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— These are MY eggs! Nobody touches my eggs!
— Oh come on, you’re not gonna make these ostrich eggs hatch Cathy… Better have them made into a nice big omelet for our guests… Fleur said with a tentative smile.
— And why use MY eggs for that?! Moooom, she’s trying to steal my eggs…

— What’s with all that fuss here? a coarse, yet sensual female voice said in the background of the kitchen.
— Mom, she wants to make an omelet with the eggs that granddad gave me…
— Calm down Catherine, will you… Is that true Fleur?
— Err… Madam Wrick, I suppose it was only a stupid joke… Thing is that wasn’t such a bad idea… There will be quite a few guests tonight, and… she began to falter as the eyebrows of Dorean Wrick were taking a more severe look. Err… I’m sorry, M’am, I’ll send Raster fetch some food for a nice meat pie, will it be nice?
— Perfect. That settles the matter then… Catherine, go back to your room, and let Fleur work. I’ll send you a maid to help you be prepared for our guests arrival.
— Yes, Mum.

What a silly idea Theobald, her father have had, to give her step-daughter those eggs for her birthday… Big funny green eggs. He’d said they were ostrich eggs, but there were no ostrich in Mexico, as far as she knew. Of course, now the little girl’s only idea was to have the birds hatch and to mount them and ride in the slopes of Ireland.
This family was definitely insane, Dorean was thinking.
At least, she had thought her own branch of the family tree had been spared by the folly of her relatives and their attraction for occult and intangible things, but with that odd gift, it seemed to her more than likely that her father had followed the steps of his wricked brother… Or perhaps it was only an old man’s way of passing time. But knowing her father down-to-earth nature, that was not like him. He didn’t do things out of a whim, and there was probably more than met the eye having to do with the funny eggs…

A few days ago, shortly after New Year’s eve and stepping into year 2034, she’d had received an unexpected parcel from her cousin, Sean Doran. A couple of wrapped books, he was asking her to keep in store for him. She always had liked her cousin, though they had only met two or three times when they were children. Thing was, family matters were more a wrickage than anything else, and they had barely kept in touch over the years.
She had distractedly opened the big ornate leather-bound books only to discover they were blank. What was the purpose of all of this, she didn’t know. But unlike most people, Dorean wasn’t interested in others’ businesses. She would keep the books, whatever they meant.

And she had more pressing matters now.
Her guest were coming. Elvira and her demented husband were moving back, and were due to arrive tonight after a rather long expatriation in the lands of Russia. Having met that strange and impressive individual, the perspective of getting away in a foreign land leaving all the past behind, all of this had most probably saved Elvira from her depressive mood…
But she had been so isolated from her past that Dorean suspected that these almost thirty years abroad would have changed her profoundly.

There is a time where reality and fiction bleed into each other so much exquisitely that they soon become indiscernible one from another. Such a time is not in a distant future. The time is now.

Elizabeth started to munch on her black and white quillipooh. Her yawning had made one of the mini-goats faint and drop on the floor stiff as a board… Light as a feather, looking at the quillipooh, stiff as a board looking at the goat. Light as a feather, another look at the quillipooh, stiff as a board, look at the goat…

She wasn’t sure waking up in the middle of the night to write the tiny bits of sentences she’d heard were very useful.

Light as a father, staffed as a motherboard…, Late as a feature… stuffed as a bugger…
Eyelids becoming heavy and slowly dropping over her eyes, she was also feeling her body starting to vibrate violently… Her nerves, probably dying for a nicobeck fix.

She reached out for her bedecked beckelite cigarette holder, her eyes still half-closed, but it wasn’t here… For all matter and purposes, the table wasn’t here either…
She opened her eyes fully and almost got a shock. She was floating a feet above the floor, like cushioned in layers of air. Was she dreaming already? Wow, in any case, this… experimentation was hunky-dory!

— There you are! said the man to the dark figure who had just landed on the wrought iron railed balcony I believe your trip was good!
— Absolutely, Sir. Everything went as you said.
— Good, very good.

The Baron was a tall man with an impressive build and a broad chest due to his lifelong passion for boxing. With his grey waxed moustache on his round rubicund face, he was giving the impression of a perfectly refined gentleman, but his disarrayed hair and his blue twinkling eyes behind his monocle were contrasting sharply and suggesting either a genius or a madman.

While Carla was getting rid of the cumbersome fly-like apparatus, the Baron was taking deep puffs on his pipe, releasing pink-coloured clouds smelling of vanilla.
The interior of the manor was of grisly aspect, but for all matter and purposes, the Baron seemed completely oblivious, as he was savouring his smoking on the stained worn bottle-green velvet sofa.
In actuality, the manor looked like a total ruin, and that, combined with the habit of speaking his mind which had gained him a reputation of heinous callous grizzly in society, had slowly severed him from all exterior contact.
The Crazy Baron, as the people of the nearby village had called him, was indeed very glad of this state of fact, which allowed him a complete privacy. As he liked to say to a few trusted people, being mad was the surest way of being left alone. Providing him what money, threats and coercion wouldn’t surely have given as surely. It was not completely safe either of incursion, but these, mainly due to a few young and curious daredevils from the village, could be easily thwarted thanks to the motion-sensors that were dispersed along the property and an appropriate anonymous call to the police. Because, unknown of but a few, underneath the old structure, was a room that, despite lacking a view, was not lacking of anything high-tech…

— Do you want to know the details? asked Carla, interrupting the Baron in his thoughts.
— Not really. I suppose you gave that old crone of a Viscountess the fright of her life, but well, I suppose she deserved it… Many would agree of course, though never in private. Ahah!
— Well, now you make me think of it, I reckon she forgot herself a bit in the process…
— Ahahah! If only it could have taught her something… The manic laughter of the Baron was as chilling as it was infectious.

Suddenly regaining his poised demeanour, the Baron resumed:
— Now, tell me, was it a genuine one?

January 4 ^th, 2008

A communication about legends, to complement what Yurick had connected to during his sleep, with ties with the dimension of Alienor, and possibly counterparts within his dimension

Starry sky, eternal and boundless waft of dreams and legends…

Many if not all of the physical dimensions possess legends. Legends of their beginnings, and legends of their ends.
The language which legends speak is a language of symbols, and though many of the receivers of legends are prone to erect them as absolute and faithful accounts of historical soundness, they are much more mutable and protean than what may be commonly thought of them.
They are connections, bridges from a locus (point in time/space) drawn as a frontier between what is known of the now, in which civilizations of these worlds are thriving, and a locus which is forgotten, or beyond the commonly perceived world.
As such, they essentially represent boundaries.

And of course, boundaries are only boundaries because they serve a purpose. Much like boundaries drawn on maps are not necessarily representing actual obstacles which cannot be physically crossed. These are mere perceptive frontiers, which tie in the various developments of history and societal relationships.
When the civilizations, or species, as you understand them, come close to one of these perceptive boundaries, there is an interaction with the very nature of the boundary, which is receptive to the inception of volition to cross the perceptive limitation.
And a process of reshaping and expending the borders takes place, by means of insertion of new legends.

Legends, in that way of seeing things, are not necessarily old dusty accounts sung by blind bards with jovian white beards. Not quite. They are much alive. They are created and recreated in the instant where boundaries of perceptions are being tempered with. Which makes it important to notice that they are translations of much wider movements in consciousness, spanning more than the physical dimension in which they manifest.
Many of the legends that humanity is aware of are very similar accounts, throughout your globe. And they are also projected in other dimensional areas vibrationally close to your manifestations.

You are currently fiddling with the legends of your ends of times, and that is the reason why at the same time, you are starting to create new legends. Legends of new beginnings.
In actuality, this is done oftentimes; each time a perceptual limit is crossed and seen beyond. The only difference here would be the unprecedented span of the process which is occurring now. The point where you are standing, prodding into the interactive frontier you have come across is not a single mere frontier, but a converging point of many of tinier, shorter ones. This also creates a singularity which makes the frontier respond with a sort of inertia. In fact, it is like a wide net of fine threads, which possess altogether a high absorbing potential for small energy bumps. Nonetheless, it will give way to a vastly expanded perception, as soon as the collective energy is focused upon, and steadily moving into the direction of pushing that protective envelop.

That process never ends, and during that process, new legends are being remembered. For the lands beyond the frontiers exists when you are aware of it, which in retrospect also means, it is created, or inserted as you are prodding the frontier.
In fact, you are, as you stand before that specific nexus point, being creating new legends, in that you are evaluating the potentials that you see fluctuating as a shadow world through the layer of a soap bubble, and have them blend with legends that you know of.
Your very lives become the legends of these potential worlds, and thus is the importance of your being at that locus of transition. You indeed come at that point, as much for making it possible but more so, to experience the transition and alteration of the legendary landscape. You are the bridges between a future which you are creating as you remember it, and a past which contains the clues that will be seeds for your new discoveries.
And that is a most rewarding travel, as you will come to see…

It’d been two hexades that the Abbot Hrih Chokyam Lin’potshee had been laying in bed in poor condition.
At first, he had wanted to be as strong as he had always been towards hardships, but he’d finally admitted that quelching the pain wasn’t doing any good to him. So he had agreed to be taken care of by a young monk, and to lay in bed as long as was necessary.
He knew that he was very likely not to get out of that bed but with his body covered by a white sheet, nevertheless, the thought was still something distant. The pain in his body was making him so present to himself that the only thing that was still blatant was that he was.
More than the body, it was all his faith that was shaken. He had thought he would leave this life without mess, without pain, probably very discreetly in his sleep… But now, his head was wincing at every noise, even the nature’s sounds that once felt like music to his ears, he was eschewing them now as much as he could. His very skin was hot and couldn’t bear even the soft contact of the bedsheets.
What was the point of all of this? He had never doubted that everything had its purpose, but now, he was doubting…
He was even trying to find some reasonable reasons for what was happening, he who never trusted in reasonable reasons in the first place. Perhaps that was because of his seating under the chilly air and the warm sun in front of the Meditation Wall, reading for all of the poems that had been written by the monks who had dared to write. Perhaps he had “taken cold”, whatever that means…
“Perhaps not” the voice kept saying softly in his head.

Now, his whole succession was feeling like a moot point. After all, he was not even capable of saving himself from anything, then how could what he created make the slightest difference? These were all like an extension of his body, bound to decay and come back to Earths.

Not so many monks had dared write upon the Wall about their highest truth. A few jokesters had begun at first, helping the others to participate.
One in particular had had Hrih laugh for quite a while.

A toad is a toad
Unless kissed
Endless Bliss

Then a dozen of others had flourished upon the wall, until Aum Geong decided to write his own. He’d not wanted to go first, to allow the others to express without the burden of comparison, and also to have some more time to write something deep and thoughtful. But that profusion of nonsense between some occasional pearls of wisdom made him write his own.

Unattainable is the Truth
For in the Dust of things
All in our View is bleak

Doing Wrong we forswear
For Dust to be lifted
And Wisdom we seek

In the deed of the Elders
And the Faith in the Community
Light and Trust bespeak

All the monks had been quite impressed, but Hrih had not been entirely satisfied by it… To be honest, he even completely disagreed with it.
Now, however, stuck in this bed, the poem was playing in his head and suggesting that the Worlds were something terrible that he had not yet understood, or be willing to avoid seeing. Perhaps Aum Geong was wiser than he was.
Perhaps all that Hrih had put as foundational to his life had all been Dust…
“There is no Dust, and you know that” the voice whispered softly.

Now that he is about to die, what difference will it make anyway…
He reach out for a bowl of water, and almost let it fall, as the weight of it surprised him. He was becoming so weak… He never had been so self-conscious in many many many years.

After he had propped himself up to drink a few burning swallows of the lukewarm water, he noticed something folded on his bedside, that had been put under the bowl… Young Franiel had been the one attending him with Jog Lam, so it must have been the doing of one of them. He intuited that was Franiel.

As he read the stanzas, tears were in his eyes…

I am the driftwood
the wave carried me
I was buried in sand

I am the flower
the butterfly touched me
I fell in love

I am the raindrop
the cloud released me
I became the ocean

The Young monk had probably not dared write it on the Wall, especially after most of the monks’ vocal appreciations of Aum Geong’s poem…
“Perhaps not” the voice again spoke.
Another reason for it formed into Hrih’s mind. Franiel perhaps didn’t feel ready for such responsibilities and his role and fulfillment in this community was not form rules nor to continue it.
It was more to inspire them, and perhaps to start his own discoveries.

Hrih wrote a note behind the paper. He wanted to leave something for Franiel, for him to keep faith in his coming adventures during these coming times of change.
After a deep breath, he took another paper that was with him for already such a long time, wrote down some words, and signed it, the aura of his hand burning a glyph that was his signature in the paper. He then called for Jog Lam.

— Jog Lam, my friend…
— Elder?
— I’m dying…
— I know Elder
— Let me continue. (Jog Lam nodded)
First, will you give that paper to Young Franiel after the cremation ceremonies. (Jog Lam nodded again)
Second, I want you to relay that I have made my decision, and that Aum Geog will succeed me (Jog Lam’s surprise was noticeable in his eye). He is, to date, the most adequate successor for this monastery.
— I will do as you want.
— Thank you my friend.
— Elder…
— Farewell, my friend, I am always with you.

When Jog Lam stoically left the room, Hrih Chokyam laid down, his eyes on the ceiling. His body was so weak that all he could do was to project behind his closed eyelids and see the starry sky, even if he would have wanted something different for his death. He would have loved something like a nap in a sunlit meadow with a little singing brook.
But seeing the actual World was something even more precious to him. The barren mountains of the icy season, the clear unclouded sky. His mind was so full of energy that his body lacked.

With a deep feeling of gratitude for his body, he bid it farewell.

December, 21 ^st, 2057

It was almost Christmas, and the Wrick Manor had been buzzing with preparation for the coming of Sean and Becky .

Manon was diligently busy cooking, having already planned many mouth-watering dishes on her menu, like poêléed (pan-seared) foie gras on roquette fig salad, lobster in ginger and scallion soy sauce, ostrich fillets with dauphine potatoes, and loads of exotic desserts and tarts.

Lord Wrick had told Manon that Becky was a vegetarian, but even Lord Wrick had trouble telling the cook what she should cook or not. Manon considered it a matter of rude interference upon her artistic culinary tastes, and no one was to tell her how to stir her sheep, so to speak. And secretly, she was sure that Becky would love her delicious Christmas menu.

In the meantime, Nanny Gibbon was having India Louise and Cuthbert prepare the twinkling Christmas tree. The garlands were a bright electric blue crisscrossing the branches of the huge silver fir, dangling under the weight of shiny red balls. The children were delighted to see Granddad Sean and they could hardly keep in place, and were giggling with joy.

This past month, with the settling down of winter, the light had been scarce, and even with knowing that all was purposeful, they’d rather create purposeful adventures in the Equatorial part of the world, where days were longer and temperatures balmier. They could almost tell that Manfred the cat was agreeing.

Georges and Salome’s journal

From Salome’s account of her journey to the Murtuane

There is a purple beach that I have seen briefly in my third eye, with a stranded people of the Murtuane. It seems like a possible focus of Georges, named… “Jarvis” I would translate.
Georges having moved to the mountainous and icy lands of the Duane, I thought it would be entertaining to discover more about this focus before telling him about it. Though it was not what I initially in mind as per an exploration, it surely has its purpose.
This island has in fact the size of a continent, but being in an isolated part of the Murtuane, few are those knowing of it. It fosters some interesting creatures not found in other places of the Murtuane. Jarvis is not yet aware, but he is observed by some of them. Zentauras (these black-and-white striped centaur-like creatures) are guardians of this Island, and thus do not see the arrival of one of Jarvis’ kind as a particularly good omen. What puzzle them is that he has been rescued by one of the Daughters of the Sea.

When I connect with Jarvis, he tells that he knows this land as “Kandulim”, a fabled island from which people could easily go into another world and bring back whatever is most precious to you. It always had been a legend for him until he had opened his eyes and seen the purple beach.

Oörlaith was picking star-thistles buds that were growing on the ruins in the Marshes. She had always felt attracted by the putrid Marshes, for many reasons.
There was something in her own demeanour that made creatures and people comfortable around her, and she had always felt in herself that natural balancing and accepting qualities that makes a good Healer.
But it was a complex matter, and her choices of explorations had always stirred much incomprehension in the various people she had met over her life. And she had met lots.

Of course, the first ones where her own parents. They were opulent burgomasters of one of the major towns of Cromash Tur, and from the date of her birth, Oörlaith was destined to marry one of the Warlords of these regions. Something that was sound and portent of good fortune, as her parents kept saying. Warlords were always in need of fundings for their expeditions, and in exchange would be providing a modicum of security for the commerce and other activities. It was thus all good for everybody. Good exchange of practices.

But very early in life she had known her path was not that one.
Nothing as plain and simple… and boring! one must admit. Her parents would have not, though.

As far as she remembered, she first had a living proof of her potentials when she healed a small bird back to life. A miracle, for the poor thing had been maimed by an rabid chipmog pillaging birds nests for eggs, and throwing the little hatched bird off the branches. Chipmogs were no more evil than the bird she knew that, and their show-offy nature was even a blessing in disguise, as she had been quickly alerted of the incident.
She was four year-old.

Only later did she became aware of how she could best learn to develop her magical potentials. Her parents wouldn’t have let her know about such things as how to become a Grand Sorceress, for they did not really know much about it, and also for it was considered unfitting to her rank. “Simpletons”, she couldn’t help but think.
But the day she became aware of the legendary Island of Mörk, she instantly set her goal to be counted among the best of their Learned Ones, whatever the price for her.

And notwithstanding her relatively young age, she got by her own to the Island, and was trained there too… But then again, it was not as easy, as she rebelled against some of the Laws of Magic passed down by the Teachers, Laws that were thick and dry as a century old grimorium full of abstruse formulæ.
Hopefully, she ended up with misfits as much she was, her dear sisters Roselÿn and Malvina.

When it was time for them to part on their own adventures, she again surprised many (but not her dear sisters) by stating that she would settle near the Marshes. The legends surrounding this place, as well as the huge potential for practicing healing in one of the most difficult environments were immense incentives for her.
The Teachers had warned her of the immense energy that filtered in these lands, as it was a coordinate point where things had already gone awry in the past. She had almost laughed at them. Of course she was aware, that was all about that. Definitely not for the faint of hearts.

Her companion Andarión, who was in his/her preferred shape a majestic water dragon, as wise as it was a crackpot at times, had been aware of her intentions as soon as they had first met. They had chosen each other quite purposefully, though she was not entirely aware of her role in these discoveries. But undoubtedly he was an asset.

And as she was picking her mauve star-thistles, humming like a raving madwoman, her sharp eye was on the look for the legendary golden one which would mean the dawn of a new Era…

— The legend of Mævel — (Part IV)

Mævel’s mind was made up, she was leaving tonight. She took a few of her belongings in a little bundle, and all very silently, moved to the door, the bundle in one hand, and the key in the other.

But when she tried to put the key into the lock, she noticed something was wrong. The key was way too big for the small lock. What was the purpose of materializing a big key unfit to the locks that were in front of us? she wondered.
Perhaps the key will have another use, she said to herself, and she put it into her bundle, and wondered whether she could find another way to get out of the bedroom.

« Use your magic,… you don’t need to play by the rules » a tiny voice whispered in her ear.
« What does that mean? » she asked, befuddled, as perhaps her parents where right after all, she was becoming nuts… Well, that might attract squirrels and have them gnaw a hole in that wall, she said giggling to herself.
« You don’t need draw squirrels,… you can draw a door directly »

What a strange idea, Mævel thought, drawing a door… It sounded so funny at the moment, that she could feel her heart lift and her spirits as well. What could she use to draw that door… Her gaze ran quickly through the bedroom, looking for a bit of chalk, or charcoal, or whatever else. What a terrible thing that she was so obsessed by dusting, as there wasn’t even a single dust bunny left to draw that door.

« Now, will you pay attention? »
« I beg your pardon? »
« What did I told you? »
« Mmmm, let me think… Oh! I don’t have to play by the rules… »

So, in a bout of genius, Mævel ran her finger on the wall, starting from the floor, straight upwards, then to the right, and straight down again, until… well, nothing happened.

« That wall hasn’t budged any! »
« Are you sure?… Look closer »

And Mævel saw that the wall had become like a shiny surface of water, right inside where she had drawn the limits of that imaginary door. And when she pressed her finger, it was simply going through it, as though the surface had just been an illusion.

With a thank for the helpful voice in her head, she was about to cross the surface, but was stopped in her track by a moment of hesitation. Could she change the destination behind the wall as well?
Why not, after all, she didn’t have to play by the rules.

« To the forest! » Mævel ordered intently to the wall before jumping in.

The voice smiled to her fondly.

— But we’ll have to find a pseudonym, Al had said to Becky, as they were discussing the unusual play last day.
— Yes! Becky had said enthusiastically.

And Al had known he was going to love the surprise that Becky would be finding for them.

Now, he was waking up, and the sun was bright and the sky clear above the waters. He’d had dreams of a huge reception, with lots of foods at all levels of a huge building, that people were eating and eating, but still there was always enough for everyone, and more, diversity too.

And there was this groundhog day dream before (and a popping blue dot in his peripheral vision as he was jotting down his thoughts, err he always thought jolted, that would make Becky laugh again), and in his groundhog day, he was winning millions in many different ways, but all that money had a purpose to help him in a rescue mission. He could not die before his mission was accomplish, or everything would start again, and again the abundance would be here in the form of millions…

When he saw Becky’s last entry, he wished he could hug all of them soon…

Yurara Fameliki… I love that name, he said to the noisy bird nesting on top of his window…

Malvina tried to concentrate on the opalescent glubolín, to locate her Sisters.

But that was perhaps too early, because she could feel them close enough, but not focused yet.
Instead of communicating directly with their focused attention, she was getting images in the glubolín, that seemed related to them, but not necessarily directly. Something like an overlapping of different aspects.

Oörlaith was very close, and she could make out her surrounding. Malvina could briefly see her discussing with a man and a black dog. She had known that man… But then the image dissipated…

A sparkling shore, a black and white bird and pirates talking with a boy… the little boy had a buntifluën in his possession; how strange, Malvina thought, how could he?
Then the shore changed, she could see herself in a unfamiliar environment of sands, she was wearing a blue shawl and teaching a young impetuous woman, on how to change her features as easily as molding a sand castle. The young woman had just grown cat whiskers for a split second, and was giggling at her first success. How strange again thought Malvina, this simple act had sounded like a feat of importance in that bizarre environment, while it is rather easy to accomplish…
Images flying again, she tried to concentrate on Roselÿn.

But Roselÿn was perplexing. Malvina did not manage to connect directly to her environment, but could catch glimpses of a flying plump woman in a black and white attire, and she knew at once it was Roselÿn — though not the Roselÿn she knew. Roselÿn the Sorceress was a tall elegant dark-haired woman, but both women emanated the same joyful and loving energy. Flying Plump Roselÿn was with a little giggling girl, and giggling girl was adventurous… How interesting…

Something drew her out of her rêverie. Guests had arrived it seemed, she could hear Leörmn calling for her. She was excited at the perspective of visitors, especially at the perspective of meeting the young one who had found the sabulmantium, as she was feeling that her presence now was purposeful for them all.

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…