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Transportation

Isaac Stokes 1804-1877

 

Isaac was born in Churchill, Oxfordshire in 1804, and was the youngest brother of my 4X great grandfather Thomas Stokes. The Stokes family were stone masons for generations in Oxfordshire and Gloucestershire, and Isaac’s occupation was a mason’s labourer in 1834 when he was sentenced at the Lent Assizes in Oxford to fourteen years transportation for stealing tools.

Churchill where the Stokes stonemasons came from: on 31 July 1684 a fire destroyed 20 houses and many other buildings, and killed four people. The village was rebuilt higher up the hill, with stone houses instead of the old timber-framed and thatched cottages. The fire was apparently caused by a baker who, to avoid chimney tax, had knocked through the wall from her oven to her neighbour’s chimney.

Isaac stole a pick axe, the value of 2 shillings and the property of Thomas Joyner of Churchill; a kibbeaux and a trowel value 3 shillings the property of Thomas Symms; a hammer and axe value 5 shillings, property of John Keen of Sarsden.

(The word kibbeaux seems to only exists in relation to Isaac Stokes sentence and whoever was the first to write it was perhaps being creative with the spelling of a kibbo, a miners or a metal bucket. This spelling is repeated in the criminal reports and the newspaper articles about Isaac, but nowhere else).

In March 1834 the Removal of Convicts was announced in the Oxford University and City Herald: Isaac Stokes and several other prisoners were removed from the Oxford county gaol to the Justitia hulk at Woolwich “persuant to their sentences of transportation at our Lent Assizes”.

via digitalpanopticon:

Hulks were decommissioned (and often unseaworthy) ships that were moored in rivers and estuaries and refitted to become floating prisons. The outbreak of war in America in 1775 meant that it was no longer possible to transport British convicts there. Transportation as a form of punishment had started in the late seventeenth century, and following the Transportation Act of 1718, some 44,000 British convicts were sent to the American colonies. The end of this punishment presented a major problem for the authorities in London, since in the decade before 1775, two-thirds of convicts at the Old Bailey received a sentence of transportation – on average 283 convicts a year. As a result, London’s prisons quickly filled to overflowing with convicted prisoners who were sentenced to transportation but had no place to go.

To increase London’s prison capacity, in 1776 Parliament passed the “Hulks Act” (16 Geo III, c.43). Although overseen by local justices of the peace, the hulks were to be directly managed and maintained by private contractors. The first contract to run a hulk was awarded to Duncan Campbell, a former transportation contractor. In August 1776, the Justicia, a former transportation ship moored in the River Thames, became the first prison hulk. This ship soon became full and Campbell quickly introduced a number of other hulks in London; by 1778 the fleet of hulks on the Thames held 510 prisoners.
Demand was so great that new hulks were introduced across the country. There were hulks located at Deptford, Chatham, Woolwich, Gosport, Plymouth, Portsmouth, Sheerness and Cork.

The Justitia via rmg collections:

Convicts perform hard labour at the Woolwich Warren. The hulk on the river is the ‘Justitia’. Prisoners were kept on board such ships for months awaiting deportation to Australia. The ‘Justitia’ was a 260 ton prison hulk that had been originally moored in the Thames when the American War of Independence put a stop to the transportation of criminals to the former colonies. The ‘Justitia’ belonged to the shipowner Duncan Campbell, who was the Government contractor who organized the prison-hulk system at that time. Campbell was subsequently involved in the shipping of convicts to the penal colony at Botany Bay (in fact Port Jackson, later Sydney, just to the north) in New South Wales, the ‘first fleet’ going out in 1788.

 

While searching for records for Isaac Stokes I discovered that another Isaac Stokes was transported to New South Wales in 1835 as well. The other one was a butcher born in 1809, sentenced in London for seven years, and he sailed on the Mary Ann. Our Isaac Stokes sailed on the Lady Nugent, arriving in NSW in April 1835, having set sail from England in December 1834.

Lady Nugent was built at Bombay in 1813. She made four voyages under contract to the British East India Company (EIC). She then made two voyages transporting convicts to Australia, one to New South Wales and one to Van Diemen’s Land (Tasmania). (via Wikipedia)

via freesettlerorfelon website:

On 20 November 1834, 100 male convicts were transferred to the Lady Nugent from the Justitia Hulk and 60 from the Ganymede Hulk at Woolwich, all in apparent good health. The Lady Nugent departed Sheerness on 4 December 1834.

SURGEON OLIVER SPROULE

Oliver Sproule kept a Medical Journal from 7 November 1834 to 27 April 1835. He recorded in his journal the weather conditions they experienced in the first two weeks:

‘In the course of the first week or ten days at sea, there were eight or nine on the sick list with catarrhal affections and one with dropsy which I attribute to the cold and wet we experienced during that period beating down channel. Indeed the foremost berths in the prison at this time were so wet from leaking in that part of the ship, that I was obliged to issue dry beds and bedding to a great many of the prisoners to preserve their health, but after crossing the Bay of Biscay the weather became fine and we got the damp beds and blankets dried, the leaks partially stopped and the prison well aired and ventilated which, I am happy to say soon manifested a favourable change in the health and appearance of the men.

Besides the cases given in the journal I had a great many others to treat, some of them similar to those mentioned but the greater part consisted of boils, scalds, and contusions which would not only be too tedious to enter but I fear would be irksome to the reader. There were four births on board during the passage which did well, therefore I did not consider it necessary to give a detailed account of them in my journal the more especially as they were all favourable cases.

Regularity and cleanliness in the prison, free ventilation and as far as possible dry decks turning all the prisoners up in fine weather as we were lucky enough to have two musicians amongst the convicts, dancing was tolerated every afternoon, strict attention to personal cleanliness and also to the cooking of their victuals with regular hours for their meals, were the only prophylactic means used on this occasion, which I found to answer my expectations to the utmost extent in as much as there was not a single case of contagious or infectious nature during the whole passage with the exception of a few cases of psora which soon yielded to the usual treatment. A few cases of scurvy however appeared on board at rather an early period which I can attribute to nothing else but the wet and hardships the prisoners endured during the first three or four weeks of the passage. I was prompt in my treatment of these cases and they got well, but before we arrived at Sydney I had about thirty others to treat.’

The Lady Nugent arrived in Port Jackson on 9 April 1835 with 284 male prisoners. Two men had died at sea. The prisoners were landed on 27th April 1835 and marched to Hyde Park Barracks prior to being assigned. Ten were under the age of 14 years.

The Lady Nugent:

 

Isaac’s distinguishing marks are noted on various criminal registers and record books:

“Height in feet & inches: 5 4; Complexion: Ruddy; Hair: Light brown; Eyes: Hazel; Marks or Scars: Yes [including] DEVIL on lower left arm, TSIS back of left hand, WS lower right arm, MHDW back of right hand.”

Another includes more detail about Isaac’s tattoos:

“Two slight scars right side of mouth, 2 moles above right breast, figure of the devil and DEVIL and raised mole, lower left arm; anchor, seven dots half moon, TSIS and cross, back of left hand; a mallet, door post, A, mans bust, sun, WS, lower right arm; woman, MHDW and shut knife, back of right hand.”

 

 

From How tattoos became fashionable in Victorian England (2019 article in TheConversation by Robert Shoemaker and Zoe Alkar):

“Historical tattooing was not restricted to sailors, soldiers and convicts, but was a growing and accepted phenomenon in Victorian England. Tattoos provide an important window into the lives of those who typically left no written records of their own. As a form of “history from below”, they give us a fleeting but intriguing understanding of the identities and emotions of ordinary people in the past.
As a practice for which typically the only record is the body itself, few systematic records survive before the advent of photography. One exception to this is the written descriptions of tattoos (and even the occasional sketch) that were kept of institutionalised people forced to submit to the recording of information about their bodies as a means of identifying them. This particularly applies to three groups – criminal convicts, soldiers and sailors. Of these, the convict records are the most voluminous and systematic.
Such records were first kept in large numbers for those who were transported to Australia from 1788 (since Australia was then an open prison) as the authorities needed some means of keeping track of them.”

On the 1837 census Isaac was working for the government at Illiwarra, New South Wales. This record states that he arrived on the Lady Nugent in 1835. There are three other indent records for an Isaac Stokes in the following years, but the transcriptions don’t provide enough information to determine which Isaac Stokes it was. In April 1837 there was an abscondment, and an arrest/apprehension in May of that year, and in 1843 there was a record of convict indulgences.

From the Australian government website regarding “convict indulgences”:

“By the mid-1830s only six per cent of convicts were locked up. The vast majority worked for the government or free settlers and, with good behaviour, could earn a ticket of leave, conditional pardon or and even an absolute pardon. While under such orders convicts could earn their own living.”

 

In 1856 in Camden, NSW, Isaac Stokes married Catherine Daly. With no further information on this record it would be impossible to know for sure if this was the right Isaac Stokes. This couple had six children, all in the Camden area, but none of the records provided enough information. No occupation or place or date of birth recorded for Isaac Stokes.

I wrote to the National Library of Australia about the marriage record, and their reply was a surprise! Issac and Catherine were married on 30 September 1856, at the house of the Rev. Charles William Rigg, a Methodist minister, and it was recorded that Isaac was born in Edinburgh in 1821, to parents James Stokes and Sarah Ellis!  The age at the time of the marriage doesn’t match Isaac’s age at death in 1877, and clearly the place of birth and parents didn’t match either. Only his fathers occupation of stone mason was correct.  I wrote back to the helpful people at the library and they replied that the register was in a very poor condition and that only two and a half entries had survived at all, and that Isaac and Catherines marriage was recorded over two pages.

I searched for an Isaac Stokes born in 1821 in Edinburgh on the Scotland government website (and on all the other genealogy records sites) and didn’t find it. In fact Stokes was a very uncommon name in Scotland at the time. I also searched Australian immigration and other records for another Isaac Stokes born in Scotland or born in 1821, and found nothing.  I was unable to find a single record to corroborate this mysterious other Isaac Stokes.

As the age at death in 1877 was correct, I assume that either Isaac was lying, or that some mistake was made either on the register at the home of the Methodist minster, or a subsequent mistranscription or muddle on the remnants of the surviving register.  Therefore I remain convinced that the Camden stonemason Isaac Stokes was indeed our Isaac from Oxfordshire.

 

I found a history society newsletter article that mentioned Isaac Stokes, stone mason, had built the Glenmore church, near Camden, in 1859.

 

From the Wollondilly museum April 2020 newsletter:

 

From the Camden History website:

“The stone set over the porch of Glenmore Church gives the date of 1860. The church was begun in 1859 on land given by Joseph Moore. James Rogers of Picton was given the contract to build and local builder, Mr. Stokes, carried out the work. Elizabeth Moore, wife of Edward, laid the foundation stone. The first service was held on 19th March 1860. The cemetery alongside the church contains the headstones and memorials of the areas early pioneers.”

 

Isaac died on the 3rd September 1877. The inquest report puts his place of death as Bagdelly, near to Camden, and another death register has put Cambelltown, also very close to Camden.  His age was recorded as 71 and the inquest report states his cause of death was “rupture of one of the large pulmonary vessels of the lung”.  His wife Catherine died in childbirth in 1870 at the age of 43.

 

Isaac and Catherine’s children:

William Stokes 1857-1928

Catherine Stokes 1859-1846

Sarah Josephine Stokes 1861-1931

Ellen Stokes 1863-1932

Rosanna Stokes 1865-1919

Louisa Stokes 1868-1844.

 

It’s possible that Catherine Daly was a transported convict from Ireland.

 

Some time later I unexpectedly received a follow up email from The Oaks Heritage Centre in Australia.

“The Gaudry papers which we have in our archive record him (Isaac Stokes) as having built: the church, the school and the teachers residence.  Isaac is recorded in the General return of convicts: 1837 and in Grevilles Post Office directory 1872 as a mason in Glenmore.”

Sense rolled case diary himself
Distance says travelling nearly happens
Lots wanted ignoring suddenly mass
Slammed search rukshan messages locking
Dusty careful liked floating ailill
Vision jasper habit became lavatory
Thick fair landed olli gold
Love enjoying mavis shape lived
Anxiety doubts army gecko

The downward climb had taken what felt like days. The more he went, the darkest it was even the stars at his feet were now swallowed in obliviating darkness.

Rukshan felt like abandoning at times, but pressed on and continued, down and down as he rose above clouds.

The ancient energies that had shaped this topsy-turvy passage spiraling around the fence of the heartwoods wouldn’t have done something of that magnitude and let it unfinished. It was calling for an exploration, while at the same time protecting itself from mere wanderers, the kind with lack of imagination or endurance.
His mind reminded him of old tales that spoke of sacrificing to the trees for knowledge and passage, but it was surely meant as a metaphor. Hanging upside down for hours was probably in itself a form of sacrifice.

He reached to his pouch for a drink of sour milk, when he suddenly realized that the gravity had turned, and the pouch was no longer floating above his head. With the darkness and the lack of landmarks, he’d failed to notice when this happened.

It surely meant he’d crossed an invisible barrier, and was now journeying inside another plan, deeper down. Ground couldn’t be far now. He took a pearl off one of his braids, and threw it. Then he looked at the darkness beneath his feet with intent to discern the faintest sounds. Quickly enough, the pearl gave back a ricocheting sound, clean and echoing slightly against what seemed to be moist stones. Indeed ground was there, where once the sky was.

Maybe the final test was a leap of faith. Or maybe it was just to patiently complete the climb. A few more steps, and he would be there. A few more steps.

Once he’d finished to tell the story, and let the kids go back to the cottage for the night, Rukshan’s likeness started to vanish from the place, and his consciousness slowly returned to the place where his actual body was before projecting.

Being closer to the Sacred Forest enhanced his capacities, and where before he could just do sneak peeks through minutes of remote viewing, he could now somehow project a full body illusion to his friends. He’d been surprised that Fox didn’t seem to notice at all that he wasn’t truly there. His senses were probably too distracted by the smells of food and chickens.

He’d wanted to check on his friends, and make sure they were alright, but it seemed his path ahead was his own. He realized that the finishing of the loo was not his own path, and there was no point for him to wait for the return of the carpenter. That work was in more capable hands with Glynis and her magic.

His stomach made an indiscreet rumbling noise. It was not like him to be worried about food, but he’d gone for hours without much to eat. He looked at his sheepskin, and the milk in it had finally curdled. He took a sip of the whey, and found it refreshing. There wouldn’t be goats to milk in this part of the Forest, as they favored the sharp cliffs of the opposite site. This and a collection of dried roots would have to do until… the other side.

To find the entrance wasn’t too difficult, once you understood the directions offered by the old map he’d recovered.

He was on the inner side of the ringed protective enclosures, so now, all he needed was to get into the inner sanctum of the Heartwood Forest, who would surely resist and block his path in different ways.

“The Forest is a mandala of your true nature…”

He turned around. Surprised to see Kumihimo there.

“Don’t look surprised Fae, you’re not the only one who knows these parlor tricks.” She giggled like a young girl.

“of my nature?” Rukshan asked.

“Oh well, of yours, and anybody’s for that matter. It’s all One you, see. The way you see it, it represents yourself. But it would be true for anybody, there aren’t any differences really, only in the one who sees.”

She reappeared behind his back, making him turn around. “So tell me,” she said “what do you see here?”

“It’s where the oldest and strongest trees have hardened, it’s like a fence, and a… a memory?”

“Interesting.” She said “What you say is true, it’s memory, but it’s not dead like you seem to imply. It’s hardened, but very much alive. Like stone is alive. The Giants understood that. And what are you looking for?”

“An entrance, I guess. A weak spot, a crack, a wedge?”

“And why would you need that? What if the heart was the staircase itself? What if in was out and down was up?”

Rukshan had barely time to mouth “thank you” while the likeness of the Braid Seer floated away. She’d helped him figure out the entrance. He touched one of the ring of the hard charred trees. They were pressed together, all clomped in a dense and large enclosure virtually impossible to penetrate. His other memories told him the way was inside, but his old memories were misleading.
Branches were extending from the trunks, some high and inaccessible, hiding the vision of the starry sky, some low, nearly indistinguishable from old gnarled roots. If you looked closely, you could see the branches whirring around like… Archimedes Screw. A staircase?

He jumped on a branch at his level, which barely registered his weight. The branch was dense and very slick, polished by the weathering of the elements, with the feel of an old leather. He almost lost his balance and scrapped his hands between the thumb and the index.

“Down is up?”

He spun around the branch, his legs wrapped around the branch. He expected his backpack to drag him towards the floor, but strangely, even if from his upside-down perspective, it was floating above him, it was as if it was weightless.

He decided to take a chance. Slowly, he hoisted himself towards his floating bag, and instead of falling, it was as though the branch was his ground. Now instead of a spiral staircase around the trees leading to heavens, it was the other side of the staircase that spiraled downwards to the starry night.

With his sheepskin and back still hovering, he started to climb down the branches towards the Giants’ land.

Edward Cayper had been absorbed on the mesmerizing display of the large monitoring screens. He’d liked to believe it was a meditation of sorts. The simulation made the most tantalizing displays, ever changing.

Although there had been flitches. Increasingly. He called them flitches, scratchy flea-like glitches, all small and jumpy, but he had an eye for them. He was, after all, one of the early designers of the Program. REYE – Reality Emergence Yielding Existence. That didn’t mean much, but sounded cool at the time.
REYE was in its eighth stable upgrade. Despite the flitches, it had evolved at exponential speed.

Edward swiveled from his chair to look behind his desk. A series of pods was lined up with sensory deprivation tanks hosting hundreds of plugged-in bodies dreaming in synch with his creation.
He’d been told they were volunteers to participate in the largest mind control experiment in the world. He wasn’t sure it wasn’t a lie, but didn’t care so much.
REYE was in charge of coordinating the whole program with astronomical and minute precision. Each person linked to the program believed they had become ascended (or something similarly close to their metaphysical belief). Free of the bonding of space, time and corporal existence, they were taught into a very subtle and complex system of attunement to higher truths. A large basket of bollocks of course, but while they were doing it, and deeply believing it to be real, the mind-energy they produced was redirected to certain mind control experiments.

Since they started in the 80s, the program had had slow progress. In the beginning, only a few sprouts of channellers appeared near their area, in Nevada. They were quite timid at first, full of doubts about their hearing or seeing voices – still better than the abductions of earlier, when many went completely nuts. But now, progresses were made steadily, and with much less effort. Edward personally believed that the network of waves created by cellphone proliferation had a factor in this trend. Such interconnexion made everything easier.

Within the program, the flitchy Ascended Masters still had to be reconditioned from time to time. On the vitals of Jane Pierce (a.a.a. “also avatared as” Dispersee within the program), Edward could see there were occasional resistance and stress, which in turn made the glitches more frequent. A change in her drugs dosage would do fine to level the serotonin in her bloodstream. It would be that, or unplugging her.

Before leaving the room, like every day, Edward switched the monitor to the camera over one of the pods. Florence Vengard (a.a.a. Floverley), was dreaming peacefully, as usual. Since she’d arrived, he’d felt connected to her. He imagined her with long curly red hair floating in the milk bath instead of the bath-cap that made the maintenance so much easier. He was told she had overdosed on pills, and wouldn’t wake up. The program seemed to be tethering her to life, frozen in time.

A well-oiled machine.
If you overlooked the small things… that REYE was becoming more inquisitive, and Edward suspected, greedy too. He had seen subtle gaps in the mind-energy gauges, it couldn’t be a coincidence. The program was becoming too smart, maybe too human.

It couldn’t bode well.

It had been two months since the aurora. They had started to refer to it as the Cloud Aurora, since after it, rocks had started to leak moisture in all manner of places.
Long, thin clouds had begun to appear just a month after, and the atmosphere composition seemed to alter itself as well, irrevocably.

Everyone was busy doing analysis, sending reports to Earth and extrapolating on data. But John was more interested in running more explorations and extending the area of his scouting.

Tonight, a new commercial ship from Earth would arrive. Mostly rich tourists bored with Spain or Italy, but a bit of fresh blood too, most likely winners of a stupid settler raffle. It had taken them years to arrive; it was hard for John to imagine being crammed in suspension, floating through endless void and cold space for so long.

But then, he himself was quite excited being here to monitor the inexorable changes set in motion on the red planet.

Second Journey ~ August 24th, 2014

Duration 24 minutes

Directions : Meet with your power animal, ask them to lead you to the upper realm to meet with your guide. Ask the name of your guide and what they will be likely helping you with. Ask them for your personal symbol and how you can use it. Then follow your power animal into showing you the potential development for the stories.

Accounts

Eric
My snake animal guide appears very fast, I see its eyes first. It shifts into a powerful cobra, and fans out its hood into multiple heads, like Ananta (Shesha Naga), and says I can call him Nagini (like in Harry Potter, that’s also the playful name I give to the plush snake at our doorsteps).
It wraps its multiple heads around me like a ball, and we woosh into the ground to what I guess is the underworld, it seems like a long coiled path around a sort of vortex, after a few moments in a sort of crystal cave, I’m a bit skeptical what we’re doing there, I catch a glimpse of a white horse from the back, so I guess Jib’s Conan is checking on us, and restate my intent.
I go though the light of one of the brightest glowing crystals, and the travel resumes, this time like the giant snake wraps ourselves in coils around a column of rocks, and we climb that high mountain very fast. It reminds me of Mt Meru in Buddhism or the Immortals palace in the Chinese Buddhist tales (like in the 2014 movie The Monkey King).
The place is like a beautiful platform/palace of giant proportions, with a golden light. When we arrive, the snake becomes much smaller, and golden too, and wraps itself around my left arm. It guides me to explore different places, a temple, a place over the clouds where there are dances, etc. I decide to rest under a tree and meditate and be open to possibilities.
The snake shifts around in various forms as if to reflect the nature of my mind, a giant parasol, or a stream of many paths at my feet. It connects me to a picture I saw of a Buddhist painting where the mind represented as an elephant is led by the monkey brain around a snake-like path. I realize the person I saw briefly earlier is the guide that helped Sunwukong (the monkey king) and seems to be the guide I’m looking for.
(I find the name later is Puti or Subhuti).
When I mentally ask for a name, the name Pachacamac comes strongly. He shows me many things related to my symbol. As a spinning cube with the floating feather in the middle and the arrow pointing towards the heart. The spin of the cube creates illusion within illusion, the arrow wobbles but stays towards the heart.
He shows me a chasm and how to create a bridge over the clouds, by showing me the mirror image in my heart chakra. The bridge is built inside. At the same time, I was trying to focus on the music to deepen the trance, and realized outside (one storey below) was Jib’s music played on the speakers, aligned with the one playing in the headset, although a few seconds off, the rhythm was perfectly in synch…
He also shows me another image, of a deep well deep inside the mountain that we can see from above the clouds. The image inside is dark and fluctuates with the water’s surface, and also reflecting quite a small portion of the beautiful landscape around.
He explains that the well is the world we create, the mind and the perception is the water’s surface. It’s the external world, while the heart is all that we perceive as we discuss.
There are other things shared at a subjective level.

Francie
After I connected with my power animal, we went to the upper world. We went through water to get there until we came to land.
I asked for my main guide.
I think I took on the characteristics of my guide. by that I mean I felt myself become a different being, and then switched back and forwards between myself and the other. It was very clear. The other was masculine, strong, very alert, very watchful, powerful.
I asked for the guide’s name and received the answer, Carlos.
I asked for the area which the guide would work with me. I have had a sharp pain in my left abdomen under my rib for half an hour. I felt my guide reach in and do something energetically in that area. The pain left and has not returned.
I asked for a symbol and saw what looked like a key-hole shape.
There was a key too.
It was a very particular shape.
There was a door. And the key hole was up very high in the door.
I had to reach up high to get to it. And I put the key in.
I wasn’t sure if those were symbols.
The key hole and the key were shapes.
I was tracing them with my hand.

Jib
I settle in myself and arrive directly in a kind of lava world. There are stalagmites and magma puddles, it’s very fiery and earthy. Then I call my horse who just nudge my left shoulder, he was already there.
I ride him first and take time to bond with him. Then ask him to take me to the upper realm to Michel. Without much transition I am there, I feel a definite difference of feeling and texture. I say hi and ask Michel if he can show me the use of my personal symbol or particular aspects to it.
The he focuses my attention to the octagon and the connection with the number eight. He shows me how it connects with the musical octave and sounds as a resonator. It can also be used like the shamanic drum. The coil inside is connected with the circle, the spiral and the labyrinth. My symbol is a kind of labyrinth with the diamond representing the central room where the graal is, so to speak.
He shows me other stuff that I don’t recall at the moment.
When I realize that it will be all, I ask my guide if he can introduce me to another guide that can help me with the use of my symbol. He sends me in a direction that goes up in a cave world. There are faceless figures, I don’t pay much attention to them. When I arrive, the guide sits me on the ground and a journey inside my symbol begins. With the octagon connecting quite strongly with the lava and earth again. I am in a lava world again, which is strange. I ask the guide what is his name and I suddenly understand it is Athumbra the Dreamwalker from whom I’m fragmented.
He shows me the connection of my symbol to the fire and earth, and the depth of the world. He suggests me that instead of focusing on the shape of the symbol I connect with how the different parts connects together and to other aspects of consciousness, and how they are representative of my own energy personality. Not try to look outside for an answer in a way at the moment.
So I begin to experience the shapes, and it turns like a clock, take different colors, etc.
This will be something I’ll have to do again.
Then I ask my power animal to show me what would be interesting to me to explore in the story now.
He shows me a nest and I connect it with the stork nests I’ve been talking about in the last comment and that I used in the quote of the week picture. Without consciously connecting the two. I’ve written the comment before making the picture.
It will have to do with how the nest is comfortable but don’t make you learn much about life and your potentials.
Then he showed me something related to ants and colonies, that I connected with Mars, the colonies of Mars. There is something about community and social network for me to explore.
Then I asked him to help me decipher the energy transmission Eric sent to me the other day, and it had something to do with networks again and how we create a space of something through our relationships, the space of love, the space of friendship, and we create fields and connective tissues that we nourish through experience and attention and involvement.
At some point in the beginning I briefly wondered what was happening with you guys and felt propelled into something like water and impression of struggling with current, there were two moon crescents holding together by their “backs”, and purple or pink colors.

Tracy
The Zebra walked towards me across a grassy plain then I circled him, floating, and we went down a slope through the trees, an old road paved with stones. We wound down and came to a great expanse of metallic pink water, like a wise (typo! wide) river.
There was a guy in much heavy stone coloured rough clothes on with a very old face who didn’t look at me, he was on a raft with a long pole for steering. Asked his name and got Frudo. (was slightly skeptical that I got the name right) The symbol was like a clubs of cards, 3 circles interlocking with an in flow of the stem part. Domain was water, flow and fluidity (and dams, apparently).
We went down with the raft on the wide pink river, and the pace increased and there were people of all kinds lining both banks, watching. The wide river came to an immensely steep and deep waterfall, but there were pools and much smaller waterfalls on either side of it. All the water was pink.
We navigated from pool to pool on the right of the waterfall mostly, each pool had people, some of the pools were dammed, and some were more open and easily flowing to the next pool. Some dams were high and some pools had people looking over the edge at the waterfalls below their pools.
In a pool on the right, a very fat pink baby was sitting in the middle, I picked him up and held him and asked his name and it was Ezekial.
Then a fly landed on my right shoulder and I looked to the right and saw a scrunched up face of my mother, with a tight smile. My breathing started to get constricted and I saw mustard yellow mangle of tubes like intestines in that pool.
Then there was a lot of fingers stroking and pulling threads out of the dam around that pool, like pulling soft pink wax. Breathing continued to be restricted, and some becoming vapour or mist stuff that wasn’t very clear or droplets leaping from pool to pool as an alternative route to surface pools and waterfalls….
Then went down down down into a vast pool of pink water, faster and faster towards a narrow tube at the bottom, and then flipped over onto my back and saw the sun far above and rose slowly floating towards the surface.
Several times I saw purple and light green.
The breathing thing was interesting if not so pleasant.
The personal symbol may be connected to the flow from pool to pool somehow.

“We’re going under water, Mandrake, you’re sure you don’t need a suit?” Arona asked her cat.

All she needed was his permission to manifest a scuba diving suit for the cat, but the cat was putting on a brave face, and refused altogether.

“Well then, maybe you want to accompany me under a diving bell, I’m not too reassured on my on” she said with a sweet voice. Reverse psychology always worked with this one.

In no time, they were looking at the underwater cavebed, following the directions of the sabulmantium. The dragon egg enclosing the coloured sand seemed to shield them from the strange effects of the cave, and project fleeting images around the glass bell. Derelict places full of mould and cobwebs, alien places and animals.
Arona resisted being drawn by the images. Her years of living with dragons had taught her to navigate through illusions. That was then that she saw it.
The graceful turtle, silently swimming in front of them, in a curved line up and down, up and down. It was big, much bigger than Mandrake, but in no hurry to get there, wherever there was.

“Arona, do you hear that?” Mandrake’s voice was distant, and the sound of alarm was faint and muffled. “Aronaaaa!”

The impact of the rocks shattered the glass bell in millions of small pieces, that went floating like a wave of particles on the wind. Arona and Mandrake, in the big turtle’s wake were propelled through a narrow gurgling exit of the water that flushed them out of the cave into the thundering noise of a cascade.

Struggling with the current at first, Arona managed to let go, and finally emerged with her cat held firmly by the scruff of its neck. The current sent them on the shore of the pool of crystalline blue waters. In the middle of the pool, she could see the Cup, placed on a red cushion, surrounded by the mist of the waterfall, and glowing a vivid radiant light.

It all seems so easy… Arona was already wet, and the Cup was so close.

“Not so feeest, milady”
She had not seen the man emerge from the shadows of the cliffs. He was looking relatively harmless, but had a wild eye and a vagrant’s appearance.

“Leave me alone, old man.” was all she wanted to tell him. But for someone to be here, of all places, it had to mean something, and she’d better find it out using tact and diplomacy.

“Good day sir, may I inquire what you are doing here?”
“Fer sure, Ey em the Fisher Count but ye can call me Reney.”
“Mmm, I’ve heard about you. So you are real after all.”
“Indeed Ey em, quite real, huhu.”
“DON’T!” Arona and Mandrake shouted almost at the same time… too late, as the blinking parrot reappeared, flying over them and shrieking “HU HU, FUCK FUCK, HU HU.”

“I meant,… DON’T mind the blasted parrot, it’ll go away eventually. It must have a fleck of Sanso, I’m sure.” Arona said, matter-of-factly. “Now, what do I need to do to get to drink from the Cup, dear Sir?” she continued with the best composed smile she could.

“Oh, et is veeely easy, vely vely easy. Ye just need to esk nicely, and as ye already did, there ye go.”

Suspicion and doubts started to come back, as it all seemed much too easy. “What will happen when I drink from it? Will I be able to astral?”

“Oh well, Ey don’t know fer sure, Ey think it is just a nice decoration, but if ye believe herd enough, enything es possible.”

“Mandrake,” she turned to the cat “let’s go do some astralling.”