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Yorath awoke with the first light before sunrise. The flowering vine encircling the tree house was vibrating with bees. Sparrows chattered and jostled in the highest branches of the gnarly old tree and small creatures rustled in the fallen leaves below. He leaned out of the window and surveyed Eleri’s homestead spread beaneath the trees. Sprawling vine tangled walls and gables, whitewash shaded in darkest grey and lit with palest rose pink. Patches of tiled floors peeped through the interior meadows. He used the word interior loosely as there had been no roof on the buildings for as long as he could remember but Eleri still used the rooms in a more or less usual fashion, although she housed her occasional guests in the tree house.

Eleri slept in a thatched outhouse some distance away from the main house, and closer to the river. Or so she said ~ Yorath had never actually seen it. He had watched Eleri disappear into a dense thicket at the end of the evenings, and seen her emerge from it in the early mornings. Once or twice he’d wandered through the woods in search of it, but he had never found it. There was no sign of a path leading into the undergrowth. Maybe she turned into a tree at night, Yorath had wondered. After all, anything was possible here.

As he gazed into the woods Eleri appeared. Did she simply shimmer into a physical form before his eyes? It was hard to say, but she was carrying a large basket full of mushrooms. Then he remembered that it was wild mushroom season here and he marveled at the perfect timing of his visit. He knew just the person who would welcome a gift of a certain kind of rare mushroom, the special ingredient of THE magical spell.

“Aaron!” his focus snapped. Was he day dreaming?

As he came to the door, he looked at his suit in the mirror. It was keen, with straight lines and not a wave or wrinkle to be found. It was the epitome of structure and order.

He hated it.

He hated the way it felt. He hated the properness that came with it. He hated the lie.

In the next moment, he began to shake off the prissiness. It felt as if he could wriggle out of it, loosen up a little. And as he stood there, shaking his hands and feet, trying to get the funk off him, the suit shook off, too. It fell to the floor in pieces as though it were the very manifestation of inhibition.

As he stood there, in front of the mirror and half naked, a low murmur came up from his stomach. It was an uneasiness, a call to action, a desire to move…but he had no idea what for or why. It welled up in him and he became anxious without the slightest clue as to what he was going through. Frankly enough, it scared him.

“AARON!”

The voice was a part of him and there was nothing but himself staring at himself. Everything seemed to become more and more energized. It felt like he extended beyond the limit of his skin, like water in a balloon trying to push outward.

Were it not for his containment, there was a very real possibility that he might just completely leap out of his skin and bones. He felt that, given a small slip in concentration, he’d be liable to explode headlong into the atmosphere with the vigor of a superhero on poorly made bath salts.

His heart raced. He could feel it beating in his chest. He could feel it beating all over. What was happening? Where was he?

He looked back at his surroundings and found himself sitting behind a tattered cloth spread with sunglasses and watches…and his suitcase?

Corrie’s findings from elsewhere:

“It was no coincidence that “Elikozoe”, his nom de plume (he was born Albert (Al) Yokoso, from a father of Japanese descent and a mother of Cajun descent) had been sent to the Pickled Pea Inn (formerly known as the Flying Fish Inn).”

I thought about leaving that one out, as it seemed so nonsensical, this place has never been called the pickled pea, but I’m leaving it in for now. Might make some kind of sense somewhere down the line.

“This morning was quiet, but his mind was not.
There were always the nagging thoughts that something ought to be done, the restless fear of forgetting something of importance.
But this morning was quiet.
A bit too quiet in fact.
No raucous cackling to stir the soft velvety dust from the wooden floorboard.

Quentin was wondering whether the story makers had lost all interest in moving his story forward. Yet, he was more than willing to move it notwithstanding, his efforts seemed of little consequence however. Some piece was missing, some ever-present grace of illumination shrouded in scripting procrastination.

His discussion with Aunt Idle had been brief. She’d told him with great intensity that she had a weird dream. That she looked into a mirror and saw herself. Or something like that,… she was not a very coherent woman, the ging wasn’t helping.

Maybe his task was done. Time to leave the Pickled Pea Inn.
His friend Eicnarf seemed eager to see him. Or maybe that had been a typo and she really meant to sew him, or saw him,… she could be gory like that…

No matter, a trip out of the brine cloud of this sand coated place would do him good.”

And good riddance, you cheeky bugger, I can’t help thinking.

““Did anybody see our last guest?” Mater couldn’t help but regularly count her herds (so to speak), and although she wasn’t as authoritative with her guests as she was with her family members, she couldn’t help but notice that her last count was one person short —enough to start worrying her.

“Hmm lwwft thws hhmmmng” said Idle, her mouth full with cookies.

Mater shrugged. It was still better than when she used to talk with sauerkraut.”

I had better ask Clove to remind me how to do italics I suppose. This could get confusing.

John placed himself down on a crooked old chair at the table, with journal in hand, and stared out the window of his cottage. As he sat there, the imperfect glass of the window distorted his view slightly, but noticeably, almost unconsciously, and he swayed in minuscule displacements or perhaps shifted a bit to take a sip of his black coffee, giving the effect of a liquid world – to someone of imagination, of course. To those with no imagination, the window was rubbish and needed to be replaced.

It’s been a relaxing weekend for John, who, on his working days, finds himself as a writer. This is, of course, if you were to think of any days as those in which you might suddenly stop writing or ignore inspiration. In that respect, every day is a working day. However, this weekend was a special one for himself.

The writing that got him money was of the technical sort, dedicated to dry manuals and instructional fare. His passion, however, lent itself to the imagination. No doubt, he still adored the natural world and it’s workings, but he found himself nearly dead inside after completing a project for work. This, invariably, lead him to his personal expeditions.

Every few weeks he’d save up enough money to take a train or bus to another location, picked nearly at random, just so he could get away and bring color back into his life. This cottage, with its imperfect windows, was one such expedition.

So, he sat there for a moment, playing with his perception through the window, and then shifted his attention through it to world outside. A breath of beauty swept over him and he was inspired. In his journal, with no expectation of the entry living beyond those pages, he wrote:

The Wystlewynds (Whistle Winds) or Wystlewynd Forest

The Wystlewynds (Whistle Winds) or Wystlewynd Forest is a forested, mountainous area – if you’re apt to call these green, low laying perturbations in the Earth “mountains”. The cool-yet-comfortable south-easterly winds blow through the Wystlewood trees, whistling as it goes. Some would say the forest sings.

Wystlewood trees “sing”, as it were, due to the way the wind passes through their decomposing trunks. While alive, the trunks of the trees have a hard, fibrous outer wood, while the inner portion is soft and sponge-like, saturated in chemical that simultaneously grabs on to water and repels insects. When the trees get old and begin to die off, they tend to remain upright for some time as the inner sponge decomposes. This leaves a hollow void where a particular caterpillar takes refuge, unaffected by the repellent chemical that a fungus slowly decomposes into an edible source of nutrition.

These caterpillars leave behind a secretion that the decomposing fungus in the tree requires. The relationship between the caterpillar and fungus is symbiotic in that regard, both feeding each other. We call these caterpillars “Woodworms”.

When the caterpillars are ready to cocoon, they climb out to one of the old branches and hang themselves from a cord of twisted threads at least a foot long. When they are ready to come out, they bite through the cord, dropping themselves to the forest floor while still in the cocoon. The cocoon and all drops below the foliage of the undergrowth, where the moth can come out into the world under cover of green leaves and the shimmering violet flowers of the Spirit Flower – a color scheme that the moth shares.

The Spirit Flower is a rhizome with a sprawling root structure that tends to poke it’s way into everything. It has small violet shimmering flowers in umbels that in any other case might be white. The leaves are simple with a jagged margin, alternating. The stem is on the shorter end, perhaps a foot tall, fibrous and slightly prickly.

There are a few flowers that tend to dominate the undergrowth, Spirit Flowers being one. Sun Drops and Red Rolls are additional examples, the former a yellow droopy flower and the latter a peculiar red flower with a single pedal that’s rolled up in a certain way that would suggest a flared funnel with wavy edges.

The flowers and trees enjoy the soil here, a bit sandy and rocky, but mixed with a richness created by the mixture of undergrowth, fungi and bacteria. The roots dig into the soil, slowly stirring it and adding to it’s nutrients. The fungi eat the dead roots and fallen foliage and the bacteria eat the fungi and everything else, of course.

The whole matter leaves a note of scent in the air that cannot be described as anything other than that of the Wystlewynds. It’s perhaps sweet, with Earthy undertones and an addictive bitterness. The whole place seems to elevate one’s energy, sharpening the senses. You want to sing with the trees, or perhaps play along with a haelio (a flute-like instrument created with wystlewood).

On the fifteenth floor, Sam thought he might be late after all.

He arrived early to the new world’s consuelambassy. He liked being spontaneously on time.
In order to go to this new world, you didn’t need a visa, only a new identity. The office was in a super mall. You had to get through the shops first. There were elevators to go to the next floor, and you had to change to a new one each time. Of course the elevator to the next level was always after a labyrinth of luxury or food stores.
Sam felt tired and sick just after the second level. Twenty more to go, he thought. He reminded himself of his grumpy meditation training and looked at the fire alarm. It would certainly clear the area. But might just render it too chaotic for his taste.

Godfrey had started to sweat when Lizette had called him Gordon, fearing she might have blown his cover. Just as he made a move to clamp his hand over her mouth, the medical bay had lurched sideways, throwing Lizette with force in the direction of his approaching hand. The result of the two forces colliding on her face had knocked her out cold.

But nobody was paying any attention to them in the confusion. Godfrey slung Lizette over his shoulder like a sack of rice, and hastily retreated from the medical bay. The stupid woman had made everything that much more complicated. He toyed with the idea of just leaving her on the waiting room floor, but it was too dangerous. What might she blurt out when she came round?

“There are times when only complete nonsense will do, Percy,” stated Elizabeth with an air of triumph as she leaped out of her chair and started pacing the room. “Praise plastered particles pinched primly, pointedly, pairing plump parrots in pink painted plantpots!”

Striking a pose by the fireplace and pausing dramatically, she continued, “ Hail heavy heart handling harpsichord harpies home; hell bent high water, high hopes, heaving half hanging helplessly, hunkered and hungry.”

She sunk to the floor, overwhelmed with emotion.

“Sing softly,” she whispered, rising. “Sail slight, slanting sun shadows, sand sifting surrender, oh softly, so softly,”

Elizabeth swept over to Percy with outstretched arms, imploring, “Swill silkily slithering serpentine whispers waft willowy, willingly, winsomely waywardly west.”

“Quite,” replied Percy succinctly.

There was a rat tat tat tat on the door, and Sonia started barking excitedly, hoping that it was someone coming to feed her. She would have been more hungry had she not licked up all the crushed mince pies off the floor. The barking and incessant knocking on the door roused the ex, who was sleeping off the eggnog in the spare room. Eventually he shuffled out and opened the door; the knocking had become dangerously insistent.

“Yes?” he said to the woman in the red cape standing on the doorstep. Inwardly, he groaned. “Batwoman, I presume?”

“Get out of my way, Alvin, you good for nothing lush, and what are you doing here anyway?”

“No idea, Gertrude, more to the point, what are YOU doing here?”

“Tis the season of good will, you arsewipe, where’s that idiot daughter of mine?”

Corrie:

I was offering the plate of mince pies to Mr Cornwall, who had been coaxed out of his room for the first time in ages and was sitting next to the gum tree sapling that Aunt Idle had strung with fairy lights in lieu of a Christmas pine, when they arrived. We were all surprised to hear the taxi hooting outside, that is, except Bert. I heard him mumbling something about “She bloody meant it, the old trout,” but I didn’t remember that until later, with all the commotion at the unexpected guests.

“Here, take the lot,” I said, shoving the mince pies on the old guys lap, as I rushed to the door to see who it was. A tall autocratic looking woman swathed in beige linen garments was climbing out of the front seat of the taxi, with one hand holding the pith helmet on her head and the other hand gesticulating wildly to the others in the back seat. She was ordering the taxi driver to get the luggage out of the boot, and ushering the other occupants out of the car, before flamboyantly spinning around to face the house. With arms outstretched and a big smile she called, “Darlings! We have arrived!”

“Who the fuck it that?” I asked Clove. “Fucked if I know” she replied, adding in a disappointed tone, “Four more old farts, just what we bloody need.”

“And a baby!” I noted.

Clove snorted sarcastically, “Terrific.”

Suddenly a cloud of dust filled the hall and I started to cough. Crispin Cornwall had leaped to his feet, the plate of mince pies crashing to the floor.

“Elizabeth! Do my eyes deceive me, or is it really you?”

“Godfrey, you old coot! What on earth are you doing here, and dressed like that! You really are a hoot!”

“Why is she calling him Godfrey?” asked Prune. “That’s not his name.”

“He obviously lied when he said his name was Crispin Cornwall, Prune. We don’t know a thing about him,” I replied. “Someone had better go and fetch Aunt Idle.”

Mater was more relaxed now that Finly had everything run smoothly at the Inn.

Granted, not all was to her liking, such as her choice of marmite against the usual favourite vegemite, but if you had to make some concessions to retain the staff, what the hell.

Finly had set up more strict rules for the children, which was a necessity. No parents, an irresponsible aunt, and frankly, herself was at an age where she had done her share of chores.

She wondered if the girl was not secretly trying to bribe her with the right mix of strength and kindness. After all she had offered to do her a facelift mask with manuka honey from her hometown. As if she would fall for that. At her age.

She had answered to her quite firmly to make things unequivocal And then, are we going to braid each other’s hair? The poor girl had looked a bit confused, but then very quickly went back to her tasks after muttering some sort of apology.

“While you are doing the upper floor,” Mater added with some afterthought “you should have a look at the attic, there seem to be a strange racket…”

“Yes, M’am, certainly. Probably rats. I’ll call the exterminator, M’am.”

If only that were so simple… Mater thought to herself.

The blast ricocheted throughout the town. It set the dogs barking, chickens squalking and babies crying. Folks dropped what they were doing, in many cases literally: dishes and beer bottles crashed to the floor, as the towns people ran outside to find out what was going on, or ran for cover.

Bert, sitting on top of Plater’s Rock watching it all, slapped his thigh, whooped and then laughed until the tears ran like rain season creeks through the desert dry creases of his face. The unaccustomed unbridled mirth provoked a coughing fit: Bert balled up the phlegm that rose in his throat and catapulted gobs of it towards the creek below.

Well, that’s finally got that off my chest, he said to himself with another choking cackle.

The creek itself after the explosion was obscured from his sight by a thick pall of smoke, but the sputum projectiles were aimed with deadly accuracy at the bridge ~ or where the bridge had been.

There was no bridge there now though, not that anyone would have noticed its disappearance if he hadn’t made sure they did. Years he’d spent making that bridge, a bit at a time, with what he could find or chance upon, working on it as often as he had time for. He’d found what he could only describe as a “special place” over on the other side of the creek, it spoke to him and seemed to call on him to bring others. The only way to it from the town was to swim the creek, or drive almost 200 miles by road, via the closest bridge at Ninetown. So Bert decided to build a bridge across, so people could go back and forth with ease and enjoy the place on the other side.

Bert had finished the bridge three years ago during the dry season, and invited everyone over upon it’s completion. Four people turned up, even though he’d set up a picnic and brought coolboxes of champagne and beer, and a big bag of weed. Less than a dozen people used Bert’s bridge in the first two years, and he was the only one to cross over since the last dry season.

Finding the dynamite in the old mine shaft a few months back had given him the idea. An impulse had seized him after the unexpected encounter with Elizabeth. He blew the bridge up. It was over. He could breathe again.

Flora came to her senses muttering something about a coachload of American tourists in Italy. Bert had been the first to arrive at the scene of the accident. Not one to flap in a crisis, he calmly picked up the injured woman and carried her to the sofa in the living room, instructing Prune to fetch the mop and clean the blood off the floor. By the time Bert had seen to the wound on Flora’s head, she was starting to come round, muttering gibberish and apparently confused.

“Where am I? Is this Florence or Rome? Am I late?” she asked, telling Bert she was perfectly alright now thank you, although she clearly wasn’t.

“No, you aint late, dear, it’s still quite early,” Bert replied soothingly.

“But I must get to the Vatican Library, I must be getting on now,” she said, trying to stand up.

Bert gently but firmly pushed her back down, saying, “Have a nice cup of tea first, plenty of time for that later.”

“What the dickens is going on now?” asked Mater. “What’s all this about Rome? Anyone seen my reading glasses?” she asked, peering around the room from the doorway.

Bert explained briefly, and asked Mater to sit with Flora while he went to make the tea.

Flora, rising late as was her custom, and feeling the relaxing glow of being on holiday, strolled leisurely out of her bedroom door in search of coffee. As she stepped into the corridor, one of the twins, not watching where she was going, collided with her surprisingly forcefully, knocking her to the ground. She knocked her head on the door frame, felt a rush of noise and the sweet metallic scent of blood before losing consciousness.

“Flora! Miss Fenwick! Oh my god, Flora!” Corrie cried. After getting no reaction from the inert body and seeing the pool of blood spreading alarmingly, she sped off to find Aunt Idle.

As soon as Corrie was out of sight, Prune emerged from the broom cupboard opposite, saw the body on the floor, and ran in the opposite direction in search of Bert.

Mater:

I am concerned about Dido. The silly trollop has taken up drinking again—in front of the kids too. Mark my words, she will end up back in rehab if it goes on. Like last time. And then where will we all be? Those poor little mites without a father or mother and their Aunt fast turning into a crazy slush. There’s no telling her though. God knows I have tried in the past.

I can only hope she will settle down when that kiwi friend arrives—Flora someone. Though I don’t hold out much hope really. I have not met a kiwi with a half a brain in their head yet. And that awful accent! I don’t need this aggravation at my age.

Calm down, remember what Jiemba told you.

I have not told you yet about my visit to Jiemba, have I? There has been so much going on here, what with the fish going missing and that odd guest staying in Room 8 and Dido’s antics, it nearly slipped my mind.

It was Prune who hid the fish, of course. Sensitive wee thing — she has always had a particularly strong dislike of the awful old relic and I can’t say I blame her. Dido went ape when Prune eventually confessed, but secretly I found it rather amusing.

I digress, yet again.

In the end it was Bert who helped me more than Jiemba. The dear man waited out in the truck for me while I kept my appointment with Jiemba. And he held my secret safe from the others. I am grateful to him for that. It felt nice to have someone who would do that for me. On the trip back home he opened up and told me stories about the town. Apparently in its heyday it even had an ice-cream factory; I hadn’t heard that before. Nor some of the other stories he told me. There are not many left around here with the knowledge Bert has. I feel I may even pluck up courage to tell him what I have seen at the Inn. Perhaps he may have some thoughts on it.

But not just yet.

Jiemba gave me some salve made from native bush bark for my aches and pains. It seems he is more modern than his father—things change I guess. I wanted to ask him about the ghost, but what with the dogs and kids running around outside and the heat and the baby screaming in the house somewhere, I could not bring myself to do it. But one thing he said to me has stuck.

“Live from your heart”.

It was the way he said it. Very intense. He went quiet and stared at the floor for a long time while I tried not to fidget. As though he was communing with some spirit world I could not see. Though I would dearly love to. I have thought about those words since then, trying to figure out what they mean.

I’m not sure I can even find my heart, let alone live from it.