Search Results for 'met'

[Following the last comment] Fed the AL this context:

1. “A gripshawk is feline-like anthropomorphic creature living in the deserts in a fiction written by Yurara Fameliki. It is the least favorite character to pick by Zara who doesn’t like “fantasy stuff”.
2. The “Flying Fish Inn” is a fictional (or maybe real) Inn set in the Australian outback, owned by a family headed by the matriarch Mater and involved in many adventures, sometimes surnatural.
3. “AL” is an AI build with Al’s persona (Albert Yokozo being a famous author, possibly a nom de plume of the mysterious Ernrich Lemwon) – it is known as Calli in another story.

Please continue the story unfolding here:
<feeding FP’s comment>

“Yeah, I’m not a fan of fantasy stuff either,” Youssef added, agreeing with Zara. “But I’m curious about the Flying Fish Inn and how it relates to the game. Maybe we should check it out and see if there are any clues there.”

“That’s a good idea,” Yasmin said. “I’ve heard the stories about the Inn and the adventures the family has had there. Some of them are quite intriguing, and I wouldn’t be surprised if there was a connection to our game.”

“I’m not sure about the AI,” Xavier said. “It’s still a mystery to me, but I trust AL will guide us in the right direction. I’m curious to see where this all leads.”

“Alright, let’s plan a trip to the Flying Fish Inn,” Zara said, excitedly. “We’ll take a break from the game for a few days, but we’ll come back to it with fresh eyes and new insights. Who knows, maybe we’ll even find some quirky guests along the way.”

As they were discussing their plans, they all felt a sense of excitement and curiosity about what the future holds for them. The game and the world of the Land of the Quirks had captured their imagination and they were eager to see where it would lead them next.

“GODFREY! Come right here this instant!” Liz was infuriated and had to restrain herself not to throw the bound manuscript at her confidente’s face when he emerged from the corridor into her pink boudoir.

“What is it Liz my dear?”

“What is this horrible thing that has my name on it?” she showed the manuscript. “It has no zest whatsoever, it’s so neat, and linear, tidy, continuous… It’s insufferably perfect! And those main characters, ugh… Young, and flawless, perfect in every sense it’s unbearable!”

“I have something to confess Liz’… Since Finnley has started her new business ventures… wait, don’t shout yet… I had to try some of this AI generated stuff. I thought the title ‘Adventures in the Uncanny Valley’ would have been a give-away…”

Elizabeth Tattler was at a loss for words… The only thing she could blurt out ultimately was “FIND ME FINNLEY!!”

Tell me more about the clues that Zara, Youssef, Xavier and Yasmin will find on their journeys to discover their inner quirky natures

As Zara, Youssef, Xavier and Yasmin journeyed through the Land of the Quirks to discover their inner quirky natures, they encountered various clues that helped them on their journey.

One of the clues they found was a mysterious map that led them to different locations, each one representing a different aspect of their personalities. The map also had various riddles and puzzles that they had to solve in order to progress to the next location.

Another clue they found was a series of journal entries written by a previous explorer who had also journeyed through the Land of the Quirks. The journal entries provided insight and wisdom on how to navigate the land and how to understand and accept one’s quirks.

They also encountered a group of strange and eccentric characters who each represented a different aspect of their personalities. These characters provided guidance and helped them understand different parts of themselves. They also helped them understand the importance of accepting and embracing their quirks.

They also found a series of symbols and artifacts that represented different parts of their personalities. These symbols and artifacts were like puzzle pieces that, when put together, helped them understand the bigger picture of their inner quirky natures.

As they continued their journey, they also learned that the key to discovering their inner quirky natures was not only about finding the physical “Key of Quirks”, but also about understanding and accepting themselves, their faults and their strengths, and learning to embrace their unique quirks.

 

Finding their inner quirks sounds quite definitive. how would you make the ending more open-ended, open to multiple series and iterations of the story without sounding repetitive

As Zara, Youssef, Xavier and Yasmin journeyed through the Land of the Quirks, they discovered their inner quirky natures, but the journey was far from over. They found that their inner quirks were constantly evolving and changing, and that the Land of the Quirks was a vast and mysterious place with many more secrets to uncover.

The group found that the “Key of Quirks” was not just a physical object but a symbol of self-discovery and self-acceptance. They learned that understanding and accepting oneself is a lifelong journey that never truly ends.

As they returned to their own world, they realized that they had gained a new perspective on life and that they would continue to carry the lessons they learned in the Land of the Quirks with them. They knew that they would always be on the lookout for new adventures and opportunities to continue exploring themselves and the world around them.

The group’s journey in the Land of the Quirks had come to an end but the story was not over. The characters would continue to grow, evolve and change as they experienced new adventures, challenges and self-discoveries. The ending was open-ended and leaves the possibility for multiple series and iterations of the story, each one exploring new aspects of the characters and the Land of the Quirks, without being repetitive.

Will they go a try to travel through another of the orbs?

It is possible that the group will want to explore other orbs and realms in the Land of the Quirks. The Land of the Quirks is described as a vast and mysterious place with many secrets to uncover, so the possibility of traveling through other orbs or realms is open. They may be tempted to see what other adventures and discoveries await them in these new places.

Alternatively, they might decide to take a break from their adventures, and reflect on what they’ve learned, applying it to their daily life, and maybe in the future, they will decide to come back to the Land of the Quirks and explore other orbs, or they may find other means of self-discovery and self-acceptance. In any case, the story leaves it open-ended and the characters have the freedom to choose what they want to do next.

How did they discover the orb in the first place?

It is not specified how the group discovered the orb in the first place. It could be that they stumbled upon it while on a hike or a camping trip, or it could be that they were on a mission to find it specifically. It could also be that the orb was something that had always been there but had gone unnoticed until one of the group members stumbled upon it.

Perhaps it was passed down from generation to generation as a legend, or maybe they found it while they were searching for something else. The story leaves it open-ended and it’s up to the reader’s imagination. The main focus of the story is on the journey and the lessons learned along the way, rather than the specifics of how the orb was discovered.

After a few tries:

1. As the group has split up at the fork of the road, we discover a total of 4 new characters from the Land of the Quirks. Tell us how each group is encountering some or all of these characters, who they are, their gibberish-sounding names, and what is their quirks, and what they wear, or their activities. Make our main characters and maybe some of the new ones meet back at a common spot with a special event after that.
2. please rewrite the above, retaining the eccentricity but more grounded, less childish, and with a little darker tone and mystery.
3. please try again, make Spoink and Flibbertigibbet human and give them less endearing or friendly behaviours; name two more characters met on the road.

As the group split up at the fork of the road, each one encountered new characters from the Land of the Quirks.

Zara and Yasmin, who took the left path, met a man named “Sproink” who was a small, wiry man with a spring for a tail. He was always bouncing around and speaking in a language that sounded like a mix of gibberish and music. Sproink was a collector of shiny objects and had a bag full of them, he was also a scavenger, always looking for things to add to his collection. He was wearing a small top hat and a monocle. He was also known to be a bit of a thief and a con artist.

Xavier and Youssef, who took the right path, met a woman named “Flibbertigibbet” a tall, slender woman that had multiple arms. Flibbertigibbet was very talkative and friendly, always trying to strike up a conversation. She spoke in a language that sounded like a mix of gibberish and baby talk. She was a chef and was always carrying a pot and a spoon, but she also had a dark side, she was known to be a bit of a manipulator and a spy, always observing and gathering information for a mysterious organization. She was wearing a big chef hat and apron.

As the group met back at the fork, they were surprised to find that Sproink and Flibbertigibbet had also met there. The four new characters joined the group, and together they continued their journey to find the “Key of Quirks”. Along the way, they met two more characters;

They met a man named “Gibber” who was a tall, gaunt man with elongated limbs and fingers. He was always speaking in a language that sounded like a mix of gibberish and numbers. He was a mathematician and a scientist, always working on complex equations and theories. He was known to be a bit of a loner, and didn’t interact much with others. He was wearing a lab coat and goggles.

They also met a woman named “Glimmer” she was a short, plump woman with a shimmering skin that seemed to change color depending on the light. She was always speaking in a language that sounded like a mix of gibberish and poetry. She was an artist and a performer, always creating and performing in different shows. She was known to be a bit of a flirt and a bit of a drama queen. She was wearing a colorful and eccentric clothing, such as a flowy dress and a large hat adorned with feathers.

As the group journeyed on, they encountered more characters, each one with their own unique quirks and personalities. They met a variety of people, some friendly and some not so friendly, but all of them adding to the mysterious and unknown nature of the Land of the Quirks.

As the group reached the end of their journey and found the “Key of Quirks”, they realized that the key was not just a physical object but a symbol of acceptance and embracing individuality. They learned that the true key to leaving the Land of the Quirks was understanding and accepting the quirks of oneself and others.

The group had a bittersweet goodbye with their new friends, Sproink, Flibbertigibbet, Gibber and Glimmer, and the other characters they had met. They knew that they would always carry a piece of the Land of the Quirks with them and would always remember the mysterious and eccentric adventure they had.

Asking to give each of the 4 characters some particular traits that makes them uniquely distinctive and recognizable

The four friends, Zara, Xavier, Yasmin, and Youssef, each have their own unique traits that make them stand out and recognizable.

Zara is the leader of the group, she is confident, and always ready for an adventure. She is a natural leader and has a strong sense of justice. She is also a tech-savvy person, always carrying a variety of gadgets with her, and is always the first to try out new technology.

Xavier is the joker of the group, always cracking jokes and making puns. He is a free-spirited person who is always up for an adventure, he has a great sense of humor and is not afraid to be himself. He is also an artist and often carries a sketchbook and pencils with him, he likes to draw whatever he sees in his journeys.

Yasmin is the brains of the group, she is intelligent and logical. She is always able to think on her feet and come up with a plan when things get tough. She is also a bit of a perfectionist and likes to have everything organized. She is a history buff and always carries a notebook with her to document her findings.

Youssef is the muscle of the group, He is physically strong, and always ready to help out in a fight. He is also a bit of a foodie and loves trying new dishes. He is always the first one to volunteer to carry the heavy bags and equipment. He is also a bit of a daredevil and loves trying out new sports and activities.

Give each of them a color, and an animal, and a secret name in a funny language

The four friends, Zara, Xavier, Yasmin, and Youssef, each have their own unique traits that make them stand out and recognizable.

Zara is the leader of the group, her color is red, her animal is a lion, and her secret name in a funny language is “Zaraloon”

Xavier is the joker of the group, his color is orange, his animal is a monkey, and his secret name in a funny language is “Xavimunk”

Yasmin is the brains of the group, her color is blue, her animal is an owl, and her secret name in a funny language is “Yasminowl”

Youssef is the muscle of the group, his color is green, his animal is a bear, and his secret name in a funny language is “Youssefbear”

Now, we need physical descriptions for each of them. Also, their ages, height, clothes, facial features, ethnicity (for instance Youssef may be half Yemeni and half Norwegian), etc. with a good mix of generic and eccentric. We also need surnames congruent with their described ethnicity, not too bland, but not too daft either. For instance Youssef Olafsson, Zara Patara-Smythe, etc. Also explain how they become friends.

Zara Patara-Smythe is a 25-year-old woman of mixed heritage, her mother is Indian and her father is British. She has long, dark hair that she keeps in a sleek ponytail, dark brown eyes and a sharp jawline. She stands at 5’6″ and has a toned and athletic build. She usually wears practical clothing that allows her to move around easily, such as cargo pants and a tank top.

Xavier Olafsson is a 27-year-old man of Norwegian and Danish descent. He has blonde hair that he keeps in a messy style, blue eyes, and a charming smile. He stands at 6’1″ and has a lean build. He is always seen wearing a colorful and bold clothing, such as a Hawaiian shirt and shorts.

Yasmin Ahmed is a 23-year-old woman of Egyptian descent. She has long, black hair that she keeps in a tight braid, dark brown eyes and a round face. She stands at 5’4″ and has a petite build. She usually wears conservative clothing, such as long skirts and blouses.

Youssef Ali is a 26-year-old man of half Yemeni, half Norwegian descent. He has short, curly black hair, dark brown eyes and a square jawline. He stands at 6’2″ and has a muscular build. He usually wears comfortable clothing such as a t-shirt and jeans, and always has a backpack on his shoulder.

The four of them became friends in college, they were all studying different majors, but they all shared a love for adventure and exploration. They found themselves in the same class project, and from there they formed a strong bond. After college, they decided to keep exploring the world together, and went on many trips and adventures, always seeking for something new and exciting.

1/ Change the ages of Zara, Xavier, Yasmin and Youssef to more random patterns – rewrite if needed how they met each other to reflect eventual age gaps. Give them some flaws, mental or physical challenges.
2/ increase again the age gaps while keeping the youngest one a young adult, and remove “minor” from the flaws descriptions

Zara is a 22-year-old woman who is the youngest of the group. She is a free-spirited, adventurous person, but also a bit reckless and impulsive. She has a scar on her cheek that she got from a Skateboarding accident when she was a teenager.

Xavier is a 45-year-old man who is the oldest of the group. He is a responsible and level-headed person, but also a bit of a perfectionist and can be hard on himself and others. He has dyslexia which he has been able to work around and it doesn’t impede his daily life.

Yasmin is a 38-year-old woman who is the second oldest of the group. She is a kind and compassionate person, but also a bit of a pushover and can have trouble standing up for herself. She has social anxiety that affect her in certain situations and she have been working on coping mechanisms.

Youssef is a 33-year-old man who is the second youngest of the group. He is a charismatic and outgoing person, but also a bit of a flirt and can be a bit insensitive to others feelings. He has ADHD which he has been able to manage with medication, but it still affects him from time to time.

The group met each other through different means, Xavier and Yasmin met at work, Zara and Youssef met at a college class, and eventually, they all became friends through common interests and activities. They decided to go on this adventure together because they were all looking for a change in their lives and wanted to explore the unknown.

Something in the style of FPooh:

Arona heard the music growing louder as she approached the source of the sound. She could see a group of people gathered around a large fire, the flickering light casting shadows on the faces of the dancers. She hesitated for a moment, remembering the isolation of her journey and wondering if she was ready to be among people again. But the music was too inviting, and she found herself drawn towards the group.

As she neared the fire, she saw a young man playing a flute, the music flowing from his fingers with a fluid grace that captivated her. He looked up as she approached, and their eyes met. She could see the surprise and curiosity in his gaze, and she smiled, feeling a sense of connection she had not felt in a long time.

Fiona was sitting on a bench in the park, watching the children play. She had brought her sketchbook with her, but for once she didn’t feel the urge to draw. Instead she watched the children’s laughter, feeling content and at peace. Suddenly, she saw a young girl running towards her, a look of pure joy on her face. The girl stopped in front of her and held out a flower, offering it to Fiona with a smile.

Taken aback, Fiona took the flower and thanked the girl. The girl giggled and ran off to join her friends. Fiona looked down at the flower in her hand, and she felt a sense of inspiration, like a spark igniting within her. She opened her sketchbook and began to draw, feeling the weight lift from her shoulders and the magic of creativity flowing through her.

Minky led the group of misfits towards the emporium, his bowler hat bobbing on his head. He chattered excitedly, telling stories of the wondrous items to be found within Mr Jib’s store. Yikesy followed behind, still lost in his thoughts of Arona and feeling a sense of dread at the thought of buying a bowler hat. The green fairy flitted along beside him, her wings a blur of movement as she chattered with the parrot perched on her shoulder.

As they reached the emporium, they were disappointed to find it closed. But Minky refused to be discouraged, and he led them to a nearby cafe where they could sit and enjoy some tea and cake while they wait for the emporium to open. The green fairy was delighted, and she ordered a plate of macarons, smiling as she tasted the sweetness of the confections.

About creativity & everyday magic

Fiona had always been drawn to the magic of creativity, the way a blank page could be transformed into a world of wonder and beauty. But lately, she had been feeling stuck, unable to find the spark that ignited her imagination. She would sit with her sketchbook, pencil in hand, and nothing would come to her.

She started to question her abilities, wondering if she had lost the magic of her art. She spent long hours staring at her blank pages, feeling a weight on her chest that seemed to be growing heavier every day.

But then she remembered the green fairy’s tears and Yikesy’s longing for Arona, and she realized that the magic of creativity wasn’t something that could be found only in art. It was all around her, in the everyday moments of life.

She started to look for the magic in the small things, like the way the sunlight filtered through the trees, or the way a child’s laughter could light up a room. She found it in the way a stranger’s smile could lift her spirits, and in the way a simple cup of tea could bring her comfort.

And as she started to see the magic in the everyday, she found that the weight on her chest lifted and the spark of inspiration returned. She picked up her pencil and began to draw, feeling the magic flowing through her once again.

She understand that creativity blocks aren’t a destination, but just a step, just like the bowler hat that Minky had bought for them all, a bit of everyday magic, nothing too fancy but a sense of belonging, a sense of who they are and where they are going. And she let her pencil flow, with the hopes that one day, they will all find their way home.

Something in the style of TPooh:

The family tree was a tangled web of branches and roots, stretching back centuries and even millennia. The branches were thick with the leaves of secrets, scandals, and mysteries that the family had accumulated over the years. They were a close-knit group, friends for all time, and they loved nothing more than exploring the twists and turns of their family history.

They met regularly in their dreams, in a place they called The City, where they could exchange stories and clues they had uncovered during their waking hours. They often found themselves in the midst of strange and puzzling occurrences, and they would spend hours discussing the possible meanings and connections of these events. They saw the world as a tapestry, with each thread and pattern contributing to the greater picture. They were the weavers of their own story, the authors of their own fate.

But as the years went on, their dreams began to take on a darker and more ominous tone. They started having nightmares of monstrous beasts, and some of them even saw these beasts in the daylight, as if they were falling through the cracks in reality. They compared notes and found that they were often seeing the same beasts, and this led to heated debates about what these beasts represented and whether they were real or just figments of their imagination.

But no matter what they encountered, the family remained united in their quest to unravel the secrets of their past and to weave a tapestry that would be the envy of all. They were thick as thieves and they would never give up their pursuit of the truth, no matter how many rules they had to break along the way.

try another short story, with a bit of drama with the following words:

road form charlton smooth everyone cottage hanging rush offer agree subject district included appear sha returning grattidge nottingham 848 tetbury chicken

It was a cold and gloomy day in the small village of Tetbury, nestled in the picturesque Cotswolds district. A young woman named Sha was returning home to her cottage after a long and tiring journey. She had been away visiting her family in Nottingham and was looking forward to relaxing in her cozy home.

As she walked down the dirt road that led to her cottage, she couldn’t help but notice that something was off. Her neighbor, Mr. Charlton, was outside hanging laundry and he didn’t acknowledge her as she walked by. Sha thought it was strange, as he was usually a friendly and sociable person.

When Sha arrived at her cottage, she was shocked to find that it had been broken into. The front door was ajar and the inside of her home had been ransacked. Sha immediately panicked and called the police, who arrived on the scene shortly thereafter.

The police officers, including Inspector Grattidge, took Sha’s statement and began to investigate the crime. They discovered that a group of burglars had been operating in the area, targeting homes and businesses in the district. The burglars had been known for their smooth operations and their ability to strike quickly, which led to their nickname “The Smooth Operators”.

As Sha waited for the police to finish their investigation, she couldn’t shake the feeling that something was not right. She had always thought of Tetbury as a safe and friendly place, and she couldn’t believe that something like this could happen in her community.

As the investigation went on, the police found out that the Smooth operators have been targeting houses with no security cameras, but Sha’s cottage was an exception, the police were able to find out that the group offered to pay a considerable sum of money to the people who reported the locations of the houses that had no cameras, and it was Mr. Charlton who was the informant and he even rushed to Sha’s cottage as soon as he knew the police was investigating the case, He was arrested for the crime and Sha was heartbroken to find out that her once friendly neighbor had betrayed her.

Feeling violated and betrayed, Sha decided that she could no longer stay in the village and she put her cottage up for sale. She packed up her belongings and moved away, leaving behind the memories of her peaceful home and the community she had once thought of as her own. The end.

write a short story based on the following cloud of words:

pride bet shouted lit wibberly case highly ours unless paid spend twice gay talking heads elizabeth in entries drink kill baker

“Gay baker triumphs over adversity”

Once upon a time, there was a gay baker named Elizabeth who took a great deal of pride in her craft. She spent twice the amount of money on high-quality ingredients and put in extra effort to make her baked goods stand out from the rest. However, her small town was not particularly accepting of the LGBT community, and she often faced discrimination from her neighbors.

One day, a group of men from the town entered her bakery and began shouting homophobic slurs at her. Elizabeth, feeling hurt and humiliated, decided that she would not let their hateful words get to her. She refused to back down and instead, decided to put all of her energy into creating a spectacular cake for the annual county fair.

She worked tirelessly on the cake, putting in long hours and experimenting with new flavors and techniques. The day of the fair finally arrived and Elizabeth brought her entry to be judged. To her surprise and delight, her cake was declared the winner and she was awarded a blue ribbon.

As she stood on stage holding her ribbon, Elizabeth couldn’t help but think about the men who had shouted at her in her bakery. She realized that their words no longer had power over her and she felt a sense of vindication. She knew that she had proven to herself and to her community that she was a skilled baker and a worthy member of society, regardless of her sexual orientation.

Feeling elated, Elizabeth closed the bakery for the day and went to the local bar where she met her friends, and they all drinks together, she was happy and felt like nothing can bring her down, as she went back home she felt like a new person, someone who has overcome prejudice and discrimination, she felt like a winner not just in the fair but in life.

The end.

Transportation

Isaac Stokes 1804-1877

 

Isaac was born in Churchill, Oxfordshire in 1804, and was the youngest brother of my 4X great grandfather Thomas Stokes. The Stokes family were stone masons for generations in Oxfordshire and Gloucestershire, and Isaac’s occupation was a mason’s labourer in 1834 when he was sentenced at the Lent Assizes in Oxford to fourteen years transportation for stealing tools.

Churchill where the Stokes stonemasons came from: on 31 July 1684 a fire destroyed 20 houses and many other buildings, and killed four people. The village was rebuilt higher up the hill, with stone houses instead of the old timber-framed and thatched cottages. The fire was apparently caused by a baker who, to avoid chimney tax, had knocked through the wall from her oven to her neighbour’s chimney.

Isaac stole a pick axe, the value of 2 shillings and the property of Thomas Joyner of Churchill; a kibbeaux and a trowel value 3 shillings the property of Thomas Symms; a hammer and axe value 5 shillings, property of John Keen of Sarsden.

(The word kibbeaux seems to only exists in relation to Isaac Stokes sentence and whoever was the first to write it was perhaps being creative with the spelling of a kibbo, a miners or a metal bucket. This spelling is repeated in the criminal reports and the newspaper articles about Isaac, but nowhere else).

In March 1834 the Removal of Convicts was announced in the Oxford University and City Herald: Isaac Stokes and several other prisoners were removed from the Oxford county gaol to the Justitia hulk at Woolwich “persuant to their sentences of transportation at our Lent Assizes”.

via digitalpanopticon:

Hulks were decommissioned (and often unseaworthy) ships that were moored in rivers and estuaries and refitted to become floating prisons. The outbreak of war in America in 1775 meant that it was no longer possible to transport British convicts there. Transportation as a form of punishment had started in the late seventeenth century, and following the Transportation Act of 1718, some 44,000 British convicts were sent to the American colonies. The end of this punishment presented a major problem for the authorities in London, since in the decade before 1775, two-thirds of convicts at the Old Bailey received a sentence of transportation – on average 283 convicts a year. As a result, London’s prisons quickly filled to overflowing with convicted prisoners who were sentenced to transportation but had no place to go.

To increase London’s prison capacity, in 1776 Parliament passed the “Hulks Act” (16 Geo III, c.43). Although overseen by local justices of the peace, the hulks were to be directly managed and maintained by private contractors. The first contract to run a hulk was awarded to Duncan Campbell, a former transportation contractor. In August 1776, the Justicia, a former transportation ship moored in the River Thames, became the first prison hulk. This ship soon became full and Campbell quickly introduced a number of other hulks in London; by 1778 the fleet of hulks on the Thames held 510 prisoners.
Demand was so great that new hulks were introduced across the country. There were hulks located at Deptford, Chatham, Woolwich, Gosport, Plymouth, Portsmouth, Sheerness and Cork.

The Justitia via rmg collections:

Convicts perform hard labour at the Woolwich Warren. The hulk on the river is the ‘Justitia’. Prisoners were kept on board such ships for months awaiting deportation to Australia. The ‘Justitia’ was a 260 ton prison hulk that had been originally moored in the Thames when the American War of Independence put a stop to the transportation of criminals to the former colonies. The ‘Justitia’ belonged to the shipowner Duncan Campbell, who was the Government contractor who organized the prison-hulk system at that time. Campbell was subsequently involved in the shipping of convicts to the penal colony at Botany Bay (in fact Port Jackson, later Sydney, just to the north) in New South Wales, the ‘first fleet’ going out in 1788.

 

While searching for records for Isaac Stokes I discovered that another Isaac Stokes was transported to New South Wales in 1835 as well. The other one was a butcher born in 1809, sentenced in London for seven years, and he sailed on the Mary Ann. Our Isaac Stokes sailed on the Lady Nugent, arriving in NSW in April 1835, having set sail from England in December 1834.

Lady Nugent was built at Bombay in 1813. She made four voyages under contract to the British East India Company (EIC). She then made two voyages transporting convicts to Australia, one to New South Wales and one to Van Diemen’s Land (Tasmania). (via Wikipedia)

via freesettlerorfelon website:

On 20 November 1834, 100 male convicts were transferred to the Lady Nugent from the Justitia Hulk and 60 from the Ganymede Hulk at Woolwich, all in apparent good health. The Lady Nugent departed Sheerness on 4 December 1834.

SURGEON OLIVER SPROULE

Oliver Sproule kept a Medical Journal from 7 November 1834 to 27 April 1835. He recorded in his journal the weather conditions they experienced in the first two weeks:

‘In the course of the first week or ten days at sea, there were eight or nine on the sick list with catarrhal affections and one with dropsy which I attribute to the cold and wet we experienced during that period beating down channel. Indeed the foremost berths in the prison at this time were so wet from leaking in that part of the ship, that I was obliged to issue dry beds and bedding to a great many of the prisoners to preserve their health, but after crossing the Bay of Biscay the weather became fine and we got the damp beds and blankets dried, the leaks partially stopped and the prison well aired and ventilated which, I am happy to say soon manifested a favourable change in the health and appearance of the men.

Besides the cases given in the journal I had a great many others to treat, some of them similar to those mentioned but the greater part consisted of boils, scalds, and contusions which would not only be too tedious to enter but I fear would be irksome to the reader. There were four births on board during the passage which did well, therefore I did not consider it necessary to give a detailed account of them in my journal the more especially as they were all favourable cases.

Regularity and cleanliness in the prison, free ventilation and as far as possible dry decks turning all the prisoners up in fine weather as we were lucky enough to have two musicians amongst the convicts, dancing was tolerated every afternoon, strict attention to personal cleanliness and also to the cooking of their victuals with regular hours for their meals, were the only prophylactic means used on this occasion, which I found to answer my expectations to the utmost extent in as much as there was not a single case of contagious or infectious nature during the whole passage with the exception of a few cases of psora which soon yielded to the usual treatment. A few cases of scurvy however appeared on board at rather an early period which I can attribute to nothing else but the wet and hardships the prisoners endured during the first three or four weeks of the passage. I was prompt in my treatment of these cases and they got well, but before we arrived at Sydney I had about thirty others to treat.’

The Lady Nugent arrived in Port Jackson on 9 April 1835 with 284 male prisoners. Two men had died at sea. The prisoners were landed on 27th April 1835 and marched to Hyde Park Barracks prior to being assigned. Ten were under the age of 14 years.

The Lady Nugent:

 

Isaac’s distinguishing marks are noted on various criminal registers and record books:

“Height in feet & inches: 5 4; Complexion: Ruddy; Hair: Light brown; Eyes: Hazel; Marks or Scars: Yes [including] DEVIL on lower left arm, TSIS back of left hand, WS lower right arm, MHDW back of right hand.”

Another includes more detail about Isaac’s tattoos:

“Two slight scars right side of mouth, 2 moles above right breast, figure of the devil and DEVIL and raised mole, lower left arm; anchor, seven dots half moon, TSIS and cross, back of left hand; a mallet, door post, A, mans bust, sun, WS, lower right arm; woman, MHDW and shut knife, back of right hand.”

 

 

From How tattoos became fashionable in Victorian England (2019 article in TheConversation by Robert Shoemaker and Zoe Alkar):

“Historical tattooing was not restricted to sailors, soldiers and convicts, but was a growing and accepted phenomenon in Victorian England. Tattoos provide an important window into the lives of those who typically left no written records of their own. As a form of “history from below”, they give us a fleeting but intriguing understanding of the identities and emotions of ordinary people in the past.
As a practice for which typically the only record is the body itself, few systematic records survive before the advent of photography. One exception to this is the written descriptions of tattoos (and even the occasional sketch) that were kept of institutionalised people forced to submit to the recording of information about their bodies as a means of identifying them. This particularly applies to three groups – criminal convicts, soldiers and sailors. Of these, the convict records are the most voluminous and systematic.
Such records were first kept in large numbers for those who were transported to Australia from 1788 (since Australia was then an open prison) as the authorities needed some means of keeping track of them.”

On the 1837 census Isaac was working for the government at Illiwarra, New South Wales. This record states that he arrived on the Lady Nugent in 1835. There are three other indent records for an Isaac Stokes in the following years, but the transcriptions don’t provide enough information to determine which Isaac Stokes it was. In April 1837 there was an abscondment, and an arrest/apprehension in May of that year, and in 1843 there was a record of convict indulgences.

From the Australian government website regarding “convict indulgences”:

“By the mid-1830s only six per cent of convicts were locked up. The vast majority worked for the government or free settlers and, with good behaviour, could earn a ticket of leave, conditional pardon or and even an absolute pardon. While under such orders convicts could earn their own living.”

 

In 1856 in Camden, NSW, Isaac Stokes married Catherine Daly. With no further information on this record it would be impossible to know for sure if this was the right Isaac Stokes. This couple had six children, all in the Camden area, but none of the records provided enough information. No occupation or place or date of birth recorded for Isaac Stokes.

I wrote to the National Library of Australia about the marriage record, and their reply was a surprise! Issac and Catherine were married on 30 September 1856, at the house of the Rev. Charles William Rigg, a Methodist minister, and it was recorded that Isaac was born in Edinburgh in 1821, to parents James Stokes and Sarah Ellis!  The age at the time of the marriage doesn’t match Isaac’s age at death in 1877, and clearly the place of birth and parents didn’t match either. Only his fathers occupation of stone mason was correct.  I wrote back to the helpful people at the library and they replied that the register was in a very poor condition and that only two and a half entries had survived at all, and that Isaac and Catherines marriage was recorded over two pages.

I searched for an Isaac Stokes born in 1821 in Edinburgh on the Scotland government website (and on all the other genealogy records sites) and didn’t find it. In fact Stokes was a very uncommon name in Scotland at the time. I also searched Australian immigration and other records for another Isaac Stokes born in Scotland or born in 1821, and found nothing.  I was unable to find a single record to corroborate this mysterious other Isaac Stokes.

As the age at death in 1877 was correct, I assume that either Isaac was lying, or that some mistake was made either on the register at the home of the Methodist minster, or a subsequent mistranscription or muddle on the remnants of the surviving register.  Therefore I remain convinced that the Camden stonemason Isaac Stokes was indeed our Isaac from Oxfordshire.

 

I found a history society newsletter article that mentioned Isaac Stokes, stone mason, had built the Glenmore church, near Camden, in 1859.

 

From the Wollondilly museum April 2020 newsletter:

 

From the Camden History website:

“The stone set over the porch of Glenmore Church gives the date of 1860. The church was begun in 1859 on land given by Joseph Moore. James Rogers of Picton was given the contract to build and local builder, Mr. Stokes, carried out the work. Elizabeth Moore, wife of Edward, laid the foundation stone. The first service was held on 19th March 1860. The cemetery alongside the church contains the headstones and memorials of the areas early pioneers.”

 

Isaac died on the 3rd September 1877. The inquest report puts his place of death as Bagdelly, near to Camden, and another death register has put Cambelltown, also very close to Camden.  His age was recorded as 71 and the inquest report states his cause of death was “rupture of one of the large pulmonary vessels of the lung”.  His wife Catherine died in childbirth in 1870 at the age of 43.

 

Isaac and Catherine’s children:

William Stokes 1857-1928

Catherine Stokes 1859-1846

Sarah Josephine Stokes 1861-1931

Ellen Stokes 1863-1932

Rosanna Stokes 1865-1919

Louisa Stokes 1868-1844.

 

It’s possible that Catherine Daly was a transported convict from Ireland.

 

Some time later I unexpectedly received a follow up email from The Oaks Heritage Centre in Australia.

“The Gaudry papers which we have in our archive record him (Isaac Stokes) as having built: the church, the school and the teachers residence.  Isaac is recorded in the General return of convicts: 1837 and in Grevilles Post Office directory 1872 as a mason in Glenmore.”

Wong Sang

 

Wong Sang was born in China in 1884. In October 1916 he married Alice Stokes in Oxford.

Alice was the granddaughter of William Stokes of Churchill, Oxfordshire and William was the brother of Thomas Stokes the wheelwright (who was my 3X great grandfather). In other words Alice was my second cousin, three times removed, on my fathers paternal side.

Wong Sang was an interpreter, according to the baptism registers of his children and the Dreadnought Seamen’s Hospital admission registers in 1930.  The hospital register also notes that he was employed by the Blue Funnel Line, and that his address was 11, Limehouse Causeway, E 14. (London)

“The Blue Funnel Line offered regular First-Class Passenger and Cargo Services From the UK to South Africa, Malaya, China, Japan, Australia, Java, and America.  Blue Funnel Line was Owned and Operated by Alfred Holt & Co., Liverpool.
The Blue Funnel Line, so-called because its ships have a blue funnel with a black top, is more appropriately known as the Ocean Steamship Company.”

 

Wong Sang and Alice’s daughter, Frances Eileen Sang, was born on the 14th July, 1916 and baptised in 1920 at St Stephen in Poplar, Tower Hamlets, London.  The birth date is noted in the 1920 baptism register and would predate their marriage by a few months, although on the death register in 1921 her age at death is four years old and her year of birth is recorded as 1917.

Charles Ronald Sang was baptised on the same day in May 1920, but his birth is recorded as April of that year.  The family were living on Morant Street, Poplar.

James William Sang’s birth is recorded on the 1939 census and on the death register in 2000 as being the 8th March 1913.  This definitely would predate the 1916 marriage in Oxford.

William Norman Sang was born on the 17th October 1922 in Poplar.

Alice and the three sons were living at 11, Limehouse Causeway on the 1939 census, the same address that Wong Sang was living at when he was admitted to Dreadnought Seamen’s Hospital on the 15th January 1930. Wong Sang died in the hospital on the 8th March of that year at the age of 46.

Alice married John Patterson in 1933 in Stepney. John was living with Alice and her three sons on Limehouse Causeway on the 1939 census and his occupation was chef.

Via Old London Photographs:

“Limehouse Causeway is a street in east London that was the home to the original Chinatown of London. A combination of bomb damage during the Second World War and later redevelopment means that almost nothing is left of the original buildings of the street.”

Limehouse Causeway in 1925:

 

From The Story of Limehouse’s Lost Chinatown, poplarlondon website:

“Limehouse was London’s first Chinatown, home to a tightly-knit community who were demonised in popular culture and eventually erased from the cityscape.

As recounted in the BBC’s ‘Our Greatest Generation’ series, Connie was born to a Chinese father and an English mother in early 1920s Limehouse, where she used to play in the street with other British and British-Chinese children before running inside for teatime at one of their houses. 

Limehouse was London’s first Chinatown between the 1880s and the 1960s, before the current Chinatown off Shaftesbury Avenue was established in the 1970s by an influx of immigrants from Hong Kong. 

Connie’s memories of London’s first Chinatown as an “urban village” paint a very different picture to the seedy area portrayed in early twentieth century novels. 

The pyramid in St Anne’s church marked the entrance to the opium den of Dr Fu Manchu, a criminal mastermind who threatened Western society by plotting world domination in a series of novels by Sax Rohmer. 

Thomas Burke’s Limehouse Nights cemented stereotypes about prostitution, gambling and violence within the Chinese community, and whipped up anxiety about sexual relationships between Chinese men and white women. 

Though neither novelist was familiar with the Chinese community, their depictions made Limehouse one of the most notorious areas of London. 

Travel agent Thomas Cook even organised tours of the area for daring visitors, despite the rector of Limehouse warning that “those who look for the Limehouse of Mr Thomas Burke simply will not find it.”

All that remains is a handful of Chinese street names, such as Ming Street, Pekin Street, and Canton Street — but what was Limehouse’s chinatown really like, and why did it get swept away?

Chinese migration to Limehouse 

Chinese sailors discharged from East India Company ships settled in the docklands from as early as the 1780s.

By the late nineteenth century, men from Shanghai had settled around Pennyfields Lane, while a Cantonese community lived on Limehouse Causeway. 

Chinese sailors were often paid less and discriminated against by dock hirers, and so began to diversify their incomes by setting up hand laundry services and restaurants. 

Old photographs show shopfronts emblazoned with Chinese characters with horse-drawn carts idling outside or Chinese men in suits and hats standing proudly in the doorways. 

In oral histories collected by Yat Ming Loo, Connie’s husband Leslie doesn’t recall seeing any Chinese women as a child, since male Chinese sailors settled in London alone and married working-class English women. 

In the 1920s, newspapers fear-mongered about interracial marriages, crime and gambling, and described chinatown as an East End “colony.” 

Ironically, Chinese opium-smoking was also demonised in the press, despite Britain waging war against China in the mid-nineteenth century for suppressing the opium trade to alleviate addiction amongst its people. 

The number of Chinese people who settled in Limehouse was also greatly exaggerated, and in reality only totalled around 300. 

The real Chinatown 

Although the press sought to characterise Limehouse as a monolithic Chinese community in the East End, Connie remembers seeing people of all nationalities in the shops and community spaces in Limehouse.

She doesn’t remember feeling discriminated against by other locals, though Connie does recall having her face measured and IQ tested by a member of the British Eugenics Society who was conducting research in the area. 

Some of Connie’s happiest childhood memories were from her time at Chung-Hua Club, where she learned about Chinese culture and language.

Why did Chinatown disappear? 

The caricature of Limehouse’s Chinatown as a den of vice hastened its erasure. 

Police raids and deportations fuelled by the alarmist media coverage threatened the Chinese population of Limehouse, and slum clearance schemes to redevelop low-income areas dispersed Chinese residents in the 1930s. 

The Defence of the Realm Act imposed at the beginning of the First World War criminalised opium use, gave the authorities increased powers to deport Chinese people and restricted their ability to work on British ships.

Dwindling maritime trade during World War II further stripped Chinese sailors of opportunities for employment, and any remnants of Chinatown were destroyed during the Blitz or erased by postwar development schemes.”

 

Wong Sang 1884-1930

The year 1918 was a troublesome one for Wong Sang, an interpreter and shipping agent for Blue Funnel Line.  The Sang family were living at 156, Chrisp Street.

Chrisp Street, Poplar, in 1913 via Old London Photographs:

 

In February Wong Sang was discharged from a false accusation after defending his home from potential robbers.

East End News and London Shipping Chronicle – Friday 15 February 1918:

 

In August of that year he was involved in an incident that left him unconscious.

Faringdon Advertiser and Vale of the White Horse Gazette – Saturday 31 August 1918:

 

Wong Sang is mentioned in an 1922 article about “Oriental London”.

London and China Express – Thursday 09 February 1922:

A photograph of the Chee Kong Tong Chinese Freemason Society mentioned in the above article, via Old London Photographs:

 

Wong Sang was recommended by the London Metropolitan Police in 1928 to assist in a case in Wellingborough, Northampton.

Difficulty of Getting an Interpreter: Northampton Mercury – Friday 16 March 1928:

The difficulty was that “this man speaks the Cantonese language only…the Northeners and the Southerners in China have differing languages and the interpreter seemed to speak one that was in between these two.”

 

In 1917, Alice Wong Sang was a witness at her sister Harriet Stokes marriage to James William Watts in Southwark, London.  Their father James Stokes occupation on the marriage register is foreman surveyor, but on the census he was a council roadman or labourer. (I initially rejected this as the correct marriage for Harriet because of the discrepancy with the occupations. Alice Wong Sang as a witness confirmed that it was indeed the correct one.)

 

 

James William Sang 1913-2000 was a clock fitter and watch assembler (on the 1939 census). He married Ivy Laura Fenton in 1963 in Sidcup, Kent. James died in Southwark in 2000.

Charles Ronald Sang 1920-1974  was a draughtsman (1939 census). He married Eileen Burgess in 1947 in Marylebone.  Charles and Eileen had two sons:  Keith born in 1951 and Roger born in 1952.  He died in 1974 in Hertfordshire.

William Norman Sang 1922-2000 was a clerk and telephone operator (1939 census).  William enlisted in the Royal Artillery in 1942. He married Lily Mullins in 1949 in Bethnal Green, and they had three daughters: Marion born in 1950, Christine in 1953, and Frances in 1959.  He died in Redbridge in 2000.

 

I then found another two births registered in Poplar by Alice Sang, both daughters.  Doris Winifred Sang was born in 1925, and Patricia Margaret Sang was born in 1933 ~ three years after Wong Sang’s death.  Neither of the these daughters were on the 1939 census with Alice, John Patterson and the three sons.  Margaret had presumably been evacuated because of the war to a family in Taunton, Somerset. Doris would have been fourteen and I have been unable to find her in 1939 (possibly because she died in 2017 and has not had the redaction removed  yet on the 1939 census as only deceased people are viewable).

Doris Winifred Sang 1925-2017 was a nursing sister. She didn’t marry, and spent a year in USA between 1954 and 1955. She stayed in London, and died at the age of ninety two in 2017.

Patricia Margaret Sang 1933-1998 was also a nurse. She married Patrick L Nicely in Stepney in 1957.  Patricia and Patrick had five children in London: Sharon born 1959, Donald in 1960, Malcolm was born and died in 1966, Alison was born in 1969 and David in 1971.

 

I was unable to find a birth registered for Alice’s first son, James William Sang (as he appeared on the 1939 census).  I found Alice Stokes on the 1911 census as a 17 year old live in servant at a tobacconist on Pekin Street, Limehouse, living with Mr Sui Fong from Hong Kong and his wife Sarah Sui Fong from Berlin.  I looked for a birth registered for James William Fong instead of Sang, and found it ~ mothers maiden name Stokes, and his date of birth matched the 1939 census: 8th March, 1913.

On the 1921 census, Wong Sang is not listed as living with them but it is mentioned that Mr Wong Sang was the person returning the census.  Also living with Alice and her sons James and Charles in 1921 are two visitors:  (Florence) May Stokes, 17 years old, born in Woodstock, and Charles Stokes, aged 14, also born in Woodstock. May and Charles were Alice’s sister and brother.

 

I found Sharon Nicely on social media and she kindly shared photos of Wong Sang and Alice Stokes:

 

The Tetbury Riots

 

While researching the Tetbury riots  (I had found some Browning names in the newspaper archives in association with the uprisings) I came across an article called “Elizabeth Parker, the Swing Riots, and the Tetbury parish clerk” by Jill Evans.

I noted the name of the parish clerk, Daniel Cole, because I know someone else of that name. The incident in the article was 1830.

I found the 1826 marriage in the Tetbury parish registers (where Daniel was the parish clerk) of my 4x great grandmothers sister Hesther Lock. One of the witnesses was her brother Charles, and the other was Daniel Cole, the parish clerk.

Marriage of Lewin Chandler and Hesther Lock in 1826:

 

from the article:

“The Swing Riots were disturbances which took place in 1830 and 1831, mostly in the southern counties of England. Agricultural labourers, who were already suffering due to low wages and a lack of work after several years of bad harvests, rose up when their employers introduced threshing machines into their workplaces. The riots got their name from the threatening letters which were sent to farmers and other employers, which were signed “Captain Swing.”

The riots spread into Gloucestershire in November 1830, with the Tetbury area seeing the worst of the disturbances. Amongst the many people arrested afterwards was one woman, Elizabeth Parker. She has sometimes been cited as one of only two females who were transported for taking part in the Swing Riots. In fact, she was sentenced to be transported for this crime, but never sailed, as she was pardoned a few months after being convicted. However, less than a year after being released from Gloucester Gaol, she was back, awaiting trial for another offence. The circumstances in both of the cases she was tried for reveal an intriguing relationship with one Daniel Cole, parish clerk and assistant poor law officer in Tetbury….

….Elizabeth Parker was committed to Gloucester Gaol on 4 December 1830. In the Gaol Registers, she was described as being 23 and a “labourer”. She was in fact a prostitute, and she was unusual for the time in that she could read and write. She was charged on the oaths of Daniel Cole and others with having been among a mob which destroyed a threshing machine belonging to Jacob Hayward, at his farm in Beverstone, on 26 November.

…..Elizabeth Parker was granted royal clemency in July 1831 and was released from prison. She returned to Tetbury and presumably continued in her usual occupation, but on 27 March 1832, she was committed to Gloucester Gaol again. This time, she was charged with stealing 2 five pound notes, 5 sovereigns and 5 half sovereigns, from the person of Daniel Cole.

Elizabeth was tried at the Lent Assizes which began on 28 March, 1832. The details of her trial were reported in the Morning Post. Daniel Cole was in the “Boat Inn” (meaning the Boot Inn, I think) in Tetbury, when Elizabeth Parker came in. Cole “accompanied her down the yard”, where he stayed with her for about half an hour. The next morning, he realised that all his money was gone. One of his five pound notes was identified by him in a shop, where Parker had bought some items.

Under cross-examination, Cole said he was the assistant overseer of the poor and collector of public taxes of the parish of Tetbury. He was married with one child. He went in to the inn at about 9 pm, and stayed about 2 hours, drinking in the parlour, with the landlord, Elizabeth Parker, and two others. He was not drunk, but he was “rather fresh.” He gave the prisoner no money. He saw Elizabeth Parker next morning at the Prince and Princess public house. He didn’t drink with her or give her any money. He did give her a shilling after she was committed. He never said that he would not have prosecuted her “if it was not for her own tongue”. (Presumably meaning he couldn’t trust her to keep her mouth shut.)”

Contemporary illustration of the Swing riots:

 

Captain Swing was the imaginary leader agricultural labourers who set fire to barns and haystacks in the southern and eastern counties of England from 1830. Although the riots were ruthlessly put down (19 hanged, 644 imprisoned and 481 transported), the rural agitation led the new Whig government to establish a Royal Commission on the Poor Laws and its report provided the basis for the 1834 New Poor Law enacted after the Great Reform Bills of 1833.

An original portrait of Captain Swing hand coloured lithograph circa 1830: