Search Results for 'mind'

Corrie:

I woke up this morning with an idea in my head, and I don’t know if I was dreaming about it or if it just popped in, in the brief moments between sleep and waking. I made a connection with the topic I was doing an anthropology report on, and something I’d forgotten. No, not forgotten, it wouldn’t be true to say I’d forgotten it as it was always there at the back of my mind niggling at me that there was more to it somehow, but I hadn’t made the connection so obviously with the current project.

My research was about disconnection, and the separation agenda of the American channeling dream. At first I felt driven to explore particular areas and then piece by piece the puzzle that had nagged at me for years ~ I say years, it felt like years, but maybe it wasn’t so long ~ started to fall into place.

At first when I woke up the idea of censorship was in my head and the idea to start a petition and public awareness campaign about certain channeled texts that were withheld from public viewing, despite repeated requests for them to be public along with all the other texts. But then it occurred to me that censorship and omission wasn’t always deliberate. I mean, not a conscious choice to keep information secret, but something else. Almost like a case of some information not being seen clearly through the filters, yet for some reason dismissed as not fitting, and pushed away, almost unconsciously, and suppressed.

The text was about disconnect mainly, and there was some stuff about Nazi’s although the part about animals was the part that had stuck in my head, probably because I felt more connected to animals than Nazi’s. There were more animals growing up here than Nazi’s after all, Nazi’s was only something I’d heard about. But then it occurred to me that I’d been hearing more and more about Neo Nazi’s, in Europe mainly, forming groups and having protests. So that got me wondering about that too.

Anyway, the disconnect part: it was the reaction on the American channeling forums to the Ferguson riots that started me on this project, and Aunt Idle was full of encouragement when I started to explain to her what I was noticing. She said she had noticed similar things in her remote viewing circle online. Everyone seems to think Aunt Idle is losing her marbles, but don’t you believe it. She seems vacant and scattered but that’s only because her mind is occupied elsewhere.

The gist of this suppressed text was extreme separation, but it was the part about using words to seem enlightened to hide extreme disconnect that seemed to fit my project.

I did have to chuckle though, I wondered if I was being a racist by calling Americans disconnected as if it was a racial characteristic. More of a cultural thing, I suppose, can one be called a culturalist as if it’s a bad thing? I don’t see how you can study anthropology without a certain degree of separating into cultural groups though, even if it is shift anthropology. I’ll think about that a bit more later.

It was Mater who decided they needed to get some cleaning help. She commandeered Clove to do some research on the internet and eventually found a woman from New Zealand, Finly, who was offering her cleaning services in exchange for room and board.

“Bloody kiwis,” said Bert when he heard. “The place is riddled with them. Bloody come and take our jobs. Haven’t we got more than enough of them here already? I am having a hard enough time avoiding that Flora, going on about her spiritual bloody awakening.”

“If you can find anyone local who would be willing to do the cleaning in exchange for a place to stay, I will be glad to consider them,” retorted Mater sternly. “But in the meantime this place is fast becoming a pig-sty and Dido is too busy smoking and drinking to see it.”

Naturally Mater got her way and a few days later Bert, still grumbling, agreed to go and pick Finly up from the airport. Mater assembled the family in the main living room.

“Now remember, the main thing is to be courteous. God only knows why she agreed to come to this backwater of a place, but we don’t want to put her off.”

”Don’t we indeed?” smirked Aunt Idle.

“Yeah exactly, it is friggin’ weird I reckon. Why would she come here?” asked Clove, privately deciding she had better run a more thorough background check on Finly.

“I thought Finly was a boy’s name,” said Coriander. “That would be cool. A boy cleaner. I hope he’s hot. He can clean topless”

Aunt Idle, who had already been into the gin even though it wasn’t yet 10am, put her hand over her mouth and started to giggle.

“It can be a girl or a boy’s name and someone called Coriander is in no position to throw stones. And mind your language, Clove.” responded Mater tartly.

Clove rolled her eyes and sighed dramatically. “Well as long as she doesn’t try and boss me around, it might be quite fun to have a slave to clean up after me.”

Prune had been keeping an eye on the window. “Shush, she’s here!” she shouted excitedly.

Mater:

I am picking some grass for the guinea pigs. Delicate wee things; they don’t handle the heat well and I have moved them to the shelter of the shed. The wind has come up strong and I am enjoying the cooling it brings with it. The long grass bends away from me as though seeking safety from the scissors I hold in my hand. For a moment the wind subsides and I can feel how the sun is burning my neck so I take refuge in the shade of a tree.

Thinking time.

I heard Prune crying out last night in her sleep. She had already fallen back asleep when I went to check on her. It crossed my mind when she cried out that she may have seen the ghost too. I asked her about it in the morning but she did not seem to recall her nightmare.

“I slept liketh a log but I thanketh thou for thy kindness in asking dearest Mater,” she said to me.

”Enough of that cheek!” I told her, but was privately relieved she was okay.

Anyway, It has been twice now. I wake and there he is, over by the antique oak chest in the corner of my room. At first I can’t move or call out. And by the time I can he has gone. When I say “gone”, I don’t mean he walks out the door. He just sort of fades away. He has his back to me so I can’t tell you what his face is like. All I can tell you is that he is tall and he has on a blue robe, in a silky fabric, almost like a dressing gown with a tie in the middle.

There, I have told you now. You may be thinking it is just a silly old woman’s dream. But you don’t get to my age without having plenty of dreams, and this was nothing like any dream I have ever had.

Mater:

I am concerned about Dido. The silly trollop has taken up drinking again—in front of the kids too. Mark my words, she will end up back in rehab if it goes on. Like last time. And then where will we all be? Those poor little mites without a father or mother and their Aunt fast turning into a crazy slush. There’s no telling her though. God knows I have tried in the past.

I can only hope she will settle down when that kiwi friend arrives—Flora someone. Though I don’t hold out much hope really. I have not met a kiwi with a half a brain in their head yet. And that awful accent! I don’t need this aggravation at my age.

Calm down, remember what Jiemba told you.

I have not told you yet about my visit to Jiemba, have I? There has been so much going on here, what with the fish going missing and that odd guest staying in Room 8 and Dido’s antics, it nearly slipped my mind.

It was Prune who hid the fish, of course. Sensitive wee thing — she has always had a particularly strong dislike of the awful old relic and I can’t say I blame her. Dido went ape when Prune eventually confessed, but secretly I found it rather amusing.

I digress, yet again.

In the end it was Bert who helped me more than Jiemba. The dear man waited out in the truck for me while I kept my appointment with Jiemba. And he held my secret safe from the others. I am grateful to him for that. It felt nice to have someone who would do that for me. On the trip back home he opened up and told me stories about the town. Apparently in its heyday it even had an ice-cream factory; I hadn’t heard that before. Nor some of the other stories he told me. There are not many left around here with the knowledge Bert has. I feel I may even pluck up courage to tell him what I have seen at the Inn. Perhaps he may have some thoughts on it.

But not just yet.

Jiemba gave me some salve made from native bush bark for my aches and pains. It seems he is more modern than his father—things change I guess. I wanted to ask him about the ghost, but what with the dogs and kids running around outside and the heat and the baby screaming in the house somewhere, I could not bring myself to do it. But one thing he said to me has stuck.

“Live from your heart”.

It was the way he said it. Very intense. He went quiet and stared at the floor for a long time while I tried not to fidget. As though he was communing with some spirit world I could not see. Though I would dearly love to. I have thought about those words since then, trying to figure out what they mean.

I’m not sure I can even find my heart, let alone live from it.

Aunt Idle:

Those maps got me remembering all kinds of things, not that I was fretting about the note because I wasn’t, but once I’d quit flapping about the note, all kinds of things started popping into my mind.

Odd little cameo memories, more often than not a mundane scene that somehow stuck in my head. Like that cafe with the mad hatter mural, mediocre little place, and I cant even remember where it was, but that number on the mural was just wrong, somehow. It’s as clear as a bell in my memory now, but not a thing before or after it, or when it was, other than somewhere in New Zealand.

I kept getting a whistling in my left ear as I was recalling things, like when I remembered that beach on the Costa del Sol, with a timebridgers sticker in the beach bar. I can still see that Italian man walking out of the sea with an octopus.

I can still see the breeze flapping the pages of a magazine lying on a bench in Balzac’s garden in Paris, something about a red suitcase, but I can’t recall what exactly.

A motel in a truckstop village in California…the sherry was making me drowsy. I almost felt like I was there again for a moment.

Conjure up a bowler hat, he said, while you’re out today. I forgot all about it (how often I thank my lucky stars for having a bad memory, I much prefer a surprise) and saw a delightful hurdy gurdy man wearing a bowler hat (In June! I do recall it was June). My Bonnie Lies Over the Ocean, he was playing. I’m sure to have forgotten that, but I made a video recording.

All these locations were holes in the maps, those ripped up maps the girls brought home from the Brundy place, just after I got that note. I was beginning to see a pattern to the connecting links between the letters ripped out of the map locations, and the wording in the note (which was made of ripped out letters from place names on a map, and glued onto the paper, as anyone who is reading this will no doubt recall). The pattern in the discovery of connecting links was that the pattern is constantly changing, rendering moot the need to decipher a plot in advance of the actual discovery of spontaneous development of the shifting patterns of discovery, and deliverance of the decipherable delegation of the delighted, promptly at noon.

Corrie:

“Why have you locked your door, Aunt Idle?” I asked, after waiting rather a long time for her to open it. She looked a bit flushed, so I looked around to see if she had another feller in there but she didn’t, not unless he was hiding in the closet. She didn’t usually hide her lovers from us though, and anyway, I had more important things on my mind.

“Mater’s still missing and it’s been dark for an hour already, what should we do?”

Aunt Idle just stared at me with her mouth open and didn’t say anything.

“We can’t just go to bed, what if something’s happened to her? Nobody even knows where she went!”

“Mater’s missing, is that what you’re telling me?” she asked, just as if it was the first she’d heard about it. “Have you checked her room? Did she leave a note or a clue or anything? For heaven’s sake, Corrie, why on earth didn’t you tell me sooner! Go and fetch Prune, well wake her up then!” she added as I protested that she’d gone to bed ages ago. “Prune always seems to know things. And where’s Bert? Has he seen her?”

“I’m trying to tell you, Auntie, that nobody knows!”

Corrie:

Funny how things pop up. While Clove was taking supper to the guy in room 8, I signed into Spacenook and the first thing on my perusefeed was an article about maps.

“Cartographies can be altered endlessly to reflect different priorities, hierarchies, experiences, points of view, and destinations.”

How syncy is that. There was another sync like that yesterday, after the kitten fell off the barn roof. I was just posting a photo of the kitten on Spacenook and glanced at the sidebar and there was an ad for a catnip garden memories of dead cats group thing there. I wonder if that dream I had of our old dog Lilly the other day was because the kitten was a remanifestation of her? Lilly’s name was supposed to be Delilah, that’s what it said on her papers, Delilah, but nobody ever called her that. We always called her Lilly.

Anyway, they come and they go, we’ve had hundreds of cats wander through this town, but they always come back. I saw a rat the other day and it reminded me of Boozer, the old sheepdog we had when we were little.

Funny thing was, yesterday morning I’d posted this poem by Mary Oliver:

“…. Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
With your one wild and precious life?”

Made me feel a bit better when I read it again later, because I did wonder if I’d got there quicker when I heard it crying, when it must have been halfway done falling and stuck on a branch, it might not have ended up the way it did. It must have been meant to be that way I suppose. Well, she’ll be back. They always come back sooner or later.

Sighing, I refocused on the article.

“Maps produce new realities much as they seek to document current ones. Maps are always a going-beyond the space-time of the present.”

No mention of a room full of map covered mannequins in the Brundy place though.

Bert watched Clove disappear down the hall, and crept out from his hiding place behind the door of the room opposite room 8. He’d positioned himself to get a look at the new guest; something about Prune’s description of him had set of alarm bells in his mind and he wanted to see the new guest for himself.
Silent as a cat, he crept over and pressed his ear to the strangers door. Nothing but the sounds of cutlery scraping plate. Bert waited.
Time limped along but Bert stayed put with his ear pressed to the door. Eventually, he heard it. That humming noise. He remembered it, although he didn’t know what it was, didn’t know what to make of it.
He’d been ten years old when he heard it the first time, ten years old when a dust covered man in a broad brimmed hat had appeared in town. Dang, the guy hadn’t aged in all these years. He was sure it was the same fella, he’d known it the minute he saw him through the crack of the door, but especially now he’d heard that humming.

Aunt Idle:

The twins and Prune were going on about Mater again but I wasn’t listening, I was just wishing they’d hurry up and finish supper ~ I’m trying to think, Think! Look at the maps and piece it all together, clear my mind and try and work it out.

“Give it a rest will you, and eat!” The kids were exasperating, always going on about Mater.

“She’s MISSING, Aunt Idle!”

“What?” I said absentmindedly. “Don’t be silly, she’s probably on the loo, she’ll be down in a minute.”

“You haven’t been listening, have you?” asked Prune. “Mater’s been kidnapped.”

“She’s DISAPPEARED, we don’t know if she’s been kidnapped or murdered yet, Prune. Don’t exaggerate.”

“Maybe she was tied up in the cellar at the Brundy place and you never noticed, Clove.”

Bert glance up sharply and frowned at the mention of the Brundy place, it caught my eye, but I didn’t give it any thought at the time.

“Oh shut up, all of you! You’ve given me a headache, I’m going to lie down. Prune, you can do the washing up tonight. Corrie and Clove, you can cook for the dust covered man in room 8, he’s not fussy what you feed him, but he wants to eat in his room.”

That should keep them all occupied for an hour and give me time to look at those maps. That’s what I thought, anyway.

Corrie:

It was the look on Aunt Idle’s face when she saw them that scared me. There’s something strange going on, and not just everyone acting weird, that’s pretty normal around here, but this was a different kind of weird.

When Aunt Idle nearly suffocated me with that big hug while she was trying to hide that piece of paper, I didn’t think anything of it. Probably hiding another bill I thought, not wanting us to worry about the debts piling up. Mater wandering off like that was pretty strange, but old people do daft things. I knew all about it because I’d been reading up on dementia. They imagine things and often feel persecuted, claim someone stole their old tea set, things like that, forgetting they gave it away 30 years ago, stuff like that. So I wasn’t worried about either of them acting strange when Clove and I decided to go treasure hunting in the old Brundy house, we just decided to out and explore just for the hell of it, for something to do.

The Brundy house was set apart from the rest of the abandoned houses, down a long track through the woods, nice and shady in the trees without the sun glaring down on our heads. Me and Clove had been there years ago but we were little then, and scared to go inside, so we’d just peeked in the windows and scared each other with ghost and murderer stories until we heard a bang inside and then ran like hell until we couldn’t breathe. Probably just a rat knocking something over, but we never went back. We weren’t scared to, it was further to walk to the Brundy place and there were so many other abandoned houses to play in that were closer to home.

We weren’t scared to go inside this time. It was a big place, quite grand it must have been back in the day, big entrance hallway with an awesome staircase like in Gone With the Wind where Scarlett fell down the stairs, but the stair carpet was all in shreds and some of the steps banisters were broken, but the steps looked sound enough so up we went, for some reason drawn up there first before exploring the ground floor rooms.

Clove turned left at the top of the stairs and I turned right and went into the first bedroom. My hand flew to my mouth. I wonder why we do that, put a hand over our mouth when we’re surprised, well that’s what I did when I saw the cat mummy on the bed. I didn’t scream or anything, not like Clove did a minute later from the other side of the house. It wasn’t a mummy with bandages like an Egyptian one, it was just totally desiccated like a little skeleton covered in bleached leather. It was a fascinating thing to see really but the minute I heard Clove scream I ran out of the room and down the landing. It’s not like Clove to scream. Well who screams in real life, the only time I ever heard screaming was in a movie. People usually say what the fuck or oh my god, they don’t scream. But Clove screamed when she saw the room full of mannequins because to be fair it did look like a room full of ghosts or zombies in the half light from the shuttered windows. She was laughing by the time I reached her, a bit hysterically, and we clutched each other as we went over to open the shutters to get a better look. It was pretty creepy, even if they were only mannequins.

They were kind of awesome in the light, all covered in maps, there were 22 of them, we counted them, a whole damn room full of map covered mannequins in various poses, men, women and kid sized. Really clever the way the maps were stuck all over them, looked like arteries and veins, and real cool the way Riga joined up with Boston, and Shanghai with Lisbon, like as if you really could just travel down a vein from Tokyo to Bogota, or cross a butt cheek to get from Mumbai to Casablanca.

We hadn’t noticed at first that we’d been shuffling through a load of paper on the floor. The floor was covered in ripped up maps, must have been hundreds of maps all torn up and strewn all over the floor.

“There’s enough maps left over to do one of our own, Corrie” Clove said, reading my mind. “Let’s take some home and stick them all over something.”

“We haven’t got a mannequin at home though” I replied, but I was thinking, why not take a mannequin home with us, and some maps, and decide what to do with them later.

So that’s what we did. We gathered up the biggest fragments of map off the floor and rolled them all up and used my hair elastic to hold them together, and carried a mannequin all the way home. The sun was going down so we had to hurry a bit down the track. Clove didn’t help when she said we must look like we’re carrying a dead body with rigor mortis, that made us collapse laughing, dropping the mannequin on its head. Once we got the giggles it was hard to stop, and it made our legs weak from laughing.

We got home just as the last of the evening light disappeared, hauled the mannequin up the porch steps, where Aunt Idle was standing with her hand over her mouth. Well, that was to be expected, naturally she’d be wondering what we were carrying if she was watching us come up the drive carrying a body. It was later, when we unfolded the maps, that the look on her face freaked me out.

Bert remembered running away when he was a kid. He had run away often. But he never got very far. They always caught him and took him back. The foster homes might look a bit different on the outside, but to him they were all the same. So he just kept running. These memories flitted through his mind as he watched Mater carefully shutting the front door so as not to make a noise. He watched as she she set down her backpack on the porch chair to check the contents and, obviously satisfied, she closed the bag and swung it on her back.

Aunt Idle:

My hands were shaking so much I could hardly light a cigarette after reading the note. I got it lit and sucked in a lungful, exhaled right into the shaft of sunlight and froze. And I don’t mean cold, it’s hotter than hell, I mean I quit shaking and couldn’t move because that smoke was doing some very peculiar things in that sunbeam. Looked like Penmanship with a capitol curly P, written in smoke by an invisible hand, loop the loop of joined up writing and I could see the words, but damn, two seconds later I couldn’t tell you what I just read and by then the first part had wafted apart. So I sat there reading the smoke until the last of it dispersed, and without thinking took another drag of the cigarette. I’ll be honest, I wondered whether to blow the smoke over my shoulder instead, but curiosity got the better of me, and I leaned forward a bit and screwed my eyes up ready to focus and started exhaling slowly into the sun. Not a damn thing this time, nor the next, and I almost lit another cigarette right off the butt of that one. Just to delay looking at that note again I suppose, but I didn’t, I stubbed it out and picked up the note. The smoke distraction did me good, I was over the shock of it and now I was curious.

The note was written in letters cut out of a map, by the look of it. Or maps, hard to say at this stage. The letters were pasted onto a yellowing sheet of stationary paper with a heading embossed on the top: Tattler, Trout and Trueman. Nothing else, just that, no address or phone number, or indication of who they were. There was a brown ring stain, which might be a clue, and a short message. Made me jump when I saw the name at the bottom, because the H was so tiny compared to the ILDE it caught my eye as Idle, which is what the twins call me, and the D I D letters were much bigger than the I E R, making me think it was Dido, which is what the others call me. It’s Delilah but nobody’s ever called me that, although Prune called me Dildo once and got a clip round the back of the head for it. So the note came from Hilde Didier, and I’m ferreting away in my mind and I can’t think of anyone of that name, but it might come to me later.

“Mater’s acting strange, Aunt Idle,” Corrie burst into the room giving me the most unpleasant jolt it made me think I was having a heart attack until I remembered the note in my hand.

“Coriander, darling!” I gushed, admittedly uncharacteristically but I didn’t have time to think, swiveling round to her while slipping the note out of sight. I stood up and hugged her, deftly spinning her around while scanning over her shoulder to make sure the note was hidden from view.

“Bloody hell, not you as well!”

Mater:

I am 73 years old and some think I look pretty good for my age. Not the kids—the kids think I look as old as Methuselah. When I was young my hair was jet black. Now it is white and I wear it in a long braid down my back; it is easy to look after and I certainly don’t trust Dodi to cut it, though she has offered. I wash it once a week and put vinegar in the final rinse to get rid of the yellow tinge. My back is straight, no dowager’s hump like some my age, and I can still touch my toes at a push. I married my childhood sweetheart—the love of my life—in 1958 and he died of sickness, April 12th, 1978. My favourite dish is spaghetti and meatballs. When I was younger, when I lived in Perth, I was a milliner. I don’t make hats now; there is not the same demand out here. And of course there is Fred, my son, who scarpered God-knows-where a year ago.

It isn’t much to say about a life, but I suspect it is way more than you wanted to know.

This reminds me; Dodi went to a funeral in Sydney a few months ago. The funeral of a dear school friend who died in a motor vehicle accident. Not her fault, as I understand it. She was driving along, minding her own business, returning home from a quiet night playing trivial pursuits at the local community centre. A teenage driver lost control of her car. She was fine; I mean the other driver was fine, barely a scrape. Dodi’s friend was not so fortunate. At the funeral of her friend—I forget her name—the place was packed.

At the time, when Dodi recounted the events of the funeral, I started thinking about my own future demise. It may perhaps sound morbid, or vain, but I found myself wondering who might be there to see me off. Other than the family, who would be duty bound to attend, I couldn’t think of many who would care enough to pay their respects—perhaps a few locals there for the supper afterwards and a bit of a chinwag no doubt.

I am rambling; I have a tendency to do that. I can’t blame it on old age because I have always rambled. The point is, I don’t think I have done much with my life. And this saddens me.

However, I suspect this is of less interest to you than the ghost I mentioned earlier.

The idea of a ghost is not a new concept at the Flying Fish Inn. It has been around for as long as we have been here. But it was just a joke—it wasn’t a real ghost, if you see what I mean. Every strange noise or other untoward happening we would blame on “the ghost”. The dilapidated look of the place lent itself very well to having resident ghost, it was almost obligatory, and Fred even had a plan to market our imaginary ghost as a tourist attraction.

So what changed? Well, I saw him.

Mater:

I feel myself moving slowly today. The thought of death and my poor little guinea pig is still nagging. It occurs to me that perhaps I am walking slowly because I don’t want to move too fast into the inevitable.

Or perhaps it is just that I did not sleep so well last night. It is so damned hot and night time offers little respite from the heat.

At least the kids have stopped fighting. I worry about them. Always shut away in their rooms on that internet thing.

I am so tired. More tired than I should be. It is not the usual aches and pains. Something feels wrong. I have made up my mind to go and visit Jiemba, the local aboriginal healer. It is a wee bit of a walk, so I will need to start early, before the heat gets up. I don’t want to ask Dido to take me. “Just go and see the doctor in town!” she will say to me. For all her alternative ways, Dido can still be pretty closed minded about some things—and she thinks I am a crazy old fool anyway.

But I think Jiemba has the gift—special healing powers—and he comes from a family of aboriginal healers. His father was a healer and his grandfather too. I went to see him once, his father, years ago. My back was bad and the doctor in town said I would need an operation. He did some chanting, calling up spirits I think, put his hand on my back and pulled out a stone. He said the stone was the sickness causing my back pain, or some such thing. I was sceptical at the time, but my back never did give me any more bother. I’ve read up on it since then and I think there is something in it all. The older I get the more I realise I don’t know it all.

Besides, there is something else I want to ask him about and I don’t know who else I can talk to. That’s the problem with getting old—one of the problems anyway—people tend to assume you are losing your marbles if you say anything out of the ordinary.

But I think the Inn is haunted.

To look at the grizzled weathered face of Bert Buxton, sex might be the furthest thing from your mind. You would be unlikely to imagine him as a participant in outrageous kinky goings on in the back rooms and bedrooms of the local hostelries, or wild midnight romps under the stars, but things had been different in Bonemarsh when the mines were busy, when he was a virile young man.

The miners were a strange breed of men, but not all cut from the same cloth ~ they were daring outsiders, game for anything, adventurous rule breakers and outlaws with a penchant for extreme experience. Thus, outlandish and adventurous women ~ and men who were not interested in mining for gold in the usual sense ~ were magnetically drawn to the isolated outpost.

After a long dark day of restriction and confinement in the mines, the evenings were a time of colour and wild abandon; bright, garish, bizarre Burlesque events were popular. Bonemarsh, strange though it may seem, had one of the most extensive wig and corset emporiums in the country, although it was discretely tucked away in the barn behind a mundane haberdashery shop.

The red glow of the small volcanic caldera gave his albino skin an eerie look. The mysteries of the hut were endless. He had been meditating near the edge of the well of magma, seemingly unbothered by the heat or the toxic fumes.
An itching feeling that started a minute ago told him someone was trying to reach him. The presence was still faint, but strong enough for him to notice. He sent a small tendril of his attention beyond the fumes and the pulsating magma. A vibration began to stand out in the field of probabilities. There were several lights, and they felt familiar. One of them had the distinct feeling of a hidden treasure he had given her during their last encounter, she had begun to open it and her infant mind was struggling to make sense of it. She needed help; she might go mad.
He opened his mind to their vibrations and made them part of his mindscape. They were not aware of him yet. He was surrounding them, they were part of him, they were in the space of his mind.
He intended the idea of a labyrinth. They’ll have to go through to get to him. Only one shall arrive. The one who needed the help. The others would be sent away.