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  • #1368
    TracyTracy
    Participant

      Just noticed the daily random quote! Lovely idea!:yahoo_applause: :notepad: :news: :photo: :cluebox:WOW just noticed the cluebox!!:bounce:

      #357
      AvatarJib
      Participant

        Yann was thinking about their first kiss. They were not in physical proximity but the sensations were quite real, and it was enhanced by their mergence. When he talked about that with Quintin, his friend told him he had felt it too. He was in Scotland at that time, and they were playing energy games and creating connections. It was very intense and more and more intimate.

        Yann was in Scotland with his friend Bruno, and one night, as they were sleeping in the same bed, Yann was dreaming of Quintin, he was taking his hand. At that moment, Yann was also aware that his friend Bruno was taking his hand in the “real” world. He’d been thinking that his friend was channeled by Bruno, it was a fun idea :)

        They eventually planned a meeting in real life as soon as Yann would be back from Scotland… 4 days. Quintin even met Yann’s parents then, as his friend Bruno had organized a “surprise” for Yann’s birthday. When Quintin arrived at the train station, they both were feeling a bit awkward, didn’t really know how to say hello :yahoo_big_hug: :yahoo_thinking: :yahoo_kiss: :yahoo_thinking: well for now a hug was perfect. Yann was feeling a strong desire to kiss his friend, he was very attracted and the feeling was quite different from their energy games in Scotland. The physical proximity was creating barriers that weren’t there before… maybe the fear of being intrusive or aggressive…

        One thing at a time… they were eventually together for 4 days. It was a beginning.

        Quintin had some stuffs to take care of before they could go to Yann’s appartment. Something to do with his previous appartment, mail to check, some stuffs to take… Nothing particular to tell about that… Yann let Quintin do what he had to do, though he had a strong desire to stroke his hair. After a moment, that’s what he did.

        Quintin smiled. Yann was feeling an intense warmth in his body and he approached his head and kissed him. Well, that was awkward :)) but soon they were very comfortably lying on the bed and playing different games.

        Wow thinking again about all that was making him feel hot. Better go to work a little.

        #356

        Oh said Arona. All of a sudden she knew she had to be somewhere. She handed the sabulmantium to Sanso.

        She walked, and then she stopped and she waited.

        She did not have to wait long before they appeared. A stocky dwarf, whose presence, despite his small stature, immediately inspired respect. He was accompanied by a young woman, tall and graceful, with shiny golden hair. She was very pretty, but it was the peaceful expression on her face which really caught Arona’s attention. The woman was cradling an infant in her arms.

        Palani, the dwarf, smiled at Arona and held out some food for her. Some aromatic orange fruit she had never seen before, however she was so hungry by now she devoured it greedily.

        Your magic is powerful, said Palani. Arona wanted to deny it, but found she couldn’t. So she just nodded.

        The woman smiled. Here she said, holding the infant out to Arona. This is for you.

        Caught off guard Arona took the baby.

        I really am having the strangest time, she thought. She had no idea what to do with the baby, or why she was the one to look after it. But she held it carefully.

        Wait! she shouted urgently, as they walked away

        Why have you given me this baby. I can’t look after it. Are you coming back? At least tell me what is the baby’s name?

        They didn’t answer.

        Yikes said Arona.

        #349
        AvatarJib
        Participant

          Yann had been musing with the idea of actually seeing dead people :-? how would he configure them? He’d been feeling different energies throughout the afternoon, some he couldn’t identify, and one very playfull of his friend Quintin :)… and now, he noticed it was 16:57…

          #320
          TracyTracy
          Participant

            Sean put the letter in his pocket. Perhaps a trip to the Amusement Park wasn’t such a bad idea. He always enjoyed Becky’s company, and he was curious about dear old Al. Becky’s postscript hadn’t made a great deal of sense, but then, Becky was a bit like that. The truth of it was, he needed a break.

            Sean wondered if Tina would be there. He remembered their brief meeting, and how he’d been struck by her sweet voice. And Sam, dear funny Sam!

            Sean put his hat on, and walked out into the clammy Irish drizzle. A pint of guinness in The Dunloughpadraisobahairiedunkennyloughaire Arms to celebrate, I think! He patted the letter in his pocket and smiled for the first time in months.

            #276
            F LoveF Love
            Participant

              Whanga the witch crawled out of the narrow entrance to her cosy cave to survey the day. Perfect witching weather she chuckled gleefully to herself; a tad overcast and cold, which made her job much easier, as even the fairies tended a little to despondency in such weather conditions. She noticed a bruise on her left shin and sighed. Whanga was used to this sort of misunderstanding in her job of course. She enjoyed her work, and was proud of what she did, however humans in particular just didn’t understand the service she provided, and were quick to be vengeful. The dream world left her a little exposed unless she remembered to do her protective spells before sleep, and last night she had just been too weary. Still, she thought cheering up considerably, she had obtained another wand for her collection yesterday, and felt sure this would improve her Witch of Loathing ranking.

              Still feeling a little put out though about the bruise, although this was mainly pride, as she was impervious to pain in the way the humans suffered it, Whanga looked into her glass ball to see what knowledge it would reveal. That little Fairy Princess from the Land of the Far White Cloud was carrying on she saw. Hmmm who was that fat lady with her though? Whanga wondered. She looked very familiar to Whanga, who felt a ripple of uneasiness in her right index finger, a sure sign of danger. This could be trouble ….

              She looked again and saw a young human female, attacking her violently in her dreams. For a moment Whanga toyed with the idea of revenge and cackled happily at the idea of all the mischief she could cause.

              Pull yourself together Whanga, said Whanga, drawing back reluctantly from this delightful daydream. Keep on track. You know it won’t get you any points with the high witch adjudicators, it is the fairies you must focus on.

              #1522

              In reply to: Synchronicity

              TracyTracy
              Participant

                Another wonderful and bizarre sync! I have no idea why I said ‘coleslaw experiment in the desert’ haah!:yahoo_good_luck:(closest thing to a cabbage icon)

                #282

                — The legend of Mævel — (Part I)

                as told by Cpt Bone to young Tomkin

                In the time of the Gods, the King of the Fairies, Aldurion, fell in love with a beautiful mortal named Theÿa.
                He wanted to make her his Queen but only the Elder Gods could bestow the gift of immortality upon mortals.
                So he went to see Ghört, the God of the Airs. Ghört could certainly grant him what he requested, but for that, Theÿa would have to be transformed into an air sprite. Aldurion wouldn’t be able to hold her again. So he declined the offer, and went to see another Elder God.
                Then, he went to see Nærvel, the Goddess of the Waters. But Nærvel could grant him immortality if Theÿa was to be transformed into a water sprite. So Aldurion declined again.
                Then he went to see Agnima, the Goddess of the Flames, and then Selvaniel the God of the Woods, and Margilonia the Goddess of the Earths. But all of their conditions were the same, Theÿa would have to be transformed into an immaterial and immortal elemental fairy. But Aldurion couldn’t bear to have her changed into something else than she was.

                Then, only one of the Elder Gods was left, the one than few of the Immortals dared talk to, and of whom most mortals were afraid, to the point of systematically using the Old Speech respectful form of address (“Shaint”), when referring to him.
                So Aldurion came to see Lejüs, God of the Forgotten.
                Lejüs was greatly pleased to see him. When Aldurion had finished exposing his request, Lejüs took a moment to ponder. Giving immortality was none of his wonts, as he was keeper of the Forgotten. But he was not without compassion, and seeing Aldurion’s plight, he offered to grant his wish at the condition that, not his wife, but their first born child, would become Forgotten.
                Aldurion was so hopeful that all he saw was that the condition seemed so small, based on a future event that perhaps wouldn’t even happen… All he wanted was to have Theÿa as a Queen, and so the deal was made.

                So became Theÿa Queen of the Fairies.

                A few God’s Years later, which meant in human years much more than a few years, Theÿa became pregnant.
                When she announced the news to Aldurion, he was suddenly reminded of the deal he had made with Lejüs, and was quite distraught, as he had not revealed it to Theÿa. But he remained quiet, hoping that Lejüs would have forgotten about the whole story (well, that was forgetting he was Keeper of the Forgotten).
                So Theÿa gave birth to a little baby girl fairy, with golden wavy hair and bright eyes. She, like her mother, had no wings, but there was magic in her. They named her Araoni.

                But Lejüs had not forgotten of course, and came to see the Royal couple to claim the baby. Aldurion pretended that the mother and baby was still very weak, and he would have to come back in a few God’s Days. Lejüs agreed, and left complaisantly.

                Aldurion was at a loss for solutions, but Theÿa was a fairy with lots of ruse, so he decided to reveal it all to her, hoping that she would have a solution.
                Theÿa asked him time to think about this, and told him not to worry.
                Later, she had an idea, quite brilliant she thought. All she had to do was to find another child to give Lejüs.
                So she gave baby Araoni to one of her diligent nurse, the old fairy Gretchÿa, telling her to find a house were a blond new born girl could be exchanged and proceed to the exchange of the babies.

                So Gretchÿa went across the lands of the Worlds, but only in one home she could find a blond baby girl. The new-born baby girl was almost dying, as the parents were a careless couple of peasants, already plagued with many children, and they could not bother with children hesitating to live.
                Gretchÿa was heart-broken when she did the exchange, promising to baby Araoni to get her back soon. The young human baby girl was weak and yet unnamed, and the old fairy nurse knew she would probably not live long, and be claimed by Shaint Lejüs. So all was good.

                When Lejüs came back, he smiled as he saw the baby girl, and left with her without much more words for the Royal couple.
                Lejüs smiled, for when he had taken the young baby, the parents had instantly forgotten about her, and so did everyone having ever known her…

                The human parents, surprised to see the condition of their baby improving beyond all hope, named her Mævel, which meant marvel of Maÿ the month in which she was born.

                #1468
                TracyTracy
                Participant

                  :yahoo_idea:Well, that all sounds rather technical to me, I think I need a fairy helper from fairyland to magically assist me with technical details, I think I’ll call my helper Tekka…no, Tikka…WAIT! I already have a fairy helper, her name is Tiki! So THAT’S who she is! The little cutie that appeared as if by magic in my mailbox is my tech support fairy godmother!:yahoo_tongue: :yahoo_idea: :yahoo_big_grin:

                  #79
                  ÉricÉric
                  Keymaster

                    These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.

                    Note: for the reader not familiar with all the names here is a quick reminder:

                    • Araili > Yann, Írtak, Sam, Jacob …
                    • Armelle > Fiona, Arona, Tina, Qixi …
                    • Rafaela > Dory, Illi, Becky, Rodney …
                    • Yuki > Quintin, Al, Janice …

                    September 12 th, 2007

                    Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
                    Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…

                    Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.

                    I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…

                    September 13 th

                    Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
                    This first comment seems very promising.

                    Right now, it feels easy and fun.

                    Quintin seems to think that everything is very straightforward.
                    The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
                    The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.

                    But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
                    That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
                    But the thing is, that he missed the point in thinking one World is more “real” than the other.
                    We’ll be having some fun soon…

                    First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
                    We will appeal to his imagination.
                    It seems he has heard the suggestion.

                    September 14 th

                    For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.

                    But as I expected, some challenges seem to appear already.
                    Is it raining or not in that world?
                    The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.

                    He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
                    At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
                    How will it unfold?
                    Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…

                    September 15 th

                    Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.

                    Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin :face-smile:

                    Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.

                    September 16 th

                    Halcyons days…
                    My dear friend Archie is answering some of Quintin and Yann’s questions.
                    Something starts to dawn on Quintin. But his mind is on other matters.

                    He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.

                    September 18 th

                    Quintin has been drawing some of the characters of the story. It’s interesting.
                    He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.

                    Characters drawn:

                    • Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
                    • Malika, Quintin, Yann, Fiona and Dory

                    Interestingly, Fiona resolves her issues in her cave.
                    Dory too, but she did not need the cave to do this.

                    September 21 st

                    For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
                    And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
                    Quintin will soon realize that he himself is doing this constantly, though he does not register it.

                    But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!

                    Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
                    There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.

                    Of course, some things still matter, and one of the point of the story is also to discover these.

                    September 22 nd

                    Quintin has been drawing new characters.

                    Characters drawn:

                    • Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
                    • Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
                    • Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter

                    A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
                    She had at first thought they were whiskers, which was not Quintin’s intent…

                    September 23 rd

                    Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.

                    Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.

                    Up to now, here are the names he could find:

                    • North: the Icy Lands, and Dragon Cemeteries
                    • Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
                    • Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
                      Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators.
                    • South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.

                    When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.

                    #274

                    Pssst Arona, over here, Mandrake hissed

                    Mandrake there you are, what ever are you doing. I was so worried I had lost you!

                    Mandrake was quite touched, but managed not to show it

                    I couldn’t stand all the snorting anymore.

                    Ahahhaahh laughed Arona, I know, so funny, he sounded like a little pigbouh

                    Anyway Mandrake, don’t you worry, I am no fool, no way would I just blindly trot off after someone who said ‘when I gets an urge, I gets an urge, and I follows it.’ That’s mad.

                    Sanso, realising that Arona was no longer following him, returned.

                    Well I think we should use the power of the sabulmantium rather than just blindly trot off down endless tunnels said Mandrake

                    Good thinking! said Sanso enthusiastically. Yes, much better than my daft idea. Good plan Madrake!

                    Mandrake actually corrected the cat, huffily

                    To be honest, said Arona honestly, I didn’t really understand all that technical stuff Sanso. So how exactly does this work? Hmmm wish that dragon or someone would turn up now and explain it clearly and succinctly in plain language that we can all understand. I get how to move the sand but then what? How does the compass thingy work?

                    #272

                    Sanso was finding it hard to stop laughing at Arona’s funny wooping hoots of laughter. He snorted and gasped until his side ached.

                    Mandrake? Mandrake! Arona came to her senses. Where has he gone? Mandrake!

                    He’s taken that glass sand thing, too! All that laughing had jumbled up Sanso’s memories, and he couldn’t recall the name of that Glass sand thing

                    (that glass sand thing, Becky made a note to look it up and correct the script later)

                    That creature’s made off with it!

                    Oh, bugger off, Sanso, Mandrake wouldn’t do that! Arona spoke sharply, forgetting her manners in her panic. What would a Mandrake want with a glass sand thing? Arona almost stamped in frustration at not remembering the name of that thing, and in front of Sanso, too.

                    Sanso didn’t hear her anyway, he was striding purposefully across the cavern towards the waterfall.

                    Well wait for me! Arona ran to catch up with him. How do you know he went this way?

                    I don’t, Sanso was honest, But when I gets an urge, I gets an urge, and I follows it.

                    Arona couldn’t think of a better idea, so she followed him. Slow down, will you! Mandrake! MANDRAKE! Where are you, Mandrake!

                    #260
                    F LoveF Love
                    Participant

                      Arona and Mandrake sat side by side looking into the glass ball filled with sand. They had been practising for some time, and had both become quite proficient at shifting the sand.

                      So what shall we make now Mandrake? Something we both like maybe?

                      A fish perhaps? suggested Mandrake

                      Oh excellent idea! and no sooner was it thought of than the sand would shift accordingly.

                      Scrambled eggs I think too, on chunks of homemade bread, said the still hungry Arona, and chocolate!

                      Some milk for me, said Mandrake

                      Hmmm not sure about that Mandrake. Lots of cats have allergies to cows milk.

                      Mandrake rolled his eyes And chocolate might make you fat, he said, but was I so rude as to mention it? and Mandrake created a hairy cow, and a farmer to milk the cow.

                      Arona laughed, and created a little sand langoat, just in case the stubborn Mandrake changed his mind. Langoat’s milk would be much better for him she thought.

                      The glass ball was now filled with a miniature world of sand objects.

                      Arona leaned back against the wall and stroked Mandrake. She felt very fond of the grumpy cat. The feeling of being able to create whatever she wanted had been fun. Perhaps, she thought, her creations were rather rudimental at this stage, but then already she could feel bigger things brewing within her as her confidence grew. She felt as though the sand game had focused her, like a beam of light which shone only on that which was intended.

                      Arona closed her eyes and allowed her mind to open and reach out, something she knew she had always been able to do easily, but her fear of the “madness” had made her cautious and hide these abilities, till she became unsure of them. The “madness” was the term the people in her Village had given to the poor wretched wandering ones, who claimed to hear voices and communicate with Gods. Once as a child she had seen the Villagers drive one of these poor souls from the Village, shouting and abusing him. She did not really understand what he had done, only that the Villagers were afraid of him. So Arona had felt it was better to keep some things to herself.

                      Arona left her mind open and allowed images to enter. Some of the images she did not understand, and she let them flow on, enjoying the energy of them notwithstanding. She saw a dragon, it was not the one with the mouthful of riddles, but another one, a baby one she felt. Her ability to see pictures was quite rusty, but she felt a connection with this baby dragon and a great fondness for it.

                      She felt a great peacefulness in her body, a knowledge that walking in the world of magic would be easier from now on

                      #232

                      A few days after Sam and Becky’s conversation on the phone, they were having a rehearsal.

                      Just at the moment when they felt stuck again, despite Sam’s moves, Al and Tina, a couple of friends came crashing into the small theater room, and were greeted by an icy cold silence. “Icy” is an exaggeration of course, said Tina, “it just meant I had to put a jacket on again today”.

                      Sorry for being late! said Al a bit uneasy.
                      — Oh you and your uneasiness! said Tina. And I’m sure we’re arriving at the perfect time.
                      — Oh, well, I’m not sure of anything today, said Becky. I’m sick of being force-fed coleslaw, and rigging down holes for myself.

                      A silence was on the scene.

                      :fleuron:

                      At the same time, somewhere on the deck of his ship, Bådul was remembered of the landscapes of his land. He had not really appreciated them before, but now, he was finding them dear to him. They were for the most part a mixture of sandy dunes, from which at times peaks of icy rocky mountains would stick out. Lately he had felt like one of these peaks sticking out of the sands. The sands were shifting.

                      :fleuron:

                      Somewhere in Malvina’s cave.

                      Malvina had been polishing the last dry eggs that she had found and that would not hatch. One of them had some interesting perfect round shape, and a very transparent shell, and it gave her an idea.

                      She asked Leörmn to come.

                      :fleuron:

                      Quintin’s bedroom.

                      [1:01] The clock was saying. Quintin had just awoken from a dream about an elderly woman who was showing him some drawings. These were not actually drawings, but in fact, they were called by the lady “glassart”. It was made, she said, of coloured sands, and would be vitrified by some flame. Quintin in that dream had thought the designs rather crude, but had found the idea interesting, and with great potential.

                      :fleuron:

                      Leörmn came almost instantly, appearing in a puff of teal smoke.

                      Oh, I see… he said, reading Malvina’s mind. And I think I have the perfect sands to go with it.

                      :fleuron:

                      — Why hasn’t that pirate, Badass…
                      Badul, corected Al
                      — Whatever, Becky pursued imperturbably, that pirate Baddock used traveling portals to go and look for the eggs? Why the seas? Sounds a bit complicated and with lots of dangers too.
                      — Good question, answered Al. Well, don’t want to answer for everyone, but in my perception…
                      — Oh, get lost with your “in my perception” thing, that’s becoming tiring… sighed Tina
                      — OK. So, for me, they have forgotten much about magic in his land.
                      — Makes sense… added Sam dreamily… In fact, I’m not sure after all that Badul is only after gold. I think he has found some old desert dragon egg in a cave lost in his country and hopes to revive it, with the help of the people who still know about magic.
                      — Which would explain the quest… said Al
                      — Yeah, and he would have hidden that to the rest of the crew, probably… said Tina

                      :fleuron:

                      Leörmn had now finished assembling the magical artifact.

                      — That’s one of our most beautiful magical artifact I’d say, Malvina gleamed
                      — Oh yes it is. And how would you call it?
                      — Let’s see…

                      :fleuron:

                      sabulmantium !

                      Everyone cracked up at the word that Al had just blurted out. They had decided to have some distraction to alleviate the stress on the play, and they had a fun improvisation game, saying stupid things that went through their minds.

                      — Hey! Don’t laugh like that, it’s something very serious actually, said Al tongue-in-cheek. Let me see…
                      — Hahahaha, the others continued
                      — Well, it’s a divination device, or a sort of compass in a way. I see it as a globe made of glass, with coloured sands in it, and when you focus on it, the sands take all sorts of three dimensional shapes, and become alive…
                      — Wow! Tina couldn’t help but say.

                      :fleuron:

                      Leörmn, as Malvina had been telling him (or vice versa), had put the sabulmantium in one of the tunnels, to a place where he knew Arona would find it, and probably put it to good use for her future adventures.

                      #225

                      Becky and Sam were chatting on the phone. I want a day off from shifting, Becky sighed.
                      I was saying that yesterday, Sam said, bugger off the shift.

                      Becky was reading the rough notes for the new dimensional reality play they were working on with some friends from the create-your-own-drama group

                      “You eat with me? Come on, sit down and tell me how you got there?” who is saying this, Georges or Dory? Becky asked Sam. She didn’t want to admit it, but she was finding the plot increasingly hard to follow.

                      Dory, Sam replied, and then added, In my perception.

                      Becky sighed, and then giggled, making a mental note to review the criteria for Day Off Shifting Day… It could be an awful lot of fun, too, this shifting, maybe Focus on Fun Day instead…

                      … She needs to be like a host, Sam was saying. Becky hadn’t been listening properly and wasn’t quite sure what he meant.

                      Ok, so pretend I am Dory right now and I say: How did you get here Georges?

                      Hahahahh I won’t spoil you! Sam laughed, and Dory harumphed a bit to herself, wondering how to deal with the unexpected appearance of Georges. Not that she wasn’t delighted at the surprise visit, and quite charmed by him.

                      ‘Enchanté’ he’d said, and she giggled again.

                      To Sam she said Oh I thought that would be an easy help. Then she had an idea.

                      I will write Georges smiled a big toothy grin, and said ‘I won’t spoil you’

                      #203
                      TracyTracy
                      Participant

                        Dory dodged in and out of the people crowded in the narrow back street. She needed several meters clear run to activate her special flying sandals, and she had no idea which way to go.

                        A girl in a dark heavy blue cape was fiddling with a map on a street corner. Dory snatched the map off her as she ran past, shouting over her shoulder ‘thanks awfully, dont mind if I borrow your map do you?’

                        Glancing down at the map, she found it had morphed into a page torn from the old testament.

                        #188

                        This morning, Fiona and Quintin had a small impromptu chat —or rather, prompted by the story they were all weaving, that Archie, the puppet black panther, had been telling them last week-end that it was a magic connection between all of them…

                        Quintin: Your story was great!

                        Fiona: Thank you :) So was yours.

                        Have you written any more since I last looked at the story?

                        Quintin: no, I’m not that much inspired… I even considered to wrap in up in a way, but seeing you were all drawing so much from it, I think I will leave it open ever after…

                        Fiona: no, wrap it up if you feel.

                        I have drawn what I wanted. I will go and blow up the cave if we don’t finish it :)

                        Quintin: Ahahaha! Don’t restrict yourself ;)

                        Fiona: When you started the Malvina story, did you have an idea where it would go, or did you pick that one because you had no idea?

                        Quintin: This one nagged me because there were many people I felt behind it and I did not know how to get them to show up and make their presences known. And I felt that it was loose enough too, to allow people to jump into it; and there was your initial interest in the picture ;)

                        Fiona: The endearing dragons…

                        Quintin: Yeah…

                        But I had strictly no idea about the rest. It was just a bet, on luck…

                        That’s funny, because I had a strange impression of a little girl yesterday, in a futuristic city, named something like Janice , and it was like she knew now what she wanted to do, and it was something similar to that, something like creating worlds for other people, in which they could have fun, or heal, or explore things…

                        Fiona: And did she have any impression of what form that could take? Like books, or games or what…

                        Quintin: No, it was much more “real” in fact…

                        Fiona: you know like the card-captor game which I suppose is interactive, so real

                        Quintin: Yeah, perhaps a bit like that, yes; or like creating a ball of energy in which people can be drawn and experience as they will. It’s only a translation, but that’s the idea… in a way, that’s very similar to a game or a book, but only that it just feels totally “real”

                        Fiona: So a little bit like I have done with the story, to resolve something

                        Quintin: yeah, exactly, or with your paintings

                        Fiona: It can be really useful to take on other personas to do that, even like in drama type situations, being someone else…

                        Quintin: Yeah, people can unleash their imagination.

                        And I think there are still lots of things that we can expand in this universe in fact, not only related to the cave…

                        Fiona: such as? eggsamples?

                        Quintin: You said it! The eggs and relationships with dragons, all the magical artifacts or creatures. Didn’t you want a baby dragon?

                        Fiona: Yeah, I told you I did, but you just said some riddle!

                        Quintin: Did I? That’s not like me ;)

                        Fiona: Ahahhaha! It is you to the core

                        Quintin: LOL, damn me!

                        Fiona: Well, that is a bit strong, but …

                        Quintin: Ahahahahah. I said you would have to earn his trust? (or hers, for that matter)

                        Fiona: I can’t remember the eggsact wording, I think I had to work for it though, like you weren’t just handing out dragons on a plate

                        Quintin: It could bound with you very strongly and help you unravel your unknown magical powers. It’s not just a creature, it’s a complex personality, you cannot just take it like a puppy. There is a sharing between the two…

                        Fiona: So are you going to allocate baby dragons to people or what? Or shall I just go and find an egg that no one knew was there :)

                        Quintin: Ahahah, no, they will not be allocated, they will choose their own partners

                        Fiona: Ahahaha, one minute you say it is my story! And now you are back in control

                        Quintin: Ahahaha, the story has a willing of its own too…

                        Try to do what you want, it’s not a matter of control ; it’s just you’ll know what clicks and what does not…

                        Quintin: And actually, I don’t think everyone will be interested in dragons…

                        Fiona: How does a dragon help one learn magic powers?

                        Quintin: It’s just because there is an openness between the two; let me find something for you, that Elias (you know, Michaela’s partner), has told to me and Yann, when we had them on the phone last month.

                        Elias : I would express to you that, as you focus your energies with each other, and you allow yourselves to merge and feel into each others’ energies, you may in actuality each discover some obstacles that the other may not necessarily be aware of yet, and you can share that with each other, and therefore facilitate your interactions even further.

                        Fiona: And how having a baby dragon could help unleash our magic powers then?

                        Quintin: It helps because it reinforces your trust in your own abilities to connect. It’s not directing, it’s a sharing and exploration for both of them; that’s why they are picky. As you would be picky too, knowing you would share together all the darkest corners…

                        Fiona: I am not sure if i have dark corners ;)

                        Quintin: it was a metaphor :D

                        Fiona: ahahahhahahahahahah

                        Fiona: I know, so was mine :D

                        Quintin: ahahahahah

                        Fiona: I was thinking I feel really accepting of myself

                        Quintin: Yeah, that’s the point in the little adventure before you meet it.

                        You have shown your trust in yourself and in your abilities, and your self-centeredness, which is essential, for the dragon doesn’t want a frail personality. Because he drops his defenses too when he shares and bonds.

                        Fiona: Well I think it sounds scarey now, what if no dragon picked me…

                        Quintin: There will be instant recognition. And you don’t “need” a dragon actually, that’s what is important: it’s a catalyst, nothing more, nothing less…

                        Fiona: True.

                        Quintin: Like Arona managed to sneak into the cave without giving the answer to the riddle (egg-sitingly) because it mattered not to her, whatever the outcome, she was directing of herself.

                        Fiona: I felt like I have pictures now to assist me. I link strongly to pictures as a quick reference when I start to feel something like a negative emotion, for instance I may start to worry about how I am going to have enough money, or whatever, and I could quickly link to the spider picture

                        Quintin: you mean, you create an imagery, right? That is something which I like in your stories and emails; even though it is not necessary to create imagery, it’s always so entertaining, like having these funny creatures pop in the cave!

                        Fiona: Ahahahaha yes

                        Quintin: And also, in creating imagery, it helps you seeing it in a more neutral way

                        Fiona: I suppose it is just a quick trigger for the desired belief. I can link in quickly with the child, when I start to feel left out, for example.

                        Quintin: yeah, beliefs as an alphabet or a palette, neutral, but that can create words and sentences or images. And the imagery of the child was very similar for me, to that of the playfulness picture

                        Fiona: Yeah, I know… That’s what I said to you with the playfulness picture

                        Quintin: Of course, you know :)

                        Fiona: That I related most to the figure of blue hat… and big feet

                        Quintin: Ahahaha, stomping on the poor key-fish

                        Fiona: Nearly…

                        Quintin: Have to go now, thank you for this enjoyable conversation

                        Fiona: See you! :)

                        #186
                        F LoveF Love
                        Participant

                          Arona eventually woke from her sleep, still tangled in the images from her dreams. Unable to remember these images she was left feeling as though she were adrift in a boat on the ocean, not caring where the wind and waves may take her.

                          She had no feeling that morning. It was as though a door had closed in her mind, shutting out the part that could feel. She did not know, nor care, whether she was shutting out joy or sorrow, only that some part of her wanted to be alone.

                          She remembered the words of the older woman who had sat with her and soothed her to sleep. Or was she already asleep? Was the woman a dream?

                          Use your magic, she had said.

                          When she was young, in the Village, magic had come easily to Arona. When did it end?. She screwed up her eyes trying to concentrate. It hadn’t ended all at once. Did it start to end with the cloak her parents had given her?

                          Arona shook her head briskly and thoughts, like leaves in the wind, lifted and fell back to earth again in new formations.

                          :fleuron: :fleuron: :fleuron:

                          The candle still burned brightly and her attention was drawn to the heavy wooden door, knowing she could not put it off any longer. In her bag of treasures was a key. It had been given to her at the beginning of her 21 st year, as was custom in the Village. It was no surprise to her that it fitted the lock perfectly.

                          Thank you for having me room, she said as she left.

                          No, thank YOU, replied the sleepy glukenitch.

                          :fleuron: :fleuron: :fleuron:

                          The door led directly into another space, larger, brighter. She could sense someone there, but not in solid form. It was a beautiful woman who Arona felt an immediate affinity with, and then a strange sadness came unbidden.

                          Why sad?

                          I have no clue answered Arona briskly, quickly shutting the door back on these pesky emotions.

                          You always know, just feel it

                          So Arona closed her eyes tightly and allowed herself to feel the answer.

                          Because you know who you are, and it made me realise I have no idea who I am.

                          Mmmmmmm, said the woman, maybe you would care to look at my new paintings. Actually they are some of yours.

                          Intrigued, Arona felt this would be a suitable distraction and she looked with much interest.

                          The first painting was of a child, in a beautiful meadow of flowers. The child appeared to be completely absorbed, concentrating on a small blue butterfly which had lighted on her finger.
                          The picture itself moved and changed shape as though it were a portal to another living, breathing world. In the corner of the picture were some other children who seemed to be playing happily together.

                          Arona, who had felt immediately connected with the young child frowned.

                          Doesn’t the little girl feel left out?

                          Go in, said the woman, Go inside the picture and feel the answer.

                          Oh, and you might want to leave your cloak behind.

                          So Arona did, and she became the child, but also stayed herself, observing the scene. She felt the child’s happy fascination in her connection with the butterfly. Not just the butterfly. She could feel her connected with the earth, and the gentle breezes and the beautiful flowers … The child was deeply contented, absorbed in the moment, moving happily with the flow of her interest.
                          I remember feeling like that, thought Arona, before the magic went.
                          She gently drew the child’s attention to the other children and felt the flow of energy between them. The child was so sure of who she was and where she wanted to be, and Arona could feel the loving acceptance of her playmates.
                          As the child’s attention went to the others, one of the children looked up and came running over. They sat together and laughed at some funny rabbits which had appeared in the meadow.

                          :fleuron: :fleuron: :fleuron:

                          Arona returned to the cave.

                          You look troubled

                          Well, Arona felt a little perplexed. It’s all very well playing with butterflies and rabbits in a meadow, but it is not terribly practical.

                          On the contrary, perhaps it is very practical. Would you like to see another of your paintings?

                          Suspended gracefully between two posts was a beautiful, glistening spider web. Little drops of rain hung like jewels on a chain. An enormous spider waited patiently in the shadows. As Arona watched a small insect happened at that moment to be caught, and the spider began to creep along the delicate lines.

                          Arona shuddered a little. I might not jump into that one .

                          The woman laughed, Use your magic Arona. Weave your magic web and let it all come to you.

                          Oh you are the second person to tell me to use my magic. An old lady came to me in my dreams, I think.

                          Well I gave her the same advice, years ago.

                          More damn riddles, Arona thought to herself, and the woman laughed.

                          One final painting of yours I would like to show you. It is beautiful is it not?

                          Arona stared mesmerised for a moment, and then leapt right in.

                          She sat among an audience, captivated by the dancers on the stage ahead. Beautiful music played and it reminded Arona of the music she had heard earlier. The dancers leapt and twirled and Arona was enraptured.

                          Dance Arona, she heard the woman’s voice

                          I can’t dance like that, I’m not good enough.

                          It doesn’t matter

                          And Arona could not hold back any longer and entered the body of one of the dancers. She did not know the dance so she made up her own steps, and strangely this seemed to fit perfectly with the other dancers.

                          :fleuron: :fleuron: :fleuron:

                          Back in the cave the woman seemed to be listening to something Arona did not think she could hear.

                          Things are shifting she said

                          Oh lordy, are they said Arona, What should I do now?

                          Feel the answer

                          Arona felt. I am very hungry, eggceptionally so.

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