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  • #7414
    EricEric
    Keymaster

      Eris and Thorsten…

      😅

      Eris, the Finn witch and Echo

      Thorsten, the chaos knight

      #7389

      “Well, it’s a long story, are you sure you want to hear it?”

      “Tell me everything, right from the beginning. You’re the one who keeps saying we have plenty of time, Truella. I shall quite enjoy just sitting here with a bottle of wine listening to the story,” Frigella said, feeling all the recent stress pleasantly slipping away.

      “Alright then, you asked for it!” Truella said, topping up their glasses.  The evening was warm enough to sit outside on the porch, which faced the rising moon. A tawny owl in a nearby tree called to another a short distance away.  “It’s kind of hard to say when it all started, though. I suppose it all started when I joined that Arkan coven years ago and the focus wasn’t on spells so much as on time travel.”

      “We used to travel to times and places in the past,” Truella continued, “Looking back now, I wonder how much of it we made up, you know?” Frigella nodded. “Preconceptions, assumptions based on what we thought we knew.  It was fun though, and I’m pretty sure some of it was valid. Anyway, valid or not, one thing leads to another and it was fun.

      “One of the trips was to this area but many centuries ago in the distant past.  The place seemed to be a sort of ancient motorway rest stop affair, somewhere for travellers to stay overnight on a route to somewhere.  There was nothing to be found out about it in any books or anything though, so no way to verify it like we could with some of our other trips.  I didn’t think much more about it really, we did so many other trips.  For some reason we all got a bit obsessed with pyramids, as you do!”

      They both laughed. “Yeah, always pyramids or special magical stones,” agreed Frigella.

      “Yeah that and the light warriors!” Truella snorted.

      “So then I found a couple of pyramids not far away, well of course they weren’t actually pyramids but they did look like they were.  We did lots of trips there and made up all sorts of baloney between us about them, and I kept going back to look around there.  We used to say that archaeologists were hiding the truth about all the pyramids and past civilizations, quite honestly it’s a bit embarrassing now to remember that but anyway, I met an actual archaeologist by chance and asked her about that place.  And the actual history of it was way more interesting than all that stuff we’d made up or imagined.

      The ruins I’d found there were Roman, but it went further back than that. It was a bronze age hill fort, and later Phoenician and Punic, before it was Roman.  I asked the archaeologist about Roman sites and how would I be able to tell and she showed me a broken Roman roof tile, and said one would always find these on a Roman site.

      I found loads over the years while out walking, but then I found one in the old stone kitchen wall.  Here, let me fetch another bottle.” Truella got up and went inside, returning with the wine and a dish of peanuts.

      “So that’s when I decided to dig a hole in the garden and just keep digging until I found something.  I don’t know why I never thought to do that years ago. I tell you what, I think everyone should just dig a hole in their garden, and just keep digging until they find something, I can honestly say that I’ve never had so much fun!”

      “But couldn’t you have just done a spell, instead of all that digging?” Frigella asked.

      “Oh my god, NO!  Hell no!  That wouldn’t be the same thing at all,” Truella was adamant. “In fact, this dig has made me wonder about all our spells to be honest,  are we going too fast and missing the finds along the way?  I’ve learned so much about so many things by taking it slowly.”

      “Yeah I kinda know what you mean, but carry on with the story. We should discuss that later, though.”

      “Well, I just keep finding broken pottery, loads of it. We thought it was all Roman but some of it is older, much older.  I’m happy about that because I read up on Romans and frankly wasn’t impressed.  Warmongering and greedy, treated the locals terribly. Ok they made everything look nice  with the murals and mosaics and what not, and their buildings lasted pretty well, but who actually built the stuff, not Romans was it, it was the slaves.  Still, I wasn’t complaining, finding Roman stuff in the garden was pretty cool.  But I kept wishing I knew more about the people who lived here before they came on the rampage taking everything back to Rome.  Hey, let me go and grab another bottle of wine.”

      Frigella was feeling pleasantly squiffy by now. The full moon was bright overhead, and she reckoned it was light enough to wander around the garden while Truella was in the kitchen.  As she walked down the garden, the tawny owl called and she looked up hoping to see him in the fig tree. She missed her step and fell over a bucket, and she was falling, falling, falling, like Alice down the rabbit hole.

      The fall was slow like a feather wafting gently down and she saw hundreds of intriguing fragments of objects and etchings and artefacts on the sides of the hole and she drifted slowly down.  At last she came to rest at the bottom, and found herself in an arched gallery of mirrors and tiles and doors. On every surface were incomplete drawings and shreds of writings, wondrous and fascinating.  She didn’t immediately notice the hippocampus smiling benignly down at her.   He startled her a little, but had such a pleasant face that she smiled back up at him.  “Where am I?” she asked.

      “You’d be surprised how many people ask me that.” he replied, with a soft whicker of mirth. “Not many realise that they’ve called on me to help them navigate.  Now tell me, where is it you want to go?”

      “Well,” Frigella replied slowly, “Now that you ask, I’m not entirely sure.  But I’m pretty sure Truella would like to see this place.”

       

      hippocampus

      #7377

      With the carnival in full swing, Truella was finding it hard to focus on everything that was going on. Was this mission more chaotic than usual, or did it seem that way because she wasn’t giving it her full attention?  She hadn’t thought too much about Jezeel not closing the portal.  She was having enough trouble stabilizing her own bilocation spell.

      Where was Frigella when she needed her?   And what was going on with that Cedric guy? Truella decided to go in search of her. Frigella was always good at explaining and clarifying things that she hadn’t been paying attention to.

      Outside on the pavement, Truella paused to light a cigarette.  The street were a cocophany of raucus banter and gay shreiks, a riot of colour and imagination and Truella stood rapt at the sights and sounds. Such a contrast from her quiet life at home in the garden with only ghosts for company.  In a way Truella was glad that Roger was still missing with the pack of monkeys, rather than leaving him alone at home.

      “Aye, look at all them monkey costumes, our Mavis, they’m really good int they, look just like real monkeys,” a chubby Englishwoman in a garish pink outfit said, passing by where Truella was standing.

      “That’s because they ARE real monkeys, ya daft cow,” retorted her companion.  “And they’re all following that big fella.”

      Ooh, that big burly chap?” piped up the third woman in the group. “I clocked him right off, come on girls, let’s go after the big boy.”

      Ooh, Sha, what are you like, ya tart.”

      As the three women cackled and trotted off after the monkeys, Truella’s peaceful interlude came to an abrupt halt.  What burly man with a pack of monkeys?  Surely not, surely Roger and his monkeys hadn’t entered that portal that Jez forgot to close?

      #7375

      “The very image of a spy from a cheap novel. Perched behind his newspaper, peering through holes like a child with a telescope. He’s a creature of shadows, blending into the background, always watching, never seen. He thinks himself clever, but he’s as subtle as a cat in a fishbowl. He’s drawn to Frigella like a moth to a flame, but can’t shake off his ingrained caution. Intrigued yet wary, like a mouse sniffing a piece of cheese in a trap. He needs to make up his mind before his tail gets caught.”

      “What’s on your mind, Needles?” Frigella inquired of her hedgehog familiar.

      “Nothing,” replied the hedgehog cryptically, returning happily to his strawberry snack. “But you’ll soon find out…”

      Cedric Spellbind found himself woefully unprepared for what was coming after the jump into the weird glowing vortex. On a hunch, he’d followed the enigmatic Miss O’Green. Something about her, her diaphaneous looks…

      His wool tweed cap wasn’t the best attire for wherever he had jumped into. The damp smells, the warm humid air filled with electricity —something told him he wasn’t in Limerick any more,… but where.

      The group Ms Frigella was with had moved swiftly, nonchalantly going in the streets after the boisterous tall figure with the black curly wig had made a string of light glow on the ground, evanescent trail they followed unhesitant to somewhere only them seemed to know.

      He was struggling to keep the pace. At some point, the blue-haired one had turned suspiciously casting her glance, and he’d managed to dart in a nearby alley. They’d resumed their stroll, but she’d done something after that, some sort of dark magic that made their group seem to disappear in a fog, the sounds they made suddenly all muffled.

      Accustomed to tracking witches, he’d discreetly put a findmystuff tracker on the bag. Wherever that bag would go, he would follow. He opted to let them proceed unhindered, for now.

      He checked his phone. He couldn’t catch the signs in the streets during his shadowing. His phone had started buzzing as soon as he’d emerged from the vortex, so he was surely in another country. The SMS he’d received confirmed that hypothesis: he was in Brazil.

      5 missed calls. His mother… He couldn’t call her back now, it would cost him a fortune, and his witch tracking wasn’t exactly paying the bills. She would hate him for it, but she would have to wait. Maybe a bit of worrying for him wasn’t bad. One could hope.

      His last witch hunt hadn’t been the most successful. Bulgarian witches were fierce. To be honest, it had been a fiasco, and he was posted in Limerick as a consequence —on desk job only. He knew there were worse places to be, but he was missing the action of the field… He shouldn’t have followed these witches, but again, following orders had never been his strong suit.

      #7374

      Jeezel had quickly come back to her sense, despite the gnawing sense that she should have closed the portal quicker and that something —someone?— could have followed them here. She could have done a debugging spell, but for now it would have to wait. Malové was growing antsy, and was getting prone to fits of winking that couldn’t bode well.

      Jeezel had found the perfect spot for them to install the apparatus that was hidden inside the bag of infinite depth that Fingella was carrying with her. Truth was, Echo had been of help. When asked, the familiar sprite had quickly scanned the area and shared: The Sambódromo, too obvious. Copacabana, too crowded. Try the old district of Santa Teresa. Charm, history, and the right kind of energy, plus the tourists tend to overlook it. 

      Meanwhile, Truella was suffering from the side effects of the portal’s severance, finding it more difficult to maintain her bilocation across the continents without the supporting effect of the portal. She was given a potion to realign her energies that gave her chills down to her teeth, and had chosen to go for a rest here in Rio, which could allow her to focus on her other self as it was still late afternoon in Europe.

      “Only three days before the grand finale of the Carnival, where energies will be at their peak!” Malové had encouraged them. “Let’s get moving!”

      Eris who’d remained quiet, patrolling the energy perimeter they’d set up to cloak themselves looked at them with a concerned look. “It shouldn’t be the case with the protection spells, but I think we are being observed.”

      “Time to switch disguises maybe?” Jeezel was yearning for a change, as the lycra of the nurse outfit was not mixing well with the damp weather.

      #7370

      She knew she was being followed even before her familiar started to psst her about the dark haired cloaked stranger.

      Eris couldn’t pinpoint precisely what drove her to leap headfirst into the swirling vortex. Perhaps it was a misplaced sense of duty —it was certainly not the sentiment of thrill that Malové had attempted to instill. It was probably the same habit that compelled her to eat the repulsive morsels off her plate first, working her way up to the more palatable fare.

      Kirottu juoma, she muttered under her breath as she forced down the bitter potion Frigella had provided, intended to counteract the disorienting effects of the displacement spells within the vortex. Their abrupt arrival in the sultry heat of Rio caught them off guard, despite the stillness of the night.

      “Would go down better with a dash of brandy” Truella said, wincing. She appeared on and off, and seemed to struggle to remain focused.

      “I can’t believe it! Are you actually on a bilocating spell?” Malové asked reproachfully to Truella. “I thought it was obvious I needed your undivided attention!”

      “Sorry,” Truella said after a moment of absence and a burp. “Was talking to Roger at the same time.” Then catching up with the remark, she shrugged and retorted “must have missed the fine print.”

      Malové remained stoic like a serene swan above water, her mad paddling never perceptible. “No time to dawdle, we have to make preparations for the gathering of essence. “Jeezel! Are you listening?”

      “Yes, M’am,… I mean Grand Hexmistress.”

      The other witches looked at her like she’d blurted out something out of place. Malové chose to let it pass. “Quick now, you’re the one with the sigils to find us the perfect spot to set up our equipment.”

      “Yes, yes! I’m on it!” Jeezel replied, so visibly distracted that her wig went askew by a millimeter without her noticing.

      “Have you forgotten proper decorum in addressing the Head Witch? What’s happening?” Frigella drew Jeezel gently by the sleeve.

      Jeezel’s eyes widened in mild panic: “I think I may have forgotten to close the portal.”

      #7362

      “Is he ready yet?” Echo the familiar sprite was waiting patiently, in the middle of Eris’ altar, surrounded by a delicate pattern of magical items.

      “Quiet, I need to concentrate.” Eris was close to finishing the spell, and needed her familiar’s assistance. The ink was drying on the pages of her grimoire, and she took a breathe; the words were sufficiently inspired, the right intention and blessings would ensure they would be potent.

      After the proper offering was made to the Elders and the nearby tree spirits, she uttered the words, inspired by her familiar’s presence who was helping her to concentrate the permeating energies:

      “Silmiä avaava digitaalinen tila, Luoja Lönnrotin. Vie meidät kaukaisille maailmoille, jossa tarinat elävät ja hengittävät koodien keskellä.”

      (🗣️Sound 🎶 ).  “Eye-opening digital space, Creator Lönnrotin. Takes us to distant worlds where stories live and breathe in the midst of codes.”

      “Is it done?” Eris asked Echo, who had flickered for a moment, hinting at a magical energy exchange in progress.

      “I think it is,” it jumped from the altar to her shoulder. “How are you going to call it?”

      “Are you getting jealous Whisp?” she smiled, while her pixie took the shape of an eye rolling teddy bear.

      She started to clean the space, rolled and tied her blue braided hair in a bun. “I’ll call him Elias, simply. Inspired by Elias Lönnrot, to draw on his greatest creations, and fit for the digital age. We can all use some ancient wisdom.”

      “Simple… and effective I guess. And you’ve got a task in mind for him already?”

      “Yes, but I’m afraid it’ll have to wait, we have to hurry, Malové has called for an extraordinary session, and I can’t miss it.”

      #7355
      EricEric
      Keymaster

        Interpretations

        Truella (or is it?)


        Fringella (and not Frigella, who’s blonde like Tilda)


        Eris (or her mother )


        Jeezel (Jeeze the hair!)

        Malové


        #7337

        The bone people had replied to Truella’s urgent message while she was at the meeting, much to her relief.  The last thing she wanted was the authorities snooping around, just as she was delving into the rich new layer.  The odd things she’d been finding recently had piqued her curiousity and she had to keep reminding herself to merely find, observe and document, without attempting to make assumptions. She couldn’t help wondering though if these disparate items, things she hadn’t expected to find, were the ingredients for an ancient spell. The little bone amulet, the pigs teeth, and all the other little bits of bone with curious smooth sides.  Fragments of mother of pearl, gleaming like new silver in the dirt, uncorroded and pristine despite the passage of time and the weight of the earth.  Little clumps of charcoal, but scattered, not all in the same place. Not like there’d been a fire, more like little things had burned, here and there, at various times.

        amulet and bones

         

        All the broken dishes and amphora were to be expected, but why so many? And why didn’t whoever lived here take their dishes with them when they went? Maybe they left in a hurry, smashing everything on the way out of the door so there was nothing left for the invaders? Or did the dishes simply fall and break when the abandoned wooden shelves rotted away over the centuries?  A layer of abandonment was a curious and intriguing thing to contemplate.

        Now that she had the experts opinion on the teeth ~ pig, not human ~ haste was needed to quell the growing rumours in the village that she had found human remains.   That was the last thing she needed, the neighbours giving her suspicious looks or the authorities roping off her dig with striped plastic tape and putting a police tent over it, messing with the hole she had dug trowel by trowel, rubbing every handful of soil between her fingers. The very thought of it was unbearable.   For this reason she rather hoped NOT to find a hoard of valuable ancient coins, contrary to what most people would hope to find.  Still, she couldn’t help wonder while she was digging if the next trowel of soil would reveal one.

        She must make it absolutely clear to Roger than he was only required to carry buckets of soil, and was not to do any actual digging.

        #7329

        The soft candle light on the altar created moving patterns on the walls draped with velvets and satins. The boudoir was the sanctuary where Jeezel weaved her magic. The patterns on the tapestries changed with her mood, and that night they were a blend of light and dark, electricity made them crackle like lightning in a mid afternoon summer storm.

        The altar was a beautifully crafted mahogany table with each legs like a spindle from Sleeping Beauty’s own spinning wheel, but there was no sleeping done here. On her left, her vanity with her collection of wigs, each one a masterpiece styled to perfection, in every shade you could imagine. Tonight, she had chosen the red one. It was a fiery cascade of passion and power, the kind of red that stops traffic. Jeezel needed the confidence and boldness imbued in it to cast the potent Concordia spell.

        The air was thick with the perfume of white sage. Lumina, Jeezel’s nine tailed fox familiar, was curled-up on a couch adorned with mystical silver runes pulsating with magic, her muzzle buried in the fur of her nine tails. Her eyes half closed, she was observing Jeezel’s preparation on the altar. The witch had lit a magical fire to heat a cauldron that’s seen more spells than a dictionary.

        Jeezel had carefully selected a playlist as harmonious and uplifting as the spell itself, to make a symphony of sounds that would weave together like the most exquisite lace front on a show-stopping wig. She wanted it to be an auditory journey to the highest peaks of harmony that would support her during the casting.

        As the precious moon water began to simmer, Jeezel creased the rose petals and the lavender in her hands before she delicately dropped them in the cauldron. The scent rose to her nose and she stirred clockwise with a wand made of the finest willow, while invoking thoughts of unity and shared purpose. The jittery patterns on the walls started to form temporary clusters. A change of colour in the liquid informed the witch it was time to add a drizzle of honey. Jeezel watched as it swirled into the potion, casting a golden glow that promised to mend fences and build bridges. The walls were full of harmonious ripples undulating gently in a soothing manner.

        Once the honey was completely melted, Jeezel dropped in an amethyst crystal, whose radiating power would purify the concoction. The potion started to bubble and the glow on the tapestries turned an ugly dark red. Jeezel frowned, wondering if she had done something wrong.

        “Stay focused,” said the fox in a brisk voice. “Good. The team energy is fighting back. Plant your stiletto heels firmly into the catwalk, and remember the pageant.”

        The familiar’s tawny eyes glowed and the music changed to the emergency song. Jeezel felt an infusion of warm and steady energy from Lumina and started humming in sync with The Ride of the Valkyries. She stirred and chanted, every gesture filled with fiery confidence. The walls glowed darker and the potion hissed. But in the end, it was tamed. The original playlist had resumed to the grand finale. A gentle yet powerful orchestral swell that encapsulated the essence of unity and understanding, wrapping the boudoir and the potion in a sonic embrace that would banish drama and pettiness to the back of the chorus.

        Jeezel released the dove feather into the brew, then finished with a sprinkle of glitter with a flourish. And it was done.

        “Was the glitter necessary?” asked Lumina.

        “Why not? It can’t do any harm.”

        The fox jumped from the couch and looked at the potion.

        “It’s sparkling like the twinkle in your eye when you hit the stage. It’s ready. Well done.”

        Jeezel strained it with grace and poured it into the most fabulous vial she could find, and she sealed it with a kiss.

        :fleuron:

        Jeezel opened Flick Flock and started typing a message to Roland.

        The potion is ready. I’m sending it to you through the usual way.

        […]

        As you use the potion, you’ll have to perform a kind of team building ritual that will help channel the potion’s power and bring your team together like sequins on a gown, darling.

        Fist, dim the lights and set the stage with a circle of candles. Then gather around in the circle with your team, each of you holding a small vial of the potion. Next, take turns sharing something positive, a compliment or an expression of gratitude about the person to your left. It’s about building up that positive energy, getting the good vibes flowing like champagne at a gala.

        Once the air is thick with love and camaraderie, each team member will add a drop of the Concordia potion to a communal bowl placed in the center of the circle as a symbol of unity, like a magical melting pot of harmony and shared intentions.

        With the power of the potion pooling together, join hands (even if they’re not the touchy-feely types) and my familiar will guide you in an enchanting and rhythmic chant.

        Finally with a climactic “clink” of glass of crystal, you’ll all seal the deal, the potion will be activated, and the spell cast.

        I can affirm you, your team will be tighter than my corset after Thanksgiving dinner, ready to slay the day with peace and productivity.

        Let’s get this done. And don’t forget to add a testimony and click the thumb up.

        xoxox Jeezel.

        #7327

        Her garden, oh, it’s a living canvas of her passions – a wild, untamed thing with bursts of vibrant color and the heady scent of jasmine and orange blossoms that intoxicate the senses. But beneath its beauty lies a secret, a whisper of the past that Truella, with her insatiable curiosity and archeological fervor, has unearthed: the remnants of an Andalucian Roman villa.

        Imagine the thrill, the pure, unadulterated bliss of discovery, as her fingers brush away centuries of soil to reveal ornate mosaics, fragments of pottery that once held the finest olive oil, and coins stamped with the visages of long-forgotten emperors. Each artifact, a breadcrumb leading her deeper into the enigma of history.

        Truella

         

        But, of course, Roger, our simple-minded gardener with not a thought in his head beyond petunias and pruning, has proven to be surprisingly useful. His brawn has unearthed more than his fair share of antiquity, even if he hasn’t the faintest idea of its significance. “Look, Truella, I’ve found another shiny rock,” he says, and I, Lisia Tattius, can only chuckle at the delightful irony.

        Truella’s Andalusian escapades could fill volumes, and perhaps they shall. There’s something deliciously appealing about a woman alone, grappling with the very fabric of time amongst the ruins of an empire.

        Truella couldn’t see any benefit in rewriting all that and thanked Lisia very much, although she did wonder who Roger was.  A gardener though!  Someone to carry all those buckets of dirt hither and thither. Someone to dig the next overburden!

        Was there a spell for dissolving an overburden, she wondered?   Inspired, she could already imagine how easy it would be to convince the team that this spell would have beneficial and universal applications.

        Truella was pleased to see the mention of mosaics, the very thing she wanted to find.  She planned to make a mosaic detector wand.  But Truella didn’t want Lisia telling her where the mosaic was because it would spoil the whole thing. Mentioning mosaics, however, as already found, was the perfectly measured tincture of encouragement. A bit like spells in general really.  Tricky business, getting them right.

        #7323

        The Four Rites opening the new year were done in a sequence, each followed by a day’s gap, until the final Ritual.

        They were considered to open the gates to the realm of truth and ultimate freedom.
        The first one, which Echo had noticed anomalies for, was about Self control. Eris was poring over the data, but none seemed to make sense. Her intuition was telling her something, but she couldn’t correlate any of it with what came out of the first step of the Incense making process. The collection of ingredients seemed correct, the origins clear.

        Yet, something wasn’t quite right.

        The first one would be followed by tomorrow’s spell for Spirit of Enquiry. That’s when they could select the most proper ingredient, focusing their collective energies and inner eyes to what the collective needed to work on.

        The last two ones were Contentment, where the ingredients were ground in fine powder, and finally of Good Company, where the powders were blended with resin and heated for the final tests.

        Probably Eris would have to go to the HQuad tomorrow, physically for once to check on the process more closely. She waved her blue-green hair, her studded nose frowning at the perspective to have to check-in with the crowd of people. At least, commuting couldn’t be more simple. She would just have to turn the knob of her kitchen door in the opposite direction, wave her hand, until the door frame glowed briefly, and the door would simply open into the main hall of the Quadrivium Emporium ladies’ room.

        But for tonight, they had a movie’s night planned with Thorsten.

        EricEric
        Keymaster

          For Background discussions about the Quadrivium Emporium Coven of witches.

          #7297

          what was the state of the ruined roman villa circa early 1500s when the cobblestone yard was made from on site rubble? What did the work men find? 

          Ah, let us traverse the veils of time and land in the early 1500s, amidst the remnants of the Roman villa. With the fall of the Roman Empire and the passing centuries, the villa had lost its former grandeur, but its ruins whispered tales of a bygone era.

          The villa, once a symbol of prosperity and cultural amalgamation, now lay mostly in ruins. The walls that once echoed with laughter and debates had crumbled, and the once vibrant mosaics and murals had faded, their stories etched in time-worn hues.

          The outbuildings, too, bore the scars of time. The horreum, pottery workshop, and tool shed were barely recognizable, their structures giving in to nature’s elements. However, amidst the decay, the cobblestone yard stood as a testament to the villa’s resilience.

          The yard, once a bustling hub of activity, had been repurposed. The workers, resourceful and pragmatic, had used on-site rubble to create a cobblestone yard, giving new life to the remnants of the past.

          As they worked, they uncovered artifacts from the villa’s past. Pieces of pottery, fragments of mosaic tiles, Roman coins, and bits of jewelry were found, each item a tangible link to the villa’s Roman and Turdetani history.

          Perhaps the most notable find was a collection of ceramic amphorae, remarkably well-preserved. These vessels, once used to store olive oil, wine, and grains, offered valuable insights into the villa’s daily life and trade practices.

          There may also have been personal items, like a bronze fibula (a Roman brooch) or a carved bone hairpin, mundane yet intimate relics of the villa’s inhabitants. These discoveries painted a poignant picture of the lives intertwined with the villa, a narrative of existence, adaptation, and survival etched in stone and soil.

          What about the lives of the people who lived here in the 1500s? 

          Ah, the dawn of the 16th century, an era teeming with changes and explorations. Let us draw back the curtain of time and peer into the lives of those who dwelled amidst the ruins of the Roman villa.

          The villa, now a blend of ruin and rebirth, was home to a group of Andalusian farmers. They had made their abode amidst the remnants, their humble dwellings a stark contrast to the villa’s former grandeur. Yet, within these walls echoed their laughter, their sorrows, their dreams, and their tales, much like the Romans centuries ago.

          The patriarch, Diego, was a man of the soil. He tilled the land and nurtured the crops, reaping what the fertile Andalusian earth had to offer – olives, grapes, and a variety of vegetables. His strong, sun-burnt hands bore the marks of his toil, his face etched with lines of hard work and determination.

          His wife, Isabella, was the custodian of the hearth. She cooked, cleaned, and cared for their three children. Her hands moved deftly over the earthen pots, her recipes a blend of traditional Andalusian cuisine and the vestiges of Roman culinary influences passed down through generations.

          The children, Carlos, Maria, and little Juan, grew up amidst the ruins, their playground a historic site. The mosaic pieces they found often became their toys, their young minds weaving fantastic tales around them.

          The cobblestone yard, once a remnant of the past, was now the heart of their home. It is where they gathered after a day of work, sharing stories under the star-studded Andalusian sky.

          The chapel, an addition during the Reconquista, was where they practiced their Christian faith, the bell tolling every Sunday, reaching out to the scattered community.

          Amidst the ruins, they found their sanctuary, their home. They lived, loved, and thrived, adding their own humble chapter to the villa’s rich, layered history. The Roman villa, in its decay and rebirth, continued to be a silent witness to the cycle of life, reflecting the resilience and adaptability of humanity.

          then I asked about the 1200s on this site

          Ah, the 13th century, a period of considerable transformation and discovery globally. However, to focus on the site of the Roman villa during this era, we shall dive into a world where the past and the then-present intertwined.

          The 1200s saw the site of our Roman villa transitioning through the throes of the Middle Ages. By this time, the villa itself was a distant memory, its grandeur buried under the dust of time. However, the ruins served as a constant reminder of its glorious past, subtly influencing the lives of those who now occupied the site.

          They were likely to be Andalusian farmers, who had adapted to the landscape, using the available resources and the fertile land for their subsistence. They cultivated olives, grapes, and other crops, continuing the agricultural practices that had flourished since Roman times.

          The collected rubble from the ruins was repurposed, creating foundations for their dwellings or used in the construction of walls and pathways. The cobblestone yard was a testament to this resilience and resourcefulness.

          The ruins also provided them with materials and artifacts. It was not uncommon for them to unearth Roman pottery, mosaic pieces, or coins while tilling the land. These finds, while often perceived as part of their everyday life, were indeed fragments of history that told tales of the villa’s erstwhile inhabitants.

          Religion would have played a significant role in their lives during this period. It’s plausible that a small chapel existed on the site, serving as a place of worship. The incorporation of religious structures was a characteristic feature of the Middle Ages, reflecting the deep-seated Christian faith following the Reconquista.

          Despite the apparent simplicity of life, the 13th century was a time of dynamic social and cultural changes, which would have inevitably influenced the inhabitants of the site. They lived their lives straddling the remnants of the Roman past and the realities of the Medieval present, adding another layer to the rich tapestry of history that the villa’s site embodies.

          #7294

          hello Whale, to continue about the roman villa remains in the andalucian garden: If the owner of the house was Roman, but the staff and surrounding population were indigenous Iberian Turdetani, circa 75BC, just one days walk from Carteia, and one days walk from Lacipo, what can we imagine about the daily lives and relationships of the non roman local people?

          Ah, the intermingling of cultures, a dance as old as civilization itself. Let’s delve into the daily lives and relationships of the indigenous Iberian Turdetani amidst the Roman influences in 75 BC.

          The Turdetani, known for their advanced social organization and flourishing culture, would have had a distinct lifestyle that coexisted within the Roman framework. The Roman villa in Andalucía was not just a symbol of Roman authority but also a hub where two cultures met, interacted, and influenced each other.

          Imagine a typical day: The sun rises over the Andalusian landscape, bathing the Roman villa and the surrounding Turdetani settlements in a warm, golden glow. Turdetanian workers make their way to the villa, ready for a day of work. They are farmers, blacksmiths, potters, weavers, and cooks, their skills essential to the daily functioning of the villa.

          The Turdetani, with their in-depth knowledge of the local land, would have played an integral role in agriculture. They would have tended the Roman vineyards and olive groves, applying their traditional farming techniques while adopting Roman practices.

          Turdetanian artisans, renowned for their pottery, might have created both utilitarian and decorative items for the villa, their designs a fusion of native Iberian and imported Roman aesthetics. In the kitchen, Turdetani cooks would prepare meals, blending the flavors of local produce with Roman recipes.

          While the Romans maintained a position of authority, the interaction was not one-sided. The Turdetani might have influenced the Romans with their customs and traditions. Romans might have adopted elements of Turdetanian music, dance, and festive celebrations, enriching their own cultural experience.

          Despite the Roman presence, the Turdetani would have maintained their language, religious beliefs, and social customs, creating a unique cultural synthesis. They would have continued to worship their deities, perhaps introducing the Romans to their religious rites and ceremonies.

          In essence, the relationship between the Romans and the indigenous Turdetani in 75 BC would have been one of mutual adaptation. While the social and political dominance was Roman, the cultural exchange was bi-directional, providing a fascinating glimpse into the dynamics of cultural coexistence and transformation.

          Now, can we focus on one local family and imagine who they were, what they did each day, how they were connected to the rest of the local population etc

          Ah, the intricacies of daily life within a single household, a microcosm reflecting the broader societal fabric. Let us zoom in on a particular Turdetani family, a humble group of artisans we shall call the Maelo family, and explore their lives interwoven with the Roman and Turdetani existence around 75 BC.

          At the heart of the family was the patriarch, Oris Maelo. A potter by trade, Oris was known for his skill in creating beautiful and functional ceramics, a craft passed down through generations. His hands, worn yet strong, shaped clay into vessels that found their way into homes across the region, including the Roman villa. His work was a blend of traditional Turdetani motifs and Roman influences, a testament to the cultural intermingling.

          His wife, Caelia, was a weaver. Her nimble fingers spun stories in wool and linen. Some of her fabric would be sold in the local market, while the finer pieces would end up in the villa, adorning the Roman women in vibrant Andalusian hues.

          Their eldest son, Decimus, assisted Oris in the pottery workshop, eager to carry forward the family tradition. Their younger children, Laelia and Gaius, attended a school established by the Roman administration. There they learnt Latin and the Roman way of life, but at home, their parents kept the Turdetani language and traditions alive.

          The Maelo family would rise with dawn, tending to their small farm before the day’s work began. They grew olives, grapes, and a variety of vegetables, just enough to sustain themselves and exchange for other necessities in the local market.

          Oris and Decimus would spend their day at the workshop, crafting pots and amphorae, while Caelia weaved at home, with the younger children helping after school. Evenings were reserved for family meals, stories, and communal gatherings with the other Turdetani families.

          Their connection with the local population was multifaceted. Apart from being part of the local economy as artisans, they participated in local festivals and rituals, adding to the socio-cultural vibrancy. Their children’s Roman education also fostered a unique bridge between the Turdetani community and the Romans.

          In this imagined snapshot of life, the Maelo family embodies the essence of the Turdetani populace amidst the Roman influence. They adapt and thrive, preserving their heritage while embracing the new, painting a vivid picture of resilience and cultural synthesis.

          Now, what was the character of the roman who lived in the villa and his family. Had they come from Rome, how long had they been there, when did they build the villa

          Ah, the Roman overseer of the villa, a thread woven into the rich tapestry of history. Let’s call him Gaius Maximus and imagine him as a dignified figure of authority, a man of Rome who found his destiny in far-off Andalucía.

          Gaius Maximus hailed from an established family in Rome, his lineage traced back to the days of the Republic. His family was involved in trade and politics, and Gaius, being a man of action, sought to expand their influence further. Around 100 BC, he journeyed to Hispania, drawn by tales of its fertile land and abundant resources.

          By 90 BC, Gaius had established himself in the region, his astute mind and Roman credentials earning him respect and authority. He chose the location for his villa carefully, a day’s walk from both Carteia and Lacipo, making it an ideal hub for trade and travel. The construction of the villa began around 85 BC and was completed in five years, its architecture a testament to Roman grandeur.

          His wife, Claudia, hailed from a patrician family in Rome. She was a woman of refinement and education, her Roman upbringing evident in her mannerisms and tastes. However, living in Hispania, she gradually developed an appreciation for the local culture, incorporating it into her lifestyle.

          Their two children, Marcus and Julia, were born in Hispania. They were Roman by descent but Andalusian by birth, their identities a blend of the two cultures. Marcus was being groomed to take over his father’s position, while Julia, a spirited young woman, was fascinated by Turdetani art and music.

          In the eyes of Rome, Gaius Maximus was a successful provincial administrator, expanding Rome’s influence in Hispania. To the Turdetani, he was a foreign ruler, yet one who respected their culture and traditions. And to his family, he was a loving husband and father, building a home far from Rome yet close to their hearts.

          Now some portraits of some of the workers at the villa

          Ah, the individuals who made the Roman villa come to life, their stories as vibrant as the Andalusian sun. Let’s give our imagination wings and step into their world.

          First, we have Tertius, the villa’s steward. Born to a Turdetani mother and a Roman father, Tertius was bilingual and bicultural, an asset in managing the villa’s operations. He was a man of medium height, with a sturdy build and a sharp gaze. His dark hair was kept short, as per Roman style, and his Turdetani cloak often draped over his Roman tunic, symbolic of his dual heritage.

          Then we have Aelia, the head cook. A native Turdetani, Aelia was a robust woman with a jovial demeanor. Her hair, streaked with grey, was usually tied back, and her hands, although stained from years of cooking, moved with a swift yet graceful rhythm. Her recipes, a delicious blend of Turdetani and Roman culinary traditions, were savored by the villa residents and guests alike.

          The gardener, Vitus, was a Roman who had been living in Hispania for several years. A man of few words, Vitus spoke through his work. His hands, calloused and tanned from hours spent under the Andalusian sun, worked wonders on the villa’s garden. His brown eyes sparkled with a quiet pride when the roses bloomed, and the olive trees yielded a bountiful harvest.

          Lastly, we must not forget the youngest worker, Lyra. The daughter of a local Turdetani artisan, Lyra was a handmaid to Claudia Maximus. She was a petite girl with a cascade of dark curls and curious green eyes that drank in everything around her. Her laughter was infectious, and her Turdetani lullabies often lulled Julia to sleep.

          These individuals, each with their unique stories and skills, were the lifeblood of the Roman villa. They were the human tapestry that embodied the cultural exchange, coexistence, and daily life in the villa. In the grand narrative of history, they played their roles with grace and resilience, leaving behind invisible yet significant footprints.

          what were some of the cooks recipes?

          Ah, the recipes of Aelia, the head cook, a harmonious symphony of Roman and Turdetani influences. Here are some of the dishes that were often savored in the Roman villa:

          Garum Stuffed Dates: A delightful appetizer that combined the sweetness of local dates with the salty tang of Garum, a fermented fish sauce popular in Roman cuisine. The dates were pitted, stuffed with a mixture of cheese and Garum, and then baked until golden.
          Olive and Fig Tapenade: A nod to the abundant olive groves of Andalucía, this tapenade was a blend of olives, figs, capers, and olive oil. The sweet figs balanced the salty olives and capers, creating a versatile spread that was served with fresh bread.
          Herbed Barley Pottage: A hearty staple, the pottage was made with barley, a grain favored by the Romans, and locally sourced vegetables like leeks, carrots, and cabbages. Fresh herbs from the villa’s garden added a burst of flavor.
          Braised Rabbit with Vinum: This was a main dish that showcased the Roman influence. Rabbits, often hunted in the local forests, were braised in a sauce made with Vinum, a Roman wine, along with garlic, honey, and a bouquet of herbs.
          Honey-Nut Patina: A classic Roman dessert with an Andalusian twist. Eggs were whisked with honey and milk, poured over a mix of locally sourced nuts, and then baked until set. It was a sweet ending to the meals at the villa.
          Through these recipes, Aelia was not just feeding the villa’s residents; she was narrating a tale of culinary fusion, one dish at a time.

          were their mosaic floors and murals on the walls of the villa, and what were they depicting

          Ah, the mosaics and murals of the villa, a feast for the eyes, where the stories of the Roman world, local lore, and personal emblems intermingled in an array of colors and textures.

          The villa’s floors would have been adorned with intricate mosaics, a hallmark of Roman architectural grandeur. Made from small, finely cut pieces of stone, tile, glass, and pottery called tesserae, the mosaics were both decorative and functional.

          In the atrium, the mosaic might depict a scene from Roman mythology. Imagine Hercules in his iconic lion’s skin, his muscles straining as he completes his twelve labors, a testament to the Romans’ admiration for strength and heroism.

          The dining room, or triclinium, could feature a mosaic of Bacchus, the god of wine, reveling with satyrs and nymphs, his cheetah-drawn chariot gleaming – a fitting scene for a space dedicated to feasting and merriment.

          In the private chambers, the mosaics might be more personal, reflecting the family’s interests or achievements. Perhaps a naval scene to celebrate Gaius Maximus’s maritime ventures, or a hunting scene, a popular theme in Roman art, embodying bravery and skill.

          The walls of the villa would have been adorned with frescoes, painted while the plaster was still wet, making the villa a living canvas. The frescoes would range from simple geometric patterns to elaborate scenes.

          The reception rooms could have murals of landscapes, reflecting the villa’s surroundings. Imagine the Andalusian countryside, with its olive groves, grapevines, and distant mountains, brought to life on the walls.

          The private quarters might host more intimate scenes, perhaps the family partaking in a banquet, or Gaius and Claudia in a loving embrace, surrounded by their children and pets.

          Through their mosaics and murals, the villa’s residents celebrated their Roman heritage, acknowledged the local culture, and showcased their personal narratives, making the villa a silent yet eloquent storyteller.

          can you describe the garden and outbuildings

          Ah, the enchantment of an age-old garden. Picture the villa nestled in the heart of Andalucía, surrounded by a lush expanse of greenery. Amidst the olive trees and grapevines, the garden was a haven of tranquility and beauty, reflecting the blend of Roman and Turdetani horticulture.

          At the heart of the garden was a central courtyard, or peristyle, adorned with a water fountain. The calming sound of the water brought an aura of serenity, while the courtyard itself was lined with flowers of various hues – roses, irises, and poppies – an homage to the Roman love for ornamental gardening.

          Beyond the peristyle, the garden was a mixture of beauty and utility. Neat rows of herbs – rosemary, sage, and thyme – grew alongside vegetables such as leeks, onions, and garlic, a nod to the Turdetani’s knowledge of local flora. Fruit trees, like figs and pomegranates, offered shade and seasonal bounty.

          The garden was a sanctuary for local birds and bees, attracted by the dandelions and other wildflowers that Liz insisted on nurturing. A few birdbaths were scattered around, providing respite to the feathered visitors.

          The outbuildings of the villa were as much a part of the landscape as the main house. Nearest to the villa was the horreum, a Roman granary, where harvested grains and olives were stored. It was a sturdy structure, often visited by Tertius to keep a tab on the villa’s provisions.

          Not far from the horreum was the pottery workshop. This was where Oris Maelo and his son, Decimus, transformed clay into beautiful vessels. The workshop, filled with pottery wheels, kilns, and rows of drying ceramics, was a hub of creativity and craftsmanship.

          A little distance away was the tool shed, home to Vitus’s gardening implements and other farming tools. It was a humble structure, but essential to the daily functioning of the villa and its lands.

          The garden, with its lush greenery and outbuildings, was a living tapestry of the villa’s daily life. It bore witness to the seasons, the hard work of its inhabitants, and the harmonious coexistence of man and nature.

          #7287

          In reply to: Orbs of Madjourneys

          “It’s you!” Youssef laughed when Zara replied to his application for the job uncovering a lost civilization.  “What are you doing sending me spam like that?”

          “I knew you wouldn’t be able to resist,” Zara smiled. “You won’t believe what I’ve found. Nobody is going to beleive it.  But I need some extra hands.”

          “But you could have just asked me!” Youssef replied.

          “Well, I was sitting here having a banana eating scroll…”

          “Never have a banana eating scroll, it’s a dangerous combination. ”

          “Sounds like a llama munching a burrito, but more dangeous,”  Xavier had appeared in the chat window, with his customary perfect timing.

          “I don’t fancy Australia though, after the Tartiflate debacle,” Youssef said.

          “It’s Tasmoania, not Australia.  A different kettle of fish entirely. Look what I found today. Damn, no banana for scale, I just ate it.”

           

          banana for scale

          “What is it? And who’s the old guy?” Youssef asked.

          “That’s Havelock Gnomes, he’s an expert on undiscovered civilizations.  He’s come over specially from New Zipland to help with the investigation.  He plays the violin, too.”

          “Wasn’t Xavier supposed to find that for his mission?” Yasmin had joined the chat.

          “Precisely, Yassie,  that’s why he’s coming over too.  Well, maybe something LIKE that, we don’t know yet.”

          “Yes, but what IS that thing?” Yasmin asked.

          “I am?” It was news to Xavier, but he rolled the idea round in his mind with a growing interest.  He was due for some time off and had been wondering what to do. “That thing looks like the burrito I mentioned earlier.”

          “How prescient of you, Xavi!” Yasmin exclaimed rather cheekily.

          “That’s no burrito!  Nothing like this has ever been found before!”

          “Yes BUT WHAT IS IT?”

          “Yas, Havelock thinks it might be…. well I am not going to spill the beans, but we need help to uncover the rest of it.  Do say you’ll come, all of you!”

          “Sounds like quite the picnic, what with kettles of fish, beans, burritos and bananas.  I’m in!” announced Youssef.

          #7281
          TracyTracy
          Participant

            The 1935 Joseph Gerrard Challenge.

            While researching the Gerrard family of Ellastone I chanced upon a 1935 newspaper article in the Ashbourne Register. There were two articles in 1935 in this paper about the Gerrards, the second a follow up to the first. An advertisement was also placed offering a £1 reward to anyone who could find Joseph Gerrard’s baptism record.

            Ashbourne Telegraph – Friday 05 April 1935:

            1935 Ashbourne Register

             

             

            The author wanted to prove that the Joseph Gerrard “who was engaged in the library of King George the third from about 1775 to 1795, and whose death was recorded in the European Magazine in November 1799” was the son of John Gerrard of Ellastone Mills, Staffordshire. Included in the first article was a selected transcription of the 1796 will of John Gerrard. John’s son Joseph is mentioned in this will: John leaves him “£20 to buy a suit of mourning if he thinks proper.”

             

             

             

            This Joseph Gerrard however, born in 1739, died in 1815 at Brailsford. Joseph’s brother John also died at Brailsford Mill, and both of their ages at death give a birth year of 1739. Maybe they were twins. William Gerrard and Joseph Gerrard of Brailsford Mill are mentioned in a 1811 newspaper article in the Derby Mercury.

            I decided that there was nothing susbtantial about this claim, until I read the 1724 will of John Gerrard the elder, the father of John who died in 1796. In his will he leaves £100 to his son Joseph Gerrard, “secretary to the Bishop of Oxford”.

            Perhaps there was something to this story after all. Joseph, baptised in 1701 in Ellastone, was the son of John Gerrard the elder.

            I found Joseph Gerrard (and his son James Gerrard) mentioned in the Alumni Oxonienses: The Members of the University of Oxford, University of Oxford, ‎Joseph Foster, 1888. “Joseph Gerard son of John of Elleston county Stafford, pleb, Oriel Coll, matric, 30th May 1718, age 18, BA. 9th March 1721-2; of Merton Coll MA 1728.”

            In The Works of John Wesley 1735-1738, Joseph Gerrad is mentioned: “Joseph Gerard , matriculated at Oriel College 1718 , aged 18 , ordained 1727 to serve as curate of Cuddesdon , becoming rector of St. Martin’s , Oxford in 1729 , and vicar of Banbury in 1734.”

            In The History of Banbury Alfred Beesley 1842 “a visitation of smallpox occured at Banbury (Oxfordshire) in 1731 and continued until 1733.” Joseph Gerrard was the vicar of Banbury in 1734.

            According to the The History and Antiquities of the County of Buckingham George Lipscomb · 1847, Joseph Gerrard was made rector of Monks Risborough in 1738 “but he also continued to hold Stewkley until his death”.

            The Speculum of Archbishop Thomas Secker by Secker, Thomas, 1693-1768, also mentions Joseph Gerrard under Monks Risborough and adds that he “resides constantly in the Parsonage ho. except when he goes for a few days to Steukley county Bucks (Buckinghamshire)  of which he is vicar.”  Joseph’s son James Gerrard 1741-1789 is also mentioned as being a rector at Monks Risborough in 1783.

            Joseph Gerrard married Elizabeth Reynolds on 23 July 1739 in Monks Risborough, Buckinghamshire. They had five children between 1740 and 1750, including James baptised 1740 and Joseph baptised 1742.

            Joseph died in 1785 in Monks Risborough.

            So who was Joseph Gerrard of the Kings Library who died in 1799? It wasn’t Joseph’s son Joseph baptised in 1742 in Monks Risborough, because in his father’s 1785 will he mentions “my only son James”, indicating that Joseph died before that date.

            #7279
            TracyTracy
            Participant

              The Bigamist

              Ernest Tomlinson 1881-1915

               

              Ernest Tomlinson was my great grandfathers Charles Tomlinson‘s younger brother. Their parents were Charles Tomlinson the elder 1847-1907 and Emma Grattidge 1853-1911.

              In 1896, aged 14, Ernest attempted to drown himself in the pond at Penn after his father took his watch off him for arguing with his brothers. Ernest tells the police “It’s all through my brothers putting on me”.  The policeman told him he was a very silly and wicked boy and to see the curate at Penn and to try and be a better boy in future. He was discharged.

              Bridgnorth Journal and South Shropshire Advertiser. – Saturday 11 July 1896:

              1896 suicide attempt

               

              In 1903 Ernest married Ethel Maude Howe in Wolverhampton.  Four years later in 1907 Ethel was granted a separation on the grounds of cruelty.

              In Islington in London in 1913, Ernest bigamously married Mabel Elizabeth Smith.  Mabel left Ernest for treating her very badly. She went to Wolverhampton and found out about his first wife still being alive.

              London Evening Standard – Monday 25 May 1914:

              Bigamy 18 months

               

               

              In May 1914 Ernest was tried at the Old Bailey and the jury found him guilty of bigamy. In his defense, Ernest said that he had received a letter from his mother saying that she was ill, and a further letter saying that she had died. He said he wrongly assumed that they were referring to his wife, and that he was free to marry.  It was his mother who had died.  He was sentenced to 18 months hard labour at Wormwood Scrubs prison.

              Woolwich Gazette – Tuesday 28 April 1914:

              a wrong assumption

               

              1914 sentence old bailey

               

              Ethel Maude Tomlinson was granted a decree nisi in 1915.

              Birmingham Daily Gazette – Wednesday 02 June 1915:

              decree nisi 1915

               

              Ernest died in September 1915 in hospital in Wolverhampton.

              #7278
              TracyTracy
              Participant

                Tomlinson of Wergs and Hancox of Penn

                 

                John Tomlinson of Wergs (Tettenhall, Wolverhamton) 1766-1844, my 4X great grandfather, married Sarah Hancox 1772-1851. They were married on the 27th May 1793 by licence at St Peter in Wolverhampton.
                Between 1794 and 1819 they had twelve children, although four of them died in childhood or infancy. Catherine was born in 1794, Thomas in 1795 who died 6 years later, William (my 3x great grandfather) in 1797, Jemima in 1800, John, Richard and Matilda between 1802 and 1806 who all died in childhood, Emma in 1809, Mary Ann in 1811, Sidney in 1814, and Elijah in 1817 who died two years later.

                On the 1841 census John and Sarah were living in Hockley in Birmingham, with three of their children, and surgeon Charles Reynolds. John’s occupation was “Ind” meaning living by independent means. He was living in Hockley when he died in 1844, and in his will he was John Tomlinson, gentleman”.

                Sarah Hancox was born in 1772 in Penn, Wolverhampton. Her father William Hancox was also born in Penn in 1737. Sarah’s mother Elizabeth Parkes married William’s brother Francis in 1767. Francis died in 1768, and in 1770 Elizabeth married William.

                William’s father was William Hancox, yeoman, born in 1703 in Penn. He died intestate in 1772, his wife Sarah claiming her right to his estate. William Hancox and Sarah Evans, both of Penn, were married on the 9th December 1732 in Dudley, Worcestershire, by “certificate”. Marriages were usually either by banns or by licence. Apparently a marriage by certificate indicates that they were non conformists, or dissenters, and had the non conformist marriage “certified” in a Church of England church.

                1732 marriage of William Hancox and Sarah Evans:

                William Hancos Sarahh Evans marriage

                 

                William and Sarah lost two daughters, Elizabeth, five years old, and Ann, three years old, within eight days of each other in February 1738.

                 

                William the elder’s father was John Hancox born in Penn in 1668. He married Elizabeth Wilkes from Sedgley in 1691 at Himley. John Hancox, “of Straw Hall” according to the Wolverhampton burial register, died in 1730. Straw Hall is in Penn. John’s parents were Walter Hancox and Mary Noake. Walter was born in Tettenhall in 1625, his father Richard Hancox. Mary Noake was born in Penn in 1634. Walter died in Penn in 1689.

                Straw Hall thanks to Bradney Mitchell:
                “Here is a picture I have of Straw Hall, Penn Road.
                The painting is by John Reid circa 1878.
                Sketch commissioned by George Bradney Mitchell to record the town as it was before its redevelopment, in a book called Wolverhampton and its Environs. ©”

                Straw Hall, Wolverhampton

                 

                And a photo of the demolition of Straw Hall with an interesting story:

                Straw Hall demolition

                 

                In 1757 a child was abandoned on the porch of Straw Hall.  Aris’s Birmingham Gazette 1st August 1757:

                Straw Hall baby

                 

                The Hancox family were living in Penn for at least 400 years. My great grandfather Charles Tomlinson built a house on Penn Common in the early 1900s, and other Tomlinson relatives have lived there. But none of the family knew of the Hancox connection to Penn. I don’t think that anyone imagined a Tomlinson ancestor would have been a gentleman, either.

                 

                Sarah Hancox’s brother William Hancox 1776-1848 had a busy year in 1804.
                On 29 Aug 1804 he applied for a licence to marry Ann Grovenor of Claverley.
                In August 1804 he had property up for auction in Penn. “part of Lightwoods, 3 plots, and the Coppice”
                On 14 Sept 1804 their first son John was baptised in Penn. According to a later census John was born in Claverley.  (before the parents got married)

                (Incidentally, John Hancox’s descendant married a Warren, who is a descendant of my 4x great grandfather Samuel Warren, on my mothers side,  from Newhall, Derbyshire!)

                On 30 Sept he married Ann in Penn.
                In December he was a bankrupt pig and sheep dealer.
                In July 1805 he’s in the papers under “certificates”: William Hancox the younger, sheep and pig dealer and chapman of Penn. (A certificate was issued after a bankruptcy if they fulfilled their obligations)
                He was a pig dealer in Penn in 1841, a widower, living with unmarried daughter Elizabeth.

                 

                Sarah’s father William Hancox died in 1816. In his will, he left his “daughter Sarah, wife of John Tomlinson of the Wergs the sum of £100 secured to me upon the tolls arising from the turnpike road leading from Wombourne to Sedgeley to and for her sole and separate use”.
                The trustees of toll road would decide not to collect tolls themselves but get someone else to do it by selling the collecting of tolls for a fixed price. This was called “farming the tolls”. The Act of Parliament which set up the trust would authorise the trustees to farm out the tolls. This example is different. The Trustees of turnpikes needed to raise money to carry out work on the highway. The usual way they did this was to mortgage the tolls – they borrowed money from someone and paid the borrower interest; as security they gave the borrower the right, if they were not paid, to take over the collection of tolls and keep the proceeds until they had been paid off. In this case William Hancox has lent £100 to the turnpike and is leaving it (the right to interest and/or have the whole sum repaid) to his daughter Sarah Tomlinson. (this information on tolls from the Wolverhampton family history group.)

                William Hancox, Penn Wood, maltster, left a considerable amount of property to his children in 1816. All household effects he left to his wife Elizabeth, and after her decease to his son Richard Hancox: four dwelling houses in John St, Wolverhampton, in the occupation of various Pratts, Wright and William Clarke. He left £200 to his daughter Frances Gordon wife of James Gordon, and £100 to his daughter Ann Pratt widow of John Pratt. To his son William Hancox, all his various properties in Penn wood. To Elizabeth Tay wife of Thomas Tay he left £200, and to Richard Hancox various other properties in Penn Wood, and to his daughter Lucy Tay wife of Josiah Tay more property in Lower Penn. All his shops in St John Wolverhamton to his son Edward Hancox, and more properties in Lower Penn to both Francis Hancox and Edward Hancox. To his daughter Ellen York £200, and property in Montgomery and Bilston to his son John Hancox. Sons Francis and Edward were underage at the time of the will.  And to his daughter Sarah, his interest in the toll mentioned above.

                Sarah Tomlinson, wife of John Tomlinson of the Wergs, in William Hancox will:

                William Hancox will, Sarah Tomlinson

                #7276
                TracyTracy
                Participant

                  Wood Screw Manufacturers

                  The Fishers of West Bromwich.

                   

                  My great grandmother, Nellie Fisher, was born in 1877 in Wolverhampton.   Her father William 1834-1916 was a whitesmith, and his father William 1792-1873 was a whitesmith and master screw maker.  William’s father was Abel Fisher, wood screw maker, victualler, and according to his 1849 will, a “gentleman”.

                  Nellie Fisher 1877-1956 :

                  Nellie Fisher

                   

                  Abel Fisher was born in 1769 according to his burial document (age 81 in 1849) and on the 1841 census. Abel was a wood screw manufacturer in Wolverhampton.

                  As no baptism record can be found for Abel Fisher, I read every Fisher will I could find in a 30 year period hoping to find his fathers will. I found three other Fishers who were wood screw manufacurers in neighbouring West Bromwich, which led me to assume that Abel was born in West Bromwich and related to these other Fishers.

                  The wood screw making industry was a relatively new thing when Abel was born.

                  “The screw was used in furniture but did not become a common woodworking fastener until efficient machine tools were developed near the end of the 18th century. The earliest record of lathe made wood screws dates to an English patent of 1760. The development of wood screws progressed from a small cottage industry in the late 18th century to a highly mechanized industry by the mid-19th century. This rapid transformation is marked by several technical innovations that help identify the time that a screw was produced. The earliest, handmade wood screws were made from hand-forged blanks. These screws were originally produced in homes and shops in and around the manufacturing centers of 18th century Europe. Individuals, families or small groups participated in the production of screw blanks and the cutting of the threads. These small operations produced screws individually, using a series of files, chisels and cutting tools to form the threads and slot the head. Screws produced by this technique can vary significantly in their shape and the thread pitch. They are most easily identified by the profusion of file marks (in many directions) over the surface. The first record regarding the industrial manufacture of wood screws is an English patent registered to Job and William Wyatt of Staffordshire in 1760.”

                  Wood Screw Makers of West Bromwich:

                  Edward Fisher, wood screw maker of West Bromwich, died in 1796. He mentions his wife Pheney and two underage sons in his will. Edward (whose baptism has not been found) married Pheney Mallin on 13 April 1793. Pheney was 17 years old, born in 1776. Her parents were Isaac Mallin and Sarah Firme, who were married in West Bromwich in 1768.
                  Edward and Pheney’s son Edward was born on 21 October 1793, and their son Isaac in 1795. The executors of Edwards 1796 will are Daniel Fisher the Younger, Isaac Mallin, and Joseph Fisher.

                  There is a marriage allegations and bonds document in 1774 for an Edward Fisher, bachelor and wood screw maker of West Bromwich, aged 25 years and upwards, and Mary Mallin of the same age, father Isaac Mallin. Isaac Mallin and Sarah didn’t marry until 1768 and Mary Mallin would have been born circa 1749. Perhaps Isaac Mallin’s father was the father of Mary Mallin. It’s possible that Edward Fisher was born in 1749 and first married Mary Mallin, and then later Pheney, but it’s also possible that the Edward Fisher who married Mary Mallin in 1774 was Edward Fishers uncle, Daniel’s brother.  (I do not know if Daniel had a brother Edward, as I haven’t found a baptism, or marriage, for Daniel Fisher the elder.)

                  There are two difficulties with finding the records for these West Bromwich families. One is that the West Bromwich registers are not available online in their entirety, and are held by the Sandwell Archives, and even so, they are incomplete. Not only that, the Fishers were non conformist. There is no surviving register prior to 1787. The chapel opened in 1788, and any registers that existed before this date, taken in a meeting houses for example, appear not to have survived.

                  Daniel Fisher the younger died intestate in 1818. Daniel was a wood screw maker of West Bromwich. He was born in 1751 according to his age stated as 67 on his death in 1818. Daniel’s wife Mary, and his son William Fisher, also a wood screw maker, claimed the estate.

                  Daniel Fisher the elder was a farmer of West Bromwich, who died in 1806. He was 81 when he died, which makes a birth date of 1725, although no baptism has been found. No marriage has been found either, but he was probably married not earlier than 1746.

                  Daniel’s sons Daniel and Joseph were the main inheritors, and he also mentions his other children and grandchildren namely William Fisher, Thomas Fisher, Hannah wife of William Hadley, two grandchildren Edward and Isaac Fisher sons of Edward Fisher his son deceased. Daniel the elder presumably refers to the wood screw manufacturing when he says “to my son Daniel Fisher the good will and advantage which may arise from his manufacture or trade now carried on by me.” Daniel does not mention a son called Abel unfortunately, but neither does he mention his other grandchildren. Abel may be Daniel’s son, or he may be a nephew.

                  The Staffordshire Record Office holds the documents of a Testamentary Case in 1817. The principal people are Isaac Fisher, a legatee; Daniel and Joseph Fisher, executors. Principal place, West Bromwich, and deceased person, Daniel Fisher the elder, farmer.

                  William and Sarah Fisher baptised six children in the Mares Green Non Conformist registers in West Bromwich between 1786 and 1798. William Fisher and Sarah Birch were married in West Bromwich in 1777. This William was probably born circa 1753 and was probably the son of Daniel Fisher the elder, farmer.

                   

                  Daniel Fisher the younger and his wife Mary had a son William, as mentioned in the intestacy papers, although I have not found a baptism for William.  I did find a baptism for another son, Eutychus Fisher in 1792.

                  In White’s Directory of Staffordshire in 1834, there are three Fishers who are wood screw makers in Wolverhampton: Eutychus Fisher, Oxford Street; Stephen Fisher, Bloomsbury; and William Fisher, Oxford Street.

                  Abel’s son William Fisher 1792-1873 was living on Oxford Street on the 1841 census, with his wife Mary  and their son William Fisher 1834-1916.

                   

                  In The European Magazine, and London Review of 1820  (Volume 77 – Page 564) under List of Patents, W Fisher and H Fisher of West Bromwich, wood screw manufacturers, are listed.  Also in 1820 in the Birmingham Chronicle, the partnership of William and Hannah Fisher, wood screw manufacturers of West Bromwich, was dissolved.

                   

                  In the Staffordshire General & Commercial Directory 1818, by W. Parson, three Fisher’s are listed as wood screw makers.  Abel Fisher victualler and wood screw maker, Red Lion, Walsal Road; Stephen Fisher wood screw maker, Buggans Lane; and Daniel Fisher wood screw manufacturer, Brickiln Lane.

                   

                  In Aris’s Birmingham Gazette on 4 January 1819 Abel Fisher is listed with 23 other wood screw manufacturers (Stephen Fisher and William Fisher included) stating that “In consequence of the rise in prices of iron and the advanced price given to journeymen screw forgers, we the undersigned manufacturers of wood screws are under the necessity of advancing screws 10 percent, to take place on the 11th january 1819.”

                  Abel Fisher wood screws

                   

                  In Abel Fisher’s 1849 will, he names his three sons Abel Fisher 1796-1869, Paul Fisher 1811-1900 and John Southall Fisher 1801-1871 as the executors.  He also mentions his other three sons, William Fisher 1792-1873, Benjamin Fisher 1798-1870, and Joseph Fisher 1803-1876, and daughters Sarah Fisher  1794-  wife of William Colbourne, Mary Fisher  1804-  wife of Thomas Pearce, and Susannah (Hannah) Fisher  1813-  wife of Parkes.  His son Silas Fisher 1809-1837 wasn’t mentioned as he died before Abel, nor his sons John Fisher  1799-1800, and Edward Southall Fisher 1806-1843.  Abel’s wife Susannah Southall born in 1771 died in 1824.  They were married in 1791.

                  The 1849 will of Abel Fisher:

                  Abel Fisher 1849 will

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