Search Results for 'mention'

“You know,” Helier broke the silence, his mouth half-full of the buffet’s assortments of nuts and crackers, “this was bound to happen… People tend to forget you after a while. I mean, how many new babies named after dear Austreberthe nowadays. None of course. I think our records mention 1907 was the last baby Austreberthe, and a decade ago the last mass in their memory… oh this is too heartbreaking…”

“Why so gloomy?” Cerenise was eyeing the speckled and stained silverware and the chipped Rouen faience in which the potato salad was served. “Your name is still moderately in fashion, you shouldn’t die of forgetfulness any time soon. Enjoy the food while it’s free.”

Yvoise couldn’t help but tut at her. She was half-distracted by the calligraphy on those placeholders which she found exquisite. People in this age… it was a rare find now, some pretty calligraphy. The only ‘calli-‘anything this age does well enough is callipygian, and even then, it’s mostly the Kashtardians… She said to the others “Don’t throw yours away, I must have the full set.”

Spirius was inspecting the candleholders. None had lids, a fact that frustrated him to no end. “I miss the good old time we could just slay dragons and get a good sainthood concession for a nice half-millenium.”

Yvoise tittered “simple people we were back then. Everything funny-looking was a dragon I seem to recall.”

Spirius, his plate full of charcuteries, helped himself of a few appetizing gherkins, holding one large up to contemplate. “Yeah, but those few we slew in that period were still some darn tough-skinned gators I would have you know. Those crazy Roman buggers and their games and old false gods —they couldn’t help but bring those strange beasts from Africa to Gaul, leaving us to clean up after them…”

“Indeed, much harder now. It’s like fifteen minutes of sainthood on Instatok and Faceterest and you’re already has-been.”  Yvoise had started to pocket some of the paper menus. “Luckily, we still have those relics spread around to fan the flames of remembrance, don’t we.”

“I guess the young ones must look at us funny…” Cerenise chuckled amused at the thought, almost spilling her truffle brouillade.

“Oh well, apparently our youngest geeks aren’t above dealing in relics.” Helier said. “Speaking of Novena and the coming nine days,… you’ve surely noticed as I did what was mentioned in the will, have you not?”

JOHN BROOKS ALIAS PRIESTLAND
1766-1846

John Brooks, my 5x great grandfather, was born in 1766, according to the 1841 census and the burial register in 1846 which stated his age at death as 80 years, but no baptism has been found thus far.

On his first son’s baptism in 1790 the parish register states “John son of John and Elizabeth Brooks Priestnal was baptised”. The name Priestnal was not mentioned in any further sibling baptism, and he was John Brooks on his marriage, on the 1841 census and on his burial in the Netherseal parish register. The name Priestnal was a mystery.

I wondered why there was a nine year gap between the first son John, and the further six siblings, and found that his first wife Elizabeth Wilson died in 1791, and in 1798 John married Elizabeth Cowper, a widow.

John was a farmer of Netherseal on both marriage licences, and of independent means on the 1841 census.

Without finding a baptism it was impossible to go further back, and I was curious to find another tree on the ancestry website with many specific dates but no sources attached, that had Thomas Brooks as his father and his mother as Mary Priestland. I couldn’t find a marriage for John and Mary Priestland, so I sent a message to the owner of the tree, and before receiving a reply, did a bit more searching.

I found an article in the newspaper archives dated 9 August 1839 about a dispute over a right of way, and John Brooks, 73 years of age and a witness for the complainant, said that he had lived in Netherseal all his life (and had always know that public right of way and so on).

I found three lists of documents held by the Derby Records Office about property deeds and transfers, naming a John Brooks alias Priestland, one in 1794, one in 1814, and one in 1824. One of them stated that his father was Thomas Brooks. I was beginning to wonder if Thomas Brooks and Mary Priestland had never married, and this proved to be the case.

The Australian owner of the other tree replied, and said that they had paid a researcher in England many years ago, and that she would look through a box of papers. She sent me a transcribed summary of the main ponts of Thomas Brooks 1784 will:

Thomas Brooks, husbandman of Netherseal
To daughter Ann husband of George Oakden, £20.
To grandson William Brooks, £20.
To son William Brooks and his wife Ann, one shilling each.
To his servant Mary Priestland, £20 and certain household effects and certain property.
To his natural son John Priestland alias Brooks, various properties and the residue of his estate.
John Priestland alias Brooks appointed sole executor.

It would appear that Thomas Brooks left the bulk of his estate to his illegitimate son, and more to his servant Mary Priestland than to his legitimate children.

THOMAS BROOKS

1706-1784

Thomas Brooks, my 6x great grandfather, had three wives. He had four children with his first wife, Elizabeth, between 1732 and 1737. Elizabeth died in 1737. He then married Mary Bath, who died in 1763. Thomas had no children with Mary Bath. In 1765 Thomas married Mary Beck. In 1766 his son John Brooks alias Priestland was born to his servant Mary Priestland.

Thomas Brooks parents were John Brooks 1671-1741, and his wife Anne Speare 1674-1718, both of Netherseal, Leicestershire.

Gatacre Hall and The Old Book

In the early 1950s my uncle John and his friend, possibly John Clare,  ventured into an abandoned old house while out walking in Shropshire. He (or his friend) saved an old book from the vandalised dereliction and took it home.  Somehow my mother ended up with the book.

I remember that we had the book when we were living in USA, and that my mother said that John didn’t want the book in his house. He had said the abandoned hall had been spooky. The book was heavy and thick with a hard cover. I recall it was a “magazine” which seemed odd to me at the time; a compendium of information. I seem to recall the date 1553, but also recall that it was during the reign of Henry VIII. No doubt one of those recollections is wrong, probably the date.  It was written in English, and had illustrations, presumably woodcuts.

I found out a few years ago that my mother had sold the book some years before. Had I known she was going to sell it, I’d have first asked her not to, and then at least made a note of the name of it, and taken photographs of it. It seems that she sold the book in Connecticut, USA, probably in the 1980’s.

My cousin and I were talking about the book and the story. We decided to try and find out which abandoned house it was although we didn’t have much to go on: it was in Shropshire, it was in a state of abandoned dereliction in the early 50s, and it contained antiquarian books.

I posted the story on a Shropshire History and Nostalgia facebook group, and almost immediately had a reply from someone whose husband remembered such a place with ancient books and manuscripts all over the floor, and the place was called Gatacre Hall in Claverley, near Bridgnorth. She also said that there was a story that the family had fled to Canada just after WWII, even leaving the dishes on the table.

The Gatacre family sailing to Canada in 1947:

When my cousin heard the name Gatacre Hall she remembered that was the name of the place where her father had found the book.

I looked into Gatacre Hall online, in the newspaper archives, the usual genealogy sites and google books searches and so on.  The estate had been going downhill with debts for some years. The old squire died in 1911, and his eldest son died in 1916 at the Somme. Another son, Galfrey Gatacre, was already farming in BC, Canada. He was unable to sell Gatacre Hall because of an entail, so he closed the house up. Between 1945-1947 some important pieces of furniture were auctioned, and the rest appears to have been left in the empty house.

The family didn’t suddenly flee to Canada leaving the dishes on the table, although it was true that the family were living in Canada.

An interesting thing to note here is that not long after this book was found, my parents moved to BC Canada (where I was born), and a year later my uncle moved to Toronto (where he met his wife).

Captain Gatacre in 1918:

The Gatacre library was mentioned in the auction notes of a particular antiquarian book:

“Provenance: Contemporary ownership inscription and textual annotations of Thomas Gatacre (1533-1593). A younger son of William Gatacre of Gatacre Hall in Shropshire, he studied at the English college at the University of Leuven, where he rejected his Catholic roots and embraced evangelical Protestantism. He studied for eleven years at Oxford, and four years at Magdalene, Cambridge. In 1568 he was ordained deacon and priest by Bishop of London Edmund Grindal, and became domestic chaplain to Robert Dudley, 1st Earl of Leicester and was later collated to the rectory of St Edmund’s, Lombard Street. His scholarly annotations here reference other classical authors including Plato and Plutarch. His extensive library was mentioned in his will.”

There are thirty four pages in this 1662 book about Thomas Gatacre d 1654:

Helix 25 — The Six Spinster Sisters’ Will

Evie keyed in her login credentials for the sixth time that afternoon, stifling a yawn. Ever since the murder case had wrapped, she had drifted into a lulling routine—one that made her pregnancy drag on with excruciating slowness. Riven was rarely around; he’d been commandeered by the newly awakened Veranassessee for “urgent duties” that somehow never needed Evie’s help. And though she couldn’t complain about the ship’s overall calm, she felt herself itching for something—anything—to break the monotony.

So she’d come to one of the less-frequented data terminals on Helix25, in a dim corner off the main library deck. She had told herself she was looking up baby name etymologies (her mother would have pressed her about it), but she’d quickly meandered into clinically sterile subfolders of genealogical records.

It was exactly the kind of aimless rummaging that had once led her to uncover critical leads during the murder investigation. And if there was something Helix25 had in abundance besides well-recycled air, it was obscure digital archives.

She settled into the creaking seat, adjusting the small pillow behind her back. The screen glowed, lines of text scrolling by in neat greenish typeface. Most references were unremarkable: old Earth deeds, ledgers for farmland, family names she didn’t recognize. Had she not known that data storage was near infinite, due to the excess demands of data from the central AIs, she would have wondered why they’d bothered stocking the ship with so much information. Then her gaze snagged on a curious subfolder titled “Alstonefield Will—Gibbs Sisters.”

“Gibbs Sisters…?” she murmured under her breath, tapping it open.

The file contained scans of a handwritten will dated early 1800s, from Staffordshire, England. Each page was peppered with archaic legalese (“whereupon the rightful property of Misses Mary, Ellen, Ann, Sarah, Margaret and Malové Gibbs bequeathed…”), listing items that ranged from modest farmland acreage to improbable references of “spiritual confidences.”

Evie frowned, leaning closer. Spiritual confidences? The text was surprisingly explicit about the sisters’ lives—how six women jointly farmed 146 acres, remained unmarried, and according to a marginal note, “were rumored to share an uncanny attunement of thought.”

A telepathic link? she thought, half-intrigued, half-smirking. That smacked of the same kind of rumor-laden gossip that had swirled around the old Earth families. Still, the note was written in an official hand.

She scrolled further, expecting the record to fizzle out. Instead, it abruptly jumped to an addendum dated decades later:

“By 1834, the Gibbs sisters departed for the Australian continent. Certain seeds and rootstocks—believed essential for their ‘ancestral devotions’—did accompany them. No further official records on them remain in Staffordshire….”

Seeds and rootstocks. Evie’s curiosity piqued further—some old detail about hush-hush crops that the sisters apparently treasured enough to haul across the world.

A flicker of movement caught her eye. Trevor Pee “TP” Marshall, her faithful investigative hologram, materialized at the edge of her console. He adjusted his little pixelated bow tie, voice brimming with delight.

“Ah, I see you’re poking around genealogical conundrums, dear Evie. Dare I hope we’ve found ourselves another puzzle?”

Evie snorted softly. “Don’t get too excited, TP. It’s just a random will. But it does mention unusual circumstances… something about telepathy, special seeds, and these six spinster sisters traveling to the outback. It’s bizarre. And I’m bored.”

TP’s mustache twitched in faux indignation. “Bizarre is my lifeblood, my dear. Let’s see: six sisters of reputed synergy… farmland… seeds with rumored ‘power’… Honestly, that’s more suspicious than the standard genealogical yawn.”

Evie tapped a fingertip on the screen, highlighting the references. “Agreed. And for some reason, the file is cross-referenced with older Helix25 ‘implied passenger diaries.’ I can’t open them—some access restriction. Maybe Dr. Arorangi tagged them?”

TP’s eyes gleamed. “Interesting, indeed. You recall Dr. Arorangi’s rumored fascination with nonstandard genetic lines—”

“Right,” Evie said thoughtfully, sitting back. “So is that the link? Maybe this Alstonefield Hall story or the seeds the sisters carried has some significance to the architectural codes Arorangi left behind. We never did figure out why the AI has so many subroutines locked.”

She paused, glancing down at her growing belly with a wry smile. “I know it might be nothing, but… it’s a better pastime than waiting for Riven to show up from another Veranassessee briefing. If these old records are tied to Dr. Arorangi’s restricted logs, that alone is reason enough to dig deeper.”

TP beamed. “Spoken like a true detective. Ready to run with a half-thread of clue and see where it leads?”

Evie nodded, tapping the old text to copy it into her personal device. “I am. Let’s see who these Gibbs sisters really were… and why Helix25’s archives bothered to keep them in the system.”

Her heart thumped pleasantly at the prospect of unraveling some long-lost secret. It wasn’t exactly the adrenaline rush of a murder investigation, but in these humdrum days—six months after the last major crisis—it might be the spark she needed.

She rose from the console, smartphone in hand, and beckoned to the flickering detective avatar. “Come on, TP. Let’s find out if six mysterious spinsters from 1800s Staffordshire can liven things up for us.”

Helix 25 – Onto The Second Murder Investigation

Very strangely, it was a lot less chaotic in the Lower Decks, while the Upper Decks were having a rave of a time with the moon and mood swings.
Evie stood over the diagnostics table, arms crossed, watching as Luca Stroud ran his scanner over Mandrake’s cybernetic collar. The black cat lay still, one eye flickering intermittently as though stuck between waking and shutdown. The deep gash along his side had been patched—Romualdo had insisted on carrying Mandrake to the lab himself, mumbling about how the garden’s automated sprinklers were acting up, and how Luca was the only one he trusted to fix delicate mechanisms.

It had been a casual remark, but Evie had caught the subtext. Mandrake was no ordinary ship cat. He had always been tied to something larger.

“Neurolink’s still scrambled,” Luca muttered, adjusting his scanner. “Damage isn’t terminal, but whatever happened, someone tried to wipe part of his memory.”

Riven, arms crossed beside Evie, scoffed. “Why the hell would someone try to assassinate a cat?”

Luca didn’t answer, but the data flickering on his screen spoke for itself. The attack had been precise. Not just a careless act of cruelty, nor an accident in the low-gravity sector.

Mandrake had been targeted.

Evie exhaled sharply. “Can you fix him?”

Luca shrugged. “Depends. The physical repairs are easy enough—fractured neural pathways, fried circuits—but whatever was erased? That’s another story.” He tilted his head. “Thing is… someone didn’t just try to kill Mandrake. They tried to make him forget.”

Riven’s frown deepened. “Forget what?”

Silence settled between them.

Evie reached out, brushing a gloved hand over Mandrake’s sleek black fur. “We need to figure out what he knew.”

It had been Trevor Pee—TP himself—who first mentioned it, entirely offhand, as they reviewed logs of the last places Mandrake had been seen.

“He wasn’t always on his own, you know,” TP had said, twirling his holographic cane.

Evie and Riven both turned to him.

“What do you mean on his own, I though he was Seren’s?”

“Oh, no. He just had a liking for her, but he’d belonged to someone else long before.” TP’s mustache twitched. “I accessed some archival records during Mandrake’s diagnostic.”

Evie blinked. “Mmm, are you going to make me ask? What did you find?”

“Indeed,” TP offered cheerfully. “Before Mandrake wandered freely through the gardens and ventilation shafts, becoming a ship legend, he belonged—as much as a cat can belong—to someone.”

Riven’s expression darkened. “Who?! Will you just tell?!”

TP flicked his wrist, bringing up an old personnel file, heavily redacted. But one name flickered beneath the blurred-out sections.

Dr. Elias Arorangi.

Evie felt her heartbeat quicken. The name echoed faintly familiar, not directly connected to her, but she’d seen it once or twice before, buried in obscure references. “Dr. Arorangi—wait, he was part of the original Helix design team, wasn’t he?”

TP nodded gravely. “Precisely. A lead systems architect, responsible for designing key protocols for the AI integration—among them, some critical frameworks that evolved into Synthia’s consciousness. Disappeared without a trace shortly after Synthia’s initial activation.”

Riven straightened. “Disappeared? Do you think—”

TP raised a finger to silence him. “I don’t speculate, but here’s the interesting part: Dr. Arorangi had extensive, classified knowledge of Helix 25’s core systems. If Mandrake was his companion at that crucial time, it’s conceivable that Arorangi trusted something to him—a memory, a code fragment, perhaps even a safeguard.”

Evie’s mouth went dry.

An architect of Helix 25, missing under suspicious circumstances, leaving behind a cat whose cybernetics were more sophisticated than any pet implant she’d ever seen?

Evie looked down at Mandrake, whose damaged neural links were still flickering faintly. Someone had wanted Mandrake silenced and forgotten.

Later, in the dim light of his workshop, Luca Stroud worked in silence, carefully re-aligning the cat’s neural implants. Romualdo sat nearby, arms crossed, watching with the nervous tension of a man who had just smuggled a ferret into a rat convention.

“He’s tough,” Luca muttered, tightening a connection. “More durable than most of the junk I have to fix.”

Romualdo huffed. “He better be.”

A flicker of light pulsed through Mandrake’s collar. His single good eye opened, pupils dilating as his systems realigned.

Then, groggily, he muttered, “I hate this ship.”

Romualdo let out a relieved chuckle. “Yeah, yeah. Welcome back, Mandrake.”

Luca wiped his hands. “He’s still scrambled, but he’s functional. Just… don’t expect him to remember everything.”

Mandrake groaned, stretching his mechanical paw. “I remember… needing a drink.”

Romualdo smirked. “That’s a good sign, yeah?”

Luca hesitated before looking at Evie. “Whatever was wiped—it’s gone. But if he starts remembering things in fragments… we need to pay attention.”

Evie nodded. “Oh, we definitely will.”

Mandrake rolled onto his feet, shaking out his fur, a small but defiant flick of his cybernetic tail.

“I have the strangest feeling,” he muttered, “that someone is still looking for me.”

Evie exhaled.

For now, with his memory gone, he would probably be safe, but a killer was in their midst and they needed to find out the truth, and fast.

Chapter Title: A Whiff of Inspiration – a work in progress by Elizabeth Tattler

The morning light slanted through the towering windows of the grand old house, casting a warm glow upon the chaos within. Elizabeth Tattler, famed author and mistress of the manor, found herself pacing the length of the room with the grace of a caged lioness. Her mind was a churning whirlpool of creative fury, but alas, it was not the only thing trapped within.

“Finnley!” she bellowed, her voice echoing off the walls with a resonance that only years of authoritative writing could achieve. “Finnley, where are you hiding?”

Finnley, emerging from behind the towering stacks of Liz’s half-finished manuscripts, wielded her trusty broom as if it were a scepter. “I’m here, I’m here,” she grumbled, her tone as prickly as ever. “What is it now, Liz? Another manuscript disaster? A plot twist gone awry?”

“Trapped abdominal wind, my dear Finnley,” Liz declared with dramatic flair, clutching her midsection as if to emphasize the gravity of her plight. “Since two in the morning! A veritable tempest beneath my ribs! I fear this may become the inspiration—or rather, aspiration—for my next novel.”

Finnley rolled her eyes, a gesture she had perfected over years of service. “Oh, for Flove’s sake, Liz. Perhaps you should bottle it and sell it as ‘Creative Muse’ for struggling writers. Now, what do you need from me?”

“Oh, I’ve decided to vent my frustrations in a blog post. A good old-fashioned rant, something to stir the pot and perhaps ruffle a few feathers!” Liz’s eyes gleamed mischievously. “I’m certain it shall incense 95% of my friends, but what better way to clear the mind and—hopefully—the bowels?”

At that moment, Godfrey, Liz’s ever-distracted editor, shuffled in with a vacant look in his eyes. “Did someone mention something about… inspiration?” he asked, blinking as if waking from a long slumber.

“Yes, Godfrey, inspiration!” Liz exclaimed, waving her arms dramatically. “Though in my case, it’s more like… ‘inflation’! I’ve become a gastronaut! ” She chuckled at her own pun, eliciting a groan from Finnley.

Godfrey, oblivious to the undercurrents of the conversation, nodded earnestly. “Ah, splendid! Speaking of which, have you written that opening scene yet, Liz? The publishers are rather eager, you know.”

Liz threw her hands up in mock exasperation. “Dear Godfrey, with my innards in such turmoil, how could I possibly focus on an opening scene?” She paused, eyes narrowing thoughtfully. “Unless, of course, I were to channel this very predicament into my story. Perhaps a character with a similar plight, trapped on a space station with only their imagination—and intestinal distress—for company.”

Finnley snorted, her stern facade cracking ever so slightly. “A tale of cosmic flatulence, is it? Sounds like a bestseller to me.”

And with that, Liz knew she had found her muse—an unorthodox one, to be sure, but a muse nonetheless. As the words began to flow, she could only hope that relief, both literary and otherwise, was soon to follow.

(story repeats at the beginning)

Helix 25 – Poop Deck – The Jardenery

Evie stepped through the entrance of the Jardenery, and immediately, the sterile hum of Helix 25’s corridors faded into a world of green. Of all the spotless clean places on the ship, it was the only where Finkley’s bots tolerated the scent of damp earth. A soft rustle of hydroponic leaves shifting under artificial sunlight made the place an ecosystem within an ecosystem, designed to nourrish both body and mind.

Yet, for all its cultivated serenity, today it was a crime scene. The Drying Machine was connected to the Jardenery and the Granary, designed to efficiently extract precious moisture for recycling, while preserving the produce.

Riven Holt, walking beside her, didn’t share her reverence. “I don’t see why this place is relevant,” he muttered, glancing around at the towering bioluminescent vines spiraling up trellises. “The body was found in the drying machine, not in a vegetable patch.”

Evie ignored him, striding toward the far corner where Amara Voss was hunched over a sleek terminal, frowning at a glowing screen. The renowned geneticist barely noticed their approach, her fingers flicking through analysis results faster than human eyes could process.

A flicker of light.

“Ah-ha!” TP materialized beside Evie, adjusting his holographic lapels. “Madame Voss, I must say, your domain is quite the delightful contrast to our usual haunts of murder and mystery.” He twitched his mustache. “Alas, I suspect you are not admiring the flora?”

Amara exhaled sharply, rubbing her temples, not at all surprised by the holographic intrusion. She was Evie’s godmother, and had grown used to her experiments.

“No, indeed. I’m admiring this.” She turned the screen toward them.

The DNA profile glowed in crisp lines of data, revealing a sequence highlighted in red.

Evie frowned. “What are we looking at?”

Amara pinched the bridge of her nose. “A genetic anomaly.”

Riven crossed his arms. “You’ll have to be more specific.”

Amara gave him a sharp look but turned back to the display. “The sample we found at the crime scene—blood residue on the drying machine and some traces on the granary floor—matches an ancient DNA profile from my research database. A perfect match.”

Evie felt a prickle of unease. “Ancient? What do you mean? From the 2000s?”

Amara chuckled, then nodded grimly. “No, ancient as in Medieval ancient. Specifically, Crusader DNA, from the Levant. A profile we mapped from preserved remains centuries ago.”

Silence stretched between them.

Finally, Riven scoffed. “That’s impossible.”

TP hummed thoughtfully, twirling his cane. “Impossible, yet indisputable. A most delightful contradiction.”

Evie’s mind raced. “Could the database be corrupted?”

Amara shook her head. “I checked. The sequencing is clean. This isn’t an error. This DNA was present at the crime scene.” She hesitated, then added, “The thing is…” she paused before considering to continue. They were all hanging on her every word, waiting for what she would say next.

Amara continued  “I once theorized that it might be possible to reawaken dormant ancestral DNA embedded in human cells. If the right triggers were applied, someone could manifest genetic markers—traits, even memories—from long-dead ancestors. Awakening old skills, getting access to long lost secrets of states…”

Riven looked at her as if she’d grown a second head. “You’re saying someone on Helix 25 might have… transformed into a medieval Crusader?”

Amara exhaled. “I’m saying I don’t know. But either someone aboard has a genetic profile that shouldn’t exist, or someone created it.”

TP’s mustache twitched. “Ah! A puzzle worthy of my finest deductive faculties. To find the source, we must trace back the lineage! And perhaps a… witness.”

Evie turned toward Amara. “Did Herbert ever come here?”

Before Amara could answer, a voice cut through the foliage.

“Herbert?”

They turned to find Romualdo, the Jardenery’s caretaker, standing near a towering fruit-bearing vine, his arms folded, a leaf-tipped stem tucked behind his ear like a cigarette. He was a broad-shouldered man with sun-weathered skin, dressed in a simple coverall, his presence almost too casual for someone surrounded by murder investigators.

Romualdo scratched his chin. “Yeah, he used to come around. Not for the plants, though. He wasn’t the gardening type.”

Evie stepped closer. “What did he want?”

Romualdo shrugged. “Questions, mostly. Liked to chat about history. Said he was looking for something old. Always wanted to know about heritage, bloodlines, forgotten things.” He shook his head. “Didn’t make much sense to me. But then again, I like practical things. Things that grow.”

Amara blushed, quickly catching herself. “Did he ever mention anything… specific? Like a name?”

Romualdo thought for a moment, then grinned. “Oh yeah. He asked about the Crusades.”

Evie stiffened. TP let out an appreciative hum.

“Fascinating,” TP mused. “Our dearly departed Herbert was not merely a victim, but perhaps a seeker of truths unknown. And, as any good mystery dictates, seekers who get too close often find themselves…” He tipped his hat. “Extinguished.”

Riven scowled. “That’s a bit dramatic.”

Romualdo snorted. “Sounds about right, though.” He picked up a tattered book from his workbench and waved it. “I lend out my books. Got myself the only complete collection of works of Liz Tattler in the whole ship. Doc Amara’s helping me with the reading. Before I could read, I only liked the covers, they were so romantic and intriguing, but now I can read most of them on my own.” Noticing he was making the Doctor uncomfortable, he switched back to the topic. “So yes, Herbert knew I was collector of books and he borrowed this one a few weeks ago. Kept coming back with more questions after reading it.”

Evie took the book and glanced at the cover. The Blood of the Past: Genetic Echoes Through History by Dr. Amara Voss.

She turned to Amara. “You wrote this?”

Amara stared at the book, her expression darkening. “A long time ago. Before I realized some theories should stay theories.”

Evie closed the book. “Looks like someone didn’t agree.”

Romualdo wiped his hands on his coveralls. “Well, I hope you figure it out soon. Hate to think the plants are breathing in murder residue.”

TP sighed dramatically. “Ah, the tragedy of contaminated air! Shall I alert the sanitation team?”

Riven rolled his eyes. “Let’s go.”

As they walked away, Evie’s grip tightened around the book. The deeper they dug, the stranger this murder became.

Evie stared at TP, waiting for further elaboration. He simply steepled his fingers and smirked, a glitchy picture of insufferable patience.

“You can’t just drop a bombshell like that and leave it hanging,” she said.

“But my dear Evie, I must!” TP declared, flickering theatrically. “For as the great Pea Stoll once mused—‘It was suspicious in a Pea Saucerer’s ways…’”

Evie groaned. “TP—”

“A jest! A mere jest!” He twirled an imaginary cane. “And yet, what do we truly know of the elusive Mr. Herbert? If we wish to uncover his secrets, we must look into his… associations.”

Evie frowned. “Funny you said that, I would have thought ‘means, motive, alibis’ but I must be getting ahead of myself…” He had a point. “By associations, you mean —Seren Vega?”

“Indeed!” TP froze accessing invisible records, then clapped his hands together. “Seren Vega, archivist extraordinaire of the wondrous past, keeper resplendent of forgotten knowledge… and, if the ship’s whisperings hold any weight, a woman Herbert was particularly keen on seeing.”

Evie exhaled, already halfway to the door. “Alright, let’s go see Seren.”

Seren Vega’s quarters weren’t standard issue—too many rugs, too many hanging ornaments, a hint of a passion for hoarding, and an unshakable musky scent of an animal’s den. The place felt like the ship itself had grown around it, heavy with the weight of history.

And then, there was Mandrake.

The bionic-enhanced cat perched on a high shelf, tail flicking, eyes glowing faintly. “What do you want?” he asked flatly, his tone dripping with a well-practiced blend of boredom and disdain.

Evie arched a brow. “Nice to see you too, Mandrake.”

Seren, cross-legged on a cushion, glanced up from her console. “Evie,” she greeted calmly. “And… oh no.” She sighed, already bracing herself. “You’ve brought it —what do you call him already? Orion Reed?”

Evie replied “Great memory Ms Vega, as expected. Yes, this was the name of the beta version —this one’s improved but still working the kinks of the programme, he goes by ‘TP’ nowadays. Hope you don’t mind, he’s helping me gather clues.” She caught herself, almost telling too much to a potential suspect.

TP puffed up indignantly. “I must protest, Madame Vega! Our past encounters, while lively, have been nothing but the height of professional discourse!”

Mandrake yawned. “She means you talk too much.”

Evie hid a smirk. “I need your help, Seren. It’s about Mr. Herbert.”

Seren’s fingers paused over her console. “He’s the one they found in the dryer.” It wasn’t a question.

Evie nodded. “What do you know about him?”

Seren studied her for a moment, then, with a slow exhale, tapped a command into her console. The room dimmed as the walls flickered to life, displaying a soft cascade of memories—public logs, old surveillance feeds, snippets of conversations once lost to time.

“He wasn’t supposed to be here,” Seren said at last. “He arrived without a record. No one really questioned it, because, well… no one questions much anymore. But if you looked closely, the ship never registered him properly.”

Evie’s pulse quickened. TP let out an approving hum.

Seren continued, scrolling through the visuals. “He came to me, sometimes. Asked about old Earth history. Strange, fragmented questions. He wanted to know how records were kept, how things could be erased.”

Evie and TP exchanged a glance.

Seren frowned slightly, as if piecing together a thought she hadn’t dared before. “And then… he stopped coming.”

Mandrake, still watching from his shelf, stretched lazily. Then, with perfect nonchalance, he added, “Oh yeah. And he wasn’t using his real name.”

Evie snapped to attention. “What?”

The cat flicked his tail. “Mr. Herbert. The name was fake. He called himself that, but it wasn’t what the system had logged when he first stepped on board.”

Seren turned sharply toward him. “Mandrake, you never mentioned this before.”

The cat yawned. “You never asked.”

Evie felt a chill roll through her. “So what was his real name?”

Mandrake’s eyes glowed, data scrolling in his enhanced vision.

“Something about… Ethan,” he mused. “Ethan… M.”

The room went very still.

Evie swallowed hard. “Ethan Marlowe?”

Seren paled. “Ellis Marlowe’s son.”

TP, for once, was silent.

Elara — Nov 2021: The End of Genealogix

The numbers on the screen were almost comical in their smallness. Elara stared at the royalty statement, her lips pressed into a tight line as the cursor blinked on the final transaction: £12.37, marked Genealogix Royalty Deposit. Below it, the stark words: Final Payout.

She leaned back in her chair, pushing her glasses up onto her forehead, and sighed. The end wasn’t a surprise. For years, she’d known her genetic algorithm would be replaced by something faster, smarter, and infinitely more marketable. The AI companies had come, sweeping up data and patents like vultures at a sky burial. Genealogix, her improbable golden goose, had simply been outpaced.

Still, staring at the zero balance in the account felt oddly final, as if a door had quietly closed on a chapter of her life. She glanced toward the window, where the Tuscan hills rolled gently under the late afternoon sun. Most of the renovation work on the farmhouse had been finished, albeit slowly, over the years. There was no urgent financial burden, but the thought of her remaining savings made her stomach tighten all the same.

Elara had stumbled into success with Genealogix, though not without effort. It was one of her many patents—most of them quirky solutions to problems nobody else seemed interested in solving. A self-healing chalkboard coating? Useless. A way to chart audio waveforms onto three-dimensional paper models? Intriguing but commercially barren. Genealogix had been an afterthought at the time, something she tinkered with while traveling through Europe on a teaching fellowship.

When the royalties started rolling in unexpectedly, it had felt like a cosmic joke. “Finally,” she’d muttered to herself as she cashed her first sizeable check, “they like something useless.”

The freedom that money brought was a relief. It allowed her to drop the short-term contracts that tethered her to institutions and pursue science on her own terms. No rigid conventions, no endless grant applications, no academic politics. She’d call it “investigation,” free from the dogma that so often suffocated creativity.

And yet, she was no fool. She’d known Genealogix was a fluke, its lifespan limited.

She clicked away from the bank statement and opened her browser, absently scrolling through her bookmarked social accounts. An old post from Lucien caught her eye—a photograph of a half-finished painting, the colors dark and chaotic. His caption read: “When the labyrinth swallows the light.”

Her brow furrowed. She’d been quietly following Lucien for years, watching his work evolve through fits and starts. It was obvious he was struggling. This post was old, maybe Lucian had stopped updating after the pandemic. She’d sent anonymous payments to buy his paintings more than once, under names that would mean nothing to him —”Darlara Ameilikian” was a bit on the nose, but unlike Amei, Elara loved a good wink.

Her mind wandered to Darius, and her suggesting he looked into 1-euro housing schemes available in Italy. It had been during a long phone call, back when she was scouting options for herself. They still had tense exchanges, and he was smart to avoid any mention of his odd friends, otherwise she’d had hung the phone faster than a mouse chased by a pack of dogs. “You’d thrive in something like that,” she’d told him. “Build it with your own hands. Make it something meaningful.” He’d laughed but had sounded intrigued. She wondered if he’d ever followed up on it.

As for Amei—Elara had sent her a birthday gift earlier that year, a rare fabric she’d stumbled across in a tiny local shop. Amei hadn’t known it was from her, of course. That was Elara’s way. She preferred to keep her gestures quiet, almost random —it was best that way, she was rubbish at remembering the small stuff that mattered so much to people, she wasn’t even sure of Amei’s birthday to be honest; so she preferred to scatter little nods like seeds to the wind.

Her eyes drifted to a framed ticket stub on the bookshelf, a relic from 2007: Eliane Radigue — Naldjorlak II, Aarau Festival (Switzerland). Funny how the most unlikely event had made them into a group of friends. That concert had been a weird and improbable anchor point in their lives, a moment of serendipity that had drawn them toward something more than their own parts.

By that time, they were already good friends with Amei, and she’d agreed to join her to discover the music, although she could tell it was more for the strange appeal of something almost alien in experience, than for the hurdles of travel and logistics. But Elara’s enthusiasm and devil-may-care had won her over, and they were here.

Radigue’s strange sound sculptures, had rippled through the darkened festival scene, wavering and hauntingly delicate, and at the same time slow and deliberate, leading them towards an inevitability. Elara had been mesmerized, sitting alone near the back as Amei had gone for refreshments, when a stranger beside her had leaned over to ask, “What’s that sound? A bell? Or a drone?”

It was Lucien. Their conversation had lasted through the intermission soon joined by Amei, and spilled into a café afterward, where Darius had eventually joined them. They’d formed a bond that night, one that felt strange and tenuous at the time but proved to be resilient, even as the years pulled them apart.

Elara closed the laptop, resting her hand on its warm surface for a moment before standing. She walked to the window, the sun dipping lower over the horizon, casting long shadows across the vineyard. The farmhouse had been a gamble, a piece of the future she wasn’t entirely sure she believed in when she’d bought it. But now, as the light shifted and the hills glowed gold, she felt a quiet satisfaction.

The patent was gone, the money would fade, but she still had this. And perhaps, that was enough.

From Decay to Birth: a Map of Paths and Connections

7. Darius’s Encounter (November 2024)

Moments before the reunion with Lucien and his friends, Darius was wandering the bouquinistes along the Seine when he spotted this particular map among a stack of old prints. The design struck him immediately—the spirals, the loops, the faint shimmer of indigo against yellowed paper.

He purchased it without hesitation. As he would examine it more closely, he would notice faint marks along the edges—creases that had come from a vineyard pin, and a smudge of red dust, from Catalonia.

When the bouquiniste had mentioned that the map had come from a traveler passing through, Darius had felt a strange familiarity. It wasn’t the map itself but the echoes of its journey— quiet connections he couldn’t yet place.

6. Matteo’s Discovery (near Avignon, Spring 2024)

The office at the edge of the vineyard was a ruin, its beams sagging and its walls cracked. Matteo had wandered in during a quiet afternoon, drawn by the promise of shade and a moment of solitude.

His eyes scanned the room—a rusted typewriter, ledgers crumbling into dust, and a paper pinned to the wall, its edges curling with age. Matteo stepped closer, pulling the pin free and unfolding what turned out to be a map.

Its lines twisted and looped in ways that seemed deliberate yet impossible to follow. Matteo traced one path with his finger, feeling the faint grooves where the ink had sunk into the paper. Something about it unsettled him, though he couldn’t say why.

Days later, while sharing a drink with a traveler at the local inn, Matteo showed him the map.

“It’s beautiful,” the traveler said, running his hand over the faded indigo lines. “But it doesn’t belong here.”

Matteo nodded. “Take it, then. Maybe you’ll figure it out.”

The traveler left with the map that night, and Matteo returned to the vineyard, feeling lighter somehow.

5. From Hand to Hand (1995–2024)

By the time Matteo found it in the spring of 2024, the map had long been forgotten, its intricate lines dulled by dust and time.

2012: A vineyard owner near Avignon purchased it at an estate sale, pinning it to the wall of his office without much thought.

2001: A collector in Marseille framed it in her study, claiming it was a lost artifact of a secret cartographer society, though she later sold it when funds ran low.

1997: A scholar in Barcelona traded an old atlas for it, drawn to its artistry but unable to decipher its purpose.

The map had passed through many hands over the previous three decades and each owner puzzling over, and finally adding their own meaning to its lines.

4. The Artist (1995)

The mapmaker was a recluse, known only as Almadora to the handful of people who bought her work. Living in a sunlit attic in Girona, she spent her days tracing intricate patterns onto paper, claiming to chart not geography but connections.

“I don’t map what is,” she once told a curious buyer. “I map what could be.”

In 1995, Almadora began work on the labyrinthine map. She used a pale paper from Girona and indigo ink from India, layering lines that seemed to twist and spiral outward endlessly. The map wasn’t signed, nor did it bear any explanations. When it was finished, Almadora sold it to a passing merchant for a handful of coins, its journey into the world beginning quietly, without ceremony.

3. The Ink (1990s)

The ink came from a different path altogether. Indigo plants, or aviri, grown on Kongarapattu, were harvested, fermented, and dried into cakes of pigment. The process was ancient, perfected over centuries, and the resulting hue was so rich it seemed to vibrate with unexplored depth.

From the harbour of Pondicherry, this particular batch of indigo made its way to an artisan in Girona, who mixed it with oils and resins to create a striking ink. Its journey intersected with Amei’s much later, when remnants of the same batch were used to dye textiles she would work with as a designer. But in the mid-1990s, it served a singular purpose: to bring a recluse artist’s vision to life.

2. The Paper (1980)

The tree bore laughter and countless other sounds of nature and passer-by’s arguments for years, a sturdy presence, unwavering in a sea of shifting lives. Even after the farmhouse was sold, long after the sisters had grown apart, the tree remained. But time is merciless, even to the strongest roots.

By 1979, battered by storms and neglect, the great tree cracked and fell, its once-proud form reduced to timber for a nearby mill.

The tree’s journey didn’t end in the mill; it transformed. Its wood was stripped, pulped, and pressed into paper. Some sheets were coarse and rough, destined for everyday use. But a few, including one particularly smooth and pale sheet, were set aside as high-quality stock for specialized buyers.

This sheet traveled south to Catalonia, where it sat in a shop in Girona for years, its surface untouched but full of potential. By the time the artist found it in the mid-1990s, it had already begun to yellow at the edges, carrying the faint scent of age.

1. The Seed (1950s)

It began in a forgotten corner of Kent, where a seed took root beneath a patch of open sky. The tree grew tall and sprawling over decades, its branches a canopy for birds and children alike. By 1961, it had become the centerpiece of the small farmhouse where two young sisters, Vanessa and Elara, played beneath its shade.

“Elara, you’re too slow!” Vanessa called, her voice sharp with mock impatience. Elara, only six years old, trailed behind, clutching a wooden stick she used to scratch shapes into the dirt. “I’m making a map!” she announced, her curls bouncing as she ran to catch up.

Vanessa rolled her eyes, already halfway up the tree’s lowest branch. “You and your maps. You think you’re going somewhere?”