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Australia, Uluru, Dec. 2035

Sam wasn’t very fond of the Ooh dimension adventures; he didn’t yet have inserted a focus (or foocoos) here for that matter. And he was too engrossed in the City creation planning to design a few parks there anyway.

He just had his first night under the stars, on the freshly built wooden floor on top of a jujubaobab tree in the middle of the park where he could see the patterns he wanted to insert on the gardens. It looked a bit like the French gardens in the Versailles gardens most of his focuses liked so much in the past. He was aware of Yann, his shifting focus, who was precisely visiting the gardens at that same simultaneous time, with friends and family.
He laughed when he projected to him, and overheard a discussion where Yurick was pointing to a typo he made about the Jeff Kuuntz expo that was there. Decidedly, Yann had the same dislike of the Ooh dimension, preferring the Uuh’s.

When he started to go to sleep, the feelings started to blur in a strange mixture of imageries…

Jeff had strange dreams that night. He was singing Tumuuld to a certain Elizabeth who was speaking all funny, and playing djudjuriduu on the treetops, surrunded by inflated magunta colured balluuns…
Sometimes it tuuk his breathe away how life was strunge, but cuul.

Rneyl ba na Bpgbore zbeavat. Gurer vf gur cebzvfr bs urng va gur fxl ohg sbe abj rirelguvat vf pbby naq fgvyy. Fur bcraf gur onpx qbbe bs gur pbggntr naq naq fvgf qbja pnershyyl ba gur jbbqra fgrc. Ure obql uhegf sebz gur avtug.

V xvyy guvatf, fur guvaxf, fheirlvat gur qel oebja cynagf va gur fznyy tneqra fur unq gevrq gb perngr.

Fur jbaqref vs gurer vf fbzrguvat gung jnagf gb pbzr gb yvsr vafvqr bs ure, gura uvqrf sebz gur gubhtug. Abg orpnhfr fur qbrf abg jnag vg, ohg orpnhfr fur vf nsenvq. Fur qbrf abg xabj ubj gb oevat guvf guvat gb yvsr. Gur fueviryyrq cynagf orne funec grfgvzbal gb ure snvyher…

[ encoded in ROT13 ]

“What is that?” she asks. “It doesn’t come from The Book, does it?”
“Well, our best team of psychic archaeologists just got it retrieved from purported old discarded bits in the Crypt.”
“of…? You mean… apocryphal part of The Book? Are you serious?”
“Quite possible, you see. Do you know what’s the ancient meaning behind that word ‘apocryphal’?”
“You tell me.”
“‘those having been hidden away’… But the intricacy of this reality makes it possible for us, in the future of The Book, to re-insert it directly into the past.”
“So they’re no longer ‘apocryphal’…”
“You could look them up actually, and perhaps you’ll find even the part where they’re speaking about us finding it even…”

— Aaaaalbert! You’re not ferreting again in my old discarded files, are you?
— Err… No, of course not Tina.

Al quickly changed the view on the cyputer and added with a hint of malice in his voice “You don’t have anything to hide from me anyway, isn’t it?”
“Don’t be silly Al, and you’d better prepare yourself. We’ll be late for the big Hallowe’en party at the Father Chase Memorial Garden. Becky’s supposed to make an apparition at the party, remember.”
“Becky? You mean… The Becky?”
“Yeah… You’re so absent-minded sometimes sweetie, good thing you got me, Sumafi as you are. Yes, that old twaddle-speaking silly exotic Becky, the one and unique!”

As she was sinking to the bottom of the raging sea, Madame Chesterhope first felt like a boiling rage inside her, at all the thwarted attempts, all the unfulfilled promises.
Not a solid thing on which to carve a few runes or symbols to get herself out, not a single living being to use at her profit, she was alone, at the mercy of gravity.
Not unexpectedly, flashes of her life, of her many lives, flickered like incoherent pieces of an unfinished mosaic in her mind.

When did it went wrong? she thought… When did she lose touch with her magic.
Not the mundane magic, not the one she used for these parlor tricks devoid of meaning, like that beautiful flying motorbike which was drowning even faster than her… She was speaking of her inner magic, her sense of connection with the elements, with herself, Phoebe.

What had become of the frail grey-haired lady the apparency of whom she was so fond of taking years ago?
She was tempted to blame many things; the twenty-first century of her own dimension, for one, which had made her rough and tough, out of need perhaps, and perhaps a bit out of laziness. It was out of tiredness mostly, tiredness to have to constantly justify her appearance to others, that she had chosen a more convenient one; that of the crone with more rotund forms, of whom one would only expect austerity and strength.
You can see where it had led you. she was thinking.

A few more miles further down, and perhaps she would meet the mermaids, like the guy said in that Big Blue motion picture…
Maybe there was some purity left in her heart, that would make the inhabitants of the depths greet her wretched soul. Or perhaps they all died before her, from the pollution of this strange world mutating in pangs and spasms of a painful childbirth.

And what would you do now, if you have the choice? that sweet voice, like that of a thin grey-haired mermaid, was it her own, testing herself?
The quest for magical artifacts seemed so far away at this moment. It had begun a long time ago, led her to discover new other-dimensional places… new tricks, all of them for what? To gain control over the elements, the others, everything that could threaten her, force her to change. How ironic. That the fear of change made her change so drastically.
She wanted to make peace with all of that. The mermaids weren’t coming, but her own voice was still there for her. Perhaps she could muster the strength. To continue…

Mustering all her force, she forcibly expressed the most propelling “prout” she’d ever made. Of course, she’d been learning a few tricks from the legendary Fartiste back in her youth when she went to Paris to perform at the Moulin Rouge… Sweetest time of her life, she had to admit…

On the surface of the waters, bubbles started to form.

It’d been two hexades that the Abbot Hrih Chokyam Lin’potshee had been laying in bed in poor condition.
At first, he had wanted to be as strong as he had always been towards hardships, but he’d finally admitted that quelching the pain wasn’t doing any good to him. So he had agreed to be taken care of by a young monk, and to lay in bed as long as was necessary.
He knew that he was very likely not to get out of that bed but with his body covered by a white sheet, nevertheless, the thought was still something distant. The pain in his body was making him so present to himself that the only thing that was still blatant was that he was.
More than the body, it was all his faith that was shaken. He had thought he would leave this life without mess, without pain, probably very discreetly in his sleep… But now, his head was wincing at every noise, even the nature’s sounds that once felt like music to his ears, he was eschewing them now as much as he could. His very skin was hot and couldn’t bear even the soft contact of the bedsheets.
What was the point of all of this? He had never doubted that everything had its purpose, but now, he was doubting…
He was even trying to find some reasonable reasons for what was happening, he who never trusted in reasonable reasons in the first place. Perhaps that was because of his seating under the chilly air and the warm sun in front of the Meditation Wall, reading for all of the poems that had been written by the monks who had dared to write. Perhaps he had “taken cold”, whatever that means…
“Perhaps not” the voice kept saying softly in his head.

Now, his whole succession was feeling like a moot point. After all, he was not even capable of saving himself from anything, then how could what he created make the slightest difference? These were all like an extension of his body, bound to decay and come back to Earths.

Not so many monks had dared write upon the Wall about their highest truth. A few jokesters had begun at first, helping the others to participate.
One in particular had had Hrih laugh for quite a while.

A toad is a toad
Unless kissed
Endless Bliss

Then a dozen of others had flourished upon the wall, until Aum Geong decided to write his own. He’d not wanted to go first, to allow the others to express without the burden of comparison, and also to have some more time to write something deep and thoughtful. But that profusion of nonsense between some occasional pearls of wisdom made him write his own.

Unattainable is the Truth
For in the Dust of things
All in our View is bleak

Doing Wrong we forswear
For Dust to be lifted
And Wisdom we seek

In the deed of the Elders
And the Faith in the Community
Light and Trust bespeak

All the monks had been quite impressed, but Hrih had not been entirely satisfied by it… To be honest, he even completely disagreed with it.
Now, however, stuck in this bed, the poem was playing in his head and suggesting that the Worlds were something terrible that he had not yet understood, or be willing to avoid seeing. Perhaps Aum Geong was wiser than he was.
Perhaps all that Hrih had put as foundational to his life had all been Dust…
“There is no Dust, and you know that” the voice whispered softly.

Now that he is about to die, what difference will it make anyway…
He reach out for a bowl of water, and almost let it fall, as the weight of it surprised him. He was becoming so weak… He never had been so self-conscious in many many many years.

After he had propped himself up to drink a few burning swallows of the lukewarm water, he noticed something folded on his bedside, that had been put under the bowl… Young Franiel had been the one attending him with Jog Lam, so it must have been the doing of one of them. He intuited that was Franiel.

As he read the stanzas, tears were in his eyes…

I am the driftwood
the wave carried me
I was buried in sand

I am the flower
the butterfly touched me
I fell in love

I am the raindrop
the cloud released me
I became the ocean

The Young monk had probably not dared write it on the Wall, especially after most of the monks’ vocal appreciations of Aum Geong’s poem…
“Perhaps not” the voice again spoke.
Another reason for it formed into Hrih’s mind. Franiel perhaps didn’t feel ready for such responsibilities and his role and fulfillment in this community was not form rules nor to continue it.
It was more to inspire them, and perhaps to start his own discoveries.

Hrih wrote a note behind the paper. He wanted to leave something for Franiel, for him to keep faith in his coming adventures during these coming times of change.
After a deep breath, he took another paper that was with him for already such a long time, wrote down some words, and signed it, the aura of his hand burning a glyph that was his signature in the paper. He then called for Jog Lam.

— Jog Lam, my friend…
— Elder?
— I’m dying…
— I know Elder
— Let me continue. (Jog Lam nodded)
First, will you give that paper to Young Franiel after the cremation ceremonies. (Jog Lam nodded again)
Second, I want you to relay that I have made my decision, and that Aum Geog will succeed me (Jog Lam’s surprise was noticeable in his eye). He is, to date, the most adequate successor for this monastery.
— I will do as you want.
— Thank you my friend.
— Elder…
— Farewell, my friend, I am always with you.

When Jog Lam stoically left the room, Hrih Chokyam laid down, his eyes on the ceiling. His body was so weak that all he could do was to project behind his closed eyelids and see the starry sky, even if he would have wanted something different for his death. He would have loved something like a nap in a sunlit meadow with a little singing brook.
But seeing the actual World was something even more precious to him. The barren mountains of the icy season, the clear unclouded sky. His mind was so full of energy that his body lacked.

With a deep feeling of gratitude for his body, he bid it farewell.

Marvin Scrozzezi was considering a script that had been sent to him by his friend.
Betty, his assistant, had insisted that he reads it…

Seeing his current movie, it couldn’t be any worse in any case.
The title of the script cracked him up.

Ogregan, the Origeans

Marvin giggled, almost spluttering his smoking chai on the script.

He started to read the first paragraphs.

FADE IN:
EXT. WOODS
A big humphing man plunges into the woods. Twigs slap at him,
but the sound of gunfires keeps him going. Sheriff Marshall is
taking the lead, but an auburn haired man plunges into the woods
before him, followed by one dark-haired one. They are obviously
brothers. The older one is ELVIN STREWN, he is following his
younger brother with the lopsided hair, JAY STREWN.
JAY is shooting at the fugitive, ALDO MC GALLIGAN, a local
mobster known as the OGREGAN.

Gunfire explodes in trees near the STREWN brothers, shot at them
by MC GALLIGAN, and they dive and roll into hiding under a
palisade.

Interesting stuff, wonders Marvin… That mobster looks like a fascinating character…

Flipping though the script he found page 57 another catching bit of reading…

 DISSOLVE TO:
EXT. PROSPERITY BANK ; SHOT of a Texan bank on a quiet street.
INT. PROSPERITY BANK
There are three customers, male. Enters a MOTHER and her SON.
TELLER#1: What can I do for you Mrs MC GALLIGAN?
MRS GALLIGAN to her SON who is drawing on her dress: ALDO, will
you keep still for a moment, good for nothing!

…

Pfff, Marvin sighed, feeling bored.
Not long after, he was sound asleep, snoring loudly on the comfortable chair.

The unusual overwhelming heat, which had begun with the spring equinox had finally temporarily receded with the appearance of big opaque cumulonimbus filling the sky with a mute thunderous sound. The flickering glow was no longer enough for Raphael to distinguish the small dark characters dancing before his eyes, the storm having let the night pounce on them earlier than it should have.
So, Raphael closed his thick leather-bound book and put it back into his burgundy backpack bag, inhaling deeply the air of the dusk, mollified by the music of the raindrops that ricocheted now discreetly on the rusty steel plates.

The remaining passengers began to hurry around a meager dinner wrapped in dirty newspaper sheets, displaying energy resources that he felt incapable of. Feeling no hunger at all, he decided to go on the pontoon to taste the moisture exuding in the evening, this celestial water, soothing down the fever of this trip, which drew to a close. The boat continued to rend imperturbably through the obsidian sea, and the thick enveloping fog prevented them to distinguish the lights of the city that he could feel at a distance.

This was not the first time, but at each of his return, the city seemed changed, this time ghostly apparition, once glittering pearl. This was undoubtedly one of the reasons which had him leave it, as others would have done with a lover, to better appreciate this fleeting moment of reunion.
The book had been given to him by a stranger he had met, and was part of his mission; he didn’t usually accept assignments in this city where he was too obvious, but the stranger had assured him nothing illegal would be required of him, just delivering a book.
He had leafed through the book, just to make sure there was no foul play on the part of this strange man with amber eyes that seemed to keep changing colours. But the book had seemed innocuous. Even worse, it did not make any sense for Raphael. The chapters were randomly numbered, and the text seemed to keep changing. Perhaps it was Raphael’s mind which played tricks on him, but it was baffling for him, as he was accustomed to keep his senses sharp as a dagger. Whatever,… The man had paid, and a plump pile of money even.

The insistent rumors of a mysterious illness which had already claimed fatalities within the walls of the city had not deterred him to go there —knowing that the few people caring about him would have preferred to see him flee this destination, so certain as they were to be themselves immune to the contingencies of life. Even the bald adipose captain of the ship, Fat Yong Choi had seemed wary of having a pale-skinned foreigner coming on board of his boat, but he had quickly seen that Raphael was no common traveler.

But there was no longer time to rehash those turpitudes, the harbour finally appearing, like a halo glow from the contours of which some faint sounds escaped, soon to be stifled by the purring and cracking of the bulging vessel.

The winds began to sweep the docks violently, causing the cargo, now anchored, to oscillate wildly, like a huge weeble at the hands of the elements. Fortunately, due to the alarming news from the city, the boat was only half full, and the unloading was smooth. Raphael, unnerved by the long journey, only wanted to walk, but patiently followed the slow pace of the procession which led him outside of the harbour’s enclosure, even before he had noticed it.

Raphael wanted above all to rest, but didn’t care to be bothered speaking to someone. He preferred to sink deep down in his thoughts while walking through the streets, rather than lose this feeling of freedom. Freedom to choose his own itinerary, without a word to say, entirely open to the silence of the streets.

The fine drizzle had indeed deserted the streets making the city infinitely enjoyable for him. It was indeed just as he liked it best, at dusk, just faintly resonating with the sound of his own steps.
Empty — a few passersby in search of a shelter nearby. He imagined to be a ghost haunting these places without life, enjoying the feeling of being the predator felinely prowling in this scene without spectators, shrouded in the reassuring complicity of the night.

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…

India Louise had been switching her own book with Cuthbert’s that night. And as she was exploring some of the stories told in his, he was having a peek into hers.

Very quickly, he became aware of a whole new continent, in that World, across the Middle Seas. In that continent far North of the one where Malvina’s was living, lived some intrepid people. They were strong with big voices, and a bit quarrelsome too. Their ways had forgotten lots about Magix and they placed most of the value into tangible items.

The next page, a man was sailing across the Middle Seas with a handful of trusted men. He was a captain pirate, named Båd Al’Guz, which meant, Båd son of Guz. His crew referred to him as Bådul.

Cuthbert was intrigued by this man, and had begun to discuss with him mentally, asking who he was, who were his people. The same as Cuthbert had been very innocently doing with gentle Malvina.

But Bådul was tricky, and after a bit of a surprise, very soon discovered that the little boy could be a very interesting informant, though an unusual one.

And in fact, his information was much more interesting than that which the shamans of King Wulfrick babbled in the most inspired manner.

Till now, from the mouths of the buck-pelts clothed shamans had only came stupid gibberish that the King and his court gobbled endlessly. Something about “YaWn”, as they said: You animate Worlds neatly .

How stupid was that? Their only answers were useless to him, they were only telling him that he activated and animated the Worlds neatly, and that, in short, nothing was fixed and he could do anything.

Well, with that boy, that was different. He was talking about a cave with gilded dragon eggs, and THAT was of a great value to Bådul.

But of course, he would not frighten the young boy and pretended that his intentions were that of an explorer, trying to discover new shores and new continents, so as to become closer to understand from where he came, and hopefully make people aware of their closeness to each others.

He was such an eloquent actor that he almost shed a tear saying that sentence.

As a matter of fact, for as long as he remembered, he had been wandering in many situations, and lots of them had not been very pleasant. Born from uncaring parents, as lots, if not all, of his people were, working as a janitor in a sordid tavern, then as a warden (if not executioner when requested) in an even more sordid jail… Were the Gods to be blamed for that? Well, according to the shamans, he was the only one to be blamed, because he did not accept his responsibility as a weaver of Worlds.

Idiots.

At least, he had found his passion. He love sailing, and taking riches for his pleasure. Whatever then, he would take his share, and not care about what was next.

At least, if he could coax the boy into revealing more about that cave.