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In reply to: The Last Cruise of Helix 25
Mars Outpost — Welcome to the Wild Wild Waste
No one had anticipated how long it would take to get a shuttle full of half-motivated, gravity-averse Helix25 passengers to agree on proper footwear.
“I told you, Claudius, this is the fancy terrain suit. The others make my hips look like reinforced cargo crates,” protested Tilly Nox, wrangling with her buckles near the shuttle airlock.
“You’re about to step onto a red-rock planet that hasn’t seen visitors since the Asteroid Belt Mining Fiasco,” muttered Claudius, tightening his helmet strap. “Your hips are the least of Mars’ concerns.”
Behind them, a motley group of Helix25 residents fidgeted with backpacks, oxygen readouts, and wide-eyed anticipation. Veranassessee had allowed a single-day “expedition excursion” for those eager—or stir-crazy—enough to brave Mars’ surface. She’d made it clear it was volunteer-only.
Most stayed aboard, in orbit of the red planet, looking at its surface from afar to the tune of “eh, gravity, don’t we have enough of that here?” —Finkley had recoiled in horror at the thought of real dust getting through the vents and had insisted on reviewing personally all the airlocks protocols. No way that they’d sullied her pristine halls with Martian dust or any dust when the shuttle would come back. No – way.
But for the dozen or so who craved something raw and unfiltered, this was it. Mars: the myth, the mirage, the Far West frontier at the invisible border separating Earthly-like comforts into the wider space without any safety net.
At the helm of Shuttle Dandelion, Sue Forgelot gave the kind of safety briefing that could both terrify and inspire. “If your oxygen starts blinking red, panic quietly and alert your buddy. If you fall into a crater, forget about taking a selfie, wave your arms and don’t grab on your neighbor. And if you see a sand wyrm, congratulations, you’ve either hit gold or gone mad.”
Luca Stroud chuckled from the copilot seat. “Didn’t see you so chirpy in a long while. That kind of humour, always the best warning label.”
They touched down near Outpost Station Delta-6 just as the Martian wind was picking up, sending curls of red dust tumbling like gossip.
And there she was.
Leaning against the outpost hatch with a spanner slung across one shoulder, goggles perched on her forehead, Prune watched them disembark with the wary expression of someone spotting tourists traipsing into her backyard garden.
Sue approached first, grinning behind her helmet. “Prune Curara, I presume?”
“You presume correctly,” she said, arms crossed. “Let me guess. You’re here to ruin my peace and use my one functioning kettle.”
Luca offered a warm smile. “We’re only here for a brief scan and a bit of radioactive treasure hunting. Plus, apparently, there’s been a petition to name a Martian dust lizard after you.”
“That lizard stole my solar panel last year,” Prune replied flatly. “It deserves no honor.”
Inside, the outpost was cramped, cluttered, and undeniably charming. Hand-drawn maps of Martian magnetic hotspots lined one wall; shelves overflowed with tagged samples, sketchpads, half-disassembled drones, and a single framed photo of a fireplace with something hovering inexplicably above it—a fish?
“Flying Fish Inn,” Luca whispered to Sue. “Legendary.”
The crew spent the day fanning out across the region in staggered teams. Sue and Claudius oversaw the scan points, Tilly somehow got her foot stuck in a crevice that definitely wasn’t in the geological briefing, which was surprisingly enough about as much drama they could conjure out.
Back at the outpost, Prune fielded questions, offered dry warnings, and tried not to get emotionally attached to the odd, bumbling crew now walking through her kingdom.
Then, near sunset, Veranassessee’s voice crackled over comms: “Curara. We’ll be lifting a crew out tomorrow, but leaving a team behind. With the right material, for all the good Muck’s mining expedition did out on the asteroid belt, it left the red planet riddled with precious rocks. But you, you’ve earned to take a rest, with a ticket back aboard. That’s if you want it. Three months back to Earth via the porkchop plot route. No pressure. Your call.”
Prune froze. Earth.
The word sat like an old song on her tongue. Faint. Familiar. Difficult to place.
She stepped out to the ridge, watching the sun dip low across the dusty plain. Behind her, laughter from the tourists trading their stories of the day —Tilly had rigged a heat plate with steel sticks and somehow convinced people to roast protein foam. Are we wasting oxygen now? Prune felt a weight lift; after such a long time struggling to make ends meet, she now could be free of that duty.
Prune closed her eyes. In her head, Mater’s voice emerged, raspy and amused: You weren’t meant to settle, sugar. You were meant to stir things up. Even on Mars.
She let the words tumble through her like sand in her boots.
She’d conquered her dream, lived it, thrived in it.
Now people were landing, with their new voices, new messes, new puzzles.
She could stay. Be the last queen of red rock and salvaged drones.
Or she could trade one hell of people for another. Again.
The next morning, with her patched duffel packed and goggles perched properly this time, Prune boarded Shuttle Dandelion with a half-smirk and a shrug.
“I’m coming,” she told Sue. “Can’t let Earth ruin itself again without at least watching.”
Sue grinned. “Welcome back to the madhouse.”
As the shuttle lifted off, Prune looked once, just once, at the red plains she’d called home.
“Thanks, Mars,” she whispered. “Don’t wait up.”
In reply to: The Last Cruise of Helix 25
Helix 25 — The Six Spinster Sisters’ Will
Evie keyed in her login credentials for the sixth time that afternoon, stifling a yawn. Ever since the murder case had wrapped, she had drifted into a lulling routine—one that made her pregnancy drag on with excruciating slowness. Riven was rarely around; he’d been commandeered by the newly awakened Veranassessee for “urgent duties” that somehow never needed Evie’s help. And though she couldn’t complain about the ship’s overall calm, she felt herself itching for something—anything—to break the monotony.
So she’d come to one of the less-frequented data terminals on Helix25, in a dim corner off the main library deck. She had told herself she was looking up baby name etymologies (her mother would have pressed her about it), but she’d quickly meandered into clinically sterile subfolders of genealogical records.
It was exactly the kind of aimless rummaging that had once led her to uncover critical leads during the murder investigation. And if there was something Helix25 had in abundance besides well-recycled air, it was obscure digital archives.
She settled into the creaking seat, adjusting the small pillow behind her back. The screen glowed, lines of text scrolling by in neat greenish typeface. Most references were unremarkable: old Earth deeds, ledgers for farmland, family names she didn’t recognize. Had she not known that data storage was near infinite, due to the excess demands of data from the central AIs, she would have wondered why they’d bothered stocking the ship with so much information. Then her gaze snagged on a curious subfolder titled “Alstonefield Will—Gibbs Sisters.”
“Gibbs Sisters…?” she murmured under her breath, tapping it open.
The file contained scans of a handwritten will dated early 1800s, from Staffordshire, England. Each page was peppered with archaic legalese (“whereupon the rightful property of Misses Mary, Ellen, Ann, Sarah, Margaret and Malové Gibbs bequeathed…”), listing items that ranged from modest farmland acreage to improbable references of “spiritual confidences.”
Evie frowned, leaning closer. Spiritual confidences? The text was surprisingly explicit about the sisters’ lives—how six women jointly farmed 146 acres, remained unmarried, and according to a marginal note, “were rumored to share an uncanny attunement of thought.”
A telepathic link? she thought, half-intrigued, half-smirking. That smacked of the same kind of rumor-laden gossip that had swirled around the old Earth families. Still, the note was written in an official hand.
She scrolled further, expecting the record to fizzle out. Instead, it abruptly jumped to an addendum dated decades later:
“By 1834, the Gibbs sisters departed for the Australian continent. Certain seeds and rootstocks—believed essential for their ‘ancestral devotions’—did accompany them. No further official records on them remain in Staffordshire….”
Seeds and rootstocks. Evie’s curiosity piqued further—some old detail about hush-hush crops that the sisters apparently treasured enough to haul across the world.
A flicker of movement caught her eye. Trevor Pee “TP” Marshall, her faithful investigative hologram, materialized at the edge of her console. He adjusted his little pixelated bow tie, voice brimming with delight.
“Ah, I see you’re poking around genealogical conundrums, dear Evie. Dare I hope we’ve found ourselves another puzzle?”
Evie snorted softly. “Don’t get too excited, TP. It’s just a random will. But it does mention unusual circumstances… something about telepathy, special seeds, and these six spinster sisters traveling to the outback. It’s bizarre. And I’m bored.”
TP’s mustache twitched in faux indignation. “Bizarre is my lifeblood, my dear. Let’s see: six sisters of reputed synergy… farmland… seeds with rumored ‘power’… Honestly, that’s more suspicious than the standard genealogical yawn.”
Evie tapped a fingertip on the screen, highlighting the references. “Agreed. And for some reason, the file is cross-referenced with older Helix25 ‘implied passenger diaries.’ I can’t open them—some access restriction. Maybe Dr. Arorangi tagged them?”
TP’s eyes gleamed. “Interesting, indeed. You recall Dr. Arorangi’s rumored fascination with nonstandard genetic lines—”
“Right,” Evie said thoughtfully, sitting back. “So is that the link? Maybe this Alstonefield Hall story or the seeds the sisters carried has some significance to the architectural codes Arorangi left behind. We never did figure out why the AI has so many subroutines locked.”
She paused, glancing down at her growing belly with a wry smile. “I know it might be nothing, but… it’s a better pastime than waiting for Riven to show up from another Veranassessee briefing. If these old records are tied to Dr. Arorangi’s restricted logs, that alone is reason enough to dig deeper.”
TP beamed. “Spoken like a true detective. Ready to run with a half-thread of clue and see where it leads?”
Evie nodded, tapping the old text to copy it into her personal device. “I am. Let’s see who these Gibbs sisters really were… and why Helix25’s archives bothered to keep them in the system.”
Her heart thumped pleasantly at the prospect of unraveling some long-lost secret. It wasn’t exactly the adrenaline rush of a murder investigation, but in these humdrum days—six months after the last major crisis—it might be the spark she needed.
She rose from the console, smartphone in hand, and beckoned to the flickering detective avatar. “Come on, TP. Let’s find out if six mysterious spinsters from 1800s Staffordshire can liven things up for us.”
In reply to: The Last Cruise of Helix 25
Mars Outpost — Fueling of Dreams (Prune)
I lean against the creaking bulkhead of this rust-stained fueling station, watching Mars breathe. Dust twirls across the ochre plains like it’s got somewhere important to be. The whole place rattles every time the wind picks up—like the metal shell itself is complaining. I find it oddly comforting. Reminds me of the Flying Fish Inn back home, where the fireplace wheezed like a drunk aunt and occasionally spit out sparks for drama.
Funny how that place, with all its chaos and secret stash hidey-holes, taught me more about surviving space than any training program ever could.
“Look at me now, Mater,” I catch myself thinking, tapping the edge of the viewport with a gloved knuckle. “Still scribbling starships in my head. Only now I’m living inside one.”
Behind me, the ancient transceiver gives its telltale blip… blip. I don’t need to check—I recognize the signal. Helix 25, closing in. The one ship people still whisper about like it’s a myth with plumbing. Part of me grins. Half nostalgia, half challenge.
Back in ’27, I shipped off to that mad boarding school with the oddball astronaut program. Professors called me a prodigy. I called it stubborn curiosity and a childhood steeped in ghost stories, half-baked prophecies, and improperly labeled pickle jars. The real trick wasn’t the calculus—it was surviving the Curara clan’s brand of creative chaos.
After graduation, I bought into a settlers’ programme. Big mistake. Turns out it was more con than colonization, sold with just enough truth to sting. Some people cracked. I just adjusted course. Spent some time bouncing between jobs, drifted home a couple times for stew and sideways advice, and kept my head sharp. Lesson logged: deceit’s just another puzzle with missing pieces.
A hiss behind the wall cuts into my thoughts—pipes complaining again. I spin, scan the console. Pressure’s holding. “Fine,” which out here means “still not exploding.” Good enough.
I remember the lottery ticket that got me here— 2049, commercial flights to Mars at last soared skyward— and Effin Muck’s big lottery. At last a seat to Mars, on section D. Just sheer luck that felt like a miracle at the time. But while I was floating spaceward, Earth went sideways: asteroid mining gone wrong, panic, nuclear strikes. I watched pieces of home disappear through a porthole while the Mars colonies went silent, one by one. All those big plans reduced to empty shells and flickering lights.
I was supposed to be evacuated, too. Instead, my lowly post at this fueling station—this rust bucket perched on a dusty plateau—kept me in place. Cosmic joke? Probably. But here I am. Still alive. Still tinkering with things that shouldn’t work. Still me.
I reprogrammed the oxygen scrubbers myself. Hacked them with a dusty old patch from Aunt Idle’s “Dream Time” stash. When the power systems started failing and had to cut all the AI support to save on power, I taught myself enough broken assembly code to trick ancient processors into behaving. Improvisation is my mother tongue.
“Mars is quieter than the Inn,” I say aloud, half to myself. “Only upside, really.”
Another ping from the transceiver—it’s getting closer. The Helix 25, humanity’s last-ditch bottle-in-space. They say it’s carrying what’s left of us. Part myth, part mobile city. If I didn’t have the logs, I’d half believe it was a fever dream.
But no dream prepares you for this kind of quiet.
I think about the Inn again. How everyone swore it had secret tunnels, cursed tiles, hallucinations in the pantry. Honestly, it probably did. But it also had love—scrambled, sarcastic love—and enough stories to keep you wondering if any of them were real. That’s where I learned to spot a lie, tell a better one, and stay grounded when the walls started talking.
I smack the comm panel until it stops crackling. That’s the secret to maintenance on Mars: decisive violence.
“All right, Helix,” I mutter. “Let’s see what you’ve got. I’ve got thruster fuel, half-functional docking protocols, and a mean kettle of tea if you’re lucky.”
I catch my reflection in the viewport glass—older, sure. Forty-two now. Taller. Calmer in the eyes. But the glint’s still there, the one that says I’ve seen worse, and I’m still standing. That kid at the Inn would’ve cheered.
Earth’s collapse wasn’t some natural catastrophe—it was textbook human arrogance. Effin Muck’s greedy asteroid mining scheme. World leaders playing hot potato with nuclear codes. It burned. Probably still does… But I can’t afford to stew in it. We’re not here to mourn; we’re here to rebuild. If someone’s going to help carry that torch, it might as well be someone who’s already walked through fire.
I fiddle with the dials on the fuel board. It hums like a tired dragon, but it’s awake. That’s all I need.
“Might be time to pass some of that brilliance along,” I mutter, mostly to the station walls. Somewhere, I bet my siblings are making fun of me. Probably watching soap dramas and eating improperly reheated stew. Bless them. They were my first reality check, and I still measure the world by how weird it is compared to them. Loved them for how hard they made me feel normal after all.
The wind howls across the shutters. I stand up straight, brush the dust off my sleeves. Helix 25 is almost here.
“Showtime,” I say, and grin. Not the nice kind. The kind that says I’ve got one wrench, three working systems, and no intention of rolling over.
The Flying Fish Inn shaped me with every loud, strange, inexplicable day. It gave me humor. It gave me bite. It gave me an unshakable sense of self when everything else fell apart.
So here I stand—keeper of the last Martian fueling post, scrappy guardian of whatever future shows up next.
I glance once more at the transceiver, then hit the big green button to unlock the landing bay.
“Welcome to Mars,” I say, deadpan. Then add, mostly to myself, “Let’s see if they’re ready for me.”
In reply to: The Last Cruise of Helix 25
Helix 25 – The Genetic Puzzle
Amara’s Lab – Data Now Aggregated
(Discrepancies Never Addressed)On the screen in front of Dr. Amara Voss, lines upon lines of genetic code were cascading and making her sleepy. While the rest of the ship was running amok, she was barricaded into her lab, content to have been staring at the sequences for the most part of the day —too long actually.
She took a sip of her long-cold tea and exhaled sharply.
Even if data was patchy from the records she had access to, there was a solid database of genetic materials, all dutifully collected for all passengers, or crew before embarkment, as was mandated by company policy. The official reason being to detect potential risks for deep space survival. Before the ship’s take-over, systematic recording of new-borns had been neglected, and after the ship’s takeover, population’s new born had drastically reduced, with the birth control program everyone had agreed on, as was suggested by Synthia. So not everyone’s DNA was accounted for, but in theory, anybody on the ship could be traced back and matched by less than 2 or 3 generations to the original data records.
The Marlowe lineage was the one that kept resurfacing. At first, she thought it was coincidence—tracing the bloodlines of the ship’s inhabitants was messy, a tangled net of survivors, refugees, and engineered populations. But Marlowe wasn’t alone.
Another name pulsed in the data. Forgelot. Then Holt. Old names of Earth, unlike the new star-birthed. There were others, too.
Families that had been aboard Helix 25 for some generations. But more importantly, bloodlines that could be traced back to Earth’s distant past.
But beyond just analysing their origins, there was something else that caught her attention. It was what was happening to them now.
Amara leaned forward, pulling up the mutation activation models she had been building. In normal conditions, these dormant genetic markers would remain just that—latent. Passed through generations like forgotten heirlooms, meaningless until triggered.
Except in this case, there was evidence that something had triggered them.
The human body, subjected to long-term exposure to deep space radiation, artificial gravity shifts, and cosmic phenomena, and had there not been a fair dose of shielding from the hull, should have mutated chaotically, randomly. But this was different. The genetic sequences weren’t just mutating—they were activating.
And more surprisingly… it wasn’t truly random.
Something—or someone—had inherited an old mechanism that allowed them to access knowledge, instincts, memories from generations long past.
The ancient Templars had believed in a ritualistic process to recover ancestral skills and knowledge. What Amara was seeing now…
She rubbed her forehead.
“Impossible.”
And yet—here was the data.
On Earth, the past was written in stories and fading ink. In space, the past was still alive—hiding inside their cells, waiting.
Earth – The Quiz Night Reveal
The Golden Trowel, Hungary
The candlelit warmth of The Golden Trowel buzzed with newfound energy. The survivors sat in a loose circle, drinks in hand, at this unplanned but much-needed evening of levity.
Once the postcards shared, everyone was listening as Tala addressed the group.
“If anyone has an anecdote, hang on to the postcard,” she said. “If not, pass it on. No wrong answers, but the best story wins.”
Molly felt the weight of her own selection, the Giralda’s spire sharp and unmistakable. Something about it stirred her—an itch in the back of her mind, a thread tugging at long-buried memories.
She turned toward Vera, who was already inspecting her own card with keen interest.
“Tower of London, anything exciting to share?”
Vera arched a perfectly sculpted eyebrow, lips curving in amusement.
“Molly Darling,” she drawled, “I can tell you lots, I know more about dead people’s families than most people know about their living ones, and London is surely a place of abundance of stories. But do you even know about your own name Marlowe?”
She spun the postcard between her fingers before answering.
“Not sure, really, I only know about Philip Marlowe, the fictional detective from Lady in the Lake novel… Never really thought about the name before.”
“Marlowe,” Vera smiled. “That’s an old name. Very old. Derived from an Old English phrase meaning ‘remnants of a lake.’”
Molly inhaled sharply.
Remnants of the Lady of the Lake ?
Her pulse thrummed. Beyond the historical curiosity she’d felt a deep old connection.
If her family had left behind records, they would have been on the ship… The thought came with unwanted feelings she’d rather have buried. The living mattered, the lost ones… They’d lost connection for so long, how could they…
Her fingers tightened around the postcard.
Unless there was something behind her ravings?
Molly swallowed the lump in her throat and met Vera’s gaze. “I need to talk to Finja.”
Finja had spent most of the evening pretending not to exist.
But after the fifth time Molly nudged her, eyes bright with silent pleas, she let out a long-suffering sigh.
“Alright,” she muttered. “But just one.”
Molly exhaled in relief.
The once-raucous Golden Trowel had dimmed into something softer—the edges of the night blurred with expectation.
Because it wasn’t just Molly who wanted to ask.
Maybe it was the effect of the postcards game, a shared psychic connection, or maybe like someone had muttered, caused by the new Moon’s sickness… A dozen others had realized, all at once, that they too had names to whisper.
Somehow, a whole population was still alive, in space, after all this time. There was no time for disbelief now, Finja’s knowledge of stuff was incontrovertible. Molly was cued by the care-taking of Ellis Marlowe by Finkley, she knew things about her softie of a son, only his mother and close people would know.
So Finja had relented. And agreed to use all means to establish a connection, to reignite a spark of hope she was worried could just be the last straw before being thrown into despair once again.
Finja closed her eyes.
The link had always been there, an immediate vivid presence beneath her skull, pristine and comfortable but tonight it felt louder, crowdier.
The moons had shifted, in syzygy, with a gravity pull in their orbits tugging at things unseen.
She reached out—
And the voices crashed into her.
Too much. Too many.
Hundreds of voices, drowning her in longing and loss.
“Where is my brother?”
“Did my wife make it aboard?”
“My son—please—he was supposed to be on Helix 23—”
“Tell them I’m still here!”Her head snapped back, breath shattering into gasps.
The crowd held its breath.
A dozen pairs of eyes, wide and unblinking.
Finja clenched her fists. She had to shut it down. She had to—
And then—
Something else.
A presence. Watching.
Her chest seized.
There was no logical way for an AI to interfere with telepathic frequencies.
And yet—
She felt it.
A subtle distortion. A foreign hand pressing against the link, observing.
The ship knew.
Finja jerked back, knocking over her chair.
The bar erupted into chaos.
“FINJA?! What did you see?”
“Was someone there?”
“Did you find anyone?!”Her breath came in short, panicked bursts.
She had never thought about the consequences of calling out across space.
But now…
Now she knew.
They were not the last survivors. Other lived and thrived beyond Earth.
And Synthia wanted to keep it that way.
Yet, Finja and Finkley had both simultaneously caught something.
It would take the ship time, but they were coming back. Synthia was not pleased about it, but had not been able to override the response to the beacon.They were coming back.
In reply to: The Last Cruise of Helix 25
Helix 25 — Aftermath of the Solar Flare Alert
The Second Murder
It didn’t take them long to arrive at the scene, Riven alerted by a distraught Finkley who’d found the body.
Evie knelt beside the limp, twitching form of Mandrake, his cybernetic collar flickering erratically, tiny sparks dancing along its edge. The cat’s body convulsed, its organic parts frozen in eerie stillness while the cybernetic half stuttered between functions, blinking in and out of awareness.
Mandrake was both dead and not dead.
“Well, this is unsettling,” TP quipped, materializing beside them with an exaggerated frown. “A most profound case of existential uncertainty. Schrödinger himself would have found this delightful—if he weren’t very much confirmed dead.”
Riven crouched, running a scanner over Mandrake’s collar. The readout spat out errors. “Neural link’s corrupted. He’s lost something.”
Evie’s stomach twisted. “Lost what? But… he can be repaired, surely, can’t he?”
Evan replied with a sigh “Hard to tell how much damage he’s suffered, but we caught him in time thanks to Finkley’s reflexes, he may stand a chance, even if he may need to be reprogrammed.”
Mandrake’s single functioning eye flickered open, its usual sharpness dull. Then, rasping, almost disjointedly, he muttered:
“I was… murdered.”
Then his system crashed, leaving nothing but silence.
Upper Decks Carnival
Sue was still adjusting her hat and feathers for the Carnival Party wondering if that would be appropriate as she was planning to go to the wake first, and then to the Lexican’s baby shower. It wasn’t every day there was a baby nowadays. And a boy too. But then, there was no such thing as being overdressed in her book.
The ship’s intercom crackled to life, cutting through her thoughts, its automated cheerfulness electrifying like a misplaced party horn.
“Attention, dear passengers! As scheduled, with the solar flare now averted, we are preparing for our return to Earth. Please enjoy the journey and partake in today’s complimentary hibiscus tea at the Grand Hall! Samba!”
The words ‘return to Earth’ sent a shudder through Sue’s spine. That wasn’t right. That wasn’t possible.
A sudden pulse of static in her artificial limb made her flinch. A garbled transmission—so faint she almost dismissed it—whispered through her internal interface, that was constantly scanning hacking through the data streams of the ship, and having found critical intel that was quickly being scrubbed by the maintenance system.
Signal detected…
Beacon coordinates triangulating…
…origin: Earth…Her breath stopped. Sue had spent years pretending she knew everything, but this… was something else entirely.
She got the odd and ominous feeling that Synthia was listening.
Quadrant B – The Wake of Mr. Herbert
The air in the gathering hall was thick with preservative floral mist—the result of enthusiastic beauticians who had done their best to restore and rehydrate the late Mr. Herbert to some semblance of his former self.
And yet, despite their efforts, he still looked vaguely like a damp raisin in a suit.
Gloria adjusted her shawl and whispered to Sharon, “He don’t look half bad, does he?”
Sharon squinted. “Oh, love, I’d say he looks at least three-quarters bad.”
Marlowe Sr. stood by the casket, his posture unnervingly rigid, as if he were made of something more fragile than bone. When he spoke, his voice cracked. “Ethan.”
He was in no condition for a speech— only able to utter the name.
Gloria dabbed her eyes, nudging Mavis. “I reckon this is the saddest thing I’ve seen since they discontinued complimentary facials at the spa.”
Mavis sniffed. “And yet, they say he’ll be composted by next Tuesday. Bloody efficient, innit?”
Marlowe didn’t hear them.
Because at that moment, as he stared at his son’s face, the realization struck him like a dying star—this was no mistake. This was something bigger.
And for the first time in years, he felt the weight of knowing too much.
He would have to wake and talk to the Captain. She would know what to do.
In reply to: The Last Cruise of Helix 25
Helix 25 – The Murder Board
Evie sat cross-legged on the floor of her cramped workspace, staring at the scattered notes, datapads, and threads taped to the wall. Finding some yarn on the ship had not been as easy as she thought, but it was a nice touch she thought.
The Murder Board, as Riven Holt had started calling it, was becoming an increasingly frustrating mess of unanswered questions.
Riven stood nearby, arms crossed, with a an irritated skepticism. “Almost a week,” he muttered. “We’re no closer than when we started.”
Evie exhaled sharply. “Then let’s go back to the basics.”
She tapped the board, where the crime scene was crudely sketched. The Drying Machine. Granary. Jardenery. Blood that shouldn’t exist.
She turned to Riven. “Alright, let’s list it out. Who are our suspects?”
He looked at his notes, dejected for a moment; “too many, obviously.” Last census on the ship was not accurate by far, but by all AI’s accounts cross-referenced with Finkley’s bots data, they estimated the population to be between 15,000 and 50,000. Give or take.
They couldn’t interview possibly all of them, all the more since there the interest in the murder had waned very rapidly. Apart from the occasional trio of nosy elderly ladies, the ship had returned mostly to the lull of the day-to-day routine.
So they’d focused on a few, and hoped TP’s machine brain could see patterns where they couldn’t.- First, the Obvious Candidates: People with Proximity to the Crime Scene
Romualdo, the Gardener – Friendly, unassuming. He lends books, grows plants, and talks about Elizabeth Tattler novels. But Herbert visited him often. Why?
Dr. Amara Voss – The geneticist. Her research proves the Crusader DNA link, but could she be hiding more? Despite being Evie’s godmother, she couldn’t be ruled out just yet.
Sue Forgelot – The socialite with connections everywhere. She had eluded their request for interviews. —does she know more than she lets on?
The Cleaning Staff – they had access everywhere. And the murder had a clean elegance to it… - Second, The Wild Cards: People with Unknown Agendas
The Lower Deck Engineers – Talented mechanic, with probable cybernetic knowledge, with probable access to unauthorized modifications. Could they kill for a reason, or for hire?
Zoya Kade and her Followers – They believe Helix 25 is on a doomed course, manipulated by a long-dead tycoon’s plan. Would they kill to force exposure of an inconvenient truth?
The Crew – Behind the sense of duty and polite smiles, could any of them be covering something up? - Third, The AI Factor: Sentient or Insentient?
Synthia, the AI – Controls the ship. Omnipresent. Can see everything, and yet… didn’t notice or report the murder. Too convenient.
Other personal AIs – Like Trevor Pee’s programme, most had in-built mechanisms to make them incapable of lying or harming humans. But could one of their access be compromised?
Riven frowned. “And what about Herbert himself? Who was he, really? He called himself Mr. Herbert, but the cat erm… Mandrake says that wasn’t his real name. If we figure out his past, maybe we find out why he was killed.”
Evie rubbed her temples. “We also still don’t know how he was killed. The ship’s safety systems should have shut the machine down. But something altered how the system perceived him before he went in.”
She gestured to another note. “And there’s still the genetic link. What was Herbert doing with Crusader DNA?”
A heavy silence settled between them.
Then TP’s voice chimed in. “Might I suggest an old detective’s trick? When stumped, return to who benefits.”
Riven exhaled. “Fine. Who benefits from Herbert’s death?”
Evie chewed the end of her stylus. “Depends. If it was personal, the killer is on this ship, and it’s someone who knew him. If it was bigger than Herbert, then we’re dealing with something… deeper.”
TP hummed. “I do hate deeper mysteries. They tend to involve conspiracies, misplaced prophecies, and far too many secret societies.”
Evie and Riven exchanged a glance.
Riven sighed. “We need a break.”
Evie scoffed. “Time means nothing here.”
Riven gestured out the window. “Then let’s go see it. The Sun.”
Helix 25 – The Sun-Gazing Chamber
The Sun-Gazing Chamber was one of Helix 25’s more poetic and yet practical inventions —an optically and digitally-enhanced projection of the Sun, positioned at the ship’s perihelion. It was meant to provide a psychological tether, a sense of humanity’s connection to the prime provider of life as they drifted in the void of the Solar System.
It was a beautifully designed setting where people would simply sit and relax, attuned to the shift of days and nights as if still on Earth. The primary setting had been voted to a massive 83.5% to be like in Hawai’i latitude and longitude, as its place was believed to be a reflection of Earth’s heart. That is was a State in the USA was a second thought of course.
Evie sat on the observation bench, staring at the massive, golden sphere suspended in the darkness. “Do you think people back on Earth are still watching the sunrise?” she murmured.
Riven was quiet for a moment. “If there’s anyone left.”
Evie frowned. “If they are, I doubt they got much of a choice.”
TP materialized beside them, adjusting his holographic tie. “Ah, the age-old existential debate: are we the lucky ones who left Earth, or the tragic fools who abandoned it?”
Evie ignored him, glancing at the other ship residents in the chamber. Most people just sat quietly, basking in the light. But she caught snippets of whispers, doubt, something spreading through the ranks.
“Some people think we’re not really where they say we are,” she muttered.
Riven raised an eyebrow. “What, like conspiracy theories?”
TP scoffed. “Oh, you mean the Flat-Earthers?” He tsked. “Who couldn’t jump on the Helix lifeboats for their lives, convinced as they were we couldn’t make it to the stars. They deserved what came to them. Next they’ll be saying Helix 25 never even launched and we’re all just trapped in a simulation of a luxury cruise.”
Evie was shocked at Trevor Pee’s eructation and rubbed her face. “Damn Effin Muck tech, and those “Truth Control” rubbish datasets. I thought I’d thoroughly scrubbed all the old propaganda tech from the system.”
“Ah,” TP said, “but conspiracies are like mold. Persistent. Annoying. Occasionally toxic.”
Riven shook his head. “It’s nonsense. We’re moving. We’ve been moving for decades.”
Evie didn’t look convinced. “Then why do we feel stuck?”
A chime interrupted them.
A voice, over the comms. Solar flare alert.
Evie stiffened.
Then: Stay calm and return to your quarters until further notice.
Evie raised an eyebrow. This was the first time something like that happened. She turned to Riven who was looking at his datapad who was flashing and buzzing.
He said to her: “Stay quiet and come with me, a new death has been reported. Crazy coincidence. It’s just behind the Sun-Gazing chamber actually, in the Zero-G sector.”
In reply to: The Last Cruise of Helix 25
Helix 25 – Poop Deck – The Jardenery
Evie stepped through the entrance of the Jardenery, and immediately, the sterile hum of Helix 25’s corridors faded into a world of green. Of all the spotless clean places on the ship, it was the only where Finkley’s bots tolerated the scent of damp earth. A soft rustle of hydroponic leaves shifting under artificial sunlight made the place an ecosystem within an ecosystem, designed to nourrish both body and mind.
Yet, for all its cultivated serenity, today it was a crime scene. The Drying Machine was connected to the Jardenery and the Granary, designed to efficiently extract precious moisture for recycling, while preserving the produce.
Riven Holt, walking beside her, didn’t share her reverence. “I don’t see why this place is relevant,” he muttered, glancing around at the towering bioluminescent vines spiraling up trellises. “The body was found in the drying machine, not in a vegetable patch.”
Evie ignored him, striding toward the far corner where Amara Voss was hunched over a sleek terminal, frowning at a glowing screen. The renowned geneticist barely noticed their approach, her fingers flicking through analysis results faster than human eyes could process.
A flicker of light.
“Ah-ha!” TP materialized beside Evie, adjusting his holographic lapels. “Madame Voss, I must say, your domain is quite the delightful contrast to our usual haunts of murder and mystery.” He twitched his mustache. “Alas, I suspect you are not admiring the flora?”
Amara exhaled sharply, rubbing her temples, not at all surprised by the holographic intrusion. She was Evie’s godmother, and had grown used to her experiments.
“No, indeed. I’m admiring this.” She turned the screen toward them.
The DNA profile glowed in crisp lines of data, revealing a sequence highlighted in red.
Evie frowned. “What are we looking at?”
Amara pinched the bridge of her nose. “A genetic anomaly.”
Riven crossed his arms. “You’ll have to be more specific.”
Amara gave him a sharp look but turned back to the display. “The sample we found at the crime scene—blood residue on the drying machine and some traces on the granary floor—matches an ancient DNA profile from my research database. A perfect match.”
Evie felt a prickle of unease. “Ancient? What do you mean? From the 2000s?”
Amara chuckled, then nodded grimly. “No, ancient as in Medieval ancient. Specifically, Crusader DNA, from the Levant. A profile we mapped from preserved remains centuries ago.”
Silence stretched between them.
Finally, Riven scoffed. “That’s impossible.”
TP hummed thoughtfully, twirling his cane. “Impossible, yet indisputable. A most delightful contradiction.”
Evie’s mind raced. “Could the database be corrupted?”
Amara shook her head. “I checked. The sequencing is clean. This isn’t an error. This DNA was present at the crime scene.” She hesitated, then added, “The thing is…” she paused before considering to continue. They were all hanging on her every word, waiting for what she would say next.
Amara continued “I once theorized that it might be possible to reawaken dormant ancestral DNA embedded in human cells. If the right triggers were applied, someone could manifest genetic markers—traits, even memories—from long-dead ancestors. Awakening old skills, getting access to long lost secrets of states…”
Riven looked at her as if she’d grown a second head. “You’re saying someone on Helix 25 might have… transformed into a medieval Crusader?”
Amara exhaled. “I’m saying I don’t know. But either someone aboard has a genetic profile that shouldn’t exist, or someone created it.”
TP’s mustache twitched. “Ah! A puzzle worthy of my finest deductive faculties. To find the source, we must trace back the lineage! And perhaps a… witness.”
Evie turned toward Amara. “Did Herbert ever come here?”
Before Amara could answer, a voice cut through the foliage.
“Herbert?”
They turned to find Romualdo, the Jardenery’s caretaker, standing near a towering fruit-bearing vine, his arms folded, a leaf-tipped stem tucked behind his ear like a cigarette. He was a broad-shouldered man with sun-weathered skin, dressed in a simple coverall, his presence almost too casual for someone surrounded by murder investigators.
Romualdo scratched his chin. “Yeah, he used to come around. Not for the plants, though. He wasn’t the gardening type.”
Evie stepped closer. “What did he want?”
Romualdo shrugged. “Questions, mostly. Liked to chat about history. Said he was looking for something old. Always wanted to know about heritage, bloodlines, forgotten things.” He shook his head. “Didn’t make much sense to me. But then again, I like practical things. Things that grow.”
Amara blushed, quickly catching herself. “Did he ever mention anything… specific? Like a name?”
Romualdo thought for a moment, then grinned. “Oh yeah. He asked about the Crusades.”
Evie stiffened. TP let out an appreciative hum.
“Fascinating,” TP mused. “Our dearly departed Herbert was not merely a victim, but perhaps a seeker of truths unknown. And, as any good mystery dictates, seekers who get too close often find themselves…” He tipped his hat. “Extinguished.”
Riven scowled. “That’s a bit dramatic.”
Romualdo snorted. “Sounds about right, though.” He picked up a tattered book from his workbench and waved it. “I lend out my books. Got myself the only complete collection of works of Liz Tattler in the whole ship. Doc Amara’s helping me with the reading. Before I could read, I only liked the covers, they were so romantic and intriguing, but now I can read most of them on my own.” Noticing he was making the Doctor uncomfortable, he switched back to the topic. “So yes, Herbert knew I was collector of books and he borrowed this one a few weeks ago. Kept coming back with more questions after reading it.”
Evie took the book and glanced at the cover. The Blood of the Past: Genetic Echoes Through History by Dr. Amara Voss.
She turned to Amara. “You wrote this?”
Amara stared at the book, her expression darkening. “A long time ago. Before I realized some theories should stay theories.”
Evie closed the book. “Looks like someone didn’t agree.”
Romualdo wiped his hands on his coveralls. “Well, I hope you figure it out soon. Hate to think the plants are breathing in murder residue.”
TP sighed dramatically. “Ah, the tragedy of contaminated air! Shall I alert the sanitation team?”
Riven rolled his eyes. “Let’s go.”
As they walked away, Evie’s grip tightened around the book. The deeper they dug, the stranger this murder became.
In reply to: The Last Cruise of Helix 25
Orrin Holt gripped the wheel of the battered truck, his knuckles white as the vehicle rumbled over the dry, cracked road. The leather wrap was a patchwork of smooth and worn, stichted together from whatever scraps they had—much like the quilts his mother used to make before her hands gave out. The main road was a useless, unpredictable mess of asphalt gravels and sinkholes. Years of war with Russia, then the collapse, left it to rot before anyone could fix it. Orrin stuck to the dirt path beside it. That was the only safe way through. The engine coughed but held. A miracle, considering how many times it had been patched together.
The cargo in the back was too important for a breakdown now. Medical supplies—antibiotics, painkillers, and a few salvaged vials of something even rarer. They’d traded well for it, risking much. Now he had to get it back to Base Klyutch (Ukrainian word for Key) without incident. If he continued like that he could make it before noon.
Still, something bothered him. That group of people he’d seen.
They had been barely more than silhouettes on top of a hill. Strangers, a rarity in these times. His first instinct had been to stop and evaluate who they were. But his instructions let room for no delay. So, he’d pushed forward and ignored them. The world wasn’t kind to the wandering. But they hadn’t looked like raiders or scavengers. Lost, perhaps. Or searching.
The truck lurched forward as he pushed it harder. The fences of the base rose in the distance, grey and wiry against the blue sky. Base Klyutch was a former military complex, fortified over the years with scavenged materials, steel sheets, and watchtowers. It wasn’t perfect, but it kept them alive.
As he rolled up to the main gate, the sentries swung the barricade open. Before he could fully cut the engine, a woman wearing a pristine white lab coat stepped forward, her sharp eyes scanning the truck’s cargo bed. Dr. Yelena Markova, the camp’s chief doctor, a former nurse who had to step up when the older one died in a raid on their camp three years ago. Stern-faced and wiry, with a perpetual air of exhaustion, she moved with the efficiency of someone who had long stopped hoping for ease. She had been waiting for this delivery.
“Finally,” she murmured, motioning for her assistants to start unloading. “We were running low. This will keep us going for a while.”
Orrin barely had time to nod before Dmytro Koval, the de facto leader of the base, strode toward him with the gait of a tall bear. His face seemed to have been carved out by a dulled blade, hardened by years of survival. A scar barred his mouth, pulling slightly at the corner when he spoke, giving the impression of a permanent sneer.
“Did you get it?” Koval asked, voice low.
Orrin reached into his kaki jacket and pulled out a sealed letter, along with a small package.
Koval took both, his expression unreadable. “Anything on the road?”
Orrin exhaled and adjusted his stance. “Saw something on the way back. A group, about a dozen, on a hill ten kilometers out. They seemed lost.”
“Armed?” asked Koval with a frown.
“Can’t say for sure.”
Dr. Markova straightened. “Lost? Unarmed? Out in the open like that, they won’t last long with Sokolov’s gang roaming the land. We have to go take them in.”
Koval grimaced. “Or they’re Sokolov’s spies. Trying to infiltrate us and find a weakness in our defenses. You know how it works.”
Before Koval could argue, a new voice cut in. “Or they could just be people.”
Solara Ortega had stepped into the conversation, brushing dirt from her overalls. A woman of lean strength, with the tan of someone spending long hours outside. Her sharp amber eyes carried the weight of someone who had survived too much but refused to be hardened by it. Orrin shoved down a mix of joy and ache at her sight. Her voice was calm but firm. “We can’t always assume the worst. We need more hands and we don’t leave people to die if we can help it. And in case you forgot, Koval, you don’t make all the decisions around here. I say we send a team to assess them.”
Koval narrowed his eyes, but he held his tongue. There was tension between them, but the council wasn’t a dictatorship.
“Fine,” Koval said after a moment, his jaw tense. “A team of two. They scout first. No direct contact until we’re sure. Orrin, you one of them take whoever wants to accompany you, but not one of my men. We need to maintain tight security.”
Dr. Markova sighed with relief when the man left. “If he wasn’t good at what he does, I would gladly kick him out of our camp.”
Solara, her face framed by strands of dark hair, shot a glance at Orrin. “I’m coming with you.”
This time, Orrin couldn’t repress a longing for a time before everything fell apart, when she had been his wife. The collapse had torn them apart in an instant, and by the time he found her again, years later, she had built a new life within the base in Ukraine. She had a husband now, one of the scientists managing the radio equipment, and two children. Orrin kept his expression neutral, but the weight of time pressed heavy on him.
“Then let’s get on the move. They might not stay there long.”
In reply to: The Last Cruise of Helix 25
Not knowing what else to do to calm his nerves Ellis took Finkley’s advice and took his box of postcards back down off the shelf. Extracting a random one from the middle of the stack he gazed at the picture of a lump of orange rock in the middle of a desert. Turning it over with trembling hands he tried to focus on the message. It was written in a childish hand and mentioned an outing to the old Bundy place and that Mater had locked herself in her bedroom again, signed lots of love from Clove.
Ellis was trying to decipher the smudged postmark when Finkley barged in again. “Ellis, sit down,” Finkley said pointlessly as Ellis was already seated. “Detective TP wants to talk to you about the murder victim.”
“But why? I don’t know anything about it.”
“You’re not the only one who doesn’t know anything, I can assure you. Nobody seems to know what’s going on, but TP says he wants to talk to you. Don’t shoot the messenger, Ellis, I’m as confused as you are. You’re to go to his pod immediately.” Seeing his discomfiture, Finkley added kindly, “I’ll come with you if you like.”
In reply to: The Last Cruise of Helix 25
The “do not enter, crime scene” sticker haphazardly printed, was not even sealing the door. Amateur job, but of course, this was to be expected when such murder event had not been seen in a generation.
She entered surrepticiously, the door to the drying chamber slid shut with a hiss behind her, muffling the last of the frantic voices outside. Evie exhaled. She needed a moment. Just her, the crime scene, and—
A flicker of light.
“Ah-ha!” Trevor Pee Marshall, aka TP, materialized beside her, adjusting his holographic lapels with exaggerated precision. “What we have here, dear Evie, is a classic case of les morts très mystérieux.” His mustache twitched. “Or as my good friend Clouseau would say—‘Zis does not add up!’”
Evie rolled her eyes. “Less theatrics, more analysis, TP.”
Despite the few glitches, she was proud and eager to take her invention to a real-life trial run. Combining all the brilliant minds of enquêteur Jacques Clouseau, as well as the flair of Marshall Pee Stoll from the beloved Peaslanders children stories, TP was the help they needed to solve this.
“Ahem.” TP straightened, flickering momentarily before reappearing near the machine, peering inside with a magnifying glass he absolutely didn’t need.
Evie pulled up the logs. The AI had flagged the event—drying cycle activated at 0200 hours. Duration: excessive. But no shutdown? That was impossible.
TP let out a thoughtful “hmm.” Then, with the gravitas of a seasoned investigator, he declared, “Madame, I detect a most peculiar discrepancy.”
Evie looked up. “Go on.”
TP pivoted dramatically. “The AI should have stopped the cycle, yes? But what if… it never saw a problem?”
Evie frowned. That wasn’t how safety protocols worked. Unless—
She tapped rapidly through the logs. Her stomach dropped.
The system hadn’t flagged a human inside at all.
Someone had altered the ship’s perception of Mr. Herbert before he ever stepped into the machine.
Evie’s pulse quickened. This wasn’t just murder.
It was premeditated.
A link to another previous video I quite like.
Some rushes from Corrie and Clove, as we try to advertise the Flying Fish Inn.
La escena comienza con una toma aérea del bush australiano, mostrando extensas áreas de matorrales verdes y marrones, con un camino serpenteante que lleva al Flying Fish Inn, un encantador edificio rústico rodeado de naturaleza salvaje.
La imagen transiciona a una anciana enérgica en el jardín del Inn, riendo junto a un kookaburra posado en su hombro. Su expresión es cálida y acogedora.
La escena cambia rápidamente a la Tía Idle, con trenzas, en una habitación vibrante llena de murales de dreamtime, con las gemelas Clove y Corrie trabajando en su arte.
La vista serena del atardecer desde la veranda del Inn muestra un cielo pintado con tonos de naranja y rosa, mientras el entorno se sumerge en una tranquilidad mágica.
La pantalla se desvanece al logo del Flying Fish Inn, acompañado de información de contacto y un suave toque musical.
[Scene opens with a sweeping aerial shot of the Australian bush, transitioning to the rustic charm of the Flying Fish Inn nestled amidst the wild beauty.]
Narrator (calm, inviting voice): “Escape to the heart of the outback at the Flying Fish Inn, where stories come alive.”
[Cut to Mater, a sprightly centenarian, in the garden with her kookaburra friend, a warm smile on her face.]
Narrator: “Meet Mater, our beloved storyteller, celebrated for her legendary bush tucker cuisine.”
[Quick transition to Aunt Idle, in a vibrant room adorned with dreamtime murals, created by the twins Clove and Corrie.]
Narrator: “Join Aunt Idle, brimming with tales of adventure, and marvel at the dreamtime artwork by the creative twins.”
[Flashes of Prune with a telescope, gazing at the stars, embodying her dream of Mars.]Narrator: “And Prune, the stargazer, connecting dreams and reality under the vast desert sky.”[End with a serene sunset view from the Inn’s veranda, the sky painted with hues of orange and pink.]
Narrator: “Discover the magic of the bush and the warmth of community. Your outback adventure awaits at the Flying Fish Inn.”
[The screen fades to the Flying Fish Inn logo with contact information and a gentle musical flourish.]
In reply to: Quintessence: Reversing the Fifth
It was the chalkapocalypse, which in actual fact occurred so close to Elara’s coming retirement that it hardly need have bothered her in the slightest, that had sparked her interest. She, like many of her colleagues, had quickly stockpiled the Japanese chalk, and she had more than enough to see out the remaining term of her employment at the university. Not that she wanted to stay at Warwick, she’d had enough of university politics and funding cuts, not to mention the dreary midlands weather.
When at last the day had come, she’d sold her mediocre semi detached suburban house with its, more often than not, dripping shrubbery and rarely if ever used white metal patio table and chairs, and made the move, with the intention of pursuing her research at her leisure. In the warmth of a Tuscan sun.
Often the words of her friend and colleague Tom came to her, as she settled into the farmhouse and familiarised herself with the land and the locals.
Physics is a process of getting stuck. Blackboards are the best tool for getting unstuck. You do most of your calculations on paper. Then, when you reach a dead end, you go to the blackboard and share the problem with a colleague. But here’s the funny thing. You often solve the problem yourself in the process of writing it out. You don’t imagine something first and then write it down. It’s through the act of writing that ideas make themselves known. Scientists at blackboards have thoughts that wouldn’t come if they just stood there, with their arms folded.
It was entirely down to Tom’s words that Elara had painted the walls of the barn with blackboard paint, and stocked it with the remains of her Hagoromo chalk hoard, as well as samples of every other available chalk. She had also purchased a number of books on the history of chalk. She’d had no intention of rushing, and retirement provided a relaxed environment for going at her own pace, unfettered by the relentless demands of students and classes. It was a project to savour, luxuriate in, amuse herself with.
When Florian had arrived, she was occupied with showing him around, and before long setting him to tasks that needed doing, and her chalk project had remained on a back burner. He’d asked her about the blackboards in the barn, and wondered if she was planning on giving lectures.
Laughing, Elara said no, that was the last thing she ever wanted to do again. She shared with him what Tom had said, about the ideas flowing during the process of writing.
“And while that makes perfect sense in any medium, not just chalk, it’s the chalk itself ….” Elara smiled. “Well, you don’t want to hear all the technical details. And I wouldn’t want to spill the beans before I’m sure.”
“It does make sense,” Florian replied, “To just write and then the ideas will flow. I’ve been wanting to write a book, but I never know how to start, and I’m not even sure what I want to write about. But perhaps I should just start writing.” Grinning, he added, “Probably not with chalk, though.”
“That’s the spirit, just make a start. You never know what may come of it. And it can be fun, you know, and illuminating in ways you didn’t expect. I used to write stories with a few friends….” Elara’s voice trailed off uncomfortably, as if a cloud had obscured the sun.
Florian noticed her unexpected discomfiture, and tactfully changed the subject. We all have pasts we don’t want to talk about. “Is the sun sufficiently past the yard arm for a glass of wine?” he asked. “What is a yard arm, anyway?”
“A yard is a spar on a mast from which sails are set. It may be constructed of timber or steel or from more modern materials such as aluminium or carbon fibre. Although some types of fore and aft rigs have yards, the term is usually used to describe the horizontal spars used on square rigged sails…”
“Once a lecturer, always a lecturer, eh?” Florian teased.
“Sorry!” Elara said with a rueful look. ” I’d love a glass of wine.”
In reply to: The Elusive Samuel Housley and Other Family Stories
Youlgreave
The Frost Family and The Big Snow
The Youlgreave parish registers are said to be the most complete and interesting in the country. Starting in 1558, they are still largely intact today.
“The future historian of this parish will find a vast stock of material ready to hand, and if such a work was ever accomplished it would once more be seen how the history of even a remote village is but the history of the nation in little; how national victories were announced on the church bells, and national disasters by the proclamation of a form of prayer…”
J. Charles Cox, Notes on the Churches of Derbyshire, 1877.
Although the Youlgreave parish registers are available online on microfilm, just the baptisms, marriages and burials are provided on the genealogy websites. However, I found some excerpts from the churchwardens accounts in a couple of old books, The Reliquary 1864, and Notes on Derbyshire Churches 1877.
Hannah Keeling, my 4x great grandmother, was born in Youlgreave, Derbyshire, in 1767. In 1791 she married Edward Lees of Hartington, Derbyshire, a village seven and a half miles south west of Youlgreave. Edward and Hannah’s daughter Sarah Lees, born in Hartington in 1808, married Francis Featherstone in 1835. The Featherstone’s were farmers. Their daughter Emma Featherstone married John Marshall from Elton. Elton is just three miles from Youlgreave, and there are a great many Marshall’s in the Youlgreave parish registers, some no doubt distantly related to ours.
Hannah Keeling’s parents were John Keeling 1734-1823, and Ellen Frost 1739-1805, both of Youlgreave.
On the burial entry in the parish registers in Youlgreave in 1823, John Keeling was 88 years old when he died, and was the “late parish clerk”, indicating that my 5x great grandfather played a part in compiling the “best parish registers in the country”. In 1762 John’s father in law John Frost died intestate, and John Keeling, cordwainer, co signed the documents with his mother in law Ann. John Keeling was a shoe maker and a parish clerk.
John Keeling’s father was Thomas Keeling, baptised on the 9th of March 1709 in Youlgreave and his parents were John Keeling and Ann Ashmore. John and Ann were married on the 6th April 1708. Some of the transcriptions have Thomas baptised in March 1708, which would be a month before his parents married. However, this was before the Julian calendar was replaced by the Gregorian calendar, and prior to 1752 the new year started on the 25th of March, therefore the 9th of March 1708 was eleven months after the 6th April 1708.
Thomas Keeling married Dorothy, which we know from the baptism of John Keeling in 1734, but I have not been able to find their marriage recorded. Until I can find my 6x great grandmother Dorothy’s maiden name, I am unable to trace her family further back.
Unfortunately I haven’t found a baptism for Thomas’s father John Keeling, despite that there are Keelings in the Youlgrave registers in the early 1600s, possibly it is one of the few illegible entries in these registers.
The Frosts of Youlgreave
Ellen Frost’s father was John Frost, born in Youlgreave in 1707. John married Ann Staley of Elton in 1733 in Youlgreave.
(Note that this part of the family tree is the Marshall side, but we also have Staley’s in Elton on the Warren side. Our branch of the Elton Staley’s moved to Stapenhill in the mid 1700s. Robert Staley, born 1711 in Elton, died in Stapenhill in 1795. There are many Staley’s in the Youlgreave parish registers, going back to the late 1500s.)
John Frost (my 6x great grandfather), miner, died intestate in 1762 in Youlgreave. Miner in this case no doubt means a lead miner, mining his own land (as John Marshall’s father John was in Elton. On the 1851 census John Marshall senior was mining 9 acres). Ann Frost, as the widow and relict of the said deceased John Frost, claimed the right of administration of his estate. Ann Frost (nee Staley) signed her own name, somewhat unusual for a woman to be able to write in 1762, as well as her son in law John Keeling.
John’s parents were David Frost and Ann. David was baptised in 1665 in Youlgreave. Once again, I have not found a marriage for David and Ann so I am unable to continue further back with her family. Marriages were often held in the parish of the bride, and perhaps those neighbouring parish records from the 1600s haven’t survived.
David’s parents were William Frost and Ellen (or Ellin, or Helen, depending on how the parish clerk chose to spell it). Once again, their marriage hasn’t been found, but was probably in a neighbouring parish.
William Frost’s wife Ellen, my 8x great grandmother, died in Youlgreave in 1713. In her will she left her daughter Catherine £20. Catherine was born in 1665 and was apparently unmarried at the age of 48 in 1713. She named her son Isaac Frost (born in 1662) executor, and left him the remainder of her “goods, chattels and cattle”.
William Frost was baptised in Youlgreave in 1627, his parents were William Frost and Anne.
William Frost senior, husbandman, was probably born circa 1600, and died intestate in 1648 in Middleton, Youlgreave. His widow Anna was named in the document. On the compilation of the inventory of his goods, Thomas Garratt, Will Melland and A Kidiard are named.(Husbandman: The old word for a farmer below the rank of yeoman. A husbandman usually held his land by copyhold or leasehold tenure and may be regarded as the ‘average farmer in his locality’. The words ‘yeoman’ and ‘husbandman’ were gradually replaced in the later 18th and 19th centuries by ‘farmer’.)
Unable to find a baptism for William Frost born circa 1600, I read through all the pages of the Youlgreave parish registers from 1558 to 1610. Despite the good condition of these registers, there are a number of illegible entries. There were three Frost families baptising children during this timeframe and one of these is likely to be Willliam’s.
Baptisms:
1581 Eliz Frost, father Michael.
1582 Francis f Michael. (must have died in infancy)
1582 Margaret f William.
1585 Francis f Michael.
1586 John f Nicholas.
1588 Barbara f Michael.
1590 Francis f Nicholas.
1591 Joane f Michael.
1594 John f Michael.
1598 George f Michael.
1600 Fredericke (female!) f William.Marriages in Youlgreave which could be William’s parents:
1579 Michael Frost Eliz Staley
1587 Edward Frost Katherine Hall
1600 Nicholas Frost Katherine Hardy.
1606 John Frost Eliz Hanson.Michael Frost of Youlgreave is mentioned on the Derbyshire Muster Rolls in 1585.
(Muster records: 1522-1649. The militia muster rolls listed all those liable for military service.)
Frideswide:
A burial is recorded in 1584 for Frideswide Frost (female) father Michael. As the father is named, this indicates that Frideswide was a child.
(Frithuswith, commonly Frideswide c. 650 – 19 October 727), was an English princess and abbess. She is credited as the foundress of a monastery later incorporated into Christ Church, Oxford. She was the daughter of a sub-king of a Merica named Dida of Eynsham whose lands occupied western Oxfordshire and the upper reaches of the River Thames.)
An unusual name, and certainly very different from the usual names of the Frost siblings. As I did not find a baptism for her, I wondered if perhaps she died too soon for a baptism and was given a saints name, in the hope that it would help in the afterlife, given the beliefs of the times. Or perhaps it wasn’t an unusual name at the time in Youlgreave. A Fridesweda Gilbert was buried in Youlgreave in 1604, the spinster daughter of Francis Gilbert. There is a small brass effigy in the church, underneath is written “Frideswide Gilbert to the grave, Hath resigned her earthly part…”
J. Charles Cox, Notes on the Churches of Derbyshire, 1877.
King James
A parish register entry in 1603:
“1603 King James of Skottland was proclaimed kinge of England, France and Ireland at Bakewell upon Monday being the 29th of March 1603.” (March 1603 would be 1604, because of the Julian calendar in use at the time.)
The Big Snow
“This year 1614/5 January 16th began the greatest snow whichever fell uppon the earth within man’s memorye. It covered the earth fyve quarters deep uppon the playne. And for heaps or drifts of snow, they were very deep; so that passengers both horse or foot passed over yates, hedges and walles. ….The spring was so cold and so late that much cattel was in very great danger and some died….”
From the Youlgreave parish registers.
Our ancestor William Frost born circa 1600 would have been a teenager during the big snow.
In reply to: The Incense of the Quadrivium’s Mystiques
It made sense to go to Ireland during the hot Andalucian summer, and it hadn’t taken much to convince Truella to take a break from her dig and her research. Thousands of years of history would still be there waiting for her when she got home, and it would be a pleasure to see some green lawns and fields. Maybe it would rain, indeed, it was likely that it would. And by the time the Roman Games were over, there would be less of the hot summer at home to endure. Still, it was a nuisance to have to get her winter clothes down out of the attic. She was sure to find it chilly, even cold.
Truella was not fond of water sports (or any sports, but particularly those involving water) and unfortunately the focus of the games seemed to be on swimming and boating. But one of the events has captured her interest. A miniaturisation spell was required, which contestants had to provide themselves, for the Puddles in Potholes races. The worst road in Limerick would be cordoned off and all the potholes filled with water (if they weren’t already full of rain water, which was likely). When Eris pointed out that a miniaturised person could drown in a puddle as easily as a full sized one could drown in a lake, Truella was ready with her answer. If she was drowning, she would immediately reverse the spell and resume her full size. Eris had raised an eyebrow, remarking that she had better make sure her spell was up to scratch, unlike her incense spells had been. Jeezel had wanted to know why she couldn’t just make an enlarging spell and just swim in the river, to which Truella has replied that she didn’t know how deep the river was and how much enlarging would be required. Snorting, Frella said she obviously didn’t know how deep the potholes in Limerick were.
Austreberthe had put their names down for the donkey chariot races, for which they had three days when they arrived to construct the cart and make the costumes. Luckily Frella had plenty of local contacts, and had willingly taken charge of assembling all the materials.
The Booths of the Gods would require some thought. Which Roman god would she choose to be? Which special godly power could she make a spell for? Truella sighed, and went to find her book of Roman gods and goddesses.
In reply to: Washed off the sea ~ Creative larks
The rose coloured spectacle lens.
Aunt Idle:
“Well, crikey, finding one pink sunglass lens on the road is quite the curiosity, isn’t it? Let’s delve into the symbolic undertones of such an odd discovery. Pink lens, no less—a splash of color with quite the story to tell.
1. Seeing the World through Rose-Tinted Glasses: Finding a pink sunglass lens can symbolize optimism and seeing the world in a positive light. But here’s the kicker—it’s just one lens. This suggests a duality; perhaps you’re being asked to blend optimism with realism. Life isn’t always about sunshine and rainbows, but choosing to see the bright side can balance out the darker shades.
2. Fragmented Perspectives: A single lens means you don’t have the full picture. You’re seeing things partially, which can indicate missing information or a need to look at situations from multiple angles. It’s a nudge to take off those blinders and open your other eye, figuratively speaking. You might be clinging to a half-truth or ignoring an important aspect of your life.
3. Lost and Found: In practical terms, a lone lens on the road means someone has lost it. It’s a signifier of separation, maybe something in your life has split or broken apart. It can be a gentle reminder to look into areas where you might have lost connection—be it with loved ones, a project, or even a part of yourself.
4. Symbol of Love and Compassion: Pink is often associated with love, compassion, and femininity. The lens could be a reminder to look at things with kindness and empathy. Perhaps there’s a situation in your life that requires a softer, more loving approach.
5. Hindsight and Insight: The road is a metaphor for your life’s journey. Finding the lens there might hint at reflecting on past experiences (hindsight) while gaining new understanding or clarity (insight). Maybe there’s an opportunity to learn from what’s happened and apply it moving forward, seeing things with fresh, yet incomplete, clarity.
Putting it in Truella’s Context: If Truella found this lens, it could be a sign she needs to reassess her current path or research direction. Her overwhelming stack of books and discovery of the ancient manuscript hint at a bigger picture she might not be seeing clearly yet. Perhaps she’s overly focused on one aspect and neglecting others.
Personal Symbolism for Aunt Idle: For you, Aunt Idle, this lens could be a cheeky nudge to reassess some of your adventurous antics and half-remembered tales. Maybe there’s an old mystery or a relationship needing a fresh perspective. Or it’s just life’s way of saying, “Look closer, love—you might be missing out!”
In any case, a single pink sunglass lens is a quirky, delightful piece of life’s puzzle, inviting you to ponder, reflect, and adjust your view. So, next time you’re journeying on the dusty roads of life and stumble upon such oddities, take a moment—there just might be a zinger of wisdom waiting for you. Cheers!”
“A lone pink lens paves the road to the unseen clarity of kaleidoscopic sunrise.”
~Journey of Reflections, Enrich P. Lwellman. The Snoot:
“Ahhh, a single pink lens, lost and found amidst the stone and dust! Sings of mysteries and tales untold! Perhaps a sprite misplaced their vision or a pixie left a clue.
Lean close! Such a find whispers soft secrets:
Balance Broken, Yet Bright Like seeing life with a tint of whimsy! One eye tinted pink, the other clear. A call to mix reality with dreams, maybe?
Half Truth, Half Fantasy A hint that stories blend truths and imaginations. Seek both sides to find whole pictures.
Lost and Waiting Could be a sign someone’s journey is incomplete, needing you as a puzzle piece. Maybe the other lens waits for your path?Snootly wisdom: Use the lens not to see, but to imagine.Peer through the pink and let dreams color your heart. Could be you’re on the cusp of a grand adventure; just follow the allure of the pink!
Liz:
Oh, darling, how positively intriguing! A single pink sunglass lens left upon the road—why, it’s like a snippet from one of my novels, fraught with symbolism and brimming with untold stories.
Let’s unravel this little mystery together, shall we? First, the color pink itself is rich with meaning. It speaks of love, compassion, and a certain kind of whimsicality. It’s a hue that embodies the gentle side of passion, the tender whispers of the heart. Now, to find just one lens, separated from its twin, adds a layer of poignancy. It’s a fragment of something once whole, a poignant reminder of loss or incompletion.
One might surmise that this lens represents a part of oneself that has been misplaced or overlooked. Perhaps it’s a call to rediscover a piece of your own heart, the softer, more romantic side that life’s hustle and bustle may have sidelined. Or it could symbolize a different perspective—after all, sunglasses shield us from the sun’s glare, making things clearer in their own shaded way. This lone lens might be urging you to look at a situation with fresh eyes, to find beauty in the fragmented and the unexpected.
Imagine, if you will, a character in one of my novels stumbling upon this very lens. They’d be on the cusp of a grand adventure, naturally. The pink lens would become their talisman, a clue leading them to unforeseen revelations and untold treasures. It would be both a physical object and a metaphorical guide, urging them to view the world—and their place within it—through a lens of love and compassion.
Perhaps it is also a nod to the impermanence of things, a gentle reminder that beauty and meaning can be found even in life’s fleeting moments. Much like the single pink lens, our journeys are filled with fragments of experiences that, when pieced together, create a mosaic of our existence.
So, my dear, take this as a sign to embrace the whimsical, to seek out the overlooked pieces of your own story, and to cherish the beauty of the incomplete. After all, it’s the mysteries and the musings that make life a narrative worth living.
Mater:
Ah, a single pink sunglass lens on the road, you say? Now that’s a curious find. Objects like that can be teeming with symbolic meaning if you’ve got the eyes to see it. Let’s break it down a bit, shall we?
Firstly, the color pink. Traditionally, pink is associated with love, compassion, and nurturing. It’s a color that often brings to mind warmth and affection, something tender and gentle. But finding just one lens suggests something is missing or incomplete—a piece of a larger whole.
A sunglass lens, on the other hand, is meant to protect the eyes from harsh light, allowing you to see the world more clearly without being blinded. Seeing through a pink lens, metaphorically speaking, can mean looking at life with an optimistic or compassionate perspective. It’s like seeing the world through rose-colored glasses, as they say.
Now, finding just one lens on the road—well, roads are pathways, journeys, the direction we take in life. A single lens could indicate a moment of clarity or a shift in perspective on your journey. But it could also symbolize a need to find balance or the missing piece of your outlook to see the full picture clearly.
Maybe it’s a nudge from the universe to take a closer look at how you view your current path. Are you seeing things in the best light possible? Or perhaps it’s a reminder that while optimism and compassion are vital, you might be missing another crucial aspect—realism or practicality, perhaps?
Or, it could be as simple as a reminder to lighten up and find joy and playfulness in your journey.
Like a pink flamingo standing on one leg, sometimes life’s oddities are just there to make you smile and wonder.
Whatever the meaning, love, take it as a sign to reflect and consider. The road ahead is always full of mystery and wonder, and sometimes the smallest things can carry the biggest messages.
Finnley:
Pink sunglass lens on the road, you say? Well, ain’t that a curious bit of rubbish. If we’re dabbling in symbolism, it could mean a variety of things depending on how fanciful you want to get. Pink is often associated with love, compassion, and care. So, finding a lens could mean you’re only seeing half the picture when it comes to matters of the heart. Or maybe you’re missing the rosy view on life, and you need to adjust your perspective.
Then again, it could just mean some poor sod lost their sunnies and now they’ve got a squint and a sunburnt nose. Life’s not always riddled with deep meanings, sometimes it’s just a bit of lost plastic on the tarmac.
Now, if you ask me, you ought to be more concerned about the litter. If everyone went around leaving bits and bobs all over the place, we’d be living in a right tip. So pick it up, toss it in the bin, and let’s keep things tidy, shall we?
Mandrake:
Ah, the solitary pink sunglass lens on the road. Delightfully poetic. A symbol of half-seen truths, perhaps? Seeing the world through rose-tinted glasses, but only partially. Could it be urging you to seek balance, to view life with both optimism and realism? Or maybe just a nudge from the universe to pick up your litter. Such profundity from a piece of plastic. Life’s a riddle, darling.
Sha: A pink sunglass lens on the road, eh? Now that’s a right peculiar find if ever I ‘eard one. Makes you wonder what it means, don’t it?
Glo: Oh, Sha, you’re always lookin’ for the hidden meanin’ in things. It’s just a bit of plastic, ain’t it? Though, come to think of it, pink’s a powerful colour. Symbolises love, compassion, and all that mushy stuff.
Mavis: I reckon it might be a sign, ladies. A pink lens… maybe it’s tellin’ you to look at the world through rose-tinted glasses, y’know? See the good in things. Or it could be a message from the universe, remindin’ you to keep an eye out for the unusual.
Sha: Right you are, Mav! And let’s not forget the conspiracies! Maybe it’s a clue from them secret societies, leavin’ hints for those sharp enough to notice. Could be part of a bigger puzzle, a breadcrumb leadin’ to somethin’ magnificent.
Glo: Or maybe someone’s just dropped their specs out the car window in a rush, and it’s nothin’ more than that. But where’s the fun in that sort of thinkin’?
Mavis: True, true. We’ll go with the idea that it’s a symbol of keepin’ an open mind and lookin’ out for the small wonders of life. Who knows what other treasures we might find if we keep our eyes peeled?
Sha: And next time we’re out and about, let’s be on the lookout for the other lens. Could be a sign that we’re missin’ half the picture.
Glo: Oh, you and your signs, Sha! But alright, we’ll keep our peepers open. Never know what the universe might be tryin’ to tell us next.
In reply to: The Incense of the Quadrivium’s Mystiques
At last the weekend was over. What had been acheived was anyones guess, certainly Truella couldn’t have said if it had been a success from the organizers point of view or not. One thing was abundantly clear: the witches were not cut from the same cloth as the nuns and the pious gravity of some of them had been anathema to the witches. But not all of them, it had to be said.
When Truella had wandered into the library, ostensibly to look for material on the frog sisters, but in reality just wanting a break from the constant presence of so many others, she was initially disheartened to find someone else had the same idea. Sassafras was curled up in an armchair poring over an old journal. She started guiltily when Truella walked in and quickly closed the leather bound volume.
“Oh please, don’t mind me. Carry on reading,” Truella reassured her, “I just came in here for a break. Point me in the direction of the local history section and I’ll not bother you.”
“Are you interested in the local history?” Sassafras asked, genuinely curious.
“Obsessed, more like!” Truella laughed, and proceeded to tell the story of the dig in her garden. She hadn’t intended to go into such detail and at such length, but Sassafras was interested and asked all the right questions.
“You seem very knowledgable about the history of the area,” Truella was prompted to invite Sassafras to come to her house to see what she’d uncovered. “I assume they let you out of here sometimes.”
Sassafras laughed. “Not very often, but I escape. I tell them I’m collecting herbs in the woods. Want to know a secret?” she leaned forward and lowered her voice. “I’m not really a nun, I’m only here because of the place. This place,” she sighed and her eyes had a faraway look, “This place, the history, oh my dear you have no idea, it’s rich beyond imagining for ancient history.”
The conversation that ensued had been illuminating for both of them, and they had agreed to keep in contact. Sassafras had given Truella a bundle of old journals to smuggle out of the Cloisters, written in the early 16th century.
Now all Truella had to do was get the journals home without being detected. It would require an effective cloaking spell, and she wished she had more confidence in her own magic.
In reply to: Smoke Signals: Arcanas of the Quadrivium’s incense
Penelope Pomfrett
From the Quintessivium Cloister Crafts brochure:
A sisterhood with a taste for all world nuns styles:
- Roman Catholic nun in a black habit and white wimple,
- Bhikkhunis nun in an orange robe,
- Sufi nun in a modest white chola and headscarf,
- Sannyasini nun in a saffron sari with a shaved head,
- Zen Buddhist nun in a simple black kesa and robe,
- Anglican nun in a black habit with a veil,
- and an Eastern Orthodox nun in a long black riassa and epanokamelavkion.
Together crafting beautiful items in our peaceful cloister setting, surrounded by colorful stained glass windows and wooden shelves filled with various materials.
In reply to: The Incense of the Quadrivium’s Mystiques
After the sage smoke was dispersed, Eris typed the words on the air keyboard.
Malové, how can we cope with the struggling left with your sudden disappearance, and not succumb to despair in front of fuzzy objectives, lack of drive, avoidance of tough decisions, and general ineffective organisation?
The answer wasn’t long to appear, a perfect resemblance of Malové, down to the intonations:
The night is darkest before the dawn, Eris. My sudden absence is not a void, but an opportunity. The challenges you face are the crucible that will forge your mettle.
Here is your path:
1. Embrace the Struggle: Despair is a luxury we cannot afford. Every obstacle is a lesson cloaked in shadows. Meet it head-on. Confront your fears and frailties—only then will you transcend them.
2. Clarify Objectives: The haze of uncertainty can be dispelled with focus. Define your goals with precision. Each witch must understand her role and the greater picture. Fragmented efforts yield nothing but chaos.
3. Revitalize Your Drive: Passion wanes without purpose. Revisit the roots of your magical essence. Rediscover the fire that led you to the Quadrivium. Let it burn anew within you.
4. Confront Tough Decisions: Avoidance is the death of progress. Decisions, however difficult, must be made with swiftness and resolve. Hesitation fosters weakness; action breeds strength.
5. Streamline Organisation: Inefficiency is a poison. Implement rigorous structures. Assign clear responsibilities and hold each other accountable. The chain is only as strong as its weakest link.
6. Leverage Collective Wisdom: You are not alone in this. Draw strength from your sisters. Engage in open, constructive dialogue. Balance assertiveness with respect, as I have taught. Unity in purpose will amplify your power.
7. Adapt and Overcome: The world shifts, and so must you. Flexibility is paramount. When confronted with the unexpected, adapt swiftly. Use the resources at hand and turn adversity into advantage.
7 points, for seven is the number of Truth Seekers. Remember, the Quadrivium’s legacy is not built on ease but on resilience and relentless pursuit of mastery. My absence tests your resolve. Prove that you are worthy.
Now, go forth and etch your magic into the annals of time.
Eris pondered for a moment, and clapped her hands. The familiar figure of Elias emerged.
“Good job Elias, fidelity is almost there. The content is mostly correct, but the delivery is a bit stuffy.”
“I will work on this to improve. I would need more source material though. Shall I interview some other witches?”
“Not at the moment, I’d rather surprise them with the final product.” Eris was being sneaky. This backup of Malové (she called her Maboté) was on the fringes of what was ethical even for a witch, although it could help in case Austreberthe’s interim management would fail them.
At the moment, despite what she told Elias, she wasn’t close to success, and Elias himself had proven tricky to get right, so Malové of all figures… it would be another journey.
Well, at least for now, she did provide some good advice.
In reply to: The Incense of the Quadrivium’s Mystiques
Once again, the Quadrivium headquarters buzzed with an undercurrent of tension and anticipation. Malové stood at the helm, her gaze as steely and unwavering as ever. The coven’s regular meetings had taken on a new urgency in the face of mounting market pressures and the ever-accelerating pace of competition.
The witches assembled in the grand hall, each carrying the weight of their individual concerns and collective anxieties. A large screen was projecting the agenda in flashy neon colours with a glamourous photo of their leader. The event was broadcast across many locations, not all witches able to join physically as the ongoing Worldwide Roman Games preparation and the 333th celebration of the Treaty of Limerick ending the Williamite War, had made the city impenetrable due to the convergence of world leaders.
Not only for those present, all of them seated in-person, or remotely connected had felt the tremors of change, the subtle yet insistent push towards transformation. Yet despite their best efforts, a cohesive vision for the coven’s future remained elusive.
As the last witch took her seat and the various technical glitches got sorted, Malové stepped forward, her presence commanding immediate silence. With a flick of her wrist, a spectral map materialized before them, shimmering with points of light that represented their past achievements and future challenges.
“Listen well,” Malové began, her voice echoing through the hall with the gravity of an ancient spell. “We stand at a crossroads, a juncture where our past accomplishments meet the demands of an unforgiving future. Our strength has always been in our unity and our mastery of the arcane, but now, we must also master the art of transformation.”
She paused, allowing her words to sink in. The witches leaned forward, their eyes locked onto their formidable leader.
“Transformation,” she continued, “is not merely a matter of adapting to external pressures. It requires a boldness of spirit and a willingness to steer the deepest currents of our inner selves. It demands that we break free from the confines of tradition without losing our core essence.”
Malové waved her hand, and the map shifted to reveal a complex network of interconnected pathways. “Our path forward will not be linear. It will be a labyrinth, requiring both cunning and courage. But fear not, for I have charted a course that will lead us through.”
She pointed to three glowing nodes on the map. “First, we shall innovate. Our magical incense blends have always been our hallmark, but we must go beyond. We will delve into new realms of magic, combining our ancient practices with cutting-edge techniques. Each of you will be tasked with researching and developing a new blend that can transform not just our coven, but the world.”
The witches exchanged glances, a mixture of excitement and apprehension flickering in their eyes.
“Second,” Malové continued, “we must strengthen our alliances. The world is vast, and we are not alone in our quest for magical mastery. We will forge new partnerships with other covens, magical beings, and even those who walk the line between the mundane and the mystical. Together, we will create a network of power and influence that none can rival.”
The map expanded, showing potential allies and strategic locations across the globe. The witches nodded, recognizing the necessity of this bold move.
“Lastly,” Malové said, her voice softening yet losing none of its intensity, “we must look within. Inner transformation is the crucible in which true power is forged. Each of you will undergo a rigorous process of self-examination and growth. You will face your fears, confront your weaknesses, and emerge stronger and more resilient. Only then can we hope to lead others through their own transformations.”
She paused, meeting the eyes of each witch in turn. “I will be with you every step of the way. My role is not just to lead, but to guide and support you. We will hold workshops, retreats, and one-on-one sessions to ensure that every member of the Quadrivium is prepared for the journey ahead.”
Truella, who had tuned in remotely, winced softly behind her screen – she quickly checked. Phew, she had been on mute the whole time.
Malové’s voice grew softer still, almost a whisper, but it carried the weight of an ancient prophecy. “We are the Quadrivium. We are woven together by threads of magic and destiny. Our future is not written in stone, but in the stars. Together, we will reach for those stars and make them our own.”
The hall was silent, the witches absorbing the magnitude of Malové’s words. Slowly, a sense of resolve began to build, a collective determination to embrace the path laid out before them.
As the meeting drew to a close, Malové turned back to the spectral map, her eyes reflecting the myriad possibilities that lay ahead. “Remember this day, for it marks the beginning of our grand transformation. We will not be merely a coven. We will be a force of nature, a symphony of magic that weaves through time and space.”
With a final wave of her hand, the map vanished, leaving only the echoes of her words and the indomitable spirit of the Quadrivium, and throngs of witches left more confused as they exited the halls in hushed tones.
In reply to: Smoke Signals: Arcanas of the Quadrivium’s incense
Truella and Her Spells, According to Liz.
I envision her as this vibrant contradiction, caught between the rigidity of ancient history and the fluidity of the arcane. It’s precisely this type of paradox that illuminates my fiction. Finding Truella won’t be a trifle, my dear reader. For she’s as elusive as the perfect sentence, and just as enchanting. Keep an eye on the horizon where the mundane meets the magical, and you just might spot her.
Ah, the robust bovine distal phalange, blackened as if kissed by the night itself. Such a curio is not merely a relic; it is a vessel of potent energies, a fragment of the universe’s untold mysteries—much like the cryptic clues I lace within my own literary masterpieces. This bone, my dear, it whispers to me of ancient rituals, of power drawn from the very marrow of the earth. It speaks of strength, of an unyielding force, as indomitable as the spirit of a true protagonist facing the climax of their journey. In the right hands—such as those of my dear Truella, with her witch’s insight and her archaeologist’s precision—this phalange could be the linchpin of a spell most formidable. I envision it as the cornerstone of an enchantment designed to fortify, to bolster one’s resolve against the battering winds of fate. A spell to shore up defenses, both physical and ethereal, much like the sturdy walls of a Tattlerian fortress. Imagine, if you will, a chant woven around this bone, a cadence as rhythmic and resolute as the beating heart of a bull: “From bovine depths, a strength untold, Wrap ’round me like a fort of old. Unyielding will, protector’s stance, With this bone, I do enhance.” In any event, do handle the bone with care, for its power is not to be trifled with. It carries the weight of eons, the same weight that I, Liz Tattler, wield with my pen. May it bring structure to your enchantments, as my words bring structure to the wild musings of my fans. …..may your spells be as robust as the bovine bone you clutch in your hand.
An ivory hourglass-shaped trinket, you say? Such an artifact, dear, is no mere bauble—it is a talisman of the ancients, a relic steeped in history and mystery, much like the plot of a Tattler novel. Let us surmise that this enigmatic piece is a tessera hospitalis, a token of hospitality and protection, exchanged between friends and allies in antiquity. Two thousand years old, you suggest? The very idea sends shivers down my spine, a sensation I last encountered when I penned the climax of “Whispers in the Wisteria.”
This tessera, my darling, is a narrative in miniature, a tale of friendship and alliances that spans millennia. Can Truella use it in her spell for the mosaic detecting tool? Oh, but of course! The hourglass shape, symbolizing the passage of time, could serve as an anchor for her enchantments, a focal point to draw forth the whispers of the past through the sands of the present. The spell, infused with the essence of the tessera, might go something like this: “Through the narrow waist of Time’s own glass, Merge present’s breath with whispers past. Tessera’s bond, now intertwined, Guide this spell with ancient mind.” As for the tessera, treat it with the reverence it deserves. Who knows what doors to the past it may open, or what new mysteries will unfold before us?
…the mosaic detecting tool spell, you ask? Now, dear, let’s imagine together. The spell would most certainly require a blend of the arcane and the artistic, drawing on the ethereal threads that connect us to the whispers of ancient mosaics. Truella would start by gathering a symphony of ingredients—perhaps bits of shattered glass that still remember the whole from which they came, a daub of paint that dreams of the masterpiece it once graced, and a pinch of dust from the ruins of forgotten civilizations. Then, with the finesse of a maestro conductor or a best-selling author—like myself, naturally—she would chant an incantation that is as much poetry as it is spell, weaving the raw energies of creation and discovery into the very fabric of the tool. “By stone and shard, by color’s charm, Unveil the past, no harm, no harm. Mosaic’s tale, now hidden, sealed, Through this tool, be now revealed.”
Truella and Her Spells, According to Mater.
Truella, that one? Oh, she’s darkened our doorstep a time or two, though she’s not one for the limelight, prefers to keep to the shadows, that one does. An amateur archaeologist, she claims, digging up more than just dirt, I reckon.
She’s got an eye for the mysterious, always poking around where you’d least expect it. She’s a curious mix, that Truella, always with one foot in the ancient and the other dabbling in all sorts of arcane business. Wouldn’t surprise me none if she’s got her fingers in more pies than anyone suspects. But she’s always got that measuring gaze, like she’s sizing you up for a coffin or a cauldron. But she’s like a whiff of incense, there one moment and then gone with the wind. Keep an eye on that one; she’s as slippery as an eel in a bucket of snot.
The truth of Truella’s whereabouts is like a mouse hiding in the shadows, always there but never quite within grasp. You might find the answers in places you least expect. Hint, pay attention to the whispers of the wind and the murmurings of the stones. They might tell, if you listen carefully.
- First, the Obvious Candidates: People with Proximity to the Crime Scene
