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It was still raining the morning after the impromptu postcard party at the Golden Trowel in the Hungarian village, and for most of the morning nobody was awake to notice.  Molly had spent a sleepless night and was the only one awake listening to the pounding rain. Untroubled by the idea of lack of sleep, her confidence bolstered by the new company and not being solely responsible for the child,  Molly luxuriated in the leisure to indulge a mental re run of the previous evening.

Finjas bombshell revelation after the postcard game suddenly changed everything.  It was not what Molly had expected to hear. In their advanced state of inebriation by that time it was impossible for anyone to consider the ramifications in any sensible manner.   A wild and raucous exuberance ensued of the kind that was all but forgotten to all of them, and unknown to Tundra.   It was a joy that brought tears to Mollys eyes to see the wonderful time the child was having.

Molly didn’t want to think about it yet. She wasn’t so sure she wanted to have anything to do with it, the ship coming back.  Communication with it, yes. The ship coming back? There was so much to consider, so many ways of looking at it. And there was Tundra to think about, she was so innocent of so many things. Was it better that way?  Molly wasn’t going to think about that yet.  She wanted to make sure she remembered all the postcard stories.

There is no rush.

The postcard Finja had chosen hadn’t struck Molly as the most interesting, not at the time, but later she wondered if there was any connection with her later role as centre stage overly dramatic prophet. What an extraordinary scene that was! The unexpected party was quite enough excitement without all that as well.

Finja’s card was addressed to Miss FP Finly, c/o The Flying Fish Inn somewhere in the outback of Australia, Molly couldn’t recall the name of the town.  The handwriting had been hard to decipher, but it appeared to be a message from “forever your obedient servant xxx” informing her of a Dustsceawung convention in Tasmania.  As nobody had any idea what a Dustsceawung conference was,  and Finja declined to elaborate with a story or anecdote, the attention moved on to the next card.   Molly remembered the time many years ago when everyone would have picked up their gadgets to  find out what it meant. As it was now, it remained an unimportant and trifling mystery, perhaps something to wonder about later.

Why did Finja choose that card, and then decline to explain why she chose it? Who was Finly? Why did The Flying Fish Inn seem vaguely familiar to Molly?

I’m sure I’ve seen a postcard from there before.  Maybe Ellis had one in his collection.

Yes, that must be it.

Mikhail’s story had been interesting. Molly was struggling to remember all the names. He’d mentioned his Uncle Grishenka, and a cousin Zhana, and a couple called Boris and Elvira with a mushroom farm. The best part was about the snow that the reindeer peed on. Molly had read about that many years ago, but was never entirely sure if it was true or not.  Mickhail assured them all that it was indeed true, and many a wild party they’d had in the cold dark winters, and proceeded to share numerous funny anecdotes.

“We all had such strange ideas about Russia back then,” Molly had said. Many of the others murmured agreement, but Jian, a man of few words, merely looked up, raised an eyebrow, and looked down at his postcard again.  “Russia was the big bad bogeyman for most of our lives. And in the end, we were our own worst enemies.”

“And by the time we realised, it was too late,” added Petro.

In an effort to revive the party spirit from the descent into depressing memories,  Tala suggested they move on to the next postcard, which was Vera’s.

“I know the Tower of London better than any of you would believe,” Vera announced with a smug grin. Mikhail rolled his eyes and downed a large swig of vodka. “My 12th great grandfather was  employed in the household of Thomas Cromwell himself.  He was the man in charge of postcards to the future.” She paused for greater effect.  In the absence of the excited interest she had expected, she continued.  “So you can see how exciting it is for me to have a postcard as a prompt.”  This further explanation was met with blank stares.  Recklessly, Vera added, “I bet you didn’t know that Thomas Cromwell was a time traveller, did you? Oh yes!” she continued, although nobody had responded, “He became involved with a coven of witches in Ireland. Would you believe it!”

“No,” said Mikhail. “I probably wouldn’t.”

“I believe you, Vera,” piped up Tundra, entranced, “Will you tell me all about that later?”

Tundra’s interjection gave Tala the excuse she needed to move on to the next postcard.  Mikhail and Vera has always been at loggerheads, and fueled with the unaccustomed alcohol, it was in danger of escalating quickly.  “Next postcard!” she announced.

Everyone started banging on the tables shouting, “Next postcard! Next postcard!”  Luka and Lev topped up everyone’s glasses.

Molly’s postcard was next.

The twins, Luka and Lev, took charge of providing the drinks for the partygoers, occasioning a number of remarks on them being the most handsome barmen anyone had ever seen.  Tundra and Tala had come up with an idea to replace the advertised Friday quiz night, notwithstanding that nobody knew if it was Friday or not.

After a couple of drinks the survivors were relaxed and jovial. It was almost as if the setting, as well as the alcohol, had resurrected the idea of socialising, being carefree and social and cracking jokes, simply because it was the role one played in such a setting.

Tala signaled to Tundra. It was time to present the quiz.  Tundra reached into her bag for the wad of postcards, stood up and followed Tala to stand in front of the bar and face the gathering.

“Can I have your attention, please!” shouted Tala, quite unnecessarily as everyone was looking at them anyway.  “There are no wrong answers in this quiz. The winners will be the ones who can provide a personal anecdote about the places pictured on these cards.  In the event of nobody having a personal anecdote about a particular place, a general historical reference will be considered.”

“And if anyone recognises any of the people on the back of the postcard, either the sender or the recipient, ” added Tundra who had read the postcards already,  “They will win the first prize of The Golden Trowel!”

A buzz of excitement rippled through the pub.

The Asylum 2050

They had been talking about leaving for a long time.

Not in any urgent way, not in a we must leave now kind of way, but in the slow, circling conversations of people who had too much time and not enough answers.

Those who had left before them had never returned. Perhaps they had found something better, though that seemed unlikely. Perhaps they had found nothing at all. The first group left over twenty years ago—just for supplies. They never came back. Others drifted off over the years. They never came back either.

The core group had stayed because—what else was there? The asylum had been safe, for the most part. It had become home. Overgrown now, with only a fraction of its former inhabitants. The walls had once kept them in; now, they were what kept the rest of the world out.

But the crops were failing. The soil was thinning. The last winter had been long and cruel. Summer was harsh. Water was harder to find.

And so the reasons to stay had been replaced with reasons to go.

She was about forty now—or near enough, though time had softened the numbers. Natalia. A name from a past life; now they called her Tala.

Her family had left her here years ago. Paid well for it, as if they were settling an expensive inconvenience. She had been young then—too young to know how final it would be. They had called her difficult, willful, unable to conform. She wasn’t mad, but they had paid to have her called mad so they could get rid of her. And in the world before, that had been enough.

She had been furious at first. She tried to run away even though the asylum was many miles from anywhere. The drugs they made her take put an end to that. The drugs stopped many years ago, but she no longer wanted to run.

She sat at the edge of the vegetable garden, turning soil between her fingers. It was dry, thinning. No matter how deep she dug, the color stayed the same—pale, lifeless.

“Nothing wants to grow anymore,” said Anya, standing over her. Older—mid-sixties. Once a nurse, before everything had fallen apart. She had been one of the staff members who stayed behind when the first group left for supplies, but now she was the only one remaining. The others had abandoned the asylum years ago. At first, her authority had meant something. Now, it was just a memory, but she still carried it like an old habit. She was practical, sharp-eyed, and had a way of making decisions that others followed without question.

Tala wiped her hands on her skirt and looked up. “We probably should have left last year.”

Anya sighed. She dropped a brittle stalk of something dead into the compost pile. “Doesn’t matter now. We must go soon, or we don’t go at all.”

There was no arguing with that.

Later, in the old communal hall, the last of them gathered. Eleven of them.

Mikhail leaned against the window, his arms crossed. He was a little older than Tala. He thought a long time before he spoke.

“How many weapons do we have?”

Anya shrugged. “A couple of old rifles with half a dozen bullets. A handful of knives. And whatever rocks and sticks we pick up on the way.”

“It’s not enough to defend ourselves,” Tala said. Petro, an older resident who couldn’t remember life before the asylum, moaned and rocked. “But we’ll have our wits about us,” she added, offering a small reassurance.

Mikhail glanced at her. “We don’t know what’s out there.”

Before communication went silent, there had been stories of plagues, wars, starvation, entire cities turning against themselves. People had come through the asylum’s doors shortly before the collapse, mad with what they had seen.

But then, nobody came. The fences had grown thick with vines. And the world had gone quiet.

Over time, they had become a kind of family, bound by necessity rather than blood. They were people who had been left behind for reasons that no longer mattered. In this world, sanity had become a relative thing. They looked after one another, oddities and all.

Mikhail exhaled and pushed off the window. “Tomorrow, then.”

December 2023

Lights and Christmas decorations were starting to pop up everywhere, like frost and icicles after a frozen winter night. Lucien—no, Julien, as he had started calling himself a few years ago—enjoyed walking in the streets at the end of the day, when the balance between light and night shifted into the darkness. That was the time when decorations would start to come to life like a swarm of fireflies, flickering in time with the city’s heartbeat.

It was Julien’s first time in Paris after Lucien’s three years of exile, far from all his concerns and the glacial grasp of the dark couple. Julien had enjoyed his time traveling the world, discovering Asia, South America and even certain parts of Africa he would never have imagined he would dare enter. Julien made friends along the way, always curious about their ways of living and the way they looked at the world. But always the voice of Lucien made him wary of staying too long. He had the impression it would increase the possibility of chance encounters with Darius. And he longed to reconnect with his friend and his former life, it would lead to awkward moments, and he would have to give some explanations. But he feared it would make him want to go back, with the risk of attracting unwanted attention. So Julien had to leave in order to be free. That was the price he was willing to pay.

But in the end, it was the longing of French winter time that made him come back home.

“Lucien! Is that you?”

March 2024

The phone buzzed on the table as Lucien pulled on his scarf, preparing to leave for the private class he had scheduled at his atelier. He glanced at the screen and froze. His father’s name glared back at him.

He hesitated. He knew why the man called; he knew how it would go, but he couldn’t resolve to cut that link. With a sharp breath he swiped to answer.

“Lucien”, his father began, his tone already full of annoyance. “Why didn’t you take the job with Bernard’s firm? He told me everything went well in the interview. They were ready to hire you back.”

As always, no hello, no question about his health or anything personal.

“I didn’t want it”, Lucien said, his voice calm only on the surface.

“It’s a solid career, Lucien. Architecture isn’t some fleeting whim. When your mother died, you quit your position at the firm, and got involved with those friends of yours. I said nothing for a while. I thought it was a phase, that it wouldn’t last. And I was right, it didn’t. I don’t understand why you refuse to go back to a proper life.”

“I already told you, it’s not what I want. I’ve made my decision.”

Lucien’s father sighed. “Not what you want? What exactly do you want, son? To keep scraping by with these so-called art projects? Giving private classes to kids who’ll never make a career out of it? That’s not a proper life?”

Lucien clenched his jaw, gripping his scarf. “Well, it’s my life. And my decisions.”

“Your decisions? To waste the potential you’ve been given? You have talent for real work—work that could leave a mark. Architecture is lasting. What you are doing now? It’s nothing. It’s just… air.”

Lucien swallowed hard. “It’s mine, Dad. Even if you don’t understand it.”

A pause followed. Lucien heard his father speak to someone else, then back to him. “I have to go”, he said, his tone back to professional. “A meeting. But we’re not finished.”

“We’re never finished”, Lucien muttered as the line went dead.

Lucien adjusted the light over his student’s drawing table, tilting the lamp slightly to cast a softer glow on his drawing. The young man—in his twenties—was focused, his pencil moving steadily as he worked on the folds of a draped fabric pinned to the wall. The lines were strong, the composition thoughtful, but there was still something missing—a certain fluidity, a touch of life.

“You’re close,” Lucien said, leaning slightly over the boy’s shoulder. He gestured toward the edge of the fabric where the shadows deepened. “But look here. The transition between the shadow and the light—it’s too harsh. You want it to feel like a whisper, not a line.”

The student glanced at him, nodding. Lucien took a pencil and demonstrated on a blank corner of the canvas, his movements deliberate but featherlight. “Blend it like this,” he said, softening the edge into a gradient. “See? The shadow becomes part of the light, like it’s breathing.”

The student’s brow furrowed in concentration as he mimicked the movement, his hand steady but unsure. Lucien smiled faintly, watching as the harsh line dissolved into something more organic. “There. Much better.”

The boy glanced up, his face brightening. “Thanks. It’s hard to see those details when you’re in it.”

Lucien nodded, stepping back. “That’s the trick. You have to step away sometimes. Look at it like you’re seeing it for the first time.”

He watched as the student adjusted his work, a flicker of satisfaction softening the lingering weight of his father’s morning call. Guiding someone else, helping them see their own potential—it was the kind of genuine care and encouragement he had always craved but never received.

When Éloïse and Monsieur Renard appeared in his life years ago, their honeyed words and effusive praise seduced him. They had marveled at his talent, his ideas. They offered to help with the shared project in the Drôme. He and his friends hadn’t realized the couple’s flattery came with strings, that their praise was a net meant to entangle them, not make them succeed.

The studio door creaked open, snapping him back to reality. Lucien tensed as Monsieur Renard entered, his polished shoes clicking against the wooden floor. His sharp eyes scanned the room before landing on the student’s work.

“What have we here?” He asked, his voice bordering on disdain.

Lucien moved in between Renard and the boy, as if to protect him. His posture stiff. “A study”, he said curtly.

Renard examined the boy’s sketch for a moment. He pulled out a sleek card from his pocket and tossed it onto the drawing table without looking at the student. “Call me when you’ve improved”, he said flatly. “We might have work for you.”

The student hesitated only briefly. Glancing at Lucien, he gathered his things in silence. A moment later, the door closed behind the young man. The card remained on the table, untouched.

Renard let out a faint snort, brushing a speck of dust from his jacket. He moved to Lucien’s drawing table where a series of sketches were scattered. “What are these?” he asked. “Another one of your indulgences?”

“It’s personal”, he said, his voice low.

Renard snorted softly, shaking his head. “You’re wasting your time, Lucien. Do as you’re asked. That’s what you’re good at, copying others’ work.”

Lucien gritted his teeth but said nothing. Renard reached into his jacket and handed Lucien a folded sheet of paper. “Eloïse’s new request. We expect fast quality. What about the previous one?”

Lucien nodded towards the covered stack of canvases near the wall. “Done.”

“Good. They’ll come tomorrow and take the lot.”

Renard started to leave but paused, his hand on the doorframe. He said without looking back: “And don’t start dreaming about becoming your own person, Lucien. You remember what happened to the last one who wanted out, don’t you?” The man stepped out, the sound of his steps echoing through the studio.

Lucien stared at the door long after it had closed. The sketches on his table caught his eyes—a labyrinth of twisted roads, fragmented landscapes, and faint, familiar faces. They were his prayers, his invocation to the gods, drawn over and over again as though the repetition might force a way out of the dark hold Renard and Éloïse had over his life.

He had told his father this morning that he had chosen his life, but standing here, he couldn’t lie to himself. His decisions hadn’t been fully his own these last few years. At the time, he even believed he could protect his friends by agreeing to the couple’s terms, taking the burden onto himself. But instead of shielding them, he had only fractured their friendship and trapped himself.

Lucien followed the lines of one of the sketches absently, his fingers smudging the charcoal. He couldn’t shake off the feeling that something was missing. Or someone. Yes, an unfathomable sense that someone else had to be part of this, though he couldn’t yet place who. Whoever it was, they felt like a thread waiting to tie them all together again.
He knew what he needed to do to bring them back together. To draw it where it all began, where they had dreamed together. Avignon.

The first one to find the bar buys the drinks, Darius had said, and they’d all laughed, but it was no laughing matter being lost in those woods.

Siiting on a cushion on the floor surrounded by cardboard shoeboxes and piles of photos and letters, Elara leaned towards the lamp to better see the photograph.  The white bull.  

Lucien had refused when Elara asked him to do a painting of the white bull, and then relented and said he would. But he hadn’t, not that she knew of anyway. The incident had happened the year before the pandemic, the spring of 2019. Not long before they all went their separate ways.  Elara had been visiting her father in Andalucia for his 90th birthday when a neighbour of his had told her about the stone in the woods.  She knew the others would be interested and had invited them over; her father Roland had plenty of room at his finca overlooking the Hozgarganta river, and had no objections.

Darius had wanted to bring those people to see the pyramidal stone in the woods, and Elara was having none of it. I was told in private about that, I shouldn’t have shown anyone, Darius, not even you, she had told him.  Resentfully, Darius had tried to argue his point: that it was for the greater good, shouldn’t be kept secret, and how could he keep it from them anyway, they would know he was hiding something.

You may not be able to find it again, look at the trouble we had. You might get attacked by wild boar or fall off a precipice into the gorge, Amei added, not relishing the idea of sharing the discovery with those people either. She couldn’t help thinking it wouldn’t be a bad thing if those people did disappear without a trace. Darius hadn’t been the same since getting sucked into their cultish clutches.

They had lost their way in the gloomy trackless forest trying to find the stone, impossible to see further than the next few trees.  Increasingly alarmed at the boar tracks and the fading late afternoon light, Elara had suggested they give up and try and retrace their steps, rather than penetrating further down into the woods. And then suddenly Lucien shouted There is it! That’s it! and there it stood, rising above the tree canopy, the sharp grey stone sides contrasting gloriously with the thick tangled foliage.

Rushing towards it, they fanned out circling it, touching it, gazing up at the smooth sides. Solid stone, not constructed with blocks, its purpose indecipherable, astonishingly incongruous to the location.

Look, we need to start making our way back to the car, Elara had said, It’ll be dark in a couple of hours. 
Amei had helped her convince Lucien and Darius who were reluctant to leave, promising another visit. Now we know where it is, she said, although she wasn’t sure if they did know how to find it again. It had appeared while they were lost, after all.

The scramble back to the car had been no less confusing than the walk down to the stone, they only knew they had to go uphill to find the unpaved forest road.

Squinting as they emerged from trees into the sunlight, a spontaneous cheer was immediately silenced at the sight of the white bull lying serenely by the site of the road, glowing like white marble, implacable, wise, and godly.
Is it real? whispered Amei, awestruck.

I wonder if Darius ever did take those people there, Elara wondered. It had never been mentioned again, but then, things started to change after that.  So many things were left unsaid. Elara had never been back, but the white bull had stayed in her mind perhaps more even than the stone pyramid had. I wonder if Lucien ever did that painting of it?  Elara propped the photo up behind a candlestick on the fireplace mantel. Now that she was retired, maybe she’d do a painting of it herself.

Exploring further potential backstory for the characters – to be explored further…

This thread beautifully connects to the lingering themes of fractured ideals, missed opportunities, and the pull of reconnection. Here’s an expanded exploration of the “habitats participatifs” (co-housing communities) and how they tie the characters together while weaving in subtle links to their estrangement and Matteo’s role as the fifth element.

Backstory: The Co-Housing Dream

Habitat Participatif: A Shared Vision

The group’s initial bond, forged through shared values and late-night conversations, had coalesced around a dream: buying land in the Drôme region of France to create a co-housing community. The French term habitat participatif—intergenerational, eco-conscious, and collaborative living—perfectly encapsulated their ideals.

What Drew Them In:

• Amei: Longing for a sense of rootedness and community after years of drifting.
• Elara: Intrigued by the participatory aspect, where decisions were made collectively, blending science and sustainability.
• Darius: Enchanted by the idea of shared creative spaces and a slower, more intentional way of living.
• Lucien: Inspired by the communal energy, imagining workshops where art could flourish outside the constraints of traditional galleries.

The Land in Drôme

They had narrowed their options to a specific site near the village of Crest, not far from Lyon. The land, sprawling and sun-drenched, had an old farmhouse that could serve as a communal hub, surrounded by fields and woods. A nearby river threaded through the valley, and the faint outline of mountains painted the horizon.

The traboules of Lyon, labyrinthine passageways, had captivated Amei during an earlier visit, leaving her wondering if their metaphorical weaving through life could mirror the paths their group sought to create.

The Role of Monsieur Renard

When it came to financing, the group faced challenges. None of them were particularly wealthy, and pooling their resources fell short. Enter Monsieur Renard, whose interest in supporting “projects with potential” brought him into their orbit through Éloïse.

Initial Promise:

• Renard presented himself as a patron of innovation, sustainability, and community projects, offering seed funding in exchange for a minor share in the enterprise.
• His charisma and Éloïse’s insistence made him seem like the perfect ally—until his controlling tendencies emerged.

The Split: Fractured Trust

Renard’s involvement—and Éloïse’s increasing influence on Darius—created fault lines in the group.

1. Darius’s Drift:
   • Darius became entranced by Renard and Éloïse’s vision of community as something deeper, bordering on spiritual. Renard spoke of “energetic alignment” and the importance of a guiding vision, which resonated with Darius’s creative side.
   • He began advocating for Renard’s deeper involvement, insisting the project couldn’t succeed without external backing.
2. Elara’s Resistance:
   • Elara, ever the pragmatist, saw Renard as manipulative, his promises too vague and his influence too broad. Her resistance created tension with Darius, whom she accused of being naive.
   • “This isn’t about community for him,” she had said. “It’s about control.”
3. Lucien’s Hesitation:
   • Lucien, torn between loyalty to his friends and his own fascination with Éloïse, wavered. Her talk of labyrinths and collective energy intrigued him, but he grew wary of her sway over Darius.
   • When Renard offered to fund Lucien’s art, he hesitated, sensing a price he couldn’t articulate.
4. Amei’s Silence:
   • Amei, haunted by her own experiences with manipulation in past relationships, withdrew. She saw the dream slipping away but couldn’t bring herself to fight for it.

Matteo’s Unseen Role

Unbeknownst to the others, Matteo had been invited to join as a fifth partner—a practical addition to balance their idealism. His background in construction and agriculture, coupled with his easygoing nature, made him a perfect fit.

The Missed Connection:

• Matteo had visited the Drôme site briefly, a stranger to the group but intrigued by their vision. His presence was meant to ground their plans, to bring practicality to their shared dream.
• By the time he arrived, however, the group’s fractures were deepening. Renard’s shadow loomed too large, and the guru-like influence of Éloïse had soured the collaborative energy. Matteo left quietly, sensing the dream unraveling before it could take root.

The Fallout: A Fractured Dream

The group dissolved after a final argument about Renard’s involvement:

• Elara refused to move forward with his funding. “I’m not selling my future to him,” she said bluntly.
• Darius, feeling betrayed, accused her of sabotaging the dream out of stubbornness.
• Lucien, caught in the middle, tried to mediate but ultimately sided with Elara.
• Amei, already pulling away, suggested they put the project on hold.

The land was never purchased. The group scattered soon after, their estrangement compounded by the pandemic. Matteo drifted in a different direction, their connection lost before it could form.

Amei’s Perspective: Post-Split Reflection

In the scene where Amei buys candles :

• The shopkeeper’s comments about “seeking something greater” resonate with Amei’s memory of the co-housing dream and how it became entangled with Éloïse and Renard’s influence.
• Her sharper-than-usual reply reflects her lingering bitterness over the way “seeking” led to manipulation and betrayal.

Reunion at the Café: A New Beginning

When the group reunites, the dream of the co-housing project lingers as a symbol of what was lost—but also of what could still be reclaimed. Matteo’s presence at the café bridges the gap between their fractured past and a potential new path.

Matteo’s Role:

• His unspoken connection to the co-housing plan becomes a point of quiet irony: he was meant to be part of their story all along but arrived too late. Now, at the café, he steps into the role he missed years ago—the one who helps them see the threads that still bind them.

Some elements for inspiration as to the backstory of the group and how it could tie to the current state of the story:

Here’s a draft version of the drama surrounding Éloïse and Monsieur Renard (the “strange couple”), incorporating their involvement with Darius, their influence on the group’s dynamic, and the fallout that caused the estrangement five years ago.

The Strange Couple: Éloïse and Monsieur Renard

Winter 2019: Paris, Just Before the Pandemic

The group’s last reunion before their estrangement was supposed to be a celebration—one of those rare moments when their diverging paths aligned. They had gathered in Paris in late December, the city cloaked in gray skies and glowing light. The plan was simple: a few days together, catching up, exploring old haunts, and indulging in the kind of reckless spontaneity that had defined their earlier years.

It was Darius who disrupted the rhythm. He had arrived late to their first dinner, rain-soaked and apologetic, with Éloïse and Monsieur Renard in tow.

First Impressions of Éloïse and Monsieur Renard

Éloïse was striking—lithe, dark-haired, with sharp eyes that seemed to unearth secrets before you could name them. She moved with a predatory grace, her laughter a mix of charm and edge. Renard was her shadow, older and impeccably dressed, his silvery hair and angular features giving him the air of a fox. He spoke little, but when he did, his words had the weight of finality, as if he were accustomed to being obeyed.

“They’re just friends,” Darius said when the others exchanged wary glances. “They’re… interesting. You’ll like them.”

But it didn’t take long for Éloïse and Renard to unsettle the group. At dinner, Éloïse dominated the conversation, her stories wild and improbable—of séances in abandoned mansions, of lost artifacts with strange energies, of lives transformed by unseen forces. Renard’s occasional interjections only added to the mystique, his tone implying he’d seen more than he cared to share.

Lucien, ever the skeptic, found himself drawn to Éloïse despite his instincts. Her talk of energies and symbols resonated with his artistic side, and when she mentioned labyrinths, his attention sharpened.

Elara, in contrast, bristled at their presence. She saw through their mystique, recognizing in Renard the manipulative charisma of someone who thrived on control.

Amei was harder to read, but she watched Éloïse and Renard closely, her silence betraying a guardedness that hinted at deeper discomfort.

Darius’s Growing Involvement

Over the following days, Darius spent more time with Éloïse and Renard, skipping planned outings with the group. He spoke of them with a reverence that was uncharacteristic, praising their insight into things he’d never thought to question.

“They see connections in everything,” he told Amei during a rare moment alone. “It’s… enlightening.”

“Connections to what?” she asked, her tone sharper than she intended.

“Paths, people, purpose,” he replied vaguely. “It’s hard to explain, but it feels… right.”

Amei didn’t press further, but she mentioned it to Elara later. “It’s like he’s slipping into something he can’t see his way out of,” she said.

The Séance

The turning point came during an impromptu gathering at Éloïse and Renard’s rented apartment—a dimly lit space filled with strange objects: glass jars of cloudy liquid, intricate carvings, and an ornate bronze bell hanging above the mantelpiece.

Éloïse had invited the group for what she called “an evening of clarity.” The others arrived reluctantly, wary of what she had planned but unwilling to let Darius face it alone.

The séance began innocuously enough—Éloïse guiding them through what she described as a “journey inward.” She spoke in a low, rhythmic tone, her words weaving a spell that was hard to resist.

Then things took a darker turn. She asked them to focus on the labyrinth she had drawn on the table—a design eerily similar to the map Lucien had found weeks earlier.

“You must find your center,” she said, her voice dropping. “But beware the edges. They’ll show you things you’re not ready to see.”

The room grew heavy with silence. Darius leaned into the moment, his eyes closed, his breathing steady. Lucien tried to focus but felt a growing unease. Elara sat rigid, her scientific mind railing against the absurdity of it all. Amei’s hands gripped the edge of the table, her knuckles white.

And then, the bell rang.

It was faint at first, a distant chime that seemed to come from nowhere. Then it grew louder, resonating through the room, its tone deep and haunting.

“What the hell is that?” Lucien muttered, his eyes snapping open.

Éloïse smiled faintly but said nothing. Renard’s expression remained inscrutable, though his fingers tapped rhythmically against the table, as if counting something unseen.

Elara stood abruptly, breaking the spell. “This is ridiculous,” she said. “You’re playing with people’s minds.”

Darius’s eyes opened, his gaze unfocused. “You don’t understand,” he said softly. “It’s not a game.”

The Fallout

The séance fractured the group.

• Elara: Left the apartment furious, calling Renard a charlatan and vowing never to entertain such nonsense again. Her relationship with Darius cooled, her disappointment palpable.
• Lucien: Became fascinated with the labyrinth and its connection to his art, but he couldn’t shake the unease the séance had left. His conversations with Éloïse deepened in the following days, further isolating him from the group.
• Amei: Refused to speak about what she’d experienced. When pressed, she simply said, “Some things are better left forgotten.”
• Darius stayed with Éloïse and Renard for weeks after the others left Paris, becoming more entrenched in their world. But something changed. When he finally returned, he was distant and cagey, unwilling to discuss what had happened during his time with them.

Lingering Questions

1. What Happened to Darius with Éloïse and Renard?
   • Darius’s silence suggests something traumatic or transformative occurred during his deeper involvement with the couple.
2. The Bell’s Role:
   • The bronze bell that rang during the séance ties into its repeated presence in the story. Was it part of the couple’s mystique, or does it hold a deeper significance?
3. Lucien’s Entanglement:
   • Lucien’s fascination with Éloïse and the labyrinth hints at a lingering connection. Did she influence his art, or was their connection more personal?
4. Éloïse and Renard’s Motives:
   • Were they simply grifters manipulating Darius and others, or were they genuinely exploring something deeper, darker, and potentially dangerous?

Impact on the Reunion

• The group’s estrangement is rooted in the fractures caused by Éloïse and Renard’s influence, compounded by the isolation of the pandemic.
• Their reunion at the café is a moment of reckoning, with Matteo acting as the subtle thread pulling them back together to confront their shared past.

The luxury of an afternoon nap was one of the finer pleasures of retirement, particularly during the heat of an Italian summer.  Elara stretched like a cat on the capacious sofa, pulling a couple of kilim covered cushions into place to support her neck.  She had only read a few pages of her book about the Cerne Abbas giant, the enigmatic chalk figure on a hill in Dorset, before her eyes slid closed and the book dropped with a thud onto her chest.

The distant clang of a bell woke her several hours later, although she remained motionless, unable to open her eyes at first.  Not one to recall dreams as a rule, Elara was surprised at the intensity of the dream she was struggling to awaken from, and the clarity of the details, and the emotion.  In the dream she was at the CERN conference, a clamour and cacophony of colleagues, some familiar to her in waking life, some characters complete strangers but familiar to her in the dream. She had felt agitation at the noise and at the cold coffee, and an indescribable feeling when Florian somehow appeared by her side, who was supposed to be in Tuscany, whispering in her ear that her mother had died and she was to make the funeral arrangements.

Elara’s mother had died when she was just a child, barely eight years old. She was no longer sure if she remembered her, or if her memories were from the photographs and anecdotes she’d seen and heard in the following years.  Her older sister Vanessa had said darkly that she was lucky and well out of it, to not have had to put up with her when she was a teenager, like she had. Vanessa was ten years older than Elara, and had assumed the role of mother.  She explained later that she’d let Elara run wild because she didn’t want to be bossy and domineering, but admitted that she should perhaps have reined her younger sister in a bit more than she had.

Again, the distant bell clanged.  Shaking her head as if to dispel the memories the dream had conjured, Elara rose from the sofa and walked out on to the terrace.  Across the yard she could see Florian, replacing the old bell on the new gate post.

“Sorry, did I wake you?” he called. “I had a bit of linen round the clanger so it didn’t make a noise while I screwed it to the post, but it slipped.  Sorry,” he repeated.

Squinting in the bright sun, Elara strolled over to him, saying, “Honestly, don’t worry, I was glad to wake up. What a dream I had!  That’s great Florian, nice job.”

“Well, this is a surprise,” Amei said, smiling at the phone.

“Hi, Mum,” came the cheerful reply, slightly muffled by background noise. “I thought I’d catch you before it got too late over there.”

“You’ve caught me all right. I’d nearly forgotten I had a daughter. It’s been so long.”

Tabitha laughed lightly. “Sorry about that … things have been… hectic.”

“Hectic in Goa or hectic in your head?” Amei teased, though she knew the answer. Her daughter had always thrived in chaos, diving into life with a zeal Amei envied.

“Both I guess. The school’s been keeping me busy, and, well, India has a way of throwing surprises at you.”

“I’d expect nothing less.”

“Speaking of surprises,” Tabitha continued, her voice shifting slightly, “I thought I saw one of your old buddies at the airport the other day. I was dropping a friend off … what’s his name? Daria?”

Amei frowned and sat up a little straighter. “Darius? At the airport? I’ve not seen him for a few years now. Are you sure?”

“Well, not completely sure. He was in some kind of weird get up, like a disguise … a big hat, sunglasses, scarf. ”

“That’s very … odd,” said Amei. She felt a tightening in her belly but managed to keep her voice level.

Her daughter’s laugh was soft.. “I guess it was just a feeling. He looked like he was trying not to be noticed. He saw me and sort of hurried away.” She paused. “I remembered something… wasn’t Darius the one that turned up with that strange couple? You know, the ones everyone was obsessed with for a while? Like gurus or something?”

The memory was sharp and cold. “Yes,” she said eventually. “Darius often had waifs and strays tagging along.”

“There was a falling out or something? You never did tell me.”

“Nothing to tell really.”

There was a silence. “Well, it was definitely weird,” Tabitha said at last. “Anyway, just thought I’d mention it. Maybe it wasn’t even him.”

“Maybe,” Amei murmured but the unease lingered long after the call ended.

Shivering, Truella pulled the thin blanket over her head. Colder than a witches tit here, colder in summer than winter at home!  It was no good, she may as well get up and go for a walk to try and warm up.  Poking her head outside Truella gasped and coughed at the chill air. Shapes were becoming discernible in the dim pre dawn light, the other pods, the hedgerow, a couple of looming trees.  Truella rummaged through her bag, hoping to find warm clothes yet knowing she hadn’t packed anything warm enough.   Sighing, her teeth chattering, she pulled on everything she had in layers and pulled the blanket off the bed to use as a cape. With a towel over her head for extra warmth, she ventured out into the Irish morning.

The grass was sodden with dew and Truella’s feet were wet through and icy.  Bracing her shoulders with determination, she forged ahead towards a gate leading into the next field. She struggled for a few minutes with the baler twine holding the gate closed, numb fingers refusing to cooperate.  Cows watched her curiously, slowly munching. One lifted her tail and dropped a steaming splat on the grass, chewing continuously. I don’t think I could eat and do that at the same time. 

Heading off across the field which sloped gently upwards, Treulla picked up her pace, keeping her eyes down to avoid the cow pats.  By the time she reached the oak tree along the top hedge, the sun started to make an appearance over the hill. Warmer from the exercise, she gazed over the countryside. How beautiful it was with the mist in the valleys, and everything so green.

If only it was warmer!

“Are you cold then, is that why you’re decked out like that?  From a distance I thought I was seeing a ghost in a cloak and head shawl!”  The woman smiled at Truella from the other side of the hedgerow. “Sorry, did I startle you?  You’ll get your feet soaked walking in that wet grass, climb over that stile over there, the lane here’s better for a morning walk.”

It sounded like good advice and the woman seemed pleasant enough.  “Are you here for the games too?” Truella asked, readjusting the blanket and towel after navigating the stile.

“Yes, I am. I’m retired, you see,” the woman said with a wide grin.  “It’s a wonderful thing, not that you’d know, you’re much to young.”

“That must be nice,” Truella replied politely. “I sometimes wish I was retired.”

“Oh, my dear!  It’s wonderful!  I haven’t had a job for years, but it’s the strangest thing, now that I’ve officially retired, there’s a marvellous feeling of freedom. I don’t have to do anything.  Well, I didn’t have to do anything before I retired but one always feels one should keep busy, do productive things, be seen to be doing some kind of work to justify ones existance.  Have you seen the old priory?”

“No, only just got here yesterday.”

“You’ll love it, it’s up this path here, follow me.  But now I’ve retired,” the woman continued, “I get up in the morning with a sense of liberation. I can do as little as I want ~ funny thing is that I’ve actually been doing more, but there’s no feeling of obligation, no things to cross off a list. All I’m expected to do as a retired person is tick along, trying not to be much of a bother for as long as I can.”

“I wish I was retired!” exclaimed Truella with feeling.  “I wish I didn’t have to do the cow goddess stall, it’ll be such a bind having to stand there all evening.”  She explained about the coven and the stalls, and the depressing productivity goals.

“But why not get someone else to do the stall for you?”

“It’s such short notice and I don’t know anyone here.  It’s an idea though, maybe someone will turn up.”

“When did you arrive?” asked Truella when they found her in her at her Cloacina booth in faux-fur waterproof boots and a faux-bear-fur cape with a waterproofed silk hood to protect her perfect hairdo from the incessant drizzle. It gave her a look of one of those Fantasy warrior-goddess ready to intervene at the last minute to save her chosen champions from complete destruction by the forces of evil.

“Well, I’ve been there all along,” retorted the glamour witch, moving two little loos in front of the booth closer together. “I’ve been living in Limerick since the start of this story, even if it wasn’t clear where. Granny Linda thinks I’m living in Glamorheaven and Finnley think I’m living in London, but I’m pretty sure it’s Limerick. At least it is in my mind manor,” she said as if for herself. “There!” she said. Her face lit up as she just found the perfect orientation for the loos. “Don’t those miniature loos look cute?”

“Sure,” said Truella. At the same time she looked at Frella as if their friend had gone nut.

“Don’t ask me,” said Frella. “I didn’t make the selection of the goddesses for the olympic set.”

Jeezel took three cups, dipped them into one of the toilet bowl and offered them to her friends to drink.

Truella grimaced.

“I prefer not to drink that early in the morning,” said Frella with a polite smile.

Jeezel lifted the cup to her nose and inhaled deeply before taking a sip. “It’s connected to the purest water source on Earth through a little time sewer spell coupled with a little pump and filter and a nice chime when you throw your worries in. It’s perfectly safe and drinkable sparkling water, and it smells of roses.”

“My gran used to spray rose scent in the bathroom after she used it,” said Truella, cackling nervously.

Frella took the cup, smelled it and continued smiling.

“Anyways, those cuties are for the cleansing prayers,” said Jeezel. “Cleansing and release,” she added pointing her finger up at the banner. “That’s Cloacina’s motto. At least at this booth. And, as I’m sure you asked, I didn’t answer all your messages because I’ve been kept busy with preparing all of those. Here, Truelle, take one of those Sacred Bath Salts. I have two flavors, Moonlight Mist and Sunset Serenity. Take the second one, it’s a blend of Himalayan pink salt and rose petals. It’ll help keep you warm as the salts will absorb the extra humidity, and as an extra it’ll make you think of your gran”, she added with a grin. “As for my friend Frella…”

Truella grabbed the pouch of salts and smelled it. “The smell is not so bad,” she conceded. “And Bubona knows I need their warming qualities,” she said shaking her head to get rid of irritating water drops.

Jeezel then turned to the potion and elixirs section. “No, not purification for Frella, and neither of you need the Lover’s Elixir… Oh! Here it is, take that. A soap made of goat’s milk, honey and calendula oil for radiant skin. And good to keep the hinges perfectly oiled. And as my future gran will say, remember, keeping those hinges oiled is key to avoiding squeaky situations.”

Frella took the soap and chuckled. “Thanks.” She scratched the surface with her nail. “It’s seems good quality. And it smells good. That reminds me I have to prepare my own booth. See you later girls.”

As soon as she left. Truella leaned towards her friend and asked in a conspiratory voice: “Did you know Malove was here?”

“What?”

“And anyway, I wasn’t flirting with him,” Truella added, with a smile. “It’s great to see you! No word from Eris or Jeezel though.  I thought they were looking forward to a holiday? Have you heard anything?”

“Not a word, not since Eris was beseeching us to distract her from all the stress.”

“Well, they’re late to the party, the plan was to have a couple of days relaxing together before the games start, and not a word from either of them.”

“Maybe they’re not going to come at all!”

“Oh they’ll turn up, eventually,” Truella said, adding with a frown, “You don’t think anything has happened to them, do you? One minute chat chat chat, then nothing. Like they just disappeared!”

“I’ll send another message, and if they don’t respond, maybe we should start making enquiries. Where were they last seen?”

“Eris mentioned something about Normandy…but hey, we can just carry on without them. Go and put your bags in your pod and let’s go for a walk. You can tell me all about that camphor chest.”

Frella opened her eyes. She felt rather woozy and very peculiar and it took her a moment to work out that she was sitting on the camphor chest in Herma’s shed with Herma and that awful Cedric Spellbind looming over her, their faces close and large. Too close. She looked from one anxious expression to the other.

“And what the devil is he doing here?” She nodded towards Cedric.

Cedric straightened himself. “I am here on official business,” he said stiffly. “Investigating this AirBnB for potential Witch Violations. And lucky I turned up when I did because you gave Mrs McCarthy here quite a turn with the way you were carrying on.”

Herma shook her head crossly.” Violations my foot. I told you lot last time your people came sniffing around, there’s none of that carry on here.”

“Why have I got salt all over me?” asked Frella.

Cedric rolled his eyes. “Now THIS, THIS is what I am talking about. SHE,” he pointed at Herma, “threw salt all over you to break the evil spell she said.”

“What nonsense!” said Herma, her face colouring. “But you had gone all odd, sort of not-here like and I couldn’t get any sense out of you.” She considered her hands for a few moments and then raised her head and beamed at Frella. “Why don’t I go and make you a nice cup of tea?” With that, she scurried off.

“Well, you’ve done what you came for. You can go now,” said Frella glaring at Cedric. She stood up and turned pointedly away from him, wondered how much he had seen and hoping she didn’t fall over. She silently cursed the other witches for their crazy shenanigans and desperately hoped that Herma would not get in trouble with the Authorities.

Cedric’s thoughts had taken quite another turn, mostly something about how beautiful the Witch was when she was angry. “Frigella,” he said.

She swung around. “It’s FRELLA,” she hissed.

“Frella …. “ Now it was Cedric’s turn to colour and he looked at the ground, so many thoughts jumbling through his head and he couldn’t make sense of any of it.

“Damn it Man! Spit it out, will you!”

“I just want to say that I know what you are.”

“And what am I exactly?”

Cedric met her gaze. “I know you’re a Witch and I’m not going to turn you in.” He shrugged. “I can’t.”

“And why can’t you, then? Something wrong with you, is there?”

Cedric’s hand reached under his shirt. “Look,” he said. He was holding a small round device. “It’s a listening device. We are supposed to wear them whenever we have a suspected Witch Violation or Interaction.” He threw the device to the ground where it bounced a couple of times. Then—rather dramatically in Frella’s opinion—he stomped on it.

Frella giggled. She couldn’t help herself

Rufus was not a man for small talk and the past couple of hours had been punishing for a man of his reticent character.  He would have liked to get to know Truella better to try and recall which life he’d known her in, for he was sure now that it wasn’t a past encounter in this one, but that was not something to discuss in a crowded room. It would have to wait.  Despite being a serious man himself, he had found the more frivolous and jolly witches and nuns more compatible than the severe looking grim ones.  Even so, having to meet and speak to so many people in such a short time was overwhelming.

As soon as he could politely do so, he excused himself. Avoiding the smoky courtyard, he wandered around the labyrinthine building looking for another way outside.  There were tapestries hanging on the walls in every room, ancient and faded, many with unusual designs.  Rufus photographed them all in order to have a closer look at them later in the solitude of his room.  The wall hanging with the frogs caught his eye in particular, and without thinking he found himself touching the Punic frog amulet hanging on his chest underneath his white silk shirt.  As he lingered looking at the frog tapestry, he was startled by the swish of Bartolo’s robes behind him.  Bartolo looked at him keenly for what seemed like an interminable length of time but in reality was only a moment. Damn it, he seemed familiar too.

“Exquisite decor, Brother, I like this one in particular. Such needlework! May I ask the provenance of this specimen?”  Rufus tried to lighten the mood, not that lightening the mood had ever been his strong suit.  “It looks very old, I assume this is not a recently made handicraft?”

Brother Bartolo decided to play along. He had recognised Rufus immediately, as if the name wasn’t enough of a clue, his eyes were exactly the same as old Rufino’s had been.  Rufino, one of the oldest Punic families in Baetica. Oh, Bartolo remembered them well.

“That one has been hanging here since well before the convent was built,” Bartolo explained.  “It happens to be one of my favourites.  Another glass of cordial, sir?”

“No thank you Brother, I need some fresh air. I’d like to see the gardens, if I may.”

“Follow me,” replied Bartolo, as he lumbered down the passage.  “The kitchen gardens are through here.  There’s a gate at the end of that path to the rest of the grounds. Don’t worry about the mongoose, they’re quite tame.”

Such was the relief to be outside on his own, that Rufus didn’t immediately wonder what Brother Bartolo had meant.  That frog tapestry had been hanging right there since before the convent was built? Hanging on what?  Rufus’s hand involuntarily clutched his amulet again.