Search Results for 'may a'

“HE PUT A BLUBBIT DOWN MY KNICKERS!” sobbed Lilli, loudly.

Unfortunately Lilli too had inherited the Stoll family curse, and her voice raised to such a level caused poor Fwick to cover his ears in horror. Being no fool, and quickly realising that without a head this ear protecting action would do no good at all, he instead decided he must evict these raucous Peaslanders from his abode, poste haste.

“Yes, indeed, Mewrich Peamon is the man you want to see. A strange fellow, lacking sense some may say, but very good with birds notwithstanding. Now, please, don’t thank me again. I mean really, don’t …. “ he muttered, ushering the guests in the direction of where he hoped the door was.

“And how do I play these notes?” asked Pee raucously. “I can’t even see them without my head.”

“Mmmh! Yes that could be a problem” acquiesced Fwick. The saucerer scratched his chin for a few seconds as he couldn’t remember where he had put that ancient device.

“Well maybe I could just send you to the bird keeper, and he can give you one of our last Anthornis Melanura…”
“I beg your pardon?” Pee’s voice was more raucous than ever, it was quite disturbing to the saucerer who wasn’t used to talking with a headless Peaman, but he couldn’t show his discomfort though, as he thought of it, the headless Peaman was also eyeless and couldn’t see his discomfort.
“Hum! This is the ancient name of the legendary Bul Bird of New Peasland. Mewrich Peamon, the bird keeper, his family has been breeding these birds since the great Peaphetess Frean Psea found these notes some millenia ago; they are the only ones which can open the ED. Any other sequence of notes would… well we don’t know exactly what could occur. You’re on your own on this one, Pee. ehr, I’m sorry, ehh, But be assured that I’ll take care of Peanelope for you.”

“Oh! You’re too kind, Saucerer” said Pee who couldn’t have known that his faithful wife and the Saucerer were having an affair.

A sudden cry from Lilly startled them both. She had burst into tears and her brother was looking like a culprit. But Fwick wasn’t sure as he hadn’t got a head either…

“What have you done, Pickel?” asked Pee with his raucous voice.

Oh damn, not another masked man! thought Lavender. The raucous voice of the hooded stranger was irritating her. On further reading of the previous comment she decided it was a jolly good thing he was saying nothing. So was it the unrelenting heat which was doing her head in? Or maybe it was Ann’s incessant chatter and coughing.

“I want to see your real face, Phenol,” snapped Lavender suddenly.

IT, taken aback by the unexpected outburst from the usually mild tempered Lavender, turned and ran.

“Goodness!” said Ann, startled. “Was there any need to upset Phenol like that?” She looked accusingly at Lavender, who could only hang her head and cough in reply.

“You are a bossy one aren’t you?” said the stranger to Ann, and Lavender smirked to herself. “But, don’t worry, Phenol will return soon.” The stranger smiled mysteriously, although of course the others could not see that as the mask obscured most of his face.

Ann was savooring a coughee with Lavender and Phenol. It was certainly not easy to follow a conversation when you were coughing all the time after a sip of coughee but it was quite savoory and tasty, and Flove knows why it was soo expensive.
Phenol was one of those students at the worserversity with acne and he or she wouldn’t allow another person to see his or her real face. So maybe for convenience only we can call him or her: IT.
It was the only moment you could hear a sound coming out of ITs hood, during thoose coughee sessions it was hard to keep completely silent.
Ann was very curious though, and it could be the only reason that she kept asking Phenol to come. She was still in search of clooes about that when a man arrived.

He was wearing a black hood and speaking with that particular raucous voice you only hear in movies… She got the chills and asked him to join their company. Lavender rolled her eyes because the man with the raucous voice stepped on her right foot. Not that she suffered much, because she couldn’t feel her right leg since that accident a few years ago.

The man ordered a coughee with croombs and stayed there, saying nothing. That was not unpleasant at all, since Ann was chatting and coughing, taking the coughs of the others as a yes or a no to her questions. At least an acknowledgment that she was heard.

One thing led to another, as it tends to do, while Sanso sat meditating on the enigma of The Dead Cow. Random and seemingly disjointed images flashed through his mind, not unlike a random google had been back in the old days, the first being an odd word, Kogaionon . Accessing further information, Sanso discovered that it was an ancient Transylvaniun skull. The link between the dead cow and the skull was clear ~ it was a bone sync, they both had bones, there was no denying it. Encouraged, Sanso continued to meditate.

After some images of a battle at sea , presumably Trafalgar, Sanso intuitively felt, he heard the words “Do not go where the path may lead, go instead where there is no path and leave a trail.” Wise words, he thought, and appropriate too. He popped these snippets into his indigo clue bag and continued to meditate. An image of a strange creature, half fish and half lion appeared next, a Merlion, which quickly morphed into an entertaining old movie playing across the screen of his minds eye, so to speak, in which someone who reminded him of Becky arrived in Paris during a rainstorm with just the clothes on her back ~ and interesting clothes they were, too! Sanso was glued to the screen, in a manner of speaking, and watched with amusement as a whole new wardrobe was delivered to the puzzled woman, followed by her mysterious benefactor: Georges.

Well, fancy Georges turning up again like that! Sanso was delighted. Perhaps Georges could shed some light on the mystery of the Dead Cow Blocking the Cave Entrance.

Sanso returned to his meditation and found himself eavesdropping on a conversation.

— Well, and Sanso, and Georges then, are they dead or what? How come Dory can see them?
— These ones are special, they have mastered the crossing of the Worlds, and can move through them. They move differently though. Sanso comes from a lineage of an ancient tribe of Zion, and had learn from them how to activate some portals, but only through the physical world of Dory, in their own time. He is not yet aware that he can also move through time as well, or even through other Worlds — worlds that he has no conception of yet.
Georges is more consummate in that art. Their meeting is not coincidental. You will see that.
— Thank you Grandad, it’s becoming a bit less confusing.
— Just flow with the story my little one, don’t hold on too much, or you will find it too difficult, and you will stop to find fun in it.

“Their meeting is not coincidental” Sanso repeated to himself, popping it into his clue bag. “Well, I don’t know about Meanings, but at least I have a new bag of clues now!”

Sanso had been hanging around for far too long, trying to make sense of all the funny ideas that people have, and trying to get to grips with all their adventures and escapades, their convoluted ponderings, and all the friends and associates that were continually weaving themselves through the many threads. He’d all but forgotten that he was a wanderer by nature, used to travelling alone. Somehow he’d become stuck in their ways, despite not ever really fitting in completely, and he wasn’t entirely sure how it had happened. Perhaps it had been the broccoli. With a defiant devil may care spirit, he’d eaten the broccoli
from the jar marked “You Fool”, when all the others had chosen the broccoli in the jar labeled “Thank You”. Well, he’d chosen it, there was no blaming anyone else for it, after all. But the effects had all but worn off, and he was starting to get the old familiar itch to travel again, to explore.

“You can go in any direction you want” he heard himself say as he mentally transported himself back to a scene in his Story. “You’ll always be at the centre of everything.”

How very strange that he’d forgotten that. That brocolli was powerful stuff.

“You interpret the signs however you want to…” the voice of Sanso In Another Scene continued, “and then you act on it. And I’ll tell you this as well, it’s about time you stopped rehashing Old Scenes and started exploring some new ones. Just go, go now! Put one foot in front of the other, and just go ~ go back into the cave.”

Sanso was on the verge of protesting that he didn’t have a plan, and then remembered how much he liked surprises.

For the briefest moment, Sanso wondered if he should leave a note for anyone, or get the laundry in before he set off, or pack a suitcase or something, but decided to start off as he meant to carry on ~ alone, impulsive and free to wander the world of his own making.

There was a large black cow blocking the entrance to the cave. The cow was dead and bloated, although it hadn’t started to smell yet. Sanso wondered whether it was a sign, and decided that it was. It would be rather pointless to create a large dead cow blocking the cave entrance if it had no significance to the story, he deduced, although he hadn’t yet worked out an appropriate meaning for the sign.

Weighing up his options, Sanso realized there were several choices he could make. He could delete the previous paragraph, and simply walk into the cave. He could wait until the cow decomposed, and then simply climb over the bones. He could wander around until he found another cave entrance, or simply teleport himself into the cave behind the cow.

However, the only option that he could think of that would include the Meaning of the Dead Cow Blocking The Cave Entrance would be to stay with the cow until the meaning had been found. If he ignored the cow, he might be Missing An Important Meaning. Notwithstanding, the meaning may turn up later, whether he forgot about it or not.

Sanso decided to sit and meditate on the Meaning of the Cow before proceeding. He could change his mind at any moment if he got bored.

Write any rubbish, dance across the page, gesticulate wildly and enthusiastically from rubbish! Oh My God! That sounds Brilliant! and so incredibly freeing!

She had been suffering from the Fiction Writer Within, her true identity.
Now to write about any good week, and see fiction idea in the depths under that reluctant thought, a great time to decide to do a slobber drip gag kiss.

Her new favourite philosophy was that everything was top marks for everything: such an encouragement to creative urges. Full credit for the flow!
Beam brightly, a surprise gift you may use if you wish ~ and have fun!

Some shaven sheep on the floor where mother goose got pens… that’s what I call giant game! Meddling it’s intricate design, and its daft words pointed to the distinct lack of any mention of God.

We’re talking threads, spinning a myth, warming and weaving, all meaningless beleifs with which to travel, peanuts that can’t be contained inside ones own weaving, in and out of the warped story, and the weft Text.

Viewers may be considerd to be a patchwork piece. These indiviual multitudes are loom weights to create a tapestry in the style, so to speak, of the background qualities of Finnley.

In this focus you choose this situation, that of God. You shall focus an attention to detail and perfection, balance, movement, with tremendous detail.

“Tell me about it” remarked God drily, offering challenging information. “The Sumari does not concern itself with Finnley” who stuck her tongue out at God, sighed in resignation and reached for the peanuts. “No point in fighting your warp.”

The dancing days gently reminded sexy Tina, very husky sigh, a charming habit which she was not able to rid herself of, she said.

“If I may keep you herding bloody nonsense in that sexy voice, Tina!” said Sam, unexpectedly. “Say something rude and harumph!”

“Allow me to explain about loom weights,” said the man in the elaborate blue turban. “You create a type of pattern, so to speak, a tapestry. The picture of the tapestry is created in the style, so to speak, of the qualities of the family that you align with. The details and the background threads of the tapestry are the expressions of qualities of the family that you are belonging to.”

“I knew this tapestry and weaving stuff would fit in somewhere” interrupted LizAnn.

“Shh!” said Finnley.

“In this” the man in the blue turban continued, “You may notice certain qualities and expressions throughout your focus that appear to underlie all of your directions that you choose within your particular focus. This is the influence of the family that you are belonging to – in this situation, that of Sumafi.” He looked pointedly at Godfrey. “You shall notice throughout your focus what may be expressed as an attention to detail in the qualities of the Sumafi family, and at times this may be associated within your societal beliefs and definitions as a type of perfectionism.

“This is counterbalanced by the Sumari” he said with a glance at LizAnn, “Who do not concern their movement with tremendous attention to detail.”

“Tell me about it” remarked Godfrey drily.

The man in the blue turban grinned and continued, “The expression and qualities of the Sumari are merely to be creating new directions and offering challenging information which shall spark new explorations of your reality. But the attention of the Sumari does not concern itself with outcomes or endings or detail.”

“Yes, we had noticed” interjected Finnley, who stuck her tongue out at LizAnn. LizAnn made a rude gesture to Finnley and said “See, I told you I couldn’t help it.”

Godfrey sighed in resignation and reached for the peanuts. “I suppose the point of all that is that there’s no point in fighting your warp. Or is it weft?”

“Serenely on her tiny loom she weaves her story with careful art.
And who am I, with meddling pen to send it’s loveliness apart?

For I, who am a weaver, too, look on that intricate design,
And know its daft embroideries are just as beautiful as mine….”

LizAnn read the poem out loud, subsituting a few words of her own, and pointed out to Godfrey the distinct lack of any mention of spiders.

“We don’t have to include any actual spiders, Godfrey,” she said firmly. “Forget the spiders! We’re talking here about weaving a story from all the loose threads, not spinning a web with which to ensnare anyone. The myths” continued LizAnn, warming to the subject, “Concerning spiders and weaving are being rewoven anew. The Text Tiles are myriad, and all equally meaningless. The purpose of Text Tiles is no longer a sticky web of beleifs with which to ensnare the unsuspecting traveller, but a patchwork of …of….”

“Lost your thread, LizAnn?” inquired Gordon, smugly.

“You rude old coot” she replied, “Have some more peanuts, and allow me to finish.”

“Finish? Well, that will be a first.”

“What I was trying to say is that the weaving of the story can’t be contained inside the confines of the linearly constructed Reality Play. One only needs to focus on ones own weaving, in and out of the warped story, and the weft wide world outside, so to speak. The same principle applies to the other weavers and the Text Tile viewers. Each comment may be considerd to be a single Text Tile, or patchwork piece. These indiviual Text Tiles may be arranged in multitudes of ways according to the manner in which they are woven into an individuals own story weaving experience.”

“That’s as may be, LizAnn, but what about loom weights? To anchor the warp? Or is it the weft…”

“Jig up in a tree!” Armelle said quickly, scratching her wings on top of the grinning Snoot.

“The Snoot has been expecting those nasty buggers”, Gloria said sadly as a magpie started to wave.

“STAY CLEAR!” the magpie giggled. She beamed at Gloria. The confusion was now clear. She could feel it. She could consume it and become one with Armelle and the Snoot and Yuki and Rafaela , Anita, the spiders, Akayli, the werelynx, the mummified parents, Claude.

“The good thing is”, the Snoot whispered to Armelle, “you may have noticed i am twice my usual size and I may be more than happy to lend Al Becky’s children, ingested a few days before the conception”.

Ann spent the morning (or a mere half hour, if truth be told) enjoying her physicality in the gentle autumn morning sun before returning indoors. The drop in temperature was still new enough to remember to appreciate fully. She felt at peace with her world, a happy balance of words and sunbeams, that is until she perused the latest additions to the BA (Bash Ann, by the looks of things) group project.

Ann frowned. Who the heck was Harvey? It was almost the last straw, despite Ann’s sunny mood. The very idea of trawling back through the paperwork to find out who he was, and indeed who everyone else was, was too daunting. “If it’s not fun don’t do it!” That’s what they all said. Over and over again they said “if it’s not fun don’t do it”.

The writing was fun, and the random reading was fun, but it wasn’t fun ~ in fact, it gave her a headache ~ to try and remember who and when and where everyone was. Perplexed, Ann wondered if she simply wasn’t cut out for working in a group. On the other hand, she simply wasn’t a loner either.

“Be remebering,” the disembodied voice whispered in her left ear, “That they are all YOU.”

Oh! Right, yes….herm….well where does that leave me?

“Right at the centre of it all, as always,” the voice replied.

Er, so it’s all MY story, then? The whole thing is all me, all mine? All the characters are ME?

“Quite!”

So I can do whatever I want, then?

“Of course!”

Right then, so I can write whatever I want, which is fun, and not write what I don’t want, which isn’t fun, and that will be quite alright, will it?

“Correct!” the voice chuckled indulgently. “And it may behoove you” it continued in a conspiratorial tone, “To remember than any flak from the others in the group, is in fact, YOU giving YOURSELF a flakking reflection.”

Oh. Well Right Ho, then. Toot! Toot!

“So how was your lunch date with your new best friend?” Harvey sounded distinctly sarcastic, even to Lavender’s forgiving ears.

“Oh, you know …”

Harvey raised his eyebrows. No mean feat when you have a book balancing on your nose. He sighed, and let the book fall. A few months ago he was balancing four poster beds, and now he could barely manage a Lemoine novel. Heavy as they are! He sniggered to himself. Oh well, at least I havn’t lost my sense of humour, along with my sense of smell!

“Well, to be honest Harvey .. I think I may have been possessed by those pesky aliens. I suddenly came to and I was talking all this rubbish about ‘random quote generators’ and using words like ‘dear’.

Lavender shuddered in horror at the memory, and then rolled her beautiful eyes and sighed. “Poor Ann, I think she is a really tortured soul.”

The writer wondered if it was time to add a dark side to Lavender’s personality. All this beautiful eyes business was getting a tad irritating, the beauty of Lavender’s eyes not withstanding. Not to mention her lips which she painted a bright shade of amaranth for every day wear, and on special occasions, rose madder. The writer wondered if the last thought made sense and wondered again how to strike out text. The writer decided to try that last line again.

Lavender shuddered, and then with an enigmatic smile which even her good friend Harvey found hard to decipher, she said softly, “I ate olives for lunch. They were yummy.”

The writer sighed and then noticed the random quote generator said “mean cleaner coming soon.” The writer wondered if it was a sign.

“You see, by no manner is it an issue if things aren’t continuous” Walter was saying, which immediately brought to Ann’s mind the latest development at her end of the group project. For some reason lately she found that she was permanently signed in, as opposed to previously, when she’d had the dickens of a job to stay signed in long enough to make an entry. Permanently connected, as it were.

“….and I know it’s almost blasphemous to say that” Walter continued, causing Ann to raise an eyebrow, “…but the crux of the matter lays in the measure with which things are expanded and linked together.”

“If I may be so bold as to interrupt, sir,” Ann couldn’t restrain herself from interjecting, “Surely that is what readers are for? Is not the purpose of the writer, or indeed any artist, to simply offer particles, or pieces, for the viewer to add, or not, as they choose, to their own continuous storylines?”

Walter opened and closed his mouth like a godfish. (Ann had to laugh at the typographical error.)

“For example” Ann continued, warming to the subject, “When I random read book pages, then channel surf the TV, followed by a random roam around online, interspersed with perhaps a few phone calls, or various incidents throughout the day, I’m making a continuous story of my own, with pages and screenshots and conversation snippets borrowed, if you like, from many external sources (and before you say anything, I am aware that no source is external, but don’t let me start digressing). The era of being ‘told’ a story to beleive in its entirety is over! Everyone knows these days that we each make our own story, with a bit of this, and a bit of that. It’s The Age of Random Tips & Snippets, after all, everyone knows that! It’s T.A.R.T.S. time now!”

Privately, Lavender was thrilled to find she knew Ann! She couldn’t remember when she had met her of course, however that was nothing unusual these days. Everybody seemed to know each other! It was really quite a thrill. Maybe she would go and have coffee with her new friends Becky and Tina, after she had been to the hairdressers of course.

hmmm, it can’t be a thrill, thought Lavender, The “writer” has already used “thrilled”.

The writer wondered, huffily, how to strike out text. The writer wanted to write “It was really quite a blast”