Search Results for 'order'

I googled Circle of Eights

Give pairs seven post-its and ask the children to write down the main scenes. Take feedback and allow children to adjust/add to their post-its. Pairs then work on listing the scenes and sticking them in order. They should disregard any scenes that are not crucial, and just keep the key events.

Agree with the class the basic key scenes. Demonstrate how to make a few notes about each scene to help with a retelling.

In pairs, children make notes about each scene to help with retelling the tale. These should be kept to the barebones. In pairs, practice retelling the story, taking it in turns. Then put pairs together to retell their versions to another pair.

If time allows, build this up to circles of eight.

End the session by hearing several retellings. Encourage the children to evaluate between tellings, refining and improving their version.

Explore ways of altering the retellings. Children decide to alter one aspect. They then retell the tale, with the alteration. Pairs should then move into fours
and retell their new versions.

Build up to circles of eight if time allows.

The children recommend a version they have heard that is really effective. Listen to these, and as a class evaluate what makes an effective retelling. This enables more in-depth evaluation, especially by the storytellers themselves.

Al woke up from a series of lucid dreams, interspersed with false awakening in which he was in the same space arrangement, but visibly another time space or even dimension… He was quite familiar now with these stuff, and could remember them well, but still had doubt about the implications of the strange imageries he was getting glimpses of.
It was like his tatami (because at this time, Al was finding more comfortable to sleep on the rice-straw mattress) was a flying carpet with its own volition, and Albert, like some modern-time Aladdin, was finding himself plunged right into new horizons.

Last vision had almost made him blush of the deranged aspects of his mind. Sure he was finding Becky rather attractive (who wouldn’t, he was wondering), but imaging her scantily clad in that skimpy dress in the middle of the bushes was surely some trick of his luscious mind rather than some bona fide connection of his magic tatami.

Good thing too that the joggers (or thought-forms, whatever they might have been) in the park in which the magic tatami had landed couldn’t see the projected form of Al, because he was unable to move right now, except for some embarrassing lower part of his body. Now the tatami was looking like a circus tent. Oh dear… the wedding had been really hard on his nerves, he reckoned.

When he finally woke up, he noticed some voice messages on his telephone from Becky and thought he would probably skip mentioning his last synchronicity of his
What was she wanting that necessitated a dozen messages on his phone? Couldn’t she just call Sean, or was he still incapacitated by the gallons of vodka he had “injested”?
Well, surely the matter would wait for him to shave, for he was starting to look like Mr Cavern, with the huge hunger too —he smiled at the idea that dear Becky would surely fear he might eat a clue by mistake…

Moments later, after a good shower, fresh clothes and some slices of buttered nuts bread with pumpkin jam, he telepathically connected to Becky, wondering why she had not thought of that method in the first place… What was the point of all these group meditations together with Sam and Tina if they couldn’t make good profit of the enhanced neurological pathways they had built together. Granted Becky had always been a bit reluctant to use it, or perhaps just forgetful of that possibility… Anyway…

— CAN’T YOU JUST KNOCK BEFORE YOU CONNECT! a shriek suddenly filled his skull

Al immediately shut the visual, blushing of the renewed deranged vision…

— Sorry, I just…
— Oh, no need to trail forever on that… I’ve found someone to help me, and yes, I do remember how to connect telepathically!

With that, all was left in Al’s skull was a big whooshing wind.

As the bride and groom were exchanging the rings, Al was brought back a few weeks earlier, when Becky had announced the little group she and Sean would get married. The initial excitement gone, Tina, Sam and Al had been given the honor to organize that very special day, while Becky surely wouldn’t care to be bothered by such petty things.

I think she’s already getting that distinguished snobbish style of the Wricks muttered Tina who was not so fond of being handed down these kinds of unprompted crottes.
Al, who was probably thinking as much managed a Don’t be so hard on her, that’ll be a mighty fine wedding, after all, marrying a Wrick has its advantages, we don’t have to be measly on the expenditures
Sam, a bit lost in circles, had acknowledged.

Well, that had been fun after all, at least Al was thinking, he had not needed to deal with Becky’s own mood fluctuations. As the only Sumafi of the group, he had willingly taken care of the list of the guests, and all the catering orders, while Tina was taking care of the decoration (bride included), and Sam was arranging for the organization and rental of the places and hotels for the wedding and its slew of guests.

Of course, as intimate Becky had first required the wedding to be, she had soon changed her mind, and had not resisted long the temptation to gather lots of people she had almost forgotten over the years.
Al could almost see clear as day — now the weather had brighten up a bit — in his mind his notepad full of Becky’s recommendations:

— Becky’s family and friends
Sam, Tina & Al (of course)
Sabine Baina (mother) and Patel Mahapushtra, her new husband (a child’s toys mogul)
Dan (father) and Dory (step-mother; might fear a trip to New Venice, you’ll have to use some extra coaxing with her)

[long list of friends, snipped for reader’s comfort]

— Sean’s family and friends
(mother deceased, father unwilling to come, pretexting his rheumatisms and not being able travel so far, but most likely unwilling to see Sean)
Sean’s children, Perry and Guiny
(aunt and cousin, Deirdre and Dorean Wrick) — Al’s update: they have unexpected guests coming back from Russia at their home, wonder if they could come? Becky: Sure!… Mmmm, Russia you said?

Now, finding some great gift for someone as easily distracted as Becky, and as spoiled as Sean was another ball of wax…

Here follows a list of pictures related to various threads of the story.

Various sketches and early comments on the story inception — most of which can be now also found in the thread named Yuki’s Livrary — including sketches of some of the early characters (Malvina, Leormn, Dory, Fiona/Finn, Yann, Quintin/Yurick etc.), Dory’s map from her sketching book, a partial map of the Duane, and also Chiara and Buckberry…

Concept Sketches, with Badul in Asgurdy, Tomkin Sharple on the shores of Golfindely, and Becky in New Venice

Naasir’s dream, an immersive panorama, where you may find some of the recurring animal representations in a dream-like essence land…

Princesses and fairies are to be acknowledged too with Mævel, and her legend and the Weaving Princess

Georges, and Salomé

Other-dimensional creatures, like The Snoot and a Nirgual (found on the Murtuane)

So you have requested audience… a deep voice, hoarse as a water’s torrent running and jumping on a river bed smothered with pebbles, asked from the darkness.

Midora was not afraid of the darkness. As best as she could explain it, it was the void of creation, where everything came from, and where all was stripped of intrinsic meaning. It was from this place that she could reach for the answers.

She knew this place, she felt memories swirling around, as uncatchable as a swarm of short-lived sparkles born from the reddish embers of a dying fire.
In this lifetime, she was only a eleven year old girl, but she was as old as this voice within her. There was a time where she was playing with that voice, a time where her being was not yet, and yet a time which was in her future.
She was pure consciousness in that dream time space, and yet, she was feeling more comfortable with physical symbols around herself. So she focused on one of the symbols that she knew would help her stabilize her vibration, and in doing so, all the small particles of golden light around her started to swirl and coalesced into a dream body.

She was in front of a cave, in a mountainous area. This body provided her a slowing down of the stream of information that came to her, and she could manipulate more efficiently the interaction with that huge presence she felt. The precipitous rocky environment was a symbol of that steadiness and slowing down and also, for her benefit of her beliefs in that acquiring such information might be a difficult task.
Now she had identified it, she could more easily dispel the obstacles on the path to the cave. The cave of course, was her symbol for reaching into her deep inner nature. And the darkness was only a fitting blank canvas for herself to project and translate the energy interactions.
All of that she knew, as it was knowledge embedded into herself that she could more easily access into this trance-like state, in her room in that location in space and time of 2112 in New Venice. And she knew that also for she was taught by her parents, Bart and Oscar, on how to access it.

The voice was inside the cave. And no sooner had she thought of it that she was finding the whole place morphing into a vast room built into the rock, in the middle of which a majestic golden dragon was slowly breathing.
She had translated the vast energy as that of a dragon, but she knew when she felt into it that it had possible variations, one of which being that of a she-phoenix, of various sizes, where sizes where symbolic of its age and wisdom.

— You may call me Naasir the dragon grinned at Midora. You are right, in a sense, you can consider yourself being born from me, though in your true form, you are equally august and splendid as I am. You will, in time, have access to that form, again. But for now, I can provide some answers to your questions. The only thing is… Are your questions up to the challenge? he added with the most benevolent smirk his wide toothed grin could convey.

Midora pondered for a moment, beholding the perfection of her translation of the energy. Each scale on the body of the dragon was a work of art. His half-closed eyes, with an amber shiny center, and teal border were equally mesmerizing.

— What is the significance of these books I have inherited from my parents?

— As you know, this place is the place were significance fades away, or radiates, depending on the direction in which you look, only to be replaced by fulfillment. Your… books hence, have no significance, I would say, for me at least. What do you want to know about them?

— They were passed from people to people, and as far as I understood, they started to be imprinted with these people’s stories, starting from my grand-parents Indy and Cuthbert. But there are still blank pages inside them, and no seeming order from one page to the other. I think that’s why my grand-parents grew tired of it.

— Continue…

— What I mean is… I feel attracted to them, and yet I don’t understand how they work…

— These… are not mere books as your ancestors understood them. In fact, they were crafted by a distant civilization, not denizens from this dimension in which you are presently focused, but travelers, with whom you can still interact by means of this device. When the “books” traveled into this dimension, they retained their initial properties and functioning, but their initial shapes were translated into something as close as you could understand so that you would allow them to appear into your reality. This knowing might help you unravel their true nature.

Another thing. Books are energy deposits, in your reality. There was a misunderstanding in that they were thought to be able to liber or to free your memory by imprinting it into the pages, but memories are alive and not separate from you. They live as you live and change them. So, the books are still being written, and that which you can read is the part of the book which is the most probable story in which you choose to insert yourself, so as to explore it. You can alter these probabilities, even if you might doubt it, but as you chose them, they are much a part of your design of your reality, that which you chose to explore. In short, a complete book means the end of your exploration, and prompts for a disengagement for you to continue other explorations, and on the contrary, a blank books means a boundless realm of probable explorations.

— Can you tell me why there are two of them?

— They are more than a couple. These ones are the only known ones that your ancestors happen to have found. Most of them have been destroyed over time in this dimension, as their possibilities were heavily cloaked. They are all linked together, as you will find out. You may gather some answers in finding Badul…

And with that, Midora was once again floating in an intermediate state hung between space and time, longing for her physical body. She woke up strangely energized…

January 4 ^th, 2008

A communication about legends, to complement what Yurick had connected to during his sleep, with ties with the dimension of Alienor, and possibly counterparts within his dimension

Starry sky, eternal and boundless waft of dreams and legends…

Many if not all of the physical dimensions possess legends. Legends of their beginnings, and legends of their ends.
The language which legends speak is a language of symbols, and though many of the receivers of legends are prone to erect them as absolute and faithful accounts of historical soundness, they are much more mutable and protean than what may be commonly thought of them.
They are connections, bridges from a locus (point in time/space) drawn as a frontier between what is known of the now, in which civilizations of these worlds are thriving, and a locus which is forgotten, or beyond the commonly perceived world.
As such, they essentially represent boundaries.

And of course, boundaries are only boundaries because they serve a purpose. Much like boundaries drawn on maps are not necessarily representing actual obstacles which cannot be physically crossed. These are mere perceptive frontiers, which tie in the various developments of history and societal relationships.
When the civilizations, or species, as you understand them, come close to one of these perceptive boundaries, there is an interaction with the very nature of the boundary, which is receptive to the inception of volition to cross the perceptive limitation.
And a process of reshaping and expending the borders takes place, by means of insertion of new legends.

Legends, in that way of seeing things, are not necessarily old dusty accounts sung by blind bards with jovian white beards. Not quite. They are much alive. They are created and recreated in the instant where boundaries of perceptions are being tempered with. Which makes it important to notice that they are translations of much wider movements in consciousness, spanning more than the physical dimension in which they manifest.
Many of the legends that humanity is aware of are very similar accounts, throughout your globe. And they are also projected in other dimensional areas vibrationally close to your manifestations.

You are currently fiddling with the legends of your ends of times, and that is the reason why at the same time, you are starting to create new legends. Legends of new beginnings.
In actuality, this is done oftentimes; each time a perceptual limit is crossed and seen beyond. The only difference here would be the unprecedented span of the process which is occurring now. The point where you are standing, prodding into the interactive frontier you have come across is not a single mere frontier, but a converging point of many of tinier, shorter ones. This also creates a singularity which makes the frontier respond with a sort of inertia. In fact, it is like a wide net of fine threads, which possess altogether a high absorbing potential for small energy bumps. Nonetheless, it will give way to a vastly expanded perception, as soon as the collective energy is focused upon, and steadily moving into the direction of pushing that protective envelop.

That process never ends, and during that process, new legends are being remembered. For the lands beyond the frontiers exists when you are aware of it, which in retrospect also means, it is created, or inserted as you are prodding the frontier.
In fact, you are, as you stand before that specific nexus point, being creating new legends, in that you are evaluating the potentials that you see fluctuating as a shadow world through the layer of a soap bubble, and have them blend with legends that you know of.
Your very lives become the legends of these potential worlds, and thus is the importance of your being at that locus of transition. You indeed come at that point, as much for making it possible but more so, to experience the transition and alteration of the legendary landscape. You are the bridges between a future which you are creating as you remember it, and a past which contains the clues that will be seeds for your new discoveries.
And that is a most rewarding travel, as you will come to see…

She had felt it.
When the old man had left his body behind, she had felt it.

Oorlaith had foreseen that he would decide to leave this World, and thus was not affected too much. However, she was not sure that Leonard, who she had sent to the highs of Mount Elok’ram had had time to retrieve the cup of Margilonia.

Oorlaith had already collected the wand of Selvaniel, which Leonard had brought back to her, thanks to her indications, from the Forest bordering the Marshes. Now, she hoped he had time enough to get to the old Abbot.
Otherwise, it might be more delicate…
Much more delicate…

Hopefully, she had made contact with Roselyn, who had been settling in another part of Asgurdy, on one of the numerous rocky islands bordering the South-western coasts, where life was scarce and the soil barren, but where it was safe enough to do magic in this superstitious land, as not much people ventured to these places.
Her spiked dragon had helped her carve out her new residency and she was quite well installed now.
Before moving from the deserts of Asgurdy, she had managed to get the sunstone of Agnima.

The meowing of the angora Zhulie had woken up Yurick.
The past few nights, he had not heard her at all, but tonight, she seemed to request specifically his presence.
Last evening during the dinner, it had cracked him up because the cat was acting funny when it had smelled the cooked bamboo shoots of the sautéed vegetables he had for dinner. Perhaps a recognition of the Pekingese that he had once seen her to be, in shared focus in Imperial China.

Well, obviously Zhulie was no ordinary feline. Her character reminded Yurick of a blend of himself, Yann, Finn and his own mother. So that each time he was playing with her, he instantly had them in mind, in various orders of appearance, or strengths.

In any case, when he came back to his bed, Yurick was annoyed at first, to have been drawn out of his comfortable dreams, but he managed somewhat to get back to a state of relaxation, in between dreams and reality —which was obviously a mere way of saying things, as dreams are reality.

Speaking of dreams, his mind was wandering around the news that his mother had told him, about a distant cousin having published a book revolving around dreams and fantasies.

And then, within the dream, in the dream, in the dream,… an idea formed into his mind with the clarity of an evidence.
He could see it happening… Not only one book, but… oh, he couldn’t wait to tell his friends!