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  • #353
    TracyTracy
    Participant

      Nora Long was dying. She knew she didn’t have long left, and she had some affairs still to attend to before she was no longer able. Nora was a childless spinster, a frugal recluse with an uncanny knack for winning premium bond and lottery prizes; nothing big enough to attract much attention, but more than enough for her needs. Consequently, she had quietly amassed a fortune over the years ~ and she wasn’t about to let the state have it all.

      Nora had spent most of her 88 years dreaming, and talking to ghosts and spirits. She wrote all of it down in notebooks, hundreds and hundreds of them, until the advent of the computer in more recent years. She had splashed out and bought one, and gamely taught herself how to use it, keeping her journals online from then on.

      Nora discovered how to google one day. Wondering what in the world she might want to search for, a name popped into her head: Yurara Fameliki.

      Nora had learned to trust her impulses, and she searched for the unusual name, double checking first with the voice in her head as to the correct spelling.

      Nora began to read the story on the websites first page. Three days later, she was still reading it, as it grew day by day. Nora was almost sorry she had already chosen to die. At last she had found some people she could relate to!

      But Nora was too weary to change her mind. She did have a plan though, a plan that cheered her greatly. On the websites pages she had noticed a little sign saying ‘Buy a Drink’.

      #1312

      In reply to: Yuki’s Livrary

      ÉricÉric
      Keymaster
        #336

        Hi Torsten, said Tina, giving her old friend a hug. Thanks for calling and saying you had some time to chat, hope I didn’t sound odd when I answered the phone, Becky was there, and I didn’t want to tell her. I am trying to pretend I am normal you see, she laughed wryly.

        I really need someone who isn’t involved with the play to talk to though, I feel like I am going a bit weirdo, bottling everything up. And it is affecting the play and my relationship with the others.

        I can’t find my place in the play the others are writing. See it is the play “the others are writing”. I feel as though I am drifting through it, trying to find my way amidst the structure, if you can call it structure, they give it. And that is the way I am feeling about life, I can’t find my place in it

        At the moment I claim to believe in magic, and that I create my own reality, but I certainly don’t feel it the last few days. She thought for a moment. Well other days recently have been golden, it is all magic. I find it everywhere. Yes, I have had days like that, but the last week or so I can’t find it.

        What changed?

        I felt as though I couldn’t create what I wanted to.

        What if you could?

        All of it? It would be a miracle though. My rational mind tells me it is not possible. And in that lies the source of this pain.

        So you don’t believe what you claim to believe

        Tina thought for a moment. I keep feeling the eyes of that Blue Mule character I told you we created on me. That’s not his name, but I keep getting stuck on the spelling . Well actually I didn’t create him. The others keep creating new characters, every time someone does a typo, it is “hey! new character!” Anyway this was ages ago. And in the play there was a picture that one of the characters, Quintin, did, and whenever I say “I can’t”, then I feel these eyes of Blue Mule challenging me, and it’s like he’s saying, “ well what DO you believe then?” and it is like a real challenge in these eyes.

        #327

        The rain was pouring cabbages :weather-showers: for several days now, almost the whole week… Baul was fed up with that filthy weather of Cromash Tur. The capital of this 4th kingdom was quite nice and pleasurable, but it lacked sun and warmth… Baul had come to Nâabooli, the capital of Cromash, in order to settle an arrangement. Something quite particular that he couldn’t find in his own land of Erpet Mesh. He’d been travelling for weeks with his guards and servants when he arrived in the city and all that for some foo’kin rain! But something more important than brooding and pouting was on his mind.

        Tonight he was alone, no servant, no guard… he was wearing a black coat made of goat skin on his usual blue and yellow silk robe, he couldn’t wear anything else, his skin was too smooth and delicate. He was spending great amount of money to take care of his body, it was his own pride, and he considered himself as a very handsome and appealing male.

        The man he was about to meet wasn’t hiding, but oddly was acting in full sight. Nonetheless, Baul didn’t want to be seen with him, Baul was an ambassador of sort from Erpet and he couldn’t be seen entering in an Assassin’s house. In Cromash, the Assassins were quite a respectable and wealthy, but in Erpet they were outlaw… one of the numerous differences between the two kingdoms, one they would never agree upon. Baul found it quite useful though; many times he’d met Ar’Am Khra, one of the best of this profession.

        For this meeting, as always, Baul had chosen a tavern, the Landgurdy, called after one of the former 12 kingdoms. The 4 remaining ones were at war most of the times, they couldn’t maintain peace more than a few years at best, and Baul had found many ways of benefiting of this situation. Merchant, Ambassador, and much more. He was thriving with plotting :face-angel: :face-devil-grin: and it was quite useful to be one of the ambassadors of Erpet Mesh, offering him safety wherever he was going. It was one of the few respected rules that were common between the Warring Kingdoms.

        The Landgurdy was quite a crowded tavern, and the owner was a friend of his, though not really officially. There was that private room on the rear of the building, know only of a few chosen “friends”, so they could enter unnoticed by the usual customers and by would be spies. The rear door was seemingly leading into another building, and some arrangements had been made over the years.

        Baul knocked the code at the door, and a vasistas was open quickly and closed even more quickly. The door opened then and he entered in the darkness of the house. If anyone opened the door, he or she wasn’t there anymore, but Baul knew the place quite well as it wasn’t his first meeting with the Assassin.

        :fleuron:

        The Assassin was waiting in the small room, square shaped with only a wood table and one chair. No window. One dim lamp.
        He was sitting on the lone carved chair. His clients needn’t sit.
        They were mere beggers.
        The one that was coming now, was quite amusing.
        The first time he met him, Baul was quite young and inexperienced in his own skills. Though he was quite ambitious, Ar’Am Khra had to admit it.
        The usual reaction when seeing the Assassin’s pale complexion was shivers and disgust. He was used to it and it was a game that he had enhanced with a little bluish glowing dagger tattooed on his forehead.
        The dagger was the mark of his profession, though not so obviously exhibited by the others. Cowards.
        At that first meeting, Baul didn’t react the way his other clients did. And it was not influenced by his utmost concerns at that time. Beside his inexperience he was quite engrossed in what he had called his “mission”.
        Ar’Am Khra did not know of any mission, there were merely contracts.
        And he was doing what his clients were paying for.
        Accomplishing his contract even after the death of his clients.

        He was remembering of an amusing event.
        A client had hired him to end the life of another man, and the second man went a few days after to his office to beg him to kill the first man.
        The Assassin accepted the contract.
        A few days later he killed the second man.
        He executed the first one not long after that, thus respecting the second contract. :yahoo_skull:

        He never questioned the motives of his clients.
        It was not for him to judge or to understand. Though most of the time he did understand quite well.
        His main motivation was the payment and his own pride in expressing his skill with subtleties and newness.

        The door opened smoothly. Baul entered the room.

        :yahoo_alien:

        :fleuron:

        Yann and Quintin had an interesting chat during the afternoon. Yann had some new impressions about the map of Lord Wrick annotated by Quintin. Something about the Warring Kingdoms, triggered by a dream of an Assassin in one of them. It was frustrating not to be in the same room so Yann could show Quintin directly on the map, but with Internet there were some other options.

        The names of these lands were Ata’Meliu, Dam Adbor, Erpet Mesh and Cromash Tur. These 4 Kingdoms were rather scattered on the Lan’Ork part of the continent, pieces and bits everywhere, though Ata’Meliu was more in the center and the South of the Lan’Ork, Dam Adbor in the East and in the North, and Cromash Tur in the West and South West parts, Erpet was divided in 2 main areas, one located on the Northern land just before the Isthmus of Ghört’s Hammer, and a smaller one lost in the middle of Ata’Meliu.

        Yann only had the impression of 2 of the capitals, Naat Medin was the one of Erpet Mesh and Nâabooli of Cromash Tur.

        Quintin just sent him the map so he could draw some more comments and sketch the boundaries of the Warring Kingdoms. He didn’t know why, but he felt some movements were about to begin, some reconfigurations of the borders :world:

        #318
        TracyTracy
        Participant

          Let me show you something, Dory. George reached into a big red and orange and purple kilim carpet bag ( Dory wondered where it had appeared from; she certainly didn’t recall seeing there when they arrived) and pulled out a large sheaf of printed papers. He passed it to Dory.

          Dory read on the first page:
          Chapter 343,482,927,457,299,209,2819,298,357,008,557,057: ‘REMEMBERING
          Blimey, said Dory, Long book!

          George grinned enigmatically and said, Indeed.

          Dory flicked through the pages, reading a bit here and a bit there. Glancing up at George she said, I guess you couldn’t possibly carry the whole book round with you all the time in your carpet bag, the whole book must be enormous!

          Oh, the whole book is always in my bag, he said.

          Really? Dory asked in a disbelieving tone.

          Why yes, of course. ‘It’s all in there somewhere’ he said, and laughed heartily, and a trifle rudely, Dory thought. Yes Dory, the whole book is always in there.

          With a hmpf, Dory returned to scanning the pages. Before long she was overcome with waves of nostalgia and familiarity and deja vu, even a sort of backwards deja vu…a vuja de…Dory snickered to herself…

          Why is this chapter called remembering, George? If I had written this chapter I’d have called it forgetting.

          #302
          F LoveF Love
          Participant

            Well I think I can answer that for you, said a small round green blobby creature, in response to Roselyn’s question. The creature had actually been sitting there all the time, however everyone had assumed it was some sort of exotic plant.

            Let me introduce myself, I am Frowdup, yes an unusual name I know. I am a long time and faithful friend to the dear little Fairy Princess, who is rather friendless at the moment owing to her extraordinarily antisocial behaviour , such as that which you see so sadly exhibited before you.

            Frowdup cleared his throat in an important and significant sort of way. I will try and relate this sad tale as succinctly and precisely as possible, he said.

            Our dear little Fairy Princess was the head Fairy Princess of the Hot Pink and Sky Blue bands of the North East Fairies from the Land of the Long White Cloud. Each Fairy Princess in her initiate years has a witch assigned to her, to help her develop her magical abilities. Our dear little Fairy Princess was designated one of the 13 Witches of Loathing, Whanga, from the far North of the North Island of the Land of the Long White Cloud.

            Dear Fairy Princess had her own cave which she took admirable pains to make sure was always fully stocked with sand. You know about the sand of course? I can see you are a woman of great stature, no offense intended, I mean I can see you are tremendously well versed in the ways of magic yourself, so you will know that some of the more basic ways of magic involve a symbolic representation of magical symbols, so to speak, such as sand and wands and whatnot sort of thingies. Really completely unnecessary, of course, as you will know, however for her, each grain of sand was the exact and precise equivalent of one wish, activated by a determined wave of her magic wand and the words abracadabra. Yes, I know, very primitive, but she is a very young initiate, although I will say she showed great potential had Whanga the Witch of Loathing not managed to convince her of her own lack of worth.

            Whanga was constantly and every single moment whispering in the ear of the Fairy Princess magic spells of self loathing. My young friend lacked the expertise to counteract these powerful spells and began to believe them. One day she was so sad at her own horridness that she could bear it no longer and put a spell on herself. This enabled her to curl up into a deep sleep of forgetfulness for a rather long time, enabling Whanga to easily procure said wand. In addition to this Whanga managed to obtain the source of the music which the Fairy Princess felt she required in order to help her to fly. When the dear little Fairy Princess awakened from her sleep, she was devastated by the loss of her wand and music, and still convinced of her own worthlessness you see this poor creature before you today.

            The poor creature had stopped sobbing and was glaring at Frowdup.

            #301

            Illi was quite pleased with the sand dragons.

            HHHMMM, they don’t repulse me like dragons usually do. I think it’s because they are sand dragons, and sand is so much nicer than slimy cold scales. Well! Illi thought, I really wouldn’t know if they are slimy or cold, because, for the love of all-that-is, I would not choose to venture that close!

            Illi chose to ignore her rather paradoxical musings on loving all that is, which would by definition include the beastly dragons, and turned her attention to the sand giant slouching patiently at the end of the beach.

            Now giants, that’s another thing entirely. I am quite enamoured of giants, and this one looks so familiar!

            Illi leaned back against the sand dragons bulky body and closed her eyes, reminiscing about her early years as Illi Fergusson, and her eccentric family.

            ~~~

            When Illi was a young child she rarely saw her parents, the eccentric Lord Gustard Willoughby Fergusson and his charmingly batty second wife, Floribunda Chaiise-Loriket. Illi stayed at home in the anscestral country pile in Dorset, Rubbingdon Hall, with Nanny Chraddock while her parents travelled the world in search of giant bones and artifacts. Their travels took them far and wide, from the jungles of South America to the deserts of North Africa; from the mountains of Spain to the arid eternity of the Australian outback.

            Illi used to play a game with Cranky (as she affectionately called nanny Chraddock) in the long months while her parents were away, called Wish House. Every room in the sprawling Elizabethan house was a different time and place, and the moment they entered the room they imagined themselves to be different people, in other times. Petunia Duster the maid loved to join in too; consequently not alot of housework got done, but with Gus and Flora always off travelling, nobody minded. Playing was, after all, so much more important than dust. In fact, a thick layer of dust made the rooms all the more mysterious and magical.

            #1448
            TracyTracy
            Participant

              http://www.north-of-africa.com/article.php3?id_article=418

              This might be a better link for the comment about the connection between Egypt and Tuaregs :) :weather-clear:

              as well as the Egypt connection :

              At Jabbaren, he found a city with alleys, cross-roads and squares. The walls were covered with hundreds of paintings. Jabbaren is a Tuareg word meaning “giants” and the name refers to the paintings found inside the city, some of which depict human figures that are indeed gigantic in size. One of them measured up to eighteen feet high. Several of these paintings depicted “Martians” and for Lhote, it was the first time he discovered paintings of hundreds of oxen. Jabbaren was soon labelled one of the oldest sites of the Tassili.

              I think the mummy may be 6 meters tall………(Rahim told me that the tombs there were extraordinarily long….and we did have a giant enter the story ….) :yahoo_thinking:

              ~~~~~~~~~

              AND: The Tassili n’Ajjer

              …..the Hoggar Mountains and the Tassili n’Ajjer, one of the most enchanting mountain ranges on this planet……

              There were largely two forms of rock paintings, distinguishable by the location in which they were found. Some were found in rock shelters, such as at Aouanrhet. These sites were where the shaman performed his divination, as the face of a rock was often seen as a doorway to another dimension (another parallel with the paintings in the French caves).

              (this reminds me of Oversoul Seven! # book by Jane Roberts)

              Though one could interpret their location as the work of a nomadic people, Lhote’s team also found several urban settlements.
              He found small concentrations of human activity around Tan-Zoumiatak in the Tin Abou Teka massif. It was a little rocky citadel that dominated the gorge below. The citadel was cut through with a number of narrow alleys. Lhote described the art he found here as: “There were life-size figures painted in red ochre, archers with muscular arms and legs, enormous ‘cats’, many scenes with cattle, war-chariots and so forth. Up to this time I had never seen figures of this sort in the Tassili and the mass of paintings that I managed to view that day quite put into the shade all those I had seen up to then.”

              more:

              http://www.philipcoppens.com/tassili.html

              ~~~~~~~~~~~~~~~~~~~~~

              ENORMOUS CATS?????? :yahoo_surprise:

              #291
              F LoveF Love
              Participant

                Oh yes, it is all perfect, interjected Tina, in her new soft and gentle voice. Thank you so much for helping me to understand.

                AHAHAHAAHAH, laughed Becky, nearly snorting, Tina are you okay today?

                Well no actually, my head has been pounding for the last 24 hours. I think I have been taken over by those pesky aliens again. They tell me that the only way to get rid of them is to revert back to my own true self.

                Hope you do it soon muttered Becky, all this niceness is quite unnerving.

                #280

                When Rudy the myna had come back crashing on the boat, it all became suddenly a huge uncontrollable chaos.
                The hovering menacing clouds that were looming in front of them were coming closer at a dreadful speed, and even more concerning were the rocks that were appearing everywhere now, that they had more and more trouble to avoid in betwixt the turmoils and eddies.

                So they had finally come to the Great Rift, Bådul was thinking. The back of the legendary water dragon that noone was known to have crossed.

                But Bådul knew better.
                He howled orders to get everybody ready at their posts, and felt reassured when he saw that Austor was maneuvering with dexterity and confidence through the rift.
                He ignored the crazy laugh of Razkÿ, the madman who was now shouting with a manic laughter “We all gonna diiie! AHAHAHAH! DIE! DIE!” Then winking at Bådul and laughing again.

                :fleuron: :fleuron:

                A few months earlier, Northern Åsgurdy

                A huge cloaked figure was riding in the middle of the deserts. The saurhse, a bit small for its rider, was getting tired, but the man wanted to move before the night came. Åsgurdy had a climate which made travels uneasy on land, and only on these bipedal saurians they named saurhses, could Åsgurdians easily travel on the burning hot sands by day. Then, they could gain the high plateaus of rock and ice, where the temperature was kept cold by the high chilly winds. But at night, the deserts would be chilly too, and the cold-blooded creature he was mounting would require a shelter.

                He knew that such a shelter wouldn’t be far away now.
                That region was mostly uncharted as it was fairly remote from all known cities, but that strange man he had met had said he was a traveler who knew were he could find something priceless.
                At that time, Badul had felt he had nothing to lose, and said to himself “when in doubt, go for the experience”.
                He had felt he could trust that man known to him only by a strange name, something like Gheorg.
                There had been nothing boastful about him, and he had been kind to him. He had been the only person in the World he had known to have given him back his dignity as a human being, and even more, to have given him a reason to live.
                He owed him a lot, and perhaps even more as he was now drawing closer to the cave… that same cave which was a mere cross on the torn map he had been drawing hastily before vanishing almost preternaturally, living him a bit of money and that map…

                ~~~

                Roselÿn had felt the urge to move somewhere else. This land didn’t resonate with her energy, and that of Rëgkvist, and of the few eggs the dragon had managed to lay, none had actually been able to hatch.
                It had affected her so much that she had even retreated from her sisters’ usual talks through the glubolíns.
                She needed to move on.

                ~~~

                When he entered the cave, Badul was disappointed. He could feel there had been someone living here quite recently, but it was like the cave was now abandoned. He hoped he could have found more answers, but now it was again like burning sand slipping through his fingers.

                In a fit of rage, he took a boulder as big as him and threw it across the cave with a roar.
                Something was brought down by his huge force further down into the cave and he heard it quite distinctly.

                He tied up the saurhse at the entrance of the cave, and entered it with determination, ducking through the tunnel too narrow for his big baby-faced frame. Then he found something glowing. At first, he thought it was some gold, but what kind of fool had been living here before and had been in such a haste to move as to forget gold?

                It was not gold. It was something like a broken shell. The broken bits were like a jigsaw puzzle and he wished he could make it one, as he was attracted by the strange radiance of the thing.

                :fleuron: :fleuron:

                Austor did not believe his eyes…
                They had crossed the Rift, all three of the ships.
                And it was nothing like the dark void they had nearly expected behind.

                It was an open sea, glistening in the sun, and all hope had come back through them all.

                #1467
                ÉricÉric
                Keymaster

                  Blue quote thingy

                  The blue quote thingy is made with bq. (blockquote) at the beginning of a new line.

                  bq. will give that

                  will give that

                  If it extends to many paragraphs, then use

                  bq.. my long quote
                  continued
                  p.  *back to normal paragraph again*

                  my long quote

                  continued

                  back to normal paragraph again

                  You can have more details in the Textile help file for other more complex designs…

                  Searching

                  :face-glasses: I tried in both the search tab, and the “quicksearch”, and it seems OK.

                  Only trick is in the search tab, when you look up, say… “Arona”… you have to click on the highlighted extract, and not on the title, if you want to be brought directly to the one of the many comments where Arona appears ;))

                  #1308

                  In reply to: Yuki’s Livrary

                  ÉricÉric
                  Keymaster

                    September 24 th

                    Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

                    Relevant extracts:

                    At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
                    […] HE KNEW HIS WAY INSIDE !
                    When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
                    focus opening/doors ; time/space…
                    The central cavernous part is some kind of key center, where anyone can meet…

                    This has inspired Quintin to write some notes too.
                    He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

                    September 26 th

                    The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

                    Here would be what we will say to him, if he wants to listen:

                    « Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
                    Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
                    These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
                    And you begin to really experience it, and really pay attention.

                    « As was expressed many times, “essence” is no thing. It is an action.
                    The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
                    In that, your purpose, you see, is only to experience, nothing more, nothing less.
                    And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
                    Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
                    Just as your dreams at night overlap and blend into each other.
                    Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

                    « That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

                    « Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
                    In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

                    « Let us explain this in other terms.
                    When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
                    In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
                    You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
                    Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

                    « We will let you ponder this, and we will continue our own story, writing about you… »

                    September 28 th

                    This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
                    Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

                    Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
                    It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
                    And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
                    It is almost limitless in your understanding.
                    As is your magic.

                    This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
                    The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
                    The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

                    As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
                    In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

                    With that said, let us see how much more will appear from that sandbox…

                    September 30 th

                    The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

                    The Secret Life of Margaret Wrick , a newspaper cut from 2033.

                    October 7 th

                    The dragon Naasir’s dream
                    A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

                    And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry

                    #79
                    ÉricÉric
                    Keymaster

                      These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.

                      Note: for the reader not familiar with all the names here is a quick reminder:

                      • Araili > Yann, Írtak, Sam, Jacob …
                      • Armelle > Fiona, Arona, Tina, Qixi …
                      • Rafaela > Dory, Illi, Becky, Rodney …
                      • Yuki > Quintin, Al, Janice …

                      September 12 th, 2007

                      Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
                      Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…

                      Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.

                      I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…

                      September 13 th

                      Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
                      This first comment seems very promising.

                      Right now, it feels easy and fun.

                      Quintin seems to think that everything is very straightforward.
                      The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
                      The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.

                      But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
                      That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
                      But the thing is, that he missed the point in thinking one World is more “real” than the other.
                      We’ll be having some fun soon…

                      First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
                      We will appeal to his imagination.
                      It seems he has heard the suggestion.

                      September 14 th

                      For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.

                      But as I expected, some challenges seem to appear already.
                      Is it raining or not in that world?
                      The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.

                      He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
                      At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
                      How will it unfold?
                      Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…

                      September 15 th

                      Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.

                      Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin :face-smile:

                      Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.

                      September 16 th

                      Halcyons days…
                      My dear friend Archie is answering some of Quintin and Yann’s questions.
                      Something starts to dawn on Quintin. But his mind is on other matters.

                      He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.

                      September 18 th

                      Quintin has been drawing some of the characters of the story. It’s interesting.
                      He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.

                      Characters drawn:

                      • Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
                      • Malika, Quintin, Yann, Fiona and Dory

                      Interestingly, Fiona resolves her issues in her cave.
                      Dory too, but she did not need the cave to do this.

                      September 21 st

                      For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
                      And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
                      Quintin will soon realize that he himself is doing this constantly, though he does not register it.

                      But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!

                      Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
                      There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.

                      Of course, some things still matter, and one of the point of the story is also to discover these.

                      September 22 nd

                      Quintin has been drawing new characters.

                      Characters drawn:

                      • Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
                      • Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
                      • Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter

                      A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
                      She had at first thought they were whiskers, which was not Quintin’s intent…

                      September 23 rd

                      Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.

                      Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.

                      Up to now, here are the names he could find:

                      • North: the Icy Lands, and Dragon Cemeteries
                      • Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
                      • Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
                        Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators.
                      • South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.

                      When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.

                      #274

                      Pssst Arona, over here, Mandrake hissed

                      Mandrake there you are, what ever are you doing. I was so worried I had lost you!

                      Mandrake was quite touched, but managed not to show it

                      I couldn’t stand all the snorting anymore.

                      Ahahhaahh laughed Arona, I know, so funny, he sounded like a little pigbouh

                      Anyway Mandrake, don’t you worry, I am no fool, no way would I just blindly trot off after someone who said ‘when I gets an urge, I gets an urge, and I follows it.’ That’s mad.

                      Sanso, realising that Arona was no longer following him, returned.

                      Well I think we should use the power of the sabulmantium rather than just blindly trot off down endless tunnels said Mandrake

                      Good thinking! said Sanso enthusiastically. Yes, much better than my daft idea. Good plan Madrake!

                      Mandrake actually corrected the cat, huffily

                      To be honest, said Arona honestly, I didn’t really understand all that technical stuff Sanso. So how exactly does this work? Hmmm wish that dragon or someone would turn up now and explain it clearly and succinctly in plain language that we can all understand. I get how to move the sand but then what? How does the compass thingy work?

                      #272

                      Sanso was finding it hard to stop laughing at Arona’s funny wooping hoots of laughter. He snorted and gasped until his side ached.

                      Mandrake? Mandrake! Arona came to her senses. Where has he gone? Mandrake!

                      He’s taken that glass sand thing, too! All that laughing had jumbled up Sanso’s memories, and he couldn’t recall the name of that Glass sand thing

                      (that glass sand thing, Becky made a note to look it up and correct the script later)

                      That creature’s made off with it!

                      Oh, bugger off, Sanso, Mandrake wouldn’t do that! Arona spoke sharply, forgetting her manners in her panic. What would a Mandrake want with a glass sand thing? Arona almost stamped in frustration at not remembering the name of that thing, and in front of Sanso, too.

                      Sanso didn’t hear her anyway, he was striding purposefully across the cavern towards the waterfall.

                      Well wait for me! Arona ran to catch up with him. How do you know he went this way?

                      I don’t, Sanso was honest, But when I gets an urge, I gets an urge, and I follows it.

                      Arona couldn’t think of a better idea, so she followed him. Slow down, will you! Mandrake! MANDRAKE! Where are you, Mandrake!

                      #267

                      AHAHAHAHAHAHAHAHAHAHAHAHA laughed Arona, and then when Sanso kept snorting she laughed even more.

                      Mandrake sighed heavily and retreated to a safe distance to sit it out.

                      #266

                      Sanso didn’t notice that the creature called Madrake was rolling his eyes. While he explained to the rather odd but delightfully enchanting Arona the finer points of sabulmantium technology, he was thinking about what Arona had just said about her mission. Her overall mission, she’d said, was to learn all about magic.

                      Sanso wondered what his own mission was and didn’t think he had one. Unless his mission was a glorious infinite wandering, threading multicoloured silken skeins of clues and riddles, people and places, weaving them in and out of time and to each other….the never ending tapestry, ever changing and splendid in it’s magnificence…..

                      Arona was looking up at Sanso with barely hidden astonishment, and he blushed ever so slightly when he realized he’d been speaking out loud. Shouting actually, his deep voice booming out with joy and passion, his wild gesticulations causing Arona to flinch and take an involuntary step backwards.

                      Suddenly both Arona and Sanso saw the funny side, giggles erupting into gales of laughter until tears rolled down their cheeks and they collapsed on the floor whooping and snorting and wiping their eyes, not really knowing, in the end, what they were laughing at…..

                      #255
                      TracyTracy
                      Participant

                        Cuthbert woke up with a start, and called for Nanny Gibbon. What a horrible nightmare he was having!

                        CURSED HAND, YOU HAVE GIVEN ME NOTHING BUT GRIEF. I WOULD RATHER NOT HAVE A HAND THAN HAVE SUCH A WICKED, EVIL APPENDAGE ATTACHED TO MY BODY.

                        Cuthbert trembled and checked his hands. Phew! they looked normal.

                        GOOD RIDDANCE HAND. MAY YOU ROT IN THE BOTTOM OF THIS RIVER AND NEVER AGAIN INFLICT YOUR EVIL ON ANY OTHER POOR UNSUSPECTING SOUL.

                        Nanny I just had an awful dream! Cuthbert clutched Nanny Gibbon’s dressing gown, and shuddered. There was this madman, Nanny, by a river, and he kept shouting about an evil hand….

                        There, there, Bertie, it was only a dream. How about a nice piece of Manon’s Yorkshire parkin and a cup of cocoa?

                        #245

                        Captain Bone was packing his trunk. The boat was leaving at noon from the quayside of the fishing village, and the captain was nearly ready to say goodbye to the Sharples family. He’s been happy staying with the Sharples and their unruly brood, but he was a man of the sea, and the salty breezes and rollings waves and promise of new adventures was beckoning.

                        The sea mist rolled over the cluster of cottages as it often did in the early mornings, mingling with the aroma of coffee and freshly toasted crumpets. Captain Bone remembered other morning mists from other shores, warm ones laced with cinnamon and cloves, and chilly ones pungent with fishy smells and squalking gulls…… bright sunny mornings with long golden shadows and the endless half light of arctic northern ones.

                        The captain closed his trunk without checking to see if he’d remembered everything. Whatever he needed on his journey, he knew he would find. Whatever he left behind, he knew the Sharples would keep safe until his return.

                        ***

                        Manolo the vet helped the captain onto the boat.

                        ¡Hasta la vista, hombre! ¡Buen viaje! Long Tom Bone winked and smiled. As soon as he’d set foot on the boat, he sighed a huge sigh of relief, and all the aches and worries of living on dry land drifted away.

                        The Sharples family passed the tissues round. It was going to seem strange for awhile without the captain.

                        #243
                        ÉricÉric
                        Keymaster

                          William Percival Jobsworth, or “Bill” for short, was finding the old creaking manor as freaky as their owners.

                          The Wrick family was known around for being shrouded in mystery, and few people had actually been invited inside the manor, after its acquisition by Lord Wrick.

                          The manor itself was full of ghost stories, as every mansion worth its salt in that part of the country. But this one has been a wreck on which he would not have invested two pence of his money, after it had been abandoned for many decades after the sudden death of the previous owner, the Crazy Baron.

                          But Lord Wrick was an eccentric, and had bought the manor and restored it to its previous grandeur.

                          It had been thrice now that Bill had come to the manor to paint the family portraits. The first time he had also delivered that strange parcel, given to him by that strange lady. Looking straight into his eyes, she had also told him something that had lingered in his mind quite vividly.

                          « Suffering is not good for the soul, unless it teaches you to stop suffering. »

                          He couldn’t see exactly why it applied to him, but the lady had seemed so authoritative about that, that he had agreed and felt like thanking her.

                          The parcel had come a bit unexpected to the Lord, though he was quite artful in hiding his emotions, Bill could say. He had questioned him about the lady, but Bill had not dared to share with him the thing about the suffering. Actually the Lord looked in pretty good shape considering the age he was likely to be. He pretended to be a bit incapacitated, but Bill would have bet that if he had fallen from a window, he would have landed on his feet as a cat.

                          Speaking of which, their old cat with its worn-out blackish fur was a bit freaky too. Bill had felt at times he could hear it answer the Lord’s gibberish.

                          But all in all, that was easy money, and he thanked the opportunity to be able to do these paintings while the winter was coming.

                          Now was something else. He almost startled when he was opened the big entrance door, to be revealed an improbable shape, two or three heads taller than him. It took him a short while to recognize the smile of the children’s nurse, topped by a funny hat that made him laugh heartily, after the initial shock was dissipated.

                          Hahaha, sorry, that was unexpected… he managed to say to Jacqueline, who was not unaccustomed to these odd kinds of reactions.

                          Not to worry she said with a slight French accent. Monsieur and Madame Wrick have come back from their trip to Mogadishu, and you will be able to have their portraits done. They will stay here for a few weeks…

                          Linda and Peregrine Wrick were Cuthbert and India Louise proud (and a bit insouciant) parents, Lord Wrick had explained without much more details. Peregrine was the son of Lord Wrick’s only son, Sean Doran Wrick, but Bill had felt some restrain to ask about Sean Doran, as the Lord had seemed a bit umbrageous only speaking his name.

                          Oh… said Bill who did not expect them to come back so quickly.

                          Appendix: The Wrick family tree

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