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Bert crept past room 8 again, listening. There it was again, the voice of a woman. How the heck did the dusty old geezer manage to smuggle a woman into his room? It didn’t make sense, there were so few people in the town that a strange woman would have been noticed, someone would have mentioned it. And the woman had a strange accent, Bert couldn’t place it, but it wasn’t an accent he was familiar with. Sounded almost old fashioned, although he couldn’t be sure. His hearing wasn’t so good these days. A foreign woman in town, and not a mention anywhere? No, it didn’t make sense.

Bert had a few jobs to do, but wanted to keep an eye on the door of room 8. Whoever was in there would need to come out to use the bathroom sooner or later. He decided to ask Prune to keep watch while he fed the chickens, Prune would enjoy keeping a secret, and he wanted to keep quiet about his suspicions until he knew a bit more. Nobody would find it odd to see Prune lurking around in a dark corridor.

“Do you not see that satchel o’er yon upon that fine stout table? Do but hand it this way, noble sir.”

Prune pressed her ear to the door and frowned. It was a woman’s voice, but what was she on about?

“Your Grace, I would sit with thee and spake…”.

Her name must be Grace, deduced Prune, wondering why the old dusty bugger was speaking funny as well.

“…..whence I have received from thee the artefact. Get to it, you lay about excuse for a man, I do ha’e me most urgent and important things to apply my considerable value upon.”

What a rude tart, thought Prune, and she hadn’t even paid for a room. She heard no more from inside the room because at that moment Aunt Idle came roaring and crashing down the corridor with the hoover. Prune scuttled off past her and went to find Bert.

Prune had just started to explain to Bert about Grace when Mater came beetling across the yard to join them.

“Bert, where’s the fish gone?”

Bert and Prune looked at each other. “What fish?”

“The flying fish that’s been hanging on the wall all these years, it’s gone,” she said, pointing towards the house with her walking stick.

Open mouthed in astonishment, Prune raced back to the house to check for herself.

Aunt Idle:

After all the fuss had died down about the missing Mater, I lost interest in the map and the strange note. It was as if the distraction interrupted my train of thought (some might say another of Idle’s hamster wheels, or another ludicrous tangent), so I gave the maps back to the girls and the mysterious note was mostly forgotten. If it meant anything, well, sooner or later it would become clear.

Truth be told, it wasn’t just the fuss about Mater that distracted me, it was the phone call from my old friend in New Zealand. Flora Fenwick was making another of her arty party videos, wanted to come over to check out some of the empty properties for filming. I’d seen all her arty farty party videos online, and we’d been friends for years via Spacenook, but we’d never met in person.

The timing was perfect.

Bert watched Clove disappear down the hall, and crept out from his hiding place behind the door of the room opposite room 8. He’d positioned himself to get a look at the new guest; something about Prune’s description of him had set of alarm bells in his mind and he wanted to see the new guest for himself.
Silent as a cat, he crept over and pressed his ear to the strangers door. Nothing but the sounds of cutlery scraping plate. Bert waited.
Time limped along but Bert stayed put with his ear pressed to the door. Eventually, he heard it. That humming noise. He remembered it, although he didn’t know what it was, didn’t know what to make of it.
He’d been ten years old when he heard it the first time, ten years old when a dust covered man in a broad brimmed hat had appeared in town. Dang, the guy hadn’t aged in all these years. He was sure it was the same fella, he’d known it the minute he saw him through the crack of the door, but especially now he’d heard that humming.

Mater:

The stranger arrived as I was setting off, but I didn’t have time to stop. By the looks of him he had been on the road for a while. I called out to him that if he was after a room he had better go and bang on the front door, but he might have to knock loudly because they were all asleep.

I shrugged off a vague feeling of guilt.

Not my problem; let someone else deal with it. Early to be calling though.

It wasn’t long before I was wondering dismally whether my mission would need to be aborted. It was only 7:00am, but already the heat was stifling. I was considering my various options, none of which seemed that attractive, when Bert pulled up next to me in his van.

“Where are you off to, Mater? You want a lift somewhere. Hop in.”

I hopped in. I liked Bert, although he wasn’t one for conversation. He was about my age, maybe a few years younger. Hard to tell with the men around here, they all looked like aged leather. He raised an eyebrow when I told him where I was going, but otherwise didn’t comment. We drove in comfortable silence.

“Not far now, Mater. You want to stop for a coffee? It’s still early.”

“Are you asking me on a date, Bert?”

There was an awkward moment while he worked out I was teasing him, then his face cracked into an amused smile.

“Can you cook?”

“Burnt toast is my speciality. If you are lucky I would open a can of spaghetti.”

“You’ll do then I guess, even if you are a crazy old coot out walking in this heat.”

Corrie:

It was the look on Aunt Idle’s face when she saw them that scared me. There’s something strange going on, and not just everyone acting weird, that’s pretty normal around here, but this was a different kind of weird.

When Aunt Idle nearly suffocated me with that big hug while she was trying to hide that piece of paper, I didn’t think anything of it. Probably hiding another bill I thought, not wanting us to worry about the debts piling up. Mater wandering off like that was pretty strange, but old people do daft things. I knew all about it because I’d been reading up on dementia. They imagine things and often feel persecuted, claim someone stole their old tea set, things like that, forgetting they gave it away 30 years ago, stuff like that. So I wasn’t worried about either of them acting strange when Clove and I decided to go treasure hunting in the old Brundy house, we just decided to out and explore just for the hell of it, for something to do.

The Brundy house was set apart from the rest of the abandoned houses, down a long track through the woods, nice and shady in the trees without the sun glaring down on our heads. Me and Clove had been there years ago but we were little then, and scared to go inside, so we’d just peeked in the windows and scared each other with ghost and murderer stories until we heard a bang inside and then ran like hell until we couldn’t breathe. Probably just a rat knocking something over, but we never went back. We weren’t scared to, it was further to walk to the Brundy place and there were so many other abandoned houses to play in that were closer to home.

We weren’t scared to go inside this time. It was a big place, quite grand it must have been back in the day, big entrance hallway with an awesome staircase like in Gone With the Wind where Scarlett fell down the stairs, but the stair carpet was all in shreds and some of the steps banisters were broken, but the steps looked sound enough so up we went, for some reason drawn up there first before exploring the ground floor rooms.

Clove turned left at the top of the stairs and I turned right and went into the first bedroom. My hand flew to my mouth. I wonder why we do that, put a hand over our mouth when we’re surprised, well that’s what I did when I saw the cat mummy on the bed. I didn’t scream or anything, not like Clove did a minute later from the other side of the house. It wasn’t a mummy with bandages like an Egyptian one, it was just totally desiccated like a little skeleton covered in bleached leather. It was a fascinating thing to see really but the minute I heard Clove scream I ran out of the room and down the landing. It’s not like Clove to scream. Well who screams in real life, the only time I ever heard screaming was in a movie. People usually say what the fuck or oh my god, they don’t scream. But Clove screamed when she saw the room full of mannequins because to be fair it did look like a room full of ghosts or zombies in the half light from the shuttered windows. She was laughing by the time I reached her, a bit hysterically, and we clutched each other as we went over to open the shutters to get a better look. It was pretty creepy, even if they were only mannequins.

They were kind of awesome in the light, all covered in maps, there were 22 of them, we counted them, a whole damn room full of map covered mannequins in various poses, men, women and kid sized. Really clever the way the maps were stuck all over them, looked like arteries and veins, and real cool the way Riga joined up with Boston, and Shanghai with Lisbon, like as if you really could just travel down a vein from Tokyo to Bogota, or cross a butt cheek to get from Mumbai to Casablanca.

We hadn’t noticed at first that we’d been shuffling through a load of paper on the floor. The floor was covered in ripped up maps, must have been hundreds of maps all torn up and strewn all over the floor.

“There’s enough maps left over to do one of our own, Corrie” Clove said, reading my mind. “Let’s take some home and stick them all over something.”

“We haven’t got a mannequin at home though” I replied, but I was thinking, why not take a mannequin home with us, and some maps, and decide what to do with them later.

So that’s what we did. We gathered up the biggest fragments of map off the floor and rolled them all up and used my hair elastic to hold them together, and carried a mannequin all the way home. The sun was going down so we had to hurry a bit down the track. Clove didn’t help when she said we must look like we’re carrying a dead body with rigor mortis, that made us collapse laughing, dropping the mannequin on its head. Once we got the giggles it was hard to stop, and it made our legs weak from laughing.

We got home just as the last of the evening light disappeared, hauled the mannequin up the porch steps, where Aunt Idle was standing with her hand over her mouth. Well, that was to be expected, naturally she’d be wondering what we were carrying if she was watching us come up the drive carrying a body. It was later, when we unfolded the maps, that the look on her face freaked me out.

Bert wondered what Dodo would make of Mater’s disappearance.

She has been acting real strange lately.

Aunt Idle:

My hands were shaking so much I could hardly light a cigarette after reading the note. I got it lit and sucked in a lungful, exhaled right into the shaft of sunlight and froze. And I don’t mean cold, it’s hotter than hell, I mean I quit shaking and couldn’t move because that smoke was doing some very peculiar things in that sunbeam. Looked like Penmanship with a capitol curly P, written in smoke by an invisible hand, loop the loop of joined up writing and I could see the words, but damn, two seconds later I couldn’t tell you what I just read and by then the first part had wafted apart. So I sat there reading the smoke until the last of it dispersed, and without thinking took another drag of the cigarette. I’ll be honest, I wondered whether to blow the smoke over my shoulder instead, but curiosity got the better of me, and I leaned forward a bit and screwed my eyes up ready to focus and started exhaling slowly into the sun. Not a damn thing this time, nor the next, and I almost lit another cigarette right off the butt of that one. Just to delay looking at that note again I suppose, but I didn’t, I stubbed it out and picked up the note. The smoke distraction did me good, I was over the shock of it and now I was curious.

The note was written in letters cut out of a map, by the look of it. Or maps, hard to say at this stage. The letters were pasted onto a yellowing sheet of stationary paper with a heading embossed on the top: Tattler, Trout and Trueman. Nothing else, just that, no address or phone number, or indication of who they were. There was a brown ring stain, which might be a clue, and a short message. Made me jump when I saw the name at the bottom, because the H was so tiny compared to the ILDE it caught my eye as Idle, which is what the twins call me, and the D I D letters were much bigger than the I E R, making me think it was Dido, which is what the others call me. It’s Delilah but nobody’s ever called me that, although Prune called me Dildo once and got a clip round the back of the head for it. So the note came from Hilde Didier, and I’m ferreting away in my mind and I can’t think of anyone of that name, but it might come to me later.

“Mater’s acting strange, Aunt Idle,” Corrie burst into the room giving me the most unpleasant jolt it made me think I was having a heart attack until I remembered the note in my hand.

“Coriander, darling!” I gushed, admittedly uncharacteristically but I didn’t have time to think, swiveling round to her while slipping the note out of sight. I stood up and hugged her, deftly spinning her around while scanning over her shoulder to make sure the note was hidden from view.

“Bloody hell, not you as well!”

Mater:

I am 73 years old and some think I look pretty good for my age. Not the kids—the kids think I look as old as Methuselah. When I was young my hair was jet black. Now it is white and I wear it in a long braid down my back; it is easy to look after and I certainly don’t trust Dodi to cut it, though she has offered. I wash it once a week and put vinegar in the final rinse to get rid of the yellow tinge. My back is straight, no dowager’s hump like some my age, and I can still touch my toes at a push. I married my childhood sweetheart—the love of my life—in 1958 and he died of sickness, April 12th, 1978. My favourite dish is spaghetti and meatballs. When I was younger, when I lived in Perth, I was a milliner. I don’t make hats now; there is not the same demand out here. And of course there is Fred, my son, who scarpered God-knows-where a year ago.

It isn’t much to say about a life, but I suspect it is way more than you wanted to know.

This reminds me; Dodi went to a funeral in Sydney a few months ago. The funeral of a dear school friend who died in a motor vehicle accident. Not her fault, as I understand it. She was driving along, minding her own business, returning home from a quiet night playing trivial pursuits at the local community centre. A teenage driver lost control of her car. She was fine; I mean the other driver was fine, barely a scrape. Dodi’s friend was not so fortunate. At the funeral of her friend—I forget her name—the place was packed.

At the time, when Dodi recounted the events of the funeral, I started thinking about my own future demise. It may perhaps sound morbid, or vain, but I found myself wondering who might be there to see me off. Other than the family, who would be duty bound to attend, I couldn’t think of many who would care enough to pay their respects—perhaps a few locals there for the supper afterwards and a bit of a chinwag no doubt.

I am rambling; I have a tendency to do that. I can’t blame it on old age because I have always rambled. The point is, I don’t think I have done much with my life. And this saddens me.

However, I suspect this is of less interest to you than the ghost I mentioned earlier.

The idea of a ghost is not a new concept at the Flying Fish Inn. It has been around for as long as we have been here. But it was just a joke—it wasn’t a real ghost, if you see what I mean. Every strange noise or other untoward happening we would blame on “the ghost”. The dilapidated look of the place lent itself very well to having resident ghost, it was almost obligatory, and Fred even had a plan to market our imaginary ghost as a tourist attraction.

So what changed? Well, I saw him.

Most of the houses in Bonemarsh were uninhabited, in various stages of dust and decay. A number of them had been left with their interiors intact though, as if the occupants had just not come home from work one day. Exploring the empty houses was a wonderful game for the few children left in the town ~ full sized play houses, complete with full sized toys. No tiny prams or miniature tools were required to play pretend with, as they had the real things at their disposal.

Exploring the wardrobes and trunks under the beds had given them many strange costumes and unexplainable objects to play with. The children didn’t really wonder about all the wigs, not at the time, they were just delighted to have so many to play with. Later, in retrospect, they wondered why a mining town had quite so many wigs.

To look at the grizzled weathered face of Bert Buxton, sex might be the furthest thing from your mind. You would be unlikely to imagine him as a participant in outrageous kinky goings on in the back rooms and bedrooms of the local hostelries, or wild midnight romps under the stars, but things had been different in Bonemarsh when the mines were busy, when he was a virile young man.

The miners were a strange breed of men, but not all cut from the same cloth ~ they were daring outsiders, game for anything, adventurous rule breakers and outlaws with a penchant for extreme experience. Thus, outlandish and adventurous women ~ and men who were not interested in mining for gold in the usual sense ~ were magnetically drawn to the isolated outpost.

After a long dark day of restriction and confinement in the mines, the evenings were a time of colour and wild abandon; bright, garish, bizarre Burlesque events were popular. Bonemarsh, strange though it may seem, had one of the most extensive wig and corset emporiums in the country, although it was discretely tucked away in the barn behind a mundane haberdashery shop.

Bert knows a thing or two about the past, the town and the family, but he says very little about it other than offering cryptic one liners and knowing looks.

He was a miner when the mines were open (and he could tell you a few things about the goings on), and never left the place, managing to scrape by on kangaroo and cassowary meat and doing odd jobs, sometimes finding a gold nugget and selling it on ebay. He has a soft spot for the children, especially the rude and contrary Prune.

Does he have a strange sense of responsibility to Abcynthia? He hangs around the inn, unofficially making himself useful with odd jobs, and lives in a shed out the back.

The Flying Fish Inn was passsed down to Abcynthia (the childrens mother) from her father, who had a boarding house during the gold rush. He died just after the mine closed and Abcynthia closed the place up and moved to the city where she went to university and met her husband Fred (name to be arranged later).

Fred was a journalist who aspired to write a science fiction novel. He convinced his wife to give up her career as a corporate lawyer, and raise a family at the old inn in the outback, while he write his novel and earned a rudimentary income from writing articles online, enough to live on. Just after their 4th child was born, Abcynthia had had enough, and left the family to pursue her career in the city.

Fred’s sister Aunt idle was at a loose end at the time, needing to keep a low profile and “disappear” for reasons to be discovered, and agreed to come and help Fred with the children. Fred’s cranky mother had already been living with them for a few years but was not up to the responsibility of the four children while Fred was busy writing.

A few months after Abcynthia’s disappearance, some unexplained incidents occurred in the area around the ghost town and the defunct mines ~ possibly connected to the sci fi novel Fred was writing in some way ~ which Fred wrote articles about, which went viral in the popular imagination and thirst for weird tales, and visitors started coming to the town.

Aunt Ilde started to informally put them up in rooms, and enjoyed the unexpected company of these strangers which relieved her increasing boredom, then as the visitors increased (not so very many, but two or three a week perhaps) decided to officially reopen the boarding house and a B and B.

Fred, though, must have had some kind of a meltdown because he left a cryptic note saying he’d be back, and to carry on without him for the foreseeable future. Nobody really knew why, or where he had gone.

“How very strange” said Igor, when they eventually reached the waterfall.
“What?” asked Mirabelle, who was paying more attention to the parrot perched on her shoulder. She tickled him under the chin. “Who’s a pretty boy then? muah muah muah pretty parrot, where have you been?”
Igor rolled his eyes at the kissing noises. “Look!” he said, pointing at the waterfall.
“It’s a fucking waterfall, yes, I see it!” snapped Mirabelle. Finding Huhu had distracted her from the discomfort of hunger, thirst and an aching body, but Igor’s questions brought her back to the reality of their situation.
Then it dawned on her. The waterfall plummeted downwards, in a seemingly infinite series of cascades and pools. It was impossible to see the bottom with the spray and mist, especially in the fading daylight.
“But we are still at sea level, Igor! The waterfall should be going up, not down. I mean to say, we should be looking up at the waterfall flowing down. This isn’t making any sense. But look” she said, pointing to the first pool on the right. “There is a little hut there and some people. Fat people.” she added. “I bet they will have some food, let’s go and ask.”
Igor stepped cautiously to the edge and and peered over, looking for a way down. He looked down, then looked back at the little stream they had followed from the sea, and then back down again.
“This water is breaking all the rules!” he cried. “It’s flowing in both directions!”
“Don’t be silly Igor, are you delirious? Everyone knows that water flows downhill towards the sea.”
“See for yourself then, look!” he put a stick in the stream and they watched it flow gently back the way they had come, towards the bay. “Now watch,” he said, as he tossed another stick over the edge of the waterfall. It quickly disappeared from view as it rushed downwards, in the opposite direction.
“Where is the source? Where is the water coming from?”
“Those fat people might know. Have you found a way down yet?”
It appeared that the only way down to the pool of the fat people was via the waterfall itself. There were sheer cliffs of malachite and rose quartz on either side of the waterfall as far as the eye could see.
“I think we will have to go down the waterfall itself, Mirabelle.”
She gasped and took an involuntary step back.
“We will have to steer ourselves towards where we want to go, that’s all.”
“Oh no, not me, if you think I’m going to just throw myself over a waterfall…Oh! Huhu come back!”
The parrot flew down to the pool of the fat people, and settled on a banana tree, watching Mirabelle above looking down at him.
“Fucking parrot,” muttered Mirabelle. “I’ll clip your wings when I catch hold of you, I swear I will. For your own fucking good! Well?” she said, turning to Igor. “Are you coming or what?” and she launched herself over the edge and into the waterfall, with one thought in her mind ~ the bloody parrot.
With a great splash, she landed in the rose coloured pool, bobbing to the surface like a cork. Disgruntled silvery fish leaped out of the water, one of them landing on the barbecue. Mirabelle waded out of the pool, oblivious to the fish, and the looks of amazement on the faces of the fat people, and walked over to the banana tree.
Huhu ripped a banana off a ripe yellow bunch and dropped it, squalking in delight as Mirabelle caught it in her hands. When Huhu saw that she was focused on peeling it and eating it, he fluttered down and perched on her shoulder. She gave the parrot the last bit of banana, and then turned her attention to the fat people and the barbecued fish.

“It’s a fine thing Godfrey, really I am at a loss for words. One day, that’s all, just one day off, and what happens? Everything’s been rearranged or written off completely, it’s utter chaos. You just can’t get the staff these days.”
“You could have robots, like everyone else, Elizabeth.”
“Pah! Robots! Don’t talk to me about robots, too bloody predictable.”