— The legend of Mævel — (Part VII)

Today was the Day of the Forgotten. Mævel had slept well, nestled into the soft and warm depth of her dreams, her head resting on the short blue fur of the fox.
In sharp contrast with the lovely night, she awoke strangely irritated. Even the birds songs were like noise to her ears, and every sound of the forest she heard with acute intensity and a sense of being submerged by many sensory inputs.
Hopefully, the blue fox voice was still very comforting, and she started to wonder how they could come across a Forgotten One in need.

— I think I know where we can find some Forgotten One in need.
— Where? asked Mævel

The fox paused, then answered her question:
— Near your human parents’ home.

Mævel was surprised. She trusted the fox, and never had really questioned him, because more than that she trusted her own feelings, but now her feelings were telling her that there was something the fox had not told her. Or had told her partially. She was silent, pondering the unseen implications.

— Mæ, I’ll try my best to answer your questions, but remember I cannot tell you everything. I can help you remember some things, but there are things that my curse does not allow me to reveal. You have to find them by your own, in order to free us…
— Free us? I thought you were the one Cursed?…
— Yes I am, and…
— How do you know my parent’s home? How much do you know about me?
— I know you since you are a baby actually. And even before…
— Before? I don’t understand a thing… I feel there are some unseen links, that I cannot decipher, yet they are so close to…
— You’re right, there are links, links that are important, and that I cannot reveal.
— Why can’t you reveal them?
— Let’s go to your human parent’s home…
— Why do you always say my human parents?

The fox blew in front of him, creating a wobbling sound into the air in the form of a ring large enough for them to go through it. And he hopped inside, disappearing in mid-air.

Mævel was perplexed, but did not hesitate. She hopped too into the watery ring in front of her and found herself falling into a void, to reemerge on a bed of dry leaves in front of her parent’s home. Blohmrik the blue fox was seated in front of her, observing a shadowy form at a distance in front of them.

— Is that the Forgotten One we will help?
— Yes.
— Why do you need me? You could help her, couldn’t you?
— She wouldn’t see me, Forgotten Ones are usually obsessed by a few people, those who they feel can remember them, and don’t usually see other people. Their perception is quite different than ours.
— Hang on a minute… Why do you think she will see me?

Mævel looked into the eyes of the fox, and she knew.

— We are linked.

It was more an affirmation than a question.
Mævel wondered who that shadowy figure was. When she focused on her, the form was getting more solid, and she could catch glimpses of how she looked like. And she was surprised. She was about her age, with long blond hair as hers.
Mævel’s voice was broken:
— My parents had told me I was about to die when I was a baby, then by a sort of miracle, I became healthy… Was that true?… I mean… Was that a gentle way of telling me that I had a twin who died or…
— No, Mæ. She is not you. She is not linked to you by blood. You can talk to her, she will listen to you.

So Mævel went to see the shadowy figure. She had stopped wandering and trying to find an opening around the house, for there were none for spirits: all openings were locked by stripes of red cloth hung onto the doors and windows.
Mævel felt the pain of the Forgotten One as she approached her.

— Who are you? she suddenly asked Mævel, raising her head at her approach.
— I am Mævel.
— Mævel… It means marvel of Maÿ… I was born in Maÿ…
— What are you doing here?
— This is my parents’ home.
— How is that possible?
— Twenty one year ago, I was taken away from them, given to Shaint Lejüs in place of a fairy princess. But Shaint Lejüs was no fool, he had sent his apprentice to spy on the fairy king.
— Blohmrik?!
— Yes, Blohmrik… But Blohmrik disobeyed the Elder God, and when he saw the exchange that was about to happen, he let it happen. He wanted to protect the fairy princess from his master. Because Shaint Lejüs wanted the princess as a bride. Ahahaha, how disappointed Lejüs was when he saw that I could not perform the most basic magic spells. I was good at nothing, so he let me go wandering into his Realm. He’d just thought the half-fairy princess had inherited no magic from her father.
— How do you know all that?

— I told her, the blue fox said. I was hoping to bring her relief. But she started to look for her parents, and Lejüs discovered the truth… Because she was not looking for a fairy king. She was heading here, year after year.
— That’s the reason of your curse, is it?
— Yes. She can’t see me because I was Forgotten too, in that form of a blue fox. But as Forgotten Ones don’t forget, I didn’t forget. I couldn’t tell her, because she couldn’t see me.
— So, I am that fairy princess you are talking about… that strange idea was starting to dawn on Mævel.
— Yes. When Lejüs discovered who you were, he wasn’t interested in you any longer, because he thought your magical potential had been irremediably damaged by all those years spent in human company.

— Who are you talking to? the shadowy figure asked, bemused.
— Blohmrik, he is here. But it’s untrue, Mævel said, there is magic in me.
— Yes there is, answered the blue fox, and you can undo what has been done with it.

Mævel remembered the useless key she had manifested when she had tried to go out of her human parents’ house. She had not even looked at it closely.

— You can manifest it again Mæ, said the fox. It is with you. You are its lock.

And no sooner had Mævel thought of the big rusted key, than it appeared in her hand again. But this time the rust on it was crackled, and it started to disintegrate, and a brilliant shiny metal started to show beneath it.

Scratching what was left of the rust, Mævel started to look at the beautiful key, it was shaped as a musical note, and it had some word written on it, in an ancient language she didn’t know how to read. But she knew the sound when she ran her finger on the surface of the word.

« Araoni »

That was her. She was remembering, and everything started to change.

The wedding of the God Blohmrik, son of Mirÿnda, Goddess of Mirth and of Bälias, God of the Sparkles with Araoni, daughter of the Fairy Queen Theÿa and the Fairy King Aldurion was pronounced on a bright day of Maÿ, in a beautiful orchard in the presence of Araoni’s human parents and sisters and brothers.

Even Lejüs had been invited, even though he would have preferred to be Forgotten…

And so my story ends… said Captain Bone to Tomkin.

— And was the shadow remembered by her true parents? had asked Tomkin.
— Oh, yes she was… Of course. She just didn’t want to steal the limelight from Mævel, you see. Her parents were happy of course to find back their true daughter.
— You didn’t tell me the name of the true daughter, did you?
— No, I didn’t, said Captain Bone with a wink.

New Venice, November 2101

Midora was sleeping peacefully in her baby’s bed, and Oscar was dozing on the sofa, exhausted by his new role as a mother.

Bart was slowly finding himself back to his old studies. Just before Oscar became pregnant with their child, he was occupied with an old parchment his mother Indy had given to him.
She had said they had found it years ago with Oscar’s mum, her friend Eugenia. It was under a glass frame, among many other stuff she had accumulated along the years, mundane bric-a-brac flirting with sublime antiques —such was her mother strange decorative style…
Bart had known the parchment all his life, and her mother had sworn he would have it when the time would be right. During all this time he had thought she would most probably forget it altogether.

When Bill, his father had disengaged, two years before (only two months before the New Century’s festivities, at the age of 79) Indy had said she needed to make some room in her apartment, and get rid of old things which were full of memories. After all, she was only 49, and Bill hadn’t wanted to see her wither in sadness, that would be such a waste.
She had given him the old parchment.

Bart had always been so close to his mother, probably because she had him so young. She was 16 when they had married with Bill, and Bart was born right after. Of course, she always played the old flattery trick when people said she must be his big sister; it wasn’t actually far from the truth.

When he was younger, Bart had fearful dreams, of dying in atrocious pain, full of rash, at a young age in an alien and sunny place.
Curious as to what hint it may have been, Indy had been connecting with him to the energy of the dream. And together, they had tried to find the reason of that manifestation in the young boy’s dreams.
Despite her having such a fleeting memory, India Louise was skilled at connecting to other focuses, and particularly group ones, and Bart had found many information thanks to her. And the fearful dreams had disappeared.
He had found he was a young prince heir of the throne of Egypt, who was supposed to marry his sister. But both had died very suddenly. It was not quite clear as to whether the illness was the result of a plot from their father Pharaoh’s enemies, but the death was very unpleasant.
So unlike Bill’s disengagement, which was peaceful and full of love.

So yes, people were not far from the truth when they saw them as brother and sister.
According to Indy, the parchment was found within a cache inside the sister mummy’s sarcophagus, and might be linked to their shared focus. But her own psychic skills only extended as far as to notice connections, not as to go into more depths. That investigation, he would be able to do.

Egypt, 2657 B.C.

Lekshen had finished writing down what the long snouted god of his dream, Set had dictated to him.

It was a strange story, of Set being the god of the pariahs, throwing down structures of the Holy and the Truth, for the sake of expansion. Lekshen couldn’t understand all of what he had been talked into writing, but he had felt an intense activity and thrusts of gushing energy passing through him.

He needed sleep before hiding the text with the mummy.

Paris, 2007

That symbol, Quintin had dreamt repeatedly about it… It was a tile, he was sure. It could be oriented in two ways, and, depending on its orientation, it meant either injection or ejection of energy structures. It was linked to the family of the Speakers.

Let’s insert it again then, he smiled to himself.

When he connected with the symbols written on the parchment, Bartholomew was astounded. The energy was so familiar.
There was a book coming from his mother. She had inherited it from her aunt, Guiny… She probably got it herself from her mother Margaret, or perhaps her step-mother Becky… Bart wasn’t too sure…

Finally, he found it. Inside the cover, there was a dedication. To you, dear Becky, happy birthday! With love, Kathy (2017).
Kathy, Kathy… A flash of a rainbow-coloured anaconda into Bart’s mind… Must have been one of Dory’s friends.

“There was once a god who was not a god — who was not a god, for you are dealing with legends,” he said, nearly whispering. “There was a god in ancient Egypt, and his name was Seth, and he was disreputable. And he threw aside establishments, whenever other gods rose up and said, “We are the truth, we are pure and we are holy,” this disreputable god stood up, and with a voice like thunder, said: “You are nincompoops!”

“And the other gods did not like him,” Seth continued in his story-telling whisper, “and whenever they set up their altars, he came like thunder, but playfully, and tossed the altars asunder, and he said “Storms are natural, and good, and a part of the earth, even as placid skies are. Winds are good. Questions are good. Males and females are good. Even gods and demons are good, if you must believe in demons. But, structures are limited!”.

“And so this god, who was not a god, called Seth, went about kicking apart the structures, and he gathered about him others who kicked apart the structures. And they were themselves, whether they were male or female. Whether they thought of themselves as good or bad, or summer or winter, or as old or as young, they were creators. They were questioners.

“And whenever another personality set itself up and said, “I am the god before you, and my word is law,” then Seth went about saying, “You are a nincompoop,” and began to kick apart the structures. And so you are yourselves, in your way, all Seths, for you kick apart the structures, and you are the black sheep of the religions, and the black sheep of the scientists, and the black sheep of the physicians, and the black sheep of the your mothers and your fathers, and your sisters and your brothers.

“And yet, the mothers and the fathers and the sisters and the brothers listen,” Seth went on in that quiet voice in that quiet room. “for they do not have the courage to be the black sheep…”

Conversations With Seth, Volume 1, Chapter 9, by Susan Watkins

Mmmm, Captain,… isn’t that legend a bit long-winded? Tomkin had asked to Captain Bone.

It had been six nights now that the Captain had told bits of that legend to Tomkin, and even if it was entertaining, Tomkin was more and more impatient to get back to meatier stuff, like galleons full of ancient magical treasures, corsairs from the Warring Kingdoms coasts, strange unknown races from far-off lands… that would be more mouth-watering than this endless legend…

Captain Bone had laughed.

— Aaaaah, Tomkin… of course you know I like to tell long stories, and make them longer each time I recall them, but you see, there is also a point in all of that adventure. Mævel’s story is also the story of all of us in a way. Of course, I could tell you how it ends, but in a way it never really ends. More important is for you to see it unfold and that you appreciate the unfolding. The ending is not important in a way. Each and every time this story is recalled, it is different, because it adapts to what is happening right now. Do you see?
— So what is the point of telling me that story? It was supposed to tell me something about this strange knotted object, but I don’t see any link.
— Ahahahaha, the point is precisely that Tomkin. I am telling you my story, but this object makes you hear your own story through my words.

Now, Tomkin Sharple was squatting on the sand near the bonfire lit by Badul’s crew, and he was recalling the words from the Captain. At that time, when he didn’t know a thing about that strange magical object, he had not understood a thing of what the Captain had said.
But now, it started to make sense, some sense at least. Each time the Captain had told him bits of the legend, Tomkin had been fidgeting the strange object, making the Captain smile. Perhaps the object’s magic was not only acting as a translation device…
There was something more about it. He was no longer sure that the Captain’s story had been what he was recalling. Perhaps it was completely different, and he had translated it…
Still, the object had apparently helped him understand what Badul and his men wanted, so it was translating truthfully. But what was a faithful translation?

Then, a flash came into Tomkin’s mind. The Captain had given the object to him. He’d said it was about connections. Being connected.
Till then, Tomkin had been the only one to touch it. He had not even revealed the source of his gift to Badul.
But in the Captain’s case, both of them had been touching it. In sharing that link, they had extended trust to each other, and somehow, they had been mirrors for each other. Perhaps that was what Captain Bone meant when he said that Tomkin was hearing his own story through the Captain’s words.

Tomkin laid down on the warm sand, looking at the clear starry night.

— The legend of Mævel — (Part VI)

Inside the warm burrow, Mævel found a bed of dry leaves and tender moss. She could see some light from the moon, coming through holes in the ground, which were bringing in some fresh air too. Cuddling comfortably into the makeshift bed, she started to sleep peacefully, waiting for her friend the blue fox to come back.

Half-asleep on the beach, Tomkin was wondering… What had happened the next morning… This was fuzzy in this memory, as if the events were moving and reorganising themselves. All that he remember was that Mævel had met the blue fox, but there were myriads of possible events, and all of them were possible, dancing now in front of him.
He could chose any of them… But, would that make the story the same?
Then he recalled that it was his own story… So why make it difficult then…

The voice of Captain Bone was resounding in his ear “You find value in hardships, and value is important to you and our kind. In these lands full of magic, we could just do anything, but somehow you’ll find that rare are the people who constantly use magic. Because when magic is used to make things happen instantaneously, it shifts everything around it to accommodate the changes asked by the summoner of the magic. And it can be overwhelming when too big are the differences between the too states, as we are accustomed to live within a continuity. That’s why I tell you to enjoy the ride of that legend.
Think of it… You could be Emperor of all Lands if you knew how to use magic for such a feat. But would you do that instantaneously? Slim chances. You wouldn’t know how to behave as an Emperor, and on top of that, you probably would find the new aspect of you who is an Emperor to be overwhelming to your present aspect of little Tomkin.”

Okay, Tomkin said… No need to skip directly to the last part… she meets the blue fox in his den, and Mævel learns about the curse of the fox.

— Oh, really? Mævel was saying
— Yes, I was a bit of a fool… the blue fox was telling her. But, the silver lining is that there is a way to counteract the curse. But I will need your help again, if you want.
— I want to help you.
— Fine. You know about Shaint Lejüs Festival?
— Mmm, yes, my parents told me about that. It’s the Day of the Forgotten, isn’t it?
— and of the Accursed Ones.
— Oh…
— That special day of the year, the Gates of Lejüs’ Realm are opened and Forgotten and Accursed Ones are given a chance to be Remembered or Graced.
— Every year? Why then aren’t all of them Remembered?
— Mostly because the Living Ones dread this day. They are the only ones to be able to free the Demanders, and they quickly felt haunted by the Demanders. So they did rituals to keep the Demanders away from them, as certainly your human parents did.
— Yes, I remember now…
— There is another reason actually. Forgotten Ones can only be Remembered when they recover their true name, and only a strong bond like love or some potent magic can force it out of Lejüs’ graps.
— And Accursed Ones?
— For them to be Graced, they need to do one pure act of altruism.
— A simple act?
— Don’t be fooled, it’s not as simple as it seems. See, I tried to rescue a woman who was drowning herself into the river, but that hunter thought I was attacking her… The fact was that she was willing to be Forgotten, and that my act was not purely altruistic.
— How so? You probably saved her life?
— Yes, but that was not what she wanted, and when she cried that I let go of her, I only wanted her out of the waters, because of me…
— I understand. And how can I help?
— One altruistic act for me would be to help a Forgotten One to be Remembered. That’s what they ask for, but it’s difficult for them to get past the barriers of the Living Ones.
— Shaint Lejüs Festival is tomorrow…
— Yes, have as much rest as you need, Mæ. We will see tomorrow what will occur…

The legend of The Weaving Princess

Once upon a time, in the Warring Kingdom of Landgurdy, lived the Yellow Princess Atiara. She was living with her father, the Yellow King of Landgurdy in the Subtle Palace of Aram Ardun, the capital.

The day of Her 20 ^th birthday was a very special day. As for any normal citizen of the Warring Kindgom, it was the day She fully became an adult. And furthermore, it was the day of Her wedding with the man to whom she was betrothed the day of her 12 ^th birthday, Prince Shomar At Gurna from the War Clan Gurna Drom.

The Yellow King had organized a sumptuous banquet in the Palace, and although the people of Landgurdy was not invited in the Palace, many banquets had been set all around the country. Only the War Clanners of Landgurdy were to be admitted in Her presence in this most special day.

At the very moment of the blessing by the Priest of Tatasi, the slaughter had already been perpetrated. The treacherous War Clanner Namad Gurdin had made an agreement with the Warring Kingdom of Cromash Tur. One of them had been replaced by the Assassin Varad Romash Karad Din, Master of this infamous Guild. Cromash Tur had sworn that very day would be the end of the Landgurdy. And it was. Many had tried to unfold the mystery of the sudden death of all the War Clanners and the Nobles present at that moment. The fact is that they were all found dead by the servants who were intrigued by the silence following the blessing… No wound, no trace of poison. The death of all these people remains a mystery.

Though, two were missing. The Assassin, and the Yellow Princess.

Cromash Tur’s army invaded the Landgurdy shortly after that… No resistance encountered, no more War Clanners to assure the safety of the land.

Though Cromash Tur’s Warlord always denied having captured the Yellow Princess, she was supposed held captive in an unknown shadowy place of the Marshes of Doom.

The Death Guards were keeping an eye on her, and every cloth, every dish, every book that was given to her was meticulously checked. Nothing was to bear the slightest trace of yellow. According to the legend, her family was famous with their use of this magic color, one of their most powerful talent was the control of the weather pattern, and the King of Cromash Tur feared strongly she would use her power to destroy his Kingdom if She could see a yellow dot.

The Marshes of Doom were so grey and shadowy, she could never see any trace of yellow there.

(to be continued)

The unusual overwhelming heat, which had begun with the spring equinox had finally temporarily receded with the appearance of big opaque cumulonimbus filling the sky with a mute thunderous sound. The flickering glow was no longer enough for Raphael to distinguish the small dark characters dancing before his eyes, the storm having let the night pounce on them earlier than it should have.
So, Raphael closed his thick leather-bound book and put it back into his burgundy backpack bag, inhaling deeply the air of the dusk, mollified by the music of the raindrops that ricocheted now discreetly on the rusty steel plates.

The remaining passengers began to hurry around a meager dinner wrapped in dirty newspaper sheets, displaying energy resources that he felt incapable of. Feeling no hunger at all, he decided to go on the pontoon to taste the moisture exuding in the evening, this celestial water, soothing down the fever of this trip, which drew to a close. The boat continued to rend imperturbably through the obsidian sea, and the thick enveloping fog prevented them to distinguish the lights of the city that he could feel at a distance.

This was not the first time, but at each of his return, the city seemed changed, this time ghostly apparition, once glittering pearl. This was undoubtedly one of the reasons which had him leave it, as others would have done with a lover, to better appreciate this fleeting moment of reunion.
The book had been given to him by a stranger he had met, and was part of his mission; he didn’t usually accept assignments in this city where he was too obvious, but the stranger had assured him nothing illegal would be required of him, just delivering a book.
He had leafed through the book, just to make sure there was no foul play on the part of this strange man with amber eyes that seemed to keep changing colours. But the book had seemed innocuous. Even worse, it did not make any sense for Raphael. The chapters were randomly numbered, and the text seemed to keep changing. Perhaps it was Raphael’s mind which played tricks on him, but it was baffling for him, as he was accustomed to keep his senses sharp as a dagger. Whatever,… The man had paid, and a plump pile of money even.

The insistent rumors of a mysterious illness which had already claimed fatalities within the walls of the city had not deterred him to go there —knowing that the few people caring about him would have preferred to see him flee this destination, so certain as they were to be themselves immune to the contingencies of life. Even the bald adipose captain of the ship, Fat Yong Choi had seemed wary of having a pale-skinned foreigner coming on board of his boat, but he had quickly seen that Raphael was no common traveler.

But there was no longer time to rehash those turpitudes, the harbour finally appearing, like a halo glow from the contours of which some faint sounds escaped, soon to be stifled by the purring and cracking of the bulging vessel.

The winds began to sweep the docks violently, causing the cargo, now anchored, to oscillate wildly, like a huge weeble at the hands of the elements. Fortunately, due to the alarming news from the city, the boat was only half full, and the unloading was smooth. Raphael, unnerved by the long journey, only wanted to walk, but patiently followed the slow pace of the procession which led him outside of the harbour’s enclosure, even before he had noticed it.

Raphael wanted above all to rest, but didn’t care to be bothered speaking to someone. He preferred to sink deep down in his thoughts while walking through the streets, rather than lose this feeling of freedom. Freedom to choose his own itinerary, without a word to say, entirely open to the silence of the streets.

The fine drizzle had indeed deserted the streets making the city infinitely enjoyable for him. It was indeed just as he liked it best, at dusk, just faintly resonating with the sound of his own steps.
Empty — a few passersby in search of a shelter nearby. He imagined to be a ghost haunting these places without life, enjoying the feeling of being the predator felinely prowling in this scene without spectators, shrouded in the reassuring complicity of the night.

When Rudy the myna had come back crashing on the boat, it all became suddenly a huge uncontrollable chaos.
The hovering menacing clouds that were looming in front of them were coming closer at a dreadful speed, and even more concerning were the rocks that were appearing everywhere now, that they had more and more trouble to avoid in betwixt the turmoils and eddies.

So they had finally come to the Great Rift, Bådul was thinking. The back of the legendary water dragon that noone was known to have crossed.

But Bådul knew better.
He howled orders to get everybody ready at their posts, and felt reassured when he saw that Austor was maneuvering with dexterity and confidence through the rift.
He ignored the crazy laugh of Razkÿ, the madman who was now shouting with a manic laughter “We all gonna diiie! AHAHAHAH! DIE! DIE!” Then winking at Bådul and laughing again.

A few months earlier, Northern Åsgurdy

A huge cloaked figure was riding in the middle of the deserts. The saurhse, a bit small for its rider, was getting tired, but the man wanted to move before the night came. Åsgurdy had a climate which made travels uneasy on land, and only on these bipedal saurians they named saurhses, could Åsgurdians easily travel on the burning hot sands by day. Then, they could gain the high plateaus of rock and ice, where the temperature was kept cold by the high chilly winds. But at night, the deserts would be chilly too, and the cold-blooded creature he was mounting would require a shelter.

He knew that such a shelter wouldn’t be far away now.
That region was mostly uncharted as it was fairly remote from all known cities, but that strange man he had met had said he was a traveler who knew were he could find something priceless.
At that time, Badul had felt he had nothing to lose, and said to himself “when in doubt, go for the experience”.
He had felt he could trust that man known to him only by a strange name, something like Gheorg.
There had been nothing boastful about him, and he had been kind to him. He had been the only person in the World he had known to have given him back his dignity as a human being, and even more, to have given him a reason to live.
He owed him a lot, and perhaps even more as he was now drawing closer to the cave… that same cave which was a mere cross on the torn map he had been drawing hastily before vanishing almost preternaturally, living him a bit of money and that map…

Roselÿn had felt the urge to move somewhere else. This land didn’t resonate with her energy, and that of Rëgkvist, and of the few eggs the dragon had managed to lay, none had actually been able to hatch.
It had affected her so much that she had even retreated from her sisters’ usual talks through the glubolíns.
She needed to move on.

When he entered the cave, Badul was disappointed. He could feel there had been someone living here quite recently, but it was like the cave was now abandoned. He hoped he could have found more answers, but now it was again like burning sand slipping through his fingers.

In a fit of rage, he took a boulder as big as him and threw it across the cave with a roar.
Something was brought down by his huge force further down into the cave and he heard it quite distinctly.

He tied up the saurhse at the entrance of the cave, and entered it with determination, ducking through the tunnel too narrow for his big baby-faced frame. Then he found something glowing. At first, he thought it was some gold, but what kind of fool had been living here before and had been in such a haste to move as to forget gold?

It was not gold. It was something like a broken shell. The broken bits were like a jigsaw puzzle and he wished he could make it one, as he was attracted by the strange radiance of the thing.

Austor did not believe his eyes…
They had crossed the Rift, all three of the ships.
And it was nothing like the dark void they had nearly expected behind.

It was an open sea, glistening in the sun, and all hope had come back through them all.

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…

On the shores of Golfindely, a young boy was playing in the carmine fields of ripe Scotch bonnets.

Since the captain Bone had left, Tomkin Sharple was feeling a bit sad.

The old captain always had fascinating stories to tell him, and he would indulge the endlessly curious little boy in telling him for hours all about what he had discovered in all the parts of the Worlds he had been traveling to.

Now, all he had to do was to take care of the herd of grakes of his parents, and while they were eating the weeds of the crops, he would sat on the cliff, looking at the sea, glimmering in the sunlight.

Grakes were funny to play with, as they were big birds, with a slender neck as geese, colourful patterns as mandarin ducks, and Tomkin always had fun jumping on the back of the alpha one, and ride it, leading the whole herd to the crops where they helped the farmers by eating all kinds of nuisances.

But after Captain Bone’s departure, it was no longer fun.

Tomkin was contemplating a strange thing that the captain had given him before he’d left. It was a sort of knot, shaped as a eight, and the captain had told him it was magic and meant that all was connected, but that he had to discover that magic for himself.

Tomkin had asked the captain to tell him about this object, but all he had told him was a legend which did not reveal much about the circumstances in which the old sea dog had acquired it. Perhaps the captain had fooled him about the magic…

Stuffing the thing again in his pocket, Tomkin let his mind wander on the sea waves, dreaming of being a cabin boy on a big boat, when he saw something on the horizon.

At first he thought that it was a group of swimming golfindels, but golfindels were more brilliant and smaller than the shapes he was seeing, and moving less heavily too…

William Percival Jobsworth, or “Bill” for short, was finding the old creaking manor as freaky as their owners.

The Wrick family was known around for being shrouded in mystery, and few people had actually been invited inside the manor, after its acquisition by Lord Wrick.

The manor itself was full of ghost stories, as every mansion worth its salt in that part of the country. But this one has been a wreck on which he would not have invested two pence of his money, after it had been abandoned for many decades after the sudden death of the previous owner, the Crazy Baron.

But Lord Wrick was an eccentric, and had bought the manor and restored it to its previous grandeur.

It had been thrice now that Bill had come to the manor to paint the family portraits. The first time he had also delivered that strange parcel, given to him by that strange lady. Looking straight into his eyes, she had also told him something that had lingered in his mind quite vividly.

« Suffering is not good for the soul, unless it teaches you to stop suffering. »

He couldn’t see exactly why it applied to him, but the lady had seemed so authoritative about that, that he had agreed and felt like thanking her.

The parcel had come a bit unexpected to the Lord, though he was quite artful in hiding his emotions, Bill could say. He had questioned him about the lady, but Bill had not dared to share with him the thing about the suffering. Actually the Lord looked in pretty good shape considering the age he was likely to be. He pretended to be a bit incapacitated, but Bill would have bet that if he had fallen from a window, he would have landed on his feet as a cat.

Speaking of which, their old cat with its worn-out blackish fur was a bit freaky too. Bill had felt at times he could hear it answer the Lord’s gibberish.

But all in all, that was easy money, and he thanked the opportunity to be able to do these paintings while the winter was coming.

Now was something else. He almost startled when he was opened the big entrance door, to be revealed an improbable shape, two or three heads taller than him. It took him a short while to recognize the smile of the children’s nurse, topped by a funny hat that made him laugh heartily, after the initial shock was dissipated.

— Hahaha, sorry, that was unexpected… he managed to say to Jacqueline, who was not unaccustomed to these odd kinds of reactions.

— Not to worry she said with a slight French accent. Monsieur and Madame Wrick have come back from their trip to Mogadishu, and you will be able to have their portraits done. They will stay here for a few weeks…

Linda and Peregrine Wrick were Cuthbert and India Louise proud (and a bit insouciant) parents, Lord Wrick had explained without much more details. Peregrine was the son of Lord Wrick’s only son, Sean Doran Wrick, but Bill had felt some restrain to ask about Sean Doran, as the Lord had seemed a bit umbrageous only speaking his name.

— Oh… said Bill who did not expect them to come back so quickly.

Appendix: The Wrick family tree