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A continuous, fast-moving FPV drone shot.

The Start: The camera zips through a sterile, white modern reception area with a sign reading ‘Sanctus Training Ltd.’ It flies over a bored receptionist’s desk and straight through a pair of unassuming double doors.

The Reveal: The moment the doors pass, the world expands impossible. We are now inside a massive, cathedral-like Grand Townhouse built of glowing golden Cotswold stone.

The Hoard: The drone dives into a ‘canyon’ of hoarded objects. It weaves perilously between towering stacks of yellowed newspapers, piles of 17th-century furniture, and a mountain of washing machines.

The Architecture: As the drone speeds up, we pass tall, elegant Georgian windows on the left (showing a blur of an overgrown orchard and stables outside). On the right, the architecture shifts to heavy, rough stone arches—the Medieval Norman wing.

The Details: The camera narrowly misses a hanging chandelier made of plastic coat hangers and crystal, zooms over a grand dining table buried in Roman pottery and taxidermy, and finally flies up towards the vaulted ceiling of a Norman Chapel, where a beam of purple stained-glass light catches dust motes dancing in the air.”

As soon as Boothroyd had gone, Laddie Bentry, the under gardener, emerged from behind the Dicksonia squarrosa that was planted in a rare French Majolica Onnaing dragon eagle pot.  The pot, and in particular the tree fern residing within it, were Laddie’s favourite specimen, reminding him of his homeland far away.

Keeping a cautious eye on the the door leading into the house, Laddie hurried over to the cast iron planter and retrieved the Liz Tattler novel hidden underneath.  Quickly he tucked in into the inside pocket of his shabby tweed jacket and hastened to the door leading to the garden. Holding on to his cap, for the wind was cold and gusty, he ran to the old stable and darted inside.  Laddie reckoned he had an hour or two free without Boothroyd hovering over him, and he settled himself on a heap of old sacks.

The Vampire Hoarders of Varna.  It wasn’t the first time Laddie had seen Boothroyd surreptitiously reading Helier’s books, and it had piqued his curiosity.  What was it the old fart found so interesting about Helier’s novels? The library was full of books, if he wanted to read. Not bothering to read the preface, and not having time to start on page one, Laddie Bentry flicked through the book, pausing to read random passages.

….the carriage rattled and lurched headlong through the valley, jostling the three occupants unmercifully. “I’ll have the guts of that coachman for garters! The devil take him!” Galfrey exclaimed, after bouncing his head off the door frame of the compartment. 

“Is it bleeding?” asked Triviella, inadvertently licking her lips and she inspected his forehead. 

“The devil take you too, for your impertinence,” Galfrey scowled and shook her off, his irritation enhanced by his alarm at the situation they found themselves in.

Ignoring his uncharacteristic bad humour, Triviella snuggled close and and stroked his manly thigh, clad in crimson silk breeches.  “Just think about the banquet later,” she purred. 

Jacobino, austere and taciturn, on the opposite seat, who had thus far been studiously ignoring both of them, heard the mention of the banquet and smiled for the first time since…

Laddie opened the book to another passage.

“……1631, just before the siege of Gloucester, and what a feast it was!  It was hard to imagine a time when we’d feasted so well. Such rich and easy pickings and such a delightful cocktail.  One can never really predict a perfect cocktail of blood types at a party, and centuries pass between particularly memorable ones. Another is long overdue, and one would hate to miss it,” Jacobino explained to the innocent and trusting young dairy maid, who was in awe that the handsome young gentleman was talking to her at all, yet understood very little of his dialogue.

“Which is why,” Jacobino implored, taking hold of her small calloused hands, “You must come with me to the banquet tonight.” 

Little did she know that her soft rosy throat was on the menu…..

Some ideas for the background thread and character profiles for “The Hoards of Emporium 26.”

The Setting: Emporium 26

They live in Gloucester (ancient Glevum), a city built on Roman bones where the layout of the streets still follows the legions’ sandals. They inhabit a sprawling, shared Georgian townhouse complex that has been knocked through into one labyrinthine dwelling—Number 26.

To the outside world, it looks like a dilapidated heritage site. Inside, it is The Emporium: a geological stratification of history, where layers of Roman pottery are mixed with 1990s Beanie Babies and medieval reliquaries.

The Background Thread: “The Weight of Eternity”

Why do they hoard? Because when you live forever, “letting go” feels like losing a piece of the timeline. Hoarding objects is for them an accumulation of evidence of existence.

• The Curse: They cannot die naturally, but they can fade if they are forgotten. The “stuff” anchors them to the physical plane.
• The “Halo” Effect: Occasionally, when they are arguing over whose turn it is to do the dishes, or when they find a lost treasure, the stained-glass light of their old divinity flickers behind their heads—a neon halo of forgotten holiness.

The Hoarders & Their Stashes

1. Helier ( The Hermit / The Dreamer)

• Saintly Origin: Based on St. Helier (Jersey/Normandy). He was an ascetic hermit who lived in a cave and was eventually beheaded.
• Modern Persona: A soft-spoken agoraphobe who hasn’t left the house since the invention of the internet. He wears oversized cardigans that smell like old library books.
• The Mania: Escapism & Communication.
• Because he spent centuries in silence on a rock, he is now obsessed with human stories and noise.

• The Hoard: ” The Media Mountain.”
• His wing of the house is a fire hazard of pulp fiction, towering stacks of National Geographic (dating back to the first issue), thousands of VHS tapes (he has no VCR), and tangled knots of ethernet cables that he refuses to throw away “in case they fit a port from 1998.”
• The Secret Stash: Beneath a pile of “The Hoarder Vampires” novels lies his true relic: The Stone Pillow. The actual rock he slept on in the 6th century. He still naps on it when his back hurts.

2. Spirius (The Bishop / The Container)

• Saintly Origin: Evocative of St. Exuperius (Bayeux). A driver-out of demons and a man of grand gestures.
• Modern Persona: A nervous, fidgety man who is convinced the world is leaking. He is the “fixer” of the group but usually makes things worse with duct tape.
• The Mania: Containment & Preservation.
• In the old days, he bottled demons. Now, he’s terrified of running out of space to put things.

• The Hoard: “The Vessel Void.”
• Spirius hoards anything that can hold something else. Empty jam jars (washed, mostly), Tupperware with no matching lids, biscuit tins, and thousands of plastic carrier bags stuffed inside other carrier bags (the “Bag of Bags”).
• The Secret Stash: In a locked pantry, he keeps a shelf of sealed mason jars labeled with dates like “1431” or “1789.” He claims they contain the “Sigh of a King” or “The smell of rain before the Plague.” It’s actually just dust, but the jars vibrate slightly.

3. Cerenise (The Weaver / The Mender)

• Saintly Origin: Evocative of St. Ceneri or St. Cerneuf. A saint of travelers, or perhaps needlework.
• Modern Persona: She is the “Wheelchair Girl’s” friend mentioned in the intro? Or perhaps she is in a wheelchair now—not because she can’t walk, but because she’s too tired from walking for 1,500 years. She is sharp-tongued and fashionable in a “crazy bag lady” sort of way.
• The Mania: Potential & Texture.
• She sees the soul in broken things. She cannot throw away anything that “could be fixed.”

• The Hoard: “The Fabric of Time.”
• Her rooms are draped in layers of textiles: velvet curtains from a 1920s cinema, moth-eaten tapestries depicting her own miracles (she thinks the nose is wrong), and buttons. Millions of buttons. She also hoards broken appliances—toasters, lamps, clocks—insisting she will repair them “next Tuesday.”
• The Secret Stash: A mannequin dressed in a perfectly preserved Roman stola, hidden under forty layers of polyester coats. It’s the outfit she wore when she performed her first miracle. She tries it on every New Year’s Eve.

4. Yvoise (The Advocate / The Bureaucrat)

• Saintly Origin: Evocative of St. Yves (Patron of Lawyers/Brittany/Normandy). The arbiter of justice.
• Modern Persona: The “Manager” of Emporium 26. She wears power suits from the 80s and is always carrying a clipboard. She loves rules, even if she invents them.
• The Mania: Proof of Truth.
• She is terrified of being forgotten or cheated. She needs a receipt for everything.

• The Hoard: “The Archive of Nothing.”
• Yvoise hoards paper. Receipts from a coffee bought in 1952, bus tickets, expired warranties, junk mail, and legal disclaimers torn off mattresses. Her room looks like the inside of a shredder that exploded. She claims she is building “The Case for Humanity.”
• The Secret Stash: A filing cabinet labeled “Do Not Open.” Inside is not paper, but Seeds. Seeds from the trees of ancient Gaul. She is saving them for when the paper finally takes over the world and she needs to replant the forest she misses.

Starter: The Reading of Austreberthe’s Will

The story kicks off because Austreberthe (The Saint of Washing/Water) has died. Her hoard was Soap and Water.

• The house is now flooding because her magical containment on the plumbing has broken.
• The remaining four must navigate her “Tsunami Wing”—a treacherous dungeon of accumulated bath bombs, stolen hotel towels, and aggressive washing machines—to find her Will.
• The Will is rumored to reveal the location of the “Golden Key,” an object that can legally terminate their lease on Emporium 26, which none of them want, but all of them crave.

“Whatever happened to Miss Mossy Trotter, Finnley?” Liz asked, conversationally. She had a good idea what had happened to that innovative story writer, but she wanted to hear what Finnley had to say, before she mentioned it to Godfrey.

“What to YOU think happened to her?” Finnley responded, in her customary rudely intuitive manner.

“Sit down on that stool for a minute, and put the feather duster down,” Liz instructed, “And let’s have a talk about this because we both know that the possible ramifications don’t bear thinking about. Now then, sit still for five minutes and tell me everything.”

Unseen by either of them, Roberto had sidled up to the French windows and was peering inside, listening.

“You’ll never guess what the gazebo landed on! The Lost City of Zed!” Breathlessly, Amy told her father the exciting news of Chico’s successful mission.

“Saddle my horse, Crumpet, we must go at once. The Gazeba must stay there, and we go there for the character building, ” Sir Humphrey replied, struggling to his feet.  “Tell everyone to pack.”

“Padre, calm yourself, there’s no rush. Did you just say Gazeba?”

“Of course I said Gazeba, don’t be dense, girl,” Humphrey said irritably, “Your mother was dense.”

I don’t even want to know.  Amy shuddered, and went outside to look for Kit.

Ricardo noticed, with growing unease, that he hadn’t been included in recent events.
Had he been written out? Or worse, had he written himself out?

New characters were arriving constantly, but he couldn’t make head nor tail of most of them — especially with their ever-changing names.

He contemplated slinking back behind the bush … but this tree business, all the crouching and lurking, was getting embarrassing.

For goodness’ sake, Ricardo, he admonished himself, stop being so pathetic.

It wasn’t until the words echoed back at him that he realised, with horror, his internal voice now sounded exactly like Miss Bossy Pants.

He frantically searched for a different voice.

It’s a poor workman blames his tools, Ricardo. Miss Herbert, Primary School. Her long chin and pursed lips hovering above his scribbled homework.

Really, Ricardo. A journalist? Is that what you want to be? His father’s voice, dripping with disdain.

Any hope for a comment, Ricardo? Miss Bossy Pants again, eyes rolling.

Ricardo sighed. Then — brainwave! If he could be the one to return the gazebo, maybe they’d write him back in

Or … he stood up tall and squared his shoulders … he would jolly well write himself back in!

He’d have his work cut out to beat Chico, though, with the elaborate triple-reverse-double-flip of the worry beads and all that purposeful striding. One had to admit, the man had momentum when he made the effort. It was uncharitable, he knew, but Ricardo decided he preferred Chico when he was spitting.

Chico poured grenadine into an ornate art nouveau glass filled with ginger ale. He hesitated, eying the tin of chicory powder. After a moment of deliberation, he sprinkled a dash into the mix, then added the maraschino cherry.

“I’m not sure Ivar the Boneless, chief of the Draugaskald, will appreciate that twist on his Shirley Temple,” said Godrick. “He may be called Boneless, but he’s got an iron grip and a terrible temper when he’s parched.”

Chico almost dropped the glass. Muttering a quick prayer to the virgin cocktail goddess, he steadied his hand. Amy wouldn’t have appreciated him breaking her freshly conjured aunt Agatha Twothface’s crystal glasses service.

“I don’t know what you mean,” said Chico a tad too quickly. “Do I know you?”

“I’m usually the one making the drinks,” said Godrick. “I served you your first americano when you popped into existence. Chico, right?”

“Oh! Yes. Right. You’re the bartender,” Chico said. He fidgeted. Small talks had always made him feel like a badly tuned Quena flute.

“I am,” said Godrick with a wink. “And if you want a tip? Boneless may forgive you the chicory if you make his cocktail dirty.”

Chico pause, considered, then reached down, grabbed a pinch of dust from the gazebo floor, and sprinkled it on the Temple, like cocoa on a cappuccino foam. He’d worked at Stardust for years before appearing here, after all. When he looked up, Godrick was chuckling.

“Ok!” Godrick said. “Now, add some vodka. I think I’ll take it to Ivar myself.”

“Oh! Right.” Chico nodded, grabbed the vodka bottle and poured in a modest shot and placed it back on the table.

Godrick titled his head. “Looks like your poney wants a sip too.”

For a moment, Chico blinked in confusion at the black stuffed poney standing nearby. Then freshly baked memories flooded in.

Right, the poney’s name was Tyrone.

It had been a broken toy that someone had tossed in the street. Amy had insisted Chico take it home. “It needs saving,” she said. “And you need the company.”

At first, Chico didn’t know what to do with it. He ended up replacing some of the missing stuffing with dried chicory leaves.

The next morning, Tyrone was born and trotting around the apartment. All he ever wanted was strong alcohol.

Chico had a strange thought, scrolling across the teleprompter in his mind.

Is that how character building works?

Another one!  A random distant memory wafted into Amy’s mind.  Uncle Jack always used to say GATZ e bo.  Amy could picture his smile when he said it, and how his wife always smiled back at him and chuckled. Amy wondered if she’d even known the story behind that or if it had always been a private joke between them.

“What’s been going on with my gazebo?” Amy’s father rushed into the scene. So that’s what he looks like. Amy couldn’t take her eyes off him, until Carob elbowed her in the neck.

“Sorry, I meant to elbow you in the ribs, but I’m so tall,” Carob said pointlessly, in an attempt to stop Amy staring at her father as if she’d never seen him before.

Thiram started to explain the situation with the gazebo to Amy’s father, after first introducing him to Kit, the new arrival.  “Humphrey, meet Kit, our new LBGYEQCXOJMFKHHVZ story character. Kit, this is Amy’s father who we sometimes refer to as The Padre.”

“Pleased to meet you, ” Kit said politely, quaking a little at the stern glare from the old man. What on earth is he wearing?  A tweed suit and a deerstalker, in this heat!  How do I know that’s what they’re called?  Kit wondered, quaking a little more at the strangeness of it all.

“Never mind all that now!” Humphrey interrupted Thiram’s explanation.

Still as rude as ever! Amy thought.

“I’ve too much to think about, but I’ll tell you this: I’ve planned a character building meeting in the gazebo, and you are all invited. As a matter of fact,” Humphrey continued, “You are all obliged to attend.  If you choose not to ~ well, you know what happened last time!”

“What happened last time?” asked Carob, leaning forward in anticipation of an elucidating response, but Humphrey merely glared at her.

Amy sniggered, and Humphrey shot her a lopsided smile.  “YOU know what happened in Jack’s GATZ e bo, don’t you, my girl?”

Where were those random memories when you wanted them? Amy had no idea what he was talking about.

“Who else is invited, Humph? asked Chico, resisting the urge to spit.

“My good man,” Humphrey said with a withering look. “Sir Humphrey’s the name to you.”

Sir? what’s he on about now?  wondered Amy.  Does that make me a Lady?

“Who else is invited, Padre?” Amy echoed.

Humphrey pulled a scroll tied with a purple ribbon out of his waistcoat pocket and unfurled it.    Clearing his throat importantly, he read the list to all assembled.

Juan and Dolores Valdez.
Godric, the Swedish barman
Malathion and Glyphosate, Thiram’s triplet brothers.  Mal and Glyph for short.
Liz Tattler
Miss Bossy Pants
Goat Horned Draugaskald

“Did I forget anyone?” Humphrey asked, peering over his spectacles as he looked at each of the characters.  “You lot,” he said, “Amy, Carob, Thiram, Chico, Kit and Ricardo: you will be expected to play hosts, so you might want to start thinking about refreshments. And not,” he said with a strong authoritarian air, “Not just coffee!  A good range of beverages. And snacks.”

Thiram, leaning against a tree, started whistling the theme tune to Gone With The Wind. Tossing an irritated glance in his direction, Carob roughly gathered up her mass of frizzy curls and tethered it all in a tight pony tail.  I still don’t know what happened before, she fumed silently.  The latest developments where making her nervous. Would they find out her secret?

“You guys,” called Chico, who had wandered over to the gazebo. “It’s full of ants.”

Ricardo crouched lower behind the bush, peering through the leaves with keen interest. He thumbed out a swift message:

“major drama unfolding. tasseography? coffee cup revelations. over.”

He hit send and melted back into the foliage, waiting nervously for Miss Bossy’s reply and pondering his future.
What chance of advancement was there, really?
Was he doomed to a lifetime of trying to impress her?
Was he a fool?

“Ricardo!” shouted Carob. “Would you like me to get you a cup of coffee?”

Carob didn’t know what to say — which gave her a tendency to ramble.

Was everyone avoiding Amy?

Was it because she was dressed as a stout little lady?

Carob cleared her throat. “Well, Amy, you look… most interesting today.”

“I have to agree,” replied Amy, unperturbed. “Now — what is this about you and Ricardo?”

“I’m sorry, but I can’t tell you,” Carob said, shaking her head. “Partly because it’s top secret, and partly because…”
She tapped her temple and nodded to herself — definitely a few times more than necessary. “I’m still working it out.”

“But you know him?” Amy persisted. “How do you know him?”

Carob knew Amy could be relentless.

“Look over there!” she shouted, pointing vaguely.

Amy didn’t even turn her head. She gazed up at Carob with a long-suffering stare. “Carob?”

Carob scrunched up her face. “Okay,” she said eventually. “I think the others are avoiding you. Me. Us. Both of us.”

She took a deep breath. “Thiram doesn’t know where we are or what we’re doing here — and he’s not good with that, bless. We don’t know where on earth Chico is — but we do know he spits, which, quite frankly, is uncouth.”

She brightened suddenly. “But one thing I do know — here, amid the coffee beans and the lucid dreamers, there is a story to be told.”

Amy rolled her eyes. “I’ve noticed you still haven’t told me how you know Ricardo.”

It was rather odd — but neither of them noticed the bush inching closer.

Trailing suspect but nothing to report yet, messaged Ricardo.

He knew Miss Bossy Pants wouldn’t be happy.

“Sorry I’m late,” said Carob as she crouched down to fuss over Fanella. “I have excuses, but they’re not interesting. I’m feeling a little underdeveloped as a character, so I’m not sure what to say yet.”

“That’s okay,” said Amy. “Just remember … if you don’t tell us who you are early on…” She squinted and glanced around suspiciously. “Others will create you.”

“I’d rather just slowly percolate.” Carob screwed up her face. “Get it? Percolate?”

She stood up and slapped a hand to her head as Amy rolled her eyes. “Sorry … ” She patted her head curiously. “Oh wait—do I have curls?”

“I’d say more like frizzes than curls,” answered Amy.

Thiram nodded. “Totally frizzled.”

“Cool … must be the damp weather,” said Carob. She brushed a twig from her coat. The coat was blue-green and only reached her thighs. Many things were too small when you were six foot two.

“Oh—and I’ve been lucid dreaming in reverse,” she added. “Last night I watched myself un-make and un-drink a cup of coffee.” She gave a quick snort-laugh. “Weirdo”.

“Was it raining in the dream?” asked Thiram.

Carob frowned. “Probably… You know how in scary movies they always leave the curtains open, like they want the bad guys to see in? It felt like that.” She shuddered and then smiled brightly. “Anyway, just a dream. Also, I bumped into your father, Amy. He said to tell you: Remember what happened last time.”

She regarded Amy intently. “What did happen last time?”

“He worries too much,” said Amy, waving a hand dismissively. “Also, I didn’t even write that in, so how should I know?” She looked out toward the trees. “Where’s Chico?”

“I would like to introduce a new character,” announced Finnley. “Miss Mossy Trotter, the secret plotter. The messy missy Mossy Trotter, the blotter spotter. The miss take, the moss stake, the mass flake, the mess cake, the hotter jotter and mixed plate potter knotter.”

“By all means, Finnley,” replied Liz in her usual congenial fashion, “Have at it.”

“There once was a missy called Mossy,

And everyone said she was bossy,

She wrote stories in dust,

With a passionate thrust,

And published in covers so glossy.”

Mars Outpost — Fueling of Dreams (Prune)

I lean against the creaking bulkhead of this rust-stained fueling station, watching Mars breathe. Dust twirls across the ochre plains like it’s got somewhere important to be. The whole place rattles every time the wind picks up—like the metal shell itself is complaining. I find it oddly comforting. Reminds me of the Flying Fish Inn back home, where the fireplace wheezed like a drunk aunt and occasionally spit out sparks for drama.

Funny how that place, with all its chaos and secret stash hidey-holes, taught me more about surviving space than any training program ever could.

“Look at me now, Mater,” I catch myself thinking, tapping the edge of the viewport with a gloved knuckle. “Still scribbling starships in my head. Only now I’m living inside one.”

Behind me, the ancient transceiver gives its telltale blip… blip. I don’t need to check—I recognize the signal. Helix 25, closing in. The one ship people still whisper about like it’s a myth with plumbing. Part of me grins. Half nostalgia, half challenge.

Back in ’27, I shipped off to that mad boarding school with the oddball astronaut program. Professors called me a prodigy. I called it stubborn curiosity and a childhood steeped in ghost stories, half-baked prophecies, and improperly labeled pickle jars. The real trick wasn’t the calculus—it was surviving the Curara clan’s brand of creative chaos.

After graduation, I bought into a settlers’ programme. Big mistake. Turns out it was more con than colonization, sold with just enough truth to sting. Some people cracked. I just adjusted course. Spent some time bouncing between jobs, drifted home a couple times for stew and sideways advice, and kept my head sharp. Lesson logged: deceit’s just another puzzle with missing pieces.

A hiss behind the wall cuts into my thoughts—pipes complaining again. I spin, scan the console. Pressure’s holding. “Fine,” which out here means “still not exploding.” Good enough.

I remember the lottery ticket that got me here— 2049, commercial flights to Mars at last soared skyward— and Effin Muck’s big lottery. At last a seat to Mars, on section D. Just sheer luck that felt like a miracle at the time. But while I was floating spaceward, Earth went sideways: asteroid mining gone wrong, panic, nuclear strikes. I watched pieces of home disappear through a porthole while the Mars colonies went silent, one by one. All those big plans reduced to empty shells and flickering lights.

I was supposed to be evacuated, too. Instead, my lowly post at this fueling station—this rust bucket perched on a dusty plateau—kept me in place. Cosmic joke? Probably. But here I am. Still alive. Still tinkering with things that shouldn’t work. Still me.

I reprogrammed the oxygen scrubbers myself. Hacked them with a dusty old patch from Aunt Idle’s “Dream Time” stash. When the power systems started failing and had to cut all the AI support to save on power, I taught myself enough broken assembly code to trick ancient processors into behaving. Improvisation is my mother tongue.

“Mars is quieter than the Inn,” I say aloud, half to myself. “Only upside, really.”

Another ping from the transceiver—it’s getting closer. The Helix 25, humanity’s last-ditch bottle-in-space. They say it’s carrying what’s left of us. Part myth, part mobile city. If I didn’t have the logs, I’d half believe it was a fever dream.

But no dream prepares you for this kind of quiet.

I think about the Inn again. How everyone swore it had secret tunnels, cursed tiles, hallucinations in the pantry. Honestly, it probably did. But it also had love—scrambled, sarcastic love—and enough stories to keep you wondering if any of them were real. That’s where I learned to spot a lie, tell a better one, and stay grounded when the walls started talking.

I smack the comm panel until it stops crackling. That’s the secret to maintenance on Mars: decisive violence.

“All right, Helix,” I mutter. “Let’s see what you’ve got. I’ve got thruster fuel, half-functional docking protocols, and a mean kettle of tea if you’re lucky.”

I catch my reflection in the viewport glass—older, sure. Forty-two now. Taller. Calmer in the eyes. But the glint’s still there, the one that says I’ve seen worse, and I’m still standing. That kid at the Inn would’ve cheered.

Earth’s collapse wasn’t some natural catastrophe—it was textbook human arrogance. Effin Muck’s greedy asteroid mining scheme. World leaders playing hot potato with nuclear codes. It burned. Probably still does… But I can’t afford to stew in it. We’re not here to mourn; we’re here to rebuild. If someone’s going to help carry that torch, it might as well be someone who’s already walked through fire.

I fiddle with the dials on the fuel board. It hums like a tired dragon, but it’s awake. That’s all I need.

“Might be time to pass some of that brilliance along,” I mutter, mostly to the station walls. Somewhere, I bet my siblings are making fun of me. Probably watching soap dramas and eating improperly reheated stew. Bless them. They were my first reality check, and I still measure the world by how weird it is compared to them. Loved them for how hard they made me feel normal after all.

The wind howls across the shutters. I stand up straight, brush the dust off my sleeves. Helix 25 is almost here.

“Showtime,” I say, and grin. Not the nice kind. The kind that says I’ve got one wrench, three working systems, and no intention of rolling over.

The Flying Fish Inn shaped me with every loud, strange, inexplicable day. It gave me humor. It gave me bite. It gave me an unshakable sense of self when everything else fell apart.

So here I stand—keeper of the last Martian fueling post, scrappy guardian of whatever future shows up next.

I glance once more at the transceiver, then hit the big green button to unlock the landing bay.

“Welcome to Mars,” I say, deadpan. Then add, mostly to myself, “Let’s see if they’re ready for me.”