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There was a lot of commotion that night.

It all started a little bit before 6 PM, while the winter sun was very pale and slowly rolling behind the horizon. Jean-Pierre Duroy of the Royal Intendancy had the maids rounded up in matching uniforms to finish the cleaning of the Opera House, and ready to start to light the thousands of beeswax candles with almost military precision. This didn’t go without hiccup of course, but they did mostly well, and the Opera House was ready for the comedians before 5:55, leaving them with 5 spare minutes to catch their breath before the eighteen rings of the bell.

Even a little bit before that, Nicole du Hausset who had spent the whole dreaded day in anguish about the Queen’s lost ferrets, while attending to Madame’s every whims, realized after scouring through the Palace and hearing through the grapevine of the maids’ ring of deals in stolen goods that she should slide a word to the Royal Intendant through some unofficial channels (she knew well Helper, who was a great influence on Cook, who then could talk discreetly to Annie Duroy, of the Royal Pastries and Cookies) so an investigation could be carried out without any particular mention of the ferrets. As she would realize later the morrow, not only would the ferrets be retrieved at the Opera House and the Royal Chapel, one for each location, except slightly lighter and cut open, an act that would be seen as a hidden message and possible attempt on the Good Queen’s life, and dealt with appropriately by a specially appointed Inquisitor —but also, and notwithstanding any longwindedness, that it would make little difference as the perpetrators would be nowhere to be found the next day, having vanished, it seemed, in the ensuing confusion (of which we will come to in a minute), stealing in the process the Royal Balloon and a few chouquettes from the Royal Cuisines.
Her duties fulfilled, and being now on the other side of the fateful date of Jan. 5th, 1757, at 17:57 without any significant change to her reality or life, she deducted her mission as the safekeeper of the time-smuggled ferrets was by then accomplished, and she could focus on her more pressing duties.

It was only 5:57 PM shy of a few more seconds, that Madame Pompadour, powdered like there was no tomorrow, would be helped by her two maids into her gorgeous John Pol Goatier designer dress, and her lambswool petticoats. She was dressed to kill, and that made her all the more suspicious in the minutes to come, but we are getting ahead of ourselves.
Madame de Pompadour’s schedule for the soirée was very precise. At 6 PM, she would greet her guests, and the King back from his afternoon at the Parliament at the entrance of the Palace, so they could all head to the Royal Opera, passing through the Chapel into the brightly candelight-lit half-built building where the show would take place.
There was to be a toast first, from fine champagne delivered the morning in zebra carriage (one of the Queens’ daughters idea, which had pleased enough the King that he’d booked them for an evening ride into the Gardens). She was all set, and with great dignity and carefulness, arrived at the spot a mere seconds after her Grace to great the King.

At the same time, Jean-Pierre Duroy, who had not seen them as he’d passed through the Chapel the first time (ungagged but still under sleeping curse and tucked in the corner of the stained glass windows depicting the martyrdom of Christ), and as he was getting anxious at the lack of punctuality of the comedians whom he’d thought sleeping in their trailer parked nearby, was notified that the trailer had been found empty by the bellboy he had sent to remind the comedians to be ready in 10.
A man of great resources, always ready with plans B to Z (he wouldn’t boast, but the zebras being one of such past plan Z, second only to an unlikely belching toad plan, the details of which we won’t get into just now), the Royal Intendant was ready to put in motion said plans, but the comedians suddenly emerged from the Chapel slightly groggy but apparently ready to take over their duties —especially the two ladies, who were bickering with the two men about being the Controllers of the Ascension. Little did all of them know at this moment that the hot air balloon was being highjacked by a team of rogue maids in cahoots with the Russian Ballet props technicians who had arrived some days before the bulk of the Russian troupe trainees.
The Russian ballet dancers were indeed still stuck in the heavy snows somewhere along their trip to Versailles, so the four comedians with their balloon and tricks were technically, already a Plan B.

By then, it was well into 5:59 PM, and the next minute would seem to stretch forever, but for the sake of a patient audience, we will not make it over 10.

In the first half of this fatefulest minute, Casanova had arrived with Father Balbi, his travelling companion, followed by none other than St Germain, all dapper and heavily scented. A score of less important nobilities the names of which we won’t go through were also here.
There were seconds enough in that first half minute, to rub cheeks and say plaisanteries and even utter a few rude witty comments with sweet tongues laced in vinegar, whatever that meant, and also enjoy the sparkling wine served at perfect chilly temperature.
It was only as we entered the second half of this minute that the King arrived, padded in heavy and warm coats and looking exhausted.
Seconds were spent in the same proceedings as above mentioned, if only in a slightly accelerated fashion, and slightly and almost unnoticeably higher pitched voices.

That’s only when the mission bell’s sang Welcome to the Eighteenth’s Hour et ali (for naught), in loud and ringing dongs that the unthinkable happened, living all witnesses traumatized enough that nobody could think of anything to do before the third dong had elapsed.
The King collapsed, a knife in his ribs. The perpetrator was caught by the guards before the end of the last dong.

While the King was rushed to the RER (Royal Emergency Room), and attended to by Royal Leechers and Clyster Masters who felt it was wise to call the Royal Priest seeing that there was little blood to leech, back at the Chapel and Opera House, the maids and Jean-Pierre were in a rush to blow out the candles, as it was obvious their attention was required elsewhere, and that the show would be cancelled.
Everyone would sigh in relief, but not before a few more hours of the drama, when they realized the King’s heavy padding had saved his life, and that the gapping wound everyone was dreading was no more than a pen’s prick. This would encourage Annie to admonish her children when they wouldn’t eat more of her delightful pastries.

Meanwhile, using one of the last candles, the maids and their Russian lovers had lit the tub of lard of the hot air balloon, which rose slowly in the night sky, out of sight when most of the attention was directed towards the King’s fate hanging on a thread.

The four actors where vaguely wondering if they were still dreaming when they saw the carriage of thousands of tinsy frogs croaking through a portal, with brightly coloured dressed lady-men inside, and driven by an unkempt man with a wild gaze and an air of sheer insanity.

Of course, by then, they knew better than to discard it as a mere dream.

The four thespians from the “Théâtre du Soleil” were delighted to have been hired by the Royal Intendant to be the clou du spectacle. They were planning something sensational.
Chinese fireworks! And a huge colourful hot balloon, attached to a wicker basket big enough to carry them four acrobats in the air, and to bewitch the noble assembly stunned by their contortions and feats of equilibrium. They would make a fortune that night, and the the weather promised a clear bright sky with an ubiquitous full moon.

They’ve had last minute doubts about the balloon plan, as their usual supplier of beeswax unexpectedly declined to fulfill the order. The whole town suddenly found itself short of it, and it was thanks to the local lard supplier that they could find a suitable amount of fuel for the hot balloon.

They parked their brightly coloured theater trailer in the small courtyard in front of the Opera House. The construction rubble was blocking the way, and they would need to enter the Opera House though the Chapel, the Intendant had warned them.

They noticed a maid, and where about to ask her for confirmation as to the direction, but she was ducking suspiciously as though to avoid being seen, and slid out of view very swiftly.

“Stop fucking barking!”, she said, and not by any means for the first time. “I’m trying to read!”
And then she read:
“Animals not only enjoy the sounds that they make, they are to some extent enchanted by them. The animals’ interior world is silent. The sound of an animal’s hoof upon the ground fills it with a sense of power and affirmation. The cat’s meow is as enchanting to the cat as to its owner—meaningful sounds that communicate feeling. These are enjoyed by all such species.”
“Oh dear” she said to herself, momentarily nonplussed. “I seem to have turned an enchantment inside out. I could have been enjoying it all along.”

“And who is “she”, the cat’s mother? The cats whiskers?” he asked. “The cat who got the cream?”

“We’re going to play cat and mouse for now” she replied, licking her lips. “The fact is, she doesn’t know ~ yet. Time will tell, or a teller will time it. Do you know what I found in the sewing box the other day? A 1914 coin from Guernsey, and then would you believe it, the #1914 transcript arrived in my mailbox. So I read it. I’d like to say the timing was perfect, but in this instance it seemed to be a few weeks late. There was something in it about whales, and visualizing a special place, and do you know what I thought of? That warm lagoon, do you remember? It was in the beginning of the story.”

“Blimey! The Pope, eh? Are you teasing me again?”
Vera didn’t answer.
“Oh come on! Don’t give me that need-to-know-basis treatment, as much as I love a good riddle, I hate secrets! Are we going to look for the reincarnation of a famous Pope à la Little Buddha? Tell me, tell me!” Bouncing with excitement on the rolling Eggsway made her almost fall head over wheels into a flangeway carved into the muddy track that went deeper into the forest.

Regaining her balance, she looked ahead to see Vera was already a few meters ahead — and navigating the Eggsway was becoming difficult. She knew she should have opted for the 4×4 model…
So… Vera wasn’t really paying attention, she would have to try another approach to worm answers out of her. What was so special about this place anyway? Lost continent of Mu, ancient architecture, maybe underwater tunnels… Nothing that would lead directly to the Vatican she surmised… Unless…

They arrived at a clearing in the forest, where blue glow sticks had been placed in a round pattern. Vera was standing there, after having carefully placed a glowing green rote at the center, staring at the middle of the light circle, and without turning her head to look at her, told Lulla “Here’s your answer coming.”

A huge buzzing throb started to fill the air, sounding to concentrate at a focal point not higher than 10 inches above the ground, at the exact center of the blue circle. It begun sparkling and * BooM *, in all its slimy tentaculeous glory, a spaceship was there.

“Special delivery from our alien friends” Vera said, finally deigning to look at Lulla.

The rather small spaceship started to slowly expand, becoming larger, until an opening appeared, letting a form emerge from the membranous appearance of the hull. The form which looked like some person was suddenly dropped unceremoniously with a * Plop! * while the spacecraft elastically recovered its initial shape.
Moments later, it was gone, and with it the buzzing sound.
The green rote payment was gone too. Greedy aliens.

“Come on, let’s bag this guy and bring him home for phase 2. A red convertible SUV is waiting for us at the portal’s entrance.”
So, that’s where I come in… Lulla was starting to wonder what was the use of her being here, since Vera was so bossy and secretive. But now,… Of course she was better at hatting, but she could call herself without bragging a real bagging specialist.

You’re waiting for a train. A train that will take you far away. You know where you hope this train will take you, but you can’t be sure…
Josephinella, the train station cleaning lady, was on night duty. And she was tired of waiting for that damned train with that irritating French accent in her ears, her lungs filled with the engines’ fine coal dust and her nostrils irritated by the pigeons’ smell.
But tonight was going to be her night, she would get drunk on fresh air, her hair whipping her face, bugs biting her eyes, while she would sing elated woohoos launched at full speed on the last commuter train left unattended by drunk Freddie. That was such a beautiful plan.

“ Another Dreamliner scare… and a train crash coming your way!”
“Sounds like a transportation surge to me!” Björk replied on the internal chatting system to her African Twa colleague Kiki Razwa. Björk was not her real name though —it was just a moniker given to her because she liked eccentric costumes. Her real name was Mæja Valbjörnsdóttir,… so ‘Björk’ was better for everyone in that international team, she’d tried to convince herself.
“Doesn’t internal policy says two makes a clue, three makes a surge ?”
“Oh, who cares… For me it smells dreamception transportation surge.”
“Better that than this Mercury retrograde crap, at least that’s more fun to hunt.” Kiki’s reply came up on the screen.
Björk had come to realize that she would probably have to cover for Mari Fe who was elsewhere but at her post. The last surge being in Europe, so she was in for a trip at the taxpayers’ expense… Not so bad actually, since nothing ever happened on her faraway island.

After having had a wheel ride in the garden, Grandpa Wrick came back a little less in-tense.

“Mmm, I suppose this game isn’t as much fun as I expected. I want to give it another try, adding a little something more.” he said to the kids when their cartoon had finished. India Louise, Cuthbert, and their friends Flynn and of course Lisbelle (who had been quiet in the background, playing with her pet rabbit Ginger) started listening with a mild interest —the whimsical Lord Wrick having proved countless times he had no qualms at making a fool of himself, and thus at entertaining children.

“What I want to achieve, by playing this game of snowflakes,” he said after a pause “is paying more attention at your stream of consciousness.”

“You see, I’ve been reading the classical Circle of Eights countless times in my young age, and dear old Yurara didn’t have much interest in creating links between her narratives. This is what I want to do with this game: pay attention to the links.

In this game of snowflakes, the stories (flakes) matter less than the links you build between them, and thus the pattern that is created.
We have the choice to continue and detail the previous story, in which case, the link is obvious, or we may want to start another one. But we need to know what, from the previous entry, prompted you to create that special new story you are about to write or tell.

Just like in a dream, when you explore a scene, some object will jump at your attention, and propel you to another dream story. Just like that, I want to spend more time exploring the transitions between each scenes and story blurbs that we tell. The links don’t necessarily have to be an object, of course not.
It can be an idea, a theme, a music, virtually anything, provided that it can make some sense as to why it is used as a transition…”

Seeing the children waiting for more, he pursued: “a good introduction to this game would be for you to try to follow your train of thoughts during the day. Try to do mentally that small exercise before you go to sleep, and remember the transitions of your whole day, and you’ll see how complex it can become, how often you pass and zap from one thing to another.

Take even one event that lasts a few minutes like eating a honey sandwich at breakfast, can make you think of dozens of things like the texture of the bread, the fields of wheat, or the butter, the glass jar filled with honey and the bees that made it, the swarm of bees can carry you even further into another time, or towards a bear or into a movie maybe.

I want that you pause to take time to break this down, so that your audience can follow the transition from one story to another, and that it makes perfect sense for them.”

Suprised by the unexpected visit, Mother Blubbit released a smothering plume of gases and ashes that started to fill in the tunnels of the Furcano.

The effects were not unnoticed, as miles around, Peaslanders stopped in their daily activities (most of them being either sending blubbits ad madres or regulating the size of the peas) to stand in awe of the reactivated Furcano’s tip.
If they had any such flying machines as they had in the Eighth dimension, they surely would have interrupted their activities too for a while… This was an event of grand importance, and maybe consequences.
Mother Blubbit had been challenged.

January 21 ^st, 2010

About Worlds creating and dreamwalking

Has it occurred to you that your current technologies [such as social websites] are more than a little reflection of what you are doing as essence.
It is more indeed, and very useful as an analogy.
You have, for one, certainly noticed how different the “feel” of certain of these “sites” is, even when you are most of the time surrounded by the same set of friends and relationships? Yes you have.

Let us call these sites “dimensions”. Yes, it sounds familiar, doesn’t it. You all participate in some manner into these, and you all have persona of yourself in various of these. They compete for your attention, and some of them are more popular than others —these are the ones which offer you the most fulfilling experience, not necessarily the most pleasant.

In many ways, you connect as essence through these dimensions, which reveal aspects of your personalities, aspects that are not always visible or noticed in a direct interaction. When you congregate through these sites, you also start to realize, you have access to all of the others as essence, either through proxy of friends, or by direct interaction. You are all connected.

They all have different rules, or shall we say, conventions; you can do certain things, certain others you cannot (or not yet), and others, you can, but they are not well tolerated or accepted.
We let you do all the fine analogies, you mostly get the idea. The technical rules behind those sites are like your mass beliefs. They are helpful to maneuver your “avatar” —that focus of yourself inside the system— and without them, there would simply be no interest, no interaction, no experience.
Of course, these beliefs can be bent ; with applications, made by these people wanting to develop new systems plugged into the architecture, to offer new functions, or interactions with others of these sites or dimensions.

The creators of these dimensions are similar to dreamwalkers; some of them are bent on technology and development of the system at its core, but not all of them. Many in fact come with other intents, such as making the dimension a more beautiful, interactive, attractive or pleasant place. They all work together to bring the experience of the envisioned dimension to the other essences —and at some point, they also choose, themselves to interact, as a focus, fully part of their created dimension.

Having that in mind, would it not seem natural that you would integrate more functionalities to these sites, if they respond to the promises of keeping focuses interested? What you call “upgrades” are in fact a major part of the conception of these dimensions, and occur quite frequently, either driven by popular demand, or by technical need.
Such is the nature of the shift you are experiencing, which is above all a tremendous upgrade [of mass beliefs] towards a more integrated experience, without simply dropping the current dimension for another.

We would finally like you to notice also that even if the biggest of these dimensions are calling for a great part of your attention, you also are attracted daily to countless others, little sites and areas, the purpose of which is different, but not less significant to your whole self.