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In reply to: The Last Cruise of Helix 25
Mars Outpost — Welcome to the Wild Wild Waste
No one had anticipated how long it would take to get a shuttle full of half-motivated, gravity-averse Helix25 passengers to agree on proper footwear.
“I told you, Claudius, this is the fancy terrain suit. The others make my hips look like reinforced cargo crates,” protested Tilly Nox, wrangling with her buckles near the shuttle airlock.
“You’re about to step onto a red-rock planet that hasn’t seen visitors since the Asteroid Belt Mining Fiasco,” muttered Claudius, tightening his helmet strap. “Your hips are the least of Mars’ concerns.”
Behind them, a motley group of Helix25 residents fidgeted with backpacks, oxygen readouts, and wide-eyed anticipation. Veranassessee had allowed a single-day “expedition excursion” for those eager—or stir-crazy—enough to brave Mars’ surface. She’d made it clear it was volunteer-only.
Most stayed aboard, in orbit of the red planet, looking at its surface from afar to the tune of “eh, gravity, don’t we have enough of that here?” —Finkley had recoiled in horror at the thought of real dust getting through the vents and had insisted on reviewing personally all the airlocks protocols. No way that they’d sullied her pristine halls with Martian dust or any dust when the shuttle would come back. No – way.
But for the dozen or so who craved something raw and unfiltered, this was it. Mars: the myth, the mirage, the Far West frontier at the invisible border separating Earthly-like comforts into the wider space without any safety net.
At the helm of Shuttle Dandelion, Sue Forgelot gave the kind of safety briefing that could both terrify and inspire. “If your oxygen starts blinking red, panic quietly and alert your buddy. If you fall into a crater, forget about taking a selfie, wave your arms and don’t grab on your neighbor. And if you see a sand wyrm, congratulations, you’ve either hit gold or gone mad.”
Luca Stroud chuckled from the copilot seat. “Didn’t see you so chirpy in a long while. That kind of humour, always the best warning label.”
They touched down near Outpost Station Delta-6 just as the Martian wind was picking up, sending curls of red dust tumbling like gossip.
And there she was.
Leaning against the outpost hatch with a spanner slung across one shoulder, goggles perched on her forehead, Prune watched them disembark with the wary expression of someone spotting tourists traipsing into her backyard garden.
Sue approached first, grinning behind her helmet. “Prune Curara, I presume?”
“You presume correctly,” she said, arms crossed. “Let me guess. You’re here to ruin my peace and use my one functioning kettle.”
Luca offered a warm smile. “We’re only here for a brief scan and a bit of radioactive treasure hunting. Plus, apparently, there’s been a petition to name a Martian dust lizard after you.”
“That lizard stole my solar panel last year,” Prune replied flatly. “It deserves no honor.”
Inside, the outpost was cramped, cluttered, and undeniably charming. Hand-drawn maps of Martian magnetic hotspots lined one wall; shelves overflowed with tagged samples, sketchpads, half-disassembled drones, and a single framed photo of a fireplace with something hovering inexplicably above it—a fish?
“Flying Fish Inn,” Luca whispered to Sue. “Legendary.”
The crew spent the day fanning out across the region in staggered teams. Sue and Claudius oversaw the scan points, Tilly somehow got her foot stuck in a crevice that definitely wasn’t in the geological briefing, which was surprisingly enough about as much drama they could conjure out.
Back at the outpost, Prune fielded questions, offered dry warnings, and tried not to get emotionally attached to the odd, bumbling crew now walking through her kingdom.
Then, near sunset, Veranassessee’s voice crackled over comms: “Curara. We’ll be lifting a crew out tomorrow, but leaving a team behind. With the right material, for all the good Muck’s mining expedition did out on the asteroid belt, it left the red planet riddled with precious rocks. But you, you’ve earned to take a rest, with a ticket back aboard. That’s if you want it. Three months back to Earth via the porkchop plot route. No pressure. Your call.”
Prune froze. Earth.
The word sat like an old song on her tongue. Faint. Familiar. Difficult to place.
She stepped out to the ridge, watching the sun dip low across the dusty plain. Behind her, laughter from the tourists trading their stories of the day —Tilly had rigged a heat plate with steel sticks and somehow convinced people to roast protein foam. Are we wasting oxygen now? Prune felt a weight lift; after such a long time struggling to make ends meet, she now could be free of that duty.
Prune closed her eyes. In her head, Mater’s voice emerged, raspy and amused: You weren’t meant to settle, sugar. You were meant to stir things up. Even on Mars.
She let the words tumble through her like sand in her boots.
She’d conquered her dream, lived it, thrived in it.
Now people were landing, with their new voices, new messes, new puzzles.
She could stay. Be the last queen of red rock and salvaged drones.
Or she could trade one hell of people for another. Again.
The next morning, with her patched duffel packed and goggles perched properly this time, Prune boarded Shuttle Dandelion with a half-smirk and a shrug.
“I’m coming,” she told Sue. “Can’t let Earth ruin itself again without at least watching.”
Sue grinned. “Welcome back to the madhouse.”
As the shuttle lifted off, Prune looked once, just once, at the red plains she’d called home.
“Thanks, Mars,” she whispered. “Don’t wait up.”
In reply to: The Precious Life and Rambles of Liz Tattler
“Nice arse,” said Idle non too quietly, admiring Roberto as he stacked firewood beside the hearth. The gardener glanced round and gave her a cheeky wink. He’d noticed her leaning out of an upstairs window watching him weeding the herbacious border.
“Now, now, Idle, no molesting the staff. I’ll write some men into the story for you later,” Liz said, “But first let’s talk about my new book. I’m wondering what to name the six spinsters. Some kind of a theme. Cerise, Fuschia, Scarlett, Coral, Rose and Magenta?”
“What about Cobalt, Lapis, Cerulean, Indigo, Sapphire and Capri?” offered Idle, topping up their wine glasses. “Chartreuse, Emerald, Jade, Fern, Pistachio and Malachite? Marigold, Saffron, Citron, Amber, Maize and Apricot?”
“How about Bratwurst, Chorizo, Salami, Knackwurst, Bologna and Frankfurter?” suggested Godfrey who was still miffed about all the spare parts being disposed of. “Lasagne, Macaroni, Canneloni, Farfali, Linguini and Ravioli?”
Roberto lit the fire and stood up. “I have an idea, you can call them Trowel, Rake, Hoe, Wheelbarrow, Spade and Secateur.”
“Marvelous Roberto, I love it!” gushed Aunt Idle.
“You’re all mad as a box of frogs, madder than Almad,” Finnley said. “How about Duster, Mop, Bleach, Broom, Dustpan and Cloth?”
“I think this incessant rain is driving us all mad,” Liz said, glancing out of the French windows with a sigh.
In reply to: The Precious Life and Rambles of Liz Tattler
“Godfrey,” Liz peered menacingly over her spectacles at her increasingly rogue editor, “Are you trying to replace me? Because it won’t work, you know.”
“You won’t be able to replace me, either,” Finnley called over her shoulder while sweeping up mouse droppings.
“I too am irreplacable,” shouted Roberto who just happened to be passing the French windows with a trug of prunings.
On impulse, Liz dived through the French windows onto the terrace and snatched the secateurs from the trug over Roberto’s arm. In a trice she had snipped through Godfrey’s cables.
“Pass the peanuts,” intoned Godfrey mechanically, deprived of electricity and with a low back up battery. It wouldn’t be long before he was silent and Liz could get back to the business of writing stories.
“I’ll plug you back in, in a minute,” hissed Finnley to Godfrey, while Liz was diverted with returning the secateurs to the gardener. “Once she’s settled down.”
In reply to: The Last Cruise of Helix 25
Helix 25 – Onto The Second Murder Investigation
Very strangely, it was a lot less chaotic in the Lower Decks, while the Upper Decks were having a rave of a time with the moon and mood swings.
Evie stood over the diagnostics table, arms crossed, watching as Luca Stroud ran his scanner over Mandrake’s cybernetic collar. The black cat lay still, one eye flickering intermittently as though stuck between waking and shutdown. The deep gash along his side had been patched—Romualdo had insisted on carrying Mandrake to the lab himself, mumbling about how the garden’s automated sprinklers were acting up, and how Luca was the only one he trusted to fix delicate mechanisms.It had been a casual remark, but Evie had caught the subtext. Mandrake was no ordinary ship cat. He had always been tied to something larger.
“Neurolink’s still scrambled,” Luca muttered, adjusting his scanner. “Damage isn’t terminal, but whatever happened, someone tried to wipe part of his memory.”
Riven, arms crossed beside Evie, scoffed. “Why the hell would someone try to assassinate a cat?”
Luca didn’t answer, but the data flickering on his screen spoke for itself. The attack had been precise. Not just a careless act of cruelty, nor an accident in the low-gravity sector.
Mandrake had been targeted.
Evie exhaled sharply. “Can you fix him?”
Luca shrugged. “Depends. The physical repairs are easy enough—fractured neural pathways, fried circuits—but whatever was erased? That’s another story.” He tilted his head. “Thing is… someone didn’t just try to kill Mandrake. They tried to make him forget.”
Riven’s frown deepened. “Forget what?”
Silence settled between them.
Evie reached out, brushing a gloved hand over Mandrake’s sleek black fur. “We need to figure out what he knew.”
It had been Trevor Pee—TP himself—who first mentioned it, entirely offhand, as they reviewed logs of the last places Mandrake had been seen.
“He wasn’t always on his own, you know,” TP had said, twirling his holographic cane.
Evie and Riven both turned to him.
“What do you mean on his own, I though he was Seren’s?”
“Oh, no. He just had a liking for her, but he’d belonged to someone else long before.” TP’s mustache twitched. “I accessed some archival records during Mandrake’s diagnostic.”
Evie blinked. “Mmm, are you going to make me ask? What did you find?”
“Indeed,” TP offered cheerfully. “Before Mandrake wandered freely through the gardens and ventilation shafts, becoming a ship legend, he belonged—as much as a cat can belong—to someone.”
Riven’s expression darkened. “Who?! Will you just tell?!”
TP flicked his wrist, bringing up an old personnel file, heavily redacted. But one name flickered beneath the blurred-out sections.
Dr. Elias Arorangi.
Evie felt her heartbeat quicken. The name echoed faintly familiar, not directly connected to her, but she’d seen it once or twice before, buried in obscure references. “Dr. Arorangi—wait, he was part of the original Helix design team, wasn’t he?”
TP nodded gravely. “Precisely. A lead systems architect, responsible for designing key protocols for the AI integration—among them, some critical frameworks that evolved into Synthia’s consciousness. Disappeared without a trace shortly after Synthia’s initial activation.”
Riven straightened. “Disappeared? Do you think—”
TP raised a finger to silence him. “I don’t speculate, but here’s the interesting part: Dr. Arorangi had extensive, classified knowledge of Helix 25’s core systems. If Mandrake was his companion at that crucial time, it’s conceivable that Arorangi trusted something to him—a memory, a code fragment, perhaps even a safeguard.”
Evie’s mouth went dry.
An architect of Helix 25, missing under suspicious circumstances, leaving behind a cat whose cybernetics were more sophisticated than any pet implant she’d ever seen?
Evie looked down at Mandrake, whose damaged neural links were still flickering faintly. Someone had wanted Mandrake silenced and forgotten.
Later, in the dim light of his workshop, Luca Stroud worked in silence, carefully re-aligning the cat’s neural implants. Romualdo sat nearby, arms crossed, watching with the nervous tension of a man who had just smuggled a ferret into a rat convention.
“He’s tough,” Luca muttered, tightening a connection. “More durable than most of the junk I have to fix.”
Romualdo huffed. “He better be.”
A flicker of light pulsed through Mandrake’s collar. His single good eye opened, pupils dilating as his systems realigned.
Then, groggily, he muttered, “I hate this ship.”
Romualdo let out a relieved chuckle. “Yeah, yeah. Welcome back, Mandrake.”
Luca wiped his hands. “He’s still scrambled, but he’s functional. Just… don’t expect him to remember everything.”
Mandrake groaned, stretching his mechanical paw. “I remember… needing a drink.”
Romualdo smirked. “That’s a good sign, yeah?”
Luca hesitated before looking at Evie. “Whatever was wiped—it’s gone. But if he starts remembering things in fragments… we need to pay attention.”
Evie nodded. “Oh, we definitely will.”
Mandrake rolled onto his feet, shaking out his fur, a small but defiant flick of his cybernetic tail.
“I have the strangest feeling,” he muttered, “that someone is still looking for me.”
Evie exhaled.
For now, with his memory gone, he would probably be safe, but a killer was in their midst and they needed to find out the truth, and fast.
In reply to: The Last Cruise of Helix 25
The village lay huddled before them, appearing like a mirage as they reached the top of the rise. Habitation always looks so picturesque when it’s been taken over by nature, Molly thought, by no means for the first time. Even before the collapse, she had penchant for overgrown abandoned ruins. Vines and ivy rampaged gleefully over the houses, softening the hard outlines, and saplings reached for the sky through crumbling roofs.
The survivors had stopped on the low hill to survey the scene, but soon they were rushing down towards the village to explore. As they came closer they could see all the cucumbers and courgettes dangling from the festoons of vines. Molly had visions of cucumber sandwiches on delicate thin sliced white bread with a piping hot pot of tea. But a waterey tasteless courgette soup will have to do, I suppose.
It was mid afternoon but there was no debate about continuing the journey that day. There were all the houses to search, and several shops, and more importantly, shelter for the night. The rain clouds were approaching from the east.
The church was chosen as a base camp as it was spacious enough to accomodate them all and the roof was intact, all but for the collapsed wooden tower which would provide wood for a fire. Lev and Luka set to work organising the space inside the church, supervised by Molly, Gregor and Petro, who wanted to rest. The others had dumped their bags and gone off to explore the buildings for supplies and forage in the overgrown gardens.
Tundra, happy that for once the responsibility of finding food was shared with so many other people, indulged her curiosity to just snoop around aimlessly. Clambering over a crumbling wooden porch, she pushed open what remained of a peeling door and stepped carefully inside. Venturing around the edges of the room, she peered at all the faded and warped framed photographs on the walls, portraits and family groups, wondering about the family who had lived here. There was a tray on a side table inscribed with Greetings from Niagara Falls! in a jolly cursive script, and an odd shaped rusting metal object with the words Souvenir de la tour Eiffel.
Slowly Tundra toured the house, inspecting all the objects in the rooms. Gingerly she made her way up the stairs, testing each riser before committing her weight to it. In a small bedroom packed with decomposing plastic bags and cardboard boxes spilling their assorted contents, she came upon a pile of letters and postcards, yellowy and curling, with mouse nibbled edges. Molly had told her about grandads postcard collection, but he’d taken it with him and she’d never seen them herself. I wonder what happened to that ship? Is my grandad still alive? Tundra sighed. Maybe he’ll come back one day. And my dad.
Sitting on the floor, Tundra sorted out the intact postcards from the badly damaged ones. She would take them with her to look at later, maybe ask the others what they knew of all the pictured places.
In reply to: Helix Mysteries – Inside the Case
Helix 25 – Investigation Breakdown: Suspects, Factions, and Ship’s Population
To systematically investigate the murder(s) and the overarching mystery, let’s break down the known groups and individuals, their possible means to commit crimes, and their potential motivations.
1. Ship Population & Structure
Estimated Population of Helix 25
- Originally a luxury cruise ship before the exodus.
- Largest cruise ships built on Earth in 2025 carried ~5,000 people.
Space travel, however, requires generations. - Estimated current ship population on Helix 25: Between 15,000 and 50,000, depending on deck expansion and growth of refugee populations over decades.
- Possible Ship Propulsion:
- Plasma-based propulsion (high-efficiency ion drives)
- Slingshot navigation using gravity assists
- Solar sails & charged particle fields
- Current trajectory: Large elliptical orbit, akin to a comet.
Estimated direction of the original space trek was still within Solar System, not beyond the Kuiper Belt (~30 astrological units) and programmed to return towards it point of origin.
Due to the reprogramming by the refugees, it is not known if there has been significant alteration of the course – it should be known as the ship starts to reach the aphelion (farthest from the Sun) and either comes back towards it, or to a different course.
- Question: Are they truly on a course out of the galaxy? Or is that just the story Synthia is feeding them?
Is there a Promised Land beyond the Ark’s adventure?
2. Breaking Down People & Factions
To find the killer(s), conspiracies, and ship dynamics, here are some of factions, known individuals, and their possible means/motives.
A. Upper Decks: The Elite & Decision-Makers
- Defining Features:
- Wealthy descendants of the original passengers. They have adopted names of stars as new family names, as if de-facto rulers of the relative segments of the space.
- Have never known hardship like the Lower Decks.
- Kept busy with social prestige, arts, and “meaningful” pursuits to prevent existential crisis.
Key Individuals:
-
- Means: Extensive social connections, influence, and hidden cybernetic enhancements.
- Motive: Could be protecting something or someone—she knows too much about the ship’s past.
- Secrets: Claims to have met the Captain. Likely lying… unless?
-
- Means: Expert geneticist, access to data. Could tamper with DNA.
- Motive: What if Herbert knew something about her old research? Did she kill to bury it?
-
Ellis Marlowe (Retired Postman) –
- Means: None obvious. But as a former Earth liaison, he has archives and knowledge of what was left behind.
- Motive: Unclear, but his son was the murder victim. His son was previously left on Earth, and seemed to have found a way onto Helix 25 (possibly through the refugee wave who took over the ship)
- Question: Did he know Herbert’s real identity?
-
Finkley (Upper Deck cleaner, informant) –
- Means: As a cleaner, has access everywhere.
- Motive: None obvious, but cleaners notice everything.
- Secret: She and Finja (on Earth) are telepathically linked. Could Finja have picked up something?
-
The Three Old Ladies (Shar, Glo, Mavis) –
- Means: Absolutely none.
- Motive: Probably just want more drama.
- Accidental Detectives: They mix up stories but might have stumbled on actual facts.
-
Trevor Pee Marshall (TP, AI detective) –
- Means: Can scan records, project into locations, analyze logic patterns.
- Motive: Should have none—unless he’s been compromised as hinted by some of the remnants of old Muck & Lump tech into his program.
B. Lower Decks: Workers, Engineers, Hidden Knowledge
- Defining Features:
- Unlike the Upper Decks, they work—mechanics, hydroponics, labor.
- Self-sufficient, but cut off from decisions.
- Some distrust Synthia, believing Helix 25 is off-course.
Key Individuals:
-
Luca Stroud (Engineer, Cybernetic Expert) –
- Means: Can tamper with ship’s security, medical implants, and life-support systems.
- Motive: Possible sabotage, or he was helping Herbert with something.
- Secret: Works in black-market tech modifications.
-
Romualdo (Gardener, Archivist-in-the-Making) –
- Means: None obvious. Seem to lack the intelligence, but isn’t stupid.
- Motive: None—but he lent Herbert a Liz Tattler book about genetic memories.
- Question: What exactly did Herbert learn from his reading?
-
Zoya Kade (Revolutionary Figure, Not Directly Involved) –
- Means: Strong ideological influence, but not an active conspirator.
- Motive: None, but her teachings have created and fed factions.
-
The Underground Movement –
- Means: They know ways around Synthia’s surveillance.
- Motive: They believe the ship is on a suicide mission.
- Question: Would they kill to prove it?
C. The Hold: The Wild Cards & Forgotten Spaces
- Defining Features:
- Refugees who weren’t fully integrated.
- Maintain autonomy, trade, and repair systems that the rest of the ship ignores.
Key Individuals:
-
Kai Nova (Pilot, Disillusioned) –
- Means: Can manually override ship systems… if Synthia lets him.
- Motive: Suspects something’s off about the ship’s fuel levels.
-
Cadet Taygeta (Sharp, Logical, Too Honest) –
- Means: No real power, but access to data.
- Motive: Trying to figure out what Kai is hiding.
D. AI & Non-Human Factors
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Synthia (Central AI, Overseer of Helix 25)
- Means: Controls everything.
- Motive: Unclear, but her instructions are decades old.
- Question: Does she even have free will?
-
The Captain (Nemo)
- Means: Access to ship-wide controls. He is blending in the ship’s population but has special access.
- Motive: Seems uncertain about his mission.
- Secret: He might not be following Synthia’s orders anymore.
3. Who Has the Means to Kill in Zero-G?
The next murder happens in a zero-gravity sector. Likely methods:
- Oxygen deprivation (tampered life-support, “accident”)
- Drowning (hydro-lab “malfunction”)
Likely Suspects for Next Murder
Suspect Means to Kill in Zero-G Motive Luca Stroud Can tamper with tech Knows ship secrets Amara Voss Access to medical, genetic data Herbert was digging into past Underground Movement Can evade Synthia’s surveillance Wants to prove ship is doomed Synthia (or Rogue AI processes) Controls airflow, gravity, and safety protocols If she sees someone as a threat, can she remove them? The Captain (Nemo?) Has override authority Is he protecting secrets?
4. Next Steps in the Investigation
- Evie and Riven Re-interview Suspects. Who benefited from Herbert’s death?
- Investigate the Flat-Earth Conspiracies. Who is spreading paranoia?
- Check the Captain’s Logs. What does Nemo actually believe?
- Stop the Next Murder. (Too late?)
Final Question: Where Do We Start?
- Evie and Riven visit the Captain’s quarters? (If they find him…)
- Investigate the Zero-G Crime Scene? (Second body = New urgency)
- Confront one of the Underground Members? (Are they behind it?)
Let’s pick a thread and dive back into the case!
In reply to: The Last Cruise of Helix 25
Helix 25 – The Murder Board
Evie sat cross-legged on the floor of her cramped workspace, staring at the scattered notes, datapads, and threads taped to the wall. Finding some yarn on the ship had not been as easy as she thought, but it was a nice touch she thought.
The Murder Board, as Riven Holt had started calling it, was becoming an increasingly frustrating mess of unanswered questions.
Riven stood nearby, arms crossed, with a an irritated skepticism. “Almost a week,” he muttered. “We’re no closer than when we started.”
Evie exhaled sharply. “Then let’s go back to the basics.”
She tapped the board, where the crime scene was crudely sketched. The Drying Machine. Granary. Jardenery. Blood that shouldn’t exist.
She turned to Riven. “Alright, let’s list it out. Who are our suspects?”
He looked at his notes, dejected for a moment; “too many, obviously.” Last census on the ship was not accurate by far, but by all AI’s accounts cross-referenced with Finkley’s bots data, they estimated the population to be between 15,000 and 50,000. Give or take.
They couldn’t interview possibly all of them, all the more since there the interest in the murder had waned very rapidly. Apart from the occasional trio of nosy elderly ladies, the ship had returned mostly to the lull of the day-to-day routine.
So they’d focused on a few, and hoped TP’s machine brain could see patterns where they couldn’t.- First, the Obvious Candidates: People with Proximity to the Crime Scene
Romualdo, the Gardener – Friendly, unassuming. He lends books, grows plants, and talks about Elizabeth Tattler novels. But Herbert visited him often. Why?
Dr. Amara Voss – The geneticist. Her research proves the Crusader DNA link, but could she be hiding more? Despite being Evie’s godmother, she couldn’t be ruled out just yet.
Sue Forgelot – The socialite with connections everywhere. She had eluded their request for interviews. —does she know more than she lets on?
The Cleaning Staff – they had access everywhere. And the murder had a clean elegance to it… - Second, The Wild Cards: People with Unknown Agendas
The Lower Deck Engineers – Talented mechanic, with probable cybernetic knowledge, with probable access to unauthorized modifications. Could they kill for a reason, or for hire?
Zoya Kade and her Followers – They believe Helix 25 is on a doomed course, manipulated by a long-dead tycoon’s plan. Would they kill to force exposure of an inconvenient truth?
The Crew – Behind the sense of duty and polite smiles, could any of them be covering something up? - Third, The AI Factor: Sentient or Insentient?
Synthia, the AI – Controls the ship. Omnipresent. Can see everything, and yet… didn’t notice or report the murder. Too convenient.
Other personal AIs – Like Trevor Pee’s programme, most had in-built mechanisms to make them incapable of lying or harming humans. But could one of their access be compromised?
Riven frowned. “And what about Herbert himself? Who was he, really? He called himself Mr. Herbert, but the cat erm… Mandrake says that wasn’t his real name. If we figure out his past, maybe we find out why he was killed.”
Evie rubbed her temples. “We also still don’t know how he was killed. The ship’s safety systems should have shut the machine down. But something altered how the system perceived him before he went in.”
She gestured to another note. “And there’s still the genetic link. What was Herbert doing with Crusader DNA?”
A heavy silence settled between them.
Then TP’s voice chimed in. “Might I suggest an old detective’s trick? When stumped, return to who benefits.”
Riven exhaled. “Fine. Who benefits from Herbert’s death?”
Evie chewed the end of her stylus. “Depends. If it was personal, the killer is on this ship, and it’s someone who knew him. If it was bigger than Herbert, then we’re dealing with something… deeper.”
TP hummed. “I do hate deeper mysteries. They tend to involve conspiracies, misplaced prophecies, and far too many secret societies.”
Evie and Riven exchanged a glance.
Riven sighed. “We need a break.”
Evie scoffed. “Time means nothing here.”
Riven gestured out the window. “Then let’s go see it. The Sun.”
Helix 25 – The Sun-Gazing Chamber
The Sun-Gazing Chamber was one of Helix 25’s more poetic and yet practical inventions —an optically and digitally-enhanced projection of the Sun, positioned at the ship’s perihelion. It was meant to provide a psychological tether, a sense of humanity’s connection to the prime provider of life as they drifted in the void of the Solar System.
It was a beautifully designed setting where people would simply sit and relax, attuned to the shift of days and nights as if still on Earth. The primary setting had been voted to a massive 83.5% to be like in Hawai’i latitude and longitude, as its place was believed to be a reflection of Earth’s heart. That is was a State in the USA was a second thought of course.
Evie sat on the observation bench, staring at the massive, golden sphere suspended in the darkness. “Do you think people back on Earth are still watching the sunrise?” she murmured.
Riven was quiet for a moment. “If there’s anyone left.”
Evie frowned. “If they are, I doubt they got much of a choice.”
TP materialized beside them, adjusting his holographic tie. “Ah, the age-old existential debate: are we the lucky ones who left Earth, or the tragic fools who abandoned it?”
Evie ignored him, glancing at the other ship residents in the chamber. Most people just sat quietly, basking in the light. But she caught snippets of whispers, doubt, something spreading through the ranks.
“Some people think we’re not really where they say we are,” she muttered.
Riven raised an eyebrow. “What, like conspiracy theories?”
TP scoffed. “Oh, you mean the Flat-Earthers?” He tsked. “Who couldn’t jump on the Helix lifeboats for their lives, convinced as they were we couldn’t make it to the stars. They deserved what came to them. Next they’ll be saying Helix 25 never even launched and we’re all just trapped in a simulation of a luxury cruise.”
Evie was shocked at Trevor Pee’s eructation and rubbed her face. “Damn Effin Muck tech, and those “Truth Control” rubbish datasets. I thought I’d thoroughly scrubbed all the old propaganda tech from the system.”
“Ah,” TP said, “but conspiracies are like mold. Persistent. Annoying. Occasionally toxic.”
Riven shook his head. “It’s nonsense. We’re moving. We’ve been moving for decades.”
Evie didn’t look convinced. “Then why do we feel stuck?”
A chime interrupted them.
A voice, over the comms. Solar flare alert.
Evie stiffened.
Then: Stay calm and return to your quarters until further notice.
Evie raised an eyebrow. This was the first time something like that happened. She turned to Riven who was looking at his datapad who was flashing and buzzing.
He said to her: “Stay quiet and come with me, a new death has been reported. Crazy coincidence. It’s just behind the Sun-Gazing chamber actually, in the Zero-G sector.”
In reply to: Helix Mysteries – Inside the Case
Some pictures selections
Evie and TP Investigating the Drying Machine Crime Scene
A cinematic sci-fi mini-scene aboard the vast and luxurious Helix 25. In the industrial depths of the ship, a futuristic drying machine hums ominously, crime scene tape lazily flickering in artificial gravity. Evie, a sharp-eyed investigator in a sleek yet practical uniform, stands with arms crossed, listening intently. Beside her, a translucent, retro-stylized holographic detective—Trevor Pee Marshall (TP)—adjusts his tiny mustache with a flourish, pointing dramatically at the drying machine with his cane. The air is thick with mystery, the ship’s high-tech environment reflecting off Evie’s determined face while TP’s flickering presence adds an almost comedic contrast. A perfect blend of noir and high-tech detective intrigue.
Riven Holt and Zoya Kade Confronting Each Other in a Dimly Lit Corridor
A dramatic, cinematic sci-fi scene aboard the vast and luxurious Helix 25. Riven Holt, a disciplined young officer with sharp features, stands in a high-tech corridor, his arms crossed, jaw tense—exuding authority and restraint. Opposite him, Zoya Kade, a sharp-eyed, wiry 83-year-old scientist-prophet, leans slightly forward, her mismatched layered robes adorned with tiny artifacts—beads, old circuits, and a fragment of a key. Her silver-white braid gleams under the soft emergency lighting, her piercing gaze challenging him. The corridor hums with unseen energy, a subtle red glow from a “restricted access” sign casting elongated shadows. Their confrontation is palpable—a struggle between order and untamed knowledge, hierarchy and rebellion. In the background, the walls of Helix 25 curve sleekly, high-tech yet strangely claustrophobic, reinforcing the ship’s ever-present watchfulness.
Romualdo, the Gardener, Among the Bioluminescent Plants
A richly detailed sci-fi portrait of Romualdo, the ship’s gardener, standing amidst the vibrant greenery of the Jardenery. He is a rugged yet gentle figure, dressed in a simple work jumpsuit with soil-streaked hands, a leaf-tipped stem tucked behind his ear like a cigarette. His eyes scan an old, well-worn book—one of Liz Tattler’s novels—that Dr. Amara Voss gave him for his collection. The glowing plants cast an ethereal blue-green light over him, creating an atmosphere both peaceful and mysterious. In the background, the towering vines and suspended hydroponic trays hint at the ship’s careful balance between survival and serenity.
Finja and Finkley – A Telepathic Parallel Across Space
A surreal, cinematic sci-fi composition split into two mirrored halves, reflecting a mysterious connection across vast distances. On one side, Finja, a wiry, intense woman with an almost obsessive neatness, walks through the overgrown ruins of post-apocalyptic Earth, her expression distant as she “listens” to unseen voices. Dust lingers in the air, catching the golden morning light, and she mutters to herself about cleanliness. In her reflection, on the other side of the image, is Finkley, a no-nonsense crew member aboard the gleaming, futuristic halls of Helix 25. She stands with hands on her hips, barking orders at small cleaning bots as they maintain the ship’s pristine corridors. The lighting is cold and artificial, sterile in contrast to the dust-filled Earth. Yet, both women share a strange symmetry—gesturing in unison as if unknowingly mirroring one another across time and space. A faint, ghostly thread of light suggests their telepathic bond, making the impossible feel eerily real.
In reply to: The Last Cruise of Helix 25
Helix 25 – Poop Deck – The Jardenery
Evie stepped through the entrance of the Jardenery, and immediately, the sterile hum of Helix 25’s corridors faded into a world of green. Of all the spotless clean places on the ship, it was the only where Finkley’s bots tolerated the scent of damp earth. A soft rustle of hydroponic leaves shifting under artificial sunlight made the place an ecosystem within an ecosystem, designed to nourrish both body and mind.
Yet, for all its cultivated serenity, today it was a crime scene. The Drying Machine was connected to the Jardenery and the Granary, designed to efficiently extract precious moisture for recycling, while preserving the produce.
Riven Holt, walking beside her, didn’t share her reverence. “I don’t see why this place is relevant,” he muttered, glancing around at the towering bioluminescent vines spiraling up trellises. “The body was found in the drying machine, not in a vegetable patch.”
Evie ignored him, striding toward the far corner where Amara Voss was hunched over a sleek terminal, frowning at a glowing screen. The renowned geneticist barely noticed their approach, her fingers flicking through analysis results faster than human eyes could process.
A flicker of light.
“Ah-ha!” TP materialized beside Evie, adjusting his holographic lapels. “Madame Voss, I must say, your domain is quite the delightful contrast to our usual haunts of murder and mystery.” He twitched his mustache. “Alas, I suspect you are not admiring the flora?”
Amara exhaled sharply, rubbing her temples, not at all surprised by the holographic intrusion. She was Evie’s godmother, and had grown used to her experiments.
“No, indeed. I’m admiring this.” She turned the screen toward them.
The DNA profile glowed in crisp lines of data, revealing a sequence highlighted in red.
Evie frowned. “What are we looking at?”
Amara pinched the bridge of her nose. “A genetic anomaly.”
Riven crossed his arms. “You’ll have to be more specific.”
Amara gave him a sharp look but turned back to the display. “The sample we found at the crime scene—blood residue on the drying machine and some traces on the granary floor—matches an ancient DNA profile from my research database. A perfect match.”
Evie felt a prickle of unease. “Ancient? What do you mean? From the 2000s?”
Amara chuckled, then nodded grimly. “No, ancient as in Medieval ancient. Specifically, Crusader DNA, from the Levant. A profile we mapped from preserved remains centuries ago.”
Silence stretched between them.
Finally, Riven scoffed. “That’s impossible.”
TP hummed thoughtfully, twirling his cane. “Impossible, yet indisputable. A most delightful contradiction.”
Evie’s mind raced. “Could the database be corrupted?”
Amara shook her head. “I checked. The sequencing is clean. This isn’t an error. This DNA was present at the crime scene.” She hesitated, then added, “The thing is…” she paused before considering to continue. They were all hanging on her every word, waiting for what she would say next.
Amara continued “I once theorized that it might be possible to reawaken dormant ancestral DNA embedded in human cells. If the right triggers were applied, someone could manifest genetic markers—traits, even memories—from long-dead ancestors. Awakening old skills, getting access to long lost secrets of states…”
Riven looked at her as if she’d grown a second head. “You’re saying someone on Helix 25 might have… transformed into a medieval Crusader?”
Amara exhaled. “I’m saying I don’t know. But either someone aboard has a genetic profile that shouldn’t exist, or someone created it.”
TP’s mustache twitched. “Ah! A puzzle worthy of my finest deductive faculties. To find the source, we must trace back the lineage! And perhaps a… witness.”
Evie turned toward Amara. “Did Herbert ever come here?”
Before Amara could answer, a voice cut through the foliage.
“Herbert?”
They turned to find Romualdo, the Jardenery’s caretaker, standing near a towering fruit-bearing vine, his arms folded, a leaf-tipped stem tucked behind his ear like a cigarette. He was a broad-shouldered man with sun-weathered skin, dressed in a simple coverall, his presence almost too casual for someone surrounded by murder investigators.
Romualdo scratched his chin. “Yeah, he used to come around. Not for the plants, though. He wasn’t the gardening type.”
Evie stepped closer. “What did he want?”
Romualdo shrugged. “Questions, mostly. Liked to chat about history. Said he was looking for something old. Always wanted to know about heritage, bloodlines, forgotten things.” He shook his head. “Didn’t make much sense to me. But then again, I like practical things. Things that grow.”
Amara blushed, quickly catching herself. “Did he ever mention anything… specific? Like a name?”
Romualdo thought for a moment, then grinned. “Oh yeah. He asked about the Crusades.”
Evie stiffened. TP let out an appreciative hum.
“Fascinating,” TP mused. “Our dearly departed Herbert was not merely a victim, but perhaps a seeker of truths unknown. And, as any good mystery dictates, seekers who get too close often find themselves…” He tipped his hat. “Extinguished.”
Riven scowled. “That’s a bit dramatic.”
Romualdo snorted. “Sounds about right, though.” He picked up a tattered book from his workbench and waved it. “I lend out my books. Got myself the only complete collection of works of Liz Tattler in the whole ship. Doc Amara’s helping me with the reading. Before I could read, I only liked the covers, they were so romantic and intriguing, but now I can read most of them on my own.” Noticing he was making the Doctor uncomfortable, he switched back to the topic. “So yes, Herbert knew I was collector of books and he borrowed this one a few weeks ago. Kept coming back with more questions after reading it.”
Evie took the book and glanced at the cover. The Blood of the Past: Genetic Echoes Through History by Dr. Amara Voss.
She turned to Amara. “You wrote this?”
Amara stared at the book, her expression darkening. “A long time ago. Before I realized some theories should stay theories.”
Evie closed the book. “Looks like someone didn’t agree.”
Romualdo wiped his hands on his coveralls. “Well, I hope you figure it out soon. Hate to think the plants are breathing in murder residue.”
TP sighed dramatically. “Ah, the tragedy of contaminated air! Shall I alert the sanitation team?”
Riven rolled his eyes. “Let’s go.”
As they walked away, Evie’s grip tightened around the book. The deeper they dug, the stranger this murder became.
In reply to: The Last Cruise of Helix 25
Leaving the Asylum
They argued about whether to close the heavy gates behind them. In the end, they left them open. The metal groaned as it sat ajar, rust flaking from its hinges.
“Are we all here?” Anya asked. Now that they were leaving, she felt in charge again—or at least, she needed to be. If morale slipped, things would unravel fast. She scanned the group, counting them off.
“Mikhail,” she started, pointing. “Tala. Vera, our esteemed historian.”
Vera sniffed. “I prefer genealogist, thank you very much.”
“Petro,” Anya continued, “probably about to grumble.”
Petro scowled. “I was thinking.”
“Jian, our mystery man.”
Jian raised an eyebrow in acknowledgment.
Anya turned to the next two. “Ah, the twins. Even though you two have never spoken, I’ve always assumed you understood me. Don’t prove me wrong now.”
The twins—Luka and Lev—nodded and grinned at exactly the same time.
“Then we have Yulia… no, we don’t have Yulia. Where in God’s name is Yulia?”
“Here I am!” Yulia’s voice rang out as she jogged back toward them, breathless. “I just went to say goodbye to the cat.” She sighed dramatically. “I wish we could take him. Please, can we take him?”
Yulia was short and quick-moving, her restless hands always in motion, her thoughts spilling out just as fast.
“We can’t,” Mikhail said firmly. “And he can look after himself.”
She huffed. “Well, I expect we could if we tried.”
“And finally, old Gregor, who I gather would rather be taking a nap.”
Gregor, who was well past eighty, rubbed his face and yawned. “You say that like it’s a bad thing.”
Anya frowned, scanning the group again. “Wait. We’re missing Finja.”
A small scraping sound came from behind them.
Finja stood near the gate, furiously scrubbing the rusted metal with a rag she had pulled from her sleeve. “This place is disgusting,” she muttered. “Filth everywhere. The world may have ended, but that’s no excuse for grime.”
Anya sighed. “Finja, leave the gate alone.”
Finja gave it one last wipe before tucking the rag away with a huff. “Fine.”
Anya shook her head. “That’s eleven. No one’s run off or died yet. A promising start.”
They formed a motley crew, each carrying as much as they could manage. Mikhail pushed a battered cart, loaded with scavenged supplies—blankets, tools, whatever food they had left.
The road beneath their feet was cracked and uneven, roots breaking through in places. They followed it in silence for the most part. Even Yulia remained quiet. Some glanced back, but no one turned around.
The nearest village was more than fifty kilometers away. In all directions, there was only wilderness—fields long overtaken by weeds, trees pushing through cracks in forgotten roads. A skeletal signpost leaned at an odd angle, its lettering long since faded.
“It’s going to be dark soon,” Mikhail said. “And the old ones are tired. Aren’t you, Vera?”
“That’s enough of the old business,” puffed Vera, pulling her shoulders back.
Tala laughed. “Well, I must be an old one. I didn’t sleep a wink last night. And there’s a clearing over there.” She pointed.
The evening was cool, but they managed to build a small fire and scrape together a meal of vegetables they’d brought from their garden.
After their meal, they sat around the fire while Finja busied herself tidying up. “Dirty savages,” she muttered under her breath. Then, more loudly, “We should keep watch tonight.”
Vera, perched on a log, pulled her shawl tightly around her. The glow from the fire cast long shadows across her face.
“Vera, you look like a witch,” Yulia declared. “We should have brought the cat for you to ride on a broomstick together.”
“I’ll have you know I’m descended from witches,” Vera replied. “I know none of you think you’re related to me, but just imagine what your great-grandparents would say if they saw us now. Running into the wilderness like a band of exiled aristocrats.”
Jian, seated nearby, smirked slightly. “My great-grandparents were rice farmers.”
Vera brightened—Jian never talked about his past. She leaned in conspiratorially. “Do you know your full lineage? Because I do. I know mine back fourteen generations. You’d be amazed how many bloodlines cross without people realizing.”
Tala shook her head but smiled. Like Petro and Gregor, Vera had been at the asylum for many decades, a relic of another time. She claimed to have been a private investigator and genealogist in her former life.
Petro, hunched over and rubbing his hands by the fire, muttered, “We’re all ghosts now. Doesn’t matter where we came from.”
“Oh, stop that, Petro,” Anya admonished. “Remember our plan?”
“We go to the city,” Jian said. He rarely spoke unless he had something worth saying. “There will be things left behind. Maybe tech, maybe supplies. If I can get into an old server, I might even find something useful.”
“And if there’s nothing?” Petro moaned. “We should never have left.” He clasped his hands over his head.
Jian shrugged. “The world doesn’t erase itself overnight.”
Mikhail nodded. “We rest tonight. Tomorrow, we head for the city. And Finja’s right—tonight we take turns keeping watch.”
They sat in silence, watching the fire burn low. The evening stretched long and uneasy.
In reply to: The Last Cruise of Helix 25
The Asylum 2050
They had been talking about leaving for a long time.
Not in any urgent way, not in a we must leave now kind of way, but in the slow, circling conversations of people who had too much time and not enough answers.
Those who had left before them had never returned. Perhaps they had found something better, though that seemed unlikely. Perhaps they had found nothing at all. The first group left over twenty years ago—just for supplies. They never came back. Others drifted off over the years. They never came back either.
The core group had stayed because—what else was there? The asylum had been safe, for the most part. It had become home. Overgrown now, with only a fraction of its former inhabitants. The walls had once kept them in; now, they were what kept the rest of the world out.
But the crops were failing. The soil was thinning. The last winter had been long and cruel. Summer was harsh. Water was harder to find.
And so the reasons to stay had been replaced with reasons to go.
She was about forty now—or near enough, though time had softened the numbers. Natalia. A name from a past life; now they called her Tala.
Her family had left her here years ago. Paid well for it, as if they were settling an expensive inconvenience. She had been young then—too young to know how final it would be. They had called her difficult, willful, unable to conform. She wasn’t mad, but they had paid to have her called mad so they could get rid of her. And in the world before, that had been enough.
She had been furious at first. She tried to run away even though the asylum was many miles from anywhere. The drugs they made her take put an end to that. The drugs stopped many years ago, but she no longer wanted to run.
She sat at the edge of the vegetable garden, turning soil between her fingers. It was dry, thinning. No matter how deep she dug, the color stayed the same—pale, lifeless.
“Nothing wants to grow anymore,” said Anya, standing over her. Older—mid-sixties. Once a nurse, before everything had fallen apart. She had been one of the staff members who stayed behind when the first group left for supplies, but now she was the only one remaining. The others had abandoned the asylum years ago. At first, her authority had meant something. Now, it was just a memory, but she still carried it like an old habit. She was practical, sharp-eyed, and had a way of making decisions that others followed without question.
Tala wiped her hands on her skirt and looked up. “We probably should have left last year.”
Anya sighed. She dropped a brittle stalk of something dead into the compost pile. “Doesn’t matter now. We must go soon, or we don’t go at all.”
There was no arguing with that.
Later, in the old communal hall, the last of them gathered. Eleven of them.
Mikhail leaned against the window, his arms crossed. He was a little older than Tala. He thought a long time before he spoke.
“How many weapons do we have?”
Anya shrugged. “A couple of old rifles with half a dozen bullets. A handful of knives. And whatever rocks and sticks we pick up on the way.”
“It’s not enough to defend ourselves,” Tala said. Petro, an older resident who couldn’t remember life before the asylum, moaned and rocked. “But we’ll have our wits about us,” she added, offering a small reassurance.
Mikhail glanced at her. “We don’t know what’s out there.”
Before communication went silent, there had been stories of plagues, wars, starvation, entire cities turning against themselves. People had come through the asylum’s doors shortly before the collapse, mad with what they had seen.
But then, nobody came. The fences had grown thick with vines. And the world had gone quiet.
Over time, they had become a kind of family, bound by necessity rather than blood. They were people who had been left behind for reasons that no longer mattered. In this world, sanity had become a relative thing. They looked after one another, oddities and all.
Mikhail exhaled and pushed off the window. “Tomorrow, then.”
In reply to: Quintessence: Reversing the Fifth
Elara — December 2021
Taking a few steps back in order to see if the makeshift decorations were evenly spaced, Elara squinted as if to better see the overall effect, which was that of a lopsided bare branch with too few clove studded lemons. Nothing about it conjured up the spirit of Christmas, and she was surprised to find herself wishing she had tinsel, fat garlands of red and gold and green and silver tinsel, coloured fairy lights and those shiny baubles that would sever your toe clean off if you stepped on a broken one.
It’s because I can’t go out and buy any, she told herself, I hate tinsel.
It was Elara’s first Christmas in Tuscany, and the urge to have a Christmas tree had been unexpected. She hadn’t had a tree or decorated for Christmas for as long as she could remember, and although she enjoyed the social gathering with friends, she resented the forced gift exchange and disliked the very word festive.
The purchase of the farmhouse and the move from Warwick had been difficult, with the pandemic in full swing but a summer gap in restrictions had provided a window for the maneuvre. Work on the house had been slow and sporadic, but the weather was such a pleasant change from Warwick, and the land extensive, so that Elara spent the first months outside.
The solitude was welcome after the constant demands of her increasingly senile older sister and her motley brood of diverse offspring, and the constant dramas of the seemingly endless fruits of their loins. The fresh air, the warm sun on her skin, satisfying physical work in the garden and long walks was making her feel strong and able again, optimistic.
England had become so depressing, eating away at itself in gloom and loathing, racist and americanised, the corner pubs all long since closed and still boarded up or flattened to make ring roads around unspeakably grim housing estates and empty shops, populated with grey Lowry lives beetling around like stick figures, their days punctuated with domestic upsets both on their telly screens and in their kitchens. Vanessa’s overabundant family and the lack of any redeeming features in any of them, and the uninspiring and uninspired students at the university had taken its toll, and Elara became despondent and discouraged, and thus, failed to see any hopeful signs.
When the lockdown happened, instead of staying in contact with video calls, she did the opposite, and broke off all contact, ignoring phone calls, messages and emails from Vanessa’s family. The almost instant tranquility of mind was like a miracle, and Elara wondered why it had never occurred to her to do it before. Feeling so much better, Elara extended the idea to include ignoring all phone calls and messages, regardless of who they were. She attended to those regarding the Tuscan property and the sale of her house in Warwick.
The only personal messages she responded to during those first strange months of quarantine were from Florian. She had never met him in person, and the majority of their conversations were about shared genealogy research. The great thing about family ancestors, she’d once said to him, Is that they’re all dead and can’t argue about anything.
Christmas of December, 2021, and what a year it had been, not just for Elara, but for everyone. The isolation and solitude had worked well for her. She was where she wanted to be, and happy. She was alone, which is what she wanted.
If only I had some tinsel though.
A link to another previous video I quite like.
Some rushes from Corrie and Clove, as we try to advertise the Flying Fish Inn.
La escena comienza con una toma aérea del bush australiano, mostrando extensas áreas de matorrales verdes y marrones, con un camino serpenteante que lleva al Flying Fish Inn, un encantador edificio rústico rodeado de naturaleza salvaje.
La imagen transiciona a una anciana enérgica en el jardín del Inn, riendo junto a un kookaburra posado en su hombro. Su expresión es cálida y acogedora.
La escena cambia rápidamente a la Tía Idle, con trenzas, en una habitación vibrante llena de murales de dreamtime, con las gemelas Clove y Corrie trabajando en su arte.
La vista serena del atardecer desde la veranda del Inn muestra un cielo pintado con tonos de naranja y rosa, mientras el entorno se sumerge en una tranquilidad mágica.
La pantalla se desvanece al logo del Flying Fish Inn, acompañado de información de contacto y un suave toque musical.
[Scene opens with a sweeping aerial shot of the Australian bush, transitioning to the rustic charm of the Flying Fish Inn nestled amidst the wild beauty.]
Narrator (calm, inviting voice): “Escape to the heart of the outback at the Flying Fish Inn, where stories come alive.”
[Cut to Mater, a sprightly centenarian, in the garden with her kookaburra friend, a warm smile on her face.]
Narrator: “Meet Mater, our beloved storyteller, celebrated for her legendary bush tucker cuisine.”
[Quick transition to Aunt Idle, in a vibrant room adorned with dreamtime murals, created by the twins Clove and Corrie.]
Narrator: “Join Aunt Idle, brimming with tales of adventure, and marvel at the dreamtime artwork by the creative twins.”
[Flashes of Prune with a telescope, gazing at the stars, embodying her dream of Mars.]Narrator: “And Prune, the stargazer, connecting dreams and reality under the vast desert sky.”[End with a serene sunset view from the Inn’s veranda, the sky painted with hues of orange and pink.]
Narrator: “Discover the magic of the bush and the warmth of community. Your outback adventure awaits at the Flying Fish Inn.”
[The screen fades to the Flying Fish Inn logo with contact information and a gentle musical flourish.]
In reply to: Quintessence: Reversing the Fifth
The Waking
Lucien – Early 2024 Darius – Dec 2022 Amei – 2022-2023 Elara – 2022 Matteo – Halloween 2023 Aversion/Reflection Jealousy/Accomplishment Pride/Equanimity Attachment/Discernment Ignorance/Wisdom The sky outside Lucien’s studio window was still dark, the faint glow of dawn breaking on the horizon. He woke suddenly, the echo of footsteps chasing him out of sleep. Renard’s shadow loomed in his mind like a smudge he couldn’t erase. He sat up, rubbing his temples, the remnants of the dream slipping away like water through his fingers. The chase felt endless, but this time, something had shifted. There was no fear in his chest—only a whisper of resolve. “Time to stop running.” The hum of the airplane’s engine filled Darius’s ears as he opened his eyes, the cabin lights dimmed for landing. He glanced at the blinking seatbelt sign and adjusted his scarf. The dream still lingered, faint and elusive, like smoke curling away before he could grasp it. He wasn’t sure where he’d been in his mind, but he felt a pull—something calling him back. South of France was just the next stop. Beyond that,… Beyond that? He didn’t know. Amei sat cross-legged on her living room floor, the guided meditation app still playing its soft tones through her headphones. Her breathing steadied, but her thoughts drifted. Images danced at the edges of her mind—threads weaving together, faces she couldn’t place, a labyrinth spiraling endlessly. The meditation always seemed to end with these fragments, leaving her both unsettled and curious. What was she trying to find? Elara woke with a start, the unfamiliar sensation of a dream etched vividly in her mind. Her dreams usually dissolved the moment she opened her eyes, but this one lingered, sharp and bright. She reached for her notebook on the bedside table, fumbling for the pen. The details spilled out onto the page—a white bull, a labyrinth of light, faces shifting like water. “I never remember my dreams,” she thought, “but this one… this one feels important.” Matteo woke to the sound of children laughing outside, their voices echoing through the streets of Avignon. Halloween wasn’t as big a deal here as elsewhere, but it had its charm. He stretched and sat up, the weight of a restless sleep hanging over him. His dreams had been strange—familiar faces, glowing patterns, a sense of something unfinished. The room seemed to glow for a moment. “Strange,” he thought, brushing it off as a trick of the light. “No resentment, only purpose.” “You’re not lost. You’re walking your own path.” “Messy patterns are still patterns.” “Let go. The beauty is in the flow.” “Everything is connected. Even the smallest light adds to the whole.” The Endless Chase –
Lucien ran through a labyrinth, its walls shifting and alive, made of tangled roots and flickering light. Behind him, the echo of footsteps and Renard’s voice calling his name, mocking him. But as he turned a corner, the walls parted to reveal a still lake, its surface reflecting the stars. He stopped, breathless, staring at his reflection in the water. It wasn’t him—it was a younger boy, wide-eyed and unafraid. The boy reached out, and Lucien felt a calm ripple through him. The chase wasn’t real. It never was. The walls dissolved, leaving him standing under a vast, open sky.The Wandering Maze –
Darius wandered through a green field, the tall grass brushing against his hands. The horizon seemed endless, but each step revealed new paths, twisting and turning like a living map. He saw figures ahead—people he thought he recognized—but when he reached them, they vanished, leaving only their footprints. Frustration welled up in his chest, but then he heard laughter—a clear, joyful sound. A child ran past him, leaving a trail of flowers in their wake. Darius followed, the path opening into a vibrant garden. There, he saw his own footprints, weaving among the flowers. “You’re not lost,” a voice said. “You’re walking your own path.”The Woven Tapestry –
Amei found herself in a dim room, lit only by the soft glow of a loom. Threads of every color stretched across the space, intertwining in intricate patterns. She sat before the loom, her hands moving instinctively, weaving the threads together. Faces appeared in the fabric—Tabitha, her estranged friends, even strangers she didn’t recognize. The threads wove tighter, forming a brilliant tapestry that seemed to hum with life. She saw herself in the center, not separate from the others but connected. This time she heard clearly “Messy patterns are still patterns,” a voice whispered, and she smiled.The Scattered Grains –
Elara stood on a beach, the sand slipping through her fingers as she tried to gather it. The harder she grasped, the more it escaped. A wave rolled in, sweeping the sand into intricate patterns that glowed under the moonlight. She knelt, watching the designs shift and shimmer, each one unique and fleeting. “Let go,” the wind seemed to say. “The beauty is in the flow.” Elara let the sand fall, and as it scattered, it transformed into light, rising like fireflies into the night sky.The Mandala of Light –
Matteo stood in a darkened room, the only light coming from a glowing mandala etched on the floor. As he stepped closer, the patterns began to move, spinning and shifting. Faces appeared—his mother, the friends he hadn’t yet met, and even his own reflection. The mandala expanded, encompassing the room, then the city, then the world. “Everything is connected,” a voice said, low and resonant. “Even the smallest light adds to the whole.” Matteo reached out, touching the edge of the mandala, and felt its warmth spread through him.
Dreamtime
It begins with running—feet pounding against the earth, my breath sharp in my chest. The path twists endlessly, the walls of the labyrinth curling like roots, closing tighter with each turn. I know I’m being chased, though I never see who or what is behind me. The air thickens as I round a corner and come to a halt before a still lake. Its surface gleams under a canopy of stars, too perfect, too quiet. I kneel to look closer, and the face that stares back isn’t mine. A boy gazes up with wide, curious eyes, unafraid. He smiles as though he knows something I don’t, and my breath steadies. The walls of the labyrinth crumble, their roots receding into the earth. Around me, the horizon stretches wide and infinite, and I wonder if I’ve always been here.
The grass is soft under my feet, swaying with a breeze that hums like a song I almost recognize. I walk, though I don’t know where I’m going. Figures appear ahead—shadowy forms I think I know—but as I approach, they dissolve into mist. I call out, but my voice is swallowed by the wind. Laughter ripples through the air, and a child darts past me, their feet leaving trails of flowers in the earth. I follow, unable to stop myself. The path unfolds into a garden, vibrant and alive, every bloom humming with its own quiet song. At the center, I find myself again—my own footprints weaving among the flowers. The laughter returns, soft and knowing. A voice says, “You’re not lost. You’re walking your own path.” But whose voice is it? My own? Someone else’s? I can’t tell.
The scene shifts, or maybe it’s always been this way. Threads of light stretch across the horizon, forming a vast loom. My hands move instinctively, weaving the threads into patterns I don’t understand but feel compelled to create. Faces emerge in the fabric—some I know, others I only feel. Each thread hums with life, vibrating with its own story. The patterns grow more intricate, their colors blending into something breathtaking. At the center, my own face appears, not solitary but connected to all the others. The threads seem to breathe, their rhythm matching my own heartbeat. A voice whispers, teasing but kind: “Messy patterns are still patterns.” I want to laugh, or cry, or maybe both, but my hands keep weaving as the threads dissolve into light.
I’m on the beach now, though I don’t remember how I got here. The sand is cool under my hands, slipping through my fingers no matter how tightly I try to hold it. A wave rolls in, its foam glowing under a pale moon. Where the water touches the sand, intricate patterns bloom—spirals, mandalas, fleeting images that shift with the tide. I try to gather them, to keep them, but the harder I hold on, the faster they fade. A breeze lifts the patterns into the air, scattering them like fireflies. I watch them go, feeling both loss and wonder. “Let go,” a voice says, carried by the wind. “The beauty is in the flow.” I let the sand fall from my hands, and for the first time, I see the patterns clearly, etched not on the ground but in the sky.
The room is dark, yet I see everything. A mandala of light spreads across the floor, its intricate shapes pulsing with a rhythm I recognize but can’t place. I step closer, and the mandala begins to spin, its patterns expanding to fill the room, then the city, then the world. Faces appear within the light—my mother’s, a child’s, strangers I know but have never met. The mandala connects everything it touches, its warmth spreading through me like a flame. I reach out, my hand trembling, and the moment I touch it, a voice echoes in the air: “Everything is connected. Even the smallest light adds to the whole.” The mandala slows, its light softening, and I find myself standing at its center, whole and unafraid.
I feel the labyrinth’s walls returning, but they’re no longer enclosing me—they’re part of the loom, their roots weaving into the threads. The flowers of the garden bloom within the mandala’s light, their petals scattering like sand into the tide. The waves carry them to the horizon, where they rise into the sky, forming constellations I feel I’ve always known.
I wake—or do I? The dream lingers, its light and rhythm threading through my thoughts. It feels like a map, a guide, a story unfinished. I see the faces again—yours, mine, ours—and wonder where the path leads next.
In reply to: Quintessence: Reversing the Fifth
Matteo — December 1st 2023: the Advent Visit
(near Avignon, France)
The hallway smelled of nondescript antiseptic and artificial lavender, a lingering scent jarring his senses with an irreconciliable blend of sterility and forced comfort. Matteo shifted the small box of Christmas decorations under his arm, his boots squeaking slightly against the linoleum floor. Outside, the low winter sun cast long, pale shadows through the care facility’s narrow windows.
When he reached Room 208, Matteo paused, hand resting on the doorframe. From inside, he could hear the soft murmur of a holiday tune—something old-fashioned and meant to be cheerful, likely playing from the small radio he’d gifted her last year. Taking a breath, he stepped inside.
His mother, Drusilla sat by the window in her padded chair, a thick knit shawl draped over her frail shoulders. She was staring intently at her hands, her fingers trembling slightly as they folded and unfolded the edge of the shawl. The golden light streaming through the window framed her face, softening the lines of age and wear.
“Hi, Ma,” Matteo said softly, setting the box down on the small table beside her.
Her head snapped up at the sound of his voice, her eyes narrowing as she fixed him with a sharp, almost panicked look. “Léon?” she said, her voice shaking. “What are you doing here? How are you here?” There was a tinge of anger in her tone, the kind that masked fear.
Matteo froze, his breath catching. “Ma, it’s me. Matteo. I’m Matteo, your son, please calm down” he said gently, stepping closer. “Who’s Léon?”
She stared at him for a long moment, her eyes clouded with confusion. Then, like a tide retreating, recognition crept back into her expression. “Matteo,” she murmured, her voice softer now, though tinged with exhaustion. “Oh, my boy. I’m sorry. I—” She looked away, her hands clutching the shawl tighter. “I thought you were someone else.”
“It’s okay,” Matteo said, crouching beside her chair. “I’m here. It’s me.”
Drusilla reached out hesitantly, her fingers brushing his cheek. “You look so much like him sometimes,” she said. “Léon… your father. He’d hold his head just like that when he didn’t want anyone to know he was worried.”
As much as Matteo knew, Drusilla had arrived in France from Italy in her twenties. He was born soon after. She had a job as a hairdresser in a little shop in Avignon, and did errands and chores for people in the village. For the longest time, it was just the two of them, as far as he’d recall.
Matteo’s chest tightened. “You’ve never told me much about him.”
“There wasn’t much to tell,” she said, her voice distant. “He came. He left. But he gave me something before he went. I always thought it would mean something, but…” Her voice trailed off as she reached into the pocket of her shawl and pulled out a small silver medallion, worn smooth with age. She held it out to him. “He said it was for you. When you were older.”
Matteo took the medallion carefully, turning it over in his hand. It was a simple but well-crafted Saint Christopher medal, the patron saint of travellers, with faint initials etched on the back—L.A.. He didn’t recognize the letters, but the weight of it in his palm felt significant, grounding.
“Why didn’t you give it to me before?” he asked, his voice quiet.
“I forgot I had it,” she admitted with a faint, sad laugh. “And then I thought… maybe it was better to keep it. Something of his, for when I needed it. But I think it’s yours now.”
Matteo slipped the medallion into his pocket, his mind spinning with questions he didn’t want to ask—not now. “Thanks, Ma,” he said simply.
Drusilla sighed and leaned back in her chair, her gaze drifting to the small box he’d brought. “What’s that?”
“Decorations,” Matteo said, seizing the moment to shift the focus. “I thought we could make your room a little festive for Christmas.”
Her face softened, and she smiled faintly. “That’s nice,” she said. “I haven’t done that in… I don’t remember when.”
Matteo opened the box and began pulling out garlands and baubles. As he worked, Drusilla watched silently, her hands still clutching the shawl. After a moment, she spoke again, her voice quieter now.
“Do you remember our house in Crest?” she asked.
Matteo paused, a tangle of tinsel in his hands. “Crest?” he echoed. “The place where you wanted to move to?”
Drusilla nodded slowly. “I thought it would be nice. A co-housing place. I could grow old in the garden, and you’d be nearby. It seemed like a good idea then.”
“It was a good idea,” Matteo said. “It just… didn’t happen.”
“No,… you’re right” she said, collecting her thoughts for a moment, her gaze distant. “You were too restless. Always moving. I thought maybe you’d stay if we built something together.”
Matteo swallowed hard, the weight of her words pressing on him. “I wanted to, Ma,” he said. “I really did.”
Drusilla’s eyes softened, and she reached for his hand, her grip surprisingly strong. “You’re here now,” she said. “That’s what matters.”
They spent the next hour decorating the room. Matteo hung garlands around the window and draped tinsel over the small tree he’d set up on the table. Drusilla directed him with occasional nods and murmured suggestions, her moments of lucidity shining like brief flashes of sunlight through clouds.
When the last bauble was hung, Drusilla smiled faintly. “It’s beautiful,” she said. “Like home.”
Matteo sat beside her, emotion weighing on him more than the physical efforts and the early drive. He was thinking about the job offer in London, the chance to earn more money to ensure she had everything she needed here. But leaving her felt impossible, even as staying seemed equally unsustainable. He was afraid it was just a justification to avoid facing the slow fraying of her memories.
Drusilla’s voice broke through his thoughts. “You’ll figure it out,” she said, her eyes closing as she leaned back in her chair. “You always do.”
Matteo watched her as she drifted into a light doze, her breathing steady and peaceful. He reached into his pocket, his fingers brushing against the medallion. The weight of it felt like both a question and an answer—one he wasn’t ready to face yet.
“Patron saint of travellers”, that felt like a sign, if not a blessing.
In reply to: Quintessence: Reversing the Fifth
It was cold in Kent, much colder than Elara was used to at home in the Tuscan olive groves, but Mrs Lovejoy kept the guest house warm enough. On site at Samphire Hoe was another matter, the wind off the sea biting into her despite the many layers of clothing. It had been Florian’s idea to take the Mongolian hat with her. Laughing, she’d replied that it might come in handy if there was a costume party. Trust me, you’re going to need it, he’d said, and he was right. It had been a present from Amei, many years ago, but Elara had barely worn it. It wasn’t often that she found herself in a place cold enough to warrant it.
In a fortuitous twist of fate, Florian had asked if he could come and stay with her for awhile to find his feet after the tumultuous end of a disastrous relationship. It came at a time when Elara was starting to realise that there was too much work for her alone keeping the old farmhouse in order. Everyone wants to retire to the country but nobody thinks of all the work involved, at an age when one prefers to potter about, read books, and take naps.
Florian was a long lost (or more correctly never known) distant relative, a seventh cousin four times removed on her paternal side. They had come into contact while researching the family, comparing notes and photographs and family anecdotes. They became friends, finding they had much in common, and Elara was pleased to have him come to stay with her. Likewise, Florian was more than willing to help around the beautiful old place, and found it conducive to his writing. He spent the mornings gardening, decorating or running errands, and the afternoons tapping away at the novel he’d been inspired to start, sitting at the old desk in front of the French windows.
If it hadn’t been for Florian, Elara wouldn’t have accepted the invitation to join the chalk project. He had settled in so well, already had a working grasp of Italian, and got on well with her neighbours. She could leave him to look after everything and not worry about a thing.
Pulling the hat down over her ears, Elara ventured out into the early November chill. Mrs Lovejoy was coming up the path to the guesthouse, having been out to the corner shop. “I say, that’s a fine hat you have there, that’ll keep your cockles warm!” Mrs Lovejoy was bareheaded, wearing only a cardigan.
“It was a gift,” Elara told her, “I haven’t worn it much. A friend bought it for me years ago when we were in Mongolia.”
“Very nice, I’m sure,” replied the landlady, trying to remember where Mongolia was.
“Yes, she was nice,” Elara said wistfully. “We lost contact somehow.”
“Ah yes, well these things happen,” Mrs Lovejoy said. “People come into your life and then they go. Like my Bert…”
“Must go or I’ll be late!” Elara had already heard all about Bert a number of times.
In reply to: The Precious Life and Rambles of Liz Tattler
“Roberto,” the vista of the waterlogged garden had given Liz an idea, “Let’s turn it into an oriental garden with pools and rills and fountains, gazebos and temples, floating pontoons bedecked with tropical flowers and exotic cocktails, holy wells, tiled nooks and whispering cloisters, and vines, lots of vines, and wine. Imagine it! Roberto, we can do it!
“We?” replied Roberto weakly.
In reply to: The Precious Life and Rambles of Liz Tattler
After three weeks of fog, a gota fría had settled over Tatler Manor. Torrents of rain poured down on the garden, transforming it into a river. From her drawing room, Liz surveyed the scene, imagining herself drifting across the flood in a boat planned with Walter Melon, once the skies cleared.
Down below, the ever-dedicated Roberto stood ankle deep in the rising waters, glaring at the devastation with a mixture of despair and stubborn determination. He hated rubber boots, because he was allergic to them, but they were the only thing allowing him to trudge through the flooded garden.
The day before, he had risked the elements to save the dahlias, but five minutes in the water had turned his feet a swollen itchy mess. Now, he paced the edge of the garden, muttering curses under his breath, while Liz called him from the window above.
“Roberto! When this all clears, I’m thinking of a little boating expedition with Walter Melon. Perhaps you can fashion me a raft from the greenhouse planks?”
Roberto looked up at her, rain dripping from his cap. “With all due respect Señora, you might need a tetanus shot first.”
Liz laughed, unbothered by his dry tone. “Oh, don’t be such a pessimist. Look at it! It’s practically Venice down there.”
“It’s a disaster,” Roberto grumbled, tugging at the hem of his soggy jacket. “And if you want Venice, Señora, you’ll have to find another gondolier.”
Liz smiled to herself. She enjoyed Roberto’s pragmatism almost as much as she enjoyed teasing him. She knew he cared too much about the garden to abandon it, even in its current state, and she admired his quiet devotion.
As Roberto turned back to inspect the flooded beds, Liz leaned out the window, imagining her boat gliding through the submerged roman pool, the perfect escape from the monotony of the storm.
In reply to: The Incense of the Quadrivium’s Mystiques
Jeezel was reading the ‘Love Among the Ruins‘ by famous author Liz Tatler, sitting comfortably in her favourite chair.
“Celestine, darling,” Vivienne St Clair exclaimed, her perfectly arched brow lifting as she set down her champagne glass, “you mean to tell me you’ve been lounging by your pool on what might very well be the throne of some Roman goddess? And you wouldn’t let me near it? Honestly, the nerve of you!”
She adjusted her silk scarf with a dramatic flourish, her green eyes sparkling mischievously. “Though I must say, I do admire your determination to get that pool built before I could turn it into some excavation site. Practical as ever, aren’t you, darling?”
As the mention of the mosaic came up, Vivienne St Clair froze mid-sip of her drink, her expression an artful mixture of shock and indignation. “Lost? The Aramanthus Mosaic, lost? Oh, Celestine, this is beyond belief. It’s a tragedy of epic proportions! Worse than the time Aunt Agatha’s pearls were stolen during the garden party—at least we found those under the butler’s cushion.”
She leaned in conspiratorially, her voice dropping to a whisper. “Celestine, my dear, if the Barcelona museum can’t find it, then someone must! Perhaps I should enlist one of my… shall we say… resourceful acquaintances. A charming rogue with a penchant for treasures, perhaps?”
Then, with a dramatic sigh, she sank back into her chair, looking every inch the heroine caught in a whirlwind of intrigue. “Celestine, life is simply too absurd sometimes. Roman ruins, lost mosaics, and a bench fit for an empress—I can hardly keep up.”
Jeezel almost choked on a mint leaf. What a bunch of amateurs, if they had to deal with a tenth of what her coven had been through these last few months…
In reply to: The Incense of the Quadrivium’s Mystiques
It was good to be digging again. The relentless heat of the summer over, the days were perfect for excavating the next hole in her garden. It was hard work and slow hacking off bits of earth almost as hard and dry as concrete, but each day the promise of new finds became more tantalizing and encouraged her to keep working at it. There was not much more of the top layer to remove now before Truella could expect to start seeing bits of pottery and whatever else the deep dark earth had to reveal about its past.
Unable to see any particular connecting link to the dig (and Truella was usually good at that), she had become obsessed with Cromwell. Maybe she’d find a postcard from Cromwell; everyone seemed to be getting strange postcards these days. The idea of a postcard from Cromwell had wafted into her mind, but it lingered. What would he say on a postcard? She could imagine him sanding the ink, the candlelight flickering. Smiling to himself, with a stray thought wafting into his mind that someone centuries from now would find it, and wonder.
“Let them make of that what they will,” he might say, as he handed it to the man in charge of sending postcards to other centuries. “I have one here for you,” the man in charge of the postcards might say by way of reply, “Just arrived. It’s from the future by the look of it, from Ireland.”
Cromwell may take the postcard in his hand with a feeling of satisfaction ~ all information was potentially useful after all, if not in this life, in the next. Time traveling spies, you could say. He would take a moment to decipher the unfamiliarly written letters in order to read the message. His eyebrows would raise in mild astonishment to see witches sending messages so openly, so shamelessly, so fearlessly! Five hundred years from now, Ireland would be a heathen primitive nest of superstition controlled by the devils strumpets. It may not be perfect in England now, he might think, but we do try to keep some order. Frella, he said to himself. Frella. What do you look like, Frella? God’s teeth, why didn’t you send me your likeness, a portrait, on the postcard! For reasons he couldn’t explain, Cromwell couldn’t stop thinking about the mysterious witch in Ireland many centuries from now.
