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  • #7776

    Epilogue & Prologue

    Paris, November 2029 – The Fifth Note Resounds

    Tabitha sat by the window at the Sarah Bernhardt Café, letting the murmur of conversations and the occasional purring of the espresso machine settle around her. It was one of the few cafés left in the city where time still moved at a human pace. She stirred her cup absentmindedly. Paris was still Paris, but the world outside had changed in ways her mother’s generation still struggled to grasp.

    It wasn’t just the ever-presence of automation and AI making themselves known in subtle ways—screens adjusting to glances, the quiet surveillance woven into everyday life. It wasn’t just the climate shifts, the aircon turned to cold in the midst of November, the summers unpredictable, the air thick with contradictions of progress and collapse of civilization across the Atlantic.

    The certainty of impermanence was what defined her generation. BANI world they used to say—Brittle, Anxious, Nonlinear, Incomprehensible. A cold fact: impossible to grasp and impossible to fight. Unlike her mother and her friends, who had spent their lives tethered to a world that no longer existed, she had never known certainty. She was born in the flux.

    And yet, this café remained. One of the last to resist full automation, where a human still brought you coffee, where the brass bell above the door still rang, where things still unfolded at a human pace.

    The bell above the door rang—the fifth note, as her mother had called it once.

    She had never been here before, not in any way that mattered. Yet, she had heard the story. The unlikely reunion five years ago. The night that moved new projects in motion for her mother and her friends.

    Tabitha’s fingers traced the worn edges of the notebook in front of her—Lucien’s, then Amei’s, then Darius’s. Pieces of a life written by many hands.

    “Some things don’t work the first time. But sometimes, in the ruins of what failed, something else sprouts and takes root.”

    And that was what had happened.

    The shared housing project they had once dreamed of hadn’t survived—not in its original form. But through their rekindled bond, they had started something else.

     

    True Stories of How It Was.

     

    It had begun as a quiet defiance—a way to preserve real, human stories in an age of synthetic, permanent ephemerality and ephemeral impermanence, constantly changing memory. They were living in a world where AI’s fabricated histories had overwhelmed all the channels of information, where the past was constantly rewritten, altered, repackaged. Authenticity had become a rare currency.

    As she graduated in anthropology few years back, she’d wondered about the validity of history —it was, after all, a construct. The same could be said for literature, art, even science. All of them constructs of the human mind, tenuous grasp of the infinite truth, but once, they used to evolve at such a slow pace that they felt solid, reliable. Ultimately their group was not looking for ultimate truth, that would be arrogant and probably ignorant. Authenticity was what they were looking for. And with it, connections, love, genuineness —unquantifiables by means of science and yet, true and precious beyond measure.

    Lucien had first suggested it, tracing the idea from his own frustrations—the way art had become a loop of generated iterations, the human touch increasingly erased. He was in a better place since Matteo had helped him settle his score with Renard and, free of influence, he had found confidence in developing of his own art.

    Amei —her mother—, had changed in a way Tabitha couldn’t quite define. Her restlessness had quieted, not through settling down but through accepting impermanence as something other than loss. She had started writing again—not as a career, not to publish, but to preserve stories that had no place in a digitized world. Her quiet strength had always been in preserving connections, and she knew they had to move quickly before real history faded beneath layers of fabricated recollections.

    Darius, once skeptical, saw its weight—he had spent years avoiding roots, only to realize that stories were the only thing that made places matter. He was somewhere in Morocco now, leading a sustainable design project, bridging cultures rather than simply passing through them.

    Elara had left science. Or at least, science as she had known it. The calculations, the certainty, the constraints of academia, with no escape from the automated “enhanced” digital helpers. Her obsession and curiosities had found attract in something more human, more chaotic. She had thrown herself into reviving old knowledge, forgotten architectures, regenerative landscapes.

    And Matteo—Matteo had grounded it.

    The notebook read: Matteo wasn’t a ghost from our past. He was the missing note, the one we didn’t know we needed. And because of him, we stopped looking backward. We started building something else.

    For so long, Matteo had been a ghost of sorts, by his own account, lingering at the edges of their story, the missing note in their unfinished chord. But now, he was fully part of it. His mother had passed, her past history unraveling in ways he had never expected, branching new connections even now. And though he had lost something in that, he had also found something else. Juliette. Or maybe not. The story wasn’t finished.

    Tabitha turned the page.

    “We were not historians, not preservationists, not even archivists. But we have lived. And as it turned out, that was enough.”

    They had begun collecting stories through their networks—not legends, not myths, but true accounts of how it was, from people who still remembered.

    A grandfather’s voice recording of a train ride to a city that no longer exists.
    Handwritten recipes annotated by generations of hands, each adding something new.
    A letter from a protest in 2027, detailing a movement that the history books had since erased.
    An old woman’s story of her first love, spoken in a dialect that AI could not translate properly.

    It had grown in ways they hadn’t expected. People began sending them recordings, letters, transcripts, photos —handwritten scraps of fading ink. Some were anonymous, others carefully curated with full names and details, like makeshift ramparts against the tide of time.

    At first, few had noticed. It was never the goal to make it worlwide movement. But little by little, strange things happened, and more began to listen.

    There was something undeniably powerful about genuine human memory when it was raw and unfiltered, when it carried unpolished, raw weight of experience, untouched by apologetic watered down adornments and out-of-place generative hallucinations.

    Now, there were exhibitions, readings, archives—entire underground movements dedicated to preserving pre-synthetic history. Their project had become something rare, valuable, almost sacred.

    And yet, here in the café, none of that felt urgent.

    Tabitha looked up as the server approached. Not Matteo, but someone new.

    “Another espresso?”

    She hesitated, then nodded. “Yes. And a glass of water, please.”

    She glanced at the counter, where Matteo was leaning, speaking to someone, laughing. He had changed, too. No longer just an observer, no longer just the quiet figure who knew too much. Now, he belonged here.

    A bell rang softly as the door swung open again.

    Tabitha smiled to herself. The fifth note always sounded, in the end.

    She turned back to the notebook, the city moving around her, the story still unfolding in more directions than one.

    #7711

    Matteo — December 2022

    Juliette leaned in, her phone screen glowing faintly between them. “Come on, pick something. It’s supposed to know everything—or at least sound like it does.”

    Juliette was the one who’d introduced him to the app the whole world was abuzz talking about. MeowGPT.

    At the New Year’s eve family dinner at Juliette’s parents, the whole house was alive with her sisters, nephews, and cousins. She entered a discussion with one of the kids, and they all seemed to know well about it. It was fun to see the adults were oblivious, himself included. He liked it about Juliette that she had such insatiable curiosity.

    “It’s a life-changer, you know” she’d said “There’ll be a time, we won’t know about how we did without it. The kids born now will not know a world without it. Look, I’m sure my nephews are already cheating at their exams with it, or finding new ways to learn…”

    “New ways to learn, that sounds like a mirage…. Bit of a drastic view to think we won’t live without; I’d like to think like with the mobile phones, we can still choose to live without.”

    “And lose your way all the time with worn-out paper maps instead of GPS? That’s a grandpa mindset darling! I can see quite a few reasons not to choose!” she laughed.
    “Anyway, we’ll see. What would you like to know about? A crazy recipe to grow hair? A fancy trip to a little known place? Write a technical instruction in the style of Elizabeth Tattler?”

    “Let me see…”

    Matteo smirked, swirling the last sip of crémant in his glass. The lively discussions of Juliette’s family around them made the moment feel oddly private. “Alright, let’s try something practical. How about early signs of Alzheimer’s? You know, for Ma.”

    Juliette’s smile softened as she tapped the query into the app. Matteo watched, half curious, half detached.

    The app processed for a moment before responding in its overly chipper tone:
    “Early signs of Alzheimer’s can include memory loss, difficulty planning or solving problems, and confusion with time or place. For personalized insights, understanding specific triggers, like stress or diet, can help manage early symptoms.”

    Matteo frowned. “That’s… general. I thought it was supposed to be revolutionary?”

    “Wait for it,” Juliette said, tapping again, her tone teasing. “What if we ask it about long-term memory triggers? Something for nostalgia. Your Ma’s been into her old photos, right?”

    The app spun its virtual gears and spat out a more detailed suggestion.
    “Consider discussing familiar stories, music, or scents. Interestingly, recent studies on Alzheimer’s patients show a strong response to tactile memories. For example, one groundbreaking case involved genetic ancestry research coupled with personalized sensory cues.

    Juliette tilted her head, reading the screen aloud. “Huh, look at this—Dr. Elara V., a retired physicist, designed a patented method combining ancestral genetic research with soundwaves sensory stimuli to enhance attention and preserve memory function. Her work has been cited in connection with several studies on Alzheimer’s.”

    “Elara?” Matteo’s brow furrowed. “Uncommon name… Where have I heard it before?”

    Juliette shrugged. “Says here she retired to Tuscany after the pandemic. Fancy that.” She tapped the screen again, scrolling. “Apparently, she was a physicist with some quirky ideas. Had a side hustle on patents, one of which actually turned out useful. Something about genetic resonance? Sounds like a sci-fi movie.”

    Matteo stared at the screen, a strange feeling tugging at him. “Genetic resonance…? It’s like these apps read your mind, huh? Do they just make this stuff up?”

    Juliette laughed, nudging him. “Maybe! The system is far from foolproof, it may just have blurted out a completely imagined story, although it’s probably got it from somewhere on the internet. You better do your fact-checking. This woman would have published papers back when we were kids, and now the AI’s connecting dots.”

    The name lingered with him, though. Elara. It felt distant yet oddly familiar, like the shadow of a memory just out of reach.

    “You think she’s got more work like that?” he asked, more to himself than to Juliette.

    Juliette handed him the phone. “You’re the one with the questions. Go ahead.”

    Matteo hesitated before typing, almost without thinking: Elara Tuscany memory research.

    The app processed again, and the next response was less clinical, more anecdotal.
    “Elara V., known for her unconventional methods, retired to Tuscany where she invested in rural revitalization. A small village farmhouse became her retreat, and she occasionally supported artistic projects. Her most cited breakthrough involved pairing sensory stimuli with genetic lineage insights to enhance memory preservation.”

    Matteo tilted the phone towards Juliette. “She supports artists? Sounds like a soft spot for the dreamers.”

    “Maybe she’s your type,” Juliette teased, grinning.

    Matteo laughed, shaking his head. “Sure, if she wasn’t old enough to be my mother.”

    The conversation shifted, but Matteo couldn’t shake the feeling the name had stirred. As Juliette’s family called them back to the table, he pocketed his phone, a strange warmth lingering—part curiosity, part recognition.

    To think that months before, all that technologie to connect dots together didn’t exist. People would spend years of research, now accessible in a matter of seconds.

    Later that night, as they were waiting for the new year countdown, he found himself wondering: What kind of person would spend their retirement investing in forgotten villages and forgotten dreams? Someone who believed in second chances, maybe. Someone who, like him, was drawn to the idea of piecing together a life from scattered connections.

    #7707

    Matteo — Easter Break 2023

    The air in the streets carried the sweet intoxicating smell of orange blossoms, as Matteo stood at the edge of a narrow cobbled street in Xàtiva, the small town just a train ride from Valencia that Juliette had insisted on visiting. The weekend had been a blur of color and history—street markets in Italy, Venetian canals last month, and now this little-known hometown of the Borgias, nestled under the shadow of an ancient castle.

    Post-pandemic tourism was reshaping the rhythm of Europe. The crowds in the big capitals felt different now—quieter in some places, overwhelming in others. Xàtiva, however, seemed untouched, its charm untouched. Matteo liked it. It felt authentic, a place with layers to uncover.

    Juliette, as always, had planned everything. She had a knack for unearthing destinations that felt simultaneously curated and spontaneous. They had started with the obvious—Berlin, Amsterdam, Florence—but now her choices were becoming more eccentric.

    “Where do you even find these places?” Matteo had asked on the flight to Valencia, his curiosity genuine.

    She grinned, pulling out her phone and scrolling through saved videos. “Here,” she said, passing it to him. “This channel had great ideas before it went dark. He had listed all those places with 1-euro houses deals in many fantastic places in Europe. Once we’re ready to settle” she smiled at him.

    The video that played featured sweeping shots of abandoned stone houses and misty mountain roads, narrated by a deep, calm voice. “There’s magic in forgotten places,” the narrator said. “A story waiting for the right hands to revive it.”

    Matteo leaned closer, intrigued. The channel was called Wayfare, and the host, though unnamed in the video, had a quiet magnetism that made him linger. The content wasn’t polished—some shots were shaky, the editing rough—but there was an earnestness to it that immediately captured his attention.

    “This guy’s great,” Matteo said. “What happened to him?”

    “Darius, I think his name was,” Juliette replied. “I loved his videos. He didn’t have a huge audience, but it felt like he was speaking to you, you know?” She shrugged. “He shut it down a while back. Rumors about some drama with patrons or something.”

    Matteo handed the phone back, his interest waning. “Too bad,” he said. “I like his style.”

    The train ride to Xàtiva had been smooth, the rolling hills and sun-drenched orchards sliding slowly outside the window. The time seemed to move at a slower pace here. Matteo’d been working with an international moving company in Paris, mostly focused to expats in and out of France. Tips were good and it usually meant having a tiring week, but what the job lacked in interest, it compensated with with extra recuperation days.

    As they climbed toward the castle overlooking the town, Juliette rattled off details she’d picked up online.

    “The Borgias are fascinating,” she said, gesturing toward the town below. “They came from here, you know. Rose to power around the 13th century. Claimed they were descended from Visigoth kings, but most people think that’s all invention.”

    “Clever, though,” Matteo said. “Makes you almost wish you had a magic box to smartly rewrite your ancestry, that people would believe it if you play it right.”

    Juliette smiled. “Yeah! They were masters cheaters and gaslighters.”

    “Reinventing where they came from, like us, always reinventing where we go…”

    Juliette chuckled but didn’t reply.

    Matteo’s mind wandered, threading Juliette’s history lesson with stories his grandmother used to tell—tales of the Borgias’ rise through cunning and charm, and how they were descended from the infamous family through Lucrecia, the Pope’s illegitimate daughter. It was strange how family lore could echo through places so distant from where he’d grown up.

    As they reached the castle’s summit, Matteo paused to take it all in. The valley stretched below them, a patchwork of red-tiled rooftops and olive groves shimmering in the afternoon light. Somewhere in this region, Juliette said, Darius had explored foreclosed homes, hoping to revive them with new communities. Matteo couldn’t help but think how odd it was, these faint connections between lives—threads weaving places and people together, even when the patterns weren’t clear.

    :fleuron2:

    Later, over a shared plate of paella, Juliette nudged him with her fork. “What are you thinking about?”

    “Nothing much,” Matteo said, swirling his glass of wine. “Just… how people tell stories. The Borgias, this Darius guy, even us—everyone’s looking for a way to leave a mark, even if it’s just on a weekend trip.”

    Juliette smiled, her eyes glinting with mischief. “Well, you better leave your mark tomorrow. I want a picture of you standing on that castle wall.”

    Matteo laughed, raising his glass. “Deal. But only if you promise not to fall off first.”

    As the sun dipped below the horizon, the streets of Xàtiva began to glow with the warmth of lamplight. Matteo leaned back in his chair, the wine softening the edges of the day. For a moment, he thought of Darius again—of foreclosed homes and forgotten stories. He didn’t dwell on it, though. The present was enough.

    #7682

    Matteo — Autumn 2023

    The Jardin des Plantes park was quiet, the kind of quiet that settled after a brisk autumn rain. Matteo sat on a weathered wooden bench, watching a golden retriever chase the last of the fallen leaves tumbling across the gravel path. The damp air was carrying scents of the earth welcoming a retreat inside, and taking the time to be alone with his thoughts was something he’d missed.

    His phone buzzed with a notification—a news update about the latest film adaptation from a Liz Tattler classic fiction. The name made him smile faintly. Juliette had loved Tattler’s novels, their whimsical characters, and the unflinching and unapologetic observations about life’s quiet mysteries and the unexpected rants about the virtues of cleaning and dustsceawung that propelled the word in the people’s top 100 favourite in the Oxford dictionary for several years consecutively.

    “They’re so full of texture,” Juliette once said as she was sprawled on the bed of their tiny Parisian flat, a battered paperback in her hands. “Like you can feel the pages breathe.”

    His image of her was still vivid, they’d stayed on good terms and he would still thumb up some of her posts from time to time —but it was only small moments rather than full scenes that used to come back, fragmented pieces of memories really —her dark hair falling messily over her face, her legs crossed in a casual way.

    Paris had been a playground for them. For a while, they were caught in a whirlwind of late-night conversations in smoky cafés and lazy Sunday mornings wandering the Seine. They’d spent hours in bookstores, Juliette hunting for first editions and Matteo snapping pictures of the handwritten notes tucked between the pages of used novels.

    A year ago, a different park in a different city—Hyde Park, London. She was there, twirling a scarf she’d picked up in Vienna the weekend before, the bright red of it like a ribbon of fire against the soft gray skies. They had been enamored with each other and with the spontaneity of hopping trains to new cities, their weekends folding into one another like pages of a travel journal. London one week, Paris the next, Berlin after that. Each city a postcard snapshot, vibrant and fleeting.

    Juliette would tease him about his fascination with the little things—how he would linger too long over a cup of coffee at a café or stop to photograph a tree in the middle of nowhere. “You’re always looking for stories,” she’d said with a laugh, tucking a stray strand of hair behind her ear. “Even when you’re not sure what they mean.”

    “Stories are everywhere,” he would reply, snapping a picture of her against the backdrop of the park, her scarf billowing in the wind. She had rolled her eyes but smiled, and in that moment, he had believed her smile was the most perfect thing he’d ever seen.

    The break-up came unannounced, but not fully unexpected. There were signs here and there. Her love of the endless whirlwind of life, that was a match for his way of following life’s intents for him. When sometimes life went still during winter, he would also follow, but she wouldn’t. She had insatiable love for a life filled with animation, bursts of colours, sounds. It had been easy to be with her then, her curiosity pulling him along, their shared love of stories giving their time together a weight that felt timeless. It was when Drusilla’s condition worsened, that their rhythms became untangled, no longer synching at every heartbeat. And it was fine. Matteo had made his decision then to leave Paris and bring his mother to Avignon where she could receive the care she needed. Those past two weeks that brought the inevitable conclusion of their separation had left him surprisingly content. Happy for the past moments, and hopeful for the unwritten future.

    He could see clearly that Juliette needed her freedom back; and she’d agreed. Regular train rides to Avignon, the weekends spent trying to make the sparse walls of his mother’s room feel like home as she started to forget her son’s girlfriend, and sometimes even her own son.

    Last they were in this park together was one of their last shared moments of innocent happiness ; It was a beautiful sunny afternoon —or was it only coloured by memories? They had been sitting in the Jardin des Plantes, sharing a crêpe. Juliette had been scrolling through her phone, stopping at an announcement about an interview with Liz Tattler airing that evening. “You should watch it,” she’d said, her tone light but distant. “Her books are about people like us—drifting, figuring it out.”

    He had smiled then, nodding, though he wasn’t sure if he’d meant it. A week later, she told him she was moving back to Lille, closer to her family until she figured out her next step. “It’s not you, Matteo,” she’d said, her eyes soft but resolute. “You need to be here, for her. I need… something else.”

    Now, sitting in the park a few weeks later, Matteo pulled his phone from his pocket and opened his gallery. He scrolled through the pictures until he found one from their weekend in London—a black-and-white shot of Julia standing in front of a red telephone booth, her smile sharp and her eyes already focused on the next shooting star to catch.

    Julia was right, he thought. People like them—they drifted, but they also found their way, sometimes in unexpected ways. He put on his earpods, listening to the beginning of Liz Tattler’s interview.

    Her distinct raspy voice brimming with a cackling energy was already engrossing. Synchy as ever, she was saying:

    “Every story begins with something lost, but it’s never about the loss. It’s about what you find because of it.”

    #7662

    The Waking 

    Lucien – Early 2024 Darius – Dec 2022 Amei – 2022-2023 Elara – 2022 Matteo – Halloween 2023
    Aversion/Reflection Jealousy/Accomplishment Pride/Equanimity Attachment/Discernment Ignorance/Wisdom
    The sky outside Lucien’s studio window was still dark, the faint glow of dawn breaking on the horizon. He woke suddenly, the echo of footsteps chasing him out of sleep. Renard’s shadow loomed in his mind like a smudge he couldn’t erase. He sat up, rubbing his temples, the remnants of the dream slipping away like water through his fingers. The chase felt endless, but this time, something had shifted. There was no fear in his chest—only a whisper of resolve. “Time to stop running.” The hum of the airplane’s engine filled Darius’s ears as he opened his eyes, the cabin lights dimmed for landing. He glanced at the blinking seatbelt sign and adjusted his scarf. The dream still lingered, faint and elusive, like smoke curling away before he could grasp it. He wasn’t sure where he’d been in his mind, but he felt a pull—something calling him back. South of France was just the next stop. Beyond that,… Beyond that? He didn’t know. Amei sat cross-legged on her living room floor, the guided meditation app still playing its soft tones through her headphones. Her breathing steadied, but her thoughts drifted. Images danced at the edges of her mind—threads weaving together, faces she couldn’t place, a labyrinth spiraling endlessly. The meditation always seemed to end with these fragments, leaving her both unsettled and curious. What was she trying to find? Elara woke with a start, the unfamiliar sensation of a dream etched vividly in her mind. Her dreams usually dissolved the moment she opened her eyes, but this one lingered, sharp and bright. She reached for her notebook on the bedside table, fumbling for the pen. The details spilled out onto the page—a white bull, a labyrinth of light, faces shifting like water. “I never remember my dreams,” she thought, “but this one… this one feels important.” Matteo woke to the sound of children laughing outside, their voices echoing through the streets of Avignon. Halloween wasn’t as big a deal here as elsewhere, but it had its charm. He stretched and sat up, the weight of a restless sleep hanging over him. His dreams had been strange—familiar faces, glowing patterns, a sense of something unfinished. The room seemed to glow for a moment. “Strange,” he thought, brushing it off as a trick of the light.
    “No resentment, only purpose.” “You’re not lost. You’re walking your own path.” “Messy patterns are still patterns.” “Let go. The beauty is in the flow.” “Everything is connected. Even the smallest light adds to the whole.”
    The Endless Chase
    Lucien ran through a labyrinth, its walls shifting and alive, made of tangled roots and flickering light. Behind him, the echo of footsteps and Renard’s voice calling his name, mocking him. But as he turned a corner, the walls parted to reveal a still lake, its surface reflecting the stars. He stopped, breathless, staring at his reflection in the water. It wasn’t him—it was a younger boy, wide-eyed and unafraid. The boy reached out, and Lucien felt a calm ripple through him. The chase wasn’t real. It never was. The walls dissolved, leaving him standing under a vast, open sky.
    The Wandering Maze
    Darius wandered through a green field, the tall grass brushing against his hands. The horizon seemed endless, but each step revealed new paths, twisting and turning like a living map. He saw figures ahead—people he thought he recognized—but when he reached them, they vanished, leaving only their footprints. Frustration welled up in his chest, but then he heard laughter—a clear, joyful sound. A child ran past him, leaving a trail of flowers in their wake. Darius followed, the path opening into a vibrant garden. There, he saw his own footprints, weaving among the flowers. “You’re not lost,” a voice said. “You’re walking your own path.”
    The Woven Tapestry
    Amei found herself in a dim room, lit only by the soft glow of a loom. Threads of every color stretched across the space, intertwining in intricate patterns. She sat before the loom, her hands moving instinctively, weaving the threads together. Faces appeared in the fabric—Tabitha, her estranged friends, even strangers she didn’t recognize. The threads wove tighter, forming a brilliant tapestry that seemed to hum with life. She saw herself in the center, not separate from the others but connected. This time she heard clearly “Messy patterns are still patterns,” a voice whispered, and she smiled.
    The Scattered Grains
    Elara stood on a beach, the sand slipping through her fingers as she tried to gather it. The harder she grasped, the more it escaped. A wave rolled in, sweeping the sand into intricate patterns that glowed under the moonlight. She knelt, watching the designs shift and shimmer, each one unique and fleeting. “Let go,” the wind seemed to say. “The beauty is in the flow.” Elara let the sand fall, and as it scattered, it transformed into light, rising like fireflies into the night sky.
    The Mandala of Light
    Matteo stood in a darkened room, the only light coming from a glowing mandala etched on the floor. As he stepped closer, the patterns began to move, spinning and shifting. Faces appeared—his mother, the friends he hadn’t yet met, and even his own reflection. The mandala expanded, encompassing the room, then the city, then the world. “Everything is connected,” a voice said, low and resonant. “Even the smallest light adds to the whole.” Matteo reached out, touching the edge of the mandala, and felt its warmth spread through him.

    :fleuron2:

    Dreamtime

    It begins with running—feet pounding against the earth, my breath sharp in my chest. The path twists endlessly, the walls of the labyrinth curling like roots, closing tighter with each turn. I know I’m being chased, though I never see who or what is behind me. The air thickens as I round a corner and come to a halt before a still lake. Its surface gleams under a canopy of stars, too perfect, too quiet. I kneel to look closer, and the face that stares back isn’t mine. A boy gazes up with wide, curious eyes, unafraid. He smiles as though he knows something I don’t, and my breath steadies. The walls of the labyrinth crumble, their roots receding into the earth. Around me, the horizon stretches wide and infinite, and I wonder if I’ve always been here.

    The grass is soft under my feet, swaying with a breeze that hums like a song I almost recognize. I walk, though I don’t know where I’m going. Figures appear ahead—shadowy forms I think I know—but as I approach, they dissolve into mist. I call out, but my voice is swallowed by the wind. Laughter ripples through the air, and a child darts past me, their feet leaving trails of flowers in the earth. I follow, unable to stop myself. The path unfolds into a garden, vibrant and alive, every bloom humming with its own quiet song. At the center, I find myself again—my own footprints weaving among the flowers. The laughter returns, soft and knowing. A voice says, “You’re not lost. You’re walking your own path.” But whose voice is it? My own? Someone else’s? I can’t tell.

    The scene shifts, or maybe it’s always been this way. Threads of light stretch across the horizon, forming a vast loom. My hands move instinctively, weaving the threads into patterns I don’t understand but feel compelled to create. Faces emerge in the fabric—some I know, others I only feel. Each thread hums with life, vibrating with its own story. The patterns grow more intricate, their colors blending into something breathtaking. At the center, my own face appears, not solitary but connected to all the others. The threads seem to breathe, their rhythm matching my own heartbeat. A voice whispers, teasing but kind: “Messy patterns are still patterns.” I want to laugh, or cry, or maybe both, but my hands keep weaving as the threads dissolve into light.

    I’m on the beach now, though I don’t remember how I got here. The sand is cool under my hands, slipping through my fingers no matter how tightly I try to hold it. A wave rolls in, its foam glowing under a pale moon. Where the water touches the sand, intricate patterns bloom—spirals, mandalas, fleeting images that shift with the tide. I try to gather them, to keep them, but the harder I hold on, the faster they fade. A breeze lifts the patterns into the air, scattering them like fireflies. I watch them go, feeling both loss and wonder. “Let go,” a voice says, carried by the wind. “The beauty is in the flow.” I let the sand fall from my hands, and for the first time, I see the patterns clearly, etched not on the ground but in the sky.

    The room is dark, yet I see everything. A mandala of light spreads across the floor, its intricate shapes pulsing with a rhythm I recognize but can’t place. I step closer, and the mandala begins to spin, its patterns expanding to fill the room, then the city, then the world. Faces appear within the light—my mother’s, a child’s, strangers I know but have never met. The mandala connects everything it touches, its warmth spreading through me like a flame. I reach out, my hand trembling, and the moment I touch it, a voice echoes in the air: “Everything is connected. Even the smallest light adds to the whole.” The mandala slows, its light softening, and I find myself standing at its center, whole and unafraid.

    I feel the labyrinth’s walls returning, but they’re no longer enclosing me—they’re part of the loom, their roots weaving into the threads. The flowers of the garden bloom within the mandala’s light, their petals scattering like sand into the tide. The waves carry them to the horizon, where they rise into the sky, forming constellations I feel I’ve always known.

    I wake—or do I? The dream lingers, its light and rhythm threading through my thoughts. It feels like a map, a guide, a story unfinished. I see the faces again—yours, mine, ours—and wonder where the path leads next.

    #7657
    ÉricÉric
    Keymaster

      A list of events for reference (WIP)

      Date Matteo Lucien Darius Amei Elara
      Nov 2024 M: Working as a server in Paris; recognizes and cryptically addresses the group at the Sarah Bernhardt Café. L: Sketching in Paris; begins orchestrating the reunion by sending letters to the group. D: is back in Paris for the reunion A: visits Paris for the reunion E: visits Paris for the reunion from Churchill Guest House (Samphire Hoe), visits a guest house in Kent, back in England for a week weeks/months, all expense paid. Mrs Lovejoy the landlady.
      Spring 2024 M: In Avignon, works at a vineyard. Finds a map. Crosses path with Lucien. Moves to next job in Paris. L: Visits Avignon. Caught in debt to Monsieur Renard; creates labyrinthine sketches blending personal and mythical themes. Crosses path with Matteo. D: by June 2024 sends a postcard to Amei, Is seen in Goa A: Her daughter Tabitha is in Goa teaching E: is retired in Tuscany, living with Florian, a distant relative met through family research.
      Summer 2024 (Olympics) has a strange dream at CERN learning about the death of her mother who’d actually died in her youth.
      She reminisces about chalkapocalypse.
      Feb 2024 M:In London, works for a moving company. Crosses path with Amei and Tabitha. L: Is implied he is caught back into the schemes of M. Renard to pay his debts. D: A: Moves from her London home to a smaller apartment in London; reflects on her estranged friends and past. Crosses path with Matteo. E:
      Dec 2023 M:In Avignon, considers moving to a job in London to support his mother’s care. L: Going with the alias “Julien”, he is recognized in the streets, after 3 years of self-imposed exile, to escape M. Renard & Eloïse. D: Resumes his travels on his own terms A: Buys candles, reflects on leaving. E:
      Nov 2023 M: His mother requires more care, he goes to Avignon regularly where she is in care. Breaks up with Juliette end of summer. L: D: moves on from Guadeloupe, where he spent time rebuilding homes and reflecting. A: E:
      early 2023 M: Visits Valencia and Xàtiva, hometown of the Borgias with Juliette; she makes him discover Darius’ videos. L: D: Lives in South of France, returns to Guadeloupe after hurricane Fiona. A: E:
      Dec 2022 M: New year’s eve, Matteo discovers about Elara’s work on memory applicable to early stage Alzheimer with  sensory soundwaves stimuli and ancestral genetic research. L: D: Runs a wellness channel. Goes back to Paris, breaks ties with M. Renard & Eloïse. Receives an invitation to see friends in South of France A: Lives with Paul E:
      early 2022 M: Lives in Paris with Juliette, travels to many places together, week-ends getaways in London, Amsterdam, Rome… L: D: A: E: Early May, pandemic restrictions were largely over. Florian, her distant relative, moves in to Elara’s Tuscan farmhouse, where she is enjoying retirement.
      end of 2021 M: L: After the pandemic lockdown thinks of a way to escape. Goes by the alias “Julien” D: Locked down in Budapest; sketches empty streets, sends postcards to Amei to maintain emotional connections. A: E: Dec. 2021, first Christmas in Tuscany
      Nov – end of Genealogix royalties from her successful patent, taken over by more efficient AI algorithms. She gives the idea to Darius of looking for 1-euro housing.
      beginning 2021 M: L: Third & last wave of lockdown measures in France D: A: E:
      2020 M: L: D: A: E:
      beg. 2020 M: L: Pandemic starts – first waves of lockdown D: A: E:
      Nov 2019 M: Last group meeting before the Nov 2024 reunion L: Last group meeting before the Nov 2024 reunion D: Last group meeting before the Nov 2024 reunion A: Last group meeting before the Nov 2024 reunion E: Last group meeting before the Nov 2024 reunion
      2019 M: Plans for his mother / co-housing project L: Spring break in Andalucia with Elara D: Spring break in Andalucia with Elara A: Spring break in Andalucia with Elara E: Spring, before pandemic; visit in Andalucia to her father – joined by Lucien & Amei ; Darius tried to bring those people (M. Renard & Eloïse presumably) to see the hidden pyramid
      ca. 2014 M: L: D: A: E: chalkapocalypse, before Elara’s retirement. She is employed in Warwick.
      Before that, lived from short term teaching contracts mostly, enabling her to travel. She learned Spanish when she moved with her father to Spain 30 years ago, working in an English school for expats, improved her French while working in Paris, moved to Warwick to be near her sister Vanessa thinking she would settle there.
      2010 M: L: D: A: E: Genealogix became unexpectedly lucrative when it was picked up by a now-dominant genealogy platform around 2010. Every ancestry test sold earned her a modest but steady royalty, which for a time, gave her the freedom to pursue less practical research.
      2007 M: L: Meets Elara & Amei, Darius a concert of Eliane Radigue at Aarau, Switzerland D: Meets Lucien, Elara & Amei a concert of Eliane Radigue at Aarau, Switzerland A:Accepts Elara’s invitation to go to a concert of Eliane Radigue at Aarau, Switzerland, meets Lucien & Darius there. The group is formed E:Goes to a concert of Eliane Radigue at Aarau, Switzerland with Amei, meets Lucien & Darius there. The group is formed
      before 2007 M: L: D: A:Meets Elara at a gallery in London, Southbank E: Meets Amei at a gallery, London Southbank
      #7656

      Matteo — December 1st 2023: the Advent Visit

      (near Avignon, France)

      The hallway smelled of nondescript antiseptic and artificial lavender, a lingering scent jarring his senses with an irreconciliable blend of sterility and forced comfort. Matteo shifted the small box of Christmas decorations under his arm, his boots squeaking slightly against the linoleum floor. Outside, the low winter sun cast long, pale shadows through the care facility’s narrow windows.

      When he reached Room 208, Matteo paused, hand resting on the doorframe. From inside, he could hear the soft murmur of a holiday tune—something old-fashioned and meant to be cheerful, likely playing from the small radio he’d gifted her last year. Taking a breath, he stepped inside.

      His mother, Drusilla sat by the window in her padded chair, a thick knit shawl draped over her frail shoulders. She was staring intently at her hands, her fingers trembling slightly as they folded and unfolded the edge of the shawl. The golden light streaming through the window framed her face, softening the lines of age and wear.

      “Hi, Ma,” Matteo said softly, setting the box down on the small table beside her.

      Her head snapped up at the sound of his voice, her eyes narrowing as she fixed him with a sharp, almost panicked look. “Léon?” she said, her voice shaking. “What are you doing here? How are you here?” There was a tinge of anger in her tone, the kind that masked fear.

      Matteo froze, his breath catching. “Ma, it’s me. Matteo. I’m Matteo, your son, please calm down” he said gently, stepping closer. “Who’s Léon?”

      She stared at him for a long moment, her eyes clouded with confusion. Then, like a tide retreating, recognition crept back into her expression. “Matteo,” she murmured, her voice softer now, though tinged with exhaustion. “Oh, my boy. I’m sorry. I—” She looked away, her hands clutching the shawl tighter. “I thought you were someone else.”

      “It’s okay,” Matteo said, crouching beside her chair. “I’m here. It’s me.”

      Drusilla reached out hesitantly, her fingers brushing his cheek. “You look so much like him sometimes,” she said. “Léon… your father. He’d hold his head just like that when he didn’t want anyone to know he was worried.”

      As much as Matteo knew, Drusilla had arrived in France from Italy in her twenties. He was born soon after. She had a job as a hairdresser in a little shop in Avignon, and did errands and chores for people in the village. For the longest time, it was just the two of them, as far as he’d recall.

      Matteo’s chest tightened. “You’ve never told me much about him.”

      “There wasn’t much to tell,” she said, her voice distant. “He came. He left. But he gave me something before he went. I always thought it would mean something, but…” Her voice trailed off as she reached into the pocket of her shawl and pulled out a small silver medallion, worn smooth with age. She held it out to him. “He said it was for you. When you were older.”

      Matteo took the medallion carefully, turning it over in his hand. It was a simple but well-crafted Saint Christopher medal, the patron saint of travellers, with faint initials etched on the back—L.A.. He didn’t recognize the letters, but the weight of it in his palm felt significant, grounding.

      “Why didn’t you give it to me before?” he asked, his voice quiet.

      “I forgot I had it,” she admitted with a faint, sad laugh. “And then I thought… maybe it was better to keep it. Something of his, for when I needed it. But I think it’s yours now.”

      Matteo slipped the medallion into his pocket, his mind spinning with questions he didn’t want to ask—not now. “Thanks, Ma,” he said simply.

      Drusilla sighed and leaned back in her chair, her gaze drifting to the small box he’d brought. “What’s that?”

      “Decorations,” Matteo said, seizing the moment to shift the focus. “I thought we could make your room a little festive for Christmas.”

      Her face softened, and she smiled faintly. “That’s nice,” she said. “I haven’t done that in… I don’t remember when.”

      Matteo opened the box and began pulling out garlands and baubles. As he worked, Drusilla watched silently, her hands still clutching the shawl. After a moment, she spoke again, her voice quieter now.

      “Do you remember our house in Crest?” she asked.

      Matteo paused, a tangle of tinsel in his hands. “Crest?” he echoed. “The place where you wanted to move to?”

      Drusilla nodded slowly. “I thought it would be nice. A co-housing place. I could grow old in the garden, and you’d be nearby. It seemed like a good idea then.”

      “It was a good idea,” Matteo said. “It just… didn’t happen.”

      “No,… you’re right” she said, collecting her thoughts for a moment, her gaze distant. “You were too restless. Always moving. I thought maybe you’d stay if we built something together.”

      Matteo swallowed hard, the weight of her words pressing on him. “I wanted to, Ma,” he said. “I really did.”

      Drusilla’s eyes softened, and she reached for his hand, her grip surprisingly strong. “You’re here now,” she said. “That’s what matters.”

      :fleuron2:

      They spent the next hour decorating the room. Matteo hung garlands around the window and draped tinsel over the small tree he’d set up on the table. Drusilla directed him with occasional nods and murmured suggestions, her moments of lucidity shining like brief flashes of sunlight through clouds.

      When the last bauble was hung, Drusilla smiled faintly. “It’s beautiful,” she said. “Like home.”

      Matteo sat beside her, emotion weighing on him more than the physical efforts and the early drive. He was thinking about the job offer in London, the chance to earn more money to ensure she had everything she needed here. But leaving her felt impossible, even as staying seemed equally unsustainable. He was afraid it was just a justification to avoid facing the slow fraying of her memories.

      Drusilla’s voice broke through his thoughts. “You’ll figure it out,” she said, her eyes closing as she leaned back in her chair. “You always do.”

      Matteo watched her as she drifted into a light doze, her breathing steady and peaceful. He reached into his pocket, his fingers brushing against the medallion. The weight of it felt like both a question and an answer—one he wasn’t ready to face yet.

      “Patron saint of travellers”, that felt like a sign, if not a blessing.

      #7653

      Matteo — Winter 2023: The Move

      The rumble of the moving truck echoed faintly in the quiet residential street as Matteo leaned against the open door, arms crossed, waiting for the signal to load the boxes. He glanced at the crisp winter sky, a pale gray threatening snow, and then at the house behind him. Its windows were darkened by empty rooms, their once-lived-in warmth replaced by the starkness of transition. The ornate names artistically painted on the mailbox struck him somehow. Amei & Tabitha M.: his clients for the day.

      The cold damp of London’s suburbia was making him long even more for the warmth of sunny days. With the past few moves he’s been managing for his company, the tipping had been generous; he could probably plan a spring break in South of France, or maybe make a more permanent move there.

      The sound of the doorbell brought him back from his rêverie.

      Inside the house, the faint sounds of boxes being taped and last-minute goodbyes carried through the hallways. Matteo had been part of these moves too many times to count now. People always left a little bit of themselves behind—forgotten trinkets, echoes of old conversations, or the faint imprint of a life lived. It was a rhythm he’d come to expect, and he knew his part in it: lift, carry, and disappear into the background.

      :fleuron2:

      Matteo straightened as the door opened and a girl that could have been in her early twenties, but looked like a teenager stepped out, bundled against the cold. She held a steaming mug in one hand and balanced a box awkwardly on her hip with the other.

      “That’s the last of it,” she called over her shoulder. “Mum, are you sure you don’t want me to take the notebooks?”

      “They’re fine in the car, Tabitha!” A voice—calm and steady, maybe tinged with weariness—floated from inside.

      The girl named Tabitha turned to Matteo, offering the box. “This is fragile,” she said, a smile tugging at her lips. “Be nice to it.”

      Matteo took the box carefully, glancing at the mug in her hand. “You’re not leaving that behind, are you?” he asked with a faint smile.

      Tabitha laughed. “This? No way. That’s my lifeline. The mug stays.”

      :fleuron2:

      As Matteo carried the box to the truck, his eyes caught on something inside—a weathered postcard tucked haphazardly between the pages of a journal. The image on the front was striking: a swirling green fairy, dancing above a glass of absinthe. La Fée Verte was scrawled in looping letters across the top.

      “Tabitha!” Her mother’s voice carried out to the driveway, and Matteo turned instinctively. She stepped out onto the porch, her scarf wrapped loosely around her neck, her breath visible in the chilly air. Matteo could see the resemblance—the same poise and humor in her gaze, though softened by something older, quieter.

      “Put this somewhere, will you” she said, holding up another postcard, this one with a faded image of a winding mountain road.

      Tabitha grinned, stepping forward to take it. “Thanks, Mum. That one’s special.” She tucked it into her coat pocket.

      “Special how?” her mother asked lightly.

      “It’s from Darius,” Tabitha said, her tone almost teasing. “… The one you never want to talk about.” she leaned teasingly. “One of his cryptic postcards —too bad I was too young to really remember him, he must have been fun to be around.”

      Matteo’s ears perked at the name, though he kept his head down, settling the box in place. It wasn’t unusual to overhear snippets like this during a move, but something about the unusual name roused his curiosity.

      “Why you want to keep those?” Amei asked, tilting her head.

      Tabitha shrugged. “They’re kind of… a map, I guess. Of people, not places.”

      Amei paused, her expression softening. “He was always good at that,” she murmured, almost to herself.

      :fleuron2:

      The conversation lingered in Matteo’s mind as the day went on. By the time the truck was loaded, and he’d helped arrange the last of the boxes in Amei’s new, smaller apartment, the name and the postcard had taken root.

      As Matteo stacked the final piece of furniture—a worn bookshelf—against the living room wall, he noticed Amei lingering near a window, her gaze distant.

      “It’s different, isn’t it?” she said suddenly, not looking at him.

      “Moving?” Matteo asked, unsure if the question was for him.

      “Starting over,” she clarified, her voice quieter now. “Feels smaller, even when it’s supposed to be lighter.”

      Matteo didn’t reply, sensing she wasn’t looking for an answer. He stepped back, nodding politely as she thanked him and disappeared into the kitchen.

      :fleuron2:

      The postcard stuck in his mind for days after. Matteo had heard of absinthe before, of course—its mystique, its history—but something about the way Tabitha had called the postcard a “map of people” resonated.

      By the time spring arrived, Matteo was wandering through Avignon, chasing vague curiosities and half-formed questions. When he saw Lucien crouched over his chalk labyrinth, the memory of the postcard rose unbidden.

      “Do you know where I can find absinthe?” he asked, the question more instinct than intent.

      Lucien’s raised eyebrow and faint smile felt like another piece clicking into place. The connections were there—threads woven in patterns he couldn’t yet see. But for the first time in months, Matteo felt he was back on the right path.

      #7651
      Yurara FamelikiYurara Fameliki
      Participant

        Exploring further potential backstory for the characters – to be explored further…

        :fleuron2:

        This thread beautifully connects to the lingering themes of fractured ideals, missed opportunities, and the pull of reconnection. Here’s an expanded exploration of the “habitats participatifs” (co-housing communities) and how they tie the characters together while weaving in subtle links to their estrangement and Matteo’s role as the fifth element.

        Backstory: The Co-Housing Dream

        Habitat Participatif: A Shared Vision

        The group’s initial bond, forged through shared values and late-night conversations, had coalesced around a dream: buying land in the Drôme region of France to create a co-housing community. The French term habitat participatif—intergenerational, eco-conscious, and collaborative living—perfectly encapsulated their ideals.

        What Drew Them In:

        • Amei: Longing for a sense of rootedness and community after years of drifting.
        • Elara: Intrigued by the participatory aspect, where decisions were made collectively, blending science and sustainability.
        • Darius: Enchanted by the idea of shared creative spaces and a slower, more intentional way of living.
        • Lucien: Inspired by the communal energy, imagining workshops where art could flourish outside the constraints of traditional galleries.

        The Land in Drôme

        They had narrowed their options to a specific site near the village of Crest, not far from Lyon. The land, sprawling and sun-drenched, had an old farmhouse that could serve as a communal hub, surrounded by fields and woods. A nearby river threaded through the valley, and the faint outline of mountains painted the horizon.

        The traboules of Lyon, labyrinthine passageways, had captivated Amei during an earlier visit, leaving her wondering if their metaphorical weaving through life could mirror the paths their group sought to create.

        The Role of Monsieur Renard

        When it came to financing, the group faced challenges. None of them were particularly wealthy, and pooling their resources fell short. Enter Monsieur Renard, whose interest in supporting “projects with potential” brought him into their orbit through Éloïse.

        Initial Promise:

        • Renard presented himself as a patron of innovation, sustainability, and community projects, offering seed funding in exchange for a minor share in the enterprise.
        • His charisma and Éloïse’s insistence made him seem like the perfect ally—until his controlling tendencies emerged.

        The Split: Fractured Trust

        Renard’s involvement—and Éloïse’s increasing influence on Darius—created fault lines in the group.

        1. Darius’s Drift:
          • Darius became entranced by Renard and Éloïse’s vision of community as something deeper, bordering on spiritual. Renard spoke of “energetic alignment” and the importance of a guiding vision, which resonated with Darius’s creative side.
          • He began advocating for Renard’s deeper involvement, insisting the project couldn’t succeed without external backing.
        2. Elara’s Resistance:
          • Elara, ever the pragmatist, saw Renard as manipulative, his promises too vague and his influence too broad. Her resistance created tension with Darius, whom she accused of being naive.
          • “This isn’t about community for him,” she had said. “It’s about control.”
        3. Lucien’s Hesitation:
          • Lucien, torn between loyalty to his friends and his own fascination with Éloïse, wavered. Her talk of labyrinths and collective energy intrigued him, but he grew wary of her sway over Darius.
          • When Renard offered to fund Lucien’s art, he hesitated, sensing a price he couldn’t articulate.
        4. Amei’s Silence:
          • Amei, haunted by her own experiences with manipulation in past relationships, withdrew. She saw the dream slipping away but couldn’t bring herself to fight for it.

        Matteo’s Unseen Role

        Unbeknownst to the others, Matteo had been invited to join as a fifth partner—a practical addition to balance their idealism. His background in construction and agriculture, coupled with his easygoing nature, made him a perfect fit.

        The Missed Connection:

        • Matteo had visited the Drôme site briefly, a stranger to the group but intrigued by their vision. His presence was meant to ground their plans, to bring practicality to their shared dream.
        • By the time he arrived, however, the group’s fractures were deepening. Renard’s shadow loomed too large, and the guru-like influence of Éloïse had soured the collaborative energy. Matteo left quietly, sensing the dream unraveling before it could take root.

        The Fallout: A Fractured Dream

        The group dissolved after a final argument about Renard’s involvement:

        • Elara refused to move forward with his funding. “I’m not selling my future to him,” she said bluntly.
        • Darius, feeling betrayed, accused her of sabotaging the dream out of stubbornness.
        • Lucien, caught in the middle, tried to mediate but ultimately sided with Elara.
        • Amei, already pulling away, suggested they put the project on hold.

        The land was never purchased. The group scattered soon after, their estrangement compounded by the pandemic. Matteo drifted in a different direction, their connection lost before it could form.

        Amei’s Perspective: Post-Split Reflection

        In the scene where Amei buys candles :

        • The shopkeeper’s comments about “seeking something greater” resonate with Amei’s memory of the co-housing dream and how it became entangled with Éloïse and Renard’s influence.
        • Her sharper-than-usual reply reflects her lingering bitterness over the way “seeking” led to manipulation and betrayal.

        Reunion at the Café: A New Beginning

        When the group reunites, the dream of the co-housing project lingers as a symbol of what was lost—but also of what could still be reclaimed. Matteo’s presence at the café bridges the gap between their fractured past and a potential new path.

        Matteo’s Role:

        • His unspoken connection to the co-housing plan becomes a point of quiet irony: he was meant to be part of their story all along but arrived too late. Now, at the café, he steps into the role he missed years ago—the one who helps them see the threads that still bind them.
        #7650
        Yurara FamelikiYurara Fameliki
        Participant

          Some elements for inspiration as to the backstory of the group and how it could tie to the current state of the story:

          :fleuron2:

          Here’s a draft version of the drama surrounding Éloïse and Monsieur Renard (the “strange couple”), incorporating their involvement with Darius, their influence on the group’s dynamic, and the fallout that caused the estrangement five years ago.

          The Strange Couple: Éloïse and Monsieur Renard

          Winter 2019: Paris, Just Before the Pandemic

          The group’s last reunion before their estrangement was supposed to be a celebration—one of those rare moments when their diverging paths aligned. They had gathered in Paris in late December, the city cloaked in gray skies and glowing light. The plan was simple: a few days together, catching up, exploring old haunts, and indulging in the kind of reckless spontaneity that had defined their earlier years.

          It was Darius who disrupted the rhythm. He had arrived late to their first dinner, rain-soaked and apologetic, with Éloïse and Monsieur Renard in tow.

          First Impressions of Éloïse and Monsieur Renard

          Éloïse was striking—lithe, dark-haired, with sharp eyes that seemed to unearth secrets before you could name them. She moved with a predatory grace, her laughter a mix of charm and edge. Renard was her shadow, older and impeccably dressed, his silvery hair and angular features giving him the air of a fox. He spoke little, but when he did, his words had the weight of finality, as if he were accustomed to being obeyed.

          “They’re just friends,” Darius said when the others exchanged wary glances. “They’re… interesting. You’ll like them.”

          But it didn’t take long for Éloïse and Renard to unsettle the group. At dinner, Éloïse dominated the conversation, her stories wild and improbable—of séances in abandoned mansions, of lost artifacts with strange energies, of lives transformed by unseen forces. Renard’s occasional interjections only added to the mystique, his tone implying he’d seen more than he cared to share.

          Lucien, ever the skeptic, found himself drawn to Éloïse despite his instincts. Her talk of energies and symbols resonated with his artistic side, and when she mentioned labyrinths, his attention sharpened.

          Elara, in contrast, bristled at their presence. She saw through their mystique, recognizing in Renard the manipulative charisma of someone who thrived on control.

          Amei was harder to read, but she watched Éloïse and Renard closely, her silence betraying a guardedness that hinted at deeper discomfort.

          Darius’s Growing Involvement

          Over the following days, Darius spent more time with Éloïse and Renard, skipping planned outings with the group. He spoke of them with a reverence that was uncharacteristic, praising their insight into things he’d never thought to question.

          “They see connections in everything,” he told Amei during a rare moment alone. “It’s… enlightening.”

          “Connections to what?” she asked, her tone sharper than she intended.

          “Paths, people, purpose,” he replied vaguely. “It’s hard to explain, but it feels… right.”

          Amei didn’t press further, but she mentioned it to Elara later. “It’s like he’s slipping into something he can’t see his way out of,” she said.

          The Séance

          The turning point came during an impromptu gathering at Éloïse and Renard’s rented apartment—a dimly lit space filled with strange objects: glass jars of cloudy liquid, intricate carvings, and an ornate bronze bell hanging above the mantelpiece.

          Éloïse had invited the group for what she called “an evening of clarity.” The others arrived reluctantly, wary of what she had planned but unwilling to let Darius face it alone.

          The séance began innocuously enough—Éloïse guiding them through what she described as a “journey inward.” She spoke in a low, rhythmic tone, her words weaving a spell that was hard to resist.

          Then things took a darker turn. She asked them to focus on the labyrinth she had drawn on the table—a design eerily similar to the map Lucien had found weeks earlier.

          “You must find your center,” she said, her voice dropping. “But beware the edges. They’ll show you things you’re not ready to see.”

          The room grew heavy with silence. Darius leaned into the moment, his eyes closed, his breathing steady. Lucien tried to focus but felt a growing unease. Elara sat rigid, her scientific mind railing against the absurdity of it all. Amei’s hands gripped the edge of the table, her knuckles white.

          And then, the bell rang.

          It was faint at first, a distant chime that seemed to come from nowhere. Then it grew louder, resonating through the room, its tone deep and haunting.

          “What the hell is that?” Lucien muttered, his eyes snapping open.

          Éloïse smiled faintly but said nothing. Renard’s expression remained inscrutable, though his fingers tapped rhythmically against the table, as if counting something unseen.

          Elara stood abruptly, breaking the spell. “This is ridiculous,” she said. “You’re playing with people’s minds.”

          Darius’s eyes opened, his gaze unfocused. “You don’t understand,” he said softly. “It’s not a game.”

          The Fallout

          The séance fractured the group.

          • Elara: Left the apartment furious, calling Renard a charlatan and vowing never to entertain such nonsense again. Her relationship with Darius cooled, her disappointment palpable.
          • Lucien: Became fascinated with the labyrinth and its connection to his art, but he couldn’t shake the unease the séance had left. His conversations with Éloïse deepened in the following days, further isolating him from the group.
          • Amei: Refused to speak about what she’d experienced. When pressed, she simply said, “Some things are better left forgotten.”
          • Darius stayed with Éloïse and Renard for weeks after the others left Paris, becoming more entrenched in their world. But something changed. When he finally returned, he was distant and cagey, unwilling to discuss what had happened during his time with them.

          Lingering Questions

          1. What Happened to Darius with Éloïse and Renard?
            • Darius’s silence suggests something traumatic or transformative occurred during his deeper involvement with the couple.
          2. The Bell’s Role:
            • The bronze bell that rang during the séance ties into its repeated presence in the story. Was it part of the couple’s mystique, or does it hold a deeper significance?
          3. Lucien’s Entanglement:
            • Lucien’s fascination with Éloïse and the labyrinth hints at a lingering connection. Did she influence his art, or was their connection more personal?
          4. Éloïse and Renard’s Motives:
            • Were they simply grifters manipulating Darius and others, or were they genuinely exploring something deeper, darker, and potentially dangerous?

          Impact on the Reunion

          • The group’s estrangement is rooted in the fractures caused by Éloïse and Renard’s influence, compounded by the isolation of the pandemic.
          • Their reunion at the café is a moment of reckoning, with Matteo acting as the subtle thread pulling them back together to confront their shared past.
          #7648
          Jib
          Participant

            Spring 2024

            Matteo was wandering through the streets of Avignon, the spring air heavy with the scent of blooming flowers and sun-warmed stone. The hum of activity surrounded him—shopkeepers arranging displays, the occasional burst of laughter from a café terrace. He walked with no particular destination, drawn more by instinct than intent, until a splash of colour caught his eye.

            On the cobblestones ahead, an artist crouched over a sprawling chalk drawing. It was a labyrinthine map, its intricate paths winding across the ground with deliberate precision. Matteo froze, his breath catching. The resemblance to the map he’d found at the vineyard office was uncanny—the same loops and spirals, the same sense of motion and stillness intertwined. But it wasn’t the map itself that held him in place. It was the faces.

            Four of them, scattered in different corners of the design, each rendered with surprising detail. Beneath them were names. Matteo felt a shiver crawl up his spine. He knew three of those faces. Amei, Elara, Darius… he had met each of them once, in moments that now felt distant and fragmented. Strangers to him, but not quite.

            The artist shifted, brushing dark, rain-damp curls from his forehead. His scarf, streaked faintly with paint, hung loosely around his neck. Matteo stepped closer, his curiosity overpowering any hesitation. “Is that your name?” he asked, gesturing toward the face labeled Lucien.

            The artist straightened, his hand resting lightly on a piece of green chalk. He studied Matteo for a moment, his expression unreadable. “Yes,” he said simply, his voice low but clear.

            Matteo crouched beside him, tracing the edge of the map with his eyes. “It’s incredible,” he said. “The detail, the connections. Why the faces?”

            Lucien hesitated, glancing at the names scattered across his work. “Because that’s how it is,” he said softly. “We’re all here, but… not together.”

            Matteo tilted his head, intrigued. “You mean you’ve drifted?”

            Lucien nodded, his gaze dropping to the chalk in his hand. “Something like that. Paths cross, then they don’t. People take their turns.”

            Matteo studied the map again, its intertwining lines seeming both chaotic and deliberate. The faces stared back at him, and he felt the pull of the map he no longer carried. “Do you think paths can lead back?” he asked, his voice thoughtful.

            Lucien glanced at him, something flickering briefly in his eyes. “Sometimes. If you follow them long enough.”

            Matteo smiled faintly, standing. His curiosity shifted as he turned his attention to the artist himself. “Do you know where I can find absinthe?” he asked.

            Lucien raised an eyebrow. “Absinthe? Haven’t heard anyone ask for that in a while.”

            “Just something I’ve been chasing,” Matteo replied lightly, his tone almost playful.

            Lucien gestured vaguely toward a café down the street. “You might try there. They keep the old things alive.”

            “Thanks,” Matteo said, offering a nod. He took a few steps away but paused, turning back to the artist still crouched over his map. “It’s a good drawing,” he said. “Hope your paths cross again.”

            Lucien didn’t reply, but his hand moved back to the chalk, drawing a faint line that connected two of the faces. Matteo watched for a moment longer before continuing down the street, the memory of the map and the names lingering in his mind like an unanswered question. Paths crossed, he thought, but maybe they didn’t always stay apart.

            For the first time in days, Matteo felt a strange sense of possibility. The map was gone, but perhaps it had done what it was meant to do—leave its mark.

            #7644

            From Decay to Birth: a Map of Paths and Connections

            7. Darius’s Encounter (November 2024)

            Moments before the reunion with Lucien and his friends, Darius was wandering the bouquinistes along the Seine when he spotted this particular map among a stack of old prints. The design struck him immediately—the spirals, the loops, the faint shimmer of indigo against yellowed paper.

            He purchased it without hesitation. As he would examine it more closely, he would notice faint marks along the edges—creases that had come from a vineyard pin, and a smudge of red dust, from Catalonia.

            When the bouquiniste had mentioned that the map had come from a traveler passing through, Darius had felt a strange familiarity. It wasn’t the map itself but the echoes of its journey— quiet connections he couldn’t yet place.

             

            6. Matteo’s Discovery (near Avignon, Spring 2024)

            The office at the edge of the vineyard was a ruin, its beams sagging and its walls cracked. Matteo had wandered in during a quiet afternoon, drawn by the promise of shade and a moment of solitude.

            His eyes scanned the room—a rusted typewriter, ledgers crumbling into dust, and a paper pinned to the wall, its edges curling with age. Matteo stepped closer, pulling the pin free and unfolding what turned out to be a map.

            Its lines twisted and looped in ways that seemed deliberate yet impossible to follow. Matteo traced one path with his finger, feeling the faint grooves where the ink had sunk into the paper. Something about it unsettled him, though he couldn’t say why.

            Days later, while sharing a drink with a traveler at the local inn, Matteo showed him the map.

            “It’s beautiful,” the traveler said, running his hand over the faded indigo lines. “But it doesn’t belong here.”

            Matteo nodded. “Take it, then. Maybe you’ll figure it out.”

            The traveler left with the map that night, and Matteo returned to the vineyard, feeling lighter somehow.

             

            5. From Hand to Hand (1995–2024)

            By the time Matteo found it in the spring of 2024, the map had long been forgotten, its intricate lines dulled by dust and time.

            2012: A vineyard owner near Avignon purchased it at an estate sale, pinning it to the wall of his office without much thought.

            2001: A collector in Marseille framed it in her study, claiming it was a lost artifact of a secret cartographer society, though she later sold it when funds ran low.

            1997: A scholar in Barcelona traded an old atlas for it, drawn to its artistry but unable to decipher its purpose.

            The map had passed through many hands over the previous three decades and each owner puzzling over, and finally adding their own meaning to its lines.

             

            4. The Artist (1995)

            The mapmaker was a recluse, known only as Almadora to the handful of people who bought her work. Living in a sunlit attic in Girona, she spent her days tracing intricate patterns onto paper, claiming to chart not geography but connections.

            “I don’t map what is,” she once told a curious buyer. “I map what could be.”

            In 1995, Almadora began work on the labyrinthine map. She used a pale paper from Girona and indigo ink from India, layering lines that seemed to twist and spiral outward endlessly. The map wasn’t signed, nor did it bear any explanations. When it was finished, Almadora sold it to a passing merchant for a handful of coins, its journey into the world beginning quietly, without ceremony.

             

            3. The Ink (1990s)

            The ink came from a different path altogether. Indigo plants, or aviri, grown on Kongarapattu, were harvested, fermented, and dried into cakes of pigment. The process was ancient, perfected over centuries, and the resulting hue was so rich it seemed to vibrate with unexplored depth.

            From the harbour of Pondicherry, this particular batch of indigo made its way to an artisan in Girona, who mixed it with oils and resins to create a striking ink. Its journey intersected with Amei’s much later, when remnants of the same batch were used to dye textiles she would work with as a designer. But in the mid-1990s, it served a singular purpose: to bring a recluse artist’s vision to life.

             

            2. The Paper (1980)

            The tree bore laughter and countless other sounds of nature and passer-by’s arguments for years, a sturdy presence, unwavering in a sea of shifting lives. Even after the farmhouse was sold, long after the sisters had grown apart, the tree remained. But time is merciless, even to the strongest roots.

            By 1979, battered by storms and neglect, the great tree cracked and fell, its once-proud form reduced to timber for a nearby mill.

            The tree’s journey didn’t end in the mill; it transformed. Its wood was stripped, pulped, and pressed into paper. Some sheets were coarse and rough, destined for everyday use. But a few, including one particularly smooth and pale sheet, were set aside as high-quality stock for specialized buyers.

            This sheet traveled south to Catalonia, where it sat in a shop in Girona for years, its surface untouched but full of potential. By the time the artist found it in the mid-1990s, it had already begun to yellow at the edges, carrying the faint scent of age.

             

            1. The Seed (1950s)

            It began in a forgotten corner of Kent, where a seed took root beneath a patch of open sky. The tree grew tall and sprawling over decades, its branches a canopy for birds and children alike. By 1961, it had become the centerpiece of the small farmhouse where two young sisters, Vanessa and Elara, played beneath its shade.

            “Elara, you’re too slow!” Vanessa called, her voice sharp with mock impatience. Elara, only six years old, trailed behind, clutching a wooden stick she used to scratch shapes into the dirt. “I’m making a map!” she announced, her curls bouncing as she ran to catch up.

            Vanessa rolled her eyes, already halfway up the tree’s lowest branch. “You and your maps. You think you’re going somewhere?”

            #7639
            ÉricÉric
            Keymaster

              Work in Progress: Character Timelines and Events

              Matteo

              • November 2024 (Reunion):
                • Newly employed at the Sarah Bernhardt Café, started after its reopening.
                • Writes the names of Lucien, Elara, Darius, and Amei in his notebook without understanding why.
                • Acquires the bell from Les Reliques, drawn to it as if guided by an unseen force.
                • Serves the group during the reunion, surprised to see all four together, though he knows them individually.
              • Summer 2024 (Olympics):
                • Working in a vineyard in southern France, nearing the end of the harvest season.
                • Receives a call for a renovation job in Paris, which pulls him toward the city.
                • Feels an intuitive connection to Paris, as if something is waiting for him there.
              • Past Events (Implied):
                • Matteo has a mysterious ability to sense patterns and connections in people’s lives.
                • Has likely crossed paths with the group in unremarkable but meaningful ways before.

               

              Darius

              • November 2024 (Reunion):
                • Arrives at the café, a wanderer who rarely stays in one place.
                • Reflects on his time in India during the autumn and the philosophical journey it sparked.
                • Brings with him an artifact that ties into his travels and personal story.
              • Summer 2024 (Olympics):
                • Living in Barcelona, sketching temples and engaging with a bohemian crowd.
                • Prompted by a stranger to consider a trip to India, sparking curiosity and the seeds of his autumn journey.
                • Begins to plan his travels, sensing that India is calling him for a reason he doesn’t yet understand.
              • Past Events (Implied):
                • Has a history of introducing enigmatic figures to the group, often leading to tension.
                • His intense, nomadic lifestyle creates both fascination and distance between him and the others.

               

              Elara

              • November 2024 (Reunion):
                • Travels from England to Paris to attend the reunion, balancing work and emotional hesitation.
                • Still processing her mother’s passing and reflecting on their strained relationship.
                • Finds comfort in the shared dynamics of the group but remains analytical about the events around the bell.
              • Summer 2024 (Olympics):
                • (was revealed to be a dream event) Attends a CERN conference in Geneva, immersed in intellectual debates and cutting-edge research. Receives news of her mother’s death in Montrouge, prompting a reflective journey to make funeral arrangements. Struggles with unresolved feelings about her mother but finds herself strangely at peace with the finality.
                • Dreams of her mother’s death during a nap in Tuscany, a surreal merging of past and present that leaves her unsettled.
                • Hears a bell’s clang, only to find Florian fixing a bell to the farmhouse gate. The sound pulls her further into introspection about her mother and her life choices.
                • Mentors Florian, encouraging him to explore his creativity, paralleling her own evolving relationship with her chalk research.
              • Past Events (Implied):
                • Moved to Tuscany after retiring from academia, pursuing independent research on chalk.
                • Fondly remembers the creative writing she once shared with the group, though it now feels like a distant chapter of her life.
                • Had a close but occasionally challenging relationship with Lucien and Amei during their younger years.
                • Values intellectual connections over emotional ones but is gradually learning to reconcile the two.

               

              Lucien

              • November 2024 (Reunion):
                • Sends the letter that brings the group together at the café, though his intentions are unclear even to himself.
                • In his Paris studio, struggles with an unfinished commissioned painting. Feels disconnected from his art and his sense of purpose.
                • Packs a suitcase with sketchbooks and a bundle wrapped in linen, symbolizing his uncertainty—neither a complete departure nor a definitive arrival.
                • Heads to the café in the rain, reluctant but compelled to reconnect with the group. Confronts his feelings of guilt and estrangement from the group.
              • Summer 2024 (Olympics):
                • Escapes Paris, overwhelmed by the crowds and noise of the Games, and travels to Lausanne.
                • Reflects on his artistic block and the emotional weight of his distance from the group.
                • Notices a sketch in his book of a doorway with a bell he doesn’t recall drawing, sparking vague recognition.
              • Past Events (Implied):
                • Once the emotional “anchor” of the group, he drifted apart after a falling-out or personal crisis.
                • Feels a lingering sense of responsibility to reunite the group but struggles with his own vulnerabilities.

              Amei

               

              • November 2024 (Reunion):
                • Joins the reunion at Lucien’s insistence, hesitant but curious about reconnecting with the group.
                • Brings with her notebooks filled with fragments of stories and a quiet hope for resolution.
                • Feels the weight of the group’s shared history but refrains from dwelling on it outwardly.
              • Summer 2024 (Olympics):
                • Recently moved into a smaller flat in London, downsizing after her daughter Tabitha left for university.
                • Has a conversation with Tabitha about life and change, hinting at unresolved emotions about motherhood and independence.
                • Tabitha jokes about Amei joining her in Goa, a suggestion Amei dismisses but secretly considers.
              • Past Events (Implied):
                • The last group meeting five years ago left her with lingering emotional scars.
                • Maintains a deep but quiet connection to Lucien and shares a playful dynamic with Elara.

               

              Tabitha (Amei’s Daughter)

              • November 2024:
                • Calls Amei to share snippets of her life, teasing her mother about her workaholic tendencies.
                • Reflects on their relationship, noting Amei’s supportive but emotionally guarded nature.
              • Summer 2024 (Olympics):
                • Planning her autumn trip to Goa with friends, viewing it as a rite of passage.
                • Discusses her mother’s habits with her peers, acknowledging Amei’s complexities while expressing affection.
              • Past Events (Implied):
                • Represents a bridge between Amei’s past and present, highlighting generational contrasts and continuities.

              Key Threads and Patterns

              • The Bell: Acts as a silent witness and instigator, threading its presence through pivotal moments in each character’s journey, whether directly or indirectly.
              • Shared Histories: While each character grapples with personal struggles, their paths hint at intersections in the past, tied to unresolved tensions and shared experiences.
              • Forward and Backward Motion: The narrative moves between the characters’ immediate challenges and the ripples of their past decisions, with the bell serving as a focal point for both.
              #7638

              The Bell’s Moment: Paris, Summer 2024 – Olympic Games

              The bell was dangling unassumingly from the side pocket of a sports bag, its small brass frame swinging lightly with the jostle of the crowd. The bag belonged to an American tourist, a middle-aged man in a rumpled USA Basketball T-shirt, hustling through the Olympic complex with his family in tow. They were here to cheer for his niece, a rising star on the team, and the bell—a strange little heirloom from his grandmother—had been an afterthought, clipped to the bag for luck. It seemed to fit right in with the bright chaos of the Games, blending into the swirl of flags, chants, and the hum of summer excitement.

              1st Ring of the Bell: Matteo

              The vineyard was quiet except for the hum of cicadas and the soft rustle of leaves. Matteo leaned against the tractor, wiping sweat from his brow with the back of his hand.

              “You’ve done good work,” the supervisor said, clapping Matteo on the shoulder. “We’ll be finishing this batch by Friday.”

              Matteo nodded. “And after that?”

              The older man shrugged. “Some go north, some go south. You? You’ve got that look—like you already know where you’re headed.”

              Matteo offered a half-smile, but he couldn’t deny it. He’d felt the tug for days, like a thread pulling him toward something undefined. The idea of returning to Paris had slipped into his thoughts quietly, as if it had been waiting for the right moment.

              When his phone buzzed later that evening with a job offer to do renovation work in Paris, it wasn’t a surprise. He poured himself a small glass of wine, toasting the stars overhead.

              Somewhere, miles away, the bell rang its first note.

              2nd Ring of the Bell: Darius

              In a shaded square in Barcelona, the air was thick with the scent of jasmine and the echo of a street performer’s flamenco guitar. Darius sprawled on a wrought-iron bench, his leather-bound journal open on his lap. He sketched absentmindedly, the lines of a temple taking shape on the page.

              A man wearing a scarf of brilliant orange sat down beside him, his energy magnetic. “You’re an artist,” the man said without preamble, his voice carrying the cadence of Kolkata.

              “Sometimes,” Darius replied, his pen still moving.

              “Then you should come to India,” the man said, grinning. “There’s art everywhere. In the streets, in the temples, even in the food.”

              Darius chuckled. “You recruiting me?”

              “India doesn’t need recruiters,” the man replied. “It calls people when it’s time.”

              The bell rang again in Paris, its chime faint and melodic, as Darius scribbled the words “India, autumn” in the corner of his page.

              3rd Ring of the Bell: Elara

              The crowd at CERN’s conference hall buzzed as physicists exchanged ideas, voices overlapping like equations scribbled on whiteboards. Elara sat at a corner table, sipping lukewarm coffee and scrolling through her messages.

              The voicemail notification glared at her, and she tapped it reluctantly.

              Elara, it’s Florian. I… I’m sorry to tell you this over a message, but your mother passed away last night.”

              Her coffee cup trembled slightly as she set it down.

              Her relationship with her mother had been fraught, full of alternating period of silences and angry reunions, and had settled lately into careful politeness that masked deeper fractures. Years of therapy had softened the edges of her resentment but hadn’t erased it. She had come to accept that they would never truly understand each other, but the finality of death still struck her with a peculiar weight.

              Her mother had been living alone in Montrouge, France, refusing to leave the little house Elara had begged her to sell for years. They had drifted apart, their conversations perfunctory and strained, like the ritual of winding a clock that no longer worked.

              She would have to travel to Montrouge for the funeral arrangements.

              In that moment, the bell in Les Reliques rang a third time.

              4th Ring of the Bell: Lucien

              The train to Lausanne glided through fields of dried up sunflowers, too early for the season, but the heat had been relentless. He could imagine the golden blooms swaying with a cracking sound in the summer breeze. Lucien stared out the window, the strap of his duffel bag wrapped tightly around his wrist.

              Paris had been suffocating. The tourists swarmed the city like ants, turning every café into a photo opportunity and every quiet street into a backdrop. He hadn’t needed much convincing to take his friend up on the offer of a temporary studio in Lausanne.

              He reached into his bag and pulled out a sketchbook. The pages were filled with half-finished drawings, but one in particular caught his eye: a simple doorway with an ornate bell hanging above it.

              He didn’t remember drawing it, but the image felt familiar, like a memory from a dream.

              The bell rang again in Paris, its resonance threading through the quiet hum of the train.

              5th Ring of the Bell: …. Tabitha

              In the courtyard of her university residence, Tabitha swung lazily in a hammock, her phone propped precariously on her chest.

              “Goa, huh?” one of her friends asked, leaning against the tree holding up the hammock. “Think your mum will freak out?”

              “She’ll probably worry herself into knots,” Tabitha replied, laughing. “But she won’t say no. She’s good at the whole supportive parent thing. Or at least pretending to be.”

              Her friend raised an eyebrow. “Pretending?”

              “Don’t get me wrong, I love her,” Tabitha said. “But she’s got her own stuff. You know, things she never really talks about. I think it’s why she works so much. Keeps her distracted.”

              The bell rang faintly in Paris, though neither of them could hear it.

              “Maybe you should tell her to come with you,” the friend suggested.

              Tabitha grinned. “Now that would be a trip.”

              Last Ring: The Pawn

              It was now sitting on the counter at Les Reliques. Its brass surface gleamed faintly in the dim shop light, polished by the waves of time. Small and unassuming, its ring held something inexplicably magnetic.

              Time seemed to settle heavily around it. In the heat of the Olympic summer, it rang six times. Each chime marked a moment that mattered, though none of the characters whose lives it touched understood why. Not yet.

              “Where’d you get this?” the shopkeeper asked as the American tourist placed it down.

              “It was my grandma’s,” he said, shrugging. “She said it was lucky. I just think it’s old.”

              The shopkeeper ran her fingers over the brass surface, her expression unreadable. “And you’re selling it?”

              “Need cash to get tickets for the USA basketball game tomorrow,” the man replied. “Quarterfinals. You follow basketball?”

              “Not anymore,” the shopkeeper murmured, handing him a stack of bills.

              The bell rang softly as she placed it on the velvet cloth, its sound settling into the space like a secret waiting to be uncovered.

              And so it sat, quiet but full of presence, waiting for someone to claim it maybe months later, drawn by invisible threads woven through the magnetic field of lives, indifferent to the heat and chaos of the Parisian streets.

              #7635

              Sat. Nov. 30, 2024 5:55am — Matteo’s morning

              Matteo’s mornings began the same way, no matter the city, no matter the season. A pot of strong coffee brewed slowly on the stove, filling his small apartment with its familiar, sense-sharpening scent. Outside, Paris was waking up, its streets already alive with the sound of delivery trucks and the murmurs of shopkeepers rolling open shutters.

              He sipped his coffee by the window, gazing down at the cobblestones glistening from last night’s rain. The new brass sign above the Sarah Bernhardt Café caught the morning light, its sheen too pristine, too new. He’d started the server job there less than a week ago, stepping into a rhythm he already knew instinctively, though he wasn’t sure why.

              Matteo had always been good at fitting in. Jobs like this were placeholders—ways to blend into the scenery while he waited for whatever it was that kept pulling him forward. The café had reopened just days ago after months of being closed for renovations, but to Matteo, it felt like it had always been waiting for him.

              :fleuron2:

              He set his coffee mug on the counter, reaching absently for the notebook he kept nearby. The act was automatic, as natural as breathing. Flipping open to a blank page, Matteo wrote down four names without hesitation:

              Lucien. Elara. Darius. Amei.

              He stared at the list, his pen hovering over the page. He didn’t know why he wrote it. The names had come unbidden, as though they were whispered into his ear from somewhere just beyond his reach. He ran his thumb along the edge of the page, feeling the faint indentation of his handwriting.

              The strangest part wasn’t the names— it was the certainty that he’d see them that day.

              Matteo glanced at the clock. He still had time before his shift. He grabbed his jacket, tucked the notebook into the inside pocket, and stepped out into the cool Parisian air.

              :fleuron2:

              Matteo’s feet carried him to a side street near the Seine, one he hadn’t consciously decided to visit. The narrow alley smelled of damp stone and dogs piss. Halfway down the alley, he stopped in front of a small shop he hadn’t noticed before. The sign above the door was worn, its painted letters faded: Les Reliques. The display in the window was an eclectic mix—a chessboard missing pieces, a cracked mirror, a wooden kaleidoscope—but Matteo’s attention was drawn to a brass bell sitting alone on a velvet cloth.

              The door creaked as he stepped inside, the distinctive scent of freshly burnt papier d’Arménie and old dust enveloping him. A woman emerged from the back, wiry and pale, with sharp eyes that seemed to size Matteo up in an instant.

              “You’ve never come inside,” she said, her voice soft but certain.

              “I’ve never had a reason to,” Matteo replied, though even as he spoke, the door closed shut the outside sounds.

              “Today, you might,” the woman said, stepping forward. “Looking for something specific?”

              “Not exactly,” Matteo replied. His gaze shifted back to the bell, its smooth surface gleaming faintly in the dim light.

              “Ah.” The shopkeeper followed his eyes and smiled faintly. “You’re drawn to it. Not uncommon.”

              “What’s uncommon about a bell?”

              The woman chuckled. “It’s not the bell itself. It’s what it represents. It calls attention to what already exists—patterns you might not notice otherwise.”

              Matteo frowned, stepping closer. The bell was unremarkable, small enough to fit in the palm of his hand, with a simple handle and no visible markings.

              “How much?”

              “For you?” The shopkeeper tilted his head. “A trade.”

              Matteo raised an eyebrow. “A trade for what?”

              “Your time,” the woman said cryptically, before waving her hand. “But don’t worry. You’ve already paid it.”

              It didn’t make sense, but then again, it didn’t need to. Matteo handed over a few coins anyway, and the woman wrapped the bell in a square of linen.

              :fleuron2:

              Back on the street, Matteo slipped the bell into his pocket, its weight unfamiliar but strangely comforting. The list in his notebook felt heavier now, as though connected to the bell in a way he couldn’t quite articulate.

              Walking back toward the café, Matteo’s mind wandered. The names. The bell. The shopkeeper’s words about patterns. They felt like pieces of something larger, though the shape of it remained elusive.

               

              The day had begun to align itself, its pieces sliding into place. Matteo stepped inside, the familiar hum of the café greeting him like an old friend. He stowed his coat, slipped the bell into his bag, and picked up a tray.

              Later that day, he noticed a figure standing by the window, suitcase in hand. Lucien. Matteo didn’t know how he recognized him, but the instant he saw the man’s rain-damp curls and paint-streaked scarf, he knew.

              By the time Lucien settled into his seat, Matteo was already moving toward him, notebook in hand, his practiced smile masking the faint hum of inevitability coursing through him.

              He didn’t need to check the list. He knew the others would come. And when they did, he’d be ready. Or so he hoped.

              #7625
              ÉricÉric
              Keymaster

                Characters list

                Character / Personality TraitsConnection clues to Matteo

                • Lucien
                  • The Artist
                  • Introspective, dreamy, quietly sarcastic
                  • A painter who sees the world in textures and light. His sketchbook holds fragmented memories of their shared past.
                  • Matteo recalls Lucien’s fleeting romance marked by an order of absinthe—a memory Lucien himself can’t fully place.
                • Elara
                  • The Scientist
                  • Analytical, sharp, skeptical
                  • A physicist drawn to patterns and precision. Her research often brushes the edges of metaphysical questions.
                  • Matteo remembers her ordering black coffee, always focused, and making fleeting remarks about the nature of time.
                • Darius
                  • The Explorer
                  • Bold, restless, deeply curious
                  • A wanderer with a talent for uncovering hidden stories. He carries artifacts of his travels like talismans.
                  • Matteo recalls a postcard Darius once gave him —a detail that surprises even Darius.
                • Amei
                  • The Storyteller
                  • Observant, wise, enigmatic
                  • A weaver of tales who often carries journals filled with unfinished stories. She sees connections others miss.
                  • Matteo knows her through her ritual of mint tea and her belief that the right tea could mend almost anything.

                • Matteo
                  • The Enigmatic Server
                  • Charismatic, cryptic, all-knowing
                  • A waiter with an uncanny awareness of the four friends, both individually and collectively.
                  • Holds a quiet, unspoken role as the bridge between their shared pasts, though his true connection remains unexplained.

                #7618

                Matteo Appears

                Matteo approached the table, a tray balanced effortlessly in one hand, his dark eyes flicking over the group as though cataloging details in an invisible ledger. His waistcoat, sharp and clean, gave him a practiced professionalism, but there was something else—a casual, unspoken authority that drew attention.

                “Good evening,” he began, his voice smooth and low, almost conspiratorial. Then, he froze for the briefest moment, his gaze shifting from face to face, the easy smile tightening at the corners.

                “Well,” Matteo said finally, his smile broadening as if he’d just solved a riddle. “Here you all are. Together, at last.”

                The group exchanged glances, each of them caught off-guard by the comment.

                “You say that like you’ve been expecting us,” Elara said, her tone measured but sharp, as if probing for variables.

                “Not expecting,” Matteo replied, his eyes glinting. “But hoping, perhaps. It’s… good to see you all like this. It fits, somehow.”

                “What fits?” Darius asked, leaning forward. His voice was lighter than Elara’s but carried a weight that suggested he wouldn’t let the question drop easily.

                Matteo’s smile deepened, though he didn’t answer immediately. Instead, he set down his tray and folded his hands in front of him, his posture relaxed but deliberate, as though he were balancing on the edge of some invisible line.

                “You’ve never all been here before,” he said, a simple statement that landed like a challenge.

                “Wait,” Amei said, narrowing her eyes. “You know us?”

                “Oh, I know you,” Matteo replied, his tone as light as if they were discussing the weather. “Individually, yes. But together? This is new. And it’s… remarkable.”

                “Remarkable how?” Lucien asked, his pencil stilled over his sketchbook.

                Matteo tilted his head, considering the question as though weighing how much to say. “Let’s just call it a rarity. Things don’t often align so neatly. It’s not every day you see… well, this.”

                He gestured toward them with a sweeping hand, as if the mere fact of their presence at the table was something extraordinary.

                “You’re being cryptic,” Elara said, her voice edged with suspicion.

                “It’s a talent,” Matteo replied smoothly.

                “Alright, hold on.” Darius leaned back, his chair creaking under him. “How do you know us? I’ve never been here before. Not once.”

                “Nor I,” Amei added, her voice soft but steady.

                Matteo raised an eyebrow, his smile taking on a knowing tilt. “No, not here. But that’s not the only place to know someone, is it?”

                The words hung in the air, unsettling and oddly satisfying at once.

                “You’re saying we’ve met you before?” Elara asked.

                Matteo inclined his head. “In a manner of speaking.”

                “That doesn’t make sense,” Lucien said, his voice quiet but firm.

                “Doesn’t it?” Matteo countered, his tone almost playful. “After all, do we ever truly remember every thread that weaves us together? Sometimes we only see the pattern when it’s complete.”

                A pause settled over the table, heavy with unspoken questions. Matteo shifted his weight, breaking the silence with an easy gesture.

                “It doesn’t matter how,” he said finally. “What matters is that you’re here. That’s what counts.”

                “For what?” Amei asked, her eyes narrowing.

                “For whatever happens next,” Matteo replied, as if the answer were obvious. Then he straightened, his professional mask sliding back into place with effortless grace.

                “Now, what can I bring you?” he asked, his tone light again, as though the previous exchange hadn’t happened.

                One by one, they placed their orders, though their minds were clearly elsewhere. Matteo scribbled in his notebook, his pen moving with deliberate strokes, and then he looked up once more.

                “Thank you for being here,” he said, his voice quieter this time. “It’s been… a long time coming.”

                And with that, he was gone, disappearing into the crowd with the same fluidity he’d arrived.

                They sat in silence for a moment, his words pressing down on them like a hand on a wound, familiar and foreign all at once.

                “What the hell was that?” Darius asked finally, breaking the spell.

                “Does he seem… different to you?” Amei asked, her voice distant.

                “He seems impossible,” Elara replied, her fingers tapping an unconscious rhythm on the table.

                “He remembered me,” Lucien said, almost to himself. “Something about absinthe.”

                “I’ve never even met him,” Elara said, her voice rising slightly. “But he knew… too much.”

                “And he didn’t explain anything,” Darius added, shaking his head.

                “Maybe he didn’t need to,” Amei said softly, her gaze fixed on the space Matteo had just vacated.

                They lapsed into silence again, the noise of the café returning in fits and starts, like an orchestra warming up after a pause. Somewhere, a glass clinked against porcelain; outside, the violinist struck a note so low it hummed against the windowpane.

                The four of them sat there, strangers and friends all at once, the questions left dangling between them like stars in a cloudy sky. Whatever Matteo had meant, it was clear this moment was no coincidence. It wasn’t an end, nor a beginning—it was the start of something unraveling, something they couldn’t yet see.

                And though none of them said it aloud, the thought was the same: What had happened before?

                :fleuron2:

                Quintessence: Reversing the Fifth

                ÉricÉric
                Keymaster

                  “Who sees that the habit-energy of the projections of the beginningless past is the cause of the three realms and who understands that the tathagata stage is free from projections or anything that arises, attains the personal realisation of buddha knowledge and effortless mastery over their own minds” —The Lankavatara Sutra, 2.8 (trans. Red Pine).

                  “To trace the ripples of a beginningless sea is to chase a horizon that vanishes with each step; only by stilling the waves does the ocean reveal its boundless, unbroken clarity.”

                  ~Echoes of the Vanished Shore, Selwyn Lemone.

                   

                  What if the story would unfold in reverse this time? Would the struggle subsist, to remember the past events written comment after comment? Rather than writing towards a future, and —maybe— an elusive ending, would remembering layer after layers of events from the past change our outlook on why we write at all?

                  Let’s just have ourselves a new playground, a new experiment as this year draws to a close.

                  Four friends meet unexpectedly in a busy café, after five years not having seen each other.

                  Matteo, the server arrives, like a resonant fifth, bringing resolution to the root note —they all seem to know him, but why.

                  Answers are in their pasts. And story has to unfold backwards, a step at a time, to a beginningless past.

                   

                   

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