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While she was adjusting her bikini over her fake boobs, Maurana Banana felt a sudden pang of panic. Nothing that could be lipsynched away with bursting into some Name Game song

Everything was here, yet she didn’t feel fleshed out enough. She wasn’t talking about gaining some padding, she had plenty enough of that, but more about depth and character. At times, she even felt highly suggestible.

The sound of the waves crashing down the rugged black volcanic stones under the white sand was soothing. The others’ shrills of delight could be heard miles away, they were hoping for a dolphins’ pod sighting and had even abandoned the Goochi platform shoes to be more comfortable.

Sadie was very quiet, and at times felt almost like she was about to say hello and run out of conversation. However, she told something that had struck the Reggie inside the Maurana’s persona. That she should act on her highest excitement, and that there was no more to life than that.
Easy enough when in drags, but when out of the wigs, make-up and fake eyelashes and acrylic nails, it was like being an out-of-water dolphin. Nothing but a big fat stranded sardine without appeal, just good for an extra pouring of olive oil.

Before being a drag queen, Reginald worked a few jobs since a young age, mostly deliveries. The last one he got was more stable, a job as a security guy. He’d almost blundered at the interview, he laughed at it now, when he’d forgotten to remove the Gothic styled nails from the night. Instead of hiding them and look stupid, he had the good sense to invent those crazy stories like the ones he would tell his teacher when he forgot some homework deadline.
Security was better than delivery, there was no denying. Being in a position were people were not quite paying attention to you, but still eyeing you from the corner, as if you could do something vicious or bully them out of the building. She liked that.
There was always excitement as there were plenty of crazy people each day to be escorted out, so following excitement wasn’t difficult. Following yours was more of a catch.

She’d joined the drag contest to win her own highest excitement. She already got points for being the first pick-up of the jury before Consuela and Terry, and also for being the one to snatch the key.

She put the last touch of green on her eyelids with a hand flourish. She was perfect. For now, that was something to get excited about.

“Alohaaaaa” the frogs sang as they arrived on the place of refuge, Pu’uhonua O Honaunau.

Their wigs were a bit misplaced, but the queens were fine.
It didn’t take seconds before the ezapper buzzed.

“Here’s the plan ladies” Sadie read while trying not to roll her eyes. “Time off on this delightful place to get a rest, then we’ll be invited for a tour in a submarine. The owner is a bit reclusive, so we’ll mostly have that luxury water balloon all for ourselves.
Then we’ll see who stays a Queen in a diving suit. Just for now, enjoy the beach. With Love, Linda Paul.”

The tunnel-sliding in the jelly cart was actually much smoother than the zebra ride prior. “Bless those frogs, aren’t their croaking some delightful melody of the spheres to our ears?” Sanso in his wetsuit was oblivious to the slime around, grinning as widely as a puppy with an old boot to tear to pieces.

Bless that jelly cart… Sadie was thinking instead, beeswax in her ears, thankful for the heart of silence and peace inside. Save for the chitchat of the others, she could temporarily forget about the ezapper (slide safety measures prohibiting the use of ecletical devices during such travels), and retreat in the sweet serenity of her inner peace.

That was,… until the image of Linda Paul abruptly came into her inner eye, almost having her buggering it off with wild manic gestures and in a string of loud swearwords — an emotion which she immediately managed to turn into nothingness, but sadly not the image.
It was a memory of what she’d told her before they left.

It’s high fucking time, honey pie… she’d told her. High fucking time you find yourself a fucking amazing Drag Queen name, sweetie bee. Look, she’d said, drawing closer with an air of grand voodoo priestress, this ain’t no fucking small talk, this is important.
I can come up with ten thousands of names in a minute for you, but you got to choose for yourself.
Sadie had almost rolled her eyes, but just mentioned as lovingly as she could. “Am I not a bit too… female for that?” To which Linda had burst into laughter hysterically, then continued with even more compunction. “Ain’t nothing to do with gender, sweetie, I thought you knew that much.”
“Besides, offering yourself your Drag Queen name is an act of love and empowerment. You should try it when you’re ready. And then, you’ll accomplish miracles.”

Not that Linda Paul was known for euphemisms or understatements, but Sadie found she might give it some thought.
If only to get rid of that annoying affected voice in her face.

After almost 33 years on the road doing their their show, Geoffroy and the Théâtre du Soleil had had their share of success.

Of course, with an average age of the troupe being close to 66 years old on the eve of July 1789, they were not all young and restless, nor as high on hallucinogenic mushrooms like every other day.
Admittedly, their fate took a turn for the better after that show cancellation at Versailles the day of the attempt on the King’s life. They were stolen a balloon and a tub of lard, but what they gained in exchange was beyond wondrous. Sparks of inspiration had brought the team closer, and even the occasional quarrel between Lison and Francette was a blessing. Now, there was already a new King in Versailles, not better by far, and the wig fashion had improved only so lightly, but it gave good fodder for sarcasm and witty plays.

It wasn’t so much that their play-writing abilities had improved dramatically, to the contrary, but their common hallucination in the Royal Chapelle that day had unleashed their creative power. Their new plays had become famous overnight all over the Europe, liked by peasants who were enjoying its simplicity and nonsensical timing and plots, or even snotty critics all alike, who were somehow discerning artful and intricate royal satire that maybe they’d just invented to sound clever.

Tonight they would play a revival of their universally acclaimed chef d’œuvre, “The whales and the frogs”. With buffoonish wigs and corsets, and their share of heavy compulsory make-up. For some, the frogs were a symbol of the poor people carrying the heavy queens and kings of old, with crazy old Time as a driver, flanked with Janus the two-headed Janitor. Well, that sounded quite erudite and a tad pompous, and frankly for them, they didn’t care what symbol it was, so long as it brought the final money they needed for their retirement plan in sunny Mediterranean where they would take a boat and sail to the new world.

There was a lot of commotion that night.

It all started a little bit before 6 PM, while the winter sun was very pale and slowly rolling behind the horizon. Jean-Pierre Duroy of the Royal Intendancy had the maids rounded up in matching uniforms to finish the cleaning of the Opera House, and ready to start to light the thousands of beeswax candles with almost military precision. This didn’t go without hiccup of course, but they did mostly well, and the Opera House was ready for the comedians before 5:55, leaving them with 5 spare minutes to catch their breath before the eighteen rings of the bell.

Even a little bit before that, Nicole du Hausset who had spent the whole dreaded day in anguish about the Queen’s lost ferrets, while attending to Madame’s every whims, realized after scouring through the Palace and hearing through the grapevine of the maids’ ring of deals in stolen goods that she should slide a word to the Royal Intendant through some unofficial channels (she knew well Helper, who was a great influence on Cook, who then could talk discreetly to Annie Duroy, of the Royal Pastries and Cookies) so an investigation could be carried out without any particular mention of the ferrets. As she would realize later the morrow, not only would the ferrets be retrieved at the Opera House and the Royal Chapel, one for each location, except slightly lighter and cut open, an act that would be seen as a hidden message and possible attempt on the Good Queen’s life, and dealt with appropriately by a specially appointed Inquisitor —but also, and notwithstanding any longwindedness, that it would make little difference as the perpetrators would be nowhere to be found the next day, having vanished, it seemed, in the ensuing confusion (of which we will come to in a minute), stealing in the process the Royal Balloon and a few chouquettes from the Royal Cuisines.
Her duties fulfilled, and being now on the other side of the fateful date of Jan. 5th, 1757, at 17:57 without any significant change to her reality or life, she deducted her mission as the safekeeper of the time-smuggled ferrets was by then accomplished, and she could focus on her more pressing duties.

It was only 5:57 PM shy of a few more seconds, that Madame Pompadour, powdered like there was no tomorrow, would be helped by her two maids into her gorgeous John Pol Goatier designer dress, and her lambswool petticoats. She was dressed to kill, and that made her all the more suspicious in the minutes to come, but we are getting ahead of ourselves.
Madame de Pompadour’s schedule for the soirée was very precise. At 6 PM, she would greet her guests, and the King back from his afternoon at the Parliament at the entrance of the Palace, so they could all head to the Royal Opera, passing through the Chapel into the brightly candelight-lit half-built building where the show would take place.
There was to be a toast first, from fine champagne delivered the morning in zebra carriage (one of the Queens’ daughters idea, which had pleased enough the King that he’d booked them for an evening ride into the Gardens). She was all set, and with great dignity and carefulness, arrived at the spot a mere seconds after her Grace to great the King.

At the same time, Jean-Pierre Duroy, who had not seen them as he’d passed through the Chapel the first time (ungagged but still under sleeping curse and tucked in the corner of the stained glass windows depicting the martyrdom of Christ), and as he was getting anxious at the lack of punctuality of the comedians whom he’d thought sleeping in their trailer parked nearby, was notified that the trailer had been found empty by the bellboy he had sent to remind the comedians to be ready in 10.
A man of great resources, always ready with plans B to Z (he wouldn’t boast, but the zebras being one of such past plan Z, second only to an unlikely belching toad plan, the details of which we won’t get into just now), the Royal Intendant was ready to put in motion said plans, but the comedians suddenly emerged from the Chapel slightly groggy but apparently ready to take over their duties —especially the two ladies, who were bickering with the two men about being the Controllers of the Ascension. Little did all of them know at this moment that the hot air balloon was being highjacked by a team of rogue maids in cahoots with the Russian Ballet props technicians who had arrived some days before the bulk of the Russian troupe trainees.
The Russian ballet dancers were indeed still stuck in the heavy snows somewhere along their trip to Versailles, so the four comedians with their balloon and tricks were technically, already a Plan B.

By then, it was well into 5:59 PM, and the next minute would seem to stretch forever, but for the sake of a patient audience, we will not make it over 10.

In the first half of this fatefulest minute, Casanova had arrived with Father Balbi, his travelling companion, followed by none other than St Germain, all dapper and heavily scented. A score of less important nobilities the names of which we won’t go through were also here.
There were seconds enough in that first half minute, to rub cheeks and say plaisanteries and even utter a few rude witty comments with sweet tongues laced in vinegar, whatever that meant, and also enjoy the sparkling wine served at perfect chilly temperature.
It was only as we entered the second half of this minute that the King arrived, padded in heavy and warm coats and looking exhausted.
Seconds were spent in the same proceedings as above mentioned, if only in a slightly accelerated fashion, and slightly and almost unnoticeably higher pitched voices.

That’s only when the mission bell’s sang Welcome to the Eighteenth’s Hour et ali (for naught), in loud and ringing dongs that the unthinkable happened, living all witnesses traumatized enough that nobody could think of anything to do before the third dong had elapsed.
The King collapsed, a knife in his ribs. The perpetrator was caught by the guards before the end of the last dong.

While the King was rushed to the RER (Royal Emergency Room), and attended to by Royal Leechers and Clyster Masters who felt it was wise to call the Royal Priest seeing that there was little blood to leech, back at the Chapel and Opera House, the maids and Jean-Pierre were in a rush to blow out the candles, as it was obvious their attention was required elsewhere, and that the show would be cancelled.
Everyone would sigh in relief, but not before a few more hours of the drama, when they realized the King’s heavy padding had saved his life, and that the gapping wound everyone was dreading was no more than a pen’s prick. This would encourage Annie to admonish her children when they wouldn’t eat more of her delightful pastries.

Meanwhile, using one of the last candles, the maids and their Russian lovers had lit the tub of lard of the hot air balloon, which rose slowly in the night sky, out of sight when most of the attention was directed towards the King’s fate hanging on a thread.

The four actors where vaguely wondering if they were still dreaming when they saw the carriage of thousands of tinsy frogs croaking through a portal, with brightly coloured dressed lady-men inside, and driven by an unkempt man with a wild gaze and an air of sheer insanity.

Of course, by then, they knew better than to discard it as a mere dream.

“Can’t you use one of these neat rockets of designer? We’re in 2222 for fuck’s sake!”, asked a lean green-faced lady, with her cheeks decorated with cucumber slices, who was lying next to Sanso in the pneumatic rotating bed of the R&R B&B.
“Can’t discuss business with you honey, sorry” he snapped, while looking for his pants and gilded codpiece in the mess of the room.

“And I thought of us as partners in crime…” she shrugged. Nonplussed, and quite naked apart from the cucumber covered parts, she lit a swigarette and switched the holographic display on.

“…when launching a rocket to orbit, a “dogleg” is a guided, powered turn during ascent phase that causes a rocket’s flight path to deviate from a “straight” path. A dogleg is necessary if the desired launch azimuth, to reach a desired orbital inclination, would take the ground track over land (or over a populated area, e.g. Russia usually does launch over land, but over unpopulated areas), or if the rocket is trying to reach an orbital plane that does not reach the latitude of the launch site. Doglegs are undesirable due to extra onboard fuel required, causing heavier load, and a reduction of vehicle performance.”

Sanso turned his head towards the display and raised an eyebrow. “Hell if I understood what it means, but that certainly explains a few things”.

Out-of-body invisible to-anyone-but-spirits Geoffrey was looking amazed at the scene in front of him. He was back in the Chapelle near his body when he witnessed the fit, which translated to him in French like “merde, merde, merdasse, merdum, merdarum” and latin-like declination of the word.

Some unspoken words of wisdom seemed to superimpose on the scene from many voices which roughly translated as “don’t say poop if you mean to say shit”.

As an actor, this was easy, he just had to follow the script, but as himself, he often bit his tongue when he wanted to say to Lison that she was hamming up the play just for fear to hurt her feelings being the star of the play (or to avoid creating even bigger bickering amongst the troupe).
When he’d wake up, he felt like encouraging Francette to be more daring on the stage and let her light shine bright. That should even the odds.

“Well, that was almost too easy…”
Despite his weight and the various layers of clothes, Reginald who had struggled to get back into Maurana Banana’s tight costume was the first to realize what had just happened, and had rushed to the statue to snatch the prized crocheted ferret, beating Consuela and Terry by a short hand.
Sadie looked with a slight hint of disapproval at his XVIIIth century apparent undergarments, but was glad that this was resolved so efficiently.

“The prize is inside the ferret, ladies.”
“Off with your grabby hands, you tart!” shouted Maurana batting her eyelashes ferociously at Terry Bubble who wanted a closer look at the intriguing tear in the fabric.
“Oh leave it there, you silly bitch, now you can gloat with your tarty breeches, you haven’t get half your costume ready” Consuela was starting to enjoy the argle-bargle.

“And what should we do now? Wasn’t there supposed to be another one?” Maurana turned to Sadie.
“We’re in luck. Obviously there always has been a plan B, dear. The second one was a decoy for the Russian team, I just got it confirmed from the tagging chip of the toy.”

Everyone was hanged to her words, which was a satisfying moment, not so much for the riveted attentions on her loving person but for the temporary silence. Sadie milked it for a few more seconds before adding.

“Let’s open it up carefully, there is a key inside we need. Then, you only need to do one thing before we go home. Get on that scene at the Opera, rock the audience, and we’ll get down the Time Sewer off to our time and your prize.”

She pause before adding, looking down at Maurana’s breeches. “There is obviously some prep’ work left to do.”

The four thespians from the “Théâtre du Soleil” were delighted to have been hired by the Royal Intendant to be the clou du spectacle. They were planning something sensational.
Chinese fireworks! And a huge colourful hot balloon, attached to a wicker basket big enough to carry them four acrobats in the air, and to bewitch the noble assembly stunned by their contortions and feats of equilibrium. They would make a fortune that night, and the the weather promised a clear bright sky with an ubiquitous full moon.

They’ve had last minute doubts about the balloon plan, as their usual supplier of beeswax unexpectedly declined to fulfill the order. The whole town suddenly found itself short of it, and it was thanks to the local lard supplier that they could find a suitable amount of fuel for the hot balloon.

They parked their brightly coloured theater trailer in the small courtyard in front of the Opera House. The construction rubble was blocking the way, and they would need to enter the Opera House though the Chapel, the Intendant had warned them.

They noticed a maid, and where about to ask her for confirmation as to the direction, but she was ducking suspiciously as though to avoid being seen, and slid out of view very swiftly.

On this bright morning of 5 January 1757, Robert-François thought it would be his birthday in less than 4 days. He would turn 42, and had just been a domestic servant for his whole life. He was not prone to depression, but the thought was almost disheartening. His life had been full of turns of fate, like many he’d known, but with so little to show for it.
Sure, he could blame his hot temper for that, his nickname “Robert the Devil” was not for naught. Still, his wife and daughter loved him well enough, he wasn’t a bad person, pious even, after years spent with the Jesuits. So what made him so angry this morning, he couldn’t tell, maybe the moon a little too bright in the morning light, maybe the melted snow turned shit in the gutter of the streets and on his shoes…
His employers at the Parlement were right, something was rotten in the country, and the King and his whores were to be blamed for it. The butcheries at war he’d witnessed, all led by silly creeping courtesans in the name of of philandering godless king.
While walking in the streets, this bright morning, with his hat covering part of his face, he was muttering words under his breath and from time to time gave a brief thought to the kitchen knife tucked in his leather bag.

Jean-Pierre Duroy couldn’t get his day going. There was a royally nagging problem of loo clogging that he couldn’t get solved. Apparently there were bugs in the microsoil under the soft underground, or was that the network of pipes he couldn’t tell. No amount of boiling water or any of the extravagant chemical concoctions by the Count of St Germain would seem to have any effect whatsoever this fine morning apart from making the matter worse.
It seemed that the removal and construction over the Grotto had not gone as well as planned when it came to plumbing.

There were more pressing matters however, notwithstanding that the royal defecation could well impact the mood for the day and maybe the whole country, so there was nothing light about it.
Such matter was to oversee the decoration of the main part of the Opera House which was already complete. Construction work had slowed during winter, and cement would take longer to settle, so there were still piles of tiles, gravel and other rubbles left lying around, but Madame de Pompadour was very eager to get a performance tonight, and had been so intent on it that she’d ordered for champagne, fine draperies, and even the newly fashionable toile de Jouy to drape inside the alcoves.
What she had not anticipated however was the inordinate amount of candles which were needed to light all the place brightly enough during the night.

The Royal beehives being unable to provide enough beeswax, they had to source the material from nearby hamlets, and already a throng of carts full of candles driven by some petite gens eager to sell theirs was lining at the entrance of the Palace pending security clearance.

They did only realize they got out of the tunnel when the dimmed blue lights faded completely. It was almost pitch black apart from a few braziers in a narrowing vaulted tunnel paved in the manner of a future metro line.
The passengers had noticed the transition from the smooth gliding gait of the zebras to the clopping of the hooves on the cobblestones. Sadie peaked outside of the carriage
“Have we arrived? Where are we?”
“Rightly so, darling. We’re under the grotto. Technically, it’s a chapel now. I did some adjustments underground.”
“Mmm…” Sadie nodded indecisively. She couldn’t find the least rude way to nod without letting her thinking it was utter rubbish show through. So she kept quiet for a moment and even refrained rolling her eyes. “So, we’re….?”
“We’re at the North Wing of the Palace, darling. It’s just nearby the Royal Opera House of the Palace, where your show will be held tonight, your e-flapper should have told you that. Don’t mind the construction work, it will give a steampunk feel to your show before it’s even invented.”
“Of course.” she said evenly. “The North Wing. Well, we all in need of sleep and refreshing before tonight’s show, so…?” trying to worm out meaningful words from Sanso seemed a futile attempt.
“Fancy that, darling, I have another delicate extraction of time stranders to go to,” checking a greasy paper from his shirt pocket,… “in last century or so, I can’t afford to be late. Let me help you lots out of here, leave it to Chair to take back those zebras to the Royal zoo and deliver that barrel of fine champagne, and you’re on your own.”

Before Sadie could tell the word rude, Sanso had folded the carriage back unto itself, pocketed it and disappeared in a wallmhole —leaving only beside herself, the mute Chair on top of a barrel of vintage champagne, four exhausted and pawing zebras, and three sleep-deprieved disheveled divas.

At least, the secrete cave of a Chapel is not overly conspicuous she said, trying to cheer herself up, remembering her training that light would prevail.