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  • #7799

    Helix 25 – Lower Decks – Secretive Adjustments

    Sue Brittany Kaleleonālani Forgelot moved with the practiced grace of someone accustomed to being noticed—but tonight, she walked as someone trying not to be. The Upper Deck was hers, where conversations flowed with elegant pretense and where everyone knew her by firstname —Sue, she would insist. There would be none of that bowing nonsense to her noble lineages —bless her distinguished ancestors.

    Here, in the Lower Decks, she was a curiosity at best, an intrusion at worst.

    Unlike the well-maintained Upper Decks, here the air was warmer, and one could sense mingled with the recycled air, a distinct scent of metal, oil, and even labouring bodies. Maintenance bots were limited, and keeping people busy with work helped with the social order. Lights flickered erratically in narrow corridors, nothing like the pristine glow of the Upper Deck’s crystal chandeliers. The Lower Decks were functional, built for work and survival, not for leisure. And deeper still—past the bustling workstations, past the overlooked mechanics keeping Helix 25 from falling apart—the Hold.

    The Hold was where she found Luca Stroud.

    A heavy, reinforced door hissed as it unlocked, and Sue stepped inside his dimly lit workshop. Stacks of salvaged tech lined the walls, interspersed with crates of unauthorized modifications in this workspace born of a mixture of necessity, ingenuity, and quiet rebellion.

    Luca barely looked up as he wiped oil from his hands. “You’re late, dear.”

    Sue huffed, settling into the chair he had long since designated for her. “A lady does not rush. Besides, I had affairs to attend to.” She crossed one leg over the other, her silk shawl catching on the metallic seam of a cybernetic limb beneath it. “And I had to dodge half the ship to get here unnoticed.”

    Luca grunted, kneeling beside her. “You wouldn’t have to sneak if you’d just let one of the Upper Deck doctors service this thing.” He tapped lightly on the synthetic skin to reveal the metallic prosthetic, watching as the synthetic nerves twitched in response.

    Sue’s expression turned sharp. “You know why I can’t.”

    Luca said nothing, but his smirk spoke volumes.

    There were things she couldn’t let the Upper Deck medics see. Upgrades, modifications, small enhancements that gave her just enough edge. In the circles she moved in, knowledge was power. And she was far too valuable to be at the mercy of those who wanted her dependent.

    Luca examined the joint, nodding to himself. “You’ve been walking too much on it.”

    “Well, forgive me for using my own legs.”

    He tightened a wire. Sue winced, but he ignored it. “You need recalibration. And I need better parts.”

    Sue gave a slow, knowing smile. “And what minor favors will you require this time?”

    Luca leaned back, thoughtful. “Information. Since you’re generous with it.”

    She sighed, shifting in her seat. “Fine. You’re lucky I find you amusing.”

    He adjusted a component with expert hands. “Tell me about the murder.”

    Sue arched a brow. “Everyone wants to talk about that. You’d think no one had ever died before.”

    “They haven’t,” Luca countered, voice flat. “Not for a long time. And not like this.”

    She studied him, his interest piquing her own. “So you think it was a real murder.”

    Luca let out a dry chuckle. “Oh, it was a murder alright. And you know it.”

    Sue exhaled, considering what to share. “Well, rumor has it, the DNA found in the crime scene doesn’t belong here. It’s from the past. Far past.”

    Luca glanced up, intrigued. “How far?”

    Sue leaned in, voice hushed. “Crusader far.”

    He let out a low whistle, shaking his head. “That’s… new.”

    She tilted her head. “What does that mean to you?”

    Luca hesitated, then shrugged. “Means whoever’s playing god with DNA sequencing isn’t as smart as they think they are.”

    Sue smiled at that, more amused than disturbed. “And I suppose you have theories?”

    Luca gave her cybernetic limb one final adjustment, then stood. “I have suspicions.”

    Sue sighed dramatically. “How thrilling.” She flexed her leg, satisfied with the result. “Keep me informed, and I’ll see what I can find for you.”

    Luca smirked. “You always do.”

    As she rose to leave, she paused at the door. “Oh, one last thing, dear.”

    Luca glanced at her. “What?”

    Sue’s smirk deepened. “Should I put in a good word to the Captain for you?”

    The question hung between them.

    Luca narrowed his eyes. “Nobody’s ever met the Captain.”

    She nodded, satisfied, and left him to his thoughts.

    #7794
    Yurara FamelikiYurara Fameliki
    Participant

      Some pictures selections

      Evie and TP Investigating the Drying Machine Crime Scene

      A cinematic sci-fi mini-scene aboard the vast and luxurious Helix 25. In the industrial depths of the ship, a futuristic drying machine hums ominously, crime scene tape lazily flickering in artificial gravity. Evie, a sharp-eyed investigator in a sleek yet practical uniform, stands with arms crossed, listening intently. Beside her, a translucent, retro-stylized holographic detective—Trevor Pee Marshall (TP)—adjusts his tiny mustache with a flourish, pointing dramatically at the drying machine with his cane. The air is thick with mystery, the ship’s high-tech environment reflecting off Evie’s determined face while TP’s flickering presence adds an almost comedic contrast. A perfect blend of noir and high-tech detective intrigue.

       

      Riven Holt and Zoya Kade Confronting Each Other in a Dimly Lit Corridor

      A dramatic, cinematic sci-fi scene aboard the vast and luxurious Helix 25. Riven Holt, a disciplined young officer with sharp features, stands in a high-tech corridor, his arms crossed, jaw tense—exuding authority and restraint. Opposite him, Zoya Kade, a sharp-eyed, wiry 83-year-old scientist-prophet, leans slightly forward, her mismatched layered robes adorned with tiny artifacts—beads, old circuits, and a fragment of a key. Her silver-white braid gleams under the soft emergency lighting, her piercing gaze challenging him. The corridor hums with unseen energy, a subtle red glow from a “restricted access” sign casting elongated shadows. Their confrontation is palpable—a struggle between order and untamed knowledge, hierarchy and rebellion. In the background, the walls of Helix 25 curve sleekly, high-tech yet strangely claustrophobic, reinforcing the ship’s ever-present watchfulness.

       

      Romualdo, the Gardener, Among the Bioluminescent Plants

      A richly detailed sci-fi portrait of Romualdo, the ship’s gardener, standing amidst the vibrant greenery of the Jardenery. He is a rugged yet gentle figure, dressed in a simple work jumpsuit with soil-streaked hands, a leaf-tipped stem tucked behind his ear like a cigarette. His eyes scan an old, well-worn book—one of Liz Tattler’s novels—that Dr. Amara Voss gave him for his collection. The glowing plants cast an ethereal blue-green light over him, creating an atmosphere both peaceful and mysterious. In the background, the towering vines and suspended hydroponic trays hint at the ship’s careful balance between survival and serenity.

       

      Finja and Finkley – A Telepathic Parallel Across Space

      A surreal, cinematic sci-fi composition split into two mirrored halves, reflecting a mysterious connection across vast distances. On one side, Finja, a wiry, intense woman with an almost obsessive neatness, walks through the overgrown ruins of post-apocalyptic Earth, her expression distant as she “listens” to unseen voices. Dust lingers in the air, catching the golden morning light, and she mutters to herself about cleanliness. In her reflection, on the other side of the image, is Finkley, a no-nonsense crew member aboard the gleaming, futuristic halls of Helix 25. She stands with hands on her hips, barking orders at small cleaning bots as they maintain the ship’s pristine corridors. The lighting is cold and artificial, sterile in contrast to the dust-filled Earth. Yet, both women share a strange symmetry—gesturing in unison as if unknowingly mirroring one another across time and space. A faint, ghostly thread of light suggests their telepathic bond, making the impossible feel eerily real.

      #7789

      Helix 25 – Poop Deck – The Jardenery

      Evie stepped through the entrance of the Jardenery, and immediately, the sterile hum of Helix 25’s corridors faded into a world of green. Of all the spotless clean places on the ship, it was the only where Finkley’s bots tolerated the scent of damp earth. A soft rustle of hydroponic leaves shifting under artificial sunlight made the place an ecosystem within an ecosystem, designed to nourrish both body and mind.

      Yet, for all its cultivated serenity, today it was a crime scene. The Drying Machine was connected to the Jardenery and the Granary, designed to efficiently extract precious moisture for recycling, while preserving the produce.

      Riven Holt, walking beside her, didn’t share her reverence. “I don’t see why this place is relevant,” he muttered, glancing around at the towering bioluminescent vines spiraling up trellises. “The body was found in the drying machine, not in a vegetable patch.”

      Evie ignored him, striding toward the far corner where Amara Voss was hunched over a sleek terminal, frowning at a glowing screen. The renowned geneticist barely noticed their approach, her fingers flicking through analysis results faster than human eyes could process.

      A flicker of light.

      “Ah-ha!” TP materialized beside Evie, adjusting his holographic lapels. “Madame Voss, I must say, your domain is quite the delightful contrast to our usual haunts of murder and mystery.” He twitched his mustache. “Alas, I suspect you are not admiring the flora?”

      Amara exhaled sharply, rubbing her temples, not at all surprised by the holographic intrusion. She was Evie’s godmother, and had grown used to her experiments.

      “No, indeed. I’m admiring this.” She turned the screen toward them.

      The DNA profile glowed in crisp lines of data, revealing a sequence highlighted in red.

      Evie frowned. “What are we looking at?”

      Amara pinched the bridge of her nose. “A genetic anomaly.”

      Riven crossed his arms. “You’ll have to be more specific.”

      Amara gave him a sharp look but turned back to the display. “The sample we found at the crime scene—blood residue on the drying machine and some traces on the granary floor—matches an ancient DNA profile from my research database. A perfect match.”

      Evie felt a prickle of unease. “Ancient? What do you mean? From the 2000s?”

      Amara chuckled, then nodded grimly. “No, ancient as in Medieval ancient. Specifically, Crusader DNA, from the Levant. A profile we mapped from preserved remains centuries ago.”

      Silence stretched between them.

      Finally, Riven scoffed. “That’s impossible.”

      TP hummed thoughtfully, twirling his cane. “Impossible, yet indisputable. A most delightful contradiction.”

      Evie’s mind raced. “Could the database be corrupted?”

      Amara shook her head. “I checked. The sequencing is clean. This isn’t an error. This DNA was present at the crime scene.” She hesitated, then added, “The thing is…” she paused before considering to continue. They were all hanging on her every word, waiting for what she would say next.

      Amara continued  “I once theorized that it might be possible to reawaken dormant ancestral DNA embedded in human cells. If the right triggers were applied, someone could manifest genetic markers—traits, even memories—from long-dead ancestors. Awakening old skills, getting access to long lost secrets of states…”

      Riven looked at her as if she’d grown a second head. “You’re saying someone on Helix 25 might have… transformed into a medieval Crusader?”

      Amara exhaled. “I’m saying I don’t know. But either someone aboard has a genetic profile that shouldn’t exist, or someone created it.”

      TP’s mustache twitched. “Ah! A puzzle worthy of my finest deductive faculties. To find the source, we must trace back the lineage! And perhaps a… witness.”

      Evie turned toward Amara. “Did Herbert ever come here?”

      Before Amara could answer, a voice cut through the foliage.

      “Herbert?”

      They turned to find Romualdo, the Jardenery’s caretaker, standing near a towering fruit-bearing vine, his arms folded, a leaf-tipped stem tucked behind his ear like a cigarette. He was a broad-shouldered man with sun-weathered skin, dressed in a simple coverall, his presence almost too casual for someone surrounded by murder investigators.

      Romualdo scratched his chin. “Yeah, he used to come around. Not for the plants, though. He wasn’t the gardening type.”

      Evie stepped closer. “What did he want?”

      Romualdo shrugged. “Questions, mostly. Liked to chat about history. Said he was looking for something old. Always wanted to know about heritage, bloodlines, forgotten things.” He shook his head. “Didn’t make much sense to me. But then again, I like practical things. Things that grow.”

      Amara blushed, quickly catching herself. “Did he ever mention anything… specific? Like a name?”

      Romualdo thought for a moment, then grinned. “Oh yeah. He asked about the Crusades.”

      Evie stiffened. TP let out an appreciative hum.

      “Fascinating,” TP mused. “Our dearly departed Herbert was not merely a victim, but perhaps a seeker of truths unknown. And, as any good mystery dictates, seekers who get too close often find themselves…” He tipped his hat. “Extinguished.”

      Riven scowled. “That’s a bit dramatic.”

      Romualdo snorted. “Sounds about right, though.” He picked up a tattered book from his workbench and waved it. “I lend out my books. Got myself the only complete collection of works of Liz Tattler in the whole ship. Doc Amara’s helping me with the reading. Before I could read, I only liked the covers, they were so romantic and intriguing, but now I can read most of them on my own.” Noticing he was making the Doctor uncomfortable, he switched back to the topic. “So yes, Herbert knew I was collector of books and he borrowed this one a few weeks ago. Kept coming back with more questions after reading it.”

      Evie took the book and glanced at the cover. The Blood of the Past: Genetic Echoes Through History by Dr. Amara Voss.

      She turned to Amara. “You wrote this?”

      Amara stared at the book, her expression darkening. “A long time ago. Before I realized some theories should stay theories.”

      Evie closed the book. “Looks like someone didn’t agree.”

      Romualdo wiped his hands on his coveralls. “Well, I hope you figure it out soon. Hate to think the plants are breathing in murder residue.”

      TP sighed dramatically. “Ah, the tragedy of contaminated air! Shall I alert the sanitation team?”

      Riven rolled his eyes. “Let’s go.”

      As they walked away, Evie’s grip tightened around the book. The deeper they dug, the stranger this murder became.

      #7788

      At first, no one noticed.

      They were still speculating about the truck—where it had come from, where it might be going, whether following it was a brilliant idea or a spectacularly bad one.

      And, after all, Finja was always muttering about something. Dust, filth, things not put back where they belonged.

      But then her voice rose till she was all but shouting.

      “Of course, they’re all savages. I don’t know how I put up with them! Honestly, I AM AT MY WIT’S END!”

      “Finja?” Anya called. “Are you okay?”

      Finja strode on, intent on her diatribe.

      “No, I don’t know where they are going,” she yelled.  “If I knew that, I probably wouldn’t be here, would I?”

      Tala hurried to catch up and stepped in front of Finja, blocking her path. “Finja, are you okay? Who are you talking to?”

      Finja sighed loudly; it was tedious. People were so obsessed with explanations.

      “If you must know,” she said, “I am conversing with my Auntie Finnley in Australia.”

      “Ooooh!” Vera’s eyes lit up. “ A relative!”

      Yulia, walking between Luka and Lev, giggled. She adored the twins and couldn’t decide which one she liked more. They were both so tall and handsome. Others found it hard to tell them apart but she always could. It was rumoured that at birth they had been joined at the hip.

      “Finja is totally bonkers,” she declared cheerfully and the twins smiled in unison.

      “I will have you know I’m not bonkers.” Finja felt deeply offended and misunderstood. “I have been communicating with Auntie Finnley since childhood. She was highly influential in my formative years.”

      “How so?” asked Tala.

      “Few people appreciate the importance of hygiene like my Auntie Finnley. She works as a cleaner at the Flying Fish Inn in the Australian Outback. Lovely establishment I gather. But terrible dust.”

      Vera nodded sagely. “A sensible place to survive the apocalypse.”

      “Exactly.” Finja rewarded her with a tight smile.

      Jian raised an eyebrow. “And she’s alive? Your aunt?”

      “I don’t converse with ghosts!” Finja waved a hand dismissively. “They all survived there thanks to the bravery of Aunt Finnley. Had to disinfect the whole inn, mind you. Said it was an absolute nightmare.” Finja shuddered at the thought of it.

      Gregor snorted. “You’re telling us you have a telepathic connection with your aunt in Australia… and she is also mostly concerned about … hygiene?”

      Finja glared at him. “Standards must be maintained,” she admonished. “Even after the end of the world.”

      “Do you talk to anyone else?” Tala asked. “Or is it just your aunt?”

      Finja regarded Tala through slitted eyes. “I’m also talking to Finkley.”

      “Where is this Finkley, dear?” asked Anja gently. “Also at the outback?”

      “OMG,” Finja said. “Can you imagine those two together?” She cackled at the thought, then pulled herself together. “No. Finkley is on the Helix 25. Practically runs it by all accounts. But also keeps it spotless, of course.”

      “Helix 25? The spaceship?” Mikhail asked, suddenly interested. He exchanged glances with Tala who shrugged helplessly.

      Yulia laughed. “She’s definitely mad!”

      “So what? Aren’t we all,” said Petro.

      Molly, who had been quietly watching with Tundra, finally spoke. “And you say they are both… cleaners?” She wasn’t sure what to make of this group. She wondered if it would be better to continue on alone with Tundra? She didn’t want to put the child in any danger.

      “Cleanliness runs in the family,” Finja said. “Now, if you’ll all excuse me, I was mid-conversation.”

      She closed her eyes, concentrating. The group watched with interest as her lips moved silently, her brow furrowed in deep thought.

      Then, suddenly, she opened her eyes and threw her hands in the air.

      “Oh, for goodness’ sake,” she muttered. “Finkley is complaining about dust floating in low gravity. Finnley is complaining about the family not taking their boots off at the door. What a pair of whingers. At least I didn’t inherit THAT.”

      She sniffed, adjusted her backpack, and walked on.

      The others stood there for a moment, letting it all sink in.

      Gregor clapped his hands together. “That was the most wonderfully insane thing I’ve heard since the world ended.”

      Mikhail sighed. “So, we are following the direction of the truck?”

      Anya nodded. “I’ll keep an eye on Finja. The stress is getting to her, and we have no meds if it escalates.”

      #7780
      Jib
      Participant

        Orrin Holt gripped the wheel of the battered truck, his knuckles white as the vehicle rumbled over the dry, cracked road. The leather wrap was a patchwork of smooth and worn, stichted together from whatever scraps they had—much like the quilts his mother used to make before her hands gave out. The main road was a useless, unpredictable mess of asphalt gravels and sinkholes. Years of war with Russia, then the collapse, left it to rot before anyone could fix it. Orrin stuck to the dirt path beside it. That was the only safe way through. The engine coughed but held. A miracle, considering how many times it had been patched together.

        The cargo in the back was too important for a breakdown now. Medical supplies—antibiotics, painkillers, and a few salvaged vials of something even rarer. They’d traded well for it, risking much. Now he had to get it back to Base Klyutch (Ukrainian word for Key) without incident. If he continued like that he could make it before noon.

        Still, something bothered him. That group of people he’d seen.

        They had been barely more than silhouettes on top of a hill. Strangers, a rarity in these times. His first instinct had been to stop and evaluate who they were. But his instructions let room for no delay. So, he’d pushed forward and ignored them. The world wasn’t kind to the wandering. But they hadn’t looked like raiders or scavengers. Lost, perhaps. Or searching.

        The truck lurched forward as he pushed it harder. The fences of the base rose in the distance, grey and wiry against the blue sky. Base Klyutch was a former military complex, fortified over the years with scavenged materials, steel sheets, and watchtowers. It wasn’t perfect, but it kept them alive.

        As he rolled up to the main gate, the sentries swung the barricade open. Before he could fully cut the engine, a woman wearing a pristine white lab coat stepped forward, her sharp eyes scanning the truck’s cargo bed. Dr. Yelena Markova, the camp’s chief doctor, a former nurse who had to step up when the older one died in a raid on their camp three years ago. Stern-faced and wiry, with a perpetual air of exhaustion, she moved with the efficiency of someone who had long stopped hoping for ease. She had been waiting for this delivery.

        “Finally,” she murmured, motioning for her assistants to start unloading. “We were running low. This will keep us going for a while.”

        Orrin barely had time to nod before Dmytro Koval, the de facto leader of the base, strode toward him with the gait of a tall bear. His face seemed to have been carved out by a dulled blade, hardened by years of survival. A scar barred his mouth, pulling slightly at the corner when he spoke, giving the impression of a permanent sneer.

        “Did you get it?” Koval asked, voice low.

        Orrin reached into his kaki jacket and pulled out a sealed letter, along with a small package.

        Koval took both, his expression unreadable. “Anything on the road?”

        Orrin exhaled and adjusted his stance. “Saw something on the way back. A group, about a dozen, on a hill ten kilometers out. They seemed lost.”

        “Armed?” asked Koval with a frown.

        “Can’t say for sure.”

        Dr. Markova straightened. “Lost? Unarmed? Out in the open like that, they won’t last long with Sokolov’s gang roaming the land. We have to go take them in.”

        Koval grimaced. “Or they’re Sokolov’s spies. Trying to infiltrate us and find a weakness in our defenses. You know how it works.”

        Before Koval could argue, a new voice cut in. “Or they could just be people.”

        Solara Ortega had stepped into the conversation, brushing dirt from her overalls. A woman of lean strength, with the tan of someone spending long hours outside. Her sharp amber eyes carried the weight of someone who had survived too much but refused to be hardened by it. Orrin shoved down a mix of joy and ache at her sight. Her voice was calm but firm. “We can’t always assume the worst. We need more hands and we don’t leave people to die if we can help it. And in case you forgot, Koval, you don’t make all the decisions around here. I say we send a team to assess them.”

        Koval narrowed his eyes, but he held his tongue. There was tension between them, but the council wasn’t a dictatorship.

        “Fine,” Koval said after a moment, his jaw tense. “A team of two. They scout first. No direct contact until we’re sure. Orrin, you one of them take whoever wants to accompany you, but not one of my men. We need to maintain tight security.”

        Dr. Markova sighed with relief when the man left. “If he wasn’t good at what he does, I would gladly kick him out of our camp.”

        Solara, her face framed by strands of dark hair, shot a glance at Orrin. “I’m coming with you.”

        This time, Orrin couldn’t repress a longing for a time before everything fell apart, when she had been his wife. The collapse had torn them apart in an instant, and by the time he found her again, years later, she had built a new life within the base in Ukraine. She had a husband now, one of the scientists managing the radio equipment, and two children. Orrin kept his expression neutral, but the weight of time pressed heavy on him.

        “Then let’s get on the move. They might not stay there long.”

        #7777

        The Survivors:

        “Well, I’ll be damned,” Gregor said, his face cracking into another toothless grin. “Beginning to think we might be the last ones.”

        “So did we.” Molly glanced nervously around at the odd assortment of people staring at her and Tundra. “I’m Molly. This is Tundra.”

        “Tundra? Like the frozen wasteland?” Yulia asked.

        Tundra nodded. “It’s because I’m strong and tough.”

        “Would you like to join us?” Tala motioned toward the fire.

        “Yes, yes, of course, ” Anya said. “Are you hungry?”

        Molly hesitated, glancing toward the edge of the clearing, where their horses stood tethered to a low branch. “We have food,” she said. “We foraged.”

        “I’d have foraged if someone didn’t keep going on about food poisoning,” Yulia muttered.

        Finja sniffed. “Forgive me for trying to keep you alive.”

        Molly watched the exchange with interest. It had been years since she’d seen people bicker over something so trivial. It was oddly comforting.

        She lowered herself slowly onto the log next to Vera. “Alright, tell me—who exactly are you lot?”

        Petro chuckled. “We’ve escaped from the asylum.”

        Molly’s face remained impassive. “Asylum?”

        “It’s okay,” Tala said quickly. “We’re mostly sane.”

        “Not completely crazy, anyway,” Yulia added cheerfully.

        “We were left behind years ago,” Anya said simply. “So we built our own kind of life.”

        A pause. Molly gave a slow nod, considering this. Vera leaned towards her eagerly.

        “Where are you from? Any noble blood?”

        Molly frowned. “Does it matter?”

        “Oh, not really,” Vera said dejectedly. “I just like knowing.”

        Tundra, warming her hands by the fire, looked at Vera. “We came from Spain.”

        Vera perked up. “Spain? Fascinating! And tell me, dear girl, have you ever traced your lineage?”

        “Just back to Molly. She’s ninety-three,” Tundra said proudly.

        Mikhail, who had been watching quietly, finally spoke. “You travelled all the way from Spain?”

        Molly nodded. “A long time ago. There were more of us then… ” Her voice wavered. “We were looking for other survivors.”

        “And?”Mikhail asked.

        Molly sighed, glancing at Tundra. “We never found any.”

        ________________________________________

        That night, they took turns keeping watch, though Molly tried to reassure them there was no need.

        “At first, we did too,” she had said, shaking her head. “But there was no one…”

        By dawn, the fire had burned to embers, and the camp stirred reluctantly to life.

        They finished off the last of their cooked vegetables from the night before, while Molly and Tundra laid out a handful of foraged berries and mushrooms. It wasn’t much, but it was enough to start the day.

        “Right,” Anya said, stretching. “I suppose we should get moving.” She looked at Molly and Tundra. “You’re coming with us, then? To the city?”

        Molly nodded. “If you’ll have us.”

        “We kept going and going, hoping to find people. Now we have,” Tundra said.

        “Then it’s settled,” Anya said. “We head to the city.”

        “And what exactly are we looking for?” Molly asked.

        Mikhail shrugged. “Anything that keeps us alive.”

        ________________________________________________

        It was late morning when they saw it.

        A vehicle—an old, battered truck, crawling slowly toward them.

        The sight was so absurd, so impossible, that for a moment, no one spoke.

        “That can’t be,” Molly murmured.

        The truck bounced over the uneven ground, its engine a dull, sluggish rattle. It wasn’t in good shape, but it was moving.

        #7776

        Epilogue & Prologue

        Paris, November 2029 – The Fifth Note Resounds

        Tabitha sat by the window at the Sarah Bernhardt Café, letting the murmur of conversations and the occasional purring of the espresso machine settle around her. It was one of the few cafés left in the city where time still moved at a human pace. She stirred her cup absentmindedly. Paris was still Paris, but the world outside had changed in ways her mother’s generation still struggled to grasp.

        It wasn’t just the ever-presence of automation and AI making themselves known in subtle ways—screens adjusting to glances, the quiet surveillance woven into everyday life. It wasn’t just the climate shifts, the aircon turned to cold in the midst of November, the summers unpredictable, the air thick with contradictions of progress and collapse of civilization across the Atlantic.

        The certainty of impermanence was what defined her generation. BANI world they used to say—Brittle, Anxious, Nonlinear, Incomprehensible. A cold fact: impossible to grasp and impossible to fight. Unlike her mother and her friends, who had spent their lives tethered to a world that no longer existed, she had never known certainty. She was born in the flux.

        And yet, this café remained. One of the last to resist full automation, where a human still brought you coffee, where the brass bell above the door still rang, where things still unfolded at a human pace.

        The bell above the door rang—the fifth note, as her mother had called it once.

        She had never been here before, not in any way that mattered. Yet, she had heard the story. The unlikely reunion five years ago. The night that moved new projects in motion for her mother and her friends.

        Tabitha’s fingers traced the worn edges of the notebook in front of her—Lucien’s, then Amei’s, then Darius’s. Pieces of a life written by many hands.

        “Some things don’t work the first time. But sometimes, in the ruins of what failed, something else sprouts and takes root.”

        And that was what had happened.

        The shared housing project they had once dreamed of hadn’t survived—not in its original form. But through their rekindled bond, they had started something else.

         

        True Stories of How It Was.

         

        It had begun as a quiet defiance—a way to preserve real, human stories in an age of synthetic, permanent ephemerality and ephemeral impermanence, constantly changing memory. They were living in a world where AI’s fabricated histories had overwhelmed all the channels of information, where the past was constantly rewritten, altered, repackaged. Authenticity had become a rare currency.

        As she graduated in anthropology few years back, she’d wondered about the validity of history —it was, after all, a construct. The same could be said for literature, art, even science. All of them constructs of the human mind, tenuous grasp of the infinite truth, but once, they used to evolve at such a slow pace that they felt solid, reliable. Ultimately their group was not looking for ultimate truth, that would be arrogant and probably ignorant. Authenticity was what they were looking for. And with it, connections, love, genuineness —unquantifiables by means of science and yet, true and precious beyond measure.

        Lucien had first suggested it, tracing the idea from his own frustrations—the way art had become a loop of generated iterations, the human touch increasingly erased. He was in a better place since Matteo had helped him settle his score with Renard and, free of influence, he had found confidence in developing of his own art.

        Amei —her mother—, had changed in a way Tabitha couldn’t quite define. Her restlessness had quieted, not through settling down but through accepting impermanence as something other than loss. She had started writing again—not as a career, not to publish, but to preserve stories that had no place in a digitized world. Her quiet strength had always been in preserving connections, and she knew they had to move quickly before real history faded beneath layers of fabricated recollections.

        Darius, once skeptical, saw its weight—he had spent years avoiding roots, only to realize that stories were the only thing that made places matter. He was somewhere in Morocco now, leading a sustainable design project, bridging cultures rather than simply passing through them.

        Elara had left science. Or at least, science as she had known it. The calculations, the certainty, the constraints of academia, with no escape from the automated “enhanced” digital helpers. Her obsession and curiosities had found attract in something more human, more chaotic. She had thrown herself into reviving old knowledge, forgotten architectures, regenerative landscapes.

        And Matteo—Matteo had grounded it.

        The notebook read: Matteo wasn’t a ghost from our past. He was the missing note, the one we didn’t know we needed. And because of him, we stopped looking backward. We started building something else.

        For so long, Matteo had been a ghost of sorts, by his own account, lingering at the edges of their story, the missing note in their unfinished chord. But now, he was fully part of it. His mother had passed, her past history unraveling in ways he had never expected, branching new connections even now. And though he had lost something in that, he had also found something else. Juliette. Or maybe not. The story wasn’t finished.

        Tabitha turned the page.

        “We were not historians, not preservationists, not even archivists. But we have lived. And as it turned out, that was enough.”

        They had begun collecting stories through their networks—not legends, not myths, but true accounts of how it was, from people who still remembered.

        A grandfather’s voice recording of a train ride to a city that no longer exists.
        Handwritten recipes annotated by generations of hands, each adding something new.
        A letter from a protest in 2027, detailing a movement that the history books had since erased.
        An old woman’s story of her first love, spoken in a dialect that AI could not translate properly.

        It had grown in ways they hadn’t expected. People began sending them recordings, letters, transcripts, photos —handwritten scraps of fading ink. Some were anonymous, others carefully curated with full names and details, like makeshift ramparts against the tide of time.

        At first, few had noticed. It was never the goal to make it worlwide movement. But little by little, strange things happened, and more began to listen.

        There was something undeniably powerful about genuine human memory when it was raw and unfiltered, when it carried unpolished, raw weight of experience, untouched by apologetic watered down adornments and out-of-place generative hallucinations.

        Now, there were exhibitions, readings, archives—entire underground movements dedicated to preserving pre-synthetic history. Their project had become something rare, valuable, almost sacred.

        And yet, here in the café, none of that felt urgent.

        Tabitha looked up as the server approached. Not Matteo, but someone new.

        “Another espresso?”

        She hesitated, then nodded. “Yes. And a glass of water, please.”

        She glanced at the counter, where Matteo was leaning, speaking to someone, laughing. He had changed, too. No longer just an observer, no longer just the quiet figure who knew too much. Now, he belonged here.

        A bell rang softly as the door swung open again.

        Tabitha smiled to herself. The fifth note always sounded, in the end.

        She turned back to the notebook, the city moving around her, the story still unfolding in more directions than one.

        #7733

        Leaving the Asylum

        They argued about whether to close the heavy gates behind them. In the end, they left them open. The metal groaned as it sat ajar, rust flaking from its hinges.

        “Are we all here?” Anya asked. Now that they were leaving, she felt in charge again—or at least, she needed to be. If morale slipped, things would unravel fast. She scanned the group, counting them off.

        “Mikhail,” she started, pointing. “Tala. Vera, our esteemed historian.”

        Vera sniffed. “I prefer genealogist, thank you very much.”

        “Petro,” Anya continued, “probably about to grumble.”

        Petro scowled. “I was thinking.”

        “Jian, our mystery man.”

        Jian raised an eyebrow in acknowledgment.

        Anya turned to the next two. “Ah, the twins. Even though you two have never spoken, I’ve always assumed you understood me. Don’t prove me wrong now.”

        The twins—Luka and Lev—nodded and grinned at exactly the same time.

        “Then we have Yulia… no, we don’t have Yulia. Where in God’s name is Yulia?”

        “Here I am!” Yulia’s voice rang out as she jogged back toward them, breathless. “I just went to say goodbye to the cat.” She sighed dramatically. “I wish we could take him. Please, can we take him?”

        Yulia was short and quick-moving, her restless hands always in motion, her thoughts spilling out just as fast.

        “We can’t,” Mikhail said firmly. “And he can look after himself.”

        She huffed. “Well, I expect we could if we tried.”

        “And finally, old Gregor, who I gather would rather be taking a nap.”

        Gregor, who was well past eighty, rubbed his face and yawned. “You say that like it’s a bad thing.”

        Anya frowned, scanning the group again. “Wait. We’re missing Finja.”

        A small scraping sound came from behind them.

        Finja stood near the gate, furiously scrubbing the rusted metal with a rag she had pulled from her sleeve. “This place is disgusting,” she muttered. “Filth everywhere. The world may have ended, but that’s no excuse for grime.”

        Anya sighed. “Finja, leave the gate alone.”

        Finja gave it one last wipe before tucking the rag away with a huff. “Fine.”

        Anya shook her head. “That’s eleven. No one’s run off or died yet. A promising start.”

        They formed a motley crew, each carrying as much as they could manage. Mikhail pushed a battered cart, loaded with scavenged supplies—blankets, tools, whatever food they had left.

        The road beneath their feet was cracked and uneven, roots breaking through in places. They followed it in silence for the most part. Even Yulia remained quiet. Some glanced back, but no one turned around.

        The nearest village was more than fifty kilometers away. In all directions, there was only wilderness—fields long overtaken by weeds, trees pushing through cracks in forgotten roads. A skeletal signpost leaned at an odd angle, its lettering long since faded.

        “It’s going to be dark soon,” Mikhail said. “And the old ones are tired. Aren’t you, Vera?”

        “That’s enough of the old business,” puffed Vera, pulling her shoulders back.

        Tala laughed. “Well, I must be an old one. I didn’t sleep a wink last night. And there’s a clearing over there.” She pointed.

        The evening was cool, but they managed to build a small fire and scrape together a meal of vegetables they’d brought from their garden.

        After their meal, they sat around the fire while Finja busied herself tidying up. “Dirty savages,” she muttered under her breath. Then, more loudly, “We should keep watch tonight.”

        Vera, perched on a log, pulled her shawl tightly around her. The glow from the fire cast long shadows across her face.

        “Vera, you look like a witch,” Yulia declared. “We should have brought the cat for you to ride on a broomstick together.”

        “I’ll have you know I’m descended from witches,” Vera replied. “I know none of you think you’re related to me, but just imagine what your great-grandparents would say if they saw us now. Running into the wilderness like a band of exiled aristocrats.”

        Jian, seated nearby, smirked slightly. “My great-grandparents were rice farmers.”

        Vera brightened—Jian never talked about his past. She leaned in conspiratorially. “Do you know your full lineage? Because I do. I know mine back fourteen generations. You’d be amazed how many bloodlines cross without people realizing.”

        Tala shook her head but smiled. Like Petro and Gregor, Vera had been at the asylum for many decades, a relic of another time. She claimed to have been a private investigator and genealogist in her former life.

        Petro, hunched over and rubbing his hands by the fire, muttered, “We’re all ghosts now. Doesn’t matter where we came from.”

        “Oh, stop that, Petro,” Anya admonished. “Remember our plan?”

        “We go to the city,” Jian said. He rarely spoke unless he had something worth saying. “There will be things left behind. Maybe tech, maybe supplies. If I can get into an old server, I might even find something useful.”

        “And if there’s nothing?” Petro moaned. “We should never have left.” He clasped his hands over his head.

        Jian shrugged. “The world doesn’t erase itself overnight.”

        Mikhail nodded. “We rest tonight. Tomorrow, we head for the city. And Finja’s right—tonight we take turns keeping watch.”

        They sat in silence, watching the fire burn low. The evening stretched long and uneasy.

        #7730

        The Asylum 2050

        They had been talking about leaving for a long time.

        Not in any urgent way, not in a we must leave now kind of way, but in the slow, circling conversations of people who had too much time and not enough answers.

        Those who had left before them had never returned. Perhaps they had found something better, though that seemed unlikely. Perhaps they had found nothing at all. The first group left over twenty years ago—just for supplies. They never came back. Others drifted off over the years. They never came back either.

        The core group had stayed because—what else was there? The asylum had been safe, for the most part. It had become home. Overgrown now, with only a fraction of its former inhabitants. The walls had once kept them in; now, they were what kept the rest of the world out.

        But the crops were failing. The soil was thinning. The last winter had been long and cruel. Summer was harsh. Water was harder to find.

        And so the reasons to stay had been replaced with reasons to go.

        She was about forty now—or near enough, though time had softened the numbers. Natalia. A name from a past life; now they called her Tala.

        Her family had left her here years ago. Paid well for it, as if they were settling an expensive inconvenience. She had been young then—too young to know how final it would be. They had called her difficult, willful, unable to conform. She wasn’t mad, but they had paid to have her called mad so they could get rid of her. And in the world before, that had been enough.

        She had been furious at first. She tried to run away even though the asylum was many miles from anywhere. The drugs they made her take put an end to that. The drugs stopped many years ago, but she no longer wanted to run.

        She sat at the edge of the vegetable garden, turning soil between her fingers. It was dry, thinning. No matter how deep she dug, the color stayed the same—pale, lifeless.

        “Nothing wants to grow anymore,” said Anya, standing over her. Older—mid-sixties. Once a nurse, before everything had fallen apart. She had been one of the staff members who stayed behind when the first group left for supplies, but now she was the only one remaining. The others had abandoned the asylum years ago. At first, her authority had meant something. Now, it was just a memory, but she still carried it like an old habit. She was practical, sharp-eyed, and had a way of making decisions that others followed without question.

        Tala wiped her hands on her skirt and looked up. “We probably should have left last year.”

        Anya sighed. She dropped a brittle stalk of something dead into the compost pile. “Doesn’t matter now. We must go soon, or we don’t go at all.”

        There was no arguing with that.

        Later, in the old communal hall, the last of them gathered. Eleven of them.

        Mikhail leaned against the window, his arms crossed. He was a little older than Tala. He thought a long time before he spoke.

        “How many weapons do we have?”

        Anya shrugged. “A couple of old rifles with half a dozen bullets. A handful of knives. And whatever rocks and sticks we pick up on the way.”

        “It’s not enough to defend ourselves,” Tala said. Petro, an older resident who couldn’t remember life before the asylum, moaned and rocked. “But we’ll have our wits about us,” she added, offering a small reassurance.

        Mikhail glanced at her. “We don’t know what’s out there.”

        Before communication went silent, there had been stories of plagues, wars, starvation, entire cities turning against themselves. People had come through the asylum’s doors shortly before the collapse, mad with what they had seen.

        But then, nobody came. The fences had grown thick with vines. And the world had gone quiet.

        Over time, they had become a kind of family, bound by necessity rather than blood. They were people who had been left behind for reasons that no longer mattered. In this world, sanity had become a relative thing. They looked after one another, oddities and all.

        Mikhail exhaled and pushed off the window. “Tomorrow, then.”

        #7728
        TracyTracy
        Participant

          THE SURVIVORS ON EARTH AND THE POSTMAN IN SPACE

          The Marlowe Family.

          Ellis Marlowe, retired postman, on ship:  born 1980. 70 years old in 2050.

          Molly Marlow, his mother, born in 1957, 93 years old in 2050. Survivor on earth.

          Ellis’s son Ethan Marlowe born 2010. 40 in 2050 and a survivor on earth.

          Ethan’s daughter Tundra Marlowe, born in 2038. 12 in 2050 and a survivor on earth.

          Ethan and his Ukrainian partner Nina Shevchenko, Tundra’s mother, disappear in 2039, not returning from an expedition to find one of Effin Muck’s Farsink communication stations to maintain contact with Ellis the postman in space.

          Tundra is with her great grandmother Molly in the survivors group, who join with survivors from the mental facility.

          #7727
          F LoveF Love
          Participant

            THE SURVIVORS ON EARTH

            2050. Civilization has collapsed.
            Global warming, famine, plague, and the Tit-for-Tax war have devastated the planet.
            The ultra-wealthy, led by entrepreneur Effin Muck, left Earth for luxury space colonies.
            As civilization fell apart, other groups started ejecting ships into space. please see above comments for more details.
            No one knows what happened to Effin.

            Ukraine. An isolated psychiatric facility.
            Holds supposed political prisoners and a few who are genuinely insane. But it’s a good community and they look out for each other.
            Self-sufficient, growing their own food.
            Unaware of the full extent of the world’s collapse.
            one day in around 2030 A group sstaff and patients leave on a supply run.
            They never return.
            The remaining residents wait for months and then years, relying on their harvest, speculating about the outside world. Many die. The remainder decide to leave the facility – Driven by necessity and curiosity.
            Enter a world they don’t recognize—barren, fractured, sparsely populated.
            Encounter scattered survivors.

            They Find an abandoned space station.
            It was one of many.
            Manage to establish communication with one of the ships. The Helix 25. It turns out there is a connection but that is to be expanded on. it is of a murder and genealogical form.

            #7708

            Elara — Nov 2021: The End of Genealogix

            The numbers on the screen were almost comical in their smallness. Elara stared at the royalty statement, her lips pressed into a tight line as the cursor blinked on the final transaction: £12.37, marked Genealogix Royalty Deposit. Below it, the stark words: Final Payout.

            She leaned back in her chair, pushing her glasses up onto her forehead, and sighed. The end wasn’t a surprise. For years, she’d known her genetic algorithm would be replaced by something faster, smarter, and infinitely more marketable. The AI companies had come, sweeping up data and patents like vultures at a sky burial. Genealogix, her improbable golden goose, had simply been outpaced.

            Still, staring at the zero balance in the account felt oddly final, as if a door had quietly closed on a chapter of her life. She glanced toward the window, where the Tuscan hills rolled gently under the late afternoon sun. Most of the renovation work on the farmhouse had been finished, albeit slowly, over the years. There was no urgent financial burden, but the thought of her remaining savings made her stomach tighten all the same.

            Elara had stumbled into success with Genealogix, though not without effort. It was one of her many patents—most of them quirky solutions to problems nobody else seemed interested in solving. A self-healing chalkboard coating? Useless. A way to chart audio waveforms onto three-dimensional paper models? Intriguing but commercially barren. Genealogix had been an afterthought at the time, something she tinkered with while traveling through Europe on a teaching fellowship.

            When the royalties started rolling in unexpectedly, it had felt like a cosmic joke. “Finally,” she’d muttered to herself as she cashed her first sizeable check, “they like something useless.”

            The freedom that money brought was a relief. It allowed her to drop the short-term contracts that tethered her to institutions and pursue science on her own terms. No rigid conventions, no endless grant applications, no academic politics. She’d call it “investigation,” free from the dogma that so often suffocated creativity.

            And yet, she was no fool. She’d known Genealogix was a fluke, its lifespan limited.

            :fleuron2:

            She clicked away from the bank statement and opened her browser, absently scrolling through her bookmarked social accounts. An old post from Lucien caught her eye—a photograph of a half-finished painting, the colors dark and chaotic. His caption read: “When the labyrinth swallows the light.”

            Her brow furrowed. She’d been quietly following Lucien for years, watching his work evolve through fits and starts. It was obvious he was struggling. This post was old, maybe Lucian had stopped updating after the pandemic. She’d sent anonymous payments to buy his paintings more than once, under names that would mean nothing to him —”Darlara Ameilikian” was a bit on the nose, but unlike Amei, Elara loved a good wink.

            Her mind wandered to Darius, and her suggesting he looked into 1-euro housing schemes available in Italy. It had been during a long phone call, back when she was scouting options for herself. They still had tense exchanges, and he was smart to avoid any mention of his odd friends, otherwise she’d had hung the phone faster than a mouse chased by a pack of dogs. “You’d thrive in something like that,” she’d told him. “Build it with your own hands. Make it something meaningful.” He’d laughed but had sounded intrigued. She wondered if he’d ever followed up on it.

            As for Amei—Elara had sent her a birthday gift earlier that year, a rare fabric she’d stumbled across in a tiny local shop. Amei hadn’t known it was from her, of course. That was Elara’s way. She preferred to keep her gestures quiet, almost random —it was best that way, she was rubbish at remembering the small stuff that mattered so much to people, she wasn’t even sure of Amei’s birthday to be honest; so she preferred to scatter little nods like seeds to the wind.

            Her eyes drifted to a framed ticket stub on the bookshelf, a relic from 2007: Eliane Radigue — Naldjorlak II, Aarau Festival (Switzerland). Funny how the most unlikely event had made them into a group of friends. That concert had been a weird and improbable anchor point in their lives, a moment of serendipity that had drawn them toward something more than their own parts.

            By that time, they were already good friends with Amei, and she’d agreed to join her to discover the music, although she could tell it was more for the strange appeal of something almost alien in experience, than for the hurdles of travel and logistics. But Elara’s enthusiasm and devil-may-care had won her over, and they were here.

            Radigue’s strange sound sculptures, had rippled through the darkened festival scene, wavering and hauntingly delicate, and at the same time slow and deliberate, leading them towards an inevitability. Elara had been mesmerized, sitting alone near the back as Amei had gone for refreshments, when a stranger beside her had leaned over to ask, “What’s that sound? A bell? Or a drone?”

            It was Lucien. Their conversation had lasted through the intermission soon joined by Amei, and spilled into a café afterward, where Darius had eventually joined them. They’d formed a bond that night, one that felt strange and tenuous at the time but proved to be resilient, even as the years pulled them apart.

            :fleuron2:

            Elara closed the laptop, resting her hand on its warm surface for a moment before standing. She walked to the window, the sun dipping lower over the horizon, casting long shadows across the vineyard. The farmhouse had been a gamble, a piece of the future she wasn’t entirely sure she believed in when she’d bought it. But now, as the light shifted and the hills glowed gold, she felt a quiet satisfaction.

            The patent was gone, the money would fade, but she still had this. And perhaps, that was enough.

            #7704

            Darius: Christmas 2022

            Darius was expecting some cold snap, landing in Paris, but the weather was rather pleasant this time of the year.

            It was the kind of day that begged for aimless wandering, but Darius had an appointment he couldn’t avoid—or so he told himself. His plane had been late, and looking at the time he would arrive at the apartment, he was already feeling quite drained.  The streets were lively, tourists and locals intermingling dreamingly under strings of festive lights spread out over the boulevards. He listlessly took some snapshot videos —fleeting ideas, backgrounds for his channel.

            The wellness channel had not done very well to be honest, and he was struggling with keeping up with the community he had drawn to himself. Most of the latest posts had drawn the usual encouragements and likes, but there were also the growing background chatter, gossiping he couldn’t be bothered to rein in — he was no guru, but it still took its toll, and he could feel it required more energy to be in this mode that he’d liked to.

            His patrons had been kind, for a few years now, indulging his flights of fancy, funding his trips, introducing him to influencers. Seeing how little progress he’d made, he was starting to wonder if he should have paid more attention to the background chatter. Monsieur  Renard had always taken a keen interest in his travels, looking for places to expand his promoter schemes of co-housing under the guide of low investment into conscious living spaces, or something well-marketed by Eloïse. The crude reality was starting to stare at his face. He wasn’t sure how long he could keep up pretending they were his friends.

             

            By the time he reached the apartment, in a quiet street adjacent to rue Saint Dominique, nestled in 7th arrondissement with its well-kept façades, he was no longer simply fashionably late.

            Without even the time to say his name, the door buzz clicked open, leading him to the old staircase. The apartment door opened before he could knock. There was a crackling tension hanging in the air even before Renard’s face appeared—his rotund face reddened by an annoyance he was poorly hiding beneath a polished exterior. He seemed far away from the guarded and meticulous man that Darius once knew.

            “You’re late,” Renard said brusquely, stepping aside to let Darius in. The man was dressed impeccably, as always, but there was a sharpness to his movements.

            Inside, the apartment was its usual display of cultivated sophistication—mid-century furniture, muted tones, and artful clutter that screamed effortless wealth. Eloïse sat on the couch, her legs crossed, a glass of wine poised delicately in her hand. She didn’t look up as Darius entered.

            “Sorry,” Darius muttered, setting down his bag. “Flight delay.”

            Renard waved it off impatiently, already pacing the room. “Do you know where Lucien is?” he asked abruptly, his gaze slicing toward Darius.

            The question caught him off guard. “Lucien?” Darius echoed. “No. Why?”

            Renard let out a sharp, humorless laugh. “Why? Because he owes me. He owes us. And he’s gone off the grid like some bloody enfant terrible who thinks the rules don’t apply to him.”

            Darius hesitated. “I haven’t seen him in months,” he said carefully.

            Renard stopped pacing, fixing him with a hard look. “Are you sure about that? You two were close, weren’t you? Don’t tell me you’re covering for him.”

            “I’m not,” Darius said firmly, though the accusation sent a ripple of anger through him.

            Renard snorted, turning away. “Typical. All you dreamers are the same—full of ideas but no follow-through. And when things fall apart, you scatter like rats, leaving the rest of us to clean up the mess.”

            Darius stiffened. “I didn’t come here to be insulted,” he said, his voice a steady growl.

            “Then why did you come, Darius?” Renard shot back, his tone cutting. “To float on someone else’s dime a little longer? To pretend you’re above all this while you leech off people who actually make things happen?”

            The words hit like a slap. Darius glanced at Eloïse, expecting her to interject, to soften the blow. But she remained silent, her gaze fixed on her glass as if it held all the answers.

            For the first time, he saw her clearly—not as a confidante or a muse, but as someone who had always been one step removed, always watching, always using.

            “I think I’ve had enough,” Darius said finally, his voice calm despite the storm brewing inside him. “I think I’ve had enough for a long time.”

            Renard turned, his expression a mix of incredulity and disdain. “Enough? You think you can walk away from this? From us?”

            “Yes, I can.” Darius said simply, grabbing his bag.

            “You’ll never make it on your own,” Renard called after him, his voice dripping with scorn.

            Darius paused at the door, glancing back at Eloïse one last time. “I’ll take my chances,” he said, and then slammed the door.

            :fleuron:

            The evening air was like a balm, open and soft unlike the claustrophobic tension of the apartment. Darius walked aimlessly at first, his thoughts caught between flares of wounded pride and muted anxiety, but as he walked and walked, it soon turned into a return of confidence, slow and steady.

            His phone buzzed in his pocket, and he pulled it out to see a familiar name. It was a couple he knew from the south of France, friends he hadn’t spoken to in months. He answered, their warm voices immediately lifting his spirits.

            Darius!” one of them said. “What are you doing for Christmas? You should come down to stay with us. We’ve finally moved to a bigger space—and you owe us a visit.”

            Darius smiled, the weight of Renard’s words falling away. “You know what? That sounds perfect.”

            As he hung up, he looked up at the Parisian skyline, Darius wished he’d had the courage to take that step into the unknown a long time ago. Wherever Lucien was, he felt suddenly closer to him —as if inspired by his friend’s bold move away from this malicious web of influence.

            #7659
            Jib
            Participant

              March 2024

              The phone buzzed on the table as Lucien pulled on his scarf, preparing to leave for the private class he had scheduled at his atelier. He glanced at the screen and froze. His father’s name glared back at him.

              He hesitated. He knew why the man called; he knew how it would go, but he couldn’t resolve to cut that link. With a sharp breath he swiped to answer.

              Lucien”, his father began, his tone already full of annoyance. “Why didn’t you take the job with Bernard’s firm? He told me everything went well in the interview. They were ready to hire you back.”

              As always, no hello, no question about his health or anything personal.

              “I didn’t want it”, Lucien said, his voice calm only on the surface.

              “It’s a solid career, Lucien. Architecture isn’t some fleeting whim. When your mother died, you quit your position at the firm, and got involved with those friends of yours. I said nothing for a while. I thought it was a phase, that it wouldn’t last. And I was right, it didn’t. I don’t understand why you refuse to go back to a proper life.”

              “I already told you, it’s not what I want. I’ve made my decision.”

              Lucien’s father sighed. “Not what you want? What exactly do you want, son? To keep scraping by with these so-called art projects? Giving private classes to kids who’ll never make a career out of it? That’s not a proper life?”

              Lucien clenched his jaw, gripping his scarf. “Well, it’s my life. And my decisions.”

              “Your decisions? To waste the potential you’ve been given? You have talent for real work—work that could leave a mark. Architecture is lasting. What you are doing now? It’s nothing. It’s just… air.”

              Lucien swallowed hard. “It’s mine, Dad. Even if you don’t understand it.”

              A pause followed. Lucien heard his father speak to someone else, then back to him. “I have to go”, he said, his tone back to professional. “A meeting. But we’re not finished.”

              “We’re never finished”, Lucien muttered as the line went dead.

              Lucien adjusted the light over his student’s drawing table, tilting the lamp slightly to cast a softer glow on his drawing. The young man—in his twenties—was focused, his pencil moving steadily as he worked on the folds of a draped fabric pinned to the wall. The lines were strong, the composition thoughtful, but there was still something missing—a certain fluidity, a touch of life.

              “You’re close,” Lucien said, leaning slightly over the boy’s shoulder. He gestured toward the edge of the fabric where the shadows deepened. “But look here. The transition between the shadow and the light—it’s too harsh. You want it to feel like a whisper, not a line.”

              The student glanced at him, nodding. Lucien took a pencil and demonstrated on a blank corner of the canvas, his movements deliberate but featherlight. “Blend it like this,” he said, softening the edge into a gradient. “See? The shadow becomes part of the light, like it’s breathing.”

              The student’s brow furrowed in concentration as he mimicked the movement, his hand steady but unsure. Lucien smiled faintly, watching as the harsh line dissolved into something more organic. “There. Much better.”

              The boy glanced up, his face brightening. “Thanks. It’s hard to see those details when you’re in it.”

              Lucien nodded, stepping back. “That’s the trick. You have to step away sometimes. Look at it like you’re seeing it for the first time.”

              He watched as the student adjusted his work, a flicker of satisfaction softening the lingering weight of his father’s morning call. Guiding someone else, helping them see their own potential—it was the kind of genuine care and encouragement he had always craved but never received.

              When Éloïse and Monsieur Renard appeared in his life years ago, their honeyed words and effusive praise seduced him. They had marveled at his talent, his ideas. They offered to help with the shared project in the Drôme. He and his friends hadn’t realized the couple’s flattery came with strings, that their praise was a net meant to entangle them, not make them succeed.

              The studio door creaked open, snapping him back to reality. Lucien tensed as Monsieur Renard entered, his polished shoes clicking against the wooden floor. His sharp eyes scanned the room before landing on the student’s work.

              “What have we here?” He asked, his voice bordering on disdain.

              Lucien moved in between Renard and the boy, as if to protect him. His posture stiff. “A study”, he said curtly.

              Renard examined the boy’s sketch for a moment. He pulled out a sleek card from his pocket and tossed it onto the drawing table without looking at the student. “Call me when you’ve improved”, he said flatly. “We might have work for you.”

              The student hesitated only briefly. Glancing at Lucien, he gathered his things in silence. A moment later, the door closed behind the young man. The card remained on the table, untouched.

              Renard let out a faint snort, brushing a speck of dust from his jacket. He moved to Lucien’s drawing table where a series of sketches were scattered. “What are these?” he asked. “Another one of your indulgences?”

              “It’s personal”, he said, his voice low.

              Renard snorted softly, shaking his head. “You’re wasting your time, Lucien. Do as you’re asked. That’s what you’re good at, copying others’ work.”

              Lucien gritted his teeth but said nothing. Renard reached into his jacket and handed Lucien a folded sheet of paper. “Eloïse’s new request. We expect fast quality. What about the previous one?”

              Lucien nodded towards the covered stack of canvases near the wall. “Done.”

              “Good. They’ll come tomorrow and take the lot.”

              Renard started to leave but paused, his hand on the doorframe. He said without looking back: “And don’t start dreaming about becoming your own person, Lucien. You remember what happened to the last one who wanted out, don’t you?” The man stepped out, the sound of his steps echoing through the studio.

              Lucien stared at the door long after it had closed. The sketches on his table caught his eyes—a labyrinth of twisted roads, fragmented landscapes, and faint, familiar faces. They were his prayers, his invocation to the gods, drawn over and over again as though the repetition might force a way out of the dark hold Renard and Éloïse had over his life.

              He had told his father this morning that he had chosen his life, but standing here, he couldn’t lie to himself. His decisions hadn’t been fully his own these last few years. At the time, he even believed he could protect his friends by agreeing to the couple’s terms, taking the burden onto himself. But instead of shielding them, he had only fractured their friendship and trapped himself.

              Lucien followed the lines of one of the sketches absently, his fingers smudging the charcoal. He couldn’t shake off the feeling that something was missing. Or someone. Yes, an unfathomable sense that someone else had to be part of this, though he couldn’t yet place who. Whoever it was, they felt like a thread waiting to tie them all together again.
              He knew what he needed to do to bring them back together. To draw it where it all began, where they had dreamed together. Avignon.

              #7657
              ÉricÉric
              Keymaster

                A list of events for reference (WIP)

                Date Matteo Lucien Darius Amei Elara
                Nov 2024 M: Working as a server in Paris; recognizes and cryptically addresses the group at the Sarah Bernhardt Café. L: Sketching in Paris; begins orchestrating the reunion by sending letters to the group. D: is back in Paris for the reunion A: visits Paris for the reunion E: visits Paris for the reunion from Churchill Guest House (Samphire Hoe), visits a guest house in Kent, back in England for a week weeks/months, all expense paid. Mrs Lovejoy the landlady.
                Spring 2024 M: In Avignon, works at a vineyard. Finds a map. Crosses path with Lucien. Moves to next job in Paris. L: Visits Avignon. Caught in debt to Monsieur Renard; creates labyrinthine sketches blending personal and mythical themes. Crosses path with Matteo. D: by June 2024 sends a postcard to Amei, Is seen in Goa A: Her daughter Tabitha is in Goa teaching E: is retired in Tuscany, living with Florian, a distant relative met through family research.
                Summer 2024 (Olympics) has a strange dream at CERN learning about the death of her mother who’d actually died in her youth.
                She reminisces about chalkapocalypse.
                Feb 2024 M:In London, works for a moving company. Crosses path with Amei and Tabitha. L: Is implied he is caught back into the schemes of M. Renard to pay his debts. D: A: Moves from her London home to a smaller apartment in London; reflects on her estranged friends and past. Crosses path with Matteo. E:
                Dec 2023 M:In Avignon, considers moving to a job in London to support his mother’s care. L: Going with the alias “Julien”, he is recognized in the streets, after 3 years of self-imposed exile, to escape M. Renard & Eloïse. D: Resumes his travels on his own terms A: Buys candles, reflects on leaving. E:
                Nov 2023 M: His mother requires more care, he goes to Avignon regularly where she is in care. Breaks up with Juliette end of summer. L: D: moves on from Guadeloupe, where he spent time rebuilding homes and reflecting. A: E:
                early 2023 M: Visits Valencia and Xàtiva, hometown of the Borgias with Juliette; she makes him discover Darius’ videos. L: D: Lives in South of France, returns to Guadeloupe after hurricane Fiona. A: E:
                Dec 2022 M: New year’s eve, Matteo discovers about Elara’s work on memory applicable to early stage Alzheimer with  sensory soundwaves stimuli and ancestral genetic research. L: D: Runs a wellness channel. Goes back to Paris, breaks ties with M. Renard & Eloïse. Receives an invitation to see friends in South of France A: Lives with Paul E:
                early 2022 M: Lives in Paris with Juliette, travels to many places together, week-ends getaways in London, Amsterdam, Rome… L: D: A: E: Early May, pandemic restrictions were largely over. Florian, her distant relative, moves in to Elara’s Tuscan farmhouse, where she is enjoying retirement.
                end of 2021 M: L: After the pandemic lockdown thinks of a way to escape. Goes by the alias “Julien” D: Locked down in Budapest; sketches empty streets, sends postcards to Amei to maintain emotional connections. A: E: Dec. 2021, first Christmas in Tuscany
                Nov – end of Genealogix royalties from her successful patent, taken over by more efficient AI algorithms. She gives the idea to Darius of looking for 1-euro housing.
                beginning 2021 M: L: Third & last wave of lockdown measures in France D: A: E:
                2020 M: L: D: A: E:
                beg. 2020 M: L: Pandemic starts – first waves of lockdown D: A: E:
                Nov 2019 M: Last group meeting before the Nov 2024 reunion L: Last group meeting before the Nov 2024 reunion D: Last group meeting before the Nov 2024 reunion A: Last group meeting before the Nov 2024 reunion E: Last group meeting before the Nov 2024 reunion
                2019 M: Plans for his mother / co-housing project L: Spring break in Andalucia with Elara D: Spring break in Andalucia with Elara A: Spring break in Andalucia with Elara E: Spring, before pandemic; visit in Andalucia to her father – joined by Lucien & Amei ; Darius tried to bring those people (M. Renard & Eloïse presumably) to see the hidden pyramid
                ca. 2014 M: L: D: A: E: chalkapocalypse, before Elara’s retirement. She is employed in Warwick.
                Before that, lived from short term teaching contracts mostly, enabling her to travel. She learned Spanish when she moved with her father to Spain 30 years ago, working in an English school for expats, improved her French while working in Paris, moved to Warwick to be near her sister Vanessa thinking she would settle there.
                2010 M: L: D: A: E: Genealogix became unexpectedly lucrative when it was picked up by a now-dominant genealogy platform around 2010. Every ancestry test sold earned her a modest but steady royalty, which for a time, gave her the freedom to pursue less practical research.
                2007 M: L: Meets Elara & Amei, Darius a concert of Eliane Radigue at Aarau, Switzerland D: Meets Lucien, Elara & Amei a concert of Eliane Radigue at Aarau, Switzerland A:Accepts Elara’s invitation to go to a concert of Eliane Radigue at Aarau, Switzerland, meets Lucien & Darius there. The group is formed E:Goes to a concert of Eliane Radigue at Aarau, Switzerland with Amei, meets Lucien & Darius there. The group is formed
                before 2007 M: L: D: A:Meets Elara at a gallery in London, Southbank E: Meets Amei at a gallery, London Southbank
                #7652

                Darius: The Call Home

                South of France: Early 2023

                Darius stared at the cracked ceiling of the tiny room, the faint hum of a heater barely cutting through the January chill. His breath rose in soft clouds, dissipating like the ambitions that had once kept him moving. The baby’s cries from the next room pierced the quiet again, sharp and insistent. He hadn’t been sleeping well—not that he blamed the baby.

                The young couple, friends of friends, had taken him in when he’d landed back in France late the previous year, his travel funds evaporated and his wellness “influencer” groups struggling to gain traction. What had started as a confident online project—bridging human connection through storytelling and mindfulness—had withered under the relentless churn of algorithm changes and the oversaturated market: even in its infancy, AI and its well-rounded litanies seemed the ubiquitous answers to humanities’ challenges.

                “Maybe this isn’t what people need right now,” he had muttered during one of his few recent live sessions, the comment section painfully empty.

                The atmosphere in the apartment was strained. He felt it every time he stepped into the cramped kitchen, the way the couple’s conversation quieted, the careful politeness in their questions about his plans.

                “I’ve got some things in the works,” he’d say, avoiding their eyes.

                But the truth was, he didn’t.

                It wasn’t just the lack of money or direction that weighed on him—it was a gnawing sense of purposelessness, a creeping awareness that the threads he’d woven into his identity were fraying. He could still hear Éloïse’s voice in his mind sometimes, low and hypnotic: “You’re meant to do more than drift. Trust the pattern. Follow the pull.”

                The pull. He had followed it across continents, into conversations and connections that felt profound at the time but now seemed hollow, like echoes in an empty room.

                 

                When his phone buzzed late one night, the sound startling in the quiet, he almost didn’t answer.

                “Darius,” his aunt’s voice crackled through the line, faint but firm. “It’s time you came home.”

                Arrival in Guadeloupe

                The air in Pointe-à-Pitre was thick and warm, clinging to his skin like a second layer. His aunt met him at the airport, her sharp gaze softening only slightly when she saw him.

                “You look thin,” she said, her tone clipped. “Let’s get you fed.”

                The ride to Capesterre-Belle-Eau was a blur of green —banana fields and palms swaying in the breeze, the mountains rising in the distance like sleeping giants. The scent of the sea mingled with the earthy sweetness of the land, a sharp contrast to the sterile chill of the south of France.

                “You’ll help with the house,” his aunt said, her hands steady on the wheel. “And the fields. Don’t think you’re here to lounge.”

                He nodded, too tired to argue.

                :fleuron2:

                The first few weeks felt like penance. His aunt was tireless, moving with an energy that gainsaid her years, barking orders as he struggled to keep up.

                “Your hands are too soft,” she said once, glancing at his blistered palms. “Too much time spent talking, not enough doing.”

                Her words stung, but there was no malice in them—only a brutal honesty that cut through his haze.

                Evenings were quieter, spent on the veranda with plates of steaming rice and codfish, with the backdrop of cicadas’ relentless and rhythmic agitation. She didn’t ask about his travels, his work, or the strange detours his life had taken. Instead, she told stories—of storms weathered, crops saved, neighbors who came together when the land demanded it.

                A Turning Point

                One morning, as the sun rose over the fields, his aunt handed him a machete.

                “Today, you clear,” she said.

                He stood among the ruined banana trees, their fallen trunks like skeletal remains of what had once been vibrant and alive. The air was heavy with the scent of damp earth and decay.

                With each swing of the machete, he felt something shift inside him. The physical labor, relentless and grounding, pulled him out of his head and into his body. The repetitive motion—strike, clear, drag—was almost meditative, a rhythm that matched the heartbeat of the land.

                By midday, his shirt clung to his back, soaked with sweat. His muscles ached, his hands stung, but for the first time in months, his mind felt quiet.

                As he paused to drink from a canteen, his aunt approached, a rare smile softening her stern features.

                “You’re starting to see it, aren’t you?” she said.

                “See what?”

                “That life isn’t just what you chase. It’s what you build.”

                :fleuron2:

                Over time, the work became less about obligation and more about integration. He began to recognize the faces of the neighbors who stopped by to lend a hand, their laughter and stories sending vibrant pulsating waves resonant of a community he hadn’t realized he missed.

                One evening, as the sun dipped low, a group gathered to share a meal. Someone brought out drums, the rhythmic beat carrying through the warm night air. Darius found himself smiling, his feet moving instinctively to the music.

                The trance of Éloïse’s words—the pull she had promised—dissipated like smoke in the wind. What remained was what mattered: it wasn’t the pull but the roots —the people, the land, the stories they shared.

                The Bell

                It was his aunt who rang the bell for dinner one evening, the sound sharp and clear, cutting through the humid air like a call to attention.

                Darius paused, the sound resonating in his chest. It reminded him of something—a faint echo from his time with Éloïse and Renard, but different. This was simpler, purer, untainted by manipulation.

                He looked at his aunt, who was watching him with a knowing smile. “You’ve been lost a long time, haven’t you?” she said quietly.

                Darius nodded, unable to speak.

                “Good,” she said. “It means you know the way back.”

                :fleuron2:

                By the time he wrote to Amei, his hand no longer trembled. “Guadeloupe feels like a map of its own,” he wrote, the words flowing easily. “its paths crossing mine in ways I can’t explain. It made me think of you. I hope you’re well.”

                For the first time in years, he felt like he was on solid ground—not chasing a pull, but rooted in the rhythm of the land, the people, and himself.

                The haze lifted, and with it came clarity and maybe hope. It was time to reconnect—not just with long-lost friends and shared ideals, but with the version of himself he thought he’d lost.

                #7650
                Yurara FamelikiYurara Fameliki
                Participant

                  Some elements for inspiration as to the backstory of the group and how it could tie to the current state of the story:

                  :fleuron2:

                  Here’s a draft version of the drama surrounding Éloïse and Monsieur Renard (the “strange couple”), incorporating their involvement with Darius, their influence on the group’s dynamic, and the fallout that caused the estrangement five years ago.

                  The Strange Couple: Éloïse and Monsieur Renard

                  Winter 2019: Paris, Just Before the Pandemic

                  The group’s last reunion before their estrangement was supposed to be a celebration—one of those rare moments when their diverging paths aligned. They had gathered in Paris in late December, the city cloaked in gray skies and glowing light. The plan was simple: a few days together, catching up, exploring old haunts, and indulging in the kind of reckless spontaneity that had defined their earlier years.

                  It was Darius who disrupted the rhythm. He had arrived late to their first dinner, rain-soaked and apologetic, with Éloïse and Monsieur Renard in tow.

                  First Impressions of Éloïse and Monsieur Renard

                  Éloïse was striking—lithe, dark-haired, with sharp eyes that seemed to unearth secrets before you could name them. She moved with a predatory grace, her laughter a mix of charm and edge. Renard was her shadow, older and impeccably dressed, his silvery hair and angular features giving him the air of a fox. He spoke little, but when he did, his words had the weight of finality, as if he were accustomed to being obeyed.

                  “They’re just friends,” Darius said when the others exchanged wary glances. “They’re… interesting. You’ll like them.”

                  But it didn’t take long for Éloïse and Renard to unsettle the group. At dinner, Éloïse dominated the conversation, her stories wild and improbable—of séances in abandoned mansions, of lost artifacts with strange energies, of lives transformed by unseen forces. Renard’s occasional interjections only added to the mystique, his tone implying he’d seen more than he cared to share.

                  Lucien, ever the skeptic, found himself drawn to Éloïse despite his instincts. Her talk of energies and symbols resonated with his artistic side, and when she mentioned labyrinths, his attention sharpened.

                  Elara, in contrast, bristled at their presence. She saw through their mystique, recognizing in Renard the manipulative charisma of someone who thrived on control.

                  Amei was harder to read, but she watched Éloïse and Renard closely, her silence betraying a guardedness that hinted at deeper discomfort.

                  Darius’s Growing Involvement

                  Over the following days, Darius spent more time with Éloïse and Renard, skipping planned outings with the group. He spoke of them with a reverence that was uncharacteristic, praising their insight into things he’d never thought to question.

                  “They see connections in everything,” he told Amei during a rare moment alone. “It’s… enlightening.”

                  “Connections to what?” she asked, her tone sharper than she intended.

                  “Paths, people, purpose,” he replied vaguely. “It’s hard to explain, but it feels… right.”

                  Amei didn’t press further, but she mentioned it to Elara later. “It’s like he’s slipping into something he can’t see his way out of,” she said.

                  The Séance

                  The turning point came during an impromptu gathering at Éloïse and Renard’s rented apartment—a dimly lit space filled with strange objects: glass jars of cloudy liquid, intricate carvings, and an ornate bronze bell hanging above the mantelpiece.

                  Éloïse had invited the group for what she called “an evening of clarity.” The others arrived reluctantly, wary of what she had planned but unwilling to let Darius face it alone.

                  The séance began innocuously enough—Éloïse guiding them through what she described as a “journey inward.” She spoke in a low, rhythmic tone, her words weaving a spell that was hard to resist.

                  Then things took a darker turn. She asked them to focus on the labyrinth she had drawn on the table—a design eerily similar to the map Lucien had found weeks earlier.

                  “You must find your center,” she said, her voice dropping. “But beware the edges. They’ll show you things you’re not ready to see.”

                  The room grew heavy with silence. Darius leaned into the moment, his eyes closed, his breathing steady. Lucien tried to focus but felt a growing unease. Elara sat rigid, her scientific mind railing against the absurdity of it all. Amei’s hands gripped the edge of the table, her knuckles white.

                  And then, the bell rang.

                  It was faint at first, a distant chime that seemed to come from nowhere. Then it grew louder, resonating through the room, its tone deep and haunting.

                  “What the hell is that?” Lucien muttered, his eyes snapping open.

                  Éloïse smiled faintly but said nothing. Renard’s expression remained inscrutable, though his fingers tapped rhythmically against the table, as if counting something unseen.

                  Elara stood abruptly, breaking the spell. “This is ridiculous,” she said. “You’re playing with people’s minds.”

                  Darius’s eyes opened, his gaze unfocused. “You don’t understand,” he said softly. “It’s not a game.”

                  The Fallout

                  The séance fractured the group.

                  • Elara: Left the apartment furious, calling Renard a charlatan and vowing never to entertain such nonsense again. Her relationship with Darius cooled, her disappointment palpable.
                  • Lucien: Became fascinated with the labyrinth and its connection to his art, but he couldn’t shake the unease the séance had left. His conversations with Éloïse deepened in the following days, further isolating him from the group.
                  • Amei: Refused to speak about what she’d experienced. When pressed, she simply said, “Some things are better left forgotten.”
                  • Darius stayed with Éloïse and Renard for weeks after the others left Paris, becoming more entrenched in their world. But something changed. When he finally returned, he was distant and cagey, unwilling to discuss what had happened during his time with them.

                  Lingering Questions

                  1. What Happened to Darius with Éloïse and Renard?
                    • Darius’s silence suggests something traumatic or transformative occurred during his deeper involvement with the couple.
                  2. The Bell’s Role:
                    • The bronze bell that rang during the séance ties into its repeated presence in the story. Was it part of the couple’s mystique, or does it hold a deeper significance?
                  3. Lucien’s Entanglement:
                    • Lucien’s fascination with Éloïse and the labyrinth hints at a lingering connection. Did she influence his art, or was their connection more personal?
                  4. Éloïse and Renard’s Motives:
                    • Were they simply grifters manipulating Darius and others, or were they genuinely exploring something deeper, darker, and potentially dangerous?

                  Impact on the Reunion

                  • The group’s estrangement is rooted in the fractures caused by Éloïse and Renard’s influence, compounded by the isolation of the pandemic.
                  • Their reunion at the café is a moment of reckoning, with Matteo acting as the subtle thread pulling them back together to confront their shared past.
                  #7647

                  Darius: A Map of People

                  June 2023 – Capesterre-Belle-Eau, Guadeloupe

                  The air in Capesterre-Belle-Eau was thick with humidity, the kind that clung to your skin and made every movement slow and deliberate. Darius leaned against the railing of the veranda, his gaze fixed on the horizon where the sky blends into the sea. The scent of wet earth and banana leaves filling the air. He was home.

                  It had been nearly a year since hurricane Fiona swept through Guadeloupe, its winds blowing a trail of destruction across homes, plantations, and lives. Capesterre-Belle-Eau had been among the hardest hit, its banana plantations reduced to ruin and its roads washed away in torrents of mud.

                  Darius hadn’t been here when it happened. He’d read about it from across the Atlantic, the news filtering through headlines and phone calls from his aunt, her voice brittle with worry.

                  “Darius, you should come back,” she’d said. “The land remembers everyone who’s left it.”

                  It was an unusual thing for her to say, but the words lingered. By the time he arrived in early 2023 to join the relief efforts, the worst of the crisis had passed, but the scars remained—on the land, on the people, and somewhere deep inside himself.

                  Home, and Not — Now, passing days having turned into quick six months, Darius was still here, though he couldn’t say why. He had thrown himself into the work, helped to rebuild homes, clear debris, and replant crops. But it wasn’t just the physical labor that kept him—it was the strange sensation of being rooted in a place he’d once fled.

                  Capesterre-Belle-Eau wasn’t just home; it was bones-deep memories of childhood. The long walks under the towering banana trees, the smell of frying codfish and steaming rice from his aunt’s kitchen, the rhythm of gwoka drums carrying through the evening air.

                  “Tu reviens pour rester cette fois ?” Come back to stay? a neighbor had asked the day he returned, her eyes sharp with curiosity.

                  He had laughed, brushing off the question. “On verra,” he’d replied. We’ll see.

                  But deep down, he knew the answer. He wasn’t back for good. He was here to make amends—not just to the land that had raised him but to himself.

                  A Map of Travels — On the veranda that afternoon, Darius opened his phone and scrolled through his photo gallery. Each image was pinned to a digital map, marking all the places he’d been since he got the phone. Of all places, it was Budapest which popped out, a poor snapshot of Buda Castle.

                  He found it a funny thought — just like where he was now, he hadn’t planned to stay so long there. He remembered the date: 2020, in the midst of the pandemic. He’d spent in Budapest most of it, sketching the empty streets.

                  Five years ago, their little group of four had all been reconnecting in Paris, full of plans that never came to fruition. By late 2019, the group had scattered, each of them drawn into their own orbits, until the first whispers of the pandemic began to ripple across the world.

                  Funding his travels had never been straightforward. He’d tried his hand at dozens of odd jobs over the years—bartending in Lisbon, teaching English in Marrakech, sketching portraits in tourist squares across Europe. He lived frugally, keeping his possessions light and his plans loose. Yet, his confidence had a way of opening doors; people trusted him without knowing why, offering him opportunities that always seemed to arrive at just the right time.

                  Even during the pandemic, when the world seemed to fold in on itself, he had found a way.

                  Darius had already arrived in Budapest by then, living cheaply in a rented studio above a bakery. The city had remained open longer than most in Europe or the world, its streets still alive with muted activity even as the rest of Europe closed down. He’d wandered freely for months, sketching graffiti-covered bridges, quiet cafes, and the crumbling facades of buildings that seemed to echo his own restlessness.

                  When the lockdowns finally came like everywhere else, it was just before winter, he’d stayed, uncertain of where else to go. His days became a rhythm of sketching, reading, and sending postcards. Amei was one of the few who replied—but never ostentatiously. It was enough to know she was still there, even if the distance between them felt greater than ever.

                  But the map didn’t tell the whole story. It didn’t show the faces, the laughter, the fleeting connections that had made those places matter.

                  Swatting at a buzzing mosquito, he reached for the small leather-bound folio on the table beside him. Inside was a collection of fragments: ticket stubs, pressed flowers, a frayed string bracelet gifted by a child in Guatemala, and a handful of postcards he’d sent to Amei but had never been sure she received.

                  One of them, yellowed at the edges, showed a labyrinth carved into stone. He turned it over, his own handwriting staring back at him.

                  “Amei,” it read. “I thought of you today. Of maps and paths and the people who make them worth walking. Wherever you are, I hope you’re well. —D.”

                  He hadn’t sent it. Amei’s responses had always been brief—a quick WhatsApp message, a thumbs-up on his photos, or a blue tick showing she’d read his posts. But they’d never quite managed to find their way back to the conversations they used to have.

                  The Market —  The next morning, Darius wandered through the market in Trois-Rivières, a smaller town nestled between the sea and the mountains. The vendors called out their wares—bunches of golden bananas, pyramids of vibrant mangoes, bags of freshly ground cassava flour.

                  “Tiens, Darius!” called a woman selling baskets woven from dried palm fronds. “You’re not at work today?”

                  “Day off,” he said, smiling as he leaned against her stall. “Figured I’d treat myself.”

                  She handed him a small woven bracelet, her eyes twinkling. “A gift. For luck, wherever you go next.”

                  Darius accepted it with a quiet laugh. “Merci, tatie.”

                  As he turned to leave, he noticed a couple at the next stall—tourists, by the look of them, their backpacks and wide-eyed curiosity marking them as outsiders. They made him suddenly realise how much he missed the lifestyle.

                  The woman wore an orange scarf, its boldness standing out as if the color orange itself had disappeared from the spectrum, and only a single precious dash could be seen into all the tones of the market. Something else about them caught his attention. Maybe it was the way they moved together, or the way the man gestured as he spoke, as if every word carried weight.

                  “Nice scarf,” Darius said casually as he passed.

                  The woman smiled, adjusting the fabric. “Thanks. Picked it up in Rajasthan. It’s been with me everywhere since.”

                  Her partner added, “It’s funny, isn’t it? The things we carry. Sometimes it feels like they know more about where we’ve been than we do.”

                  Darius tilted his head, intrigued. “Do you ever think about maps? Not the ones that lead to places, but the ones that lead to people. Paths crossing because they’re meant to.”

                  The man grinned. “Maybe it’s not about the map itself,” he said. “Maybe it’s about being open to seeing the connections.”

                  A Letter to Amei —  That evening, as the sun dipped below the horizon, Darius sat at the edge of the bay, his feet dangling above the water. The leather-bound folio sat open beside him, its contents spread out in the fading light.

                  He picked up the labyrinth postcard again, tracing its worn edges with his thumb.

                  “Amei,” he wrote on the back just under the previous message a second one —the words flowing easily this time. “Guadeloupe feels like a map of its own, its paths crossing mine in ways I can’t explain. It made me think of you. I hope you’re well. —D.”

                  He folded the card into an envelope and tucked it into his bag, resolving to send it the next day.

                  As he watched the waves lap against the rocks, he felt a sense of motion rolling like waves asking to be surfed. He didn’t know where the next path would lead next, but he felt it was time to move on again.

                  #7644

                  From Decay to Birth: a Map of Paths and Connections

                  7. Darius’s Encounter (November 2024)

                  Moments before the reunion with Lucien and his friends, Darius was wandering the bouquinistes along the Seine when he spotted this particular map among a stack of old prints. The design struck him immediately—the spirals, the loops, the faint shimmer of indigo against yellowed paper.

                  He purchased it without hesitation. As he would examine it more closely, he would notice faint marks along the edges—creases that had come from a vineyard pin, and a smudge of red dust, from Catalonia.

                  When the bouquiniste had mentioned that the map had come from a traveler passing through, Darius had felt a strange familiarity. It wasn’t the map itself but the echoes of its journey— quiet connections he couldn’t yet place.

                   

                  6. Matteo’s Discovery (near Avignon, Spring 2024)

                  The office at the edge of the vineyard was a ruin, its beams sagging and its walls cracked. Matteo had wandered in during a quiet afternoon, drawn by the promise of shade and a moment of solitude.

                  His eyes scanned the room—a rusted typewriter, ledgers crumbling into dust, and a paper pinned to the wall, its edges curling with age. Matteo stepped closer, pulling the pin free and unfolding what turned out to be a map.

                  Its lines twisted and looped in ways that seemed deliberate yet impossible to follow. Matteo traced one path with his finger, feeling the faint grooves where the ink had sunk into the paper. Something about it unsettled him, though he couldn’t say why.

                  Days later, while sharing a drink with a traveler at the local inn, Matteo showed him the map.

                  “It’s beautiful,” the traveler said, running his hand over the faded indigo lines. “But it doesn’t belong here.”

                  Matteo nodded. “Take it, then. Maybe you’ll figure it out.”

                  The traveler left with the map that night, and Matteo returned to the vineyard, feeling lighter somehow.

                   

                  5. From Hand to Hand (1995–2024)

                  By the time Matteo found it in the spring of 2024, the map had long been forgotten, its intricate lines dulled by dust and time.

                  2012: A vineyard owner near Avignon purchased it at an estate sale, pinning it to the wall of his office without much thought.

                  2001: A collector in Marseille framed it in her study, claiming it was a lost artifact of a secret cartographer society, though she later sold it when funds ran low.

                  1997: A scholar in Barcelona traded an old atlas for it, drawn to its artistry but unable to decipher its purpose.

                  The map had passed through many hands over the previous three decades and each owner puzzling over, and finally adding their own meaning to its lines.

                   

                  4. The Artist (1995)

                  The mapmaker was a recluse, known only as Almadora to the handful of people who bought her work. Living in a sunlit attic in Girona, she spent her days tracing intricate patterns onto paper, claiming to chart not geography but connections.

                  “I don’t map what is,” she once told a curious buyer. “I map what could be.”

                  In 1995, Almadora began work on the labyrinthine map. She used a pale paper from Girona and indigo ink from India, layering lines that seemed to twist and spiral outward endlessly. The map wasn’t signed, nor did it bear any explanations. When it was finished, Almadora sold it to a passing merchant for a handful of coins, its journey into the world beginning quietly, without ceremony.

                   

                  3. The Ink (1990s)

                  The ink came from a different path altogether. Indigo plants, or aviri, grown on Kongarapattu, were harvested, fermented, and dried into cakes of pigment. The process was ancient, perfected over centuries, and the resulting hue was so rich it seemed to vibrate with unexplored depth.

                  From the harbour of Pondicherry, this particular batch of indigo made its way to an artisan in Girona, who mixed it with oils and resins to create a striking ink. Its journey intersected with Amei’s much later, when remnants of the same batch were used to dye textiles she would work with as a designer. But in the mid-1990s, it served a singular purpose: to bring a recluse artist’s vision to life.

                   

                  2. The Paper (1980)

                  The tree bore laughter and countless other sounds of nature and passer-by’s arguments for years, a sturdy presence, unwavering in a sea of shifting lives. Even after the farmhouse was sold, long after the sisters had grown apart, the tree remained. But time is merciless, even to the strongest roots.

                  By 1979, battered by storms and neglect, the great tree cracked and fell, its once-proud form reduced to timber for a nearby mill.

                  The tree’s journey didn’t end in the mill; it transformed. Its wood was stripped, pulped, and pressed into paper. Some sheets were coarse and rough, destined for everyday use. But a few, including one particularly smooth and pale sheet, were set aside as high-quality stock for specialized buyers.

                  This sheet traveled south to Catalonia, where it sat in a shop in Girona for years, its surface untouched but full of potential. By the time the artist found it in the mid-1990s, it had already begun to yellow at the edges, carrying the faint scent of age.

                   

                  1. The Seed (1950s)

                  It began in a forgotten corner of Kent, where a seed took root beneath a patch of open sky. The tree grew tall and sprawling over decades, its branches a canopy for birds and children alike. By 1961, it had become the centerpiece of the small farmhouse where two young sisters, Vanessa and Elara, played beneath its shade.

                  “Elara, you’re too slow!” Vanessa called, her voice sharp with mock impatience. Elara, only six years old, trailed behind, clutching a wooden stick she used to scratch shapes into the dirt. “I’m making a map!” she announced, her curls bouncing as she ran to catch up.

                  Vanessa rolled her eyes, already halfway up the tree’s lowest branch. “You and your maps. You think you’re going somewhere?”

                  #7642
                  TracyTracy
                  Participant

                    It was the chalkapocalypse, which in actual fact occurred so close to Elara’s coming retirement that it hardly need have bothered her in the slightest, that had sparked her interest. She, like many of her colleagues, had quickly stockpiled the Japanese chalk, and she had more than enough to see out the remaining term of her employment at the university.  Not that she wanted to stay at Warwick, she’d had enough of university politics and funding cuts, not to mention the dreary midlands weather.

                    When at last the day had come, she’d sold her mediocre semi detached suburban house with its, more often than not, dripping shrubbery and rarely if ever used white metal patio table and chairs, and made the move, with the intention of pursuing her research at her leisure. In the warmth of a Tuscan sun.

                    Often the words of her friend and colleague Tom came to her, as she settled into the farmhouse and familiarised herself with the land and the locals.

                    Physics is a process of getting stuck. Blackboards are the best tool for getting unstuck. You do most of your calculations on paper. Then, when you reach a dead end, you go to the blackboard and share the problem with a colleague. But here’s the funny thing. You often solve the problem yourself in the process of writing it out.  You don’t imagine something first and then write it down. It’s through the act of writing that ideas make themselves known. Scientists at blackboards have thoughts that wouldn’t come if they just stood there, with their arms folded.

                    It was entirely down to Tom’s words that Elara had painted the walls of the barn with blackboard paint, and stocked it with the remains of her Hagoromo chalk hoard, as well as samples of every other available chalk.  She had also purchased a number of books on the history of chalk. She’d had no intention of rushing, and retirement provided a relaxed environment for going at her own pace, unfettered by the relentless demands of students and classes.  It was a project to savour, luxuriate in, amuse herself with.

                    When Florian had arrived, she was occupied with showing him around, and before long setting him to tasks that needed doing, and her chalk project had remained on a back burner. He’d asked her about the blackboards in the barn, and wondered if she was planning on giving lectures.

                    Laughing, Elara said no, that was the last thing she ever wanted to do again. She shared with him what Tom had said, about the ideas flowing during the process of writing.

                    “And while that makes perfect sense in any medium, not just chalk, it’s the chalk itself ….” Elara smiled. “Well, you don’t want to hear all the technical details. And I wouldn’t want to spill the beans before I’m sure.”

                    “It does make sense,” Florian replied, “To just write and then the ideas will flow. I’ve been wanting to write a book, but I never know how to start, and I’m not even sure what I want to write about. But perhaps I should just start writing.” Grinning, he added, “Probably not with chalk, though.”

                    “That’s the spirit, just make a start. You never know what may come of it. And it can be fun, you know, and illuminating in ways you didn’t expect. I used to write stories with a few friends….” Elara’s voice trailed off uncomfortably, as if a cloud had obscured the sun.

                    Florian noticed her unexpected discomfiture, and tactfully changed the subject.  We all have pasts we don’t want to talk about.  “Is the sun sufficiently past the yard arm for a glass of wine?” he asked.  “What is a yard arm, anyway?”

                    “A yard is a spar on a mast from which sails are set. It may be constructed of timber or steel or from more modern materials such as aluminium or carbon fibre. Although some types of fore and aft rigs have yards, the term is usually used to describe the horizontal spars used on square rigged sails…”

                    “Once a lecturer, always a lecturer, eh?” Florian teased.

                    “Sorry!” Elara said with a rueful look. ” I’d love a glass of wine.”

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