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Epilogue & Prologue

Paris, November 2029 – The Fifth Note Resounds

Tabitha sat by the window at the Sarah Bernhardt Café, letting the murmur of conversations and the occasional purring of the espresso machine settle around her. It was one of the few cafés left in the city where time still moved at a human pace. She stirred her cup absentmindedly. Paris was still Paris, but the world outside had changed in ways her mother’s generation still struggled to grasp.

It wasn’t just the ever-presence of automation and AI making themselves known in subtle ways—screens adjusting to glances, the quiet surveillance woven into everyday life. It wasn’t just the climate shifts, the aircon turned to cold in the midst of November, the summers unpredictable, the air thick with contradictions of progress and collapse of civilization across the Atlantic.

The certainty of impermanence was what defined her generation. BANI world they used to say—Brittle, Anxious, Nonlinear, Incomprehensible. A cold fact: impossible to grasp and impossible to fight. Unlike her mother and her friends, who had spent their lives tethered to a world that no longer existed, she had never known certainty. She was born in the flux.

And yet, this café remained. One of the last to resist full automation, where a human still brought you coffee, where the brass bell above the door still rang, where things still unfolded at a human pace.

The bell above the door rang—the fifth note, as her mother had called it once.

She had never been here before, not in any way that mattered. Yet, she had heard the story. The unlikely reunion five years ago. The night that moved new projects in motion for her mother and her friends.

Tabitha’s fingers traced the worn edges of the notebook in front of her—Lucien’s, then Amei’s, then Darius’s. Pieces of a life written by many hands.

“Some things don’t work the first time. But sometimes, in the ruins of what failed, something else sprouts and takes root.”

And that was what had happened.

The shared housing project they had once dreamed of hadn’t survived—not in its original form. But through their rekindled bond, they had started something else.

 

True Stories of How It Was.

 

It had begun as a quiet defiance—a way to preserve real, human stories in an age of synthetic, permanent ephemerality and ephemeral impermanence, constantly changing memory. They were living in a world where AI’s fabricated histories had overwhelmed all the channels of information, where the past was constantly rewritten, altered, repackaged. Authenticity had become a rare currency.

As she graduated in anthropology few years back, she’d wondered about the validity of history —it was, after all, a construct. The same could be said for literature, art, even science. All of them constructs of the human mind, tenuous grasp of the infinite truth, but once, they used to evolve at such a slow pace that they felt solid, reliable. Ultimately their group was not looking for ultimate truth, that would be arrogant and probably ignorant. Authenticity was what they were looking for. And with it, connections, love, genuineness —unquantifiables by means of science and yet, true and precious beyond measure.

Lucien had first suggested it, tracing the idea from his own frustrations—the way art had become a loop of generated iterations, the human touch increasingly erased. He was in a better place since Matteo had helped him settle his score with Renard and, free of influence, he had found confidence in developing of his own art.

Amei —her mother—, had changed in a way Tabitha couldn’t quite define. Her restlessness had quieted, not through settling down but through accepting impermanence as something other than loss. She had started writing again—not as a career, not to publish, but to preserve stories that had no place in a digitized world. Her quiet strength had always been in preserving connections, and she knew they had to move quickly before real history faded beneath layers of fabricated recollections.

Darius, once skeptical, saw its weight—he had spent years avoiding roots, only to realize that stories were the only thing that made places matter. He was somewhere in Morocco now, leading a sustainable design project, bridging cultures rather than simply passing through them.

Elara had left science. Or at least, science as she had known it. The calculations, the certainty, the constraints of academia, with no escape from the automated “enhanced” digital helpers. Her obsession and curiosities had found attract in something more human, more chaotic. She had thrown herself into reviving old knowledge, forgotten architectures, regenerative landscapes.

And Matteo—Matteo had grounded it.

The notebook read: Matteo wasn’t a ghost from our past. He was the missing note, the one we didn’t know we needed. And because of him, we stopped looking backward. We started building something else.

For so long, Matteo had been a ghost of sorts, by his own account, lingering at the edges of their story, the missing note in their unfinished chord. But now, he was fully part of it. His mother had passed, her past history unraveling in ways he had never expected, branching new connections even now. And though he had lost something in that, he had also found something else. Juliette. Or maybe not. The story wasn’t finished.

Tabitha turned the page.

“We were not historians, not preservationists, not even archivists. But we have lived. And as it turned out, that was enough.”

They had begun collecting stories through their networks—not legends, not myths, but true accounts of how it was, from people who still remembered.

A grandfather’s voice recording of a train ride to a city that no longer exists.
Handwritten recipes annotated by generations of hands, each adding something new.
A letter from a protest in 2027, detailing a movement that the history books had since erased.
An old woman’s story of her first love, spoken in a dialect that AI could not translate properly.

It had grown in ways they hadn’t expected. People began sending them recordings, letters, transcripts, photos —handwritten scraps of fading ink. Some were anonymous, others carefully curated with full names and details, like makeshift ramparts against the tide of time.

At first, few had noticed. It was never the goal to make it worlwide movement. But little by little, strange things happened, and more began to listen.

There was something undeniably powerful about genuine human memory when it was raw and unfiltered, when it carried unpolished, raw weight of experience, untouched by apologetic watered down adornments and out-of-place generative hallucinations.

Now, there were exhibitions, readings, archives—entire underground movements dedicated to preserving pre-synthetic history. Their project had become something rare, valuable, almost sacred.

And yet, here in the café, none of that felt urgent.

Tabitha looked up as the server approached. Not Matteo, but someone new.

“Another espresso?”

She hesitated, then nodded. “Yes. And a glass of water, please.”

She glanced at the counter, where Matteo was leaning, speaking to someone, laughing. He had changed, too. No longer just an observer, no longer just the quiet figure who knew too much. Now, he belonged here.

A bell rang softly as the door swung open again.

Tabitha smiled to herself. The fifth note always sounded, in the end.

She turned back to the notebook, the city moving around her, the story still unfolding in more directions than one.

The Waking 

Lucien – Early 2024	Darius – Dec 2022	Amei – 2022-2023	Elara – 2022	Matteo – Halloween 2023
Aversion/Reflection	Jealousy/Accomplishment	Pride/Equanimity	Attachment/Discernment	Ignorance/Wisdom
The sky outside Lucien’s studio window was still dark, the faint glow of dawn breaking on the horizon. He woke suddenly, the echo of footsteps chasing him out of sleep. Renard’s shadow loomed in his mind like a smudge he couldn’t erase. He sat up, rubbing his temples, the remnants of the dream slipping away like water through his fingers. The chase felt endless, but this time, something had shifted. There was no fear in his chest—only a whisper of resolve. “Time to stop running.”	The hum of the airplane’s engine filled Darius’s ears as he opened his eyes, the cabin lights dimmed for landing. He glanced at the blinking seatbelt sign and adjusted his scarf. The dream still lingered, faint and elusive, like smoke curling away before he could grasp it. He wasn’t sure where he’d been in his mind, but he felt a pull—something calling him back. South of France was just the next stop. Beyond that,… Beyond that? He didn’t know.	Amei sat cross-legged on her living room floor, the guided meditation app still playing its soft tones through her headphones. Her breathing steadied, but her thoughts drifted. Images danced at the edges of her mind—threads weaving together, faces she couldn’t place, a labyrinth spiraling endlessly. The meditation always seemed to end with these fragments, leaving her both unsettled and curious. What was she trying to find?	Elara woke with a start, the unfamiliar sensation of a dream etched vividly in her mind. Her dreams usually dissolved the moment she opened her eyes, but this one lingered, sharp and bright. She reached for her notebook on the bedside table, fumbling for the pen. The details spilled out onto the page—a white bull, a labyrinth of light, faces shifting like water. “I never remember my dreams,” she thought, “but this one… this one feels important.”	Matteo woke to the sound of children laughing outside, their voices echoing through the streets of Avignon. Halloween wasn’t as big a deal here as elsewhere, but it had its charm. He stretched and sat up, the weight of a restless sleep hanging over him. His dreams had been strange—familiar faces, glowing patterns, a sense of something unfinished. The room seemed to glow for a moment. “Strange,” he thought, brushing it off as a trick of the light.
“No resentment, only purpose.”	“You’re not lost. You’re walking your own path.”	“Messy patterns are still patterns.”	“Let go. The beauty is in the flow.”	“Everything is connected. Even the smallest light adds to the whole.”
The Endless Chase – Lucien ran through a labyrinth, its walls shifting and alive, made of tangled roots and flickering light. Behind him, the echo of footsteps and Renard’s voice calling his name, mocking him. But as he turned a corner, the walls parted to reveal a still lake, its surface reflecting the stars. He stopped, breathless, staring at his reflection in the water. It wasn’t him—it was a younger boy, wide-eyed and unafraid. The boy reached out, and Lucien felt a calm ripple through him. The chase wasn’t real. It never was. The walls dissolved, leaving him standing under a vast, open sky.	The Wandering Maze – Darius wandered through a green field, the tall grass brushing against his hands. The horizon seemed endless, but each step revealed new paths, twisting and turning like a living map. He saw figures ahead—people he thought he recognized—but when he reached them, they vanished, leaving only their footprints. Frustration welled up in his chest, but then he heard laughter—a clear, joyful sound. A child ran past him, leaving a trail of flowers in their wake. Darius followed, the path opening into a vibrant garden. There, he saw his own footprints, weaving among the flowers. “You’re not lost,” a voice said. “You’re walking your own path.”	The Woven Tapestry – Amei found herself in a dim room, lit only by the soft glow of a loom. Threads of every color stretched across the space, intertwining in intricate patterns. She sat before the loom, her hands moving instinctively, weaving the threads together. Faces appeared in the fabric—Tabitha, her estranged friends, even strangers she didn’t recognize. The threads wove tighter, forming a brilliant tapestry that seemed to hum with life. She saw herself in the center, not separate from the others but connected. This time she heard clearly “Messy patterns are still patterns,” a voice whispered, and she smiled.	The Scattered Grains – Elara stood on a beach, the sand slipping through her fingers as she tried to gather it. The harder she grasped, the more it escaped. A wave rolled in, sweeping the sand into intricate patterns that glowed under the moonlight. She knelt, watching the designs shift and shimmer, each one unique and fleeting. “Let go,” the wind seemed to say. “The beauty is in the flow.” Elara let the sand fall, and as it scattered, it transformed into light, rising like fireflies into the night sky.	The Mandala of Light – Matteo stood in a darkened room, the only light coming from a glowing mandala etched on the floor. As he stepped closer, the patterns began to move, spinning and shifting. Faces appeared—his mother, the friends he hadn’t yet met, and even his own reflection. The mandala expanded, encompassing the room, then the city, then the world. “Everything is connected,” a voice said, low and resonant. “Even the smallest light adds to the whole.” Matteo reached out, touching the edge of the mandala, and felt its warmth spread through him.

---

Dreamtime

It begins with running—feet pounding against the earth, my breath sharp in my chest. The path twists endlessly, the walls of the labyrinth curling like roots, closing tighter with each turn. I know I’m being chased, though I never see who or what is behind me. The air thickens as I round a corner and come to a halt before a still lake. Its surface gleams under a canopy of stars, too perfect, too quiet. I kneel to look closer, and the face that stares back isn’t mine. A boy gazes up with wide, curious eyes, unafraid. He smiles as though he knows something I don’t, and my breath steadies. The walls of the labyrinth crumble, their roots receding into the earth. Around me, the horizon stretches wide and infinite, and I wonder if I’ve always been here.

The grass is soft under my feet, swaying with a breeze that hums like a song I almost recognize. I walk, though I don’t know where I’m going. Figures appear ahead—shadowy forms I think I know—but as I approach, they dissolve into mist. I call out, but my voice is swallowed by the wind. Laughter ripples through the air, and a child darts past me, their feet leaving trails of flowers in the earth. I follow, unable to stop myself. The path unfolds into a garden, vibrant and alive, every bloom humming with its own quiet song. At the center, I find myself again—my own footprints weaving among the flowers. The laughter returns, soft and knowing. A voice says, “You’re not lost. You’re walking your own path.” But whose voice is it? My own? Someone else’s? I can’t tell.

The scene shifts, or maybe it’s always been this way. Threads of light stretch across the horizon, forming a vast loom. My hands move instinctively, weaving the threads into patterns I don’t understand but feel compelled to create. Faces emerge in the fabric—some I know, others I only feel. Each thread hums with life, vibrating with its own story. The patterns grow more intricate, their colors blending into something breathtaking. At the center, my own face appears, not solitary but connected to all the others. The threads seem to breathe, their rhythm matching my own heartbeat. A voice whispers, teasing but kind: “Messy patterns are still patterns.” I want to laugh, or cry, or maybe both, but my hands keep weaving as the threads dissolve into light.

I’m on the beach now, though I don’t remember how I got here. The sand is cool under my hands, slipping through my fingers no matter how tightly I try to hold it. A wave rolls in, its foam glowing under a pale moon. Where the water touches the sand, intricate patterns bloom—spirals, mandalas, fleeting images that shift with the tide. I try to gather them, to keep them, but the harder I hold on, the faster they fade. A breeze lifts the patterns into the air, scattering them like fireflies. I watch them go, feeling both loss and wonder. “Let go,” a voice says, carried by the wind. “The beauty is in the flow.” I let the sand fall from my hands, and for the first time, I see the patterns clearly, etched not on the ground but in the sky.

The room is dark, yet I see everything. A mandala of light spreads across the floor, its intricate shapes pulsing with a rhythm I recognize but can’t place. I step closer, and the mandala begins to spin, its patterns expanding to fill the room, then the city, then the world. Faces appear within the light—my mother’s, a child’s, strangers I know but have never met. The mandala connects everything it touches, its warmth spreading through me like a flame. I reach out, my hand trembling, and the moment I touch it, a voice echoes in the air: “Everything is connected. Even the smallest light adds to the whole.” The mandala slows, its light softening, and I find myself standing at its center, whole and unafraid.

I feel the labyrinth’s walls returning, but they’re no longer enclosing me—they’re part of the loom, their roots weaving into the threads. The flowers of the garden bloom within the mandala’s light, their petals scattering like sand into the tide. The waves carry them to the horizon, where they rise into the sky, forming constellations I feel I’ve always known.

I wake—or do I? The dream lingers, its light and rhythm threading through my thoughts. It feels like a map, a guide, a story unfinished. I see the faces again—yours, mine, ours—and wonder where the path leads next.

Work in Progress: Character Timelines and Events

Matteo

• November 2024 (Reunion):
  • Newly employed at the Sarah Bernhardt Café, started after its reopening.
  • Writes the names of Lucien, Elara, Darius, and Amei in his notebook without understanding why.
  • Acquires the bell from Les Reliques, drawn to it as if guided by an unseen force.
  • Serves the group during the reunion, surprised to see all four together, though he knows them individually.
• Summer 2024 (Olympics):
  • Working in a vineyard in southern France, nearing the end of the harvest season.
  • Receives a call for a renovation job in Paris, which pulls him toward the city.
  • Feels an intuitive connection to Paris, as if something is waiting for him there.
• Past Events (Implied):
  • Matteo has a mysterious ability to sense patterns and connections in people’s lives.
  • Has likely crossed paths with the group in unremarkable but meaningful ways before.

 

Darius

• November 2024 (Reunion):
  • Arrives at the café, a wanderer who rarely stays in one place.
  • Reflects on his time in India during the autumn and the philosophical journey it sparked.
  • Brings with him an artifact that ties into his travels and personal story.
• Summer 2024 (Olympics):
  • Living in Barcelona, sketching temples and engaging with a bohemian crowd.
  • Prompted by a stranger to consider a trip to India, sparking curiosity and the seeds of his autumn journey.
  • Begins to plan his travels, sensing that India is calling him for a reason he doesn’t yet understand.
• Past Events (Implied):
  • Has a history of introducing enigmatic figures to the group, often leading to tension.
  • His intense, nomadic lifestyle creates both fascination and distance between him and the others.

 

Elara

• November 2024 (Reunion):
  • Travels from England to Paris to attend the reunion, balancing work and emotional hesitation.
  • Still processing her mother’s passing and reflecting on their strained relationship.
  • Finds comfort in the shared dynamics of the group but remains analytical about the events around the bell.
• Summer 2024 (Olympics):
  • (was revealed to be a dream event) Attends a CERN conference in Geneva, immersed in intellectual debates and cutting-edge research. Receives news of her mother’s death in Montrouge, prompting a reflective journey to make funeral arrangements. Struggles with unresolved feelings about her mother but finds herself strangely at peace with the finality.
  • Dreams of her mother’s death during a nap in Tuscany, a surreal merging of past and present that leaves her unsettled.
  • Hears a bell’s clang, only to find Florian fixing a bell to the farmhouse gate. The sound pulls her further into introspection about her mother and her life choices.
  • Mentors Florian, encouraging him to explore his creativity, paralleling her own evolving relationship with her chalk research.
• Past Events (Implied):
  • Moved to Tuscany after retiring from academia, pursuing independent research on chalk.
  • Fondly remembers the creative writing she once shared with the group, though it now feels like a distant chapter of her life.
  • Had a close but occasionally challenging relationship with Lucien and Amei during their younger years.
  • Values intellectual connections over emotional ones but is gradually learning to reconcile the two.

 

Lucien

• November 2024 (Reunion):
  • Sends the letter that brings the group together at the café, though his intentions are unclear even to himself.
  • In his Paris studio, struggles with an unfinished commissioned painting. Feels disconnected from his art and his sense of purpose.
  • Packs a suitcase with sketchbooks and a bundle wrapped in linen, symbolizing his uncertainty—neither a complete departure nor a definitive arrival.
  • Heads to the café in the rain, reluctant but compelled to reconnect with the group. Confronts his feelings of guilt and estrangement from the group.
• Summer 2024 (Olympics):
  • Escapes Paris, overwhelmed by the crowds and noise of the Games, and travels to Lausanne.
  • Reflects on his artistic block and the emotional weight of his distance from the group.
  • Notices a sketch in his book of a doorway with a bell he doesn’t recall drawing, sparking vague recognition.
• Past Events (Implied):
  • Once the emotional “anchor” of the group, he drifted apart after a falling-out or personal crisis.
  • Feels a lingering sense of responsibility to reunite the group but struggles with his own vulnerabilities.

Amei

 

• November 2024 (Reunion):
  • Joins the reunion at Lucien’s insistence, hesitant but curious about reconnecting with the group.
  • Brings with her notebooks filled with fragments of stories and a quiet hope for resolution.
  • Feels the weight of the group’s shared history but refrains from dwelling on it outwardly.
• Summer 2024 (Olympics):
  • Recently moved into a smaller flat in London, downsizing after her daughter Tabitha left for university.
  • Has a conversation with Tabitha about life and change, hinting at unresolved emotions about motherhood and independence.
  • Tabitha jokes about Amei joining her in Goa, a suggestion Amei dismisses but secretly considers.
• Past Events (Implied):
  • The last group meeting five years ago left her with lingering emotional scars.
  • Maintains a deep but quiet connection to Lucien and shares a playful dynamic with Elara.

 

Tabitha (Amei’s Daughter)

• November 2024:
  • Calls Amei to share snippets of her life, teasing her mother about her workaholic tendencies.
  • Reflects on their relationship, noting Amei’s supportive but emotionally guarded nature.
• Summer 2024 (Olympics):
  • Planning her autumn trip to Goa with friends, viewing it as a rite of passage.
  • Discusses her mother’s habits with her peers, acknowledging Amei’s complexities while expressing affection.
• Past Events (Implied):
  • Represents a bridge between Amei’s past and present, highlighting generational contrasts and continuities.

Key Threads and Patterns

• The Bell: Acts as a silent witness and instigator, threading its presence through pivotal moments in each character’s journey, whether directly or indirectly.
• Shared Histories: While each character grapples with personal struggles, their paths hint at intersections in the past, tied to unresolved tensions and shared experiences.
• Forward and Backward Motion: The narrative moves between the characters’ immediate challenges and the ripples of their past decisions, with the bell serving as a focal point for both.

Nov.30, 2024 2:33pm – Darius: The Map and the Moment

Darius strolled along the Seine, the late morning sky a patchwork of rainclouds and stubborn sunlight. The bouquinistes’ stalls were already open, their worn green boxes overflowing with vintage books, faded postcards, and yellowed maps with a faint smell of damp paper overpowered by the aroma of crêpes and nearby french fries stalls. He moved along the stalls with a casual air, his leather duffel slung over one shoulder, boots clicking against the cobblestones.

The duffel had seen more continents than most people, its scuffed surface hinting at his nomadic life. India, Brazil, Morocco, Nepal—it carried traces of them all. Inside were a few changes of clothes, a knife he’d once bought off a blacksmith in Rajasthan, and a rolled-up leather journal that served more as a collection of ideas than a record of events.

Darius wasn’t in Paris for nostalgia, though it tugged at him in moments like this. The city had always been Lucien’s thing —artistic, brooding, and layered with history. For Darius, Paris was just another waypoint. Another stop on a map that never quite seemed to end.

It was the map that stopped him, actually. A tattered, hand-drawn thing propped against a pile of secondhand books, its edges curling like a forgotten leaf. Darius leaned in, frowning at its odd geometry. It wasn’t a city plan or a geographical rendering; it was… something else.

“Ah, you’ve found my prize,” said the bouquiniste, a short older man with a grizzled beard and a cigarette dangling from his lips.

“This?” Darius held up the map, his dark fingers tracing the looping, interconnected lines. They reminded him of something—a mandala, maybe, or one of those intricate yantras he’d seen in a temple in Varanasi.

“It’s not a real place,” the bouquiniste continued, leaning closer as though revealing a secret. “More of a… philosophical map.”

Darius raised an eyebrow. “A philosophical map?”

The man gestured toward the lines. “Each path represents a choice, a possibility. You could spend your life trying to follow it, or you could accept that you already have.”

Darius tilted his head, the edges of a smile forming. “That’s deep for ten euros.”

“It’s twenty,” the bouquiniste corrected, his grin flashing gold teeth.

Darius handed over the money without a second thought. The map was too strange to leave behind, and besides, it felt like something he was meant to find.

He rolled it up and tucked it into his duffel, turning back toward the city’s winding streets. The café wasn’t far now, but he still had time.

He stopped by a street vendor selling espresso shots and ordered one, the strong, bitter taste jolting his senses awake. As he leaned against a lamppost, he noticed his reflection in a shop window: a tall, broad-shouldered man, his dark skin glistening faintly in the misty air. His leather jacket was worn at the elbows, his boots dusted with dirt from some far-flung place.

He looked like a man who belonged everywhere and nowhere—a nomad who’d long since stopped wondering what home was supposed to feel like.

India had been the last big stop. It was messy, beautiful chaos. The temples had been impressive, sure, but it was the street food vendors, the crowded markets, the strolls on the beach with the peaceful cows sunbathing, and the quiet, forgotten alleys that stuck with him. He’d made some connections, met some people who’d lingered in his thoughts longer than they should have.

One of them had been a woman named Anila, who had handed him a fragment of something—an idea, a story, a warning. He couldn’t quite remember now. It felt like she’d been trying to tell him something important, but whatever it was had slipped through his fingers like water.

Darius shook his head, pushing the thought aside. The past was the past, and Paris was the present. He looked at the rolled-up map peeking out of his duffel and smirked. Maybe Lucien would know what to make of it. Or Elara, with her scientific mind and love of puzzles.

The group had always been a strange mix, like a band that shouldn’t work but somehow did. And now, after five years of silence, they were coming back together.

The idea made his stomach churn—not with nerves, exactly, but with a sense of inevitability. Things had been left unsaid back then, unfinished. And while Darius wasn’t usually one to linger on the past, something about this meeting felt… different.

The café was just around the corner now, its brass fixtures glinting through the drizzle. Darius slung his duffel higher on his shoulder and took one last sip of espresso before tossing the cup into a bin.

Whatever this reunion was about, he’d be ready for it.

But the map—it stayed on his mind, its looping lines and impossible paths pressing into his thoughts like a puzzle waiting to be solved.

Characters list

Character / Personality Traits / Connection clues to Matteo

• Lucien
  • The Artist
  • Introspective, dreamy, quietly sarcastic
  • A painter who sees the world in textures and light. His sketchbook holds fragmented memories of their shared past.
  • Matteo recalls Lucien’s fleeting romance marked by an order of absinthe—a memory Lucien himself can’t fully place.
• Elara
  • The Scientist
  • Analytical, sharp, skeptical
  • A physicist drawn to patterns and precision. Her research often brushes the edges of metaphysical questions.
  • Matteo remembers her ordering black coffee, always focused, and making fleeting remarks about the nature of time.
• Darius
  • The Explorer
  • Bold, restless, deeply curious
  • A wanderer with a talent for uncovering hidden stories. He carries artifacts of his travels like talismans.
  • Matteo recalls a postcard Darius once gave him —a detail that surprises even Darius.
• Amei
  • The Storyteller
  • Observant, wise, enigmatic
  • A weaver of tales who often carries journals filled with unfinished stories. She sees connections others miss.
  • Matteo knows her through her ritual of mint tea and her belief that the right tea could mend almost anything.

• Matteo
  • The Enigmatic Server
  • Charismatic, cryptic, all-knowing
  • A waiter with an uncanny awareness of the four friends, both individually and collectively.
  • Holds a quiet, unspoken role as the bridge between their shared pasts, though his true connection remains unexplained.

The downward climb had taken what felt like days. The more he went, the darkest it was even the stars at his feet were now swallowed in obliviating darkness.

Rukshan felt like abandoning at times, but pressed on and continued, down and down as he rose above clouds.

The ancient energies that had shaped this topsy-turvy passage spiraling around the fence of the heartwoods wouldn’t have done something of that magnitude and let it unfinished. It was calling for an exploration, while at the same time protecting itself from mere wanderers, the kind with lack of imagination or endurance.
His mind reminded him of old tales that spoke of sacrificing to the trees for knowledge and passage, but it was surely meant as a metaphor. Hanging upside down for hours was probably in itself a form of sacrifice.

He reached to his pouch for a drink of sour milk, when he suddenly realized that the gravity had turned, and the pouch was no longer floating above his head. With the darkness and the lack of landmarks, he’d failed to notice when this happened.

It surely meant he’d crossed an invisible barrier, and was now journeying inside another plan, deeper down. Ground couldn’t be far now. He took a pearl off one of his braids, and threw it. Then he looked at the darkness beneath his feet with intent to discern the faintest sounds. Quickly enough, the pearl gave back a ricocheting sound, clean and echoing slightly against what seemed to be moist stones. Indeed ground was there, where once the sky was.

Maybe the final test was a leap of faith. Or maybe it was just to patiently complete the climb. A few more steps, and he would be there. A few more steps.

Muriel looked at the unfinished construction work with an eye of reproach.

“What? Don’t you like the new loo?” Eleri was apprehensive about the old cantankerous woman, who had started to take herself to be the manager of the place while her sister Margoritt was away.

“No, it’s not the loo, dear. Your atrocious gargoyles, I may say, do add a bit of… Gothic flavour to it. Does for lazy bowels better than prunes if you ask me. I can’t be more in a hurry to leave the place. But no, it’s more the sink —or lack thereof— that I’m worried about. But of course I’m sure you have a plan for that…” She eyed Eleri over her round spectacles, precariously balanced at the tip of her angular nose, in a way that made Eleri uncomfortable.

“Well, we kind of lost hope, after all the joiners and handymen that have come to fix it, and abandoned the work.”

“So? Are you calling it quits? That’s not reasonable. Are you sure you’ve not badly chosen the spot, like decided to put in above a cursed indigenous cemetery, or that there isn’t some trickster pixie spell there?”

Glynis, who was there with a basket of laundry ventured rather boldly:
“I don’t think so, Morayeel.” She smiled innocently, knowing full well Muriel didn’t like the nickname and continued, even more emboldened.
“I have dejinxed the place myself. No, I think the problem is that it’s too clean now. I probably must lift the cleaning spell, or no worker will ever approach the place and get it finished.”

Granola felt a bit stupid in her squishy giraffe suit, lying deflated on the carpeted floor of the entrance.

“Ailill!” she called for her afterlife tech support guy in blue.

“Up here, darling.”

She looked up, and sure enough, he was there, a blue pompom ball dangling from the ceiling. It landed quite gracefully next to her giraffe, and turned into a small guy in blue overalls.

“Got yourself again stuck in rut, haven’t you?” he smiled at the giraffe, propping it up on its elastic legs.

“You can say that. It feels like days I’ve been stuck in a loop, observing the same people doing the same things. When I think I’m moving on, I’m actually just switching to the next one, but it’s always the same moment.
Lucinda blathering on the phone while I’m her cushion, and next I’m a paper roll in Jerk’s cash register, and the moment after, I’m the blank page that Shawn Paul stares at for hours, or one of Maeve’s unfinished dolls next. Actually, the giraffe feels kind of an improvement.”

She looked musingly and a bit enviously at Ailill’s form: “I didn’t think it’d be that tough to graduate to human form. Blobs of red lights were fun enough, but… things! This!” The giraffe looked at its chewed legs and wobbled precariously.

“In actuality…” Ailill started loftily

“Oh dear… make it simple please.”

“It’s part of the evaluation of attachments. You need to move beyond them, then you’ll be free to do more things, to be more. For now, you still see yourself as a props in these characters’ dramaless lives. But try to think about that one: what if they were the props of yours? You are trying too hard to move around the wrong things. The journey is inwards, always my friend.”

Something squished into the small giraffe, as if it something in Ailill’s speech had made sense to Granola.

The oiliphant had arrived. Rukshan had heard her powerful trumpeting that made the walls vibrate and resound deeply.
He’d called the great Oiliphant Spirit a month ago, with an old ritual of the Forest, drawing a complex symbol on the sand that he would fill with special incense offering, and letting it consume in one long slow burn. He had to chose the place carefully, as the magic took days to operate, and any disruption of the ritual by a careless passerby would just void its delicately wrought magic.
Sadly, oiliphants had left a long time ago and many believed they were creatures of lore, probably extinct. He knew from the Forest fays that it was not so. There were still sightings, from deep in the Forest, in the part where the river water fell pristine and pure from the mountainous ranges. What was true was that even for the fay people, such sightings were rarer than what used to be, in the distant past.
It was a reckless move on his part, drawing one so close to the town walls, but he knew that even the most godless town dweller would simply be in awe of the magnificent giant creature. Besides, they were notoriously difficult to mount, their thick rubbery skin slippery and slick as the smoothest stone, as if polished by ages of winds and sky water.
Thus the magic was required.
Rukshan’s little bag was ready. He’d taken with him only a small batch of provisions, and his leather-bound book of unfinished chronicles, spanning centuries of memories and tales from his kin.

Leaving his office, he took the pile of discarded paper and closed the door. The office looked almost like when he’d first arrived, maybe a little cleaner. He liked the idea of leaving little footprints.
After throwing away the papers in front of the building with the trash, he looked up at the Clock Tower and its twelve mannequins. There was definitely something awry at play in the Tower, and the mere thought of it made him shiver. The forlorn spirits dwelling in the basements had something to do with the Old Gods, he could tell. There was fear, anger and feelings of being trapped. When you were a mender, you knew how to connect with the spirit in things, and it was the first step in mending anything. He could tell that what made him shiver was the unthinkable idea that some things may be beyond repair.

Before leaving, he walked with pleasure in the still silent morning streets, towards the little house where the errand boy of the office lived with his mother. He had a little gift for him. Olliver was fond of the stories of old, and he would often question him to death about all manners of things. Rukshan had great fondness for the boy’s curiosity, and he knew the gift would be appreciated, even if it would probably make his mother fearful.
The bolophore in his old deer skin wrapping was very old, and quite precious. At least, it used to be, when magic was more prevalent, and reliable. It was shaped as a coppery cloisonné pineapple, almost made to resemble a dragon’s egg, down to the scales, and the pulsating vibrancy. People used bolophores to travel great distances in the past, at the blink of a thought, each scale representing a particular location. However, with less training on one-pointed thoughts, city omnipresent disturbances, and fickleness of magic, the device fell out of use, although it still had well-sought decorative value.

Rukshan left the package where he was sure the boy would find it, with a little concealment enchantement to protect it from envious eyes. To less than pure of heart, it would merely appear as a broken worthless conch.

With one last look at the tower, he set up for the south road, leading to the rivers’ upstream, high up in the mountains. Each could feel the oiliphant waiting for him at the place of the burnt symbol, her soft, regular pounding on the ground slowly awakening the life around it. She wouldn’t wait for long, he had to hurry. His tales of the Old Gods and how they disappeared would have to wait.

Linda Paul was reviewing the leather-bound copy of the anthology of Walt van Wharff works she’d received weeks ago from an anonymous source. Van Wharff was apparently from XVIIth century in Newherland a leading authority in walvissen wetenschap or whalology as it were.
Linda wasn’t really even remotely interested in whales, but the book had picked her curiosity, or more exactly, the pink post-it on it, signed with a glitter lipstick lips mark, on which was written in some mysterious handwriting PBWY AND BO if you see that dearie, you know what it means

She had no clue what it was about, but the antique book had some interesting qualities, and she soon had found herself inexplicably engrossed in its reading.
The theory behind it was baffling, dealing with whale sightings, aperiodic tiling and crystal diffraction, but she managed to intuit that it had to do with detection of whale migratory patterns.

Given the literary quality of the book (or lack thereof) and his very confuse language constructs, its author was by no doubt dead in a state of miserable unfamousness. Notwithstanding, Linda Paul understood there was an unfinished equation that would reveal when they would appear next, which was likely to reveal a huge crystal of exotic properties.
So long as it glittered, she was already hooked onto that quest.

A few investigations and equations-solving on her ezapper later, she had found the next coordinates that she’d texted to her only current operatives, Sadie and her misfits.
She hoped they wouldn’t sabotage this one, and thus offer them all a second chance to book a full season for their adventures.

The Godfrey2012 campaign started when story characters from all over the world got together to tell other story characters about the fate of the ones left on the shelf in unfinished books. Some wanted to pin the blame all on Godfrey, to make it easier to steal all his peanuts, but the story characters weren’t so daft, they knew that everyone is writing their own story, and what was so great about peanuts anyway.

As she was sinking to the bottom of the raging sea, Madame Chesterhope first felt like a boiling rage inside her, at all the thwarted attempts, all the unfulfilled promises.
Not a solid thing on which to carve a few runes or symbols to get herself out, not a single living being to use at her profit, she was alone, at the mercy of gravity.
Not unexpectedly, flashes of her life, of her many lives, flickered like incoherent pieces of an unfinished mosaic in her mind.

When did it went wrong? she thought… When did she lose touch with her magic.
Not the mundane magic, not the one she used for these parlor tricks devoid of meaning, like that beautiful flying motorbike which was drowning even faster than her… She was speaking of her inner magic, her sense of connection with the elements, with herself, Phoebe.

What had become of the frail grey-haired lady the apparency of whom she was so fond of taking years ago?
She was tempted to blame many things; the twenty-first century of her own dimension, for one, which had made her rough and tough, out of need perhaps, and perhaps a bit out of laziness. It was out of tiredness mostly, tiredness to have to constantly justify her appearance to others, that she had chosen a more convenient one; that of the crone with more rotund forms, of whom one would only expect austerity and strength.
You can see where it had led you. she was thinking.

A few more miles further down, and perhaps she would meet the mermaids, like the guy said in that Big Blue motion picture…
Maybe there was some purity left in her heart, that would make the inhabitants of the depths greet her wretched soul. Or perhaps they all died before her, from the pollution of this strange world mutating in pangs and spasms of a painful childbirth.

And what would you do now, if you have the choice? that sweet voice, like that of a thin grey-haired mermaid, was it her own, testing herself?
The quest for magical artifacts seemed so far away at this moment. It had begun a long time ago, led her to discover new other-dimensional places… new tricks, all of them for what? To gain control over the elements, the others, everything that could threaten her, force her to change. How ironic. That the fear of change made her change so drastically.
She wanted to make peace with all of that. The mermaids weren’t coming, but her own voice was still there for her. Perhaps she could muster the strength. To continue…

Mustering all her force, she forcibly expressed the most propelling “prout” she’d ever made. Of course, she’d been learning a few tricks from the legendary Fartiste back in her youth when she went to Paris to perform at the Moulin Rouge… Sweetest time of her life, she had to admit…

On the surface of the waters, bubbles started to form.

Just behind the plumpy panting woman who was coming to the campfire, Balbina could see the most interesting waddling goat she had ever seen coming along.

“And I suspect the goat talks too?” Balbina asked Yuki.
“Oh, yes… lots even… But don’t expect to understand all she says” Yuki added with a bwink.

Hahaha, Balbina was amazed. That place was the most delirious dream/out-of-body projection she’d had in a long long time. How entertaining.

“Beh, don’t be fooled, Balbina dear, it’s all real. And you’ll know very soon.” the goat started to greet her.
“And you are?”
“Rafaela, at your service.”
“How many more like you are there here? I’ve never seen such a funny zoo…”
“A great deal actually” answered Yuki “but not so many of them are focused in this form. You still have to meet our dear Armowlle, who is doing some spying business and occasional rescue missions on the island, and our soft Arailynx who is on more subjective missions currently…”

Balbina was wondering “and why did you say I’ll know very soon?” she asked the goat.
Rafaela answered with a mysterious smile “Because I’m planning to communicate a way out of this island to two of my little protégés, and I expect some of these people will follow. And you are very likely to meet them in the flesh when they get there.”
“Really?!” Balbina was amazed. This dream was taking qualities of realness she wouldn’t have suspected the least it to have.

“Now,” Yuki cut short the amazement moment “we need to have those among our friends willing to leave, to be prepared to leave at dawn.”

“Okay” Anita, who had been seated on the sand quietly till then, rocking gently from side to side in a calm meditation, said softly.

“Oh, she really can feel us talking…” Balbina said more to herself than to anyone else. And looking closely at the girl’s energy field, she could see how expanded it was, reaching those of Yuki, Kay the spirit dog, and Rafaela and even hers in luminous threads.

“Not all of them are leaving tonight” answered Yuki to her unspoken question. “I think Anita and her parents will, but it’s more than probable than the others will stay. Some have business to do here, and others are in vacations huhu…”

“You’re right, seems like the one with the strange energy field is gone already?”
“Oh Claude, you mean. Yes. His mummification experience wasn’t too pleasant, and he has unfinished business with the people of the island; no wonder he prefers to stay here on his own.”

(on the beach, around the campfire, in Regional Area 1, or physical reality)

— Awww, plane-crash you say? ‘ow wonderful… Mavis was chatting with Akita. Ye need to come with me, ye can’t stay ‘ere all night. Besides, Shar and Glaw will be so thrilled to see you. And we were starting to think it was all boring ‘ere; didn’t know they would have real survivors like on real-TV!

— Aaron and his family … they would probably need some better shelter, I assume. This probably would be best for us to come with you… Akita answered. And apparently, Claude has left, so that’s just us…

— Owlright then! Mavis beamed, come with me handsome! she said, clutching the soldier’s muscular arm under hers.
— Don’t worry Akita, we’ll follow you, said Anita to the soldier who was visibly appealed by the woman but was also weary to leave Anita alone with her sleeping parents. Besides, we can see the lights behind the trees, it’s very near…

— See you there Anita! Akita said to Anu
— Bye Akita! And don’t worry, Kay is always with you she said with a mysterious smile.

As they walked side by side to the facility, Mavis said “Kay? A friend of yours?”
“Oh, my lost dog… Nothing to worry about” answered Akita absently.