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  • #1982

    In reply to: Scrying the Word Cloud

    TracyTracy
    Participant

      YOU’LL BE following yourself BEFORE YOU GET started, WEARING THAT wig, Rose. Come HERE! TINA pulled IT OFF moments LATER, within SIGHT OF EVERYONE. THEY ALL smiled BUT everyone WAS cool. (Maevel WASN’T surpriseD TO BE creating handsOME perfect AND weird CHARACTERS.)

      IT seemed THE PERFECT synch WHEN blue joe THE action MAN, KNOWN TO bed EVERY known HUMAN skin IN TOWN ~ WITH NO particular PREFERENCE ~ WAS FOUND getting A faceLIFT TO help IMPROVE HIS laugh.

      Given THAT sam’S FACE HAD weatherED ALOT TOO, tracy WAS full OF thoughtS OF GAINING fair points FOR A BIT OF magic. HER quiet friends, AS WELL AS HERself, HAD bookED THE APPOINTMENT. Nothing, NOT EVEN THE WEIRD aspects OF THE days, easily FORGOTTEN, COULD SHAKE THE focuses understandING.

      Images IN THE sky APPEARED, AND THEY wondered ABOUT THE STRANGE sound…….

      #471

      Oörlaith was picking star-thistles buds that were growing on the ruins in the Marshes. She had always felt attracted by the putrid Marshes, for many reasons.
      There was something in her own demeanour that made creatures and people comfortable around her, and she had always felt in herself that natural balancing and accepting qualities that makes a good Healer.
      But it was a complex matter, and her choices of explorations had always stirred much incomprehension in the various people she had met over her life. And she had met lots.

      Of course, the first ones where her own parents. They were opulent burgomasters of one of the major towns of Cromash Tur, and from the date of her birth, Oörlaith was destined to marry one of the Warlords of these regions. Something that was sound and portent of good fortune, as her parents kept saying. Warlords were always in need of fundings for their expeditions, and in exchange would be providing a modicum of security for the commerce and other activities. It was thus all good for everybody. Good exchange of practices.

      But very early in life she had known her path was not that one.
      Nothing as plain and simple… and boring! one must admit. Her parents would have not, though.

      As far as she remembered, she first had a living proof of her potentials when she healed a small bird back to life. A miracle, for the poor thing had been maimed by an rabid chipmog pillaging birds nests for eggs, and throwing the little hatched bird off the branches. Chipmogs were no more evil than the bird she knew that, and their show-offy nature was even a blessing in disguise, as she had been quickly alerted of the incident.
      She was four year-old.

      Only later did she became aware of how she could best learn to develop her magical potentials. Her parents wouldn’t have let her know about such things as how to become a Grand Sorceress, for they did not really know much about it, and also for it was considered unfitting to her rank. “Simpletons”, she couldn’t help but think.
      But the day she became aware of the legendary Island of Mörk, she instantly set her goal to be counted among the best of their Learned Ones, whatever the price for her.

      And notwithstanding her relatively young age, she got by her own to the Island, and was trained there too… But then again, it was not as easy, as she rebelled against some of the Laws of Magic passed down by the Teachers, Laws that were thick and dry as a century old grimorium full of abstruse formulæ.
      Hopefully, she ended up with misfits as much she was, her dear sisters Roselÿn and Malvina.

      When it was time for them to part on their own adventures, she again surprised many (but not her dear sisters) by stating that she would settle near the Marshes. The legends surrounding this place, as well as the huge potential for practicing healing in one of the most difficult environments were immense incentives for her.
      The Teachers had warned her of the immense energy that filtered in these lands, as it was a coordinate point where things had already gone awry in the past. She had almost laughed at them. Of course she was aware, that was all about that. Definitely not for the faint of hearts.

      Her companion Andarión, who was in his/her preferred shape a majestic water dragon, as wise as it was a crackpot at times, had been aware of her intentions as soon as they had first met. They had chosen each other quite purposefully, though she was not entirely aware of her role in these discoveries. But undoubtedly he was an asset.

      And as she was picking her mauve star-thistles, humming like a raving madwoman, her sharp eye was on the look for the legendary golden one which would mean the dawn of a new Era…

      #424

      — The legend of Mævel — (Part VII)

      Today was the Day of the Forgotten. Mævel had slept well, nestled into the soft and warm depth of her dreams, her head resting on the short blue fur of the fox.
      In sharp contrast with the lovely night, she awoke strangely irritated. Even the birds songs were like noise to her ears, and every sound of the forest she heard with acute intensity and a sense of being submerged by many sensory inputs.
      Hopefully, the blue fox voice was still very comforting, and she started to wonder how they could come across a Forgotten One in need.

      — I think I know where we can find some Forgotten One in need.
      — Where? asked Mævel

      The fox paused, then answered her question:
      — Near your human parents’ home.

      Mævel was surprised. She trusted the fox, and never had really questioned him, because more than that she trusted her own feelings, but now her feelings were telling her that there was something the fox had not told her. Or had told her partially. She was silent, pondering the unseen implications.

      — Mæ, I’ll try my best to answer your questions, but remember I cannot tell you everything. I can help you remember some things, but there are things that my curse does not allow me to reveal. You have to find them by your own, in order to free us…
      — Free us? I thought you were the one Cursed?…
      — Yes I am, and…
      — How do you know my parent’s home? How much do you know about me?
      — I know you since you are a baby actually. And even before…
      — Before? I don’t understand a thing… I feel there are some unseen links, that I cannot decipher, yet they are so close to…
      — You’re right, there are links, links that are important, and that I cannot reveal.
      — Why can’t you reveal them?
      — Let’s go to your human parent’s home…
      — Why do you always say my human parents?

      The fox blew in front of him, creating a wobbling sound into the air in the form of a ring large enough for them to go through it. And he hopped inside, disappearing in mid-air.

      Mævel was perplexed, but did not hesitate. She hopped too into the watery ring in front of her and found herself falling into a void, to reemerge on a bed of dry leaves in front of her parent’s home. Blohmrik the blue fox was seated in front of her, observing a shadowy form at a distance in front of them.

      — Is that the Forgotten One we will help?
      — Yes.
      — Why do you need me? You could help her, couldn’t you?
      — She wouldn’t see me, Forgotten Ones are usually obsessed by a few people, those who they feel can remember them, and don’t usually see other people. Their perception is quite different than ours.
      — Hang on a minute… Why do you think she will see me?

      Mævel looked into the eyes of the fox, and she knew.

      — We are linked.

      It was more an affirmation than a question.
      Mævel wondered who that shadowy figure was. When she focused on her, the form was getting more solid, and she could catch glimpses of how she looked like. And she was surprised. She was about her age, with long blond hair as hers.
      Mævel’s voice was broken:
      — My parents had told me I was about to die when I was a baby, then by a sort of miracle, I became healthy… Was that true?… I mean… Was that a gentle way of telling me that I had a twin who died or…
      — No, Mæ. She is not you. She is not linked to you by blood. You can talk to her, she will listen to you.

      So Mævel went to see the shadowy figure. She had stopped wandering and trying to find an opening around the house, for there were none for spirits: all openings were locked by stripes of red cloth hung onto the doors and windows.
      Mævel felt the pain of the Forgotten One as she approached her.

      — Who are you? she suddenly asked Mævel, raising her head at her approach.
      — I am Mævel.
      Mævel… It means marvel of Maÿ… I was born in Maÿ…
      — What are you doing here?
      — This is my parents’ home.
      — How is that possible?
      — Twenty one year ago, I was taken away from them, given to Shaint Lejüs in place of a fairy princess. But Shaint Lejüs was no fool, he had sent his apprentice to spy on the fairy king.
      — Blohmrik?!
      — Yes, Blohmrik… But Blohmrik disobeyed the Elder God, and when he saw the exchange that was about to happen, he let it happen. He wanted to protect the fairy princess from his master. Because Shaint Lejüs wanted the princess as a bride. Ahahaha, how disappointed Lejüs was when he saw that I could not perform the most basic magic spells. I was good at nothing, so he let me go wandering into his Realm. He’d just thought the half-fairy princess had inherited no magic from her father.
      — How do you know all that?

      — I told her, the blue fox said. I was hoping to bring her relief. But she started to look for her parents, and Lejüs discovered the truth… Because she was not looking for a fairy king. She was heading here, year after year.
      — That’s the reason of your curse, is it?
      — Yes. She can’t see me because I was Forgotten too, in that form of a blue fox. But as Forgotten Ones don’t forget, I didn’t forget. I couldn’t tell her, because she couldn’t see me.
      — So, I am that fairy princess you are talking about… that strange idea was starting to dawn on Mævel.
      — Yes. When Lejüs discovered who you were, he wasn’t interested in you any longer, because he thought your magical potential had been irremediably damaged by all those years spent in human company.

      — Who are you talking to? the shadowy figure asked, bemused.
      — Blohmrik, he is here. But it’s untrue, Mævel said, there is magic in me.
      — Yes there is, answered the blue fox, and you can undo what has been done with it.

      Mævel remembered the useless key she had manifested when she had tried to go out of her human parents’ house. She had not even looked at it closely.

      — You can manifest it again Mæ, said the fox. It is with you. You are its lock.

      And no sooner had Mævel thought of the big rusted key, than it appeared in her hand again. But this time the rust on it was crackled, and it started to disintegrate, and a brilliant shiny metal started to show beneath it.

      Scratching what was left of the rust, Mævel started to look at the beautiful key, it was shaped as a musical note, and it had some word written on it, in an ancient language she didn’t know how to read. But she knew the sound when she ran her finger on the surface of the word.

      « Araoni »

      That was her. She was remembering, and everything started to change.

      :fleuron2:

      The wedding of the God Blohmrik, son of Mirÿnda, Goddess of Mirth and of Bälias, God of the Sparkles with Araoni, daughter of the Fairy Queen Theÿa and the Fairy King Aldurion was pronounced on a bright day of Maÿ, in a beautiful orchard in the presence of Araoni’s human parents and sisters and brothers.

      Even Lejüs had been invited, even though he would have preferred to be Forgotten…

      :fleuron:

      And so my story ends… said Captain Bone to Tomkin.

      — And was the shadow remembered by her true parents? had asked Tomkin.
      — Oh, yes she was… Of course. She just didn’t want to steal the limelight from Mævel, you see. Her parents were happy of course to find back their true daughter.
      — You didn’t tell me the name of the true daughter, did you?
      — No, I didn’t, said Captain Bone with a wink.

      #412

      :multimedia: CUUUUUT !

      — Ahahaha, I’m sorry, that must be the sauerkraut we had for lunch!
      — You’re kiddin’ or what? I tell you for the 58 th time, it’s supposed to be a dramatic scene filled with suspended horror and… Shite! Perhaps you’d prefer to have it Broadway-like, Teri sweetie? With parrot feathers jabbed into your bum and fairies dangling from the roof singing La Traviata?…

      — Err… You can say that’s because of the fermentation gas produced by the mould inside the mummy, and that her reviving her physiological tissues would naturally generate…
      — Who the hell is that f*cking know-it-all?
      — I’m the historical consultant, John Davis
      — Historical WHAT? Betty’s gonna hear me, I can tell ya, as if we’ve got ‘nuff budget to bother with… Aaah, get lost! Now, everyone get ready for the… Ooooh bugger! Let’s do it tomorrow.

      Marvin Scrozzezi went to his caravan exasperated. The movie wasn’t going very well, and there were all these impossible deadlines… His worst concern was about the damn budget. He’d thought it was a good idea to hire that expensive castle to do the movie. An adaptation from a book he had found recently.
      He had bargained with the author to get the rights, and that had been tough, considering his previous movies were not quite that kind of great historical epic he was supposed to do now.
      At least she had not laughed when Marvin had told her his most successful movie was The Return of the Avenging Dame Zombie of the Lake
      What a mess… Sure a good night of sleep would make it all right.

      #403

      November, 1 st 2057

      Sean took another glass of scotch to give him some courage to call.

      — It’s your twelfth now, that’s supposed to give you courage
      — Oh, Maggie, my live is such a mess…
      — It’s not, and you know it. Look at all our beautiful children, and Becky who went through so much just out of love for you…

      Sean didn’t know whether he was actually seeing the ghost of his deceased wife, or a projection of her, still alive in another part of the Universe, but she always had been a comforting presence.
      He had started to see her a few months after her disappearance.
      Yes, during that T.R.A.P. expedition, yeah, “live-changing experience” they had said… True, too true… Perhaps the electromagnetic field had messed up with his brains, but now he could see her clear as day.

      That had been a bit freaky in the beginning, and when they made love with Becky, he was a bit anxious to see her appear not invited. But Margaret had been discrete, well mostly. At times, he wondered if she had not sneaked into the bedroom and merged her energies with Becky’s, just to be closer to him… Becky’s acts did not always make sense anyway, so that was hardly a criterion to judge of that.

      All his live had been like that. A jumble of incoherent stuff. Oh, he had enjoyed it, especially at the beginning. His father Lord Wrick was obsessed with the Shift, and had found some ancient knowledge in his youth. Mostly rubbish by nowadays standards, bunches of rotten books of prophecies handed down to a few chosen ones, who were supposed to be forewarned of doom to come. Now, they knew that they were only a wake up call, but at that time, it was another thing altogether.

      Of course, the wealth accumulated over the centuries by the Wrick family had been helpful to access these precious archaeological documents. A few of them had played a key role.
      For instance, the in-extenso Life and Deeds of Lord Gustard Willoughby Fergusson, a rare version of the diary of Lord Fergusson, annotated by his daughter, Illi, was telling an account of history much different than the one romanced after his death by his wife Floribunda von Grott.
      Thanks to it, Lord Wrick had been able to acquire some inkling as to ancient treasures. Old fool…
      It had killed his wife, Artemisia, devastated by the madness of her husband, and it had alienated the other part of the family too.
      But all that counted was to make the discoveries, and perhaps enlight the masses.

      Sean had never really forgave his father that he wanted to utilise Margaret and have her fit into his plans of grandeur. Of course, his father had willingly accepted the union, and despite all appearances (for the sake of those rapacious journalists) he had even pushed Sean to do it quickly. But all he was really interested in was her precious discoveries.

      — Oh, but I was not innocent, Sean
      — I know Maggie, you were obsessed by what we could offer to you, especially when you read about the botanical experiments in the deserts, which were related in that old book. But still…
      — We all had grown up through that, you know…
      — Yes, and what showed me that, was that I was concerned that the old vampire would suck my own children into his web, but Peregrine was too free for that, and Guinevere preferred to live her live outside of this madness too.
      Becky had a good influence. Do me a favour, be kind to her.
      — You know what?… Yes of course you’d know,… but let me tell you, so that we can laugh together… I found myself really happy and free when I stole the two magical books out of the Old Fool’s clutch. God knows how he acquired them, but one thing was sure, he was obsessed with them. I couldn’t get the mummy, but the books were a great take.
      — And a funny idea to give them to your cousin…
      — Yes, Dorean was the perfect person. I couldn’t leave them anywhere, my father would have found them again. At least he wasn’t in good terms with his brother and sister-in-law, so they were safe in their care. And at least, they were more grounded than my father, the perfect keepers for the books… I’m wondering what happened to them…
      — That will upset you, but Perry’s twins got them.
      — Oh really?
      — Yes, and they are having fun with them, as was intended.
      — That’s fine then, and we are less obsessed now than we were before, so I guess my father isn’t as much as a pain in the butt as he was…
      — You father meant good
      — Yes, like everyone, but why can’t we leave people alone at times? People can sort out their issues without the commiseration, and the good intentions… It’s poison even worse… Like I can drink and still be healthy, and nice, and…

      Sean started to sob.

      — I know, darling, but you’re as much of a sore as your father was… You focus so much on what’s not going right, and you don’t even appreciate that you can talk with your departed wife… That was nothing as easy in the old days.
      — Do you think my father talks with mum to?
      — I think he would be too proud to admit he is sorry… That may hinder the communication… But Arty wouldn’t bear grudge now. When we let go of the physical, things become so clear, we can only be accepting of everything. Perhaps you prefer to wait for your father to cross over? I can tell you something, that won’t be easier. That much I know.
      — You’re right. It’s just that I don’t know how to start…
      — Be yourself, talk about what you enjoy, where is your passion now… Perhaps that is the problem. You’re drowning your passion in your scotch.
      — You’re right… I’ll tell him Léan will have a baby.
      — Oh, he’ll love it!
      — How time flies… sighed Sean, I still remember the little sweetie as a blue-eyed laughing baby herself, with Oliver and Illana. She was the only one of the triplet to have inherited her mother’s dark complexion. She’s so beautiful…
      — Let’s call your father darling
      — Yes, let’s call him.

      ***

      Lord Wrick had not expected to received that call. Well, he had renounced it so long ago.
      He had been a bit shaken, but also relieved. He had proposed, on an impulse, to invite that whole part of the family he barely knew, Sean’s new partner, and all their children for next Christmas in the castle. Sean had told him they would probably come with Becky but that the children were now having their own lives, and it would have to be for another time.

      ***

      Lord Wrick went to see Bill, who was now painting the portraits of Peregrine and Linda in the veranda.
      He would probably have to stay longer, to paint a lot of new family portraits.

      That probably would come perfectly, as ever, as the Lord could tell India Louise loved to spend time with the painter. Perhaps she would become an artist too… :sumari:

      #391
      F LoveF Love
      Participant

        Tina was so happy Becky had sorted her hair problems so creatively. She wondered if she should tell her she had missed a bit at the back of her head. Yes of course she must.

        She also wondered if she should get changed before she met the others. Al had said he liked her new dress and then winked at her. What did that mean? Winks always made her a bit uneasy. They were so ambiguous.

        Oh that’s right, she could configure it anyway she chose she remembered. So she spent a few happy minutes remembering how fantastic she looked, like a supermodel actually.

        She would give the gift voucher to Sam for his birthday now Becky didn’t need it, she decided. No matter his birthday was months ago, she was always late with birthday gifts and preferred to do things on impluse. Not that Sam had any hair issues that she knew of, she just thought he would enjoy meeting Hari. :face-wink:

        She thought how great life was. Really it was all just about having fun. She felt so much easier with the play they were writing too, no longer concerned she could not follow the plots, plots? what a funny word to use, of the others, content just to follow her own unique path.

        #380
        ÉricÉric
        Keymaster

          When Al met the others, he was rather nonplussed by the profusion of capillar effects. Hairs colours were now a bit out of fashion, but he had to admit that Sam’s colours were radiant… Well, had it been for himself, he would have preferred something a tad bluer.

          When Becky had made her appearance, he was really impressed. He found Becky had made a “bald” move that was suiting her dark complexion to a T.
          (Becky was indeed sporting her African ancestry, coming from her mother Sabine Baina N’Diaye, with as much pride as her expensive boots).

          As for himself, Al was not displeased that he had followed the good-hearted advice of sweet Tina about his hair loss. But, as he had discovered along with Hari Amgic, it all boiled down to the fact that was he was finding the tonsure rather elegantly distinguished, and giving him the looks of a wise old monk.
          That had made Tina laugh of course, as she was finding him looking more like a monkey :(|) than anything else. Well, fine then, a Capuchin and that’ll make us agree on something at least, he had retorted a bit vexed.
          The truth was that now, with the help of Hari, he was growing hair so fast that he had to shave them in the morning, and they would be knee-long and thick in the evening… But that was fun.
          He was laughing now; he couldn’t have the monk look, but at least he had the sadhu look.

          He said to Tina with a mischievous wink that he really loved her hot pink dress with the little white kitty cats patterns on it. Perfect Goldilocks look. :D

          #348

          The Assassin was already in the room when Baul came in… Baul wasn’t sure if he would have prefered him not to be here so he could himself gather his mind. But he was well used to camouflage his feelings and inner struggle and his face was quite smiling, as usual.

          Looking at the Assassin’s face, Baul was feeling very uncomfortable, he almost winced… the bluish glow of the dagger tatoo on the forehead of the man was quite disgusting. Baul kept smiling though, he wouldn’t dare show his own weakness to anyone, especially an Assassin. His eyes were piercing his soul, if Baul had believed in such thing he would have run away, but he didn’t believe in anything except himself and the power of money.

          As the Assassin was never talking first, Baul presented his offer putting the object he had brought on the table.

          — Open the chest. You’ll find your paiement inside.

          :fleuron:

          Ar’Am Khra was waiting, still gazing sharply at Baul, making him feel even more uncomfortable.
          The Assassin was quite impressed with how the man Baul could master his own reactions, and though he was quite intrigued by what his client had brought, he wanted to play for a few moments. With a very slight movement of his eyebrows, so slight one wouldn’t have notice, he managed to add an irritation in his look. He saw the movement of fear in his client’s face, but still it was so subtle he could have imagined it.

          :fleuron:

          Baul pushed the chest toward the Assassin, a bit nervous, but he could …. a sudden thought came to his mind, wandering like a Strokgnutch in a henhouse. He swallowed imperceptibly… Had someone already put a contract on his head? He managed a smile as he was opening the chest for the Assassin.

          :fleuron:

          This Baul was quite impressive. Ar’Am Khra had known what he was thinking as though he could read his mind.

          He lowered his eyes to look at what was in the chest. He really desired being surprised by his clients, and this one had never failed to surprise him…

          :yahoo_alien:

          Once again…

          :fleuron:

          Baul was surprised as the Assassin wasn’t showing any hint of the slightest emotion at all… Would he show anything else than disdain even once!?

          :fleuron:

          — A glubolín :yahoo_alien:

          #326
          ÉricÉric
          Keymaster

            The unusual overwhelming heat, which had begun with the spring equinox had finally temporarily receded with the appearance of big opaque cumulonimbus filling the sky with a mute thunderous sound. The flickering glow was no longer enough for Raphael to distinguish the small dark characters dancing before his eyes, the storm having let the night pounce on them earlier than it should have.
            So, Raphael closed his thick leather-bound book and put it back into his burgundy backpack bag, inhaling deeply the air of the dusk, mollified by the music of the raindrops that ricocheted now discreetly on the rusty steel plates.

            The remaining passengers began to hurry around a meager dinner wrapped in dirty newspaper sheets, displaying energy resources that he felt incapable of. Feeling no hunger at all, he decided to go on the pontoon to taste the moisture exuding in the evening, this celestial water, soothing down the fever of this trip, which drew to a close. The boat continued to rend imperturbably through the obsidian sea, and the thick enveloping fog prevented them to distinguish the lights of the city that he could feel at a distance.

            This was not the first time, but at each of his return, the city seemed changed, this time ghostly apparition, once glittering pearl. This was undoubtedly one of the reasons which had him leave it, as others would have done with a lover, to better appreciate this fleeting moment of reunion.
            The book had been given to him by a stranger he had met, and was part of his mission; he didn’t usually accept assignments in this city where he was too obvious, but the stranger had assured him nothing illegal would be required of him, just delivering a book.
            He had leafed through the book, just to make sure there was no foul play on the part of this strange man with amber eyes that seemed to keep changing colours. But the book had seemed innocuous. Even worse, it did not make any sense for Raphael. The chapters were randomly numbered, and the text seemed to keep changing. Perhaps it was Raphael’s mind which played tricks on him, but it was baffling for him, as he was accustomed to keep his senses sharp as a dagger. Whatever,… The man had paid, and a plump pile of money even.

            The insistent rumors of a mysterious illness which had already claimed fatalities within the walls of the city had not deterred him to go there —knowing that the few people caring about him would have preferred to see him flee this destination, so certain as they were to be themselves immune to the contingencies of life. Even the bald adipose captain of the ship, Fat Yong Choi had seemed wary of having a pale-skinned foreigner coming on board of his boat, but he had quickly seen that Raphael was no common traveler.

            But there was no longer time to rehash those turpitudes, the harbour finally appearing, like a halo glow from the contours of which some faint sounds escaped, soon to be stifled by the purring and cracking of the bulging vessel.

            :fleuron:

            The winds began to sweep the docks violently, causing the cargo, now anchored, to oscillate wildly, like a huge weeble at the hands of the elements. Fortunately, due to the alarming news from the city, the boat was only half full, and the unloading was smooth. Raphael, unnerved by the long journey, only wanted to walk, but patiently followed the slow pace of the procession which led him outside of the harbour’s enclosure, even before he had noticed it.

            Raphael wanted above all to rest, but didn’t care to be bothered speaking to someone. He preferred to sink deep down in his thoughts while walking through the streets, rather than lose this feeling of freedom. Freedom to choose his own itinerary, without a word to say, entirely open to the silence of the streets.

            The fine drizzle had indeed deserted the streets making the city infinitely enjoyable for him. It was indeed just as he liked it best, at dusk, just faintly resonating with the sound of his own steps.
            Empty — a few passersby in search of a shelter nearby. He imagined to be a ghost haunting these places without life, enjoying the feeling of being the predator felinely prowling in this scene without spectators, shrouded in the reassuring complicity of the night.

            #275

            Oh well bugger it, said Arona, I have had enough of this. Perhaps we had better just play it by ear if no one really knows how this thing works.

            Which is really, although not in so many words, if I may be so rude as to remind you, what I was suggesting, said the charming Sanso, rather rudely.

            Well yes, that is true … but whatever, let’s not argue, shall we just get going? Are you ready Mandrake? All of a sudden Arona was feeling unaccustomably energised and assertive, and was totally fed up with herself for wasting time so much time sitting around. This was causing her to be a bit sharp with the others.

            You know my problem? she asked, rhetorically, although of course Mandrake felt compelled to offer a reply.

            Hmmmm and which one would that be?

            Ahahahah Mandrake, laughed Arona, well the one I was thinking of was that I think too much. I need to be more like our friend Sanso here. I mean, what does it matter where we end up, it is all a big adventure anyway.

            Well I for one, would prefer to end up somewhere in the vicinity of food, responded Mandrake.

            Sanso wasn’t really listening but was gazing at the sabulmantium with a look of awe and muttering to himself. This really is a remarkable find. I have never actually used a sabulmantium before but I gather that one uses it as a tool to focus their intention, which is a crucial component of the magical creative process. Tremendously powerful tool and when used with awareness by the pure of heart it has great potential.

            Oh great! shall we just get going then, said Arona picking up the Sabulmantium, and next thing you know, after a little bit more wandering down a few more tunnels, which isn’t really that interesting to write about, our three intrepid adventurers found themselves gazing in astonished delight at a most wonderous sight.

            #1308

            In reply to: Yuki’s Livrary

            ÉricÉric
            Keymaster

              September 24 th

              Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

              Relevant extracts:

              At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
              […] HE KNEW HIS WAY INSIDE !
              When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
              focus opening/doors ; time/space…
              The central cavernous part is some kind of key center, where anyone can meet…

              This has inspired Quintin to write some notes too.
              He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

              September 26 th

              The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

              Here would be what we will say to him, if he wants to listen:

              « Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
              Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
              These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
              And you begin to really experience it, and really pay attention.

              « As was expressed many times, “essence” is no thing. It is an action.
              The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
              In that, your purpose, you see, is only to experience, nothing more, nothing less.
              And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
              Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
              Just as your dreams at night overlap and blend into each other.
              Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

              « That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

              « Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
              In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

              « Let us explain this in other terms.
              When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
              In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
              You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
              Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

              « We will let you ponder this, and we will continue our own story, writing about you… »

              September 28 th

              This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
              Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

              Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
              It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
              And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
              It is almost limitless in your understanding.
              As is your magic.

              This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
              The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
              The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

              As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
              In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

              With that said, let us see how much more will appear from that sandbox…

              September 30 th

              The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

              The Secret Life of Margaret Wrick , a newspaper cut from 2033.

              October 7 th

              The dragon Naasir’s dream
              A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

              And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry

              #79
              ÉricÉric
              Keymaster

                These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.

                Note: for the reader not familiar with all the names here is a quick reminder:

                • Araili > Yann, Írtak, Sam, Jacob …
                • Armelle > Fiona, Arona, Tina, Qixi …
                • Rafaela > Dory, Illi, Becky, Rodney …
                • Yuki > Quintin, Al, Janice …

                September 12 th, 2007

                Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
                Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…

                Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.

                I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…

                September 13 th

                Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
                This first comment seems very promising.

                Right now, it feels easy and fun.

                Quintin seems to think that everything is very straightforward.
                The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
                The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.

                But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
                That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
                But the thing is, that he missed the point in thinking one World is more “real” than the other.
                We’ll be having some fun soon…

                First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
                We will appeal to his imagination.
                It seems he has heard the suggestion.

                September 14 th

                For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.

                But as I expected, some challenges seem to appear already.
                Is it raining or not in that world?
                The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.

                He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
                At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
                How will it unfold?
                Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…

                September 15 th

                Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.

                Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin :face-smile:

                Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.

                September 16 th

                Halcyons days…
                My dear friend Archie is answering some of Quintin and Yann’s questions.
                Something starts to dawn on Quintin. But his mind is on other matters.

                He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.

                September 18 th

                Quintin has been drawing some of the characters of the story. It’s interesting.
                He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.

                Characters drawn:

                • Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
                • Malika, Quintin, Yann, Fiona and Dory

                Interestingly, Fiona resolves her issues in her cave.
                Dory too, but she did not need the cave to do this.

                September 21 st

                For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
                And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
                Quintin will soon realize that he himself is doing this constantly, though he does not register it.

                But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!

                Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
                There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.

                Of course, some things still matter, and one of the point of the story is also to discover these.

                September 22 nd

                Quintin has been drawing new characters.

                Characters drawn:

                • Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
                • Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
                • Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter

                A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
                She had at first thought they were whiskers, which was not Quintin’s intent…

                September 23 rd

                Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.

                Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.

                Up to now, here are the names he could find:

                • North: the Icy Lands, and Dragon Cemeteries
                • Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
                • Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
                  Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators.
                • South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.

                When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.

                #136

                Inside her cave, Malvina was playing the harp. She was happy and in harmony with the Worlds.

                She came from a long lineage of Light Sorcerers and Sorceresses, but had preferred to the fuss of a great career in one of the quarreling kingdoms, a pleasant life inside this cave. The cave had been empty when she had found it, safe from some schpurniatz, but she knew how to tame them, and she had even left a few shadowy places for them to rest , hung upside down under the holes and crevices during daylight, when she had used Magix to transform the rocky walls into a comfortable dwelling place.

                She was happy, because new eggs had been laid, and they had come early this time. The eggs, she cherished not because of their gilded aspect, but because they were the sons and daughters of her mighty dragon friend Leörmn. Eggs were highly sought by greedy pirates of the Northern Seas, and though she had been as discrete as possible, she knew they had lots of informants, and her aura was spreading in the villages around, especially since she had helped that little boy who had fallen inadvertently inside the cave.

                At least, this time she would be warned by Leörmn, who was keeping watch at the entrance, and whose riddles could very well befuddle the greedy uninvited fellows into forgetting their names altogether.

                So now, she played, and played, and music notes were like soothing water drops, carried away by the rivulet inside the cave…

                #131

                Arona was lost. She had been lost for quite some time now and had got over the initial surprise this realisation had given her. It was not very often now that she questioned her decision to leave the others. She had tired of their endless journeying, always in circles, always moving and yet never seeming to move beyond the confines of the small village.

                One day she told them she was leaving. She wasn’t even sure if they heard her but still she set off, wearing her heavy black cape and carrying a small bag of her most treasured possessions.

                Arona had not been sure of the cape, it was so heavy, yet she feared the cold nights and loved the security of it’s warmth. It had been a gift from her parents, a long time ago, when she was just a child. Wear this cape and one day it will bring you happiness, her mother had said.

                Her mother said many odd things and had left on a journey of her own a many years ago, so Arona had never really been able to find out what she meant. Magically the cape had grown with her body, moulding itself to her.

                The worst of the winter cold was over now and Arona found the cape almost unbearably heavy at times, yet she could not quite bring herself to leave it behind. Sometimes she would take it off, relishing in the lightness and feeling the warmth of the sun on her body. She always put it back on though, just in case she needed it one day.

                Arona pulled out a well worn map from her bag. The map had been a gift from a travelling wizard who visited the village a few years ago. Arona had given him food and shelter and he repaid her kindness with the map. He seemed to think it was quite generous of him and Arona had thanked him politely. To be honest it was not really much use to her as she had no sense of direction, not even knowing which way north was, and not knowing where she was going anyway. She preferred just to follow whichever way seemed lightest at the time. But it was handy having the map because when she met others on the journey who asked her where she was going, she would wave her map at them. It made her look good, she thought, and saved her from too many questions.

                That day as she sat on a rock pretending to ponder her map she became aware of a faint sound of music in the distance. She had not heard music for such a long time. Once on her journey she had passed a wandering minstrel and begged him to play for her so that she could dance. In exchange she had lent him her cloak for a while to keep him warm.

                She felt the music beckoning her.

                :fleuron:

                Fiona loved Quintin’s drawings. They had a feel of magic and lightness and she was entranced by them. They were like the children’s films she had been watching lately, with many layers to them and touching something inside her mind, a distant memory which felt strangely close.

                Her own drawings felt heavy to her, and she had made a decision not to paint again unless she felt inspired. She did not really understand inspiration, only knew that she was tired of trying so hard.

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