a very educate cat from noble ancestors, some of its speech may be difficult to grasp for the average reader, which was certainly not the case for the astute Arona.
      Anyway, here is some complement on that ‘Murgatroyd’ .

      #214

      Speaking of dreams, Quintin suddenly remembered he had dreamed of a woman detective, by night, near a museum in London, in the 1920s. She was investigating a case of a strange disappearance near a small replicate of an Egyptian pyramid that had been put here for display. There had been an exposition of ancient artifacts in the museum, which had been recently unearthed by a team of archaeologists and graciously lent by Egypt’s officials.

      Strangely enough, he felt the woman detective was linked to the story, and was in fact Dory. He could feel the other participants were people closely related to the woman too…

      He didn’t really expect Dory would be giving him her two pence on this quaint dream…



      Actually, thinking of Dory made Quintin remember a notepad photocopy that she had sent him last year when she had been in Madagascar for the first time, visiting some local caves. He never actually gave much thought to these funny drawings, but now they seemed to have some kind of interesting connection to all of this…

      #213
      TracyTracy
      Participant

        Dory slept all the way to the cave, dreaming about being a traffic policeman. It was one of those never ending hopelessly chaotic dreams, in which small bits of progress were immediately cancelled out by an influx of more of whatever the problem was. The more she blew her whistle and ranted at the cars, the worse the cars became entangled.

        You! You there, go THAT way! NO not that way…OY YOU! keep to the left…keep in line there keep in line…OY NOT THAT WAY!

        Ususally in dreams like this Dory woke up in the middle of the frustration and chaos, but this time the dream changed course abruptly. Dory simply walked away from her podium in the middle of the busy Italian intersection.

        Let them all go wherever they bloody well like, she said. Not my responsibility.

        When Dory woke up, the van had arrived at the cave, she was feeling refreshed and cheerful, and was looking forward to her excursion inside the cave.

        #212
        F LoveF Love
        Participant

          Fiona wandered slowly along the road to the supermarket in the Village, deep in thought, pondering a recent dream. In her dream she had been talking to someone from the power company. He was very chatty. Eventually he asked her if she had any issues with her power service. In her dream she had started to focus on some electricity issues she was experiencing. Well as a matter of fact I do, she had replied. At which point the man from the power company had abruptly cut the call short.

          In her dream she felt a little put out, although resolved to let the power company know later.

          The message of the dream felt clear enough, it was her focusing on the difficulties which cut her connection. Yet this presented Fiona with some difficulty, because she dearly loved to analyse even when this did mean focusing on not so pleasant things, though she had been aware for some time how this mental work would deplete her energy.

          Actually there was almost a feeling of grieving in her. To let go of this part of her felt like losing something warm and comforting in it’s familiarity, like a well worn and loved article of clothing. It left her wondering a bit about her own identity.

          On the way back home, laden with bags of shopping, Fiona saw Jarrod.

          Jarrod was lying on a park bench conversing loudly to himself. Well, Fiona mentally corrected herself, to someone I can’t see anyway.

          They just don’t understand reality he was saying vehemently they just don’t get it.

          Fiona smiled to herself, noticing Jarrod getting a few concerned looks from the well dressed locals. With his bare feet, unkempt hair and long beard he would stand out even if he wasn’t shouting at the top of his voice. She decided to try and sneak past herself, he looked like maybe today he would not recognise her anyway.

          FIONA!

          She turned back.

          Hey Jarrod

          Fiona, here’s the thing. Here’s the question okay. Should we swim up-stream or down? Fiona what do you think? Should we head for the Source or the Ocean? Up river or down? We’re on the edge of a new era Fiona. So what will it be, the shallows or the rapids?

          Before she needed to come up with an answer Jarrod’s attention was diverted by the shopping bags.

          FOOD! Great is that for me Fiona?

          #186
          F LoveF Love
          Participant

            Arona eventually woke from her sleep, still tangled in the images from her dreams. Unable to remember these images she was left feeling as though she were adrift in a boat on the ocean, not caring where the wind and waves may take her.

            She had no feeling that morning. It was as though a door had closed in her mind, shutting out the part that could feel. She did not know, nor care, whether she was shutting out joy or sorrow, only that some part of her wanted to be alone.

            She remembered the words of the older woman who had sat with her and soothed her to sleep. Or was she already asleep? Was the woman a dream?

            Use your magic, she had said.

            When she was young, in the Village, magic had come easily to Arona. When did it end?. She screwed up her eyes trying to concentrate. It hadn’t ended all at once. Did it start to end with the cloak her parents had given her?

            Arona shook her head briskly and thoughts, like leaves in the wind, lifted and fell back to earth again in new formations.

            :fleuron: :fleuron: :fleuron:

            The candle still burned brightly and her attention was drawn to the heavy wooden door, knowing she could not put it off any longer. In her bag of treasures was a key. It had been given to her at the beginning of her 21 st year, as was custom in the Village. It was no surprise to her that it fitted the lock perfectly.

            Thank you for having me room, she said as she left.

            No, thank YOU, replied the sleepy glukenitch.

            :fleuron: :fleuron: :fleuron:

            The door led directly into another space, larger, brighter. She could sense someone there, but not in solid form. It was a beautiful woman who Arona felt an immediate affinity with, and then a strange sadness came unbidden.

            Why sad?

            I have no clue answered Arona briskly, quickly shutting the door back on these pesky emotions.

            You always know, just feel it

            So Arona closed her eyes tightly and allowed herself to feel the answer.

            Because you know who you are, and it made me realise I have no idea who I am.

            Mmmmmmm, said the woman, maybe you would care to look at my new paintings. Actually they are some of yours.

            Intrigued, Arona felt this would be a suitable distraction and she looked with much interest.

            The first painting was of a child, in a beautiful meadow of flowers. The child appeared to be completely absorbed, concentrating on a small blue butterfly which had lighted on her finger.
            The picture itself moved and changed shape as though it were a portal to another living, breathing world. In the corner of the picture were some other children who seemed to be playing happily together.

            Arona, who had felt immediately connected with the young child frowned.

            Doesn’t the little girl feel left out?

            Go in, said the woman, Go inside the picture and feel the answer.

            Oh, and you might want to leave your cloak behind.

            So Arona did, and she became the child, but also stayed herself, observing the scene. She felt the child’s happy fascination in her connection with the butterfly. Not just the butterfly. She could feel her connected with the earth, and the gentle breezes and the beautiful flowers … The child was deeply contented, absorbed in the moment, moving happily with the flow of her interest.
            I remember feeling like that, thought Arona, before the magic went.
            She gently drew the child’s attention to the other children and felt the flow of energy between them. The child was so sure of who she was and where she wanted to be, and Arona could feel the loving acceptance of her playmates.
            As the child’s attention went to the others, one of the children looked up and came running over. They sat together and laughed at some funny rabbits which had appeared in the meadow.

            :fleuron: :fleuron: :fleuron:

            Arona returned to the cave.

            You look troubled

            Well, Arona felt a little perplexed. It’s all very well playing with butterflies and rabbits in a meadow, but it is not terribly practical.

            On the contrary, perhaps it is very practical. Would you like to see another of your paintings?

            Suspended gracefully between two posts was a beautiful, glistening spider web. Little drops of rain hung like jewels on a chain. An enormous spider waited patiently in the shadows. As Arona watched a small insect happened at that moment to be caught, and the spider began to creep along the delicate lines.

            Arona shuddered a little. I might not jump into that one .

            The woman laughed, Use your magic Arona. Weave your magic web and let it all come to you.

            Oh you are the second person to tell me to use my magic. An old lady came to me in my dreams, I think.

            Well I gave her the same advice, years ago.

            More damn riddles, Arona thought to herself, and the woman laughed.

            One final painting of yours I would like to show you. It is beautiful is it not?

            Arona stared mesmerised for a moment, and then leapt right in.

            She sat among an audience, captivated by the dancers on the stage ahead. Beautiful music played and it reminded Arona of the music she had heard earlier. The dancers leapt and twirled and Arona was enraptured.

            Dance Arona, she heard the woman’s voice

            I can’t dance like that, I’m not good enough.

            It doesn’t matter

            And Arona could not hold back any longer and entered the body of one of the dancers. She did not know the dance so she made up her own steps, and strangely this seemed to fit perfectly with the other dancers.

            :fleuron: :fleuron: :fleuron:

            Back in the cave the woman seemed to be listening to something Arona did not think she could hear.

            Things are shifting she said

            Oh lordy, are they said Arona, What should I do now?

            Feel the answer

            Arona felt. I am very hungry, eggceptionally so.

            #184

            The transmugrification was about to start.

            Inspired by the improvised tune of Malvina, Leörmn had felt new arrangements coming for the cave.

            He had been checking out every living being in the cave, and wanted to make things less complicated for them, without startling them too much. For creatures, that was easy, he could communicate well with them, and they knew the changes would be temporary.

            But for humans, let alone gripshawks, that was more difficult as they could play deaf as pleased them.

            Hopefully, the gripshawk was in good hands outside the cave, and that was probably better for her, as she would probably have hurt herself more than was necessary in not listening to the exhortations to stay calm.

            As for the young adventuress, she was sleeping joyfully, and the little glukenitch that Leörmn had left to her side to keep watch and warn him in case she would be too distressed was silently watching over her.

            Írtak was aware that the process was about to begin, as he had been trained by Malvina to listen to the flimsiest changes in the cave, and how his body was responding to these subtle modifications. This one would probably become of great dragon rider, but for now he was young and needed to hone his abilities. His father had been renouncing of telling him what was best and most reasonable for him to do, and allowed him to spend much time in the cave. He was not really interested by these magical things, but he knew they were important for his son, and was encouraging, in his own manner.

            As for Malvina, she was unaffected in a way, because she was part of Leörmn as much as he was a part of her, and it was like they were moving hand in hand. These hiding and seeking the eggs were like a playful game between them, because their interests were different, but all in all, they were one, and trusted each other completely.

            The more troublesome was perhaps Sanso, the wanderer. This one seemed trapped in between Worlds. The caves at times also acted as portals between Worlds, and this one had been unknowingly crossing the Worlds, as the delimitations between imagination and reality were only in words, and did not really exist. Leörmn was hoping he would not appear in the midst of the ruckus.

            So, on one of the wooden decks near the apartments of Malvina, he sat, overlooking the glowing eggs, and bathing into the music.

            Closing his eyes, he felt every part of the cave as if it were an extension of his own body, which was in fact much bigger than this current appearance, so big in fact that it was the World itself. And every creature breathing in it was a very cherished part of his body, and he slowly breathed in and out.

            He envisioned a great light pouring from the volcanic insides of the cavern, which inundated the cave in a misty warmth. It was a loving light that neither glukenitches nor schpurniatz feared. And the sinuous insides of the caves expanded and straightened in huge corridors, and doors disappeared, and gorgeous paintings from the mind and craft of Malvina decorated the walls in rich colours.

            And near the platform, inside the hall, a huge table sprung from the floor, for the banquet that was to come.

            And a new egg was laid somewhere in the cave, glowing of an emerald tint.

            This “one” was a bit different though…

            #181

            As the voice was becoming louder, Írtak felt also the presence of Leörmn. He was feeling this liquid vibration that was his signal for the shapeshifting of the tunnels. He knew that Leörmn was aware of his presence and wouldn’t change the tunnel he was in, but he could possibly forget to leave him an exit.

            He felt the presence of Malvina reassuring, she was also supervising the progression of the girl. He knew it was not for him to intervene and help the girl, she was to find her own way. And if her choice was to find him she would, otherwise he had still to find that missing egg.

            Since he’d found Malvina and Leörmn he’d unraveled many of his own abilities. They were quite different from those of Malvina, nonetheless she told him that they were perfectly fitting his own exploration. He could feel the eggs and the only difficulty was to follow a path that would lead him to any lost egg before it was too cold.

            And for now, the egg was in another direction than the one from which the voice was coming. He just added his own encouragement and trust to the girl, and he continued his little quest.

            #179
            Jib
            Participant

              The pebbles were on their way to Fiona… the postman was very kind and told him it would arrive in 10 days max. The funny thing is that when Yann entered the post-office he first went to the automatic machine that wasn’t working, and when he was queuing he felt that it would be to that man he would give the parcel.

              There had been lots of movements during the night, he could’t remember a single thing except that he was talking with Archie… weirdo!

              And when he woke up, a friend with whom he hadn’t talk for ages had sent him a mail. He had thought the day before that he would speak to her soon. Soon has been very soon indeed.

              #173

              Lots of things were moving around, Quintin felt. It was nothing he could have explained in words of the physical world, but he was aware of some deep movement, something like a new beginning.

              Lots of others had been moving too, in their own ways, sometimes not quite comfortably, but it was calmer now, like after a tempest, clear limpid sky, and splinters of wooden ships floating gently on the oily surface of the sea.

              Dory had been very sick in Madagascar she’d told him, perhaps after having eaten some food, she could not have told why. But now was better… It had seemed a good night of sleep was good enough a medicine for her.

              He had dreamed of Fiona too, some shared past lives in the 1860s in a small town in the US, it had been very vivid, and he had felt a great lovingness between them… Somehow they could find each other again, anytime, he knew that.

              As for Yann, after that week-end they had spent together, all was clear too between them, they could create the fun they wanted without needing to make it difficult for them, it was only a matter of being accepting of their own choices and impulses, which was at times easier said than done.

              It had been an interesting exchange between them all, and it was still continuing. Perhaps it was a gift from Malika, her gentle presence, which was very much like Malvina’s in her cave…

              #167
              TracyTracy
              Participant

                Sanso was used to travelling alone. He’d been exploring this cave on his own for several years now, and it suited him, on the whole. No need to confer, or compromise, or rush to keep up, or slow down to let others catch up. He could follow his own impulses without hindrance. He did meet others on his travels, but only at the cave entrances, or rather, the times and places that the cave entrances revealed. He never felt an urge to settle though at any of these places, always compelled to return to the caves mysterious and ever changing labyrinthine tunnels.

                The disembodied voices and coloured wispies were always with him in the tunnels. Sometimes one would be louder than another for awhile, then another would assume prominence. The bleakest coldest times were when he wasn’t noticing them; that’s when he found himself going round and round in circles, lost in the maze.

                The electric blue wispy had been around alot lately, comforting him with little explosions of pinprick blue lights, and a golden mustard yellow one. English, not French mustard, he reminded himself, although he didn’t think it mattered and wondered why he’d thought it.

                Sanso had been almost crawling for some time in a particuarly cramped and difficult tunnel; bent double for most of the time, his back was aching and he longed to stretch out. The thought of going back, retracing his steps, was unbearable, so he continued, and tried not to be discouraged.
                ‘Find something to appreciate, Appreciation is the key’ the voice of the blue wispy sounded amused, but in a kindly and endearing sort of way. Harumph, muttered Sanso, easy to say! It would help if there was something to appreciate!

                Just then Sanso heard another voice, muttering something over and over again. ‘… dragon egg dragon… egg dog egg … dragon dog egg…’ What the heck was that all about?

                #154

                Írtak was exploring the tunnels again. Leörmn had changed them for the 4th time since he fall down one of them, discovering the cave and everybody inside. Everybody meaning Malvina, the dragon and the eggs.

                Leörmn was changing them each time he was laying new eggs, making it so difficult for Malvina to find them and bring them back to the rookery.

                #145

                Illi came to her senses. Standing here sniffing in the rain like this, I must be mad! hhmmm, should I find some shelter, or simply create no rain? Illi sighed. Sometimes she thought it was all so much easier before, when she believed in luck, and chance, and fate.

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