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One thing led to another, as it tends to do, while Sanso sat meditating on the enigma of The Dead Cow. Random and seemingly disjointed images flashed through his mind, not unlike a random google had been back in the old days, the first being an odd word, Kogaionon . Accessing further information, Sanso discovered that it was an ancient Transylvaniun skull. The link between the dead cow and the skull was clear ~ it was a bone sync, they both had bones, there was no denying it. Encouraged, Sanso continued to meditate.

After some images of a battle at sea , presumably Trafalgar, Sanso intuitively felt, he heard the words “Do not go where the path may lead, go instead where there is no path and leave a trail.” Wise words, he thought, and appropriate too. He popped these snippets into his indigo clue bag and continued to meditate. An image of a strange creature, half fish and half lion appeared next, a Merlion, which quickly morphed into an entertaining old movie playing across the screen of his minds eye, so to speak, in which someone who reminded him of Becky arrived in Paris during a rainstorm with just the clothes on her back ~ and interesting clothes they were, too! Sanso was glued to the screen, in a manner of speaking, and watched with amusement as a whole new wardrobe was delivered to the puzzled woman, followed by her mysterious benefactor: Georges.

Well, fancy Georges turning up again like that! Sanso was delighted. Perhaps Georges could shed some light on the mystery of the Dead Cow Blocking the Cave Entrance.

Sanso returned to his meditation and found himself eavesdropping on a conversation.

— Well, and Sanso, and Georges then, are they dead or what? How come Dory can see them?
— These ones are special, they have mastered the crossing of the Worlds, and can move through them. They move differently though. Sanso comes from a lineage of an ancient tribe of Zion, and had learn from them how to activate some portals, but only through the physical world of Dory, in their own time. He is not yet aware that he can also move through time as well, or even through other Worlds — worlds that he has no conception of yet.
Georges is more consummate in that art. Their meeting is not coincidental. You will see that.
— Thank you Grandad, it’s becoming a bit less confusing.
— Just flow with the story my little one, don’t hold on too much, or you will find it too difficult, and you will stop to find fun in it.

“Their meeting is not coincidental” Sanso repeated to himself, popping it into his clue bag. “Well, I don’t know about Meanings, but at least I have a new bag of clues now!”

Sanso had been hanging around for far too long, trying to make sense of all the funny ideas that people have, and trying to get to grips with all their adventures and escapades, their convoluted ponderings, and all the friends and associates that were continually weaving themselves through the many threads. He’d all but forgotten that he was a wanderer by nature, used to travelling alone. Somehow he’d become stuck in their ways, despite not ever really fitting in completely, and he wasn’t entirely sure how it had happened. Perhaps it had been the broccoli. With a defiant devil may care spirit, he’d eaten the broccoli
from the jar marked “You Fool”, when all the others had chosen the broccoli in the jar labeled “Thank You”. Well, he’d chosen it, there was no blaming anyone else for it, after all. But the effects had all but worn off, and he was starting to get the old familiar itch to travel again, to explore.

“You can go in any direction you want” he heard himself say as he mentally transported himself back to a scene in his Story. “You’ll always be at the centre of everything.”

How very strange that he’d forgotten that. That brocolli was powerful stuff.

“You interpret the signs however you want to…” the voice of Sanso In Another Scene continued, “and then you act on it. And I’ll tell you this as well, it’s about time you stopped rehashing Old Scenes and started exploring some new ones. Just go, go now! Put one foot in front of the other, and just go ~ go back into the cave.”

Sanso was on the verge of protesting that he didn’t have a plan, and then remembered how much he liked surprises.

For the briefest moment, Sanso wondered if he should leave a note for anyone, or get the laundry in before he set off, or pack a suitcase or something, but decided to start off as he meant to carry on ~ alone, impulsive and free to wander the world of his own making.

There was a large black cow blocking the entrance to the cave. The cow was dead and bloated, although it hadn’t started to smell yet. Sanso wondered whether it was a sign, and decided that it was. It would be rather pointless to create a large dead cow blocking the cave entrance if it had no significance to the story, he deduced, although he hadn’t yet worked out an appropriate meaning for the sign.

Weighing up his options, Sanso realized there were several choices he could make. He could delete the previous paragraph, and simply walk into the cave. He could wait until the cow decomposed, and then simply climb over the bones. He could wander around until he found another cave entrance, or simply teleport himself into the cave behind the cow.

However, the only option that he could think of that would include the Meaning of the Dead Cow Blocking The Cave Entrance would be to stay with the cow until the meaning had been found. If he ignored the cow, he might be Missing An Important Meaning. Notwithstanding, the meaning may turn up later, whether he forgot about it or not.

Sanso decided to sit and meditate on the Meaning of the Cow before proceeding. He could change his mind at any moment if he got bored.

Ann realized she was late for her Flimsy Unravelled Continuity Knowledge class. A couple of months late, in point of fact, as Worserversity classes had resumed two months previously.

“Where have you BEEN?” Lavender whispered as Ann slid as inconspicuously as possible into the seat beside her, while the professor at the front of the class was facing the blueboard.

“Do I know you?” asked Ann, with a puzzled expression. The girl beside her did look vaguely familiar.

“Oh how rude you are, Ann. Are you trying to be funny?”

“Oh no, not at all!” Ann’s eyes filled with tears.

Lavender frowned. It wasn’t like Ann to start blarting and blubbering in public. “What’s the matter?” she asked kindly.

“I’ve lost my memory!” exclaimed Ann. “I can’t remember a thing!”

“Oh, is that all,” replied Lavender dismissively. “I’d have thought you’d be used to that by now.”

“No, no, you don’t understand! I can’t remember anything at all now, it’s all gone, poof! Gone!” Ann wept and started to wring her hands.

“Well the first thing you need to do is stop that bloody snivelling and wipe your nose. Here” she said, handing Ann a tissue. “And the next thing you need to do is stop worrying about it, and just fake it until you get your memory back. Worrying about it won’t help, you must focus on the things you do remember.”

“But it’s all jumbled up and muddled in my head, I remember bits, you know? But I can’t fit them all together. I CAN’T FIT THEM ALL TOGETHER!”

“SHHH!” snapped Lavender. “Try not to draw any attention to yourself! I’ll help you, don’t worry.”

“You’re so kind” Ann smiled weakly. “What did you say your name was?”

“Lavender. My name is Lavender, and I’m going to help you remember. Just remember this, for now: what you can’t remember, don’t worry about, the important thing is to carry on. Just CARRY ON REGARDLESS, ok?”

“OK.” Ann sighed with releif. “What’s the Professor going on about?”

“The next assignment. We’re to read that cryptic old classic book Circle of Eights and try to decipher it.”

“Good greif! Nobody has ever managed to decipher that book!”

“You see?” said Lavender. “You can remember that! Well done, girl!”

The Great White Botherbrood were gathered at the Great White Detention Halls in the Alter Skye. Hilarionella was leading a chorus of Ascend With Me; the congregation of misfits and miscreants, scallywags and rebrobates joined in the uplifting melody, hoping, no doubt, to ascend the Great White Stairway to The Circle of The Eighth Heaven. A little known fact was that the doors were open to anyone, although not many people knew that. A feast of watermelon awaited them at the Table of The Ascended Party Fillers, headed by that charming old scoundrel, Saint Toblerone of Germaine. That batty old coot Hoomy was Head Waiterless, which meant there was no need to wait for a table when one arrived at The Circle of The Eighth Heaven, which was just as well, all things considered.

Telless was waiting patiently for the Watermelon Party to start, having recently been cured of the lisp that had plagued him for centuries, an unexpected side effect of the Less Telleth More course he had eventually completed, despite being inundated throughout the semester with More, rather than Less, translations to unravel and decipher.

The tables, the watermelon, and other sundries had been procured with the aid of the enigmatic E. Baynoch, whose 21st century mission was to put a spanner in the works, so to speak, of the tightly held exchange mechanism currently ruling the Dense Dimension. He felt it was a key part of the Great Tilt that the inhabitants of the Dense Dimension were experiencing, and had set plans in motion for a new kind of online system in which receiving without exchange was the key factor. An interesting side effect of the new system would be that everyone could get rid of any old rubbish easily, once differences in perception were regarded in a favourable and usefully practical light.

Lady Paula Adoremyanus, not surprisingly, would be providing rest room facilities, providing soothing energy for those who had over-indulged in the spicy Kwan Yin Chow Mein at the Tables of the Feast of The White Parrot. Having a thousand arms was obviously a great help in her work, considering the quantity of hot spices in the Kwan Yin Chow Mein, and the popularity of her Soothing Energy Rest Rooms.

Well I don’t know about you, she said to whoever was listening, but I am inclined to think that something rather than nothing, even if that something is off the track, round the bend, out of line, unsupported by connecting links or threads, or simply just plain rubbish, is better than no thing at all. The time has come, dear freinds, to resume random impulsive meaningless nonsense, for it has far greater continuity than anything that might actually mean something however so much as it might be deemed continuous ~ for, and I express the blindingly obvious, there is no continuity thread to be found in nothing-at-all-ness.

Some shaven sheep on the floor where mother goose got pens… that’s what I call giant game! Meddling it’s intricate design, and its daft words pointed to the distinct lack of any mention of God.

We’re talking threads, spinning a myth, warming and weaving, all meaningless beleifs with which to travel, peanuts that can’t be contained inside ones own weaving, in and out of the warped story, and the weft Text.

Viewers may be considerd to be a patchwork piece. These indiviual multitudes are loom weights to create a tapestry in the style, so to speak, of the background qualities of Finnley.

In this focus you choose this situation, that of God. You shall focus an attention to detail and perfection, balance, movement, with tremendous detail.

“Tell me about it” remarked God drily, offering challenging information. “The Sumari does not concern itself with Finnley” who stuck her tongue out at God, sighed in resignation and reached for the peanuts. “No point in fighting your warp.”

“Serenely on her tiny loom she weaves her story with careful art.
And who am I, with meddling pen to send it’s loveliness apart?

For I, who am a weaver, too, look on that intricate design,
And know its daft embroideries are just as beautiful as mine….”

LizAnn read the poem out loud, subsituting a few words of her own, and pointed out to Godfrey the distinct lack of any mention of spiders.

“We don’t have to include any actual spiders, Godfrey,” she said firmly. “Forget the spiders! We’re talking here about weaving a story from all the loose threads, not spinning a web with which to ensnare anyone. The myths” continued LizAnn, warming to the subject, “Concerning spiders and weaving are being rewoven anew. The Text Tiles are myriad, and all equally meaningless. The purpose of Text Tiles is no longer a sticky web of beleifs with which to ensnare the unsuspecting traveller, but a patchwork of …of….”

“Lost your thread, LizAnn?” inquired Gordon, smugly.

“You rude old coot” she replied, “Have some more peanuts, and allow me to finish.”

“Finish? Well, that will be a first.”

“What I was trying to say is that the weaving of the story can’t be contained inside the confines of the linearly constructed Reality Play. One only needs to focus on ones own weaving, in and out of the warped story, and the weft wide world outside, so to speak. The same principle applies to the other weavers and the Text Tile viewers. Each comment may be considerd to be a single Text Tile, or patchwork piece. These indiviual Text Tiles may be arranged in multitudes of ways according to the manner in which they are woven into an individuals own story weaving experience.”

“That’s as may be, LizAnn, but what about loom weights? To anchor the warp? Or is it the weft…”

(same random quote as above link #87)

Actually, thinking of Dory made Quintin remember:

“They are really bit rude around here”.

Dory stretched and yawned, and took in in a cloud of dust.

Dory wondered out loud if she should have an older man with curly grey hair and a long maroon djelaba and a tall narrow brimless black hat and watch him get laid.

I am so easy really, she thought giving it a last fond stroke. She finally surfaced from the flapping tangle of cloth just in time to see a group of people squatting next to a large oblong hole in the ground.

PFFFFFT! Deserted again.

Dory was getting bored waiting for this motley crew, looking slightly bemused, but smiling happily, she set off in search of Dory.

#87 Quintin had a woman near London ~ a strange small replicate, put here for gracious officials. Strangely linked to the story, was Dory. The other participants didn’t really expect this quaint dream…

Dory made Quintin in Madagascar for the first time. Funny, but now they seemed to connect to Arona. Malvina disappeared, and once again Arona found this quite irritating. She could barely remember the music.

Really, things are shifting. In the name of heaven use magic I Scream or something!

A Man emerged from Arona’s lap. This is great, more comfortable than the ground.

Oh cute, said Arona, a talking Man, love your cape by the way.

Arona stroked Man. It was all feeling heat and humidity… and especially her hunger. Man sighed in an eggs sort of a way. She exclaimed delightedly, hugging the Man.

[¹] Note from the editor: Man being a noble reader

~~~~

Dory was dry, with strange hard shoulders and face. Her shawl finally surfaced flapping in time to a cloud of dust.

PPFFT! I’m all on my own. Dory was momentarily speechless.

“That perhaps is your task” Virginia was whispering in Ann’s ear”…to find the relation between things that seem incompatible yet have a mysterious affinity, to absorb every experience that comes your way fearlessly and saturate it completely so that your poem is a whole, not a fragment; to re-think human life into poetry and so give us tragedy again and comedy by means of characters not spun out at length in the novelist’s way…”

“Did you catch that, Walter? ‘Not spun out in the traditional lengthy continous way’ she’s saying.”

“…but condensed and synthesized in the poet’s way—that is what we look to you to do now.”

“I didn’t know you channeled Virginia Woolf, Ann,” replied Walter. “Doesn’t mean she is necesarily right, though, notwithstanding.”

“I didn’t say she was ‘absolutely right’, Walter. I’m just pointing out what’s right for me.”

Walter popped another anchovy stuffed olive into his mouth.

The writer wanted to write, full stop. The problem was that the writer’s desire to write was continually interrupted with things in brackets assuming monstrous and all comsuming proportions. Endless chains of things in brackets that always seemed to have priority.

“You could always write about the things in brackets, Ann,” remarked her new friend Lavender. “Might be fun. A thrilling blast, even.”

The summer Holidays were nearly over, or the Hollow Days, as they were known to some. The last days of summer had been a bit hollow for Ann at any rate, rattling around inside her own head, not really knowing whether it was full or empty. Ann had spent most of the summer sleeping, and with virtually no dream recall, it seemed as if half of the summer was missing. Probably just as well, what with it being such an odd summer. She wondered if she would simply sleep through the shift, like Ned Young slept through the mutiny. Didn’t seem like such a bad idea.

“Normally” the Worserversity students started rolling back towards Poubelleville round about now, but the word “normally” was becoming obsolete. What was normal, what could be expected? Ann didn’t know. She packed her coloured pencils, her detachable hand and her wooden men, and fished out her homework assigments for the holidays that she had only just remembered.

Alliteration. Bugger bollocks and blast, blimey but what a bother, too bloody hot and bored.

That’s a bit bloody depressing, she muttered to herself, try another letter.

Sweltering summer of sweat and sand, sleeping and sleeping, sublime surruptitious snooze, sail away in the sunset swell, sunrise surrender, ships ahoy!

Fan the flames, far sighted fellows! There’s a flash in the funnel for fast falling fishermen. Far flung, fun fueled, oh fast fleeting fantasies, follow the folks with the flags! Flounder not, fresh fishies, for fun feels fantastic!

Ah, wallow in wisps of wordless wonderings, weather the winds of wandering whispers, while weighty wells of wishes work winsome wonders, woven with worn wool and worrisome white weathered windows. Whether we will, whether we won’t, who will win, what will work, will we watch it water the weeds….

For her new course, Pr. Moose was a dolphin.
It was a fancy-dress course entitled: ‘Act out your characters’.

Pedro was naked, and when she asked him in what kind of disguise that could be, he told her “I’m the Universe”. She was, a moment, hypnotized by his so blue eyes that she’d forgotten her question. She gulped, speechless and looked at him more closely, appreciating the physique of his body…

— Is it real? she asked.
— It’s the Universe.
— Well, ok then, go get a seat and let’s begin our course.

Following him with her eyes, or more precisely following his butt with her eyes, she also noticed a few other students. Ann was wearing a nine-titsed alien costume and there were two glowing ladies with fishes stuck to their ghostly bodies…

This butt, she thought again, her attention distracted from the other students.