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— The legend of Mævel — (Part II)

The young fairy princess, whose secret name had been forgotten, and thus her very existence to whoever had known her, grew up as a beautiful child.
Mævel she was, and the youngest of the clan too. Her delicate features stood out of the many children that Jorg and Ilga, her human parents already had, and they first saw her as probably their most useless child, being frail and unfit to the works of the woods. But she’d been saved from a sure death, and that had proved to them that the child was some odd gift from the Gods.

Mævel looking at her brothers and sisters, was constantly reminded of how different she was, as small and fair and fragile as a sparfly’s egg. She helped her mother Ilga as much as she could in the kitchen, preparing meals for the clan. Her parents did not know how she could ever get a husband, as she would never be much of a great cook either.
So, she was feeling not fulfilled by what she was doing. She loved her parents, and sisters, and brothers, but there was something else that she did not know how to express.
During the springing and sunny seasons, and even the rainy and icy one, she would go after her works had been done to the little meadow brook, and watch for hours the little rosy trouts dancing in the clear waters.

And much of her young years passed, and she learned how to cook, how to sew and how to wash clothes and many other tasks that could help the family. She had improved much in her skills and could do wonderful adornments to her sisters and brothers clothes. But noone cared about the adornments, which would be useless for them. But they loved their little sister nonetheless, though they did not understand.
Soon, all the elder brothers left the house, one by one, and the sisters too. And as Mævel turned twenty one, she was left alone with old Jorg and old Ilga.

That day, her parents had offered her a pearl white ribbon, for her to tie her hair, and they had thought it would probably please her, as it was as useless a thing as their mind could imagine. And indeed she was delighted by the gift, and to please her parents, she had danced and sung in the night, barefooted on the floorboard, her shiny golden hair swirling around her, as they both loved her to do.

The next day, Mævel went to the brook to wash some clothes, when she noticed a reddish bluish spark of light coming from the forest nearby. How strange she thought. Perhaps it is only my imagination. But soon, a plaintiff cry came from the same direction, and she was deeply moved by the cry.
Leaving her clothes to dry up, she went to the forest, knowing she could trust her instincts and that no wild beast would harm her. Calling to see if someone was there, a voice called her, crying “here, here!”

Behind some fern trees, she was surprised as she saw a wounded blue fox. Was it the fox that had spoken?
— Yes, that was me, answered the blue fox
— Oh, a talking fox! You are wounded, aren’t you? asked Mævel
— Yes, a stupid arrow from a stupid hunter… I can’t extract it, would you help me?
— Of course, answered Mævel, hold on a second.

And she leaned forward to draw the arrow from the fox’s leg, holding fast so that it would not hurt the creature. She was just knowing what to do, as if she had done it many times already. Then she drew out her white handkerchief, and bandaged the bleeding wound, tying it tightly with her pearl white ribbon.

— I must leave now, said the fox, I am greatly indebted to you, young lady
— Will you tell me your name?
— I am called Blohmrik. And may I inquire as to your name?
— I’m called Mævel, but you can call me Mæ
— Such a lovely name…
— How come you are a talking fox?
— I was not always in the form that you see now. This form is due to a curse from the God of the Forgotten, from which I foolishly tried to stole secrets when I was a young god learning magic.
— Ooh, so you are a god? Mævel was amazed
— Oh, smiled sadly the fox, as you are also, though you probably don’t realize. Gods are not so different than what you think…
— Oh, really? So there isn’t anything I can do for you, is there?
— You have already done much for today Mæ
Mævel was blushing… She dared ask to her new friend
— And will I see you again?
— Perhaps sooner than you know.

— Daddy, daddy! I want to come with you!

Young Peregrine had been running after his father at the moment when he had put the letter in his pocket ready to go off the streets.

— Oh, really? Sean Doran Wrick was weighing the possibilities.

Peregrine was still in fluffy rabbit slippers and pajamas, but he had a very determined look on his young face.

— Then perhaps we should ask Guinevere to come with us too?
— OK, I go ask her!

And off was Peregrine, running down the hall of the large Dublin apartment to his sister’s room.

Sean was thoughtful… Well, Edmund had said that the private jet would be ready in an hour, so that was leaving him some time to have a nice beer at the pub before departing to New York to see the Traveling Reality Amusement Park, or T.R.A.P. for short, as the imaginative publicists of his father’s company had decided to brand the new revolutionary concept.

Sean had been supervising the very first prototype before he had met Margaret, and then had got more interested in his “real” family life than in amusement travels in fairy lands… But nonetheless his father had trusted his flair, and had kept him informed of the developments of the project.
Now, for the premiere of the T.R.A.P., he’d got some VIP invitations, but grieved with Margaret’s death, he had not wanted to go there at all. That is, until Becky had spoken about it…

Peregrine came back with a pout on his face.
— She’s not sure if she wants to come, he said…
— Oh well. Then, let me have my beer, and I come back in a few minutes to see if you and your sister are ready. I’ll pick up whomever is ready and packed up.
— Yipeeee! Peregrine’s eyes were gleaming with joy.

Quintin couldn’t sleep.
Now he was thinking, he had delayed it for too long.
They all had been thinking of it, talking and glossing over it for so long. Some had dreamed of it, feared it, asked for it to bugger off. Lots of pains and struggles, but it had only been clever or not so clever ways to delay the unavoidable.

Now, he had an urge to insert it. How come he had not thought of it before. All he had to do was insert it in his reality.
Well, that would sure mean lots of changes, but after all, no pain no gain.
Or no abundance.

ABUNDANCE abun·dance [ ə-ˈbən-dəns ] “The ability to do what you need to do, when you need to do it”

That’s how Pasha, a Russian friend of Dory had defined abundance — speaking of Dory, now Quintin was seeing how she was ahead of the herd, and a bit of a coal (slow) mine canary too. Quintin would have changed all the world’s dictionaries to have that new definition everywhere. What a task…

Actually, that’s it! Quintin had feared the implications, as lots of people did.
It would mean everything would be allowed. Everything would be true, even the most blatant contradictions would be harmoniously living side by side. Struggle would be needless, and all that would be needed to do would be to stop paddling upstream.
What a mess it could be for salmons and control freaks as himself.

Perhaps worse, it would change everything, even “past” events where everything would also be allowed, now.
In-of-body travels (rather than the too classical “out-of-body”), meeting other selves appearing out of nowhere, talking with dead people, or sugarplum fairies, traveling instantaneously to meet Tchaikovsky and have him change his dying swan for a stuffed talking Mother Goose, flying, shape-shifting, manifesting objects out of thin air, the possibilities would be extraordinary… All in that physical reality where everyone was struggling to prove none of this was possible.
But if everything would be allowed, then be it! And he would go and live in 23, Dragon Alley, Phœnix Ville, Sunnyvalley with Yann (and the others of course, if they wanted to) and do whatever they wanted to do.

OK. That’s a deal then. Release the camouflages, open the watergates and leave the damn dams to beavers and loosers.

Let’s insert the Shift, now.

And let the fun continue, and worry wither away.

Well, and what’s that Shift all about?

Quintin’s friends Michaela and Elias had said about it :

“You are also bored in the experiences that you have created to this point. You have experienced. You have created in the manner that you have designed previously. Now you choose to be creating in an expanded experience, allowing more of your awareness, more of an opening to consciousness, more of your own creativity and your own abilities, and you are discovering that your abilities are within physical focus limitless. You have merely limited yourselves as an element of your beliefs, but as you are also moving into acceptance of your beliefs, you are widening your awareness and you are allowing yourselves to view how many more abilities you hold and how very creative you are, and not creating your limitations with such severity. Those elements in your reality that have been thought to be impossible are not impossible!” ¹

Tomkin had a keen eye, and despite the dazzling light reflected on the calm glittering surface of the sea, he could see a little dark shape detaching itself from the three bigger forms, and that little dark shape was quickly identifiable as a bird.
Apparently the bird was not from these lands, it was black with white strips, or perhaps the contrary, and was flying like a grake drunk of having gorged on overripe Scotch bonnets.
Obviously the bird was exhausted, and crashed on the shore where it was nearly knocked out by the grogonuts which fell with big *thuds* from the grogonut tree on which it had just finished its erratic course.

Seeing the whole scene from the top of the fatly mossy cliff, Tomkin decided his curiosity was a much more pressing matter than taking care of the herd of grakes, so he ran to the little rocky path which led to the beach below.

Apparently the bird was still alive, and more surprising even, that was a talking bird. It could speak strange words.
And even stranger, though Tomkin knew none of these words, he could understand all of what the bird wanted to communicate to him.

What an odd thing, he wondered… The bird was requesting some food apparently.
Tomkin fumbled in his pocket for some bread crumbs, when the gift of the Captain fell on the sand.
Could it be?

Tomkin’s heart was racing. Could it be that there was magic after all in this strange simple gift? The Captain had said it meant all was connected. That could explain why he could understand that foreign bird… And perhaps it worked on other talking creatures and people too…
A whole realm of potentials seemed to open in front of young dreamy Tomkin, who was quickly brought down to more earthly matter when Rudy the myna pricked his hand with its beck for the bread crumbs, projecting to him “Give it to me! Give it to me!”.

— The legend of Mævel — (Part I)

as told by Cpt Bone to young Tomkin

In the time of the Gods, the King of the Fairies, Aldurion, fell in love with a beautiful mortal named Theÿa.
He wanted to make her his Queen but only the Elder Gods could bestow the gift of immortality upon mortals.
So he went to see Ghört, the God of the Airs. Ghört could certainly grant him what he requested, but for that, Theÿa would have to be transformed into an air sprite. Aldurion wouldn’t be able to hold her again. So he declined the offer, and went to see another Elder God.
Then, he went to see Nærvel, the Goddess of the Waters. But Nærvel could grant him immortality if Theÿa was to be transformed into a water sprite. So Aldurion declined again.
Then he went to see Agnima, the Goddess of the Flames, and then Selvaniel the God of the Woods, and Margilonia the Goddess of the Earths. But all of their conditions were the same, Theÿa would have to be transformed into an immaterial and immortal elemental fairy. But Aldurion couldn’t bear to have her changed into something else than she was.

Then, only one of the Elder Gods was left, the one than few of the Immortals dared talk to, and of whom most mortals were afraid, to the point of systematically using the Old Speech respectful form of address (“Shaint”), when referring to him.
So Aldurion came to see Lejüs, God of the Forgotten.
Lejüs was greatly pleased to see him. When Aldurion had finished exposing his request, Lejüs took a moment to ponder. Giving immortality was none of his wonts, as he was keeper of the Forgotten. But he was not without compassion, and seeing Aldurion’s plight, he offered to grant his wish at the condition that, not his wife, but their first born child, would become Forgotten.
Aldurion was so hopeful that all he saw was that the condition seemed so small, based on a future event that perhaps wouldn’t even happen… All he wanted was to have Theÿa as a Queen, and so the deal was made.

So became Theÿa Queen of the Fairies.

A few God’s Years later, which meant in human years much more than a few years, Theÿa became pregnant.
When she announced the news to Aldurion, he was suddenly reminded of the deal he had made with Lejüs, and was quite distraught, as he had not revealed it to Theÿa. But he remained quiet, hoping that Lejüs would have forgotten about the whole story (well, that was forgetting he was Keeper of the Forgotten).
So Theÿa gave birth to a little baby girl fairy, with golden wavy hair and bright eyes. She, like her mother, had no wings, but there was magic in her. They named her Araoni.

But Lejüs had not forgotten of course, and came to see the Royal couple to claim the baby. Aldurion pretended that the mother and baby was still very weak, and he would have to come back in a few God’s Days. Lejüs agreed, and left complaisantly.

Aldurion was at a loss for solutions, but Theÿa was a fairy with lots of ruse, so he decided to reveal it all to her, hoping that she would have a solution.
Theÿa asked him time to think about this, and told him not to worry.
Later, she had an idea, quite brilliant she thought. All she had to do was to find another child to give Lejüs.
So she gave baby Araoni to one of her diligent nurse, the old fairy Gretchÿa, telling her to find a house were a blond new born girl could be exchanged and proceed to the exchange of the babies.

So Gretchÿa went across the lands of the Worlds, but only in one home she could find a blond baby girl. The new-born baby girl was almost dying, as the parents were a careless couple of peasants, already plagued with many children, and they could not bother with children hesitating to live.
Gretchÿa was heart-broken when she did the exchange, promising to baby Araoni to get her back soon. The young human baby girl was weak and yet unnamed, and the old fairy nurse knew she would probably not live long, and be claimed by Shaint Lejüs. So all was good.

When Lejüs came back, he smiled as he saw the baby girl, and left with her without much more words for the Royal couple.
Lejüs smiled, for when he had taken the young baby, the parents had instantly forgotten about her, and so did everyone having ever known her…

The human parents, surprised to see the condition of their baby improving beyond all hope, named her Mævel, which meant marvel of Maÿ the month in which she was born.

When Rudy the myna had come back crashing on the boat, it all became suddenly a huge uncontrollable chaos.
The hovering menacing clouds that were looming in front of them were coming closer at a dreadful speed, and even more concerning were the rocks that were appearing everywhere now, that they had more and more trouble to avoid in betwixt the turmoils and eddies.

So they had finally come to the Great Rift, Bådul was thinking. The back of the legendary water dragon that noone was known to have crossed.

But Bådul knew better.
He howled orders to get everybody ready at their posts, and felt reassured when he saw that Austor was maneuvering with dexterity and confidence through the rift.
He ignored the crazy laugh of Razkÿ, the madman who was now shouting with a manic laughter “We all gonna diiie! AHAHAHAH! DIE! DIE!” Then winking at Bådul and laughing again.

A few months earlier, Northern Åsgurdy

A huge cloaked figure was riding in the middle of the deserts. The saurhse, a bit small for its rider, was getting tired, but the man wanted to move before the night came. Åsgurdy had a climate which made travels uneasy on land, and only on these bipedal saurians they named saurhses, could Åsgurdians easily travel on the burning hot sands by day. Then, they could gain the high plateaus of rock and ice, where the temperature was kept cold by the high chilly winds. But at night, the deserts would be chilly too, and the cold-blooded creature he was mounting would require a shelter.

He knew that such a shelter wouldn’t be far away now.
That region was mostly uncharted as it was fairly remote from all known cities, but that strange man he had met had said he was a traveler who knew were he could find something priceless.
At that time, Badul had felt he had nothing to lose, and said to himself “when in doubt, go for the experience”.
He had felt he could trust that man known to him only by a strange name, something like Gheorg.
There had been nothing boastful about him, and he had been kind to him. He had been the only person in the World he had known to have given him back his dignity as a human being, and even more, to have given him a reason to live.
He owed him a lot, and perhaps even more as he was now drawing closer to the cave… that same cave which was a mere cross on the torn map he had been drawing hastily before vanishing almost preternaturally, living him a bit of money and that map…

Roselÿn had felt the urge to move somewhere else. This land didn’t resonate with her energy, and that of Rëgkvist, and of the few eggs the dragon had managed to lay, none had actually been able to hatch.
It had affected her so much that she had even retreated from her sisters’ usual talks through the glubolíns.
She needed to move on.

When he entered the cave, Badul was disappointed. He could feel there had been someone living here quite recently, but it was like the cave was now abandoned. He hoped he could have found more answers, but now it was again like burning sand slipping through his fingers.

In a fit of rage, he took a boulder as big as him and threw it across the cave with a roar.
Something was brought down by his huge force further down into the cave and he heard it quite distinctly.

He tied up the saurhse at the entrance of the cave, and entered it with determination, ducking through the tunnel too narrow for his big baby-faced frame. Then he found something glowing. At first, he thought it was some gold, but what kind of fool had been living here before and had been in such a haste to move as to forget gold?

It was not gold. It was something like a broken shell. The broken bits were like a jigsaw puzzle and he wished he could make it one, as he was attracted by the strange radiance of the thing.

Austor did not believe his eyes…
They had crossed the Rift, all three of the ships.
And it was nothing like the dark void they had nearly expected behind.

It was an open sea, glistening in the sun, and all hope had come back through them all.

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…

New York, October, 4 ^th 2033

Albert had opened the newspaper, scanning distractedly through the various pages of text that would read aloud automatically when he was running his fingers through it. He was about to close it, when he noticed that article in the Life Focus section.

(click for article)

Dublin, October 5 ^th 2033

Sean Doran Wrick had received tons of phone calls, emails and voice mails of condolences since the past few weeks, but he had not found the strength to answer any of them. Especially those coming from his father.

That morning, he had received some letters that he would have left on top of the others, had he not recognized the round and cheerful calligraphy of Becky on one of them.

He had known Becky when they had traveled together in Syria, and had enjoyed so much the lively young woman that they had kept in touch during all those years.

He was pleased to read from her, and wanted to enjoy it fully.

So he took his time to put to bed Guinevere and Peregrine before. Guinevere was the eldest, very mature for her barely 11 year old. She took great care of her younger brother, who was more dreamy and foolish. Peregrine would turn 10 next March… but he was hardly as responsible as his sister when she was his age…

Dear Sean, Becky was writing

I would have liked to finally take the time to write to you in better conditions, but I could not delay any longer. I saw the obituary in the newspaper, and wanted you to know that I share your grief and loss, and extend much love and support to you and to your dear little ones.

I know you’re not the kind of person to be satisfied with banalities, so I will not dwell on this tragedy, and will remember the best moments we shared together.

I still continue my studies and practices on dramatherapy, and till now it has proved very beneficial, in many ways. I have learned so many things. It’s quite rewarding. We are a close-knit group of fools (or drôles as Al loves to say, as some of his ancestors come from the bayous!), and that is very much enjoyable when things that tragic come to one’s reality.

In case you feel like talking, don’t hesitate any moment, I’ll be here. Anytime.

Love,

Becky.

Orkney Islands, October 4 ^th, 2057

This year again, Sean Doran had not answered his father’s calls.

This September 23 ^th was the twenty fourth anniversary of the disengagement of Lord Wrick’s daughter-in-law, and this was always a very somber period for the family.

Hopefully, the twins were here to enliven the old mansion, for as long as their parents, Lord Wrick’s grand-children, would be traveling. And of course, there had been the unexpected return of the books, which had been comforting too.

Nonetheless, Hilarion Wrick was sad, and Bill the painter was uneasy as to how he could not quite put right the portrait of the old dragon…

BelleDora, the buxom maid of Huÿgens, winked at Illi.

She was somewhat familiar, a nurturing presence that reminded Illi of the maid she and her parents had in their cottage in South Africa. Except that BelleDora had big hairy feelers, like a huge velvety moth, and that her father and mother wouldn’t have been careless enough to recruit a maid with such laisser-aller.

She was perhaps dead in that dirty hole, but she was obviously still alive in this dirty hole. They all claimed she was something hairy and funny… a what’s the name already? A grim shawl? whatever…

Bugger this…

She was having a hard time putting all her thoughts together. She felt like she was many people at once, and none of whom were of great help to her current adventure…

Perhaps she would have to play the game to discover more of what or who she was?

So she asked BelleDora to explain more about this strange land.

And BelleDora was more than eager to provide some answers…