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In reply to: The Chronicles of the Flying Fish Inn
I woke up this morning with an idea in my head, and I don’t know if I was dreaming about it or if it just popped in, in the brief moments between sleep and waking. I made a connection with the topic I was doing an anthropology report on, and something I’d forgotten. No, not forgotten, it wouldn’t be true to say I’d forgotten it as it was always there at the back of my mind niggling at me that there was more to it somehow, but I hadn’t made the connection so obviously with the current project.
My research was about disconnection, and the separation agenda of the American channeling dream. At first I felt driven to explore particular areas and then piece by piece the puzzle that had nagged at me for years ~ I say years, it felt like years, but maybe it wasn’t so long ~ started to fall into place.
At first when I woke up the idea of censorship was in my head and the idea to start a petition and public awareness campaign about certain channeled texts that were withheld from public viewing, despite repeated requests for them to be public along with all the other texts. But then it occurred to me that censorship and omission wasn’t always deliberate. I mean, not a conscious choice to keep information secret, but something else. Almost like a case of some information not being seen clearly through the filters, yet for some reason dismissed as not fitting, and pushed away, almost unconsciously, and suppressed.
The text was about disconnect mainly, and there was some stuff about Nazi’s although the part about animals was the part that had stuck in my head, probably because I felt more connected to animals than Nazi’s. There were more animals growing up here than Nazi’s after all, Nazi’s was only something I’d heard about. But then it occurred to me that I’d been hearing more and more about Neo Nazi’s, in Europe mainly, forming groups and having protests. So that got me wondering about that too.
Anyway, the disconnect part: it was the reaction on the American channeling forums to the Ferguson riots that started me on this project, and Aunt Idle was full of encouragement when I started to explain to her what I was noticing. She said she had noticed similar things in her remote viewing circle online. Everyone seems to think Aunt Idle is losing her marbles, but don’t you believe it. She seems vacant and scattered but that’s only because her mind is occupied elsewhere.
The gist of this suppressed text was extreme separation, but it was the part about using words to seem enlightened to hide extreme disconnect that seemed to fit my project.
I did have to chuckle though, I wondered if I was being a racist by calling Americans disconnected as if it was a racial characteristic. More of a cultural thing, I suppose, can one be called a culturalist as if it’s a bad thing? I don’t see how you can study anthropology without a certain degree of separating into cultural groups though, even if it is shift anthropology. I’ll think about that a bit more later.
In reply to: The Chronicles of the Flying Fish Inn
Yogi’s teleporting classes in Camden Town had been going on for about 6 months, a small group of people determined to master the art, each member dedicated to the pursuit for particular reasons of their own.
Freya wanted to be able to travel, but was restricted because of her dogs and cats. He aim was to “lunch travel” and have lunch in a different country every day, being home in the mornings and evenings to look after her pets. John wanted to retire to the south of France, but keep an eye on his book shop in London, without the tedium and expense of airline flights. Justin, however, was a black bloc anarchist, and wanted to be able to teleport to protests all over the world, and be able to evade police kettles, and escape from Jail should he ever find himself in that position. Samantha was writing an exposé on the nefarious goings on of government ministers, but was for obvious reasons denied access to the places and documents that she needed to see. Fred missed his children and wanted to visit them, an impossibility in his current homeless destitute situation. Luckily for Fred, Yogi didn’t charge a fee for the classes, more interested in determination and commitment than monetary rewards.
Fred had managed on several occasions to project his awareness to the Flying Fish Inn, but had not yet achieved a full physical materialization. He had blinked in and out a couple of times, but had become nervous of frightening the children when he’d unintentionally startled Mater.
In reply to: The Precious Life and Rambles of Liz Tattler
Bert raised an eyebrow at Elizabeth’s obvious sarcasm, which unfortunately caught her eye and put him in the spotlight of her penetrating gaze.
“How about you Bert? Were you listening?” she asked, raising an eyebrow of her own to match Berts.
Finnly, always on the lookout for an opportunity to out do Liz, raised both of her eyebrows simultaneously; then looked quickly down, pretending to examine her nails.
Bert decided that in this case honestly was the best policy and replied “No. I was wondering if Prune had cleaned up the blood spattered corridor.”
While Liz was momentarily speechless, Finnley quickly interjected another line from the book she had hidden under the table.
“Then why did none of us hear the blood crazed howl?”
“Ah! Aha! I’ll tell you why nobody heard the blood crazed howl!” Elizabeth had become alarmingly animated, leaning forward and rapping sharply on the table with her cigarette lighter. “The walls of isolation that surround you, the windows you keep closed and shuttered for fear of a draft of passion, the fences of barbed trotted out dogma you use as protection ~ but I ask you, protection from what?”
In reply to: The Precious Life and Rambles of Liz Tattler
Finnley looked up guiltily from the Lemololol novel she was surreptitiously reading under the table. In an effort to give the impression she had been listening, Finnley read the first line her eyes fell on.
“You know Elizabeth, I always say you need a good smoking pile of manure to grow bigger cucumbers.”
Elizabeth gasped in admiration. “You are so wise, Finnley. We may have had our differences in the past — I have such strong inner values — and I may call you odd behind your back, but manure and cucumbers, that is just brilliant! That sums it up precisely. Let me make you another cup of tea.”
In reply to: The Hosts of Mars
Commercial Spaceline MX757#33, Mars orbit
Finnley, the board computer of the mothership had started to wake up the suspended animated bodies in preparation for the landing as per its usual instructions.
The craft had arrived in vicinity of the planet just a day ago (counted in SET, or Standard Earth Time), and was in stationary orbit over the main settlement and de facto capital of Mars.
Smaller pods would be flown from there to land the various cargo and the travelling guests, as soon as they would have had time to acclimate.Everyone was becoming quite excited, and hungry as well, once the initial shock was passed. Finnley’s synthetic voice was as smooth and silky as the modelled butt of her twenty one robotic bodies.
All of her guests were accounted for. A large number of them were sent by a rich Covenant of Holy Elietics, which hoped to enlighten the natives.
A second group was sent by a mining corporation for prospecting purposes.
Finally, travelling in the economy section were a pair of winners from a worldwide raffle that sent people to a promised new life. It was believed to be largely a scam, but the one-trip tickets were valid. That was the only thing that was provided to the winners, the rest was up to them.Finnley had been craftily programmed to display a wide range of human emotions, although she didn’t really feel them as human did. If that were the case, she would have logged in her journal her feeling to be in a great hurry to get rid of all the now terribly noisy humanity in her ship.
In reply to: The Precious Life and Rambles of Liz Tattler
“There’s a very fine line, Finnley, between feckless drivel, and fecking snivel, and to not put too fine a point upon it, it’s all fairly pointless anyway,” replied Liz, smiling amiably into the curmudgeonly scowl. “Bert will put the kettle on, I’ll call him over from the thread next door.”
“Typical!” muttered Finnley, “Never a thought about waking the poor bugger up, that it might be night time over there. Bloody inconsiderate, if you ask me.”
In reply to: The Chronicles of the Flying Fish Inn
Flora arrived, hot and dusty from the travelling, in the late afternoon. A shower and a well iced gin and tonic soon revived her, and I got the girls to see to supper and the oddball in room 8, and asked Bert to keep an eye on them while Flora and I sat on the porch. It did me a power of good to sit chatting and joking with a friend, a woman of my own age and inclinations, after the endless months of nothing but the company of kids and old coots.
She looked pretty much the same as I’d gathered from the videos and photos online, although her bum was a lot bigger than I expected considering her slender frame, but she was an attractive woman with a merry gurgle of a laugh and warm relaxing energy.
I asked her about the video she was planning to make, but it all sounded a bit vague to me. “Frame” it was to be called, and there were various period costumes involved and a considerable amount of improvisation, from what I could gather, around the theme of “frame of reference”. What that meant exactly I really couldn’t say, but she said we were all welcome to play a role in it if we liked.
We’d been sitting out there until well past sundown, enjoying the cool evening air and a bit of Bert’s homegrown pot, posting selfies together on Spacenook and giggling at the comments, when we heard an ear splitting scream coming from an upstairs window. Flora looked at me with a raised eyebrow, and I just cracked right up for some reason, don’t ask me why. I laughed until the tears were rolling down my cheeks, and my ribs ached. I tried to stand up and fell back in the chair, which made me laugh all the more. I was wiping my eyes with a paper hanky when Clove appeared, saying Prune had had a nightmare.
“Oh thank goodness for that!” I exclaimed, which set me off again, and this time Flora joined in. I did wonder later when I was getting ready for bed what she must have thought about it all, me having hysterics at the sound of a screaming child. But it did me a world of good, all that laughing, and I was still tittering to myself when I lurched into bed.
In reply to: The Chronicles of the Flying Fish Inn
Aunt Idle had passed out in the armchair drinking her sherry last night when I went to show her what me and Clove found online when we were googling map stuff, mumbling she was and dribbling a bit. Prune said something peculiar, but when pressed she wouldn’t explain what she meant. Something about Aunt Idle speaking in the same funny accent as Grace, though gawd knows who Grace is, Prune wouldn’t say. Secretive little bugger, our Prune.
After breakfast Aunt Idle asked how our home schooling was going this week, so I told her we’d been exploring geographical anomalies and rare maps. She had an impressed look on her face; that is, until we showed her the link we’d found about the mysterious box full of maps and diagrams. That’s when her hand flew to her mouth, just like the other day when she saw us carrying that map covered mannequin up the drive.
“1977! Oh my god!” she exclaimed, and then “Tampa! Florida! of course!” and then infuriatingly, wouldn’t explain what she meant.
In reply to: The Chronicles of the Flying Fish Inn
After all the fuss had died down about the missing Mater, I lost interest in the map and the strange note. It was as if the distraction interrupted my train of thought (some might say another of Idle’s hamster wheels, or another ludicrous tangent), so I gave the maps back to the girls and the mysterious note was mostly forgotten. If it meant anything, well, sooner or later it would become clear.
Truth be told, it wasn’t just the fuss about Mater that distracted me, it was the phone call from my old friend in New Zealand. Flora Fenwick was making another of her arty party videos, wanted to come over to check out some of the empty properties for filming. I’d seen all her arty farty party videos online, and we’d been friends for years via Spacenook, but we’d never met in person.
The timing was perfect.
In reply to: The Chronicles of the Flying Fish Inn
I took the rolled up bundle of torn maps into my bedroom and locked the door. I turned the key silently, almost furtively, and then leaned my back on the door. If there had been a security cam in the room, I’d have looked to anyone watching like I was over dramatizing. Ham acting drama queen. Hoped none of the Laptop Lazuli’s, my remote viewing buddies, were tuning in. Thinking about them gave me an idea, but I’d think about that some more later.
After spreading the maps on the floor and sending a half dozen dust bunnies scampering off, I went over to my desk to get the note. I found it in the end, after flapping a bit when it wasn’t where I thought I’d left it.
It didn’t take long to start matching up the letters on the note with the holes in the maps. I started jotting the place names down as best as I could work it out, and of course there were plenty of letters on the note without a corresponding map segment. But it was clear that the letters on my note had come from these maps.
The funny thing was, and it was more creepy than funny, was that all of the places on the map with a missing letter were places of particular significance to me. Either I’d been to that place, or it was a place in The Tales, the stories I’d been writing with the Lazuli’s online.
One of the I’s was from Paris, one from Sri Lanka and another from Siberia. There was an R from New York, a D from London and an H from Shanghai, and so on. After awhile I started to notice that all the letters on the signature of Hilde Didier were from locations in The Tales, and that the content of the note, so far, was constructed of letters ripped from places I had been to. Places I’d been to where I’d left in a hurry.
I needed to find the rest of the maps to complete the picture.
In reply to: The Chronicles of the Flying Fish Inn
I am 73 years old and some think I look pretty good for my age. Not the kids—the kids think I look as old as Methuselah. When I was young my hair was jet black. Now it is white and I wear it in a long braid down my back; it is easy to look after and I certainly don’t trust Dodi to cut it, though she has offered. I wash it once a week and put vinegar in the final rinse to get rid of the yellow tinge. My back is straight, no dowager’s hump like some my age, and I can still touch my toes at a push. I married my childhood sweetheart—the love of my life—in 1958 and he died of sickness, April 12th, 1978. My favourite dish is spaghetti and meatballs. When I was younger, when I lived in Perth, I was a milliner. I don’t make hats now; there is not the same demand out here. And of course there is Fred, my son, who scarpered God-knows-where a year ago.
It isn’t much to say about a life, but I suspect it is way more than you wanted to know.
This reminds me; Dodi went to a funeral in Sydney a few months ago. The funeral of a dear school friend who died in a motor vehicle accident. Not her fault, as I understand it. She was driving along, minding her own business, returning home from a quiet night playing trivial pursuits at the local community centre. A teenage driver lost control of her car. She was fine; I mean the other driver was fine, barely a scrape. Dodi’s friend was not so fortunate. At the funeral of her friend—I forget her name—the place was packed.
At the time, when Dodi recounted the events of the funeral, I started thinking about my own future demise. It may perhaps sound morbid, or vain, but I found myself wondering who might be there to see me off. Other than the family, who would be duty bound to attend, I couldn’t think of many who would care enough to pay their respects—perhaps a few locals there for the supper afterwards and a bit of a chinwag no doubt.
I am rambling; I have a tendency to do that. I can’t blame it on old age because I have always rambled. The point is, I don’t think I have done much with my life. And this saddens me.
However, I suspect this is of less interest to you than the ghost I mentioned earlier.
The idea of a ghost is not a new concept at the Flying Fish Inn. It has been around for as long as we have been here. But it was just a joke—it wasn’t a real ghost, if you see what I mean. Every strange noise or other untoward happening we would blame on “the ghost”. The dilapidated look of the place lent itself very well to having resident ghost, it was almost obligatory, and Fred even had a plan to market our imaginary ghost as a tourist attraction.
So what changed? Well, I saw him.
In reply to: The Precious Life and Rambles of Liz Tattler
Funny thing was, none of this would be possible, if not for Liz’ impeccable release of new literary works. Despite her feigned struggles, she managed to release them like clockwork.
Prolific line-pissing writers like King had nothing to envy to her. She would document and expound on nearly every bit of news passing. As a matter of fact, most of her morning rituals were to document the press review, and make clippings out of the most absurd or mundane events, and somehow, weave enthralling tales with it.The last past years had been the most flourishing ones, mostly focused on tales of social responsibility in magical gardens, civil disobedience in cetacean societies, and financial collapse of ayahuasca economy based Amazonian tribes.
Well, to be honest, the magic had to be left to the Finnleys. It was nor the endless cleaning nor the unnerving bluster that had them resign. It was mostly that they were literary agents in cover aspiring to more than a life of cleaning. For what Elizabeth had as gift of prolixity, all the Finnleys were hired to put it all together, while sworn to secrecy.
Of course, with each best-sellers, they had to find a new one most of the time.Despite the occasional ill-temper, all of it seemed now like a well-oiled machine.
However, Godfrey was growing concerned about the last one of the Finnleys. Very concerned.In reply to: The Chronicles of the Flying Fish Inn
Another bang on my bedroom door, my hands suspended over the keyboard. “Go away Prune!” I shouted, exasperated. “If you bang on my door again, I’ll come out and give you such a wallop, now bugger off, will you!”
“It’s me, Corrie” came Clove’s voice. Walked over to the door and unlocked it. A chat with my sister might help me with this project. Unlike Prune, who would be guaranteed to disrupt my train of thought.
Locking the door again I tell Clove what I’m writing about. We don’t go to school, me and Clove, we’re what they call “homeschooled” but what that actually means in our case is that we’re left to our own devices most of the time. Aunt Idle asks us (when she remembers) what we’ve been working on, and as long as we’ve been writing something or researching something, she’s happy.
So when I saw the group project about alternative timelines to avoid the disaster timeline, I had some ideas. Well, to be honest, I didn’t have any definite ideas until I saw the other suggestions. All Americans, and all of them talking about changing the timelines by changing the results of presidential elections!
“Not much chance of a different timeline there then!” remarked Clove astutely.
“Exactly!” I knew Clove would get it, she knows were I’m coming from, but then, everyone knows twins are like that.
“So this is what the plan is, right: “The goal of this exercise is to discuss amongst the group and choose significant past moments, and then As a Group, focus on creating alternate histories, thus sparking alternate timelines. We should vividly imagine moving forward from those probability forks and creating a more viable and desirable future.” Oh, and this bit here: “ our current timeline is convoluted to the point where many probabilities are leaning towards a disaster scenario simply to shake out of the current focus.” And then all these suggestions about different presidents, and then this: “My suggestion would be also to consider how we would like our current time frame to appear,” so I’m thinking…”
“I’m thinking” interrupted Clove, continuing my train of thought, “Of all those states and communities that got with the programme ten years ago, and took their kids out of school and built those Earthships so they didn’t need money for water and electricity..”
“And started cooperative worker owned businesses like they do in South America….”
“And they all started a guaranteed basic income years ago, so everyone was doing what they did best, especially the kids, cos they had such great ideas and weren’t stuck in boring schoolrooms…..”
“and there was no poverty, and nobody without a home…”
“Yeah, and they all stopped paying taxes so there was no money for the military, and then loads more people stopped paying taxes too…”
“Good one, Clove!”
“So nobody gave a fuck what president was elected anyway, because they were all sorting themselves out, and those states and communities were doing so well…”
“Because they’d already been doing it for years” I added.
“…that other states and communities started doing it too.”
“So that it snowballed, like dominoes, and there were more and more of these places..”
“And they had exchange students and stuff like that to learn from each other, and shared stuff online..”
“So when the disasters struck, it wasn’t half so bad because there were already a bunch of people managing perfectly well without dollars or oil, and they could help the people in the disaster. Makes more sense that electing another blimmin president, huh?”
“Bloody obvious if you ask me” replied Clove. “Pity we don’t have basic income, did you see Mater’s face when she was talking to that debt collector?”
That made me laugh, remembering her waving the stick around. “Her face was as purple as her cardigan.”
In unison, we both starting singing Start Wearing Purple and dancing around, acting the fool. I had a purple wig hanging on the back of my chair, so I put that on, and Clove grabbed a purple feather boa off the coat stand. No shortage of wigs in this town, though god only knows why. Just about every damn trunk in every empty house is full of wigs.
Bert knows a thing or two about the past, the town and the family, but he says very little about it other than offering cryptic one liners and knowing looks.
He was a miner when the mines were open (and he could tell you a few things about the goings on), and never left the place, managing to scrape by on kangaroo and cassowary meat and doing odd jobs, sometimes finding a gold nugget and selling it on ebay. He has a soft spot for the children, especially the rude and contrary Prune.
Does he have a strange sense of responsibility to Abcynthia? He hangs around the inn, unofficially making himself useful with odd jobs, and lives in a shed out the back.
The Flying Fish Inn was passsed down to Abcynthia (the childrens mother) from her father, who had a boarding house during the gold rush. He died just after the mine closed and Abcynthia closed the place up and moved to the city where she went to university and met her husband Fred (name to be arranged later).
Fred was a journalist who aspired to write a science fiction novel. He convinced his wife to give up her career as a corporate lawyer, and raise a family at the old inn in the outback, while he write his novel and earned a rudimentary income from writing articles online, enough to live on. Just after their 4th child was born, Abcynthia had had enough, and left the family to pursue her career in the city.
Fred’s sister Aunt idle was at a loose end at the time, needing to keep a low profile and “disappear” for reasons to be discovered, and agreed to come and help Fred with the children. Fred’s cranky mother had already been living with them for a few years but was not up to the responsibility of the four children while Fred was busy writing.
A few months after Abcynthia’s disappearance, some unexplained incidents occurred in the area around the ghost town and the defunct mines ~ possibly connected to the sci fi novel Fred was writing in some way ~ which Fred wrote articles about, which went viral in the popular imagination and thirst for weird tales, and visitors started coming to the town.
Aunt Ilde started to informally put them up in rooms, and enjoyed the unexpected company of these strangers which relieved her increasing boredom, then as the visitors increased (not so very many, but two or three a week perhaps) decided to officially reopen the boarding house and a B and B.
Fred, though, must have had some kind of a meltdown because he left a cryptic note saying he’d be back, and to carry on without him for the foreseeable future. Nobody really knew why, or where he had gone.
In this first comment I will try and collate the information from our discussions. It will be quite rough and may not be accurate as we were just brainstorming.
You might like to use it as a resource to start comments for each character.
Intents:
FP: how not to be detached, as opposed to detaching
EP : Importance, tradition, transmission, life and death
TP : playful spontaneity
JP : I need to explore a strong base, something you can count on in your life and that will nourrish and support youStarting point : a family member has gone missing / disappearance / mysterious inheritance
Someone turns up with a letter about mysterious inheritance?
That someone is in cold terms with the family and has been for years.
Strong possibility of a ghost. male. tied up with the inheritance mystery. Ghost is either assisting or hindering the search for the mysterious inheritance.
Location : Australia small town. Possibly called Crowshollow. Mining town
Family run a Bed and Breakfast called the Flying Fish Inn. There is room for 5 guests at any one time but it is never full. The family are short of money. Tendency in the family to develop unconventional powers, possibly witchy stuff.MacGuffin (is this the family surname??) Oh no wait, on further study I see it is a reference to the inheritance. It could be the family surname though. they need one.
A man is riding on a train when a second gentleman gets on and sits down across from him. The first man notices the second is holding an oddly shaped package.
“What is that?” the first man asks.
“A MacGuffin, a tool used to hunt lions in the Scottish highlands.”
“But there are no lions in the Scottish highlands,” says the first man.
“Well then,” says the other, “That’s no MacGuffin”.Family members : boy twins from jib, a girl from Eric, a matriach granny, twin girls 17, aunt Idle, father ? mother ?ghost?
mother and father have both gone missing at some stage?. Mother is called Absinthia apparently.
Tracy: The female twins are called Clove and Corrie. twins born in 2000 for easy reference, so if its concurent timeframe they are 14. Clove is frustrated with ghost town life, and is uncooperative and moody, has violent bursts of anger, but can be very focused when something attracts her interest. Does not take kindly to criticism.
Corrie on the other hand is the one who will acqueisce to keep the peace, which doesnt always do herself a favour, she often agrees to things just to be pleasing and then regrets it.
They are interested in boys, although it may be an online crush or an infatuation with a character not present. I bet they do all kind of mischiefs to elude the chaperoning of the not-so-cleveraunt.
Clove resent the parents absence, Corrie tried to buffer that resentment but is filled with curiosity about themEric: (Prune??) the young girl is bored, because her parents were always arguing, and she’s so smart nobody ever gets her, and she felt abandoned by her careless mother the most, so she builds that facade of carelessness. Prune is bored by the inheritance but interested by the tramp.
Tracy: Aunt Idle. Paternal Aunt. Aunt never married but many relationships
born 1970. she is very tall and thin and is prematurely grey which she wears in dreadlocksIn reply to: The Time-Dragglers’ Extravaganzas
In reply to: The Time-Dragglers’ Extravaganzas
It was the first of September and everyone in the village breathed a sigh of relief. Miraculously, it already seemed cooler, although it probably wasn’t, but the promise was in the air. Jack and Lisa stood on the roof terrace watching the migrating vultures glide past on their way to a new story for the winter, exerting little effort as they sailed on the thermals.
“They never flap, do they?” remarked Lisa. “No frantic flapping or struggling to beat back the air, they just float, and steer.”
“I wonder why they always circle our village before continuing south?”
“They’re saying cheerio to us, Jack, although I’m sure you’d prefer a more logical explanation. It’s a reflection that we stopped flapping around with all that teleporting lark, and that we’re all back home now.” Lisa sighed with relief and hugged Jack. “I’m glad you banned teleporting for a year.”
“I didn’t ban it!” Jack said, not wanting to me misunderstood. “You make me sound so dictatorial and bossy. I merely suggested it. Strongly suggested it,” he added. “We all need a bit of no nonsense plain old grounding and balance. It was getting ridiculous, all the drama and comings and goings.”
“Mirabelle says she wants to write a book about it” remarked Lisa. “Which is marvelous really, considering the trouble she had at first with the language. And Fanella’s studying archeology and plans to travel ~ she’s fascinated with sphinxes, not surprisingly, after leaving an energy fleck in that one on the island; not sure how much she remembers about that now though. Adeline has an exhibition coming up in Paris ~ she’s looking forward to that.”
“I think they’re all planning on going to that, even the Russian lads. A trip down memory lane I suppose, but I expect they’ll notice some changes. But that’s another story.”In reply to: Shamanic Journey Achronicles
Second Journey ~ August 24th, 2014
Duration 24 minutes
Directions : Meet with your power animal, ask them to lead you to the upper realm to meet with your guide. Ask the name of your guide and what they will be likely helping you with. Ask them for your personal symbol and how you can use it. Then follow your power animal into showing you the potential development for the stories.
Accounts
Eric
My snake animal guide appears very fast, I see its eyes first. It shifts into a powerful cobra, and fans out its hood into multiple heads, like Ananta (Shesha Naga), and says I can call him Nagini (like in Harry Potter, that’s also the playful name I give to the plush snake at our doorsteps).
It wraps its multiple heads around me like a ball, and we woosh into the ground to what I guess is the underworld, it seems like a long coiled path around a sort of vortex, after a few moments in a sort of crystal cave, I’m a bit skeptical what we’re doing there, I catch a glimpse of a white horse from the back, so I guess Jib’s Conan is checking on us, and restate my intent.
I go though the light of one of the brightest glowing crystals, and the travel resumes, this time like the giant snake wraps ourselves in coils around a column of rocks, and we climb that high mountain very fast. It reminds me of Mt Meru in Buddhism or the Immortals palace in the Chinese Buddhist tales (like in the 2014 movie The Monkey King).
The place is like a beautiful platform/palace of giant proportions, with a golden light. When we arrive, the snake becomes much smaller, and golden too, and wraps itself around my left arm. It guides me to explore different places, a temple, a place over the clouds where there are dances, etc. I decide to rest under a tree and meditate and be open to possibilities.
The snake shifts around in various forms as if to reflect the nature of my mind, a giant parasol, or a stream of many paths at my feet. It connects me to a picture I saw of a Buddhist painting where the mind represented as an elephant is led by the monkey brain around a snake-like path. I realize the person I saw briefly earlier is the guide that helped Sunwukong (the monkey king) and seems to be the guide I’m looking for.
(I find the name later is Puti or Subhuti).
When I mentally ask for a name, the name Pachacamac comes strongly. He shows me many things related to my symbol. As a spinning cube with the floating feather in the middle and the arrow pointing towards the heart. The spin of the cube creates illusion within illusion, the arrow wobbles but stays towards the heart.
He shows me a chasm and how to create a bridge over the clouds, by showing me the mirror image in my heart chakra. The bridge is built inside. At the same time, I was trying to focus on the music to deepen the trance, and realized outside (one storey below) was Jib’s music played on the speakers, aligned with the one playing in the headset, although a few seconds off, the rhythm was perfectly in synch…
He also shows me another image, of a deep well deep inside the mountain that we can see from above the clouds. The image inside is dark and fluctuates with the water’s surface, and also reflecting quite a small portion of the beautiful landscape around.
He explains that the well is the world we create, the mind and the perception is the water’s surface. It’s the external world, while the heart is all that we perceive as we discuss.
There are other things shared at a subjective level.Francie
After I connected with my power animal, we went to the upper world. We went through water to get there until we came to land.
I asked for my main guide.
I think I took on the characteristics of my guide. by that I mean I felt myself become a different being, and then switched back and forwards between myself and the other. It was very clear. The other was masculine, strong, very alert, very watchful, powerful.
I asked for the guide’s name and received the answer, Carlos.
I asked for the area which the guide would work with me. I have had a sharp pain in my left abdomen under my rib for half an hour. I felt my guide reach in and do something energetically in that area. The pain left and has not returned.
I asked for a symbol and saw what looked like a key-hole shape.
There was a key too.
It was a very particular shape.
There was a door. And the key hole was up very high in the door.
I had to reach up high to get to it. And I put the key in.
I wasn’t sure if those were symbols.
The key hole and the key were shapes.
I was tracing them with my hand.Jib
I settle in myself and arrive directly in a kind of lava world. There are stalagmites and magma puddles, it’s very fiery and earthy. Then I call my horse who just nudge my left shoulder, he was already there.
I ride him first and take time to bond with him. Then ask him to take me to the upper realm to Michel. Without much transition I am there, I feel a definite difference of feeling and texture. I say hi and ask Michel if he can show me the use of my personal symbol or particular aspects to it.
The he focuses my attention to the octagon and the connection with the number eight. He shows me how it connects with the musical octave and sounds as a resonator. It can also be used like the shamanic drum. The coil inside is connected with the circle, the spiral and the labyrinth. My symbol is a kind of labyrinth with the diamond representing the central room where the graal is, so to speak.
He shows me other stuff that I don’t recall at the moment.
When I realize that it will be all, I ask my guide if he can introduce me to another guide that can help me with the use of my symbol. He sends me in a direction that goes up in a cave world. There are faceless figures, I don’t pay much attention to them. When I arrive, the guide sits me on the ground and a journey inside my symbol begins. With the octagon connecting quite strongly with the lava and earth again. I am in a lava world again, which is strange. I ask the guide what is his name and I suddenly understand it is Athumbra the Dreamwalker from whom I’m fragmented.
He shows me the connection of my symbol to the fire and earth, and the depth of the world. He suggests me that instead of focusing on the shape of the symbol I connect with how the different parts connects together and to other aspects of consciousness, and how they are representative of my own energy personality. Not try to look outside for an answer in a way at the moment.
So I begin to experience the shapes, and it turns like a clock, take different colors, etc.
This will be something I’ll have to do again.
Then I ask my power animal to show me what would be interesting to me to explore in the story now.
He shows me a nest and I connect it with the stork nests I’ve been talking about in the last comment and that I used in the quote of the week picture. Without consciously connecting the two. I’ve written the comment before making the picture.
It will have to do with how the nest is comfortable but don’t make you learn much about life and your potentials.
Then he showed me something related to ants and colonies, that I connected with Mars, the colonies of Mars. There is something about community and social network for me to explore.
Then I asked him to help me decipher the energy transmission Eric sent to me the other day, and it had something to do with networks again and how we create a space of something through our relationships, the space of love, the space of friendship, and we create fields and connective tissues that we nourish through experience and attention and involvement.
At some point in the beginning I briefly wondered what was happening with you guys and felt propelled into something like water and impression of struggling with current, there were two moon crescents holding together by their “backs”, and purple or pink colors.Tracy
The Zebra walked towards me across a grassy plain then I circled him, floating, and we went down a slope through the trees, an old road paved with stones. We wound down and came to a great expanse of metallic pink water, like a wise (typo! wide) river.
There was a guy in much heavy stone coloured rough clothes on with a very old face who didn’t look at me, he was on a raft with a long pole for steering. Asked his name and got Frudo. (was slightly skeptical that I got the name right) The symbol was like a clubs of cards, 3 circles interlocking with an in flow of the stem part. Domain was water, flow and fluidity (and dams, apparently).
We went down with the raft on the wide pink river, and the pace increased and there were people of all kinds lining both banks, watching. The wide river came to an immensely steep and deep waterfall, but there were pools and much smaller waterfalls on either side of it. All the water was pink.
We navigated from pool to pool on the right of the waterfall mostly, each pool had people, some of the pools were dammed, and some were more open and easily flowing to the next pool. Some dams were high and some pools had people looking over the edge at the waterfalls below their pools.
In a pool on the right, a very fat pink baby was sitting in the middle, I picked him up and held him and asked his name and it was Ezekial.
Then a fly landed on my right shoulder and I looked to the right and saw a scrunched up face of my mother, with a tight smile. My breathing started to get constricted and I saw mustard yellow mangle of tubes like intestines in that pool.
Then there was a lot of fingers stroking and pulling threads out of the dam around that pool, like pulling soft pink wax. Breathing continued to be restricted, and some becoming vapour or mist stuff that wasn’t very clear or droplets leaping from pool to pool as an alternative route to surface pools and waterfalls….
Then went down down down into a vast pool of pink water, faster and faster towards a narrow tube at the bottom, and then flipped over onto my back and saw the sun far above and rose slowly floating towards the surface.
Several times I saw purple and light green.
The breathing thing was interesting if not so pleasant.
The personal symbol may be connected to the flow from pool to pool somehow.In reply to: The Time-Dragglers’ Extravaganzas
“We’re going under water, Mandrake, you’re sure you don’t need a suit?” Arona asked her cat.
All she needed was his permission to manifest a scuba diving suit for the cat, but the cat was putting on a brave face, and refused altogether.
“Well then, maybe you want to accompany me under a diving bell, I’m not too reassured on my on” she said with a sweet voice. Reverse psychology always worked with this one.
In no time, they were looking at the underwater cavebed, following the directions of the sabulmantium. The dragon egg enclosing the coloured sand seemed to shield them from the strange effects of the cave, and project fleeting images around the glass bell. Derelict places full of mould and cobwebs, alien places and animals.
Arona resisted being drawn by the images. Her years of living with dragons had taught her to navigate through illusions. That was then that she saw it.
The graceful turtle, silently swimming in front of them, in a curved line up and down, up and down. It was big, much bigger than Mandrake, but in no hurry to get there, wherever there was.“Arona, do you hear that?” Mandrake’s voice was distant, and the sound of alarm was faint and muffled. “Aronaaaa!”
The impact of the rocks shattered the glass bell in millions of small pieces, that went floating like a wave of particles on the wind. Arona and Mandrake, in the big turtle’s wake were propelled through a narrow gurgling exit of the water that flushed them out of the cave into the thundering noise of a cascade.
Struggling with the current at first, Arona managed to let go, and finally emerged with her cat held firmly by the scruff of its neck. The current sent them on the shore of the pool of crystalline blue waters. In the middle of the pool, she could see the Cup, placed on a red cushion, surrounded by the mist of the waterfall, and glowing a vivid radiant light.
It all seems so easy… Arona was already wet, and the Cup was so close.
“Not so feeest, milady”
She had not seen the man emerge from the shadows of the cliffs. He was looking relatively harmless, but had a wild eye and a vagrant’s appearance.“Leave me alone, old man.” was all she wanted to tell him. But for someone to be here, of all places, it had to mean something, and she’d better find it out using tact and diplomacy.
“Good day sir, may I inquire what you are doing here?”
“Fer sure, Ey em the Fisher Count but ye can call me Reney.”
“Mmm, I’ve heard about you. So you are real after all.”
“Indeed Ey em, quite real, huhu.”
“DON’T!” Arona and Mandrake shouted almost at the same time… too late, as the blinking parrot reappeared, flying over them and shrieking “HU HU, FUCK FUCK, HU HU.”“I meant,… DON’T mind the blasted parrot, it’ll go away eventually. It must have a fleck of Sanso, I’m sure.” Arona said, matter-of-factly. “Now, what do I need to do to get to drink from the Cup, dear Sir?” she continued with the best composed smile she could.
“Oh, et is veeely easy, vely vely easy. Ye just need to esk nicely, and as ye already did, there ye go.”
Suspicion and doubts started to come back, as it all seemed much too easy. “What will happen when I drink from it? Will I be able to astral?”
“Oh well, Ey don’t know fer sure, Ey think it is just a nice decoration, but if ye believe herd enough, enything es possible.”
“Mandrake,” she turned to the cat “let’s go do some astralling.”
