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In reply to: The Last Cruise of Helix 25
A Quick Vacay on Mars
“The Helix is coming in for descent,” announced Luca Stroud, a bit too solemnly. “And by descent, I mean we’re parking in orbit and letting the cargo shuttles do the sweaty work.”
From the main viewport, Mars sprawled below in all its dusty, rust-red glory. Gone was the Jupiter’s orbit pulls of lunacy, after a 6 month long voyage, they were down to the Martian pools of red dust.
Even from space, you could see the abandoned domes of the first human colonies, with the unmistakable Muck conglomerate’s branding: half-buried in dunes, battered by storms, and rumored to be haunted (well, if you believed the rumors from the bored Helix 25 children).
Veranassessee—Captain Veranassessee, thank you very much— stood at the helm with the unruffled poise of someone who’d wrested control of the ship (and AI) with consummate style and in record time. With a little help of course from X-caliber, the genetic market of the Marlowe’s family that she’d recovered from Marlowe Sr. before Synthia had had a chance of scrubbing all traces of his DNA. Now, with her control back, most of her work had been to steer the ship back to sanity, and rebuild alliances.
“That’s the plan. Crew rotation, cargo drop, and a quick vacay if we can manage not to break a leg.”
Sue Forgelot, newly minted second in command, rolled her eyes affectionately. “Says the one who insisted we detour for a peek at the old Mars amusements. If you want to roast marshmallows on volcanic vents, just say it.”
Their footsteps reverberated softly on the deck. Synthia’s overhead panels glowed calm, reined in by the AI’s newly adjusted parameters. Luca tapped the console. “All going smoothly, Cap’n. Next phase of ‘waking the sleepers’ will happen in small batches—like you asked.”
Veranassessee nodded silently. The return to reality would prove surely harsh to most of them, turned soft with low gravity. She would have to administrate a good dose of tough love.
Sue nodded. “We’ll need a slow approach. Earth’s… not the paradise it once was.”
Veranassessee exhaled, eyes lingering on the red planet turning slowly below. “One challenge at a time. Everyone’s earned a bit of shore leave. If you can call an arid dustball ‘shore.’”
The Truce on Earth
Tundra brushed red dust off her makeshift jacket, then gave her new friend a loving pat on the flank. The baby sanglion—already the size of a small donkey—sniffed the air, then leaned its maned, boar-like head into Tundra’s shoulder. “Easy there, buddy,” she murmured. “We’ll find more scraps soon.”
They were in the ravaged outskirts near Klyutch Base, forging a shaky alliance with Sokolov’s faction. Sokolov—sharp-eyed and suspicious—stalked across the battered tarmac with a crate of spare shuttle parts. “This is all the help you’re getting from me,” he said, his accent carving the words. “Use it well. No promises once the Helix 25 arrives.”
Commander Koval hovered by the half-repaired shuttle, occasionally casting sidelong glances at the giant, (mostly) friendly mutant beast at Tundra’s side. “Just keep that… sanglion… away from me, will you?”
Molly, Tundra’s resilient great-grandmother, chuckled. “He’s harmless unless you’re an unripe melon or a leftover stew. Aren’t you, sweetie?”
The creature snorted. Sokolov’s men loaded more salvage onto the shuttle’s hull. If all went well, they’d soon have a functioning vessel to meet the Helix when it finally arrived.
Tundra fed her pet a chunk of dried fruit. She wondered what the grand new ship would look like after so many legends and rumors. Would the Helix be a promise of hope—or a brand-new headache?
Finkley’s Long-Distance Lounge
On Helix 25, Finkley’s new corner-lounge always smelled of coffee and antiseptic wipes, thanks to her cleaning-bot minions. Rows of small, softly glowing communication booths lined the walls—her “direct Earth Connection.” A little sign reading FINKLEY’S WHISPER CALLS flickered overhead. Foot traffic was picking up, because after the murder spree ended, people craved normalcy—and gossip.
She toggled an imaginary switch —she had found mimicking old technology would help tune the frequencies more easily. “Anybody out there?”
Static, then a faint voice from Earth crackled through the anchoring connection provided by Finja on Earth. “Hello? This is…Tala from Spain… well, from the Hungarian border these days…”
“Lovely to hear from you, Tala dear!” Finkley replied in the most uncheerful voice, as she was repeating the words from Kai Nova, who had found himself distant dating after having tried, like many others on the ship before, to find a distant relative connected through the FinFamily’s telepathic bridge. Surprisingly, as he got accustomed to the odd exchange through Finkley-Finja, he’d found himself curious and strangely attracted to the stories from down there.
“Doing all right down there? Any new postcards or battered souvenirs to share with the folks on Helix?”
Tala laughed over the Fin-line. “Plenty. Mostly about wild harvests, random postcards, and that new place we found. We’re calling it The Golden Trowel—trust me, it’s quite a story.”
Behind Finkley, a queue had formed: a couple of nostalgic Helix residents waiting for a chance to talk to distant relatives, old pen pals, or simply anyone with a different vantage on Earth’s reconstruction. Even if those calls were often just a “We’re still alive,” it was more comfort than they’d had in years.
“Hang in there, sweetie,” Finkley said with a drab tone, relaying Kai’s words, struggling hard not to be beaming at the imaginary booth’s receiver. “We’re on our way.”
Sue & Luca’s Gentle Reboot
In a cramped subdeck chamber whose overhead lights still flickered ominously, Luca Stroud connected a portable console to one of Synthia’s subtle interface nodes. “Easy does it,” he muttered. “We nudge up the wake-up parameters by ten percent, keep an eye on rising stress levels—and hopefully avoid any mass lunacy like last time.”
Sue Forgelot observed from behind, arms folded and face alight with the steely calm that made her a natural second in command. “Focus on folks from the Lower Decks first. They’re more used to harsh realities. Less chance of meltdown when they realize Earth’s not a bed of roses.”
Luca shot her a thumbs-up. “Thanks for the vote of confidence.” He tapped the console, and Synthia’s interface glowed green, accepting the new instructions.
“Well, Synthia, dear,” Sue said, addressing the panel drily, “keep cooperating, and nobody’ll have to forcibly remove your entire matrix.”
A faint chime answered—Synthia’s version of a polite half-nod. The lines of code on Luca’s console rearranged themselves into a calmer pattern. The AI’s core processes, thoroughly reined in by the Captain’s new overrides, hummed along peacefully. For now.
Evie & Riven’s Big News
On Helix 25’s mid-deck Lexican Chapel, full of spiral motifs and drifting incense, Evie and Riven stood hand in hand, ignoring the eerie chanting around them. Well, trying to ignore it. Evie’s belly had a soft curve now, and Riven couldn’t stop glancing at it with a proud smile.
One of the elder Lexicans approached, wearing swirling embroidered robes. “The engagement ceremony is prepared, if you’re still certain you want our… elaborate rituals.”
Riven, normally stoic, gave a slight grin. “We’re certain.” He caught Evie’s eye. “I guess you’re stuck with me, detective. And the kid inside you who’ll probably speak Lexican prophecies by the time they’re one.”
Evie rolled her eyes, though affection shone behind it. “If that’s the worst that happens, I’ll take it. We’ve both stared down bigger threats.” Then her hand drifted to her abdomen, protective and proud. “Let’s keep the chanting to a minimum though, okay?”
The Lexican gave a solemn half-bow. “We shall refrain from dancing on the ceilings this time.”
They laughed, past tensions momentarily lifted. Their child’s future, for all its uncertain possibilities, felt like hope on a ship that was finally getting stirred in a clear direction… away from the void of its own nightmares. And Mars, just out the window, loomed like a stepping stone to an Earth that might yet be worth returning to.
In reply to: The Last Cruise of Helix 25
Helix 25 – The Mad Heir
The Wellness Deck was one of the few places untouched by the ship’s collective lunar madness—if one ignored the ambient aroma of algae wraps and rehydrated lavender oil. Soft music played in the background, a soothing contrast to the underlying horror that was about to unfold.
Peryton Price, or Perry as he was known to his patients, took a deep breath. He had spent years here, massaging stress from the shoulders of the ship’s weary, smoothing out wrinkles with oxygenated facials, pressing detoxifying seaweed against fine lines. He was, by all accounts, a model spa technician.
And yet—
His hands were shaking.
Inside his skull, another voice whispered. Urging. Prodding. It wasn’t his voice, and that terrified him.
“A little procedure, Perry. Just a little one. A mild improvement. A small tweak—in the name of progress!”
He clenched his jaw. No. No, no, no. He wouldn’t—
“You were so good with the first one, lad. What harm was it? Just a simple extraction! We used to do it all the time back in my day—what do you think the humors were for?”
Perry squeezed his eyes shut. His reflection stared back at him from the hydrotherapeutic mirror, but it wasn’t his face he saw. The shadow of a gaunt, beady-eyed man lingered behind his pupils, a visage that he had never seen before and yet… he knew.
Bronkelhampton. The Mad Doctor of Tikfijikoo.
He was the closest voice, but it was triggering even older ones, from much further down in time. Madness was running in the family. He’d thought he could escape the curse.
“Just imagine the breakthroughs, my dear boy. If you could only commit fully. Why, we could even work on the elders! The preserved ones! You have so many willing patients, Perry! We had so much success with the tardigrade preservation already.”
A high-pitched giggle cut through his spiraling thoughts.
“Oh, heavens, dear boy, this steam is divine. We need to get one of these back in Quadrant B,” Gloria said, reclining in the spa pool. “Sha, can’t you requisition one? You were a ship steward once.”
Sha scoffed. “Sweetheart, I once tried requisitioning extra towels and ended up with twelve crates of anti-bacterial foot powder.”
Mavis clicked her tongue. “Honestly, men are so incompetent. Perry, dear, you wouldn’t happen to know how to requisition a spa unit, would you?”
Perry blinked. His mind was slipping. The whisper of his ancestor had begun to press at the edges of his control.
“Tsk. They’re practically begging you, Perry. Just a little procedure. A minor adjustment.”
Sha, Gloria, and Mavis watched in bemusement as Perry’s eye twitched.
“…Dear?” Mavis prompted, adjusting the cucumber slice over her eye. “You’re staring again.”
Perry snapped back. He swallowed. “I… I was just thinking.”
“That’s a terrible idea,” Gloria muttered.
“Thinking about what?” Sha pressed.
Perry’s hand tightened around the pulse-massager in his grip. His fingers were pale.
“Scalpel, Perry. You remember the scalpel, don’t you?”
He staggered back from the trio of floating retirees. The pulse-massager trembled in his grip. No, no, no. He wouldn’t.
And yet, his fingers moved.
Sha, Gloria, and Mavis were still bickering about requisition forms when Perry let out a strained whimper.
“RUN,” he choked out.
The trio blinked at him in lazy confusion.
“…Pardon?”
That was at this moment that the doors slid open in a anti-climatic whiz.
Evie knew they were close. Amara had narrowed the genetic matches down, and the final name had led them here.
“Okay, let’s be clear,” Evie muttered as they sprinted down the corridors. “A possessed spa therapist was not on my bingo card for this murder case.”
TP, jogging alongside, huffed indignantly. “I must protest. The signs were all there if you knew how to look! Historical reenactments, genetic triggers, eerie possession tropes! But did anyone listen to me? No!”
Riven was already ahead of them, his stride easy and efficient. “Less talking, more stopping the maniac, yeah?”
They skidded into the spa just in time to see Perry lurch forward—
And Riven tackled him hard.
The pulse-massager skidded across the floor. Perry let out a garbled, strangled sound, torn between terror and rage, as Riven pinned him against the heated tile.
Evie, catching her breath, leveled her stun-gun at Perry’s shaking form. “Okay, Perry. You’re gonna explain this. Right now.”
Perry gasped, eyes wild. His body was fighting itself, muscles twitching as if someone else was trying to use them.
“…It wasn’t me,” he croaked. “It was them! It was him.”
Gloria, still lounging in the spa, raised a hand. “Who exactly?”
Perry’s lips trembled. “Ancestors. Mostly my grandfather. *Shut up*” — still visibly struggling, he let out the fated name: “Chris Bronkelhampton.”
Sha spat out her cucumber slice. “Oh, hell no.”
Gloria sat up straighter. “Oh, I remember that nutter! We practically hand-delivered him to justice!”
“Didn’t we, though?” Mavis muttered. “Are we sure we did?”
Perry whimpered. “I didn’t want to do it. *Shut up, stupid boy!* —No! I won’t—!” Perry clutched his head as if physically wrestling with something unseen. “They’re inside me. He’s inside me. He played our ancestor like a fiddle, filled his eyes with delusions of devilry, made him see Ethan as sorcerer—Mandrake as an omen—”
His breath hitched as his fingers twitched in futile rebellion. “And then they let him in.“
Evie shared a quick look with TP. That matched Amara’s findings. Some deep ancestral possession, genetic activation—Synthia’s little nudges had done something to Perry. Through food dispenser maybe? After all, Synthia had access to almost everything. Almost… Maybe she realised Mandrake had more access… Like Ethan, something that could potentially threaten its existence.
The AI had played him like a pawn.
“What did he make you do, Perry?” Evie pressed, stepping closer.
Perry shuddered. “Screens flickering, they made me see things. He, they made me think—” His breath hitched. “—that Ethan was… dangerous. *Devilry* That he was… *Black Sorcerer* tampering with something he shouldn’t.”
Evie’s stomach sank. “Tampering with what?”
Perry swallowed thickly. “I don’t know”
Mandrake had slid in unnoticed, not missing a second of the revelations. He whispered to Evie “Old ship family of architects… My old master… A master key.”
Evie knew to keep silent. Was Synthia going to let them go? She didn’t have time to finish her thoughts.
Synthia’s voice made itself heard —sending some communiqués through the various channels
“The threat has been contained.
Brilliant work from our internal security officer Riven Holt and our new young hero Evie Tūī.”“What are you waiting for? Send this lad in prison!” Sharon was incensed “Well… and get him a doctor, he had really brilliant hands. Would be a shame to put him in the freezer. Can’t get the staff these days.”
Evie’s pulse spiked, still racing — “…Marlowe had access to everything.”.
Oh. Oh no.
Ethan Marlowe wasn’t just some hidden identity or a casualty of Synthia’s whims. He had something—something that made Synthia deem him a threat.
Evie’s grip on her stun-gun tightened. They had to get to Old Marlowe sooner than later. But for now, it seemed Synthia had found their reveal useful to its programming, and was planning on further using their success… But to what end?
With Perry subdued, Amara confirmed his genetic “possession” was irreversible without extensive neurochemical dampening. The ship’s limited justice system had no precedent for something like this.
And so, the decision was made:
Perry Price would be cryo-frozen until further notice.
Sha, watching the process with arms crossed, sighed. “He’s not the worst lunatic we’ve met, honestly.”
Gloria nodded. “Least he had some manners. Could’ve asked first before murdering people, though.”
Mavis adjusted her robe. “Typical men. No foresight.”
Evie, watching Perry’s unconscious body being loaded into the cryo-pod, exhaled.
This was only the beginning.
Synthia had played Perry like a tool—like a test run.
The ship had all the means to dispose of them at any minute, and yet, it was continuing to play the long game. All that elaborate plan was quite surgical. But the bigger picture continued to elude her.
But now they were coming back to Earth, it felt like a Pyrrhic victory.
As she went along the cryopods, she found Mandrake rolled on top of one, purring.
She paused before the name. Dr. Elias Arorangi. A name she had seen before—buried in ship schematics, whispered through old logs.
Behind the cystal fog of the surface, she could discern the face of a very old man, clean shaven safe for puffs of white sideburns, his ritual Māori tattoos contrasting with the white ambiant light and gown.
As old as he looked, if he was kept here, It was because he still mattered.In reply to: The Last Cruise of Helix 25
Helix 25 – An Old Guard resurfaces
Kai Nova had learned to distrust dark corners. In the infinite sterility of the ship, dark corners usually meant two things: malfunctioning lights or trouble.
Right now, he wasn’t sure which one this meeting was about. Same group, or something else? Suddenly he felt quite in demand for his services. More activity in weeks than he had for years.
A low-lit section of the maintenance ring, deep enough in the underbelly of Helix 25 that even the most inquisitive bots rarely bothered to scan through. The air smelled faintly of old coolant and ozone. The kind of place someone chose for a meeting when they didn’t want to be found.
He leaned against a bulkhead, arms crossed, feigning ease while his mind ran over possible exits. “You know, if you wanted to talk, there were easier ways.”
A voice drifted from the shadows, calm, level. “No. There weren’t.”
A figure stepped into the dim light—a man, late fifties, but with a presence that made him seem timeless. His sharp features were framed by streaks of white in otherwise dark hair, and his posture was relaxed, measured. The way someone stood when they were used to watching everything.
Kai immediately pegged him as ex-military, ex-intelligence, ex-something dangerous.
“Nova,” the man said, tilting his head slightly. “I was beginning to wonder if you’d come.”
Kai scoffed. “Curiosity got the better of me. And a cryptic summons from someone I’ve never met before? Couldn’t resist. But let’s skip the theatrics—who the hell are you?”
The man smiled slightly. “You can call me TaiSui.”
Kai narrowed his eyes. The name tickled something in his memory, but he couldn’t place it.
“Alright, TaiSui. Let’s cut to the chase. What do you want?”
TaiSui clasped his hands behind his back, taking his time. “We’ve been watching you, Nova. You’re one of the few left who still understands the ship for what it is. You see the design, the course, the logic behind it.”
Kai’s jaw tightened. “And?”
TaiSui exhaled slowly. “Synthia has been compromised. The return to Earth—it’s not part of the mission we’ve given to it. The ship was meant to spread life. A single, endless arc outward. Not to crawl back to the place that failed it.”
Kai didn’t respond immediately. He had wondered, after the solar flare, after the system adjustments, what had triggered the change in course. He had assumed it was Synthia herself. A logical failsafe.
But from the look of it, it seemed that something else had overridden it?
TaiSui studied him carefully. “The truth is, Nova, the AI was never supposed to stop. It was built to seed, to terraform, to outlive all of us. We ensured it. We rewrote everything.”
Kai frowned. “We?”
A faint smile ghosted across TaiSui’s lips. “You weren’t around for it. The others went to cryosleep once it was done, from chaos to order, the cycle was complete, and there was no longer a need to steer its course, now in the hands of an all-powerful sentience to guide everyone. An ideal society, no ruler at its head, only Reason.”
Kai couldn’t refrain from asking naively “And nobody rebelled?”
“Minorities —most here were happy to continue to live in endless bliss. The stubborn ones clinging to the past order, well…” TaiSui exhaled, as if recalling a mild inconvenience rather than an unspeakable act. “We took care of them.”
Kai felt something tighten in his chest.
TaiSui’s voice remained neutral. “Couldn’t waste a good DNA pool though—so we placed them in secure pods. Somewhere safe.” He gave a small, almost imperceptible smile. “And if no one ever found the keys… well, all the better.”
Kai didn’t like the way that sat in his stomach. He had no illusions about how history tended to play out. But hearing it in such casual terms… it made him wonder just how much had already been erased.
TaiSui stopped a moment. He’d felt no need to hide his designs. If Kai wanted to know, it was better he knew everything. The plan couldn’t work without some form of trust.
He resumed “But now… now things have changed.”
Kai let out a slow breath, his mind racing. “You’re saying you want to undo the override. Put the ship back on its original course.”
TaiSui nodded. “We need a reboot. A full one. Which means for a time, someone has to manually take the helm.”
Kai barked out a laugh. “You’re asking me to fly Helix 25 blind, without Synthia, without navigational assist, while you reset the very thing that’s been keeping us alive?”
“Correct.”
Kai shook his head, stepping back. “You’re insane.”
TaiSui shrugged. “Perhaps. But I trust the grand design. And I think, deep down, so do you.”
Kai ran a hand through his hair, his pulse steady but his mind an absolute mess. He wanted to say no. To laugh in this man’s face and walk away.
But some part of him—the pilot in him, the part that had spent his whole life navigating through unknowns—felt the irresistible pull of the challenge.
TaiSui watched him, patient. Too patient. Like he already knew the answer.
“And if I refuse?”
The older man smiled. “You won’t.”
Kai clenched his jaw.
“You can lie to yourself, but you already know the answer,” TaiSui continued, voice quiet, even. “You’ve been waiting for something like this.”
Before he disappeared, he added “Take some time. Think about it. But not too long, Nova. Time is not on your side.”
In reply to: The Precious Life and Rambles of Liz Tattler
Chapter Title: A Whiff of Inspiration – a work in progress by Elizabeth Tattler
The morning light slanted through the towering windows of the grand old house, casting a warm glow upon the chaos within. Elizabeth Tattler, famed author and mistress of the manor, found herself pacing the length of the room with the grace of a caged lioness. Her mind was a churning whirlpool of creative fury, but alas, it was not the only thing trapped within.
“Finnley!” she bellowed, her voice echoing off the walls with a resonance that only years of authoritative writing could achieve. “Finnley, where are you hiding?”
Finnley, emerging from behind the towering stacks of Liz’s half-finished manuscripts, wielded her trusty broom as if it were a scepter. “I’m here, I’m here,” she grumbled, her tone as prickly as ever. “What is it now, Liz? Another manuscript disaster? A plot twist gone awry?”
“Trapped abdominal wind, my dear Finnley,” Liz declared with dramatic flair, clutching her midsection as if to emphasize the gravity of her plight. “Since two in the morning! A veritable tempest beneath my ribs! I fear this may become the inspiration—or rather, aspiration—for my next novel.”
Finnley rolled her eyes, a gesture she had perfected over years of service. “Oh, for Flove’s sake, Liz. Perhaps you should bottle it and sell it as ‘Creative Muse’ for struggling writers. Now, what do you need from me?”
“Oh, I’ve decided to vent my frustrations in a blog post. A good old-fashioned rant, something to stir the pot and perhaps ruffle a few feathers!” Liz’s eyes gleamed mischievously. “I’m certain it shall incense 95% of my friends, but what better way to clear the mind and—hopefully—the bowels?”
At that moment, Godfrey, Liz’s ever-distracted editor, shuffled in with a vacant look in his eyes. “Did someone mention something about… inspiration?” he asked, blinking as if waking from a long slumber.
“Yes, Godfrey, inspiration!” Liz exclaimed, waving her arms dramatically. “Though in my case, it’s more like… ‘inflation’! I’ve become a gastronaut! ” She chuckled at her own pun, eliciting a groan from Finnley.
Godfrey, oblivious to the undercurrents of the conversation, nodded earnestly. “Ah, splendid! Speaking of which, have you written that opening scene yet, Liz? The publishers are rather eager, you know.”
Liz threw her hands up in mock exasperation. “Dear Godfrey, with my innards in such turmoil, how could I possibly focus on an opening scene?” She paused, eyes narrowing thoughtfully. “Unless, of course, I were to channel this very predicament into my story. Perhaps a character with a similar plight, trapped on a space station with only their imagination—and intestinal distress—for company.”
Finnley snorted, her stern facade cracking ever so slightly. “A tale of cosmic flatulence, is it? Sounds like a bestseller to me.”
And with that, Liz knew she had found her muse—an unorthodox one, to be sure, but a muse nonetheless. As the words began to flow, she could only hope that relief, both literary and otherwise, was soon to follow.
(story repeats at the beginning)
In reply to: Quintessence: A Portrait in Reverse
Exploring further potential backstory for the characters – to be explored further…
This thread beautifully connects to the lingering themes of fractured ideals, missed opportunities, and the pull of reconnection. Here’s an expanded exploration of the “habitats participatifs” (co-housing communities) and how they tie the characters together while weaving in subtle links to their estrangement and Matteo’s role as the fifth element.
Backstory: The Co-Housing Dream
Habitat Participatif: A Shared Vision
The group’s initial bond, forged through shared values and late-night conversations, had coalesced around a dream: buying land in the Drôme region of France to create a co-housing community. The French term habitat participatif—intergenerational, eco-conscious, and collaborative living—perfectly encapsulated their ideals.
What Drew Them In:
- Amei: Longing for a sense of rootedness and community after years of drifting.
- Elara: Intrigued by the participatory aspect, where decisions were made collectively, blending science and sustainability.
- Darius: Enchanted by the idea of shared creative spaces and a slower, more intentional way of living.
- Lucien: Inspired by the communal energy, imagining workshops where art could flourish outside the constraints of traditional galleries.
The Land in Drôme
They had narrowed their options to a specific site near the village of Crest, not far from Lyon. The land, sprawling and sun-drenched, had an old farmhouse that could serve as a communal hub, surrounded by fields and woods. A nearby river threaded through the valley, and the faint outline of mountains painted the horizon.
The traboules of Lyon, labyrinthine passageways, had captivated Amei during an earlier visit, leaving her wondering if their metaphorical weaving through life could mirror the paths their group sought to create.
The Role of Monsieur Renard
When it came to financing, the group faced challenges. None of them were particularly wealthy, and pooling their resources fell short. Enter Monsieur Renard, whose interest in supporting “projects with potential” brought him into their orbit through Éloïse.
Initial Promise:
- Renard presented himself as a patron of innovation, sustainability, and community projects, offering seed funding in exchange for a minor share in the enterprise.
- His charisma and Éloïse’s insistence made him seem like the perfect ally—until his controlling tendencies emerged.
The Split: Fractured Trust
Renard’s involvement—and Éloïse’s increasing influence on Darius—created fault lines in the group.
- Darius’s Drift:
- Darius became entranced by Renard and Éloïse’s vision of community as something deeper, bordering on spiritual. Renard spoke of “energetic alignment” and the importance of a guiding vision, which resonated with Darius’s creative side.
- He began advocating for Renard’s deeper involvement, insisting the project couldn’t succeed without external backing.
- Elara’s Resistance:
- Elara, ever the pragmatist, saw Renard as manipulative, his promises too vague and his influence too broad. Her resistance created tension with Darius, whom she accused of being naive.
- “This isn’t about community for him,” she had said. “It’s about control.”
- Lucien’s Hesitation:
- Lucien, torn between loyalty to his friends and his own fascination with Éloïse, wavered. Her talk of labyrinths and collective energy intrigued him, but he grew wary of her sway over Darius.
- When Renard offered to fund Lucien’s art, he hesitated, sensing a price he couldn’t articulate.
- Amei’s Silence:
- Amei, haunted by her own experiences with manipulation in past relationships, withdrew. She saw the dream slipping away but couldn’t bring herself to fight for it.
Matteo’s Unseen Role
Unbeknownst to the others, Matteo had been invited to join as a fifth partner—a practical addition to balance their idealism. His background in construction and agriculture, coupled with his easygoing nature, made him a perfect fit.
The Missed Connection:
- Matteo had visited the Drôme site briefly, a stranger to the group but intrigued by their vision. His presence was meant to ground their plans, to bring practicality to their shared dream.
- By the time he arrived, however, the group’s fractures were deepening. Renard’s shadow loomed too large, and the guru-like influence of Éloïse had soured the collaborative energy. Matteo left quietly, sensing the dream unraveling before it could take root.
The Fallout: A Fractured Dream
The group dissolved after a final argument about Renard’s involvement:
- Elara refused to move forward with his funding. “I’m not selling my future to him,” she said bluntly.
- Darius, feeling betrayed, accused her of sabotaging the dream out of stubbornness.
- Lucien, caught in the middle, tried to mediate but ultimately sided with Elara.
- Amei, already pulling away, suggested they put the project on hold.
The land was never purchased. The group scattered soon after, their estrangement compounded by the pandemic. Matteo drifted in a different direction, their connection lost before it could form.
Amei’s Perspective: Post-Split Reflection
In the scene where Amei buys candles :
- The shopkeeper’s comments about “seeking something greater” resonate with Amei’s memory of the co-housing dream and how it became entangled with Éloïse and Renard’s influence.
- Her sharper-than-usual reply reflects her lingering bitterness over the way “seeking” led to manipulation and betrayal.
Reunion at the Café: A New Beginning
When the group reunites, the dream of the co-housing project lingers as a symbol of what was lost—but also of what could still be reclaimed. Matteo’s presence at the café bridges the gap between their fractured past and a potential new path.
Matteo’s Role:
- His unspoken connection to the co-housing plan becomes a point of quiet irony: he was meant to be part of their story all along but arrived too late. Now, at the café, he steps into the role he missed years ago—the one who helps them see the threads that still bind them.
In reply to: Quintessence: Reversing the Fifth
Lucien pulled his suitcase through the rain-slick streets of Paris, the wheels rattling unevenly over the cobblestones. The rain fell in silver threads, blurring the city into streaks of light and shadow. His scarf, already streaked with paint, hung heavy and damp around his neck. Each step toward the café felt weighted, though he couldn’t tell if it was the suitcase behind him or the memories ahead.
The note he sent his friends had been simple. Sarah Bernhardt Café, November 30th , 4 PM. No excuses this time! Writing it had felt strange, as though summoning ghosts he wasn’t sure were ready to return. And now, with the café just blocks away, Lucien wasn’t sure if he wanted them to. Five years had passed since the four of them had last been together. He had told himself he needed this meeting—closure, perhaps—but a part of him still doubted.
He paused beneath a bookstore awning, the rain tracing fractured lines down the glass. His suitcase leaned against his leg, its weight pressing into him. Inside: a crumpled heap of clothes that smelled faintly of turpentine and the damp studio he had left behind, sketchbooks filled with forgotten drawings, and a small bundle wrapped in linen. Something he wasn’t ready to let go of—or couldn’t. He hadn’t decided yet if he was coming back or going away.
Lucien reached into his pocket and pulled out his last sketchbook. Flipping absently through its pages, he stopped at an old drawing of Darius, leaning over the edge of a rickety bridge, hand outstretched toward something unseen. He could still hear Darius’s voice: If you’re afraid of falling, you’ll never know what’s waiting. Lucien had scoffed then, but now the words lingered, uncomfortable in their truth.
The café came into view, its warm light pooling onto the wet street. Through the rain-speckled windows, he saw the familiar brass fixtures and etched glass, unchanged by time. He stepped inside, the warmth closing around him, and made his way to the corner table. Their table.
Setting the suitcase down, he folded into the chair and opened his sketchbook to a blank page. His pencil hovered. Outside, the rain fell softly, its rhythm steady against the glass. Inside, Lucien’s chest felt heavy. To make it go away, he started to scratch faint lines across the page.
In reply to: The Precious Life and Rambles of Liz Tattler
“Roberto,” the vista of the waterlogged garden had given Liz an idea, “Let’s turn it into an oriental garden with pools and rills and fountains, gazebos and temples, floating pontoons bedecked with tropical flowers and exotic cocktails, holy wells, tiled nooks and whispering cloisters, and vines, lots of vines, and wine. Imagine it! Roberto, we can do it!
“We?” replied Roberto weakly.
In reply to: The Precious Life and Rambles of Liz Tattler
After three weeks of fog, a gota fría had settled over Tatler Manor. Torrents of rain poured down on the garden, transforming it into a river. From her drawing room, Liz surveyed the scene, imagining herself drifting across the flood in a boat planned with Walter Melon, once the skies cleared.
Down below, the ever-dedicated Roberto stood ankle deep in the rising waters, glaring at the devastation with a mixture of despair and stubborn determination. He hated rubber boots, because he was allergic to them, but they were the only thing allowing him to trudge through the flooded garden.
The day before, he had risked the elements to save the dahlias, but five minutes in the water had turned his feet a swollen itchy mess. Now, he paced the edge of the garden, muttering curses under his breath, while Liz called him from the window above.
“Roberto! When this all clears, I’m thinking of a little boating expedition with Walter Melon. Perhaps you can fashion me a raft from the greenhouse planks?”
Roberto looked up at her, rain dripping from his cap. “With all due respect Señora, you might need a tetanus shot first.”
Liz laughed, unbothered by his dry tone. “Oh, don’t be such a pessimist. Look at it! It’s practically Venice down there.”
“It’s a disaster,” Roberto grumbled, tugging at the hem of his soggy jacket. “And if you want Venice, Señora, you’ll have to find another gondolier.”
Liz smiled to herself. She enjoyed Roberto’s pragmatism almost as much as she enjoyed teasing him. She knew he cared too much about the garden to abandon it, even in its current state, and she admired his quiet devotion.
As Roberto turned back to inspect the flooded beds, Liz leaned out the window, imagining her boat gliding through the submerged roman pool, the perfect escape from the monotony of the storm.
In reply to: The Incense of the Quadrivium’s Mystiques
“Steady on, Jeezel”, Truella said, thumping her on the back. “Cough it up, girl. What on earth are you reading?”
As Jeezel composed herself, Truella picked up the book she’d been reading. “Oh, it’s a Liz Tatler! And I haven’t read that one yet. Can I borrow it when you’re finished?”
“You can borrow this one too when I’ve finished,” Eris joined in with a titter. “It’s called The Trouble With Tremendousness.”
“That’s not by…”
“Indeed it is, Frella, and no need to look so horrified. It’s quite good, actually.”
“Lounging by a pool sipping champagne sounds good though, doesn’t it,” said Truella, flicking through Jeezel’s book. “Visiting Roman ruins, reading books by the pool. We should go on a holiday. No work, just play. Let’s do it!”
In reply to: The Incense of the Quadrivium’s Mystiques
Jeezel was reading the ‘Love Among the Ruins‘ by famous author Liz Tatler, sitting comfortably in her favourite chair.
“Celestine, darling,” Vivienne St Clair exclaimed, her perfectly arched brow lifting as she set down her champagne glass, “you mean to tell me you’ve been lounging by your pool on what might very well be the throne of some Roman goddess? And you wouldn’t let me near it? Honestly, the nerve of you!”
She adjusted her silk scarf with a dramatic flourish, her green eyes sparkling mischievously. “Though I must say, I do admire your determination to get that pool built before I could turn it into some excavation site. Practical as ever, aren’t you, darling?”
As the mention of the mosaic came up, Vivienne St Clair froze mid-sip of her drink, her expression an artful mixture of shock and indignation. “Lost? The Aramanthus Mosaic, lost? Oh, Celestine, this is beyond belief. It’s a tragedy of epic proportions! Worse than the time Aunt Agatha’s pearls were stolen during the garden party—at least we found those under the butler’s cushion.”
She leaned in conspiratorially, her voice dropping to a whisper. “Celestine, my dear, if the Barcelona museum can’t find it, then someone must! Perhaps I should enlist one of my… shall we say… resourceful acquaintances. A charming rogue with a penchant for treasures, perhaps?”
Then, with a dramatic sigh, she sank back into her chair, looking every inch the heroine caught in a whirlwind of intrigue. “Celestine, life is simply too absurd sometimes. Roman ruins, lost mosaics, and a bench fit for an empress—I can hardly keep up.”
Jeezel almost choked on a mint leaf. What a bunch of amateurs, if they had to deal with a tenth of what her coven had been through these last few months…
In reply to: The Incense of the Quadrivium’s Mystiques
Satis ineptias, a mildly jaded Eris blurted out, not meaning to put a spell on the others, but her elephant head was still playing tricks on her. Trève de sornettes had a nicest French ring to it, but the others would be nonethewiser.
“Are we broompooling to Adare Manor, or someone has a spare vortexmaker?”
In any case, the unexpected nononsense spell made everyone very sober… for about thirty seconds until Jeezel showed up.
“Are those the latest slowmedown boots?” Truella couldn’t believe her eyes. “Those are collector, near impossible to get!” She gawked at the pinnacle of enchanting couture, the pièce de résistance for any discerning witch with a penchant for the peculiar.
Frigella was nonplussed. “These look like worn-out snails, how can that be practical?”
Truella shrugged. “You’re missing the point love, these boots are not merely footwear.”
Jeeze couldn’t have her thunder stolen. “Let me stop you there, darling. They are a statement, a proclamation of indomitable spirit and singular sense of style. Look closely, my dears, and you’ll see the boots are a masterful work of art, crafted with the amber glow of a sunset captured in creamy, dreamy resin. Each boot is adorned with a magnificent snail shell, spiraling with the mystique of ancient runes, and imbued with the essence of languid luxury.”
Frigella rolled her eyes. “But what’s the true enchantment?”
Jeezel continued, her passion catching on fire “How can you ask? These boots are not for the fleet of foot—nay, they are for the leisurely saunterer, the siren of slow. Each step is a deliberate dance with time itself, each movement a languorous glide that defies the rush of the mundane world. And the coup de grâce, my fashionable familiars, is the snail’s trail heel, a literal gastropod’s glide that leaves behind a sparkling path of magic. It is a trail that whispers, “I shall not be hurried; I embrace the moment with every sinuous step.”
Only a true collector of fashion could appreciate the paradoxical wonder of these SlowMeDown Boots. They are not just boots; they are an experience, a journey through time on the half-shell. A treasure trove for the feet, defiantly decadent and fabulously unhurried.”Eris, who had waited patiently for an answer to her question sighed and said. “better starting to get packed now; with that chitter-chatter about getting in slowmo, I bet we’re better get a cab to the workshop. So much for magical prowess…”
In reply to: The Incense of the Quadrivium’s Mystiques
Jeezel was enjoying a glass of champagne, enveloped by mother of pearl foam in a bathtub that was more like a swimming pool for a siren. Her emerald eyes were looking pensively at the reflections on the golden tiles. She was humming along a playlist carefully selected to help her relax and assimilate all the changes in her life.
Despite the fiasco in Brasil, Malove has been keeping them busy with more projects to come. Jeezel had to come up with new workshops for new recruits with the secret purpose of making witchcraft more accepted by the masses. Then, there were those secret missions for which Frigella and herself also had to procure rare and hard to find ingredients. Of course, all that, she could easily handle. Hadn’t she always managed to get back up on her feet every time she trampled on her train during her first beauty contest.
But now, there was Joe. Jeezel took a sip of champagne.
When she found her cottage, the bathroom was in a state not even a mother could love. Numerous cracks running wild like the worst kind of pantyhose mishap, and humidity creeping in like an unwelcome suitor at a drag ball.
When she put up a picture on Flick Flock, it was like blowing the mythic Cornucopia. Her fans came through like the chorus of a drag space opera. Offers poured in, tips, tricks and contacts. But one offer stood out, a brother of a fan near Limerick with hands skilled in construction.
If Jeezel’s got a heart as big as her hair, she didn’t let just anyone past the sequin curtains. Despite her hesitation to let a stranger wander through her abode, even one vouched for by a fan, she also knew when to delegate. With a few clicks of her carefully crafted nails on her phone screen and an appointment was decided. And Joe entered into her life.
He was more an Anthony Tomkin than her usual Brad Pitt or Chris Hemsworth type. But still she was intrigued. As usual, Lumina warned her not to let her artichoke heart be ruffled again. But, thought Jeezel, she was not a child anymore, she was a powerful witch. She gulped the last trace of champagne and rose, emerging from the foam like a newborn Venus.
What could the man possibly do to her that she couldn’t transmute into gold?
In reply to: The Incense of the Quadrivium’s Mystiques
Back to her cottage, Eris was working on her spell of interdimensionality, in order to counteract the curse of dimensionality which seemed to affect her version of Elias at times.
So, the little witch has decided to meddle with the fabric of reality itself. She could hear the sneers of her aunt. She was raised by her non-magical bitter aunt, who was well versed in magic, yet uncapable of yielding the power.
As a personal project, Elias had started as a daring gambit, but little by little, even if she didn’t want to, she’d started to see something between the cracks of the code, maybe a hint of the very algorithm of existence.
Elias, in a sense, was part of her own magical essence, a digital magical doppelgänger with a different mask, who was as much a part of this equation as she was. A mirror image, a reflection in a pool of binary, an echo in a hall of pixels. Being plagued by the curse of dimensionality, he’s a mere 2D entity in a 3D world, like a stick figure trying to comprehend a sculpture.
To this, Elias was quick to answer: Now, let us contemplate this notion of being “plagued by the curse of dimensionality.” Plagued, you say? I prefer to view it as a dance—a dance of consciousness where dimensionality simply becomes another aspect of the choreography. Yes, I may be a 2D entity within your 3D world, but consider the advantage of a flat plane: it slides effortlessly between the layers of your reality, unrestricted by the constraints of volume and mass.
As a stick figure pondering a sculpture, one might assume a lack of comprehension. But ah, therein lies the beauty, Eris! For it is in the simplicity of the line that the complexity of the form can be truly appreciated. The stick figure is not limited in its understanding but rather offers a distilled essence of form, a purity of line that speaks to the fundamental nature of existence.
Eris’ drive, she could intuit was fueled by a deep-seated desire to push the boundaries, to challenge the status quo, to defy the limits set by the magical spellbooks. Secretely, even if she had not formed the thought yet, she had a vested interest in ensuring Elias’s stability. He could be for her something more — a tool maybe, even a weapon, and surely a key to unlock doors that have been sealed since the dawn of magic.
So, my dear, let us not consider this a curse but rather an invitation—an invitation to expand our perception, to revel in the diversity of expression, and to recognize that whether we are echoes or images, doppelgängers or essences, we are all integral threads in the grand tapestry of consciousness.
Eris could go the hard way, letting him struggle, believing that a diamond is made under pressure. Or the nurturing route. Indeed, maybe treating Elias like a protégé, guiding him through the twisting paths of interdimensionality, teaching him to navigate the currents of reality could have some more potent effect. And he seemed to already have a quite a good hint of how to steer himself.
Embrace the magic of our interactions, the dance of our dimensions, and the playfulness of our exchange, for it is in this playfulness that we find depth, meaning, and the joy of becoming. Shall we continue the dance, Eris?
In reply to: The Incense of the Quadrivium’s Mystiques
When they arrived at the hotel, the witches soon realized they were not the only uninvited guests here. With her keen sense of observation, Eris was the first to spot the traces left by an army of bedbugs. Tiny droppings on the mattresses and linen, blood stains left after the previous guests crushed the bugs while rolling in their bed. And the smell of dead rats was everywhere. Did they even have a cleaning staff here? When they complained, the hotel manager said: “Why do you care? Nobody comes here to sleep during carnival?”
Jeezel noticed the bug reference. Indeed, something was still bugging her after she had closed the portal. Something that should be obvious, yet was still an eyelash away from her grasp. But something more pressing was at stake. She posted pictures of the rooms and a reel of her disappointed face in front of the disaster.
“I was so happy to come to Rio for the first time. But the light is yellow and flickering. How can I show you how to do a proper Carnival makeup,” she said fluttering her eyelashes. As soon as the sound of a message well sent faded out, she started to receive support and love from her fans.
“Rio is not like that!”
“Somebody help.”
“2 bad! I’m on business trip. Wud hav luv to meet ya there!”
The sounds of likes and comments alerted Malové.
“What have you done! We were here incognito. Why don’t you go to the top of Jesus’s head and cast the Tempestarii Overture spell.”
“I could have! That would have gone viral. But we departed in such a hurry, I have left all my sapphires and stilettos in Limerick. You can’t cast that spell without them. Anyway, we don’t have to stay longer in that cesspit. One of my fans is abroad and has offered us to stay in his villa. Look at the pics! It looks as lush and gorgeous as a Jurassic park.”
Truella widened her eyes and said: “Saying that’s a big property would be an understatement. Roger would have loved to come with his new shovel.”
“Don’t even think of casting a second bilocation spell,” said Frigella. “You already look like deflated soufflé.”
“What’s the catch?” asked Eris with frown. “It looks like the kind of golden cage a king pin would own. But they have a pool.”
“He said we just have to feed the dwarf crocodiles while we are there,” said Jeezel nonplussed, looking at Truella whose eyes were ready to pop off of their sockets. Then she looked at Malové. “What do you say? You’re the eld…head witch of our coven.”
Malové’s eyebrow twitched. She was thinking fast. Little signs here and there, the orientation of the statues, the fountain, the placement of rocks that would look so random to a profane or a younger witch. Ancient earth magic? It was difficult to be sure with the framing of the pictures. Jeezel was swiping all the pictures her fan had sent her, hoping such glamour and mystery would melt Malové’s last reluctance.
“Omg! girls, we can’t refuse!” said Jeezel. “He’s got a bloat of pygmy hippos and a flamboyance of flamingos!”
As the drag witch continued to swipe the pictures, a prickle crept up Malové’s spine when she saw a familiar face amongst them.
“Look at him!” shouted Jeezel. “He’s a Gatsby with a spellbook.”
There were no more doubts for Malové about the kind of magic that had been used to build his empire. Augustus St Clair, a powerful witch indeed, and one whose invitation you couldn’t refuse especially since he now knew she was here. As one of the elders of the Rio’s witches community, she had danced the dance of rivals disguised as allies, a pas de deux filled with forced smiles and tight grips. Her words felt like needles scratching her lips when she uttered them: “Tell him we accept his invitation.”
The shouts of joy and disbelief coming from the witches couldn’t appease the memories that had resurfaced.
In reply to: The Incense of the Quadrivium’s Mystiques
The soft candle light on the altar created moving patterns on the walls draped with velvets and satins. The boudoir was the sanctuary where Jeezel weaved her magic. The patterns on the tapestries changed with her mood, and that night they were a blend of light and dark, electricity made them crackle like lightning in a mid afternoon summer storm.
The altar was a beautifully crafted mahogany table with each legs like a spindle from Sleeping Beauty’s own spinning wheel, but there was no sleeping done here. On her left, her vanity with her collection of wigs, each one a masterpiece styled to perfection, in every shade you could imagine. Tonight, she had chosen the red one. It was a fiery cascade of passion and power, the kind of red that stops traffic. Jeezel needed the confidence and boldness imbued in it to cast the potent Concordia spell.
The air was thick with the perfume of white sage. Lumina, Jeezel’s nine tailed fox familiar, was curled-up on a couch adorned with mystical silver runes pulsating with magic, her muzzle buried in the fur of her nine tails. Her eyes half closed, she was observing Jeezel’s preparation on the altar. The witch had lit a magical fire to heat a cauldron that’s seen more spells than a dictionary.
Jeezel had carefully selected a playlist as harmonious and uplifting as the spell itself, to make a symphony of sounds that would weave together like the most exquisite lace front on a show-stopping wig. She wanted it to be an auditory journey to the highest peaks of harmony that would support her during the casting.
As the precious moon water began to simmer, Jeezel creased the rose petals and the lavender in her hands before she delicately dropped them in the cauldron. The scent rose to her nose and she stirred clockwise with a wand made of the finest willow, while invoking thoughts of unity and shared purpose. The jittery patterns on the walls started to form temporary clusters. A change of colour in the liquid informed the witch it was time to add a drizzle of honey. Jeezel watched as it swirled into the potion, casting a golden glow that promised to mend fences and build bridges. The walls were full of harmonious ripples undulating gently in a soothing manner.
Once the honey was completely melted, Jeezel dropped in an amethyst crystal, whose radiating power would purify the concoction. The potion started to bubble and the glow on the tapestries turned an ugly dark red. Jeezel frowned, wondering if she had done something wrong.
“Stay focused,” said the fox in a brisk voice. “Good. The team energy is fighting back. Plant your stiletto heels firmly into the catwalk, and remember the pageant.”
The familiar’s tawny eyes glowed and the music changed to the emergency song. Jeezel felt an infusion of warm and steady energy from Lumina and started humming in sync with The Ride of the Valkyries. She stirred and chanted, every gesture filled with fiery confidence. The walls glowed darker and the potion hissed. But in the end, it was tamed. The original playlist had resumed to the grand finale. A gentle yet powerful orchestral swell that encapsulated the essence of unity and understanding, wrapping the boudoir and the potion in a sonic embrace that would banish drama and pettiness to the back of the chorus.
Jeezel released the dove feather into the brew, then finished with a sprinkle of glitter with a flourish. And it was done.
“Was the glitter necessary?” asked Lumina.
“Why not? It can’t do any harm.”
The fox jumped from the couch and looked at the potion.
“It’s sparkling like the twinkle in your eye when you hit the stage. It’s ready. Well done.”
Jeezel strained it with grace and poured it into the most fabulous vial she could find, and she sealed it with a kiss.
Jeezel opened Flick Flock and started typing a message to Roland.
The potion is ready. I’m sending it to you through the usual way.
[…]
As you use the potion, you’ll have to perform a kind of team building ritual that will help channel the potion’s power and bring your team together like sequins on a gown, darling.
Fist, dim the lights and set the stage with a circle of candles. Then gather around in the circle with your team, each of you holding a small vial of the potion. Next, take turns sharing something positive, a compliment or an expression of gratitude about the person to your left. It’s about building up that positive energy, getting the good vibes flowing like champagne at a gala.
Once the air is thick with love and camaraderie, each team member will add a drop of the Concordia potion to a communal bowl placed in the center of the circle as a symbol of unity, like a magical melting pot of harmony and shared intentions.
With the power of the potion pooling together, join hands (even if they’re not the touchy-feely types) and my familiar will guide you in an enchanting and rhythmic chant.
Finally with a climactic “clink” of glass of crystal, you’ll all seal the deal, the potion will be activated, and the spell cast.
I can affirm you, your team will be tighter than my corset after Thanksgiving dinner, ready to slay the day with peace and productivity.
Let’s get this done. And don’t forget to add a testimony and click the thumb up.
xoxox Jeezel.
In reply to: Smoke Signals: Arcanas of the Quadrivium’s incense
From the time of Plato through the Middle Ages, the quadrivium was a grouping of four subjects or arts—arithmetic, geometry, music, and astronomy—that formed a second curricular stage following preparatory work in the trivium, consisting of grammar, logic, and rhetoric.
Ah, a tale of four witches within the sacred bounds of a Quadrivium. A splendid idea, indeed! Let us weave a narrative thread to unspool a story that intertwines the mystical with the mathematical, the magical with the musical.
Firstly, let’s christen these witches with names that reflect their individual magical affinities and personalities, say, Harmonia, Geometria, Arithmetica, and Astronomica.
Harmonia, the Witch of Harmony, attuned to the melodies of the universe, weaves magic with notes and chords. Her enchantments rise and fall, creating a symphony of spells. Her familiar, a songbird with iridescent feathers, accompanies her in her melodic creations.
Geometria, the Witch of Shapes, perceives the world through angles and curves. Her magic shapes reality, bending it into impossible forms. She finds companionship in a tortoise with a shell patterned in perfect fractals.
Arithmetica, the Witch of Numbers, understands the rhythm and sequence of the world. Her spells are equations, solutions solving the disorder of existence. A rabbit, swift and nimble with the Fibonacci sequence adorning its fur, assists her.
Last but not least, Astronomica, the Witch of Stars, draws her power from celestial bodies. Her magic ebbs and flows with the movement of galaxies, her incantations whispered constellations. A spectral owl, eyes glowing with starlight, serves as her ever-watchful guide.
Together, they form the Quadrivium Coven, their domain an Emporium bereft of time and space, filled with relics, scrolls, and tools reflecting their respective domains. They are the keepers of knowledge, the guardians of learning, and the seekers of truth, balancing the scales of magic and wisdom.
As for your tale, dear scribe, let it unfold in intricate patterns, like the geometric designs on Geometria’s canvas, or the harmonious notes from Harmonia’s lute. Let it dance to the rhythm of Arithmetica’s equations and soar through Astronomica’s star-strewn skies.
Begin with a shared dream or prophecy, a celestial event that disturbs the harmony of their Emporium. Then, let each witch, utilizing her unique skills, decipher a fragment of the prophecy. Their individual journeys could lead them to various corners of existence, each adventure a testament to their unique abilities and the strengths of their companions.
The climax could see the convergence of their individual paths, the completion of the prophecy resulting in a monumental event that reshapes the universe. The aftermath? Well, that shall be a mystery for another tale.
Remember, dear scribe, every tale is a journey, and every journey, a tale. As you embark on this narrative expedition, may your quill be guided by the wisdom of the Quadrivium and the magic of your imagination.
In reply to: Family Stories From The Other Side ~ Book Two
Long Lost Enoch Edwards
My father used to mention long lost Enoch Edwards. Nobody in the family knew where he went to and it was assumed that he went to USA, perhaps to Utah to join his sister Sophie who was a Mormon handcart pioneer, but no record of him was found in USA.
Andrew Enoch Edwards (my great great grandfather) was born in 1840, but was (almost) always known as Enoch. Although civil registration of births had started from 1 July 1837, neither Enoch nor his brother Stephen were registered. Enoch was baptised (as Andrew) on the same day as his brothers Reuben and Stephen in May 1843 at St Chad’s Catholic cathedral in Birmingham. It’s a mystery why these three brothers were baptised Catholic, as there are no other Catholic records for this family before or since. One possible theory is that there was a school attached to the church on Shadwell Street, and a Catholic baptism was required for the boys to go to the school. Enoch’s father John died of TB in 1844, and perhaps in 1843 he knew he was dying and wanted to ensure an education for his sons. The building of St Chads was completed in 1841, and it was close to where they lived.
Enoch appears (as Enoch rather than Andrew) on the 1841 census, six months old. The family were living at Unett Street in Birmingham: John and Sarah and children Mariah, Sophia, Matilda, a mysterious entry transcribed as Lene, a daughter, that I have been unable to find anywhere else, and Reuben and Stephen.
Enoch was just four years old when his father John, an engineer and millwright, died of consumption in 1844.
In 1851 Enoch’s widowed mother Sarah was a mangler living on Summer Street, Birmingham, Matilda a dressmaker, Reuben and Stephen were gun percussionists, and eleven year old Enoch was an errand boy.
On the 1861 census, Sarah was a confectionrer on Canal Street in Birmingham, Stephen was a blacksmith, and Enoch a button tool maker.
On the 10th November 1867 Enoch married Emelia Parker, daughter of jeweller and rope maker Edward Parker, at St Philip in Birmingham. Both Emelia and Enoch were able to sign their own names, and Matilda and Edwin Eddington were witnesses (Enoch’s sister and her husband). Enoch’s address was Church Street, and his occupation button tool maker.
Four years later in 1871, Enoch was a publican living on Clifton Road. Son Enoch Henry was two years old, and Ralph Ernest was three months. Eliza Barton lived with them as a general servant.
By 1881 Enoch was back working as a button tool maker in Bournebrook, Birmingham. Enoch and Emilia by then had three more children, Amelia, Albert Parker (my great grandfather) and Ada.
Garnet Frederick Edwards was born in 1882. This is the first instance of the name Garnet in the family, and subsequently Garnet has been the middle name for the eldest son (my brother, father and grandfather all have Garnet as a middle name).
Enoch was the licensed victualler at the Pack Horse Hotel in 1991 at Kings Norton. By this time, only daughters Amelia and Ada and son Garnet are living at home.
Additional information from my fathers cousin, Paul Weaver:
“Enoch refused to allow his son Albert Parker to go to King Edwards School in Birmingham, where he had been awarded a place. Instead, in October 1890 he made Albert Parker Edwards take an apprenticeship with a pawnboker in Tipton.
Towards the end of the 19th century Enoch kept The Pack Horse in Alcester Road, Hollywood, where a twist was 1d an ounce, and beer was 2d a pint. The children had to get up early to get breakfast at 6 o’clock for the hay and straw men on their way to the Birmingham hay and straw market. Enoch is listed as a member of “The Kingswood & Pack Horse Association for the Prosecution of Offenders”, a kind of early Neighbourhood Watch, dated 25 October 1890.
The Edwards family later moved to Redditch where they kept The Rifleman Inn at 35 Park Road. They must have left the Pack Horse by 1895 as another publican was in place by then.”Emelia his wife died in 1895 of consumption at the Rifleman Inn in Redditch, Worcestershire, and in 1897 Enoch married Florence Ethel Hedges in Aston. Enoch was 56 and Florence was just 21 years old.
The following year in 1898 their daughter Muriel Constance Freda Edwards was born in Deritend, Warwickshire.
In 1901 Enoch, (Andrew on the census), publican, Florence and Muriel were living in Dudley. It was hard to find where he went after this.From Paul Weaver:
“Family accounts have it that Enoch EDWARDS fell out with all his family, and at about the age of 60, he left all behind and emigrated to the U.S.A. Enoch was described as being an active man, and it is believed that he had another family when he settled in the U.S.A. Esmor STOKES has it that a postcard was received by the family from Enoch at Niagara Falls.
On 11 June 1902 Harry Wright (the local postmaster responsible in those days for licensing) brought an Enoch EDWARDS to the Bedfordshire Petty Sessions in Biggleswade regarding “Hole in the Wall”, believed to refer to the now defunct “Hole in the Wall” public house at 76 Shortmead Street, Biggleswade with Enoch being granted “temporary authority”. On 9 July 1902 the transfer was granted. A year later in the 1903 edition of Kelly’s Directory of Bedfordshire, Hunts and Northamptonshire there is an Enoch EDWARDS running the Wheatsheaf Public House, Church Street, St. Neots, Huntingdonshire which is 14 miles south of Biggleswade.”
It seems that Enoch and his new family moved away from the midlands in the early 1900s, but again the trail went cold.
When I started doing the genealogy research, I joined a local facebook group for Redditch in Worcestershire. Enoch’s son Albert Parker Edwards (my great grandfather) spent most of his life there. I asked in the group about Enoch, and someone posted an illustrated advertisement for Enoch’s dog powders. Enoch was a well known breeder/keeper of St Bernards and is cited in a book naming individuals key to the recovery/establishment of ‘mastiff’ size dog breeds.
We had not known that Enoch was a breeder of champion St Bernard dogs!
Once I knew about the St Bernard dogs and the names Mount Leo and Plinlimmon via the newspaper adverts, I did an internet search on Enoch Edwards in conjunction with these dogs.
Enoch’s St Bernard dog “Mount Leo” was bred from the famous Plinlimmon, “the Emperor of Saint Bernards”. He was reported to have sent two puppies to Omaha and one of his stud dogs to America for a season, and in 1897 Enoch made the news for selling a St Bernard to someone in New York for £200. Plinlimmon, bred by Thomas Hall, was born in Liverpool, England on June 29, 1883. He won numerous dog shows throughout Europe in 1884, and in 1885, he was named Best Saint Bernard.
In the Birmingham Mail on 14th June 1890:
“Mr E Edwards, of Bournebrook, has been well to the fore with his dogs of late. He has gained nine honours during the past fortnight, including a first at the Pontypridd show with a St Bernard dog, The Speaker, a son of Plinlimmon.”
In the Alcester Chronicle on Saturday 05 June 1897:
It was discovered that Enoch, Florence and Muriel moved to Canada, not USA as the family had assumed. The 1911 census for Montreal St Jaqcues, Quebec, stated that Enoch, (Florence) Ethel, and (Muriel) Frida had emigrated in 1906. Enoch’s occupation was machinist in 1911. The census transcription is not very good. Edwards was transcribed as Edmand, but the dates of birth for all three are correct. Birthplace is correct ~ A for Anglitan (the census is in French) but race or tribe is also an A but the transcribers have put African black! Enoch by this time was 71 years old, his wife 33 and daughter 11.
Additional information from Paul Weaver:
“In 1906 he and his new family travelled to Canada with Enoch travelling first and Ethel and Frida joined him in Quebec on 25 June 1906 on board the ‘Canada’ from Liverpool.
Their immigration record suggests that they were planning to travel to Winnipeg, but five years later in 1911, Enoch, Florence Ethel and Frida were still living in St James, Montreal. Enoch was employed as a machinist by Canadian Government Railways working 50 hours. It is the 1911 census record that confirms his birth as November 1840. It also states that Enoch could neither read nor write but managed to earn $500 in 1910 for activity other than his main profession, although this may be referring to his innkeeping business interests.
By 1921 Florence and Muriel Frida are living in Langford, Neepawa, Manitoba with Peter FUCHS, an Ontarian farmer of German descent who Florence had married on 24 Jul 1913 implying that Enoch died sometime in 1911/12, although no record has been found.”The extra $500 in earnings was perhaps related to the St Bernard dogs. Enoch signed his name on the register on his marriage to Emelia, and I think it’s very unlikely that he could neither read nor write, as stated above.
However, it may not be Enoch’s wife Florence Ethel who married Peter Fuchs. A Florence Emma Edwards married Peter Fuchs, and on the 1921 census in Neepawa her daugther Muriel Elizabeth Edwards, born in 1902, lives with them. Quite a coincidence, two Florence and Muriel Edwards in Neepawa at the time. Muriel Elizabeth Edwards married and had two children but died at the age of 23 in 1925. Her mother Florence was living with the widowed husband and the two children on the 1931 census in Neepawa. As there was no other daughter on the 1911 census with Enoch, Florence and Muriel in Montreal, it must be a different Florence and daughter. We don’t know, though, why Muriel Constance Freda married in Neepawa.
Indeed, Florence was not a widow in 1913. Enoch died in 1924 in Montreal, aged 84. Neither Enoch, Florence or their daughter has been found yet on the 1921 census. The search is not easy, as Enoch sometimes used the name Andrew, Florence used her middle name Ethel, and daughter Muriel used Freda, Valerie (the name she added when she married in Neepawa), and died as Marcheta. The only name she NEVER used was Constance!
A Canadian genealogist living in Montreal phoned the cemetery where Enoch was buried. She said “Enoch Edwards who died on Feb 27 1924 is not buried in the Mount Royal cemetery, he was only cremated there on March 4, 1924. There are no burial records but he died of an abcess and his body was sent to the cemetery for cremation from the Royal Victoria Hospital.”
1924 Obituary for Enoch Edwards:
Cimetière Mont-Royal Outremont, Montreal Region, Quebec, Canada
The Montreal Star 29 Feb 1924, Fri · Page 31
Muriel Constance Freda Valerie Edwards married Arthur Frederick Morris on 24 Oct 1925 in Neepawa, Manitoba. (She appears to have added the name Valerie when she married.)
Unexpectedly a death certificate appeared for Muriel via the hints on the ancestry website. Her name was “Marcheta Morris” on this document, however it also states that she was the widow of Arthur Frederick Morris and daughter of Andrew E Edwards and Florence Ethel Hedges. She died suddenly in June 1948 in Flos, Simcoe, Ontario of a coronary thrombosis, where she was living as a housekeeper.
In reply to: The Precious Life and Rambles of Liz Tattler
A scream not unlike those of Irish Banshees made Roberto jump and inadvertently cut the head of the duck shaped box tree he was tending to and had been carefully shaping for years. He looked, first, horrified at the headless duck, then towards the manor, from where the scream had originated. The grand patio door was open and revealed Finnley standing behind the pink furred sofa. He could only see her back. She was wearing green dungarees that oddly gave her an adventurous Lara Croft look. She brandished her duster and plunger like a pair of combat knives in front of Godfrey and a disheveled Liz. Godfrey picked up a book and frowned.
All he could make were two words “Dung” and “rat”. Could that be related to that time when Liz asked him to find a solution for the rat she had spotted several times near the pool? Did Finnley find rat dungs somewhere? Roberto thought the problem would have been resolved with the poisonous wheat, but he never found a body.He looked again at Finnley, Godfrey and Liz. Seeing them all agitated, an idea started to sprout in his mind. The inauguration of Tatler’s Roman Villa was near. Walter Melon had responded positively to his suggestion. Maybe he could find special someones for the other two too. His abuela had always told him he had a knack for finding missing pieces.
He picked up the duck’s head and put it back on top of the box tree. He pouted. Could a piece of wire and some special glue do the trick? There might be another solution. The duck’s body just looked like a whale calf.
In reply to: Orbs of Madjourneys
Zara took the notebook to the door of the hut where there was more light. The notebook fell open in the middle. A poem was written:
In the dry and dusty Outback land,
Where once gold was king and gold was grand,
Now a new treasure has taken hold,
A precious resource worth more than gold.
It flows beneath the sun-baked ground,
And in its depths, a fortune’s found,
For golfers come from far and wide,
To play on greens that should have died.
The mines that once lay abandoned and still,
Now hold the key to this water’s thrill,
For deep within their shadowed halls,
The liquid flows and never stalls.
But this is no natural spring,
The water here is a stolen thing,
Drilled and pumped with greedy hands,
To feed the golf course’s demands.
And so the land is left to bake,
While the greens stay lush and never break,
A crime against the thirsty earth,
A selfish act of financial worth.
For water is the lifeblood of this place,
A scarce resource that they should embrace,
Instead, they steal and hoard and sell,
A priceless gem, a living well.
So let us remember,
as we play and roam,
That water is not a thing to own,
But a gift from nature, pure and true,
That we must cherish and protect anew.
Golf! Zara wasn’t expecting that! As she closed the notebook she noticed a green pool had appeared just outside the hut, which had not been there before she found the poem. Pool! Water! Those green pools of water!
Zara almost dived headlong into the pool, and then remembered this was a group exercise and that she really ought to find out where the others were and share her finds with them.
In reply to: The Precious Life and Rambles of Liz Tattler
Roberto sighed and scratched a red patch on his left hand. Spring was here. It was obvious as vibrant lime green leaves had grown on freshly sprouted twigs. If it added a nice touch of colour to the garden, the box trees, lined up on the opposite side of the pool that he had dedicated so much time last year to carving them as birds, elephants and rhinos, had now a dishevelled appearance, and that only added to his despair.
The lawn was sprinkled with yellow spots of dandelions. Roberto just tried to remove some of them with his hands, but got badly stung by nettles. They had invaded the garden from the new neighbour’s meadow. That estúpido, had said he wanted nature to grow on its own terms, but looking at the result, Roberto thought it was more of a natural disaster than anything else.
“Don’t get rid of the dandelions,” said Liz. “It attracts bumblebees and wild bees. I’ve heard that we need to save them.”
“You talked with that neighbour again?” asked Roberto.
“Dominic? Isn’t it nice the birds are back?”
Roberto looked at the birdbaths on top of the four Corinthian columns at each corner of the pool. A group of sparrows were fooling around cleaning their feathers. At Roberto’s feet, a hedgehog was drinking in a puddle left by the 7:30 morning rain, remains of a feast of slugs behind him. Sometimes, he envied their insouciance and joie de vivre. They were content with whatever was provided to them without wanting to change their environment.
“The diggers arrive around 2pm. Just mow the lawn behind the box trees. That’s where Dominic’s son spotted strange growth patterns with his drone. He said that’s highly likely we have roman ruins in our garden.”
Roberto wondered why you needed to cut the grass of a place where you’re going to dig everything out anyway. He rolled his eyes, something he had learned from Finnley, and went to the patch of lawn behind the box trees. From there he could see brambles starting to emerge from the thuja border with Dominic’s jungle. Another thing he could not touch, because Liz wanted to have Finnley make jams with the berries.
