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  • ÉricÉric
    Keymaster

      This is a thread for referencing terms, creatures and other funny words that may be useful to find easily…
      Don’t hesitate to post your suggestions below, that I will integrate later.

      Races

      • Dragons
      • Gripshawks [ ˈgrip-ˌshȯk ]: feline-like race.
      • Humans
      • Uglings

      Creatures

      • capricorn [ ˈka-pri-ˌkȯrn ]: goat-like fish-tailed aquatic creature
      • fincheon [ ˈfin-chən ]: grey ugly birds, with the particularity of being extremely discreet (almost invisible) with a great sense of orientation, and loyalty to their owner. They are mostly used as message deliverers
      • glukenitch [ ˈglu̇-ˌken-nitch ] (Gripshawk dialect: [ ˈglu̇k-ˌnitch ]) : Slimy wet creatures fearing light, sharing one mind, found in Malvina’s cave. Useful recyclers of garbage, their droppings emit a glowing bluish halo, until they dry up completely and coalesce into a glassy substance.
      • golfindel [ ˈgōl-ˌfin-dəl ] : golden coloured cetacean, found in Golfindely.
      • grake [ ˈgrāk ]: big birds of Golfindely, with colours like mandarin ducks and shaped as geese.
      • indogo [ ˈin-dō-ˌgō ]: blue type of flamingo living in the Eastern Lagunas of Lan’ork.
      • langoat [ ˈlan-ˌgōt ]: daft three-eyed goat-like creature living in the Dragon Head Peninsula, the wool of which has many magical uses (enchanted cloaks, tapestries etc.). Their milk is known to have remarkable healing powers too.
      • marmoth [ ˈmär-məth ]: big toothed hibernating woolliphants
      • saurhse [ ˈsȯr-əs ] : bidepal saurian used as a mount in Asgurdy.
      • schpurniatz [ ˈshpər-ˌniats ] : bat-like creatures, found in dark caves.
      • sparfly [ ˈspär-ˌflī ] : birds usually seen in couples, loving to nest in silgreen trees, and their songs is one of the Treasure of the Worlds.
      • weaszchilla [ ˈwēz-ˌchi-lə ]: little mouse-like ferret

      Magical Artefacts

      • buntifluën [ ˈbənti-ˌflün ] (or [ ˈbau̇nti-ˌflün ]): A magical artefact having in most of its variations the form of a knot-like object, which allows the wearer or bearer to communicate directly with the energy of sentient beings.
      • glubolín [ ˈglü-bȯ-ˌlin ]: A device made from unhatched dragon eggs of the same brood, that allows people to communicate through it.
      • sabulmantium [ ˈsā-bəl-ˌman(t)-shəm ] (or [ ˈsā-bu̇l-ˌman(t)-shəm ]): A device made from rare unhatched dragon egg with crystalline transparent shells, which is filled with sands. May be used as a divination device or as a compass, in any case as an intent focusing device.

      Plants

      • buckberry [ ˈbək-ˌbe-rē ]: fruit of wild buckberries shrubs, in the form of big electric blue-vermilion reddish berries, known to have thwarted all attempts to be grown in gardens.
      • grogonut [ ˈgrō-ˌgə-nət ] tree: a tree indigenous of the warm coasts of Golfindely, known to provide grogonuts, which have a wide range of uses (food, drinks, cups etc.) depending on the maturation level of the nut.
      • silgreen [ ˈsil-ˈgrēn ] tree: a big decorative shrub, blooming sparkling flowers of emerald and silver once every moon. Leafs can have medicinal use too.

      More here later…

      #282

      — The legend of Mævel — (Part I)

      as told by Cpt Bone to young Tomkin

      In the time of the Gods, the King of the Fairies, Aldurion, fell in love with a beautiful mortal named Theÿa.
      He wanted to make her his Queen but only the Elder Gods could bestow the gift of immortality upon mortals.
      So he went to see Ghört, the God of the Airs. Ghört could certainly grant him what he requested, but for that, Theÿa would have to be transformed into an air sprite. Aldurion wouldn’t be able to hold her again. So he declined the offer, and went to see another Elder God.
      Then, he went to see Nærvel, the Goddess of the Waters. But Nærvel could grant him immortality if Theÿa was to be transformed into a water sprite. So Aldurion declined again.
      Then he went to see Agnima, the Goddess of the Flames, and then Selvaniel the God of the Woods, and Margilonia the Goddess of the Earths. But all of their conditions were the same, Theÿa would have to be transformed into an immaterial and immortal elemental fairy. But Aldurion couldn’t bear to have her changed into something else than she was.

      Then, only one of the Elder Gods was left, the one than few of the Immortals dared talk to, and of whom most mortals were afraid, to the point of systematically using the Old Speech respectful form of address (“Shaint”), when referring to him.
      So Aldurion came to see Lejüs, God of the Forgotten.
      Lejüs was greatly pleased to see him. When Aldurion had finished exposing his request, Lejüs took a moment to ponder. Giving immortality was none of his wonts, as he was keeper of the Forgotten. But he was not without compassion, and seeing Aldurion’s plight, he offered to grant his wish at the condition that, not his wife, but their first born child, would become Forgotten.
      Aldurion was so hopeful that all he saw was that the condition seemed so small, based on a future event that perhaps wouldn’t even happen… All he wanted was to have Theÿa as a Queen, and so the deal was made.

      So became Theÿa Queen of the Fairies.

      A few God’s Years later, which meant in human years much more than a few years, Theÿa became pregnant.
      When she announced the news to Aldurion, he was suddenly reminded of the deal he had made with Lejüs, and was quite distraught, as he had not revealed it to Theÿa. But he remained quiet, hoping that Lejüs would have forgotten about the whole story (well, that was forgetting he was Keeper of the Forgotten).
      So Theÿa gave birth to a little baby girl fairy, with golden wavy hair and bright eyes. She, like her mother, had no wings, but there was magic in her. They named her Araoni.

      But Lejüs had not forgotten of course, and came to see the Royal couple to claim the baby. Aldurion pretended that the mother and baby was still very weak, and he would have to come back in a few God’s Days. Lejüs agreed, and left complaisantly.

      Aldurion was at a loss for solutions, but Theÿa was a fairy with lots of ruse, so he decided to reveal it all to her, hoping that she would have a solution.
      Theÿa asked him time to think about this, and told him not to worry.
      Later, she had an idea, quite brilliant she thought. All she had to do was to find another child to give Lejüs.
      So she gave baby Araoni to one of her diligent nurse, the old fairy Gretchÿa, telling her to find a house were a blond new born girl could be exchanged and proceed to the exchange of the babies.

      So Gretchÿa went across the lands of the Worlds, but only in one home she could find a blond baby girl. The new-born baby girl was almost dying, as the parents were a careless couple of peasants, already plagued with many children, and they could not bother with children hesitating to live.
      Gretchÿa was heart-broken when she did the exchange, promising to baby Araoni to get her back soon. The young human baby girl was weak and yet unnamed, and the old fairy nurse knew she would probably not live long, and be claimed by Shaint Lejüs. So all was good.

      When Lejüs came back, he smiled as he saw the baby girl, and left with her without much more words for the Royal couple.
      Lejüs smiled, for when he had taken the young baby, the parents had instantly forgotten about her, and so did everyone having ever known her…

      The human parents, surprised to see the condition of their baby improving beyond all hope, named her Mævel, which meant marvel of Maÿ the month in which she was born.

      #1344
      TracyTracy
      Participant

        Yoohoo! the drinks are on me!:weather-showers-scattered:Nice and cosy inside today….

        #1473
        ÉricÉric
        Keymaster

          :notepad: Seems there is an issue when you take too long to write a comment, the system thinks you are not signed in any longer.
          Will see what I can do.

          In the meantime, if that happens, just copy your comment from the comment box, and then reload the page, and paste/post it back… Sorry for any inconvenience…

          [EDIT] I’ve changed something in the configuration of the cookies, perhaps that’ll help. Might be a good thing to clear your cookies in your browser too, just in case…

          #280

          When Rudy the myna had come back crashing on the boat, it all became suddenly a huge uncontrollable chaos.
          The hovering menacing clouds that were looming in front of them were coming closer at a dreadful speed, and even more concerning were the rocks that were appearing everywhere now, that they had more and more trouble to avoid in betwixt the turmoils and eddies.

          So they had finally come to the Great Rift, Bådul was thinking. The back of the legendary water dragon that noone was known to have crossed.

          But Bådul knew better.
          He howled orders to get everybody ready at their posts, and felt reassured when he saw that Austor was maneuvering with dexterity and confidence through the rift.
          He ignored the crazy laugh of Razkÿ, the madman who was now shouting with a manic laughter “We all gonna diiie! AHAHAHAH! DIE! DIE!” Then winking at Bådul and laughing again.

          :fleuron: :fleuron:

          A few months earlier, Northern Åsgurdy

          A huge cloaked figure was riding in the middle of the deserts. The saurhse, a bit small for its rider, was getting tired, but the man wanted to move before the night came. Åsgurdy had a climate which made travels uneasy on land, and only on these bipedal saurians they named saurhses, could Åsgurdians easily travel on the burning hot sands by day. Then, they could gain the high plateaus of rock and ice, where the temperature was kept cold by the high chilly winds. But at night, the deserts would be chilly too, and the cold-blooded creature he was mounting would require a shelter.

          He knew that such a shelter wouldn’t be far away now.
          That region was mostly uncharted as it was fairly remote from all known cities, but that strange man he had met had said he was a traveler who knew were he could find something priceless.
          At that time, Badul had felt he had nothing to lose, and said to himself “when in doubt, go for the experience”.
          He had felt he could trust that man known to him only by a strange name, something like Gheorg.
          There had been nothing boastful about him, and he had been kind to him. He had been the only person in the World he had known to have given him back his dignity as a human being, and even more, to have given him a reason to live.
          He owed him a lot, and perhaps even more as he was now drawing closer to the cave… that same cave which was a mere cross on the torn map he had been drawing hastily before vanishing almost preternaturally, living him a bit of money and that map…

          ~~~

          Roselÿn had felt the urge to move somewhere else. This land didn’t resonate with her energy, and that of Rëgkvist, and of the few eggs the dragon had managed to lay, none had actually been able to hatch.
          It had affected her so much that she had even retreated from her sisters’ usual talks through the glubolíns.
          She needed to move on.

          ~~~

          When he entered the cave, Badul was disappointed. He could feel there had been someone living here quite recently, but it was like the cave was now abandoned. He hoped he could have found more answers, but now it was again like burning sand slipping through his fingers.

          In a fit of rage, he took a boulder as big as him and threw it across the cave with a roar.
          Something was brought down by his huge force further down into the cave and he heard it quite distinctly.

          He tied up the saurhse at the entrance of the cave, and entered it with determination, ducking through the tunnel too narrow for his big baby-faced frame. Then he found something glowing. At first, he thought it was some gold, but what kind of fool had been living here before and had been in such a haste to move as to forget gold?

          It was not gold. It was something like a broken shell. The broken bits were like a jigsaw puzzle and he wished he could make it one, as he was attracted by the strange radiance of the thing.

          :fleuron: :fleuron:

          Austor did not believe his eyes…
          They had crossed the Rift, all three of the ships.
          And it was nothing like the dark void they had nearly expected behind.

          It was an open sea, glistening in the sun, and all hope had come back through them all.

          #1341
          TracyTracy
          Participant

            :yahoo_cow: :yahoo_kiss: :yahoo_billy: :yahoo_not_listening: :yahoo_bug: :yahoo_angel: :yahoo_party: :yahoo_call_me: :yahoo_pig: :yahoo_monkey: :yahoo_monkey: :yahoo_praying: :yahoo_nerd: :yahoo_waiting: :yahoo_peace_sign: :yahoo_cowboy: :face-monkey: :yahoo_cow: :yahoo_heehee: :yahoo_clown: :yahoo_chicken: :yahoo_alien: :yahoo_chatterbox: :yahoo_waiting: :yahoo_idk: :yahoo_phbbt: :yahoo_big_hug: :yahoo_big_grin: :face-kiss: :yahoo_thinking: :yahoo_tongue: :face-angel: :yahoo_alien: :yahoo_whistling:

            #1319

            In reply to: Pictures Pool

            TracyTracy
            Participant

              Lordy Eric, what is the buy a drink link?!!! hahahaahah! Literally?? :yahoo_idk: :yahoo_money_eyes:

              #1468
              TracyTracy
              Participant

                :yahoo_idea:Well, that all sounds rather technical to me, I think I need a fairy helper from fairyland to magically assist me with technical details, I think I’ll call my helper Tekka…no, Tikka…WAIT! I already have a fairy helper, her name is Tiki! So THAT’S who she is! The little cutie that appeared as if by magic in my mailbox is my tech support fairy godmother!:yahoo_tongue: :yahoo_idea: :yahoo_big_grin:

                #1443
                TracyTracy
                Participant

                  Just testing F, so does that mean you couldn’t see it? Oh I see, my secret comment has a yellow band and Eric’s secret comment has a pink band…..of course, I am so trusting I haven’t changed my password, so if anyone was Agatha Christie :yahoo_peace_sign: enough they could check my (unsecret) secret whispers…… :yahoo_whistling:

                  #1337
                  Jib
                  Participant

                    hey you can buy me a drink now… :face-kiss:

                    #275

                    Oh well bugger it, said Arona, I have had enough of this. Perhaps we had better just play it by ear if no one really knows how this thing works.

                    Which is really, although not in so many words, if I may be so rude as to remind you, what I was suggesting, said the charming Sanso, rather rudely.

                    Well yes, that is true … but whatever, let’s not argue, shall we just get going? Are you ready Mandrake? All of a sudden Arona was feeling unaccustomably energised and assertive, and was totally fed up with herself for wasting time so much time sitting around. This was causing her to be a bit sharp with the others.

                    You know my problem? she asked, rhetorically, although of course Mandrake felt compelled to offer a reply.

                    Hmmmm and which one would that be?

                    Ahahahah Mandrake, laughed Arona, well the one I was thinking of was that I think too much. I need to be more like our friend Sanso here. I mean, what does it matter where we end up, it is all a big adventure anyway.

                    Well I for one, would prefer to end up somewhere in the vicinity of food, responded Mandrake.

                    Sanso wasn’t really listening but was gazing at the sabulmantium with a look of awe and muttering to himself. This really is a remarkable find. I have never actually used a sabulmantium before but I gather that one uses it as a tool to focus their intention, which is a crucial component of the magical creative process. Tremendously powerful tool and when used with awareness by the pure of heart it has great potential.

                    Oh great! shall we just get going then, said Arona picking up the Sabulmantium, and next thing you know, after a little bit more wandering down a few more tunnels, which isn’t really that interesting to write about, our three intrepid adventurers found themselves gazing in astonished delight at a most wonderous sight.

                    #1308

                    In reply to: Yuki’s Livrary

                    ÉricÉric
                    Keymaster

                      September 24 th

                      Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

                      Relevant extracts:

                      At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
                      […] HE KNEW HIS WAY INSIDE !
                      When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
                      focus opening/doors ; time/space…
                      The central cavernous part is some kind of key center, where anyone can meet…

                      This has inspired Quintin to write some notes too.
                      He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

                      September 26 th

                      The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

                      Here would be what we will say to him, if he wants to listen:

                      « Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
                      Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
                      These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
                      And you begin to really experience it, and really pay attention.

                      « As was expressed many times, “essence” is no thing. It is an action.
                      The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
                      In that, your purpose, you see, is only to experience, nothing more, nothing less.
                      And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
                      Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
                      Just as your dreams at night overlap and blend into each other.
                      Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

                      « That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

                      « Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
                      In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

                      « Let us explain this in other terms.
                      When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
                      In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
                      You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
                      Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

                      « We will let you ponder this, and we will continue our own story, writing about you… »

                      September 28 th

                      This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
                      Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

                      Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
                      It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
                      And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
                      It is almost limitless in your understanding.
                      As is your magic.

                      This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
                      The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
                      The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

                      As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
                      In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

                      With that said, let us see how much more will appear from that sandbox…

                      September 30 th

                      The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

                      The Secret Life of Margaret Wrick , a newspaper cut from 2033.

                      October 7 th

                      The dragon Naasir’s dream
                      A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

                      And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry

                      #79
                      ÉricÉric
                      Keymaster

                        These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.

                        Note: for the reader not familiar with all the names here is a quick reminder:

                        • Araili > Yann, Írtak, Sam, Jacob …
                        • Armelle > Fiona, Arona, Tina, Qixi …
                        • Rafaela > Dory, Illi, Becky, Rodney …
                        • Yuki > Quintin, Al, Janice …

                        September 12 th, 2007

                        Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
                        Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…

                        Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.

                        I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…

                        September 13 th

                        Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
                        This first comment seems very promising.

                        Right now, it feels easy and fun.

                        Quintin seems to think that everything is very straightforward.
                        The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
                        The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.

                        But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
                        That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
                        But the thing is, that he missed the point in thinking one World is more “real” than the other.
                        We’ll be having some fun soon…

                        First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
                        We will appeal to his imagination.
                        It seems he has heard the suggestion.

                        September 14 th

                        For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.

                        But as I expected, some challenges seem to appear already.
                        Is it raining or not in that world?
                        The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.

                        He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
                        At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
                        How will it unfold?
                        Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…

                        September 15 th

                        Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.

                        Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin :face-smile:

                        Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.

                        September 16 th

                        Halcyons days…
                        My dear friend Archie is answering some of Quintin and Yann’s questions.
                        Something starts to dawn on Quintin. But his mind is on other matters.

                        He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.

                        September 18 th

                        Quintin has been drawing some of the characters of the story. It’s interesting.
                        He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.

                        Characters drawn:

                        • Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
                        • Malika, Quintin, Yann, Fiona and Dory

                        Interestingly, Fiona resolves her issues in her cave.
                        Dory too, but she did not need the cave to do this.

                        September 21 st

                        For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
                        And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
                        Quintin will soon realize that he himself is doing this constantly, though he does not register it.

                        But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!

                        Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
                        There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.

                        Of course, some things still matter, and one of the point of the story is also to discover these.

                        September 22 nd

                        Quintin has been drawing new characters.

                        Characters drawn:

                        • Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
                        • Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
                        • Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter

                        A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
                        She had at first thought they were whiskers, which was not Quintin’s intent…

                        September 23 rd

                        Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.

                        Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.

                        Up to now, here are the names he could find:

                        • North: the Icy Lands, and Dragon Cemeteries
                        • Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
                        • Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
                          Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators.
                        • South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.

                        When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.

                        #274

                        Pssst Arona, over here, Mandrake hissed

                        Mandrake there you are, what ever are you doing. I was so worried I had lost you!

                        Mandrake was quite touched, but managed not to show it

                        I couldn’t stand all the snorting anymore.

                        Ahahhaahh laughed Arona, I know, so funny, he sounded like a little pigbouh

                        Anyway Mandrake, don’t you worry, I am no fool, no way would I just blindly trot off after someone who said ‘when I gets an urge, I gets an urge, and I follows it.’ That’s mad.

                        Sanso, realising that Arona was no longer following him, returned.

                        Well I think we should use the power of the sabulmantium rather than just blindly trot off down endless tunnels said Mandrake

                        Good thinking! said Sanso enthusiastically. Yes, much better than my daft idea. Good plan Madrake!

                        Mandrake actually corrected the cat, huffily

                        To be honest, said Arona honestly, I didn’t really understand all that technical stuff Sanso. So how exactly does this work? Hmmm wish that dragon or someone would turn up now and explain it clearly and succinctly in plain language that we can all understand. I get how to move the sand but then what? How does the compass thingy work?

                        #272

                        Sanso was finding it hard to stop laughing at Arona’s funny wooping hoots of laughter. He snorted and gasped until his side ached.

                        Mandrake? Mandrake! Arona came to her senses. Where has he gone? Mandrake!

                        He’s taken that glass sand thing, too! All that laughing had jumbled up Sanso’s memories, and he couldn’t recall the name of that Glass sand thing

                        (that glass sand thing, Becky made a note to look it up and correct the script later)

                        That creature’s made off with it!

                        Oh, bugger off, Sanso, Mandrake wouldn’t do that! Arona spoke sharply, forgetting her manners in her panic. What would a Mandrake want with a glass sand thing? Arona almost stamped in frustration at not remembering the name of that thing, and in front of Sanso, too.

                        Sanso didn’t hear her anyway, he was striding purposefully across the cavern towards the waterfall.

                        Well wait for me! Arona ran to catch up with him. How do you know he went this way?

                        I don’t, Sanso was honest, But when I gets an urge, I gets an urge, and I follows it.

                        Arona couldn’t think of a better idea, so she followed him. Slow down, will you! Mandrake! MANDRAKE! Where are you, Mandrake!

                        #271
                        TracyTracy
                        Participant

                          And yet….and yet….it’s so familiar! Bill climbed out of bed, eyes fixed on the stone carved head on top of the tallboy, and went over for a closer look. He reached up and touched the cool smooth stone, and then leaned back against the bedpost, stroking his chin, transfixed.

                          I must be dreaming, he thought, this just doesn’t make sense. And yet…..I’ve seen this before! The images flitted through Bill’s mind, not just this stone head, but other stone heads, all different but all linked somehow, and all so familiar.

                          Bill didn’t hear the soft tapping on the door at first. Bill! psstt, Bill! Open the door, it’s me, India……

                          #270

                          Oörlaith heard the sound of a barking dog not far from her rookery. They were back with his master, and she knew at once their mission was complete.

                          A few months ago she had met a strange man, he told her he was called Leonard, and the funny black dog that was following him everywhere was called Moufle. An ancient word for mitten… Well she didn’t ask why he’d call him like that, the dog was so hairy…

                          Leonard was a lonely traveller, quite ancient as she could feel, but she wasn’t able to know his actual age. And there were some other weird feelings when she was focusing on his energy tone, something to do with time itself.

                          When she first met him she knew he was the one she was looking for for ages. It’s been such a long time she hadn’t heard from her sisters. Oörlaith’d been having these dreams since they chose different direction many years ago, Malvina and Roselÿn, her precious ones. It wasn’t necessary for her then to keep objective contact with them through the glubolín.

                          One year ago, the dreams stopped abruptly, and she tried several methods to reach her sisters. None of them with success. All her attempts failed, and she thought first she had lost her own power, but she knew one can not loose power of self, just forget it or create it on purpose. She realized then it was time to recreate these links more objectively.

                          She couldn’t find her glubolín though. And Leonard arrived. Fortunately enough he had news from some strange events occurring in the land where she knew Malvina had settled her rookery. Was she still here with Leörmn?

                          ***

                          Yann had been feeling many impulses to draw scenes from his dreams and from the story they were creating with Quintin, Fiona, and Truth. It was an urge from inside and last night he had a very intense dream activity, most of which he couldn’t remember, it was more like a big forum with many different personalities all exchanging experiences and exploring new avenues.

                          He was also attracted by old stories he was writing when he was a student, the one involving Georges and Salome, it seemed to him they had taken a life of their own now, and they felt very powerful, and most of all, they felt like really having fun.

                          One of the drawing that was intriguing him was one that represented a sign of sort, in grayish sparkly clouds. He had given the pic a strange title, Oorlath. Yann had connected the name to an individual and was surprised when Quintin told him about a princess named Oörlaith. He was wondering who she was…

                          She still had no face when he thought of her… maybe she was hidden for the moment… and he had the strangest thought that she knew Leonard, the man he’d been drawing with his black hairy dog.

                          Haha, he had felt her smile.

                          ***

                          Chiara was looking for the boy she’d met last time in her dreams. Maybe he could give her some berries again, they were really tasty and fluberrish.

                          But she’s been looking for him for so long she wonder if she could find the way again…

                          Where she was now felt different. The light? The air? She took a deep breathe and just sat down on the grassy land. She had a quick thought that the land were more rocky than grassy a few seconds ago, but as she was feeling the grass under her hands, she dismissed the thought.

                          She was hearing birds singing, it was quite funny the way they were bounding from one sound to the other and she could understand what they were saying, much gossips and a few compliments for a new mother ;)) nothing really important to her. She Jibbled.

                          Lying down on the mossy land, she was looking… mossy? wasn’t it grassy? Now it’s mossy… hope that wouldn’t become mothy ;))

                          She was looking the clouds, some were grayishly sparkling, she was enjoying it…

                          “Are you looking for something” a voice said.

                          Chiara quickly sat up and gazed at the fat lady who was standing before her.

                          “Hahahaha, you found me at least my dear” laughed the woman.

                          “My name is Roselÿn, and you are Chiara, aren’t you?”

                          The little girl was gaping at Roselÿn… how could she possibly know her name?

                          “I feel I know you :yahoo_thinking:” she said dreamily.

                          “You make me feel like when I’m with my uncle Yann, and… there’s something else… oh!?”

                          #266

                          Sanso didn’t notice that the creature called Madrake was rolling his eyes. While he explained to the rather odd but delightfully enchanting Arona the finer points of sabulmantium technology, he was thinking about what Arona had just said about her mission. Her overall mission, she’d said, was to learn all about magic.

                          Sanso wondered what his own mission was and didn’t think he had one. Unless his mission was a glorious infinite wandering, threading multicoloured silken skeins of clues and riddles, people and places, weaving them in and out of time and to each other….the never ending tapestry, ever changing and splendid in it’s magnificence…..

                          Arona was looking up at Sanso with barely hidden astonishment, and he blushed ever so slightly when he realized he’d been speaking out loud. Shouting actually, his deep voice booming out with joy and passion, his wild gesticulations causing Arona to flinch and take an involuntary step backwards.

                          Suddenly both Arona and Sanso saw the funny side, giggles erupting into gales of laughter until tears rolled down their cheeks and they collapsed on the floor whooping and snorting and wiping their eyes, not really knowing, in the end, what they were laughing at…..

                          #261

                          In searching for a sheet of paper to do some sketches of images going through his mind, Bill found an old poem he had started a long time ago, when he was feeling like he was completely transforming himself. He had not finished the poem, but had kept it all along…

                          It said:

                          I’ve been wandering through the valleys of death
                          Where time knows no ending and all is gray
                          And shadows seek nothing but oblivion itself
                          In mazes of mist, minds’ errands led astray…

                          Perhaps it was time to let go of useless things, Bill thought to himself.

                          He watched the paper slowly smoldering and shrinking and falling to black and white cinders into the hearth.

                          :fleuron:

                          Before going to sleep that night, Quintin had the sensation of Janice’s presence. He was surprised, because she was no longer the little girl he had seen at times, but she was a very pretty young woman, with dark wavy hair.

                          She had giggled at his surprise, telling him that yes, she was catching up with him…

                          :fleuron:

                          The City, year 2255 (%)

                          Today was Janice’s birthday, but not her birthday as the Ancients, two and half a century from her time, would have counted it. It was counted from the time of the conception, as the future parents in this time were fully aware of the agreements they would have with the soul they would decide to give birth to.

                          It was a reminder of this agreement between the parents and the child that was celebrated, and not the actual birth date.

                          Janice had felt Cyprus’ presence quite strongly, and she decided to let herself open to the subjective communication. She was conversing with her friend Qixi, and sent her some energy to let her know she would probably remove her attention for a few moments, knowing she would be accepting.

                          When she closed her eyes, she could immediately feel herself engulfed by the strong yet smooth energy of Cyprus; it was like being kissed by a swarm of blue sparkling butterflies.

                          Then she opened her eyes.

                          She was in an ancient classroom, with Cyprus focused as a teacher figure. Cyprus was seated behind her desk and came at once to great Janice.

                          — Good morning!
                          — Good morning Cyprus, you wanted to say something to me?
                          — In actuality, you wanted me to tell you something, answered Cyprus with a mysterious smile.
                          — Yes, I thought so. Is it about what I am choosing to do as an activity?
                          — Correct.
                          — You are aware that I want to be creating of worlds, and give them to people that would have commissioned them…
                          — Yes, I am aware. And you wanted me to highlight some misconceptions about that.
                          — Oh, misconceptions?
                          — Yes. As you know, with these worlds that you create, you have infinite potential of explorations. You also know that they are not independent from the rest, even when you take great care of encapsulating them in an energy field. And as such, they are not cut-off from yourself, as soon as you deliver them.
                          — It feels like a tremendous responsibility.
                          — It is, and it is not. The responsibility is to yourself, as always. But, I wanted you to be aware that you hold some responsibility, to examine your own injections into these worlds that you create, so that you can be neutralizing what is not desired, and not merely hiding it deeper inside the world itself.
                          — OK, I will do that…
                          — Ahaha, there is another thing, my dear.
                          — Oooh…
                          — You also wanted me to make sure you understood what I meant.
                          — Ahahaha, I see. Wiggling out won’t be as easy as I thought, Janice said with a smile. So, is it the reason for this classroom?
                          — Nothing is hidden from you, as always.

                          So Janice took a look at the sheet of paper on top of her own school desk.

                          — I’ll be around if you need me, reassured Cyprus.
                          — Thank you, said Janice

                          The paper was like a spot test, with a few questions on it.

                          :fleuron2:

                          Study on a Few Contradictory Beliefs

                          1. GUILT

                          a. An old lord has lost contact with his son, because of harsh things said in the past.

                          Write a short story about him realizing how guilt is not effective, and how past can be changed from the point of present by direct action.

                          b. Detail the main beliefs you can see associated with this action of guilt.

                          2. FEAR

                          a. A man chooses to be disengaging by drowning in a river. During his transition, he faces his fears, helped in that by a friendly spirit. The fears take the forms of a forest of trees, all similar, with branches and malicious roots extending to him. In his previous life, the man thought he was a fool, as an excuse to stand out of the numb crowd. But now he faces this crowd again, only to be able to go on his journey and let go.

                          Write a short paragraph about his journey. Place yourself from the perspective of both him and the friendly spirit guiding him through his fears, and see how he helps himself in realizing he does not need to push the fears away, and that they can disappear easily.

                          b. Detail the beliefs associated with his madness, that he needs to let go of in order to be crossing the forest, and go to the Bridge of Daffoldils that leads to his cave of Self.

                          DUPLICITY

                          In association with the last two examples, detail how duplicity (belief in good versus bad) is influencing of each of the actions, and can be neutralised by accepting self and trusting that you shall not betray yourself.

                          :fleuron:

                          Janice gave her paper to Cyprus, who took it and held it for a moment, evaluating the answers.

                          Cyprus then made it burst into a bluish dancing flame, and when the paper had disappeared, smiled at Janice lovingly.

                          #260
                          F LoveF Love
                          Participant

                            Arona and Mandrake sat side by side looking into the glass ball filled with sand. They had been practising for some time, and had both become quite proficient at shifting the sand.

                            So what shall we make now Mandrake? Something we both like maybe?

                            A fish perhaps? suggested Mandrake

                            Oh excellent idea! and no sooner was it thought of than the sand would shift accordingly.

                            Scrambled eggs I think too, on chunks of homemade bread, said the still hungry Arona, and chocolate!

                            Some milk for me, said Mandrake

                            Hmmm not sure about that Mandrake. Lots of cats have allergies to cows milk.

                            Mandrake rolled his eyes And chocolate might make you fat, he said, but was I so rude as to mention it? and Mandrake created a hairy cow, and a farmer to milk the cow.

                            Arona laughed, and created a little sand langoat, just in case the stubborn Mandrake changed his mind. Langoat’s milk would be much better for him she thought.

                            The glass ball was now filled with a miniature world of sand objects.

                            Arona leaned back against the wall and stroked Mandrake. She felt very fond of the grumpy cat. The feeling of being able to create whatever she wanted had been fun. Perhaps, she thought, her creations were rather rudimental at this stage, but then already she could feel bigger things brewing within her as her confidence grew. She felt as though the sand game had focused her, like a beam of light which shone only on that which was intended.

                            Arona closed her eyes and allowed her mind to open and reach out, something she knew she had always been able to do easily, but her fear of the “madness” had made her cautious and hide these abilities, till she became unsure of them. The “madness” was the term the people in her Village had given to the poor wretched wandering ones, who claimed to hear voices and communicate with Gods. Once as a child she had seen the Villagers drive one of these poor souls from the Village, shouting and abusing him. She did not really understand what he had done, only that the Villagers were afraid of him. So Arona had felt it was better to keep some things to herself.

                            Arona left her mind open and allowed images to enter. Some of the images she did not understand, and she let them flow on, enjoying the energy of them notwithstanding. She saw a dragon, it was not the one with the mouthful of riddles, but another one, a baby one she felt. Her ability to see pictures was quite rusty, but she felt a connection with this baby dragon and a great fondness for it.

                            She felt a great peacefulness in her body, a knowledge that walking in the world of magic would be easier from now on

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