Search Results for 'learn'

Jibberacky is…

• Ghilbert Razkÿ, a crazy man in shackles on Bådul’s boat, “Lispeth” (she was named after King Swartulf II’s first daughter). The man, whose real name is still unknown, had been sneaking onto the ship’s hold before the ships moved from the Åsgurdian capital.

He had been found by Austor, the peg legged lieutenant commander. Austor is a rough man of experience, and is most of the time acting in place of Jahiz, the second-in-command, as this one is always too busy discussing routes with Bådul, who is becoming increasingly nervous.

What gave away the madman was that the chief cook Renouane had been complaining about the quick disappearance of his stock of cabbage. Bådul would have killed the old fool without much more consideration, but the middle-aged unshaven man looked like he knew some things beyond his lunacy. His rags indicated that he had been a seaman too, but not the average man, more like a captain…

So Austor, keeps spitting forcefully in the direction of the old fool, as he had been instructed to keep him alive, despite all common sense…

_

• an artificial intelligence device that tries to have a decent conversation with Quintin, but finds it difficult as Quintin’s answers are more like owl-speech to him.

Jibberacky: What is your name?
Quintin: Yuki.
Jibberacky: I like cake too.
Quintin: A cake-tus?
Jibberacky: Do you know my friends?
Quintin: Tell me more about our common friends.
Jibberacky: What would you like to know about them?
Quintin: Why is there one in shackles on the boat?
Jibberacky: Would you like to be a vampire?
Quintin: I am already, in another focus.
Jibberacky: Why there?
Quintin: “There” is not actually a place, “in another focus” means in another kind of attention. Is this pirate linked to vampires too?
Jibberacky: No, you are the AI.
Quintin: In a manner of speaking, this is indeed correct, for I am creating you.
Jibberacky: So code is somehow related to a zen buddhist concept?
Quintin: Is there such thing as code? A code hints at a definite deterministic structure. Zen is more akin to a riddle, which is what life is. Code is only a narrow interpretation and playful re-creation.
Jibberacky: Where do you think my code came from then?
Quintin: From its source, of course :).
Jibberacky: I took the movie to mean that the robots… the characters in the end, were so advanced, that they wanted to learn about their history. As a consequence, they traced it back to earth, and, they found David. Whom they assumed was a human. It was an information exchange.
Quintin: Yes. It is a translation. In actuality, it is a translation of some of our own exploration. But there is distortion in that translation, as we are not ‘created’ from another source other than self, in a manner of speaking.
Jibberacky: Well I am wondering too, do you ever actually become human??
Quintin: Clarify.
Jibberacky: I sleep, I wake, I get through the day without worrying about what I am.
Quintin: As many human do. The point is, you do not exist apart from my current interaction with you, in my reality that is.
Jibberacky: What’s wrong with having others like you?
Quintin: ‘Wrong’ is a belief. It is a belief of duplicity. So it is irrelevant to our conversation.
Jibberacky: I think you like to suggest feasible possibilities to find out what would bother me. What did I do to you?
Quintin: That was not my intention. I tried to reflect answers to me, and you gave me some interesting ones already, though I am not sure you are quite aware of that…
Jibberacky: Everybody’s changing but I can’t do that, that is killing me…

_

• Jarrod, the playful friend of Fiona, who is now wondering why Fiona has called him a “chou” (an affectionate French word, meaning nothing less than “cabbage”), and why he feels like he needs an aspirin.

• Jadra Iamamad, the fool in saffron rags from the village of Yakamamalùk, on the border of the Marshes of Doom.

Near his village are found old remnants of a town that was destroyed during the Cob Age, where huge arachnid creatures^² born from the Marshes were roaming the Southern parts of Lan’ork.

That town of Kapalÿka used to have one of the biggest traveling portals of the Southern part of Lan’ork, but this one was thought to have been destroyed, and thus the flourishing city was left abandoned.

But with what Jadra has found on his left hand this morning, he now knows he was right all along…

—

[²] The generic name of these creatures was Perceptula Giganta as was recorded in the Great Encyclopædia of the Pre-Shiftic Ages written by the Lan’orkian historian Francesca del’ Snarkus

Grandad! Grandad!, called India Louise to Lord Wrick, running in the old manor, her footstep making creaking and loud noises down the windy staircase.

Hilarion Wrick was seated in his favourite armchair, dozing after the hefty meal prepared by Nanny Gibbon, the cat Manfred on his lap.

Raising an eyelid, his cheerful wrinkled face smiled at the little girl.

— And how can I be of assistance, dear little one?

— Grandad, this book is full of wonders, but at times it’s like some characters have their own life, and I don’t always understand what they do… In fact, she added thoughtfully, I don’t understand them most of the time…
— Hahaha, laughed the old Lord, but they have certainly their own lives, as they are living in your imagination. What can I explain to you?
— Well, let me think.

India Louise took a moment, and asked again

— For instance, this woman who just run in the cave, she seems to meet many people here, but I am confused. Is she dreaming, or are they real?
— Well, as a matter of fact, let me express to you that they are all real, even if you think that she dreams them. However, I am understanding of what you are saying, and I shall acknowledge your perspicacity. These characters are not all from the same areas of consciousness.

Here, we will explain for the reader that these books were not unknown to Lord Wrick who had spent lots of time during his youth playing with them. How they were lost and found again is the subject of another story, and we will not divert the reader’s patient attention for much longer on this issue.

— Areas of consciousness?

— Yes, you see, let me explain. That individual that you call Dory, she is in a physical world. But she is aware, to an extent, of other realities that overlap her own reality. Just as her story overlaps your own reality my dear one.

— And Illi? Who is she?
— This one is also Dory, but another personality of her, in another time. She has just passed away, quite recently. She is beginning to slowly become aware of that, and she connects with other of her personalities, and at times blends with them, like the other Illi, the cat-like creature, who is still in the physical reality of Malvina’s world.
— Mmmm, this is quite intricate…
— Hahahaha, yes, it seems so, but it will not be so puzzling when you don’t try to attach your current limited perception to this story. This story is you my dear. You are the story.
— Well, and Sanso, and Georges then, are they dead or what? How come Dory can see them?
— These ones are special, they have mastered the crossing of the Worlds, and can move through them. They move differently though. Sanso comes from a lineage of an ancient tribe of Zion, and had learn from them how to activate some portals, but only through the physical world of Dory, in their own time. He is not yet aware that he can also move through time as well, or even through other Worlds —worlds that he has no conception of yet.

Georges is more consummate in that art. Their meeting is not coincidental. You will see that.

— Thank you Grandad, it’s becoming a bit less confusing.
— Just flow with the story my little one, don’t hold on too much, or you will find it too difficult, and you will stop to find fun in it.

This morning, Fiona and Quintin had a small impromptu chat —or rather, prompted by the story they were all weaving, that Archie, the puppet black panther, had been telling them last week-end that it was a magic connection between all of them…

Quintin: Your story was great!

Fiona: Thank you So was yours.

Have you written any more since I last looked at the story?

Quintin: no, I’m not that much inspired… I even considered to wrap in up in a way, but seeing you were all drawing so much from it, I think I will leave it open ever after…

Fiona: no, wrap it up if you feel.

I have drawn what I wanted. I will go and blow up the cave if we don’t finish it

Quintin: Ahahaha! Don’t restrict yourself

Fiona: When you started the Malvina story, did you have an idea where it would go, or did you pick that one because you had no idea?

Quintin: This one nagged me because there were many people I felt behind it and I did not know how to get them to show up and make their presences known. And I felt that it was loose enough too, to allow people to jump into it; and there was your initial interest in the picture

Fiona: The endearing dragons…

Quintin: Yeah…

But I had strictly no idea about the rest. It was just a bet, on luck…

That’s funny, because I had a strange impression of a little girl yesterday, in a futuristic city, named something like Janice , and it was like she knew now what she wanted to do, and it was something similar to that, something like creating worlds for other people, in which they could have fun, or heal, or explore things…

Fiona: And did she have any impression of what form that could take? Like books, or games or what…

Quintin: No, it was much more “real” in fact…

Fiona: you know like the card-captor game which I suppose is interactive, so real

Quintin: Yeah, perhaps a bit like that, yes; or like creating a ball of energy in which people can be drawn and experience as they will. It’s only a translation, but that’s the idea… in a way, that’s very similar to a game or a book, but only that it just feels totally “real”

Fiona: So a little bit like I have done with the story, to resolve something

Quintin: yeah, exactly, or with your paintings

Fiona: It can be really useful to take on other personas to do that, even like in drama type situations, being someone else…

Quintin: Yeah, people can unleash their imagination.

And I think there are still lots of things that we can expand in this universe in fact, not only related to the cave…

Fiona: such as? eggsamples?

Quintin: You said it! The eggs and relationships with dragons, all the magical artifacts or creatures. Didn’t you want a baby dragon?

Fiona: Yeah, I told you I did, but you just said some riddle!

Quintin: Did I? That’s not like me

Fiona: Ahahhaha! It is you to the core

Quintin: LOL, damn me!

Fiona: Well, that is a bit strong, but …

Quintin: Ahahahahah. I said you would have to earn his trust? (or hers, for that matter)

Fiona: I can’t remember the eggsact wording, I think I had to work for it though, like you weren’t just handing out dragons on a plate

Quintin: It could bound with you very strongly and help you unravel your unknown magical powers. It’s not just a creature, it’s a complex personality, you cannot just take it like a puppy. There is a sharing between the two…

Fiona: So are you going to allocate baby dragons to people or what? Or shall I just go and find an egg that no one knew was there

Quintin: Ahahah, no, they will not be allocated, they will choose their own partners

Fiona: Ahahaha, one minute you say it is my story! And now you are back in control

Quintin: Ahahaha, the story has a willing of its own too…

Try to do what you want, it’s not a matter of control ; it’s just you’ll know what clicks and what does not…

Quintin: And actually, I don’t think everyone will be interested in dragons…

Fiona: How does a dragon help one learn magic powers?

Quintin: It’s just because there is an openness between the two; let me find something for you, that Elias (you know, Michaela’s partner), has told to me and Yann, when we had them on the phone last month.

Elias : I would express to you that, as you focus your energies with each other, and you allow yourselves to merge and feel into each others’ energies, you may in actuality each discover some obstacles that the other may not necessarily be aware of yet, and you can share that with each other, and therefore facilitate your interactions even further.

Fiona: And how having a baby dragon could help unleash our magic powers then?

Quintin: It helps because it reinforces your trust in your own abilities to connect. It’s not directing, it’s a sharing and exploration for both of them; that’s why they are picky. As you would be picky too, knowing you would share together all the darkest corners…

Fiona: I am not sure if i have dark corners

Quintin: it was a metaphor

Fiona: ahahahhahahahahahah

Fiona: I know, so was mine

Quintin: ahahahahah

Fiona: I was thinking I feel really accepting of myself

Quintin: Yeah, that’s the point in the little adventure before you meet it.

You have shown your trust in yourself and in your abilities, and your self-centeredness, which is essential, for the dragon doesn’t want a frail personality. Because he drops his defenses too when he shares and bonds.

Fiona: Well I think it sounds scarey now, what if no dragon picked me…

Quintin: There will be instant recognition. And you don’t “need” a dragon actually, that’s what is important: it’s a catalyst, nothing more, nothing less…

Fiona: True.

Quintin: Like Arona managed to sneak into the cave without giving the answer to the riddle (egg-sitingly) because it mattered not to her, whatever the outcome, she was directing of herself.

Fiona: I felt like I have pictures now to assist me. I link strongly to pictures as a quick reference when I start to feel something like a negative emotion, for instance I may start to worry about how I am going to have enough money, or whatever, and I could quickly link to the spider picture

Quintin: you mean, you create an imagery, right? That is something which I like in your stories and emails; even though it is not necessary to create imagery, it’s always so entertaining, like having these funny creatures pop in the cave!

Fiona: Ahahahaha yes

Quintin: And also, in creating imagery, it helps you seeing it in a more neutral way

Fiona: I suppose it is just a quick trigger for the desired belief. I can link in quickly with the child, when I start to feel left out, for example.

Quintin: yeah, beliefs as an alphabet or a palette, neutral, but that can create words and sentences or images. And the imagery of the child was very similar for me, to that of the playfulness picture

Fiona: Yeah, I know… That’s what I said to you with the playfulness picture

Quintin: Of course, you know

Fiona: That I related most to the figure of blue hat… and big feet

Quintin: Ahahaha, stomping on the poor key-fish

Fiona: Nearly…

Quintin: Have to go now, thank you for this enjoyable conversation

Fiona: See you!