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Glad of the cover of the gloaming darkness, Eleri quickly cut a slice of cake and darted out of the kitchen door. She had heard the commotion that animated statue was still making, calling her a witch as if it were a bad thing, and thought it best to retreat for the time being while she gathered her thoughts. Either that vengeful lump of concrete needed therapy to deal with his past associations, or perhaps better ~ at least in the short term ~ an immobilizing potion until a workable programme of rehabilitation to the state of animation was concocted.

The screech of a parrot in the distance seemed to herald a new arrival in the near future, although Eleri wasn’t sure who else was expected. The raucous sound attracted her and she walked in the direction of it, deftly darting behind trees and bushes so as not to be seen by the rest of the party as she slipped out of the clearing around the shack and into the woods.

“Circles of Eight,” squawked the parrot, sounding closer. Eleri took another bite of cake, wondering why the cake in her hand wasn’t getting any smaller, despite that she had been munching on it steadily for some time. It actually looked as if it was growing in dimensions, but she dismissed the idea as improbable. “Circles of Eight!” screeched the parrot, louder this time. Preferring to err on the side of caution ~ not that she normally did, but in this instance ~ Eleri slipped inside a large hollow in a girthy old tree trunk. She would observe the approach of the new arrival from her hiding place.

Squatting down in the dry leaves, she leaned back against the rough wood and took another bite of cake, awaiting the next parrot call.

I wonder what’s in this cake? she thought, Because I am starting to feel a bit strange…

While the others were posturing and staring at each other threateningly like a pack of territorial stray dogs, Roberto inched closer to the mysterious sack. Something had started to protrude through a ragged hole in the side of the hessian weave. With a surreptitious glance at the others, who were still glaring at each other ~ with the exception of Godfrey who was still eyeing the lone peanut ~ he took another step closer. He bent down, ostensibly to flick a bit of mud from his trouser knee, and peered at the thing poking out of the sack.

“Why, it’s a tiny furled leaf!” he gasped. “It’s sprouting!” Like a sack of old potatoes left to rot in a damp corner, forgotten and discarded, a pale shoot was striking out in search of light.

Roberto held back when Liz demanded that Finnley lead her to the attic forthwith, followed by the Inspector. Godfrey shuffled along after them, picking up the stray peanut and popping it into his mouth. As soon as the gardener heard their footsteps creaking on the first floor landing, he made his move. There was life in that sack and he was going to give it the chance to thrive, to grow and blossom.

He knew just where to plant it. It would take some time to reach that place, but he knew what he must do.

Roberto set off for The Enchanted Woods, with a determined smile and a spring in his step. He was going to save the characters and grow them himself, nurture them all back to life.

“That’s all very well and old books in a sack is one thing …,” began Inspector Melon.

“What are you doing back here, Walter? Didn’t you just leave a few minutes ago!” snapped Liz. “Can’t you see I am in the middle of a crisis … you never did have any sensitivity. If you’ve come to ask me to get back with you, then you are out of luck.”

Inspector Melon’s face reddened again, whether from embarrassment or frustration it was difficult to tell.

“The Jingly girl what’s missing. That tip I got said this was definitely the last place she was seen. Now, do any of you lot know anything about the lass or do I have to round you all up and take you to the station?”

“Watch yourself, Godfrey,” hissed Finnley menacingly. “I’ve already cleared up one little nuisance from round this place.”

Godfrey paled and took back the peanut butter jar which earned him a perfunctory nod from Finnley.

“Don’t hiss, Finnley,” admonished Liz sharply. “Speak up so that the whole class can hear.” She tittered and fluttered her eyelashes at Walter, unfortunately accentuating her lack of sleep and bloodshot eyes in the process.

“Yes, what DID you say, young lady?” asked Inspector Melon. He prided himself on being able to deduce that something suspicious was going on and nothing, the considerable charms of Elizabeth Tattler notwistanding, was going to divert him from his duties.

Glynis had been staying with the Bakers for a few weeks now, since the night of the storm.

She had taken refuge on their porch, as the gale tore through the pitch black streets, blowing anything not nailed down along in its wake. Intending to leave early before anyone in the house was up, she found a dry corner and wrapping her burka tightly around herself for warmth, she fell into a deep, exhausted sleep.

“Well, what have we here! Good Lord, girl, you must be freezing!” said a booming male voice. Glynis started awake, trying to work out where she was.

“This is no place to be in a storm. Come inside to the warm,” the man continued. And before she could gather her senses and protest, he took hold of her arm and gently but firmly pulled her into a cosy warm kitchen already filled with the delicious aroma of baking bread.

“Anne!” he called to his wife, “look what I found on the front porch!”

“Oh you poor dear! You are shivering! Come with me and let’s get you into some dry clothes.”

Anne Baker was a portly woman with a purple scar covering a large part of her face. Glynis never mentioned the scar and likewise the Bakers never said a word about the dragon scales, seeming completely unperturbed by Glynis’s unusual appearance. In fact, in their kindly presence, Glynis sometimes found herself forgetting.

To repay their kindness, Glynis helped with the baking. With her knowledge of herbs, she had created several new recipes which had proved to be most popular with the customers. This delighted the Bakers; they were people who were passionate about what they did and every little detail mattered. They rose early, often before the sun was up, to lovingly prepare the dough; in their minds they were not merely selling bread; they were selling happiness.

Glynis was most surprised the day the stone parrot arrived in the mail.

“This is very peculiar. Who is this “laughing crone” and what does she want with me,” said Glynis to the stone parrot. “I wonder, did Aunt Bethell send you to me? She is very good at stories — perhaps she sent me the dream as well.”

But surely Aunt Bethell would not call herself a laughing crone! No, that is definitely not her style!

Glynis stared at the concrete parrot and an uneasy feeling had come over her. “You are alive inside that concrete, aren’t you,” she whispered, patting the stone creature gently. “Have you too been caught in the spell of some malevolent magician?”

The drizzle wasn’t meant to last. At least that’s what the smell in the air was telling Fox. With the night it was getting colder and the drizzle would soon turn into small ice crystals, and maybe worse.
“We should get going,” Fox said, enjoying the last pieces of rabbit stew. The dwarf had been busy looking around in the leafless bushes and behind the tree trunks. He had been silent the whole time and Fox was beginning to worry.
“What have you been doing anyway?” he asked. “Are you hunting? You can still have a piece of that stew before I swallow it.” He handed his bowl toward the dwarf, who grumpfed without looking at Fox.
“I don’t eat. I’m a stone dwarf. I think I get recharged by daylight.”
Gorash kept on looking around very intently.
“We should get going,” repeated Fox. The weather is going to be worse.
“Grmpf. I don’t care. I’m made to stay outside. I’m a stone statue.”
“Well even stone gets cracked with the help of ice when temperature drops below zero. How am I supposed to carry you if you fall into pieces,” said Fox. He thought his idea rather cunning, but he had no idea if Gorash would be affected by the bad weather or not, since he was not really like stone during the night.

“And what are you looking for? It’s winter, there’s not much of anything behind those naked bushes.”
“It’s Easter. You had your rabbit. I want my eggs,” said the dwarf.
“Oh.” Fox was speechless for a few moments. He too had been thinking of the colourful eggs of the dwarf’s friend they had left in the witch’s garden. He wondered what had happened to it? Gorash had been gloomier and gloomier since they had left the garden and Fox didn’t understand why. He had thought his friend happy to go on a quest and see the outside world. But something was missing, and now Fox realised what it was.

He didn’t really know what to say to comfort the dwarf, so he said nothing. Instead he thought about the strange seasonal pattern shifts. If it was Easter then it should be spring time, but the temperatures were still a havoc. And the trees had no leaves in that part of the forest. Fox remembered the clock tower of the city had had some problems functioning recently, maybe it was all connected. The problems with the bad smell around the city, the nonsensical seasonal changes and that gloomy quest… maybe it was all connected.

Fox gulped the last pieces of rabbit stew without enjoying it. He licked the inside of the bowl and put it in his backpack without further cleaning. He had suddenly realised that it was not much use to ask Gorash’s permission to leave as Fox was doing all the walk during the day anyway. So he could as well do it at night. He didn’t have as much difficulties to put out the fire as he had lighting it up. He cleaned the place as much as he could and then looked around him. The night was dark, the drizzle had turned into small snow flakes. Fox smelled the air. It would soon turn into bigger flakes. The dwarf could stay outside if he wanted, but Fox needed to move. Let him follow if he wants to.

That night Glynnis had a strange dream. She knew that it was no ordinary dream and in the morning diligently recorded it in her dream journal.

I was walking on a windy path through the forest. A young woman with bizarre hair and a cackling laugh appeared before me, blocking my path.
“Tell me your name!” I commanded.
“My name is Eleri, and I have a parrot to accompany you on your journey.”
“A parrot! What would I do with a parrot?”
“This is no ordinary parrot. This parrot can tell jokes,” responded the woman.
“A funny parrot! Well why didn’t you tell me that in the first place. Give me the parrot and I will be on my way.”
“Hold your horses. It’s not such an easy thing as that,” said the woman. “It never is you know. First you must tell me what is going on.”
I sighed and handed her a manuscript. “Read this a dozen times and all will be made clear.”
A look of petulant fury distorted the young woman’s face.
“ Tell me what is going on, you rude tart!“ she said crossly.
Here is what I told her:

Glynnis is a young woman living in the enchanted forest in an abandoned mansion. She practices magic and has a great affinity for nature. She also has the face of dragon after she annoyed a powerful sorcerer. She is being troubled by dreams which seem to be calling her on a mission—the purpose of which she is unsure. Glynnis sells her potions at a stall in the city. One day she finds a map hidden behind a painting and knows that she needs to follow the path shown on the map.
Rushkan is fae. He works as the city ‘chief overseer’ looking after the clock tower. He isn’t that keen on his job. Rushkan has a half-formed vision to assemble a team but for what purpose he is not sure. He has also discovered something worrying, dark even, about the clock tower.
One day, Rushkan uses his magic to call for an Oliphant. He packs a small bag of belongs and departs on a journey. Before departing, he leaves a gift for Olliver, the office errand boy.
Rushkan is a little irritated to find that the forest has been fenced off and a toll-booth erected—who wouldn’t be annoyed by this needless bureaucracy? Anyway, after farewelling the helpful Oliphant he continues his journey on foot.
He hears a cry for help and comes across a dying Gibbon. The Gibbon entrusts her infant to his care. He takes the baby—named Tak—to an old woman who lives in a lodge close to the Dragon Heartwood: Margoritt Loursenoir, a writer. It seems Tak is a shape-shifter and can also take the form of a child. Perhaps that is his true form. Rushkan stays with Margoritt for a while to recoup but it isn’t very long before he feels compelled to continue his journey to find the hermit, Kumihimo,in the forest. Kumihimo seems to be weaving seven braids.
To get to the hermit Rushkan has to cross Fae land. He isn’t overjoyed about this because he has left the ‘old ways’ of his people. Rushkan has to declare his presence to the Fae people—it’s a rule. The Queen is a bit annoyed because her empire is not as powerful as it once was and she has had to use precious resources to protect Rushkan on his journey. Anyway, she doesn’t stay uppity for long and ends up in bed with him.
Gorash is a dwarf statue who abides in the grounds of the deserted mansion in the enchanted forest. At night he comes to life. He has a friend called Rainbow. Gorash assists Rainbow in stealing Glynis’s magic potions and they make seven colourful eggs which Rainbow is infatuated with.
Mr Fox lives in a hut outside the city walls. At sunset he can shapeshift into a fox. He prefers being in animal form. Fox is quite a character. Not much gets past him.
Fox’s master is a Gibbon who taught him how to shapeshift. After going on a journey into the forest to find Gibbon, Fox is told that it is time to learn the wisdom of the Heart. Gibbon gives Fox an assignment: “You’ll find a lost soul in the enchanted forest. Bring it back to its rightful owner. Then you shall find your master.”
Fox goes back to the mansion in the deserted forest just as Glynnis is leaving on her journey. He befriends Gorash who has become increasingly lonely since Rainbow now has the eggs.

“That’s brilliant,” said the woman called Eleri. “You should probably get lots of points for doing that.” She gave one more loud cackle and shouted: “I am off to pick some mushrooms. You will find the parrot when you wake up from this crazy dream!”

Ronaldo, the new gardener, came out of the same nowhere as Godfrey, which Finnley with her eyes in every corner of the house found quite suspicious. She still hadn’t found the secret passageways these two were using and most of all she didn’t understand the WHY? of their strange behaviour.

“I’m going to dust the fireplace,” she said looking at the two men at the same time; she had learned that looking at chameleons. If there was a secret door there or a secret button to open one, she’d certainly find it by now. The men didn’t react much.

She left the room and pushed Ronaldo on the side with a twist of her hip while at the same time clicking on her phone screen to send a message to a friend. She had mastered that particularly useful move last summer at the Know Your Buddy Body seminar. She was quite glad she attended as she also met that lovely woman, a kindred spirit if she dared say. The only problem was that she had a girl with a German accent, and Finnley suspected Jingle was that girl. What was the name of her new friend again ?

She went to the fireplace and began to probe every corner with her duster, still texting to her friend.

Her last message “Why have you sent your daughter?”

Absentmindedly, Eleri put the bones in her pocket and continued to gaze down upon the valley, lost in thoughts of the past. What had that tree said to her, that day it came to life?

Yorath sat quietly, watching her. He noticed the mushrooms growing on the exposed roots beside him, wondering if he had unwittingly crushed any when he sat down next to the tree.

“Mushrooms,” he said quietly to himself.

Eleri didn’t answer, wasn’t even aware that he has said it, but now she was remembering the days of the floods in the lowlands. The wet, dismal months and years when everything was damp, if not saturated or submerged, when mold grew on every surface. Bright green mossy mold, and slimy dank black mold, and fungus everywhere. Nothing would grow like it used to grow and the odour of rot permeated everything. The fruit trees crumbled in a sickly sweet stench into the mud, and the people named it keeg, and started wearing keegkerchiefs wrapped around their faces to keep the stink out of their nostrils.

“Goodbye, farewell,” the tree had said to her. “We are moving north, migrating. But fear not, little one, there are mushrooms migrating here to replace us.”

At the time Eleri had thought it was a ridiculous idea, imagining trees packing their trunks and pulling their roots out of the ground, and stomping off into the sunset. A few years later, she understood what the tree had meant.

Before the last of the fruit trees crumbled into the swamps, the people has resorted to eating the snails and the mushrooms, unwillingly at first, missing the bright colours and refreshing juices, but as time went on, they found more and more varieties of fungi springing up overnight. There came more and more bright colours, and more interesting flavours. It wasn’t long before they noticed the healing and restorative properties of the new varieties, not to mention the recreational effects of some of the more elusive ones. There was no need for any organized farming of the fungi, because they simply sprang up overnight: the days menu would be whatever had appeared that morning.

And so it was considered a gift from the gods in times of trouble, and the people were grateful. Their faith was restored in the earth’s capacity for magic and abundance, and they were inspired and rejuvenated. Eleri vowed never to forget the earth’s magic providence, in the form of mushrooms

“More bones?” asked Yorath, smiling, as Eleri caught up with him on the forest path.

“I ask you, why is it,” she asked, leaning against a tree to catch her breath, “Why is it that we collect bones to make a complete one, but never go back to the same place for bones?”

Yorath paused and turned, raising an eyebrow.

“Never mind, don’t answer that, that’s not what I’m getting at ~ not now anyway ~ I just remembered something, Yorath.”

He waited expectantly for her to continue, but she didn’t reply. He mouth had dropped open as she gazed vacantly into the middle distance, slightly cross eyed and wonder struck.

“You were saying?” he prompted gently.

Her attention returned and she grabbed his arm and pointed down towards the lowlands. “Look! Down there,” she said, giving his elbow a shake. “It was down there when I was a child and it was that one day in spring and I saw it. I know I did. They all said I read the story first and then imagined it, but it was the other way round.” Noticing her friends unspoken suggestion that she slow down and clarify, Eleri paused and took a few deep breaths.

“I’d sort of half forgotten about it,” Eleri laughed. “But suddenly it all makes sense. There is a legend,” she explained, “that on one day of the year in spring all the things that were turned to stone to hide them came to life, just for the day. One of my earliest memories, we were out for a picnic in the hills on the other side of the valley and everyone had fallen asleep on rugs on the grass, and I wandered off. I was four years old, maybe five. You know when you see a rock that looks like a face, or a tree that looks like an animal or a person? Well on this one day of the year, according to the legend, they all come back to life ~ even the clouds that look like whales and birds. And it’s true, you see, Yorath. Because I’ve seen it.”

“I’ve heard of it, and the tree that guards it all comes to life, did you see her?”

“Yes. And she said something to me, but I don’t remember what the words were. I knew she said something, but I didn’t know what.”

The door whines on rusty hinges as Glynis shuts it for the last time. She hesitates, thinking. It doesn’t seem right to lock the door but still she tucks the key away in the bottom of her bag. This small act gives her a sense of entitlement, the feeling she can return whenever she chooses.

Funny things … keys, Glynis thinks, briefly remembering a pretty carved treasure box with a key-hole she had as a child. Nobody knew where the key was or if there ever was a key. She lets this small memory slip through, inconsequential as she knows it to be.

This house has been her safe place for so many years. It has welcomed her in and cradled her when she could barely move with grief and loss. And though at times she has sensed the presence of phantoms and ghosts in its aging walls, not once have they given her trouble or even acknowledged her presence.

This morning as she is leaving, the sadness threatens to overwhelm her. And though the day is already bright with sunshine and birdsong, sorrow has settled on her like a heavy mist, greying her spirit. In this sadness Glynis can allow herself no thoughts of past or future, there is just the present moment and in its sanctuary she must stay.

A gust of wind sweeps through her hair before it slips away into the forest to rustle the leaves.

Inviting her.

Kumihimo was rummaging through the content of a wooden chest at the back of the cave. According to the smell it had spent too much time in the dark and humid environment. She might have to do some spring cleaning one day. But the chest was now too heavy for her to carry. I need an apprentice for this, she thought not knowing if if was a wish or a regret.

In that chest, she had her many tools of the thread. Some were made of bones and she had carved them herself under the direction of her spirit guides. Each one had a specific purpose, either to catch, to extract, to guide, or to dissipate, and many more usages that even she had forgotten after so many years spent in that place.

She had accumulated so many things in that chest. Fortunately she liked miniature, and most of her creations were seldom bigger than her little finger. However that made it difficult to keep things in order and finding something was often a real challenge. So she sang lullabies to lure the object she was looking for out of their sanctuary.

Victory! she exulted in the ancient tongue, which would translate also as ‘I have done all that is necessary to harvest the benefits of the next crop’. Kumihimo liked simple things and she liked when one word could signify a very complex meaning. Under an old donkey skin that she often used to camouflage herself when she was going down in the valley, she had found the loom she had been looking for.

The loom was made from the right shoulder blade of a bear. It was one of the first objects she had carved when she arrived in the vicinity. It had a yellowish patina and felt very smooth in her hands. Its shape was octagonal and each side had seven notches under which were three rows of symbols, some of the ink was gone after so many years, but she could still feel the groove where she had carved them. She smiled at the fond memories and at the dear friend who allowed her to take his bone when he died of old age.
In the centre of the loom was a heart with a circular hole in it. It was where the braid would emerge.

Holding the precious object, Kumihimo could feel all the braids she had already made and all the potential braids that waited to come into existence. She felt warmth bloom in her heart at the task at hand.

Each notch corresponded at the same time to a time of the year, to a direction on earth and in the sky, and some rather obscure references to many other phenomenon and concepts. The weaving depended on very complex rules that she had discovered from experience. Actually the meaning weaved itself into the braid through a subtle interaction between her and Spirit. That way she didn’t have to bother about what to do or what notch to use as it would all unfold during the weaving.

She stood up and walked outside. The day was still young and she had a lot to do. The weaving ceremony was an act of spontaneity, but it required some preparation. She put the loom on a round rock to dry in the Sun and went to examine the hanging threads. She had to choose carefully.

Yorath led the way down the forest path. Eleri followed, feeling no urge to rush, despite the sense of urgency. Rather, she felt a sense of urgency to linger, perhaps even to sit awhile on a rock beneath an old oak tree, to stop the pell mell rush of thoughts and suppositions and just sit, staring blankly, listening to the forest sounds and sniffing the mushroomy mulch beneath her feet.

The compulsion to be alone increased. Unable to ignore it any longer, Eleri told Yorath that she would catch him up, she needed to go behind a bush for a moment, knowing quite well that there was no need for the excuse, but still, she didn’t feel like explaining. Talking, even thinking, had become tiring, exhausting even. She needed to sit, just sit.

She watched his retreating back and breathed a sigh of relief when his form disappeared from view. Much as she loved her dear old friend, the absence of other humans was like a breath of air to the drowning. The rustlings of the living forest, the dappling shadows and busy missions of the insects was a different kind of busyness, far from still and never silent, not always slow or sedate, not even serene or pleasant always, but there was a restful coherence to the movements of the living forest.

Leaning back into the tree trunk, her foot dislodged a rotten log from its resting place among the leaves ~ crisp and crunchy on the top, damp and decomposing beneath the surface ~ revealing the long slim ivory of bone contrasting sharply with the shades of brown.

Bones. Eleri paused before leaning over to touch it gently at first, then gently smooth away the composting detritus covering it.

Bones. She held it, feeling the hard dry texture peculiar to bones, loving the white colour which was more than white, a richer white than white, not bleached of colour, but full of the colours of white, and holding all of the colours of the story of it.

The story of the bone, the bones. She knelt, carefully brushing the leaves aside. Bones never rested alone, she knew that. Close by she knew she would find more. She knew she would take them home with her, although she knew not why. Just that she always did. A smile flitted across her face as she recalled the horse bones she’d found once ~ an entire, perfect skeleton of a horse. What she wouldn’t have given to take the whole thing home with her, but it was impossible. Perfectly assembled, picked clean and sun bleached, resplendent in the morning sun, it was a thing of unimaginable beauty that morning, reclining on the hilltop. So she took as much of the spine as she could carry, and later wished she’d taken the skull instead. And never really wondered why she didn’t go back for more.

But that was the thing with bones. You don’t go back. You take what you want, what you can carry, and leave the rest. But Eleri had to admit that she didn’t know why this was so.