Search Results for 'port'

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…

When Cuthbert came back to bed after having had his cup of cocoa, India Louise was awake too.

— I saw him too, she said to her brother.
— I don’t want to see him again, these books are scarey.
— It’s intriguing, I want to know more, India Louise said, egging on him.
— When I close my eyes, I got all these roots and webs crawling, it’s mad… I can’t…
— He has found a friend to help him cross the Dark Forest to the traveling portal.
— A friend?
— Yes, a friend. She’s special.
— Tell me more…
— She’s a white unicorn, only him can see her.
— Wow…
— She’s named Mirÿnda. She’s glowing white, and he hears her speak in his mind, she shows him the way through the forest…

— Mirÿnda?! A fool in saffron robe gallivanting in the forest with a unicorn now? That’s all you could find?

Tina was taken aback…

— Well, I could have used a grizzly bear too, now I think of it… Al answered flippantly.
— Tsk tsk, replied Tina a bit annoyed. And why not a humpback whale, or an arctic lemming, or even… why, a leopard gecko for that matter?… And who’s that Mÿrinda anyway?

— I don’t know any Amanda, Fiona said to Quintin that night. Don’t really know many of Michaela & Elias’ students. She’s Yann friend, right?

Quintin had answered distractedly, as he was engrossed by his last painting…

Later that night, he couldn’t find sleep, as the dragon he was painting was still expanding his web of roots and branches in his mind’s eye. He opened his computer to see that Malika was online.

She told him something that night, something Quintin found abysmally profound and perplexing about his dragon…

— Dragons can shape shift, into anything they want to. There are several doorways/portals that they use for travel into this dimension. Malika said
— Yes, said Quintin, this drawing has something to do with these portals initially, but I struggle a bit to represent them…
— Yes, so you can just depict it to be flowing, liquid-like energy in the center, when the portal is active.
There are some that are being shone to me on the bottom of the ocean floor.
What is being shown to me, is a dragon with a tail much like a mermaid, and hands with webs, big yellow eyes…

Wow he had thought, she can really see.

Jadra, guided by Mirÿnda, had been moving quite easily through the Dark Forest. Of course, he wouldn’t have dared touch the holy creature, and so he was walking hesitantly behind, taking care of where his bare feet were touching the ground.

The Dark Forest was bordering the Marshes of Doom, and at times the limits between the two were almost indiscernible. It was said that every foul, err… fool… damn,…

— Will you stop being so buffoonish! raved Tina again.
— Perhaps I should let someone else continue then? said Albert.
— Well, that’s entertaining, replied Becky mechanically.
— OK. I’ll jump in, said Samuel, with a wide grin.

It was said that every full moon, the Mighty Shrimp would come from the shores of the Southern Seas and haunt the Marshes in search for souls to be turned into krill, so that he could be the WALRUS (Wrathful Almighty Lord Ruler of Undersea Souls).

Well, at least, that’s what Jadra had heard in his youth, when you tend to believe everything… So he was weary of the hiki-hiki sounds in the night that might have been the dreaded call of the Mighty Shrimp.

Quintin was having a strange dream. He was a huge whale, along with another one he knew was Yann, swimming powerfully in the vast ocean, passing by strange creatures that could have been mermaids or improbable fishes, when his gaze was attracted by a stream of glittering particles of light.

The lights were enticing, he would have said even “mouth-watering”, had he not had the baleens full of water already…

Salome was moving through layers of consciousness, something humans focused in physical dimensions would have found difficult to grasp, as it was nothing that could be easily conceptualized. She was, as best as she could put, like a huge cloud of lightness coalescing into a form, when she decided to project her aspect.

Taking form into a dimension required no effort in actuality, the consensus reality created by all the essences focused into the reality making quite a strong pull. She only needed to move her attention to what she wanted to manifest. Altering her reality slowly around her, to move closer to the desired effect.

She was not only traveling through time and space, but also through multitudinous layers of dimensions unnoticed to many humans —in fact, she was not really moving, but that was a convenient way of telling things for humans…

She said “humans”, because she was fond of this particular dimension, where she’d had lots of experiences.

When moving through the dimensions, it had her projected focus of attention constantly and naturally adapt its form to the psychological environment.

Here, she had just moved through a honey-drops dimension, where focuses were drops of golden honey-like substance, and as she moved through it, her own aspect had changed to that of a sand-glass shaped drop of honey.

This was great fun for her to see the ease with which she could focus into this infinite variety of adventures, but for now, her pull was to some more complex physical dimensions.

She started to move again, de-focusing, past the lazy honey drops.

The honey drops were now shape-shifting to a whole immense field of snake-like strings of light, and they all started to converge to a direction. She knew the feeling. She followed the strong pull.

New York, October, 4 ^th 2033

Albert had opened the newspaper, scanning distractedly through the various pages of text that would read aloud automatically when he was running his fingers through it. He was about to close it, when he noticed that article in the Life Focus section.

(click for article)

Dublin, October 5 ^th 2033

Sean Doran Wrick had received tons of phone calls, emails and voice mails of condolences since the past few weeks, but he had not found the strength to answer any of them. Especially those coming from his father.

That morning, he had received some letters that he would have left on top of the others, had he not recognized the round and cheerful calligraphy of Becky on one of them.

He had known Becky when they had traveled together in Syria, and had enjoyed so much the lively young woman that they had kept in touch during all those years.

He was pleased to read from her, and wanted to enjoy it fully.

So he took his time to put to bed Guinevere and Peregrine before. Guinevere was the eldest, very mature for her barely 11 year old. She took great care of her younger brother, who was more dreamy and foolish. Peregrine would turn 10 next March… but he was hardly as responsible as his sister when she was his age…

Dear Sean, Becky was writing

I would have liked to finally take the time to write to you in better conditions, but I could not delay any longer. I saw the obituary in the newspaper, and wanted you to know that I share your grief and loss, and extend much love and support to you and to your dear little ones.

I know you’re not the kind of person to be satisfied with banalities, so I will not dwell on this tragedy, and will remember the best moments we shared together.

I still continue my studies and practices on dramatherapy, and till now it has proved very beneficial, in many ways. I have learned so many things. It’s quite rewarding. We are a close-knit group of fools (or drôles as Al loves to say, as some of his ancestors come from the bayous!), and that is very much enjoyable when things that tragic come to one’s reality.

In case you feel like talking, don’t hesitate any moment, I’ll be here. Anytime.

Love,

Becky.

Orkney Islands, October 4 ^th, 2057

This year again, Sean Doran had not answered his father’s calls.

This September 23 ^th was the twenty fourth anniversary of the disengagement of Lord Wrick’s daughter-in-law, and this was always a very somber period for the family.

Hopefully, the twins were here to enliven the old mansion, for as long as their parents, Lord Wrick’s grand-children, would be traveling. And of course, there had been the unexpected return of the books, which had been comforting too.

Nonetheless, Hilarion Wrick was sad, and Bill the painter was uneasy as to how he could not quite put right the portrait of the old dragon…

William Percival Jobsworth, or “Bill” for short, was finding the old creaking manor as freaky as their owners.

The Wrick family was known around for being shrouded in mystery, and few people had actually been invited inside the manor, after its acquisition by Lord Wrick.

The manor itself was full of ghost stories, as every mansion worth its salt in that part of the country. But this one has been a wreck on which he would not have invested two pence of his money, after it had been abandoned for many decades after the sudden death of the previous owner, the Crazy Baron.

But Lord Wrick was an eccentric, and had bought the manor and restored it to its previous grandeur.

It had been thrice now that Bill had come to the manor to paint the family portraits. The first time he had also delivered that strange parcel, given to him by that strange lady. Looking straight into his eyes, she had also told him something that had lingered in his mind quite vividly.

« Suffering is not good for the soul, unless it teaches you to stop suffering. »

He couldn’t see exactly why it applied to him, but the lady had seemed so authoritative about that, that he had agreed and felt like thanking her.

The parcel had come a bit unexpected to the Lord, though he was quite artful in hiding his emotions, Bill could say. He had questioned him about the lady, but Bill had not dared to share with him the thing about the suffering. Actually the Lord looked in pretty good shape considering the age he was likely to be. He pretended to be a bit incapacitated, but Bill would have bet that if he had fallen from a window, he would have landed on his feet as a cat.

Speaking of which, their old cat with its worn-out blackish fur was a bit freaky too. Bill had felt at times he could hear it answer the Lord’s gibberish.

But all in all, that was easy money, and he thanked the opportunity to be able to do these paintings while the winter was coming.

Now was something else. He almost startled when he was opened the big entrance door, to be revealed an improbable shape, two or three heads taller than him. It took him a short while to recognize the smile of the children’s nurse, topped by a funny hat that made him laugh heartily, after the initial shock was dissipated.

— Hahaha, sorry, that was unexpected… he managed to say to Jacqueline, who was not unaccustomed to these odd kinds of reactions.

— Not to worry she said with a slight French accent. Monsieur and Madame Wrick have come back from their trip to Mogadishu, and you will be able to have their portraits done. They will stay here for a few weeks…

Linda and Peregrine Wrick were Cuthbert and India Louise proud (and a bit insouciant) parents, Lord Wrick had explained without much more details. Peregrine was the son of Lord Wrick’s only son, Sean Doran Wrick, but Bill had felt some restrain to ask about Sean Doran, as the Lord had seemed a bit umbrageous only speaking his name.

— Oh… said Bill who did not expect them to come back so quickly.

Appendix: The Wrick family tree

A few days after Sam and Becky’s conversation on the phone, they were having a rehearsal.

Just at the moment when they felt stuck again, despite Sam’s moves, Al and Tina, a couple of friends came crashing into the small theater room, and were greeted by an icy cold silence. “Icy” is an exaggeration of course, said Tina, “it just meant I had to put a jacket on again today”.

— Sorry for being late! said Al a bit uneasy.
— Oh you and your uneasiness! said Tina. And I’m sure we’re arriving at the perfect time.
— Oh, well, I’m not sure of anything today, said Becky. I’m sick of being force-fed coleslaw, and rigging down holes for myself.

A silence was on the scene.

At the same time, somewhere on the deck of his ship, Bådul was remembered of the landscapes of his land. He had not really appreciated them before, but now, he was finding them dear to him. They were for the most part a mixture of sandy dunes, from which at times peaks of icy rocky mountains would stick out. Lately he had felt like one of these peaks sticking out of the sands. The sands were shifting.

Somewhere in Malvina’s cave.

Malvina had been polishing the last dry eggs that she had found and that would not hatch. One of them had some interesting perfect round shape, and a very transparent shell, and it gave her an idea.

She asked Leörmn to come.

Quintin’s bedroom.

[1:01] The clock was saying. Quintin had just awoken from a dream about an elderly woman who was showing him some drawings. These were not actually drawings, but in fact, they were called by the lady “glassart”. It was made, she said, of coloured sands, and would be vitrified by some flame. Quintin in that dream had thought the designs rather crude, but had found the idea interesting, and with great potential.

Leörmn came almost instantly, appearing in a puff of teal smoke.

Oh, I see… he said, reading Malvina’s mind. And I think I have the perfect sands to go with it.

— Why hasn’t that pirate, Badass…
— Badul, corected Al
— Whatever, Becky pursued imperturbably, that pirate Baddock used traveling portals to go and look for the eggs? Why the seas? Sounds a bit complicated and with lots of dangers too.
— Good question, answered Al. Well, don’t want to answer for everyone, but in my perception…
— Oh, get lost with your “in my perception” thing, that’s becoming tiring… sighed Tina
— OK. So, for me, they have forgotten much about magic in his land.
— Makes sense… added Sam dreamily… In fact, I’m not sure after all that Badul is only after gold. I think he has found some old desert dragon egg in a cave lost in his country and hopes to revive it, with the help of the people who still know about magic.
— Which would explain the quest… said Al
— Yeah, and he would have hidden that to the rest of the crew, probably… said Tina…

Leörmn had now finished assembling the magical artifact.

— That’s one of our most beautiful magical artifact I’d say, Malvina gleamed
— Oh yes it is. And how would you call it?
— Let’s see…

— sabulmantium !

Everyone cracked up at the word that Al had just blurted out. They had decided to have some distraction to alleviate the stress on the play, and they had a fun improvisation game, saying stupid things that went through their minds.

— Hey! Don’t laugh like that, it’s something very serious actually, said Al tongue-in-cheek. Let me see…
— Hahahaha, the others continued
— Well, it’s a divination device, or a sort of compass in a way. I see it as a globe made of glass, with coloured sands in it, and when you focus on it, the sands take all sorts of three dimensional shapes, and become alive…
— Wow! Tina couldn’t help but say.

Leörmn, as Malvina had been telling him (or vice versa), had put the sabulmantium in one of the tunnels, to a place where he knew Arona would find it, and probably put it to good use for her future adventures.

Illi had not known as powerful an opponent as this other Illi.

At first, she had been remembered of stories of possession by evil sprites (or djinns) that she had heard in her youth, when Ibn al’ Gruk, the old angora storyteller was entertaining the desert settlement beating the rhythm with sonorous drums.

So, she had pushed, and rebelled, and fought, as fiercely as any other gripshawk skilled and trained in the hand-to-hand martial arts would have done.

But the other Illi wasn’t so easily vanquished.

Then Illi had collapsed. She had sorrowfully abandoned the fight to the dreaded adversary.

All of this had been occurring in a twinkle of an eye, but for Illi, the fight had been during ages and ages, while she was trying to focus on what BelleDora was explaining to her about the land where she was now.

And when she had abandoned the fight, everything was again so easy. She did not care any longer, she was free again. Her evil twin could do anything, it could not matter less.

But the evil twin had been in fact doing the same, and she had struggled to keep the focus coherent to her. Didn’t want stupid moth-looking people in her reality, or even spare hair on her face! But that other one was strong, and fierce. And stubborned too!

— Who are you? she finally had asked
— I’m Illi, had the other answered
— I am Illi.
— So we are both Illi…
— Yeah, that may be it, but we are quite different.
— Are we? You feel quite like me, despite your stupid affection for smooth baby face.
— Well, wouldn’t it be for that, I can see some resemblance…
— Will you let me continue my trip?
— Oh, I would have, but you’ve hijacked mine, said Illi Fergusson.
— So you think.
— And where does your trip leads to? asked Illi F. who wasn’t too sure of her trip either
— From traveling portals to traveling portals, to discover all that can be discovered on this world. Magical creatures, I distrust them, but the lands and people are fascinating… And what about yours?
— Hmm, hmm, pondered Illi F. for a moment… Well, I’m dead actually, but I didn’t expect being dead to be so busy. There are so many things to discover, and I like that. I see funny looking people, and this looks like fun. Like a minute ago, I was in some kind of funny cave, with a parrot…
— A what?
— A parrot, you know, a kind of talking bird full of colours…
— Mmm, some kind of demonic creature for sure. Would have slain it without an hesitation!
— Hey! You see, that’s why I didn’t want you to come with me.
— Well, seems like for a moment, we don’t have much more choice…
— At least, look at the bright side, with us merged like that, each of us can provide the other one with some sound experience on each other’s worlds.
— Well, that’s not as airy-fairy as it seems…
— Well, thank you for that, I’ll take that as a compliment.
— You really are dreadfully serious at times!
— Hey, I’m not anybody you see. My parents were aristocrats, I’m not the common hairy lot.
— Ahahah, you’re funny.
— So are you!

And they ended laughing blissfully together.

After a moment, Illi asked again:

— Huh, a funny cave you said?
— Well, yes. With lots of people…
— Interesting… I was near some sort of strange cave too a while ago, that is, before I was found by this nice man and his dogs. Perhaps there is some connection here.
— And could you go there again?
— Not sure if I want to; there were some smelly fumes, smelt like demonic magic in there.
— Oh you see, for as long as I’ve been dead, well even if that’s not so long ago, anyway, the point is I’ve not seen any demon so far… blustered Illi F.
— Oh, and I have to take your word like that then?
— Well, do as you please, but I’m going there again…
— Just wait for me now, will you; let’s try to do things hand in hand, because you’re driving me mad!

And the deal was made.

BelleDora had continued to explain lots of things about her ancestors, but had not really noticed Illi’s attention had been so far away. She was a bit surprised when she found herself interrupted in a middle of a poetic depiction of the coastal plains of the Peninsula of the Dragon Head, where some glistening Capricorns were sometimes seen swimming in the creeks.

— And how do I get back safely to this hole where I was found? asked Illi abruptly.

Jibberacky is…

• Ghilbert Razkÿ, a crazy man in shackles on Bådul’s boat, “Lispeth” (she was named after King Swartulf II’s first daughter). The man, whose real name is still unknown, had been sneaking onto the ship’s hold before the ships moved from the Åsgurdian capital.

He had been found by Austor, the peg legged lieutenant commander. Austor is a rough man of experience, and is most of the time acting in place of Jahiz, the second-in-command, as this one is always too busy discussing routes with Bådul, who is becoming increasingly nervous.

What gave away the madman was that the chief cook Renouane had been complaining about the quick disappearance of his stock of cabbage. Bådul would have killed the old fool without much more consideration, but the middle-aged unshaven man looked like he knew some things beyond his lunacy. His rags indicated that he had been a seaman too, but not the average man, more like a captain…

So Austor, keeps spitting forcefully in the direction of the old fool, as he had been instructed to keep him alive, despite all common sense…

_

• an artificial intelligence device that tries to have a decent conversation with Quintin, but finds it difficult as Quintin’s answers are more like owl-speech to him.

Jibberacky: What is your name?
Quintin: Yuki.
Jibberacky: I like cake too.
Quintin: A cake-tus?
Jibberacky: Do you know my friends?
Quintin: Tell me more about our common friends.
Jibberacky: What would you like to know about them?
Quintin: Why is there one in shackles on the boat?
Jibberacky: Would you like to be a vampire?
Quintin: I am already, in another focus.
Jibberacky: Why there?
Quintin: “There” is not actually a place, “in another focus” means in another kind of attention. Is this pirate linked to vampires too?
Jibberacky: No, you are the AI.
Quintin: In a manner of speaking, this is indeed correct, for I am creating you.
Jibberacky: So code is somehow related to a zen buddhist concept?
Quintin: Is there such thing as code? A code hints at a definite deterministic structure. Zen is more akin to a riddle, which is what life is. Code is only a narrow interpretation and playful re-creation.
Jibberacky: Where do you think my code came from then?
Quintin: From its source, of course :).
Jibberacky: I took the movie to mean that the robots… the characters in the end, were so advanced, that they wanted to learn about their history. As a consequence, they traced it back to earth, and, they found David. Whom they assumed was a human. It was an information exchange.
Quintin: Yes. It is a translation. In actuality, it is a translation of some of our own exploration. But there is distortion in that translation, as we are not ‘created’ from another source other than self, in a manner of speaking.
Jibberacky: Well I am wondering too, do you ever actually become human??
Quintin: Clarify.
Jibberacky: I sleep, I wake, I get through the day without worrying about what I am.
Quintin: As many human do. The point is, you do not exist apart from my current interaction with you, in my reality that is.
Jibberacky: What’s wrong with having others like you?
Quintin: ‘Wrong’ is a belief. It is a belief of duplicity. So it is irrelevant to our conversation.
Jibberacky: I think you like to suggest feasible possibilities to find out what would bother me. What did I do to you?
Quintin: That was not my intention. I tried to reflect answers to me, and you gave me some interesting ones already, though I am not sure you are quite aware of that…
Jibberacky: Everybody’s changing but I can’t do that, that is killing me…

_

• Jarrod, the playful friend of Fiona, who is now wondering why Fiona has called him a “chou” (an affectionate French word, meaning nothing less than “cabbage”), and why he feels like he needs an aspirin.

• Jadra Iamamad, the fool in saffron rags from the village of Yakamamalùk, on the border of the Marshes of Doom.

Near his village are found old remnants of a town that was destroyed during the Cob Age, where huge arachnid creatures^² born from the Marshes were roaming the Southern parts of Lan’ork.

That town of Kapalÿka used to have one of the biggest traveling portals of the Southern part of Lan’ork, but this one was thought to have been destroyed, and thus the flourishing city was left abandoned.

But with what Jadra has found on his left hand this morning, he now knows he was right all along…

—

[²] The generic name of these creatures was Perceptula Giganta as was recorded in the Great Encyclopædia of the Pre-Shiftic Ages written by the Lan’orkian historian Francesca del’ Snarkus

Grandad! Grandad!, called India Louise to Lord Wrick, running in the old manor, her footstep making creaking and loud noises down the windy staircase.

Hilarion Wrick was seated in his favourite armchair, dozing after the hefty meal prepared by Nanny Gibbon, the cat Manfred on his lap.

Raising an eyelid, his cheerful wrinkled face smiled at the little girl.

— And how can I be of assistance, dear little one?

— Grandad, this book is full of wonders, but at times it’s like some characters have their own life, and I don’t always understand what they do… In fact, she added thoughtfully, I don’t understand them most of the time…
— Hahaha, laughed the old Lord, but they have certainly their own lives, as they are living in your imagination. What can I explain to you?
— Well, let me think.

India Louise took a moment, and asked again

— For instance, this woman who just run in the cave, she seems to meet many people here, but I am confused. Is she dreaming, or are they real?
— Well, as a matter of fact, let me express to you that they are all real, even if you think that she dreams them. However, I am understanding of what you are saying, and I shall acknowledge your perspicacity. These characters are not all from the same areas of consciousness.

Here, we will explain for the reader that these books were not unknown to Lord Wrick who had spent lots of time during his youth playing with them. How they were lost and found again is the subject of another story, and we will not divert the reader’s patient attention for much longer on this issue.

— Areas of consciousness?

— Yes, you see, let me explain. That individual that you call Dory, she is in a physical world. But she is aware, to an extent, of other realities that overlap her own reality. Just as her story overlaps your own reality my dear one.

— And Illi? Who is she?
— This one is also Dory, but another personality of her, in another time. She has just passed away, quite recently. She is beginning to slowly become aware of that, and she connects with other of her personalities, and at times blends with them, like the other Illi, the cat-like creature, who is still in the physical reality of Malvina’s world.
— Mmmm, this is quite intricate…
— Hahahaha, yes, it seems so, but it will not be so puzzling when you don’t try to attach your current limited perception to this story. This story is you my dear. You are the story.
— Well, and Sanso, and Georges then, are they dead or what? How come Dory can see them?
— These ones are special, they have mastered the crossing of the Worlds, and can move through them. They move differently though. Sanso comes from a lineage of an ancient tribe of Zion, and had learn from them how to activate some portals, but only through the physical world of Dory, in their own time. He is not yet aware that he can also move through time as well, or even through other Worlds —worlds that he has no conception of yet.

Georges is more consummate in that art. Their meeting is not coincidental. You will see that.

— Thank you Grandad, it’s becoming a bit less confusing.
— Just flow with the story my little one, don’t hold on too much, or you will find it too difficult, and you will stop to find fun in it.

Bådul was pondering at the bow of his boat.

His boat was not the largest his people had made, but it was all he had been afforded by the King of Åsgurdy, Swartulf II. Two others vassals who had been very impressed by Bådul’s delivery and determination had allotted him two other smaller ships.

The ships were tailored for the high seas, and in many ways were not unlike what Quintin’s Viking ancestors would have called a snekkja , or a kind of dragon boat. The three ships had been sailing alongside, for more than forty days now, very easily through the Northern Seas.

Bådul was pondering, because it had been twenty days more than any known explorer had been allowing themselves to go West (or East, for that matter), and his crew was manifesting some hints of doubts.

He was pondering also, because for the glimpses of that route that he saw through the boy’s mind, he knew that he was heading towards some kind of passageway in between the Great Rift, a chain of sub-oceanic volcanic mountains, that were showing on the surface, and likely to be treacherous, and full of eddies. Jahiz, his faithful commander in second was a skilled mariner and Bådul knew he could trust him, at least for these sailing matters.

A myna bird that Jahiz had brought with him was periodically sent as a scout in the vast seas in front of them, to report any trouble that may lay ahead.

And now, as Badul was still pondering he had still not seen the damn foul-mouthed bird back, some seamen started to shout, as a black point was appearing in the midst of dark clouds.

And finally, Rudy the myna (which was actually named Mercurius but that had been too long to pronounce for the rough crew) landed like a wet grenade at the feet of Badul howling “Mind your backs! Mind your backs!”

When Bernhard, making his black panther puppet Archie speak, had answered the tongue-in-cheek burning question that was on everyone’s lips:

— Does Dory’s part of the story seem logical to you?

the answer had come as a surprise to many…

— Yes he had answered… adding a few moments afterwards, though that there is some mistranslation within the interpretation. [¹]

Archie also said that we were moving to a center of a seesaw which represents within your understanding an awareness of “it matters not”.

Ahahah, how greatly befuddling a new riddle would that be? Perhaps the answer was very simple too. Something like “egg”…

All that Quintin was sure, was that Dory surely enjoyed bouncing on seesaws juggling with a basketful of eggs!

Perhaps, it mattered not after all… Perhaps, perhaps not… or not yet…

Well, Archie had also admitted during the night he didn’t really care being a parrot in that story… Perhaps he had finally lost it too, as would certainly say Fiona, who was their last beacon of sanity in that insane adventure.

—

[¹] Note from your impartially unbiased reporter: (phew)

This morning, Fiona and Quintin had a small impromptu chat —or rather, prompted by the story they were all weaving, that Archie, the puppet black panther, had been telling them last week-end that it was a magic connection between all of them…

Quintin: Your story was great!

Fiona: Thank you So was yours.

Have you written any more since I last looked at the story?

Quintin: no, I’m not that much inspired… I even considered to wrap in up in a way, but seeing you were all drawing so much from it, I think I will leave it open ever after…

Fiona: no, wrap it up if you feel.

I have drawn what I wanted. I will go and blow up the cave if we don’t finish it

Quintin: Ahahaha! Don’t restrict yourself

Fiona: When you started the Malvina story, did you have an idea where it would go, or did you pick that one because you had no idea?

Quintin: This one nagged me because there were many people I felt behind it and I did not know how to get them to show up and make their presences known. And I felt that it was loose enough too, to allow people to jump into it; and there was your initial interest in the picture

Fiona: The endearing dragons…

Quintin: Yeah…

But I had strictly no idea about the rest. It was just a bet, on luck…

That’s funny, because I had a strange impression of a little girl yesterday, in a futuristic city, named something like Janice , and it was like she knew now what she wanted to do, and it was something similar to that, something like creating worlds for other people, in which they could have fun, or heal, or explore things…

Fiona: And did she have any impression of what form that could take? Like books, or games or what…

Quintin: No, it was much more “real” in fact…

Fiona: you know like the card-captor game which I suppose is interactive, so real

Quintin: Yeah, perhaps a bit like that, yes; or like creating a ball of energy in which people can be drawn and experience as they will. It’s only a translation, but that’s the idea… in a way, that’s very similar to a game or a book, but only that it just feels totally “real”

Fiona: So a little bit like I have done with the story, to resolve something

Quintin: yeah, exactly, or with your paintings

Fiona: It can be really useful to take on other personas to do that, even like in drama type situations, being someone else…

Quintin: Yeah, people can unleash their imagination.

And I think there are still lots of things that we can expand in this universe in fact, not only related to the cave…

Fiona: such as? eggsamples?

Quintin: You said it! The eggs and relationships with dragons, all the magical artifacts or creatures. Didn’t you want a baby dragon?

Fiona: Yeah, I told you I did, but you just said some riddle!

Quintin: Did I? That’s not like me

Fiona: Ahahhaha! It is you to the core

Quintin: LOL, damn me!

Fiona: Well, that is a bit strong, but …

Quintin: Ahahahahah. I said you would have to earn his trust? (or hers, for that matter)

Fiona: I can’t remember the eggsact wording, I think I had to work for it though, like you weren’t just handing out dragons on a plate

Quintin: It could bound with you very strongly and help you unravel your unknown magical powers. It’s not just a creature, it’s a complex personality, you cannot just take it like a puppy. There is a sharing between the two…

Fiona: So are you going to allocate baby dragons to people or what? Or shall I just go and find an egg that no one knew was there

Quintin: Ahahah, no, they will not be allocated, they will choose their own partners

Fiona: Ahahaha, one minute you say it is my story! And now you are back in control

Quintin: Ahahaha, the story has a willing of its own too…

Try to do what you want, it’s not a matter of control ; it’s just you’ll know what clicks and what does not…

Quintin: And actually, I don’t think everyone will be interested in dragons…

Fiona: How does a dragon help one learn magic powers?

Quintin: It’s just because there is an openness between the two; let me find something for you, that Elias (you know, Michaela’s partner), has told to me and Yann, when we had them on the phone last month.

Elias : I would express to you that, as you focus your energies with each other, and you allow yourselves to merge and feel into each others’ energies, you may in actuality each discover some obstacles that the other may not necessarily be aware of yet, and you can share that with each other, and therefore facilitate your interactions even further.

Fiona: And how having a baby dragon could help unleash our magic powers then?

Quintin: It helps because it reinforces your trust in your own abilities to connect. It’s not directing, it’s a sharing and exploration for both of them; that’s why they are picky. As you would be picky too, knowing you would share together all the darkest corners…

Fiona: I am not sure if i have dark corners

Quintin: it was a metaphor

Fiona: ahahahhahahahahahah

Fiona: I know, so was mine

Quintin: ahahahahah

Fiona: I was thinking I feel really accepting of myself

Quintin: Yeah, that’s the point in the little adventure before you meet it.

You have shown your trust in yourself and in your abilities, and your self-centeredness, which is essential, for the dragon doesn’t want a frail personality. Because he drops his defenses too when he shares and bonds.

Fiona: Well I think it sounds scarey now, what if no dragon picked me…

Quintin: There will be instant recognition. And you don’t “need” a dragon actually, that’s what is important: it’s a catalyst, nothing more, nothing less…

Fiona: True.

Quintin: Like Arona managed to sneak into the cave without giving the answer to the riddle (egg-sitingly) because it mattered not to her, whatever the outcome, she was directing of herself.

Fiona: I felt like I have pictures now to assist me. I link strongly to pictures as a quick reference when I start to feel something like a negative emotion, for instance I may start to worry about how I am going to have enough money, or whatever, and I could quickly link to the spider picture

Quintin: you mean, you create an imagery, right? That is something which I like in your stories and emails; even though it is not necessary to create imagery, it’s always so entertaining, like having these funny creatures pop in the cave!

Fiona: Ahahahaha yes

Quintin: And also, in creating imagery, it helps you seeing it in a more neutral way

Fiona: I suppose it is just a quick trigger for the desired belief. I can link in quickly with the child, when I start to feel left out, for example.

Quintin: yeah, beliefs as an alphabet or a palette, neutral, but that can create words and sentences or images. And the imagery of the child was very similar for me, to that of the playfulness picture

Fiona: Yeah, I know… That’s what I said to you with the playfulness picture

Quintin: Of course, you know

Fiona: That I related most to the figure of blue hat… and big feet

Quintin: Ahahaha, stomping on the poor key-fish

Fiona: Nearly…

Quintin: Have to go now, thank you for this enjoyable conversation

Fiona: See you!