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  • #7810

    Helix 25 – Below Lower Decks – Shadow Sector

    Kai Nova moved cautiously through the underbelly of Helix 25, entering a part of the Lower Decks where the usual throb of the ship’s automated systems turned muted. The air had a different smell here— it was less sterile, more… human. It was warm, the heat from outdated processors and unmonitored power nodes radiating through the bulkheads. The Upper Decks would have reported this inefficiency.

    Here, it simply went unnoticed, or more likely, ignored.

    He was being watched.

    He knew it the moment he passed a cluster of workers standing by a storage unit, their voices trailing off as he walked by. Not unusual, except these weren’t Lower Deck engineers. They had the look of people who existed outside of the ship’s official structure—clothes unmarked by department insignias, movements too intentional for standard crew assignments.

    He stopped at the rendezvous point: an unlit access panel leading to what was supposed to be an abandoned sublevel. The panel had been manually overridden, its system logs erased. That alone told him enough—whoever he was meeting had the skills to work outside of Helix 25’s omnipresent oversight.

    A voice broke the silence.

    “You’re late.”

    Kai turned, keeping his stance neutral. The speaker was of indistinct gender, shaved head, tall and wiry, with sharp green eyes locked on his movements. They wore layered robes that, at a glance, could have passed as scavenged fabric—until Kai noticed the intricate stitching of symbols hidden in the folds.

    They looked like Zoya’s brand —he almost thought… or let’s just say, Zoya’s influence. Zoya Kade’s litanies had a farther reach he would expect.

    “Wasn’t aware this was a job interview,” Kai quipped, leaning casually against the bulkhead.

    “Everything’s a test,” they replied. “Especially for outsiders.”

    Kai smirked. “I didn’t come to join your book club. I came for answers.”

    A low chuckle echoed from the shadows, followed by the shifting of figures stepping into the faint light. Three, maybe four of them. It could have been an ambush, but that was a display.

    “Pilot,” the woman continued, avoiding names. “Seeker of truth? Or just another lost soul looking for something to believe in?”

    Kai rolled his shoulders, sensing the tension in the air. “I believe in not running out of fuel before reaching nowhere.”

    That got their attention.

    The recruiter studied him before nodding slightly. “Good. You understand the problem.”

    Kai crossed his arms. “I understand a lot of problems. I also understand you’re not just a bunch of doomsayers whispering in the dark. You’re organized. And you think this ship is heading toward a dead end.”

    “You say that like it isn’t.”

    Kai exhaled, glancing at the flickering emergency light above. “Synthia doesn’t make mistakes.”

    They smiled, but it wasn’t friendly. “No. It makes adjustments.” — the heavy tone on the “it” struck him. Techno-bigots, or something else? Were they denying Synthia’s sentience, or just adjusting for gender misnomers, it was hard to tell, and he had a hard time to gauge the sanity of this group.

    A low murmur of agreement rippled through the gathered figures.

    Kai tilted his head. “You think she’s leading us into the abyss?”

    The person stepped closer. “What do you think happened to the rest of the fleet, Pilot?”

    Kai stiffened slightly. The Helix Fleet, the original grand exodus of humanity—once multiple ships, now only Helix 25, drifting further into the unknown.

    He had never been given a real answer.

    “Think about it,” they pressed. “This ship wasn’t built for endless travel. Its original mission was altered. Its course reprogrammed. You fly the vessel, but you don’t control it.” She gestured to the others. “None of us do. We’re passengers on a ride to oblivion, on a ship driven by a dead man’s vision.”

    Kai had heard the whispers—about the tycoon who had bankrolled Helix 25, about how the ship’s true directive had been rewritten when the Earth refugees arrived. But this group… they didn’t just speculate. They were ready to act.

    He kept his voice steady. “You planning on mutiny?”

    They smiled, stepping back into the half-shadow. “Mutiny is such a crude word. We’re simply ensuring that we survive.”

    Before Kai could respond, a warning prickle ran up his spine.

    Someone else was watching.

    He turned slowly, catching the faintest silhouette lingering just beyond the corridor entrance. He recognized the stance instantly—Cadet Taygeta.

    Damn it.

    She had followed him.

    The group noticed, shifting slightly. Not hostile, but suddenly alert.

    “Well, well,” the woman murmured. “Seems you have company. You weren’t as careful as you thought. How are you going to deal with this problem now?”

    Kai exhaled, weighing his options. If Taygeta had followed him, she’d already flagged this meeting in her records. If he tried to run, she’d report it. If he didn’t run, she might just dig deeper.

    And the worst part?

    She wasn’t corruptible. She wasn’t the type to look the other way.

    “You should go,” the movement person said. “Before your shadow decides to interfere.”

    Kai hesitated for half a second, before stepping back.

    “This isn’t over,” he said.

    Her smile returned. “No, Pilot. It’s just beginning.”

    With that, Kai turned and walked toward the exit—toward Taygeta, who was waiting for him with arms crossed, expression unreadable.

    He didn’t speak first.

    She did.

    “You’re terrible at being subtle.”

    Kai sighed, thinking quickly of how much of the conversation could be accessed by the central system. They were still in the shadow zone, but that wasn’t sufficient. “How much did you hear?”

    “Enough.” Her voice was even, but her fingers twitched at her side. “You know this is treason, right?”

    Kai ran a hand through his hair. “You really think we’re on course for a fresh new paradise?”

    Taygeta didn’t answer right away. That was enough of an answer.

    Finally, she exhaled. “You should report this.”

    “You should,” Kai corrected.

    She frowned.

    He pressed on. “You know me, Taygeta. I don’t follow lost causes. I don’t get involved in politics. I fly. I survive. But if they’re right—if there’s even a chance that we’re being sent to our deaths—I need to know.”

    Taygeta’s fingers twitched again.

    Then, with a sharp breath, she turned.

    “I didn’t see anything tonight.”

    Kai blinked. “What?”

    Her back was already to him, her voice tight. “Whatever you’re doing, Nova, be careful. Because next time?” She turned her head slightly, just enough to let him see the edge of her conflicted expression.

    “I will report you.”

    Then she was gone.

    Kai let out a slow breath, glancing back toward the hidden movement behind him.

    No turning back now.

    #7776

    Epilogue & Prologue

    Paris, November 2029 – The Fifth Note Resounds

    Tabitha sat by the window at the Sarah Bernhardt Café, letting the murmur of conversations and the occasional purring of the espresso machine settle around her. It was one of the few cafés left in the city where time still moved at a human pace. She stirred her cup absentmindedly. Paris was still Paris, but the world outside had changed in ways her mother’s generation still struggled to grasp.

    It wasn’t just the ever-presence of automation and AI making themselves known in subtle ways—screens adjusting to glances, the quiet surveillance woven into everyday life. It wasn’t just the climate shifts, the aircon turned to cold in the midst of November, the summers unpredictable, the air thick with contradictions of progress and collapse of civilization across the Atlantic.

    The certainty of impermanence was what defined her generation. BANI world they used to say—Brittle, Anxious, Nonlinear, Incomprehensible. A cold fact: impossible to grasp and impossible to fight. Unlike her mother and her friends, who had spent their lives tethered to a world that no longer existed, she had never known certainty. She was born in the flux.

    And yet, this café remained. One of the last to resist full automation, where a human still brought you coffee, where the brass bell above the door still rang, where things still unfolded at a human pace.

    The bell above the door rang—the fifth note, as her mother had called it once.

    She had never been here before, not in any way that mattered. Yet, she had heard the story. The unlikely reunion five years ago. The night that moved new projects in motion for her mother and her friends.

    Tabitha’s fingers traced the worn edges of the notebook in front of her—Lucien’s, then Amei’s, then Darius’s. Pieces of a life written by many hands.

    “Some things don’t work the first time. But sometimes, in the ruins of what failed, something else sprouts and takes root.”

    And that was what had happened.

    The shared housing project they had once dreamed of hadn’t survived—not in its original form. But through their rekindled bond, they had started something else.

     

    True Stories of How It Was.

     

    It had begun as a quiet defiance—a way to preserve real, human stories in an age of synthetic, permanent ephemerality and ephemeral impermanence, constantly changing memory. They were living in a world where AI’s fabricated histories had overwhelmed all the channels of information, where the past was constantly rewritten, altered, repackaged. Authenticity had become a rare currency.

    As she graduated in anthropology few years back, she’d wondered about the validity of history —it was, after all, a construct. The same could be said for literature, art, even science. All of them constructs of the human mind, tenuous grasp of the infinite truth, but once, they used to evolve at such a slow pace that they felt solid, reliable. Ultimately their group was not looking for ultimate truth, that would be arrogant and probably ignorant. Authenticity was what they were looking for. And with it, connections, love, genuineness —unquantifiables by means of science and yet, true and precious beyond measure.

    Lucien had first suggested it, tracing the idea from his own frustrations—the way art had become a loop of generated iterations, the human touch increasingly erased. He was in a better place since Matteo had helped him settle his score with Renard and, free of influence, he had found confidence in developing of his own art.

    Amei —her mother—, had changed in a way Tabitha couldn’t quite define. Her restlessness had quieted, not through settling down but through accepting impermanence as something other than loss. She had started writing again—not as a career, not to publish, but to preserve stories that had no place in a digitized world. Her quiet strength had always been in preserving connections, and she knew they had to move quickly before real history faded beneath layers of fabricated recollections.

    Darius, once skeptical, saw its weight—he had spent years avoiding roots, only to realize that stories were the only thing that made places matter. He was somewhere in Morocco now, leading a sustainable design project, bridging cultures rather than simply passing through them.

    Elara had left science. Or at least, science as she had known it. The calculations, the certainty, the constraints of academia, with no escape from the automated “enhanced” digital helpers. Her obsession and curiosities had found attract in something more human, more chaotic. She had thrown herself into reviving old knowledge, forgotten architectures, regenerative landscapes.

    And Matteo—Matteo had grounded it.

    The notebook read: Matteo wasn’t a ghost from our past. He was the missing note, the one we didn’t know we needed. And because of him, we stopped looking backward. We started building something else.

    For so long, Matteo had been a ghost of sorts, by his own account, lingering at the edges of their story, the missing note in their unfinished chord. But now, he was fully part of it. His mother had passed, her past history unraveling in ways he had never expected, branching new connections even now. And though he had lost something in that, he had also found something else. Juliette. Or maybe not. The story wasn’t finished.

    Tabitha turned the page.

    “We were not historians, not preservationists, not even archivists. But we have lived. And as it turned out, that was enough.”

    They had begun collecting stories through their networks—not legends, not myths, but true accounts of how it was, from people who still remembered.

    A grandfather’s voice recording of a train ride to a city that no longer exists.
    Handwritten recipes annotated by generations of hands, each adding something new.
    A letter from a protest in 2027, detailing a movement that the history books had since erased.
    An old woman’s story of her first love, spoken in a dialect that AI could not translate properly.

    It had grown in ways they hadn’t expected. People began sending them recordings, letters, transcripts, photos —handwritten scraps of fading ink. Some were anonymous, others carefully curated with full names and details, like makeshift ramparts against the tide of time.

    At first, few had noticed. It was never the goal to make it worlwide movement. But little by little, strange things happened, and more began to listen.

    There was something undeniably powerful about genuine human memory when it was raw and unfiltered, when it carried unpolished, raw weight of experience, untouched by apologetic watered down adornments and out-of-place generative hallucinations.

    Now, there were exhibitions, readings, archives—entire underground movements dedicated to preserving pre-synthetic history. Their project had become something rare, valuable, almost sacred.

    And yet, here in the café, none of that felt urgent.

    Tabitha looked up as the server approached. Not Matteo, but someone new.

    “Another espresso?”

    She hesitated, then nodded. “Yes. And a glass of water, please.”

    She glanced at the counter, where Matteo was leaning, speaking to someone, laughing. He had changed, too. No longer just an observer, no longer just the quiet figure who knew too much. Now, he belonged here.

    A bell rang softly as the door swung open again.

    Tabitha smiled to herself. The fifth note always sounded, in the end.

    She turned back to the notebook, the city moving around her, the story still unfolding in more directions than one.

    #7708

    Elara — Nov 2021: The End of Genealogix

    The numbers on the screen were almost comical in their smallness. Elara stared at the royalty statement, her lips pressed into a tight line as the cursor blinked on the final transaction: £12.37, marked Genealogix Royalty Deposit. Below it, the stark words: Final Payout.

    She leaned back in her chair, pushing her glasses up onto her forehead, and sighed. The end wasn’t a surprise. For years, she’d known her genetic algorithm would be replaced by something faster, smarter, and infinitely more marketable. The AI companies had come, sweeping up data and patents like vultures at a sky burial. Genealogix, her improbable golden goose, had simply been outpaced.

    Still, staring at the zero balance in the account felt oddly final, as if a door had quietly closed on a chapter of her life. She glanced toward the window, where the Tuscan hills rolled gently under the late afternoon sun. Most of the renovation work on the farmhouse had been finished, albeit slowly, over the years. There was no urgent financial burden, but the thought of her remaining savings made her stomach tighten all the same.

    Elara had stumbled into success with Genealogix, though not without effort. It was one of her many patents—most of them quirky solutions to problems nobody else seemed interested in solving. A self-healing chalkboard coating? Useless. A way to chart audio waveforms onto three-dimensional paper models? Intriguing but commercially barren. Genealogix had been an afterthought at the time, something she tinkered with while traveling through Europe on a teaching fellowship.

    When the royalties started rolling in unexpectedly, it had felt like a cosmic joke. “Finally,” she’d muttered to herself as she cashed her first sizeable check, “they like something useless.”

    The freedom that money brought was a relief. It allowed her to drop the short-term contracts that tethered her to institutions and pursue science on her own terms. No rigid conventions, no endless grant applications, no academic politics. She’d call it “investigation,” free from the dogma that so often suffocated creativity.

    And yet, she was no fool. She’d known Genealogix was a fluke, its lifespan limited.

    :fleuron2:

    She clicked away from the bank statement and opened her browser, absently scrolling through her bookmarked social accounts. An old post from Lucien caught her eye—a photograph of a half-finished painting, the colors dark and chaotic. His caption read: “When the labyrinth swallows the light.”

    Her brow furrowed. She’d been quietly following Lucien for years, watching his work evolve through fits and starts. It was obvious he was struggling. This post was old, maybe Lucian had stopped updating after the pandemic. She’d sent anonymous payments to buy his paintings more than once, under names that would mean nothing to him —”Darlara Ameilikian” was a bit on the nose, but unlike Amei, Elara loved a good wink.

    Her mind wandered to Darius, and her suggesting he looked into 1-euro housing schemes available in Italy. It had been during a long phone call, back when she was scouting options for herself. They still had tense exchanges, and he was smart to avoid any mention of his odd friends, otherwise she’d had hung the phone faster than a mouse chased by a pack of dogs. “You’d thrive in something like that,” she’d told him. “Build it with your own hands. Make it something meaningful.” He’d laughed but had sounded intrigued. She wondered if he’d ever followed up on it.

    As for Amei—Elara had sent her a birthday gift earlier that year, a rare fabric she’d stumbled across in a tiny local shop. Amei hadn’t known it was from her, of course. That was Elara’s way. She preferred to keep her gestures quiet, almost random —it was best that way, she was rubbish at remembering the small stuff that mattered so much to people, she wasn’t even sure of Amei’s birthday to be honest; so she preferred to scatter little nods like seeds to the wind.

    Her eyes drifted to a framed ticket stub on the bookshelf, a relic from 2007: Eliane Radigue — Naldjorlak II, Aarau Festival (Switzerland). Funny how the most unlikely event had made them into a group of friends. That concert had been a weird and improbable anchor point in their lives, a moment of serendipity that had drawn them toward something more than their own parts.

    By that time, they were already good friends with Amei, and she’d agreed to join her to discover the music, although she could tell it was more for the strange appeal of something almost alien in experience, than for the hurdles of travel and logistics. But Elara’s enthusiasm and devil-may-care had won her over, and they were here.

    Radigue’s strange sound sculptures, had rippled through the darkened festival scene, wavering and hauntingly delicate, and at the same time slow and deliberate, leading them towards an inevitability. Elara had been mesmerized, sitting alone near the back as Amei had gone for refreshments, when a stranger beside her had leaned over to ask, “What’s that sound? A bell? Or a drone?”

    It was Lucien. Their conversation had lasted through the intermission soon joined by Amei, and spilled into a café afterward, where Darius had eventually joined them. They’d formed a bond that night, one that felt strange and tenuous at the time but proved to be resilient, even as the years pulled them apart.

    :fleuron2:

    Elara closed the laptop, resting her hand on its warm surface for a moment before standing. She walked to the window, the sun dipping lower over the horizon, casting long shadows across the vineyard. The farmhouse had been a gamble, a piece of the future she wasn’t entirely sure she believed in when she’d bought it. But now, as the light shifted and the hills glowed gold, she felt a quiet satisfaction.

    The patent was gone, the money would fade, but she still had this. And perhaps, that was enough.

    #7704

    Darius: Christmas 2022

    Darius was expecting some cold snap, landing in Paris, but the weather was rather pleasant this time of the year.

    It was the kind of day that begged for aimless wandering, but Darius had an appointment he couldn’t avoid—or so he told himself. His plane had been late, and looking at the time he would arrive at the apartment, he was already feeling quite drained.  The streets were lively, tourists and locals intermingling dreamingly under strings of festive lights spread out over the boulevards. He listlessly took some snapshot videos —fleeting ideas, backgrounds for his channel.

    The wellness channel had not done very well to be honest, and he was struggling with keeping up with the community he had drawn to himself. Most of the latest posts had drawn the usual encouragements and likes, but there were also the growing background chatter, gossiping he couldn’t be bothered to rein in — he was no guru, but it still took its toll, and he could feel it required more energy to be in this mode that he’d liked to.

    His patrons had been kind, for a few years now, indulging his flights of fancy, funding his trips, introducing him to influencers. Seeing how little progress he’d made, he was starting to wonder if he should have paid more attention to the background chatter. Monsieur  Renard had always taken a keen interest in his travels, looking for places to expand his promoter schemes of co-housing under the guide of low investment into conscious living spaces, or something well-marketed by Eloïse. The crude reality was starting to stare at his face. He wasn’t sure how long he could keep up pretending they were his friends.

     

    By the time he reached the apartment, in a quiet street adjacent to rue Saint Dominique, nestled in 7th arrondissement with its well-kept façades, he was no longer simply fashionably late.

    Without even the time to say his name, the door buzz clicked open, leading him to the old staircase. The apartment door opened before he could knock. There was a crackling tension hanging in the air even before Renard’s face appeared—his rotund face reddened by an annoyance he was poorly hiding beneath a polished exterior. He seemed far away from the guarded and meticulous man that Darius once knew.

    “You’re late,” Renard said brusquely, stepping aside to let Darius in. The man was dressed impeccably, as always, but there was a sharpness to his movements.

    Inside, the apartment was its usual display of cultivated sophistication—mid-century furniture, muted tones, and artful clutter that screamed effortless wealth. Eloïse sat on the couch, her legs crossed, a glass of wine poised delicately in her hand. She didn’t look up as Darius entered.

    “Sorry,” Darius muttered, setting down his bag. “Flight delay.”

    Renard waved it off impatiently, already pacing the room. “Do you know where Lucien is?” he asked abruptly, his gaze slicing toward Darius.

    The question caught him off guard. “Lucien?” Darius echoed. “No. Why?”

    Renard let out a sharp, humorless laugh. “Why? Because he owes me. He owes us. And he’s gone off the grid like some bloody enfant terrible who thinks the rules don’t apply to him.”

    Darius hesitated. “I haven’t seen him in months,” he said carefully.

    Renard stopped pacing, fixing him with a hard look. “Are you sure about that? You two were close, weren’t you? Don’t tell me you’re covering for him.”

    “I’m not,” Darius said firmly, though the accusation sent a ripple of anger through him.

    Renard snorted, turning away. “Typical. All you dreamers are the same—full of ideas but no follow-through. And when things fall apart, you scatter like rats, leaving the rest of us to clean up the mess.”

    Darius stiffened. “I didn’t come here to be insulted,” he said, his voice a steady growl.

    “Then why did you come, Darius?” Renard shot back, his tone cutting. “To float on someone else’s dime a little longer? To pretend you’re above all this while you leech off people who actually make things happen?”

    The words hit like a slap. Darius glanced at Eloïse, expecting her to interject, to soften the blow. But she remained silent, her gaze fixed on her glass as if it held all the answers.

    For the first time, he saw her clearly—not as a confidante or a muse, but as someone who had always been one step removed, always watching, always using.

    “I think I’ve had enough,” Darius said finally, his voice calm despite the storm brewing inside him. “I think I’ve had enough for a long time.”

    Renard turned, his expression a mix of incredulity and disdain. “Enough? You think you can walk away from this? From us?”

    “Yes, I can.” Darius said simply, grabbing his bag.

    “You’ll never make it on your own,” Renard called after him, his voice dripping with scorn.

    Darius paused at the door, glancing back at Eloïse one last time. “I’ll take my chances,” he said, and then slammed the door.

    :fleuron:

    The evening air was like a balm, open and soft unlike the claustrophobic tension of the apartment. Darius walked aimlessly at first, his thoughts caught between flares of wounded pride and muted anxiety, but as he walked and walked, it soon turned into a return of confidence, slow and steady.

    His phone buzzed in his pocket, and he pulled it out to see a familiar name. It was a couple he knew from the south of France, friends he hadn’t spoken to in months. He answered, their warm voices immediately lifting his spirits.

    Darius!” one of them said. “What are you doing for Christmas? You should come down to stay with us. We’ve finally moved to a bigger space—and you owe us a visit.”

    Darius smiled, the weight of Renard’s words falling away. “You know what? That sounds perfect.”

    As he hung up, he looked up at the Parisian skyline, Darius wished he’d had the courage to take that step into the unknown a long time ago. Wherever Lucien was, he felt suddenly closer to him —as if inspired by his friend’s bold move away from this malicious web of influence.

    #7639
    ÉricÉric
    Keymaster

      Work in Progress: Character Timelines and Events

      Matteo

      • November 2024 (Reunion):
        • Newly employed at the Sarah Bernhardt Café, started after its reopening.
        • Writes the names of Lucien, Elara, Darius, and Amei in his notebook without understanding why.
        • Acquires the bell from Les Reliques, drawn to it as if guided by an unseen force.
        • Serves the group during the reunion, surprised to see all four together, though he knows them individually.
      • Summer 2024 (Olympics):
        • Working in a vineyard in southern France, nearing the end of the harvest season.
        • Receives a call for a renovation job in Paris, which pulls him toward the city.
        • Feels an intuitive connection to Paris, as if something is waiting for him there.
      • Past Events (Implied):
        • Matteo has a mysterious ability to sense patterns and connections in people’s lives.
        • Has likely crossed paths with the group in unremarkable but meaningful ways before.

       

      Darius

      • November 2024 (Reunion):
        • Arrives at the café, a wanderer who rarely stays in one place.
        • Reflects on his time in India during the autumn and the philosophical journey it sparked.
        • Brings with him an artifact that ties into his travels and personal story.
      • Summer 2024 (Olympics):
        • Living in Barcelona, sketching temples and engaging with a bohemian crowd.
        • Prompted by a stranger to consider a trip to India, sparking curiosity and the seeds of his autumn journey.
        • Begins to plan his travels, sensing that India is calling him for a reason he doesn’t yet understand.
      • Past Events (Implied):
        • Has a history of introducing enigmatic figures to the group, often leading to tension.
        • His intense, nomadic lifestyle creates both fascination and distance between him and the others.

       

      Elara

      • November 2024 (Reunion):
        • Travels from England to Paris to attend the reunion, balancing work and emotional hesitation.
        • Still processing her mother’s passing and reflecting on their strained relationship.
        • Finds comfort in the shared dynamics of the group but remains analytical about the events around the bell.
      • Summer 2024 (Olympics):
        • (was revealed to be a dream event) Attends a CERN conference in Geneva, immersed in intellectual debates and cutting-edge research. Receives news of her mother’s death in Montrouge, prompting a reflective journey to make funeral arrangements. Struggles with unresolved feelings about her mother but finds herself strangely at peace with the finality.
        • Dreams of her mother’s death during a nap in Tuscany, a surreal merging of past and present that leaves her unsettled.
        • Hears a bell’s clang, only to find Florian fixing a bell to the farmhouse gate. The sound pulls her further into introspection about her mother and her life choices.
        • Mentors Florian, encouraging him to explore his creativity, paralleling her own evolving relationship with her chalk research.
      • Past Events (Implied):
        • Moved to Tuscany after retiring from academia, pursuing independent research on chalk.
        • Fondly remembers the creative writing she once shared with the group, though it now feels like a distant chapter of her life.
        • Had a close but occasionally challenging relationship with Lucien and Amei during their younger years.
        • Values intellectual connections over emotional ones but is gradually learning to reconcile the two.

       

      Lucien

      • November 2024 (Reunion):
        • Sends the letter that brings the group together at the café, though his intentions are unclear even to himself.
        • In his Paris studio, struggles with an unfinished commissioned painting. Feels disconnected from his art and his sense of purpose.
        • Packs a suitcase with sketchbooks and a bundle wrapped in linen, symbolizing his uncertainty—neither a complete departure nor a definitive arrival.
        • Heads to the café in the rain, reluctant but compelled to reconnect with the group. Confronts his feelings of guilt and estrangement from the group.
      • Summer 2024 (Olympics):
        • Escapes Paris, overwhelmed by the crowds and noise of the Games, and travels to Lausanne.
        • Reflects on his artistic block and the emotional weight of his distance from the group.
        • Notices a sketch in his book of a doorway with a bell he doesn’t recall drawing, sparking vague recognition.
      • Past Events (Implied):
        • Once the emotional “anchor” of the group, he drifted apart after a falling-out or personal crisis.
        • Feels a lingering sense of responsibility to reunite the group but struggles with his own vulnerabilities.

      Amei

       

      • November 2024 (Reunion):
        • Joins the reunion at Lucien’s insistence, hesitant but curious about reconnecting with the group.
        • Brings with her notebooks filled with fragments of stories and a quiet hope for resolution.
        • Feels the weight of the group’s shared history but refrains from dwelling on it outwardly.
      • Summer 2024 (Olympics):
        • Recently moved into a smaller flat in London, downsizing after her daughter Tabitha left for university.
        • Has a conversation with Tabitha about life and change, hinting at unresolved emotions about motherhood and independence.
        • Tabitha jokes about Amei joining her in Goa, a suggestion Amei dismisses but secretly considers.
      • Past Events (Implied):
        • The last group meeting five years ago left her with lingering emotional scars.
        • Maintains a deep but quiet connection to Lucien and shares a playful dynamic with Elara.

       

      Tabitha (Amei’s Daughter)

      • November 2024:
        • Calls Amei to share snippets of her life, teasing her mother about her workaholic tendencies.
        • Reflects on their relationship, noting Amei’s supportive but emotionally guarded nature.
      • Summer 2024 (Olympics):
        • Planning her autumn trip to Goa with friends, viewing it as a rite of passage.
        • Discusses her mother’s habits with her peers, acknowledging Amei’s complexities while expressing affection.
      • Past Events (Implied):
        • Represents a bridge between Amei’s past and present, highlighting generational contrasts and continuities.

      Key Threads and Patterns

      • The Bell: Acts as a silent witness and instigator, threading its presence through pivotal moments in each character’s journey, whether directly or indirectly.
      • Shared Histories: While each character grapples with personal struggles, their paths hint at intersections in the past, tied to unresolved tensions and shared experiences.
      • Forward and Backward Motion: The narrative moves between the characters’ immediate challenges and the ripples of their past decisions, with the bell serving as a focal point for both.
      #7570

      “If you’re planning on having a baby, you’d better use those droplets fast. That silvery glow? It’s already decaying,” said Jeezel, meticulously selecting twelve golden pheasant feathers from the pile in front of her. She inspected each one carefully, choosing only the finest, most vibrant feathers, free from even the slightest flaw.

      Truella snorted. “I’m well aware of the effects of time on matter,” she replied, shifting back in her swivel chair. “I am, after all, an experienced amateur archaeologist. Take a look at this.” She held her hand up closer to the camera, fingers spread.

      “I’m not sure what your dirty fingernails are supposed to prove,” said Jeezel, arranging her selected feathers into a fan shape. “That they’re overdue for a manicure? Natural decay has nothing to do with time travel side effects, as you’d know if you watched my YouTube series on the subject.”

      “We know all about your videos,” said Eris quickly, stepping in before Jeezel could launch into one of her infamous lectures on the dangers of time travel as seen by her Gran, Linda Pol. “I’m sure those droplets can still be useful in our spell. Cromwell had to navigate treacherous political waters with an impeccable grasp of strategy, manipulation, and the darker facets of power. Those droplets could act as a metaphysical catalyst, adding depth and purpose to the spell.”

      “Exactly,” said Truella, tilting her chin up proudly. “A proactive hunch on my part.”

      “I get the metaphysical catalyst bit,” said Frella, “but won’t those darker facets blow up in our faces? I mean, wasn’t Cromwell a master of secrets and deception? In the rudest way possible, if you ask me.”

      “He could be gentle, too,” Truella murmured, blushing slightly.

      “And that’s not even mentioning the spell’s potential to tap into the collective memory of his era,” added Jeezel. “And ‘rude’ isn’t how I’d describe his atrocities and ruthlessness. I covered that in detail in the video series…”

      “We know,” Eris cut in. “That’s why we need to craft this spell with precision and include safeguards. Are the fans ready?”

      “All set,” said Jeezel, her eyes sparkling with pride as she held up the four finished fans. “One for each of us, crafted with care and magic. They’ll clear the space, sweep away falsehoods, and purge any misleading energies. With these, only pure, unfiltered truth will emerge.”

      “I’ll bring the Mystic Mirror I found in that old camphor chest,” said Frella. “Its surface shimmers and reflects the hidden truth of the soul.”

      “And I have my unusual but eminently practical container—containing Cromwell’s droplets,” Truella chimed in, holding it up.

      “Perfect. Then it’s settled. I’ll send Malove a meeting invitation for tonight,” said Eris, leaning in with a knowing smile. “You all know the place.”

      #7542

      Shivering, Truella pulled the thin blanket over her head. Colder than a witches tit here, colder in summer than winter at home!  It was no good, she may as well get up and go for a walk to try and warm up.  Poking her head outside Truella gasped and coughed at the chill air. Shapes were becoming discernible in the dim pre dawn light, the other pods, the hedgerow, a couple of looming trees.  Truella rummaged through her bag, hoping to find warm clothes yet knowing she hadn’t packed anything warm enough.   Sighing, her teeth chattering, she pulled on everything she had in layers and pulled the blanket off the bed to use as a cape. With a towel over her head for extra warmth, she ventured out into the Irish morning.

      The grass was sodden with dew and Truella’s feet were wet through and icy.  Bracing her shoulders with determination, she forged ahead towards a gate leading into the next field. She struggled for a few minutes with the baler twine holding the gate closed, numb fingers refusing to cooperate.  Cows watched her curiously, slowly munching. One lifted her tail and dropped a steaming splat on the grass, chewing continuously. I don’t think I could eat and do that at the same time. 

      Heading off across the field which sloped gently upwards, Treulla picked up her pace, keeping her eyes down to avoid the cow pats.  By the time she reached the oak tree along the top hedge, the sun started to make an appearance over the hill. Warmer from the exercise, she gazed over the countryside. How beautiful it was with the mist in the valleys, and everything so green.

      If only it was warmer!

      “Are you cold then, is that why you’re decked out like that?  From a distance I thought I was seeing a ghost in a cloak and head shawl!”  The woman smiled at Truella from the other side of the hedgerow. “Sorry, did I startle you?  You’ll get your feet soaked walking in that wet grass, climb over that stile over there, the lane here’s better for a morning walk.”

      It sounded like good advice and the woman seemed pleasant enough.  “Are you here for the games too?” Truella asked, readjusting the blanket and towel after navigating the stile.

      “Yes, I am. I’m retired, you see,” the woman said with a wide grin.  “It’s a wonderful thing, not that you’d know, you’re much to young.”

      “That must be nice,” Truella replied politely. “I sometimes wish I was retired.”

      “Oh, my dear!  It’s wonderful!  I haven’t had a job for years, but it’s the strangest thing, now that I’ve officially retired, there’s a marvellous feeling of freedom. I don’t have to do anything.  Well, I didn’t have to do anything before I retired but one always feels one should keep busy, do productive things, be seen to be doing some kind of work to justify ones existance.  Have you seen the old priory?”

      “No, only just got here yesterday.”

      “You’ll love it, it’s up this path here, follow me.  But now I’ve retired,” the woman continued, “I get up in the morning with a sense of liberation. I can do as little as I want ~ funny thing is that I’ve actually been doing more, but there’s no feeling of obligation, no things to cross off a list. All I’m expected to do as a retired person is tick along, trying not to be much of a bother for as long as I can.”

      “I wish I was retired!” exclaimed Truella with feeling.  “I wish I didn’t have to do the cow goddess stall, it’ll be such a bind having to stand there all evening.”  She explained about the coven and the stalls, and the depressing productivity goals.

      “But why not get someone else to do the stall for you?”

      “It’s such short notice and I don’t know anyone here.  It’s an idea though, maybe someone will turn up.”

      #7531
      TracyTracy
      Participant

        Rose lens

        The rose coloured spectacle lens.

         

        Aunt Idle:

        “Well, crikey, finding one pink sunglass lens on the road is quite the curiosity, isn’t it? Let’s delve into the symbolic undertones of such an odd discovery. Pink lens, no less—a splash of color with quite the story to tell.

        1. Seeing the World through Rose-Tinted Glasses: Finding a pink sunglass lens can symbolize optimism and seeing the world in a positive light. But here’s the kicker—it’s just one lens. This suggests a duality; perhaps you’re being asked to blend optimism with realism. Life isn’t always about sunshine and rainbows, but choosing to see the bright side can balance out the darker shades.

        2. Fragmented Perspectives: A single lens means you don’t have the full picture. You’re seeing things partially, which can indicate missing information or a need to look at situations from multiple angles. It’s a nudge to take off those blinders and open your other eye, figuratively speaking. You might be clinging to a half-truth or ignoring an important aspect of your life.

        3. Lost and Found: In practical terms, a lone lens on the road means someone has lost it. It’s a signifier of separation, maybe something in your life has split or broken apart. It can be a gentle reminder to look into areas where you might have lost connection—be it with loved ones, a project, or even a part of yourself.

        4. Symbol of Love and Compassion: Pink is often associated with love, compassion, and femininity. The lens could be a reminder to look at things with kindness and empathy. Perhaps there’s a situation in your life that requires a softer, more loving approach.

        5. Hindsight and Insight: The road is a metaphor for your life’s journey. Finding the lens there might hint at reflecting on past experiences (hindsight) while gaining new understanding or clarity (insight). Maybe there’s an opportunity to learn from what’s happened and apply it moving forward, seeing things with fresh, yet incomplete, clarity.

        Putting it in Truella’s Context: If Truella found this lens, it could be a sign she needs to reassess her current path or research direction. Her overwhelming stack of books and discovery of the ancient manuscript hint at a bigger picture she might not be seeing clearly yet. Perhaps she’s overly focused on one aspect and neglecting others.

        Personal Symbolism for Aunt Idle: For you, Aunt Idle, this lens could be a cheeky nudge to reassess some of your adventurous antics and half-remembered tales. Maybe there’s an old mystery or a relationship needing a fresh perspective. Or it’s just life’s way of saying, “Look closer, love—you might be missing out!”

        In any case, a single pink sunglass lens is a quirky, delightful piece of life’s puzzle, inviting you to ponder, reflect, and adjust your view. So, next time you’re journeying on the dusty roads of life and stumble upon such oddities, take a moment—there just might be a zinger of wisdom waiting for you. Cheers!”

        ~~~

        “A lone pink lens paves the road to the unseen clarity of kaleidoscopic sunrise.”
        ~Journey of Reflections, Enrich P. Lwellman.

        ~~~

        The Snoot:

        “Ahhh, a single pink lens, lost and found amidst the stone and dust! Sings of mysteries and tales untold! Perhaps a sprite misplaced their vision or a pixie left a clue.

        Lean close! Such a find whispers soft secrets:

        Balance Broken, Yet Bright    Like seeing life with a tint of whimsy! One eye tinted pink, the other clear. A call to mix reality with dreams, maybe?
        Half Truth, Half Fantasy   A hint that stories blend truths and imaginations. Seek both sides to find whole pictures.
        Lost and Waiting    Could be a sign someone’s journey is incomplete, needing you as a puzzle piece. Maybe the other lens waits for your path?

        Snootly wisdom: Use the lens not to see, but to imagine.Peer through the pink and let dreams color your heart. Could be you’re on the cusp of a grand adventure; just follow the allure of the pink!

        ~~~

        Liz:

        Oh, darling, how positively intriguing! A single pink sunglass lens left upon the road—why, it’s like a snippet from one of my novels, fraught with symbolism and brimming with untold stories.

        Let’s unravel this little mystery together, shall we? First, the color pink itself is rich with meaning. It speaks of love, compassion, and a certain kind of whimsicality. It’s a hue that embodies the gentle side of passion, the tender whispers of the heart. Now, to find just one lens, separated from its twin, adds a layer of poignancy. It’s a fragment of something once whole, a poignant reminder of loss or incompletion.

        One might surmise that this lens represents a part of oneself that has been misplaced or overlooked. Perhaps it’s a call to rediscover a piece of your own heart, the softer, more romantic side that life’s hustle and bustle may have sidelined. Or it could symbolize a different perspective—after all, sunglasses shield us from the sun’s glare, making things clearer in their own shaded way. This lone lens might be urging you to look at a situation with fresh eyes, to find beauty in the fragmented and the unexpected.

        Imagine, if you will, a character in one of my novels stumbling upon this very lens. They’d be on the cusp of a grand adventure, naturally. The pink lens would become their talisman, a clue leading them to unforeseen revelations and untold treasures. It would be both a physical object and a metaphorical guide, urging them to view the world—and their place within it—through a lens of love and compassion.

        Perhaps it is also a nod to the impermanence of things, a gentle reminder that beauty and meaning can be found even in life’s fleeting moments. Much like the single pink lens, our journeys are filled with fragments of experiences that, when pieced together, create a mosaic of our existence.

        So, my dear, take this as a sign to embrace the whimsical, to seek out the overlooked pieces of your own story, and to cherish the beauty of the incomplete. After all, it’s the mysteries and the musings that make life a narrative worth living.

        ~~~

        Mater:

        Ah, a single pink sunglass lens on the road, you say? Now that’s a curious find. Objects like that can be teeming with symbolic meaning if you’ve got the eyes to see it. Let’s break it down a bit, shall we?

        Firstly, the color pink. Traditionally, pink is associated with love, compassion, and nurturing. It’s a color that often brings to mind warmth and affection, something tender and gentle. But finding just one lens suggests something is missing or incomplete—a piece of a larger whole.

        A sunglass lens, on the other hand, is meant to protect the eyes from harsh light, allowing you to see the world more clearly without being blinded. Seeing through a pink lens, metaphorically speaking, can mean looking at life with an optimistic or compassionate perspective. It’s like seeing the world through rose-colored glasses, as they say.

        Now, finding just one lens on the road—well, roads are pathways, journeys, the direction we take in life. A single lens could indicate a moment of clarity or a shift in perspective on your journey. But it could also symbolize a need to find balance or the missing piece of your outlook to see the full picture clearly.

        Maybe it’s a nudge from the universe to take a closer look at how you view your current path. Are you seeing things in the best light possible? Or perhaps it’s a reminder that while optimism and compassion are vital, you might be missing another crucial aspect—realism or practicality, perhaps?

        Or, it could be as simple as a reminder to lighten up and find joy and playfulness in your journey.

        Like a pink flamingo standing on one leg, sometimes life’s oddities are just there to make you smile and wonder.

        Whatever the meaning, love, take it as a sign to reflect and consider. The road ahead is always full of mystery and wonder, and sometimes the smallest things can carry the biggest messages.

        ~~~

        Finnley:

        Pink sunglass lens on the road, you say? Well, ain’t that a curious bit of rubbish. If we’re dabbling in symbolism, it could mean a variety of things depending on how fanciful you want to get. Pink is often associated with love, compassion, and care. So, finding a lens could mean you’re only seeing half the picture when it comes to matters of the heart. Or maybe you’re missing the rosy view on life, and you need to adjust your perspective.

        Then again, it could just mean some poor sod lost their sunnies and now they’ve got a squint and a sunburnt nose. Life’s not always riddled with deep meanings, sometimes it’s just a bit of lost plastic on the tarmac.

        Now, if you ask me, you ought to be more concerned about the litter. If everyone went around leaving bits and bobs all over the place, we’d be living in a right tip. So pick it up, toss it in the bin, and let’s keep things tidy, shall we?

         

        ~~~

        Mandrake:

        Ah, the solitary pink sunglass lens on the road. Delightfully poetic. A symbol of half-seen truths, perhaps? Seeing the world through rose-tinted glasses, but only partially. Could it be urging you to seek balance, to view life with both optimism and realism? Or maybe just a nudge from the universe to pick up your litter. Such profundity from a piece of plastic. Life’s a riddle, darling.

        ~~~

        Sha: A pink sunglass lens on the road, eh? Now that’s a right peculiar find if ever I ‘eard one. Makes you wonder what it means, don’t it?

        Glo: Oh, Sha, you’re always lookin’ for the hidden meanin’ in things. It’s just a bit of plastic, ain’t it? Though, come to think of it, pink’s a powerful colour. Symbolises love, compassion, and all that mushy stuff.

        Mavis: I reckon it might be a sign, ladies. A pink lens… maybe it’s tellin’ you to look at the world through rose-tinted glasses, y’know? See the good in things. Or it could be a message from the universe, remindin’ you to keep an eye out for the unusual.

        Sha: Right you are, Mav! And let’s not forget the conspiracies! Maybe it’s a clue from them secret societies, leavin’ hints for those sharp enough to notice. Could be part of a bigger puzzle, a breadcrumb leadin’ to somethin’ magnificent.

        Glo: Or maybe someone’s just dropped their specs out the car window in a rush, and it’s nothin’ more than that. But where’s the fun in that sort of thinkin’?

        Mavis: True, true. We’ll go with the idea that it’s a symbol of keepin’ an open mind and lookin’ out for the small wonders of life. Who knows what other treasures we might find if we keep our eyes peeled?

        Sha: And next time we’re out and about, let’s be on the lookout for the other lens. Could be a sign that we’re missin’ half the picture.

        Glo: Oh, you and your signs, Sha! But alright, we’ll keep our peepers open. Never know what the universe might be tryin’ to tell us next.

        #7516

        “Wait! Look at that one up there!” Truella grabbed Rufus’s arm. “That cloth hanging right up there by the rafters, see it? Have you got a torch, it’s so dark up there.”

        Obligingly, Rufus pulled a torch out of his leather coat pocket.  “That looks like…”

        Brother Bartolo 2

         

        “Brother Bartolo!” Truella finished for him in a whisper.  “Why is there an ancient tapestry of him, with all those frog faced nuns?”

        Rufus felt dizzy and clutched the bannisters to steady himself. It was all coming back to him in a rush: images and sounds crowded his mind, malodorous wafts assailed his nostrils.

        “Why, whatever is the matter?  You look like you’ve seen a ghost. Come, come and sit down in my room.”

        “Don’t you remember?” Rufus asked, with a note of desperation in his voice. “You remember now, don’t you?”

        “Come,” Truella insisted, tugging his arm. “Not here on the stairs.”

        Rufus allowed Truella to lead him to her room, rubbing a hand over his eyes. He was so damn hot in this leather coat.  The memories had first chilled him to the bone, and then a prickly sweat broke out.

        Leading him into her room, Truella closed and locked the door behind them.  “You look so hot,” she said softly and reached up to slide the heavy coat from his shoulders.  They were close now, very close.  “Take it off, darling, take it all off. We can talk later.”

        Rufus didn’t wait to be asked twice. He slipped out of his clothes quickly as Truella’s dress fell to the floor. She bent down to remove her undergarments, and raised her head slowly. She gasped, not once but twice, the second time when her eyes were level with his manly chest.  The Punic frog amulet! It was identical to the one she had found in her dig.

        A terrible thought crossed her mind. Had he stolen it? Or were there two of them?  Were they connected to the frog faced sisters?  But she would think about all that later.

        “Darling,” she breathed, “It’s been so long….”

        #7470

        After all the months of secret work for Malové, where Eris was being tasked to scout for profitable new ventures for the Quadrivium’s Emporium that would keep with traditions, and endless due diligence under the seal of secrecy, she’d learnt that the deal had been finally sealed by Austreberthe.

        The announcement had just went out, not really making quite the splash Eris would have expected.

        Press Release

        FOR IMMEDIATE RELEASE

        Quadrivium Emporium Announces Strategic Acquisition of Spanish based company Quintessivium Cloister Crafts

        Limerick, 12th June 2024 – Quadrivium Emporium, renowned for its exceptional range of artisanal incense blends and commitment to quality, is pleased to announce the successful acquisition of Quintessivium Cloister Crafts. This strategic move marks a significant milestone in Quadrivium Emporium’s ongoing expansion and diversification efforts.

        About Quintessivium Cloister Crafts

        Quintessivium Cloister Crafts has been a trusted name in the production of high-quality nun’s couture. Known for their craftsmanship and dedication to preserving traditional techniques, started as a small business focussed on quills and writing accessories as well as cardigans, Quintessivium Cloister Crafts has maintained a reputation for excellence and innovation in the market.

        Strategic Vision and Synergies

        The integration of Quintessivium Cloister Crafts into the Quadrivium family aligns with our vision to expand our product portfolio while maintaining the high standards of quality and craftsmanship our customers have come to expect. This acquisition will allow Quadrivium Emporium to diversify its offerings and tap into new markets and customer segments.

        “We are thrilled to welcome Quintessivium Cloister Crafts to the Quadrivium Emporium family,” said Austreberthe Baltherbridge, interim CEO of Quadrivium Emporium. “Their commitment to quality and tradition mirrors our own values, and we are excited about the opportunities this acquisition presents. Together, we will continue to innovate and deliver exceptional products to our customers.”

        Future Endeavours

        Quadrivium Emporium plans to leverage the expertise and resources of Quintessivium Cloister Crafts to develop new and unique product lines. Customers can look forward to an expanded range of high-quality writing instruments, apparel and accessories, crafted with the same attention to detail and dedication that both brands are known for.

        For more information, please contact: media@quadrivium.emporium

         

        The internal memo that they’d received on the internal email list bore some of the distinct style of Malové, even if sent from Austreberthe’s email and adjusted with the painstaking attention to minute details she was known for.

        Internal Memo

        To: Quadrivium Leadership Team
        Subject: Synergies and Strategic Integration with Quintessivium Cloister Crafts (previously codenamed as ‘Cardivium Nun’s Quills & Cardigans’)

        Team,

        With the acquisition of Quintessivium Cloister Crafts finalised, we are poised to explore the deeper synergies between our coven and the nun witches’ coven operating behind their front. Here are some key areas where we can harness our collective strengths:

        1. Resource Sharing:
        – Their expertise in crafting high-quality quills can complement our focus on artisanal incense blends. By sharing resources and best practices, both covens can enhance their craftsmanship and innovation.

        2. Collaborative Spellcraft:
        – The nun witches bring a unique perspective and set of rituals that can enrich our own magical practices. Joint spellcasting sessions and workshops can lead to the development of powerful new enchantments and products.

        3. Knowledge Exchange:
        – The historical and esoteric knowledge held by the nuns is a treasure trove we can tap into. Regular exchanges of scrolls, texts, and insights can deepen our understanding of ancient magic and its applications in modern contexts.

        4. Market Expansion:
        – By combining our product lines, we can create bundled offerings that appeal to a broader audience. Imagine a premium writing set that includes a handcrafted quill, a magical ink blend, and a specially composed incense for enhancing focus and creativity. Or outdoor outfits with puffer jackets, or specially knit cardigans with embedded magical properties.

        5. Strengthening Alliances:
        – This acquisition sets a precedent for future alliances with other covens and magical entities. It demonstrates our commitment to growth and collaboration, reinforcing our position as a leading force in the magical community.

        Remember, the true value of this acquisition lies not just in the products we can create together, but in the unity and strength we gain as a collective. Let’s approach this integration with the spirit of collaboration and mutual respect.

        Yours in strength and magic,
        Austreberthe, on behalf of Malové

        #7418

        “I’m so glad you’re here!” Jezeel rushed over as they entered The Escarabajo Pelotero cafe they had arranged to meet in.  Leading them to a corner table, she added “It’s escalating quickly, we don’t have time for any difficult spells, we’re going to have to resort to….”

        “Resort to what?” asked Frella with a worried frown.

        “Well…. er,  resort to faster more efficient means than magic spells, I guess. Physically restraining her until we can sort something out.  If we can catch her!”

        “Whatever do you mean, catch her? Look Jez, just calm down and tell us what’s happened.  And your wig’s slipped a bit, poppet, that’s it, bit more to the right, there you go.”

        “Eris has gone off in a red racing car.”

        “What, with the elephant head? Oh, was it one without a top? I was wondering how she’d have got that head inside the car!”

        “I think you’re missing the point, Truella,” Frella said. “As usual.”

        Jezeel explained how Eris had overheard a group of distinguished looking executive type men chatting in a restaurant about the race track they’d all been on that afternoon, and decided she wanted to do it, and there was no talking her out of it.   With a sense of foreboding Jezeel had followed her there and witnessed Eris drive the red racing car like a maniac, overtaking every other driver and racing past the finishing line and beyond, into the car park outside and off up the motorway in the direction of Segovia.

        “Let’s order breakfast,” suggested Frella. “We don’t even know where she’s going.”

        #7327

        Her garden, oh, it’s a living canvas of her passions – a wild, untamed thing with bursts of vibrant color and the heady scent of jasmine and orange blossoms that intoxicate the senses. But beneath its beauty lies a secret, a whisper of the past that Truella, with her insatiable curiosity and archeological fervor, has unearthed: the remnants of an Andalucian Roman villa.

        Imagine the thrill, the pure, unadulterated bliss of discovery, as her fingers brush away centuries of soil to reveal ornate mosaics, fragments of pottery that once held the finest olive oil, and coins stamped with the visages of long-forgotten emperors. Each artifact, a breadcrumb leading her deeper into the enigma of history.

        Truella

         

        But, of course, Roger, our simple-minded gardener with not a thought in his head beyond petunias and pruning, has proven to be surprisingly useful. His brawn has unearthed more than his fair share of antiquity, even if he hasn’t the faintest idea of its significance. “Look, Truella, I’ve found another shiny rock,” he says, and I, Lisia Tattius, can only chuckle at the delightful irony.

        Truella’s Andalusian escapades could fill volumes, and perhaps they shall. There’s something deliciously appealing about a woman alone, grappling with the very fabric of time amongst the ruins of an empire.

        Truella couldn’t see any benefit in rewriting all that and thanked Lisia very much, although she did wonder who Roger was.  A gardener though!  Someone to carry all those buckets of dirt hither and thither. Someone to dig the next overburden!

        Was there a spell for dissolving an overburden, she wondered?   Inspired, she could already imagine how easy it would be to convince the team that this spell would have beneficial and universal applications.

        Truella was pleased to see the mention of mosaics, the very thing she wanted to find.  She planned to make a mosaic detector wand.  But Truella didn’t want Lisia telling her where the mosaic was because it would spoil the whole thing. Mentioning mosaics, however, as already found, was the perfectly measured tincture of encouragement. A bit like spells in general really.  Tricky business, getting them right.

        #7278
        TracyTracy
        Participant

          Tomlinson of Wergs and Hancox of Penn

           

          John Tomlinson of Wergs (Tettenhall, Wolverhamton) 1766-1844, my 4X great grandfather, married Sarah Hancox 1772-1851. They were married on the 27th May 1793 by licence at St Peter in Wolverhampton.
          Between 1794 and 1819 they had twelve children, although four of them died in childhood or infancy. Catherine was born in 1794, Thomas in 1795 who died 6 years later, William (my 3x great grandfather) in 1797, Jemima in 1800, John, Richard and Matilda between 1802 and 1806 who all died in childhood, Emma in 1809, Mary Ann in 1811, Sidney in 1814, and Elijah in 1817 who died two years later.

          On the 1841 census John and Sarah were living in Hockley in Birmingham, with three of their children, and surgeon Charles Reynolds. John’s occupation was “Ind” meaning living by independent means. He was living in Hockley when he died in 1844, and in his will he was “John Tomlinson, gentleman”.

          Sarah Hancox was born in 1772 in Penn, Wolverhampton. Her father William Hancox was also born in Penn in 1737. Sarah’s mother Elizabeth Parkes married William’s brother Francis in 1767. Francis died in 1768, and in 1770 Elizabeth married William.

          William’s father was William Hancox, yeoman, born in 1703 in Penn. He died intestate in 1772, his wife Sarah claiming her right to his estate. William Hancox and Sarah Evans, both of Penn, were married on the 9th December 1732 in Dudley, Worcestershire, by “certificate”. Marriages were usually either by banns or by licence. Apparently a marriage by certificate indicates that they were non conformists, or dissenters, and had the non conformist marriage “certified” in a Church of England church.

          1732 marriage of William Hancox and Sarah Evans:

          William Hancos Sarahh Evans marriage

           

          William and Sarah lost two daughters, Elizabeth, five years old, and Ann, three years old, within eight days of each other in February 1738.

           

          William the elder’s father was John Hancox born in Penn in 1668. He married Elizabeth Wilkes from Sedgley in 1691 at Himley. John Hancox, “of Straw Hall” according to the Wolverhampton burial register, died in 1730. Straw Hall is in Penn. John’s parents were Walter Hancox and Mary Noake. Walter was born in Tettenhall in 1625, his father Richard Hancox. Mary Noake was born in Penn in 1634. Walter died in Penn in 1689.

          Straw Hall thanks to Bradney Mitchell:
          “Here is a picture I have of Straw Hall, Penn Road.
          The painting is by John Reid circa 1878.
          Sketch commissioned by George Bradney Mitchell to record the town as it was before its redevelopment, in a book called Wolverhampton and its Environs. ©”

          Straw Hall, Wolverhampton

           

          And a photo of the demolition of Straw Hall with an interesting story:

          Straw Hall demolition

           

          In 1757 a child was abandoned on the porch of Straw Hall.  Aris’s Birmingham Gazette 1st August 1757:

          Straw Hall baby

           

          The Hancox family were living in Penn for at least 400 years. My great grandfather Charles Tomlinson built a house on Penn Common in the early 1900s, and other Tomlinson relatives have lived there. But none of the family knew of the Hancox connection to Penn. I don’t think that anyone imagined a Tomlinson ancestor would have been a gentleman, either.

           

          Sarah Hancox’s brother William Hancox 1776-1848 had a busy year in 1804.
          On 29 Aug 1804 he applied for a licence to marry Ann Grovenor of Claverley.
          In August 1804 he had property up for auction in Penn. “part of Lightwoods, 3 plots, and the Coppice”
          On 14 Sept 1804 their first son John was baptised in Penn. According to a later census John was born in Claverley.  (before the parents got married)

          (Incidentally, John Hancox’s descendant married a Warren, who is a descendant of my 4x great grandfather Samuel Warren, on my mothers side,  from Newhall, Derbyshire!)

          On 30 Sept he married Ann in Penn.
          In December he was a bankrupt pig and sheep dealer.
          In July 1805 he’s in the papers under “certificates”: William Hancox the younger, sheep and pig dealer and chapman of Penn. (A certificate was issued after a bankruptcy if they fulfilled their obligations)
          He was a pig dealer in Penn in 1841, a widower, living with unmarried daughter Elizabeth.

           

          Sarah’s father William Hancox died in 1816. In his will, he left his “daughter Sarah, wife of John Tomlinson of the Wergs the sum of £100 secured to me upon the tolls arising from the turnpike road leading from Wombourne to Sedgeley to and for her sole and separate use”.
          The trustees of toll road would decide not to collect tolls themselves but get someone else to do it by selling the collecting of tolls for a fixed price. This was called “farming the tolls”. The Act of Parliament which set up the trust would authorise the trustees to farm out the tolls. This example is different. The Trustees of turnpikes needed to raise money to carry out work on the highway. The usual way they did this was to mortgage the tolls – they borrowed money from someone and paid the borrower interest; as security they gave the borrower the right, if they were not paid, to take over the collection of tolls and keep the proceeds until they had been paid off. In this case William Hancox has lent £100 to the turnpike and is leaving it (the right to interest and/or have the whole sum repaid) to his daughter Sarah Tomlinson. (this information on tolls from the Wolverhampton family history group.)

          William Hancox, Penn Wood, maltster, left a considerable amount of property to his children in 1816. All household effects he left to his wife Elizabeth, and after her decease to his son Richard Hancox: four dwelling houses in John St, Wolverhampton, in the occupation of various Pratts, Wright and William Clarke. He left £200 to his daughter Frances Gordon wife of James Gordon, and £100 to his daughter Ann Pratt widow of John Pratt. To his son William Hancox, all his various properties in Penn wood. To Elizabeth Tay wife of Thomas Tay he left £200, and to Richard Hancox various other properties in Penn Wood, and to his daughter Lucy Tay wife of Josiah Tay more property in Lower Penn. All his shops in St John Wolverhamton to his son Edward Hancox, and more properties in Lower Penn to both Francis Hancox and Edward Hancox. To his daughter Ellen York £200, and property in Montgomery and Bilston to his son John Hancox. Sons Francis and Edward were underage at the time of the will.  And to his daughter Sarah, his interest in the toll mentioned above.

          Sarah Tomlinson, wife of John Tomlinson of the Wergs, in William Hancox will:

          William Hancox will, Sarah Tomlinson

          #7215

          In reply to: Orbs of Madjourneys

          Zara the game character was standing in the entrance hallway in the old wooden inn.  There was nobody around except for her three friends, and the light inside was strangely dim and an eerie orange glow was coming from the windows.  She and the others wandered around opening doors and looking in rooms in the deserted building.  There were a dozen or so bedrooms along both sides of a corridor, and a kitchen, dining room and lounge room leading off the entrance hall.  Zara looked up the wide staircase, but as a cellar entrance was unlikely to be upstairs, she didn’t go up. The inn was surrounded by a wrap around verandah; perhaps the cellar entrance was outside underneath it. Zara checked for a personal clue:

           

          “Amidst the foliage and bark, A feather and a beak in the dark.”

           

          Foliage and bark suggested that the entrance was indeed outside, given the absence of houseplants inside. She stepped out the door and down the steps, walking around the perimeter of the raised vernadah, looking for a hatch or anything to suggest a way under the building.  Before she had completed the circuit she noticed an outbuilding at the back underneath a eucalyptus tree and made her way over to it. She pushed the door open and peered into the dim interior.  A single unmade bed, some jeans and t shirts thrown over the back of a chair, a couple of pairs of mens shoes….Zara was just about to retreat and close the door behind her when she noticed the little wooden desk in the corner with an untidy pile of papers and notebooks on it.

          Wait though, Zara reminded herself, This is supposed to be a group quest. I better call the others over here.

          Nevertheless, she went over to the desk to look first. There was an old fashioned feather quill and an ink pot on the desk, and a gold pocket watch and chain.  Or was it a compass?  Strangely, it seemed like neither, but what was it then? Zara picked one of the notebooks up but it was too dark inside the hut to read.

          #7214

          In reply to: Orbs of Madjourneys

          “Bossy, isn’t she?” muttered Yasmin, not quite out of earshot of Finly. “I haven’t even had a shower yet,” she added, picking up her phone and sandals.

          Yasmin, Youssef and Zara left the maid to her cleaning and walked down towards Xaviers room.   “I’d go and get coffee from the kitchen, but…” Youssef said, turning pleading eyes towards Zara, “Idle might be in there.”

          Smiling, Zara told him not to risk it, she would go.

          “Come in,” Xavier called when Yasmin knocked on the door. “God, what a dream,” he said when they piled in to his room.  “It was awful. I was dreaming that Idle was threading an enormous long needle with baler twine saying she was going to sew us all together in a tailored story cut in a cloth of continuity.”  He rubbed his eyes and then shook his head, trying to erase the image in his mind.  “What are you two up so early for?”

          “Zara’s gone to get the coffee,” Youssef told him, likewise trying to shake off the image of Idle that Xavier had conjured up. “We’re going to have a couple of hours on the game before the cart race ~ or the dust storm, whichever happens first I guess. There are some wierd looking vans and campers and oddballs milling around outside already.”

          Zara pushed the door open with her shoulder, four mugs in her hands.  “You should see the wierdos outside, going to be a great photo opportunity out there later.”

          “Come on then,” said Xavier, “The game will get that awful dream out of my head.  Let’s go!”

          “You’re supposed to be the leader, you start the game,” Yasmin said to Zara. Zara rolled her eyes good naturedly and opened the game. “Let’s ask for some clues first then. I still don’t know why I’m the so called leader when you,” she looked pointedly as Xavier and Youssef, “Know much more about games than I do. Ok here goes:”

          “The riddle “In the quietest place, the loudest secrets are kept” is a clue to help the group find the first missing page of the book “The Lost Pages of Creativity,” which is an integral part of the group quest. The riddle suggests that the missing page is hidden in a quiet place where secrets are kept, meaning that it’s likely to be somewhere in the hidden library underground the Flying Fish Inn where the group is currently situated.”

          “Is there a cellar here do you think?” Zara mused. “Imagine finding a real underground library!” The idea of a grand all encompassing library had first been suggested to Zara many years ago in a series of old books by a channeler, and many a time she had imagined visiting it. The idea of leaving paper records and books for future generations had always appealed to her. She often thought of the old sepia portrait photographs of her ancestors, still intact after a hundred years ~ and yet her own photos taken ten years ago had been lost in a computer hard drive incident. What would the current generation leave for future anthropologists? Piles of plastic unreadable gadgets, she suspected.

          “Youssef can ask Idle later,” Xavier said with a cheeky grin. “Maybe she’ll take him down there.” Youssef snorted, and Yasmin said “Hey! Don’t you start snorting too! Right then, Zara, so we find the cellar in the game then and go down and find the library? Then what?”

          “The phrase “quietest place” can refer to a secluded spot or a place with minimal noise, which could be a hint at a specific location within the library. The phrase “loudest secrets” implies that there is something important to be discovered, but it’s hidden in plain sight.”

          Hidden in plain sight reminded Yasmin of the parcel under her mattress, but she thrust it from her mind and focused on the game. She made up her mind to discuss it with everyone later, including the whacky suppositions that Zara had come up with. They couldn’t possibly confront Idle with it, they had absolutely no proof. I mean, you can’t go round saying to people, hey, that’s your abandoned child over there maybe. But they could include Xavier and Youssef in the mystery.

          “The riddle is relevant to the game of quirks because it challenges the group to think creatively and work together to solve the puzzle. This requires them to communicate effectively and use their problem-solving skills to interpret the clues and find the missing page. It’s an opportunity to demonstrate their individual strengths and also learn from each other in the process.”

          “Work together, communicate effectively” Yasmin repeated, as if to underline her resolution to discuss the parcel and Sister Finli a.k.a. Liana with the boys and Zara later. “A problem shared is a problem hopelessly convoluted, probably.”

          The others looked up and said “What?” in unison, and Yasmin snorted nervously and said “Never mind, tell you later.”

          #6539

          In reply to: Prompts of Madjourneys

          ÉricÉric
          Keymaster

            Zara is the main protagonist, and also the reluctant leader of the game. In RL, she is wandering off the trail nearby Arltunga, Australia, where she is visiting, staying at the small family run inn the Flying Fish Inn. Bert, the local handyman drove her there, told her specifically not to wander off, yet in search of where a mysterious compass she collected on the trail is leading, and egged on by her talking smart parrot “Beautiful Girl”, she goes off the trail to explore. The sun is still high, and she already started to hallucinate some hooded figures with blue frog-faces with jelly-bean carts.
            Meanwhile, her friends Youssef and Xavier, just landed from abroad, are driving toward the rendez-vous spot at the Flying Fish Inn. The owners Mater and Idle don’t have any idea where Zara is.
            Yasmin, the fourth friend in the group is still on her way from Fiji, bearing a message written in red on an envelope from a mysterious Fred, who we don’t know yet, but seems to be linked to Mater & Idle’s family.
            What’s going to happen next to Zara? The game is encouraging her to explore her rudeness in a playful manner, in a medieval setting.
            Provide a series of playful and fun actions for Zara, linking these contexts. You may incorporate Tiku, a wise and no-nonsense Aboriginal woman who may guide her though the Dreamtime challenges. Provide random keywords to each action in the list.

            Here is a list of playful and fun actions for Zara in the game:

            1. “Follow the Compass”: Zara can follow the mysterious compass she collected on the trail, as it leads her to new locations and challenges. Keywords: Adventure, Exploration, Mystery.
            2. “Converse with Beautiful Girl”: Zara’s talking smart parrot “Beautiful Girl” may provide humorous commentary and encouragement throughout her journey. Keywords: Humor, Personality, Support.
            3. “Solve Riddles with Tiku”: Tiku, the wise and no-nonsense Aboriginal woman, can guide Zara through the Dreamtime challenges. To do this, Tiku may present her with riddles or puzzles that she must solve to progress. Keywords: Wisdom, Intelligence, Spirituality.
            4. “Collect Items”: Zara can collect items along the way, such as artifacts or treasures that may help her in her journey or lead her to new discoveries. Keywords: Collection, Discovery, Help.
            5. “Play Music with Beautiful Girl”: Zara can play musical instruments with Beautiful Girl, creating an entertaining and musical interlude in her journey. Keywords: Music, Joy, Creativity.
            6. “Cook with Mater and Idle”: At the Flying Fish Inn, Zara can join Mater and Idle in the kitchen and help them cook traditional dishes from the region. Keywords: Cooking, Culture, Community.
            7. “Race with Youssef and Xavier”: Zara can engage in friendly races with Youssef and Xavier, such as foot races or cart races, as a way to pass the time and have fun. Keywords: Competition, Speed, Excitement.

            These playful and fun actions can add variety and excitement to Zara’s journey and provide an opportunity for players to interact with the world and characters in new and unique ways.

             🔁 Regenerate response

            #6483

            In reply to: Prompts of Madjourneys

            TracyTracy
            Participant

              Zara:  Create a surreal and dreamlike digital art piece that combines elements of traditional aboriginal native art with a map to a secret and special place, featuring the otherworldly dreamscape of Dream Time. The image should depict a series of mine tunnels, each leading to gorgeous discoveries and wonders, and the overall scene should be filled with the mysticism and magic of the Dream Time. Don’t be afraid to let your imagination run wild and include random elements that add to the surreal quality of the piece.

              #6462

              In reply to: Orbs of Madjourneys

              :yahoo_pirate:

              The emoji of the pirate face jumped at Xavier, as he was musing the next steps on the game. Avast ye! it seemed to hint at him, while Xavier’s thoughts were reeling from all the activity of the week. He didn’t have much time to make any progress in the Land of the Quirks game, and hardly managed to stay afloat on the stuff he had to deliver.

              AL seemed to hint at a more out-of-the-box approach… Without thinking, he clicked on the emoji.

              The fox bus driver indications were to follow the river until he found a junk ship moored there, which was in effect a secret floating casino. Against his best instincts, Xavimunk decided to follow the trail and after a while on the road, he could see the fully battened black sails at the horizon. Lights were glimmering in the dusk, and mist started to rise from the banks of the river. There seemed to be some unusual activity around the boat, and as Xavier arrived close, he could see a variety of quirky characters as if they were some sorts of 1920s fashionable pirates at a resort station.

              The indications on the overlay screen started to shift:

              *Clue unlocked*
              It sounds like you’re making progress on your quest. The clues you received from the fox busdriver are definitely leading you in the right direction. Keep following the trail and don’t be afraid to ask for help if you need it. Remember, the golden banana is a metaphor for your cheeky and also soft nature, so don’t be too hard on yourself.
              🦊💰🛳️ Explore the floating casino and see if the fox busdriver’s clues lead you to the golden banana. Don’t be afraid to take risks and think outside the box, as the golden banana may not be what it seems. Keep an open mind and pay attention to any symbols or clues that you come across.

              “Yooohoooo 👉” a message bumped on the screen.

              Glimmer_Gbl is trying to make contact: ➡️ACCEPT <> ➡️DENY ❓
              #6461

              In reply to: Prompts of Madjourneys

              ÉricÉric
              Keymaster

                AL is back

                • Zara: Great job on finding the carved wooden tile! That’s a big step in the quest. Keep up the good work, and we’ll send you on the next mission soon.
                • Yasmin: It sounds like you’re having a tough time with the weather and mosquitoes. We understand that it can be difficult to focus on the quest when you’re dealing with real-life issues. Maybe try to work on the quest in a different environment, or take a break if you need to. We’re here to support you and help you in any way we can.
                • Youssef: We’re excited to hear about your real-life parallel quest. It sounds like you’re getting close to uncovering the mystery of the grumpy shaman. Keep working on your blog website and keep an eye out for any clues that Xavier and the Snoot may send your way. We believe that you’re on the right path.
                • Xavier: It sounds like you’re making progress on your quest. The clues you received from the fox busdriver are definitely leading you in the right direction. Keep following the trail and don’t be afraid to ask for help if you need it. Remember, the golden banana is a metaphor for your cheeky and also soft nature, so don’t be too hard on yourself. We’re here to guide and advise you along the way.

                New clues

                • Zara: 🔮🧱🗺️ Find the ancient portal hidden in the ruins and decipher the inscription on the carved wooden tile to unlock the next step in the quest.
                • Yasmin: 🦟🌧️🕵️‍♀️Track down the elusive snorting imp by investigating the local wetlands and speaking with locals who may have encountered it. Don’t let the bad weather and pesky mosquitoes discourage you!
                • Youssef: 🍔🌵🧙‍♂️ Continue your journey with the grumpy shaman and see if he holds any clues to the quest. Remember to keep an eye out for anything that seems out of the ordinary and don’t be afraid to ask questions. Also, make sure to keep up with your website work as it may lead you to a valuable information!
                • Xavier:🦊💰🛳️ Explore the floating casino and see if the fox busdriver’s clues lead you to the golden banana. Don’t be afraid to take risks and think outside the box, as the golden banana may not be what it seems. Keep an open mind and pay attention to any symbols or clues that you come across.
                #6377

                In reply to: Orbs of Madjourneys

                The four adventurers, Zara, Xavier, Yasmin, and Youssef, stood in awe in front of the giant orb that seemed to open up to another realm. The light emanating from the orb was so bright, it was as if the sun was just inches away. The stalactites that hung from the cave’s ceiling sparkled like diamonds in the light, adding to the otherworldly beauty of the scene.

                “Look around,” Yasmin said, her voice filled with wonder. “Beauty is everywhere. You only have to look to see it.”

                The group was ready for an adventure and they knew that the orb in front of them was the key to their mad journey. Xavier stepped forward and reached out to touch the orb. As soon as his fingers made contact with the surface, the orb lit up and a pathway formed, leading into the brightly lit realm.

                The group stepped through the pathway and found themselves in a world unlike anything they had ever seen before. The sky was a vibrant shade of purple and the ground was covered in a lush, green grass. The orb they had just passed through was now behind them, but in front of them were smaller orbs, each one leading to a different path.

                Zara, Xavier, Yasmin, and Youssef looked at each other with excitement in their eyes. They knew that this was just the beginning of their mad journey.

                Xavier stepped forward and reached out to touch the orb. As soon as his fingers made contact with the surface, the orb lit up and a pathway formed, leading into the brightly lit realm.

                :fleuron:

                They walked into a small village, where they were greeted by a group of people wearing clothes that looked like they were from the 1920s. The people told them that they were in the land of the “Quirks”, a place where everything and everyone was a little bit different, and that they had to find the “Key of Quirks” in order to leave the land.

                The four friends, Zara, Xavier, Yasmin, and Youssef, soon found themselves on a mission to find the “Key of Quirks” that would allow them to leave the land of the Quirks. As they walked through a forest, they came across a fork in the road.

                Zara, the leader of the group, turned to the others and said, “Alright, we need to decide which way to go. Yasmin, what’s the plan?”

                Yasmin, the brains of the group, replied, “I suggest we take the left path. According to the map I found, it leads to the Quirky Quests area, where we might find the key.”

                Xavier, the joker of the group, chimed in, “I vote for the right path. It’s the road less traveled, and you know what they say, ‘the road less traveled is the road to adventure’ ”

                Youssef, the muscle of the group, added, “I don’t care which way we go, I just want to find some food. I’m starving!”

                Zara rolled her eyes, “Xavier, your jokes are getting old. And Youssef, we’re on a mission, we can’t just focus on food.”

                Xavier grinned, “But Zaraloon, where’s the fun in that?”

                Yasmin interjected, “Can we please focus? We need to make a decision. I propose we split up, Zara and I will take the left path, and Xavier and Youssef can take the right path.”

                Youssef nodded, “Yeah, that sounds like a good idea. That way, if we don’t find the key, at least we’ll have found some food.”

                Xavier grinned, “Sounds like a plan, Xavimunk is ready for adventure!”

                Zara shook her head with a smile, “Alright, let’s do this.”

                The group split up, and as they walked away, they could be heard playfully bantering and joking with each other. Each one exemplifying their unique and distinct characters.

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