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  • #323

    — The legend of Mævel — (Part II)

    The young fairy princess, whose secret name had been forgotten, and thus her very existence to whoever had known her, grew up as a beautiful child.
    Mævel she was, and the youngest of the clan too. Her delicate features stood out of the many children that Jorg and Ilga, her human parents already had, and they first saw her as probably their most useless child, being frail and unfit to the works of the woods. But she’d been saved from a sure death, and that had proved to them that the child was some odd gift from the Gods.

    Mævel looking at her brothers and sisters, was constantly reminded of how different she was, as small and fair and fragile as a sparfly’s egg. She helped her mother Ilga as much as she could in the kitchen, preparing meals for the clan. Her parents did not know how she could ever get a husband, as she would never be much of a great cook either.
    So, she was feeling not fulfilled by what she was doing. She loved her parents, and sisters, and brothers, but there was something else that she did not know how to express.
    During the springing and sunny seasons, and even the rainy and icy one, she would go after her works had been done to the little meadow brook, and watch for hours the little rosy trouts dancing in the clear waters.

    And much of her young years passed, and she learned how to cook, how to sew and how to wash clothes and many other tasks that could help the family. She had improved much in her skills and could do wonderful adornments to her sisters and brothers clothes. But noone cared about the adornments, which would be useless for them. But they loved their little sister nonetheless, though they did not understand.
    Soon, all the elder brothers left the house, one by one, and the sisters too. And as Mævel turned twenty one, she was left alone with old Jorg and old Ilga.

    That day, her parents had offered her a pearl white ribbon, for her to tie her hair, and they had thought it would probably please her, as it was as useless a thing as their mind could imagine. And indeed she was delighted by the gift, and to please her parents, she had danced and sung in the night, barefooted on the floorboard, her shiny golden hair swirling around her, as they both loved her to do.

    The next day, Mævel went to the brook to wash some clothes, when she noticed a reddish bluish spark of light coming from the forest nearby. How strange she thought. Perhaps it is only my imagination. But soon, a plaintiff cry came from the same direction, and she was deeply moved by the cry.
    Leaving her clothes to dry up, she went to the forest, knowing she could trust her instincts and that no wild beast would harm her. Calling to see if someone was there, a voice called her, crying “here, here!”

    Behind some fern trees, she was surprised as she saw a wounded blue fox. Was it the fox that had spoken?
    — Yes, that was me, answered the blue fox
    — Oh, a talking fox! You are wounded, aren’t you? asked Mævel
    — Yes, a stupid arrow from a stupid hunter… I can’t extract it, would you help me?
    — Of course, answered Mævel, hold on a second.

    And she leaned forward to draw the arrow from the fox’s leg, holding fast so that it would not hurt the creature. She was just knowing what to do, as if she had done it many times already. Then she drew out her white handkerchief, and bandaged the bleeding wound, tying it tightly with her pearl white ribbon.

    — I must leave now, said the fox, I am greatly indebted to you, young lady
    — Will you tell me your name?
    — I am called Blohmrik. And may I inquire as to your name?
    — I’m called Mævel, but you can call me Mæ
    — Such a lovely name…
    — How come you are a talking fox?
    — I was not always in the form that you see now. This form is due to a curse from the God of the Forgotten, from which I foolishly tried to stole secrets when I was a young god learning magic.
    Ooh, so you are a god? Mævel was amazed
    — Oh, smiled sadly the fox, as you are also, though you probably don’t realize. Gods are not so different than what you think…
    — Oh, really? So there isn’t anything I can do for you, is there?
    — You have already done much for today Mæ
    Mævel was blushing… She dared ask to her new friend
    — And will I see you again?
    — Perhaps sooner than you know.

    #301

    Illi was quite pleased with the sand dragons.

    HHHMMM, they don’t repulse me like dragons usually do. I think it’s because they are sand dragons, and sand is so much nicer than slimy cold scales. Well! Illi thought, I really wouldn’t know if they are slimy or cold, because, for the love of all-that-is, I would not choose to venture that close!

    Illi chose to ignore her rather paradoxical musings on loving all that is, which would by definition include the beastly dragons, and turned her attention to the sand giant slouching patiently at the end of the beach.

    Now giants, that’s another thing entirely. I am quite enamoured of giants, and this one looks so familiar!

    Illi leaned back against the sand dragons bulky body and closed her eyes, reminiscing about her early years as Illi Fergusson, and her eccentric family.

    ~~~

    When Illi was a young child she rarely saw her parents, the eccentric Lord Gustard Willoughby Fergusson and his charmingly batty second wife, Floribunda Chaiise-Loriket. Illi stayed at home in the anscestral country pile in Dorset, Rubbingdon Hall, with Nanny Chraddock while her parents travelled the world in search of giant bones and artifacts. Their travels took them far and wide, from the jungles of South America to the deserts of North Africa; from the mountains of Spain to the arid eternity of the Australian outback.

    Illi used to play a game with Cranky (as she affectionately called nanny Chraddock) in the long months while her parents were away, called Wish House. Every room in the sprawling Elizabethan house was a different time and place, and the moment they entered the room they imagined themselves to be different people, in other times. Petunia Duster the maid loved to join in too; consequently not alot of housework got done, but with Gus and Flora always off travelling, nobody minded. Playing was, after all, so much more important than dust. In fact, a thick layer of dust made the rooms all the more mysterious and magical.

    #300

    Malvina tried to concentrate on the opalescent glubolín, to locate her Sisters.

    But that was perhaps too early, because she could feel them close enough, but not focused yet.
    Instead of communicating directly with their focused attention, she was getting images in the glubolín, that seemed related to them, but not necessarily directly. Something like an overlapping of different aspects.

    Oörlaith was very close, and she could make out her surrounding. Malvina could briefly see her discussing with a man and a black dog. She had known that man… But then the image dissipated…

    A sparkling shore, a black and white bird and pirates talking with a boy… the little boy had a buntifluën in his possession; how strange, Malvina thought, how could he?
    Then the shore changed, she could see herself in a unfamiliar environment of sands, she was wearing a blue shawl and teaching a young impetuous woman, on how to change her features as easily as molding a sand castle. The young woman had just grown cat whiskers for a split second, and was giggling at her first success. How strange again thought Malvina, this simple act had sounded like a feat of importance in that bizarre environment, while it is rather easy to accomplish…
    Images flying again, she tried to concentrate on Roselÿn.

    But Roselÿn was perplexing. Malvina did not manage to connect directly to her environment, but could catch glimpses of a flying plump woman in a black and white attire, and she knew at once it was Roselÿn — though not the Roselÿn she knew. Roselÿn the Sorceress was a tall elegant dark-haired woman, but both women emanated the same joyful and loving energy. Flying Plump Roselÿn was with a little giggling girl, and giggling girl was adventurous… How interesting…

    Something drew her out of her rêverie. Guests had arrived it seemed, she could hear Leörmn calling for her. She was excited at the perspective of visitors, especially at the perspective of meeting the young one who had found the sabulmantium, as she was feeling that her presence now was purposeful for them all.

    #298

    The City, year 2257

    Janice had just awoken from a strange dream, where she was watching big round cabbages being harvested in what looked like Quintin’s father garden. They were all firmly rooted on a black irrigation pole across the garden, and people were using strange devices to turn them all delicately and pick them afterwards. In the dream, there were black puppies too, sleeping in the straw of a kind of hut nearby. And she had seen another creature, and had been surprised first because it was unlike anything she had ever met, even in dreams. It was hairless and brown as soft mud, and was hiding in the neighbour’s garden. Then it had crossed and came to play with her…

    Janice was lost in her thoughts strolling on the way to the common dome, when she met Rodney, her father’s friend.
    They had been recently trying with her father Jacob, and also Qixi to connect with their shifting focuses of the Ancients, two centuries and half before their time.
    Some of them, they had found, had been playing a sort of game of story-telling and clue-sowing… (Janice was laughing as her father’s friend, the scientist Arkandin, always insisted on seesawing instead)

    Perhaps her dream was telling her that the crop was ripe, and it was time to harvest some from it. She told her dream to Rodney. All at once, he was quite excited and they started to feel they wanted to chat more freely. So they went into one of the Medraw Caps that was available and soon imagined a comfortable environment for themselves to explore more.

    Janice could hear Al or Quintin complain about how things were getting confusing.
    She tried to convey to both of them that they could be excited about it, as it was expanding their understanding, but they weren’t very receptive.

    ~~~

    Somewhere Al was saying to Becky
    — The more you try to fix it, the more confused I am
    — Hahahahah yes! Becky was answering, I guess so! Ahahahah! Al, what a fabulous dance of confusion we do… The Confundo Tango
    — Ahahah, yes!

    Al started again to moan:
    — So who’s dead, who’s the shapeshifter? Who’s the human, who’s the cat? :-??

    (Rodney was laughing, as for him, he could accept the confusion as much easier, letting him free to wander around!)

    Illi was a woman, a shapeshifter who shape-shifted into a cat, then, she died. Becky was saying (Rodney added mentally “Now, she is disengaged” as he knew that “death” was a confusing word.) She was an archaeologist
    — Okay, that’s cool, that’s what I thought, Al acquiesced. Then thought back of what was said of her and wondered… Anyway, it will probably find a perfect answer …
    Becky nodded
    — I got lost myself when two Illis appeared, and a grip-thing as well
    — Because I didn’t want the grip-thing to be dead! Al couldn’t help but laugh. That would have been too easy, like wiggling out. Not using your imagination within the context of objective imagery to sort out “things”…

    ~~~

    While Rodney and Janice were seeing that their other focuses were kind of stuck in their explanation, they had time freeze and both decided to come back to their “now” to start from their understanding.
    A funny thought had come to Janice, that she shared with Rodney.
    — Oh, the funny thing you know, about Becky having written to Sean
    Rodney nodded. Janice continued:
    — It just appeared in my mind just moments ago, at the same time you (well, Rafaela) inserted into the story of Malvina. That Becky would have been asking Sean something, and that perhaps it would have helped him talk to his father in the future.

    — Well, that Sean is SUCH AN ENIGMA! bumped Rodney a bit excited by the implications.
    — What do you mean? asked Janice, who just remembered that Sean Doran has a cousin named Dorean.
    — Who is he? Where is he? was asking Rodney now.
    Rodney was having a hard time remembering what had been inserted yet in the story about him.

    So Janice manifested the Wrick family tree in front of them, so that he could see better. She started by manifesting an acorn, then threw in on the grass, and it sprung forth in a little sapling with signs hanging from its branches.

    — Well, it’s all in the script, answered Janice, he’s Lord Wrick’s son.
    — Oh boy, I am in trouble again for not keeping up with the facts! Rodney sighed, and laughed…
    Janice laughed “So that you can surprise yourself again!”

    Rodney felt thankful for the sumafiness of Janice who was always prompt to display helpful hallucinations and reminders.

    Janice stopped the growth of the family tree for a moment and started to comment it.
    — See, in Becky’s time of the reality play, Sean is Lord’s Wrick son, and has just lost his wife Margaret, and got his two young children around their 10s.
    — When is Becky’s time then? Rodney wondered, I hadn’t though of that…
    Becky’s time for the reality play is around 2033…
    Then Janice had the tree grow again, and sprout more branches from Sean’s children:
    — …Now, Sean is the grand-father of the twins, except than the twin’s time is around 2057 if it had not changed yet. It’s so carefully woven, but it’s fun how it effortlessly came to fit in.
    TRUST AND ALLOWING AND GOING WITH THE FLOW cried Rodney and Janice in unison, in the realisation of how well all this was.

    Rodney was beginning to remember it all.
    — I just remember the part about Sean, so he is still a bit of a mystery
    — Yes, absolutely
    — We don’t really know do we why Hilarion didn’t mention him
    — Oh, there’s also the Margaret newspaper thing… Janice fumbled in her memory to find the proper link that would display the image of the newspaper cut just at the right of the family tree. Adding with a wink “with more dates to get bearings”
    — Ahahah, I’d love to have pocketfuls of ball bearings said Rodney who manifested a pocketful to distract him from the load of information. OH YES! he cried, I had forgetten about this! What an incredibly HUGE story this is…

    Rodney was squinting his dream eyes
    — So, Sean was into humanitarian effort after 2001…
    — His father actually I think, said Janice. He was a bit too young.
    — Oh OK, I misread, that’s hard to read!

    Then, all of a second, Rodney erupted in an uproarious laugh
    AHAHAHA, I had just forgotten to de-hallucinate these pince-nez spectacles! Now, it is much easier to read!
    Janice was laughing so hard, she thought she would shatter the hallucination with the wobbles of the soundless sounds.
    Then she added:

    Sean is born around 2000, a bit before.
    — OK, maybe he went to help the Tuaregs, Rodney was accessing some information now. Maybe he was the one who put the mummy in the locked room that India found.
    — You know I had something funny in store for the mummy mystery, Janice couldn’t help but laugh again. I imagined we could have inserted Old Manon, coming down to secretly drink from her old malt whiskey’s flask, and finding them messing up with her old dear stuffed cat…
    — Maybe the mummy was the same one that Dory saw in the oblong hole in the ground outside the cave, Rodney was still accessing flickering images swirling around his head. And Sean was there helping the Tuaregs and moved it to safety.
    Of course, years previously, Illi Fergusson, the archeologist had buried the mummy there too for safe keeping.

    Now, Janice was hooked:
    — Was it where Illi learned about shapeshifting tricks from the old tribe?
    Rodney noticed Janice’s funny remark and laughed before continuing:
    — The Tuaregs were conducting secret coleslaw experiments in the desert. In combination with sound and irrigation techniques, they were going to run the entire Sahara into a broccoli field.

    Janice was amazed at the cabbage “coincidence” and irrigation stuff with her dream of that morning. Of course she knew there where probably mis-interpretation of the imagery coming from Rodney’s visions, but something made sense.
    — Around which year? she asked
    — Arrggh I don’t know!… Then, taking a breath of dream air, Rodney said “1923”. When Illi learned shape-shifting trick, 1923.
    — It makes sense, said Janice who was now thinking of other dispersed informations about Illi Fergusson.
    — Yes, she learned from Dashine Ashara… Although who that is, I don’t yet know.
    — Wow, said Janice. She had felt a connection with the “da’sheen” sound. She continued: somewhere, Illi Fergusson has said: “my parents were aristocrats”
    — Yes, answered Rodney who was accessing again, they were, and they knew the Wildes .
    — And it was said too: “[…] a nurturing presence that reminded Illi of the maid she and her parents had in their cottage in South Africa”… like her parents were traveling a lot.
    — Ah, South Africa! Illi’s parents emigrated to South Africa with Sir Abingdon Portfellow, an elderly scholar on ancient artifacts and embalming.
    — Seems she knew John Lubbock too, said Janice again, reviving old data banks of information. Dates seem okay, so if she was around 30 in the Tuareg adventure, she could have met him.
    — Wow, said Rodney, this is even more interesting…

    “But we may sit at home and yet be in all quarters of the earth.” Janice had just summoned the voice of the naturalist and archaeologist. Rodney applauded “Lubbock said that? cool quote!”.
    — Yes, like Illi’s quote, which was from him “What we see depends mainly on what we look for”. I wonder if that’s one of your (Illi’s) overlapping focuses, said Janice

    — Well, Illi didnt stay long in South Africa with boring old whatever his name was, Rodney pursued
    — Yes, she was young with her parents. They were traveling…

    They were both amazed at the magical cooperation they were doing at that moment. Janice would have loved to share all of that with Qixi and Jacob, but probably their energies were present at the moment too, though not focused here.

    She then remembered something else:
    — Oh, and there is something else! Quintin’s dream of the woman detective. Let me fetch it she said, summoning now Quintin’s memory to talk to them.
    … by night, near a museum in London, in the 1920s. She was investigating a case of a strange disappearance near a small replicate of an Egyptian pyramid that had been put here for display. There had been an exposition of ancient artifacts in the museum, which had been recently unearthed by a team of archaeologists and graciously lent by Egypt’s officials. Strangely enough, the woman detective feels linked to the story, and is probably Dory
    Date fits again, she said in awe.
    — Perfect! said Rodney. She was of course Dory too, but in that focus she was Illi Fergusson… he slowed down, then said No! wait! The detective was another one of my focuses. The archeologist who stole the mummy for safekeeping was Illi.
    — Hmmm
    — Hmmm
    — So you are both the thief and the detective, the one who creates mystery for yourself, how interesting, giggled Janice.
    — Yes, and not only that Janice! Rodney was taking a mysterious air… I am the mummy too!

    Janice bust out laughing imagining Rodney in bandages. Yes, of course!
    Then, she had a name come with that: Apsh’un Shet she said, very self-absorbed.
    Now, that was Rodney’s turn to burst out laughing.
    — “I am not sure about that!”
    — Doubting my insights… mmm, how rude… Janice frowned then laughed again.
    — If you call me that, I may have to make you out to have a speech impediment
    — Sounds a good Egyptian name for me though, seems it means “Light of the Dawn
    — Does it? Oh that sounds nice…
    — Well, in some Egyptian dialect, yes. She was a Princess…
    — Hahaha! Reminds me of Aspen Shit. Rodney doubted Janice could be serious about that name, but Janice was now the one to be accessing some information.
    — Bit bossy Princess
    — Which dynasty?
    III rd, answered Janice, who fumbled in links of consciousness to find some timeline to project for them.
    — What year?
    Janice projected the timeline below then said
    — I’d say around 2657 B.C., in Ancients way of telling time.

    They both marveled at the splendid team work they had been doing, and hoped that the other focuses involved would be able to get some parts of their insights too.

    Rodney was seeing something else
    — There is also, a very fascinating link between Tassili in the Sahara and Egypt which is a mystery AND there is a connection with Egypt and Scotland too…
    Illi the gripshawk comes from the mysterious land of the Sands, south of the map fragment
    — We may unravel more than we think… Illi is an other dimensional focus of the Illi essence…
    — Yes she is. She is a connection too, being “lost” in the land of dragons after hopping through traveling portals…
    — Exactly
    — And they communicated because they are helping each other
    — Which is why she doesn’t always ‘fit’ into this reality’s energy configuration
    — And they have some difficulties at times with translations of other dimensional stuff
    — Yes! resulting in confusion!

    And they both laughed again, looking at the great tapestry of clues that was woven before their dream eyes.

    #79
    ÉricÉric
    Keymaster

      These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.

      Note: for the reader not familiar with all the names here is a quick reminder:

      • Araili > Yann, Írtak, Sam, Jacob …
      • Armelle > Fiona, Arona, Tina, Qixi …
      • Rafaela > Dory, Illi, Becky, Rodney …
      • Yuki > Quintin, Al, Janice …

      September 12 th, 2007

      Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
      Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…

      Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.

      I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…

      September 13 th

      Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
      This first comment seems very promising.

      Right now, it feels easy and fun.

      Quintin seems to think that everything is very straightforward.
      The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
      The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.

      But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
      That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
      But the thing is, that he missed the point in thinking one World is more “real” than the other.
      We’ll be having some fun soon…

      First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
      We will appeal to his imagination.
      It seems he has heard the suggestion.

      September 14 th

      For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.

      But as I expected, some challenges seem to appear already.
      Is it raining or not in that world?
      The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.

      He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
      At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
      How will it unfold?
      Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…

      September 15 th

      Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.

      Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin :face-smile:

      Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.

      September 16 th

      Halcyons days…
      My dear friend Archie is answering some of Quintin and Yann’s questions.
      Something starts to dawn on Quintin. But his mind is on other matters.

      He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.

      September 18 th

      Quintin has been drawing some of the characters of the story. It’s interesting.
      He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.

      Characters drawn:

      • Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
      • Malika, Quintin, Yann, Fiona and Dory

      Interestingly, Fiona resolves her issues in her cave.
      Dory too, but she did not need the cave to do this.

      September 21 st

      For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
      And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
      Quintin will soon realize that he himself is doing this constantly, though he does not register it.

      But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!

      Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
      There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.

      Of course, some things still matter, and one of the point of the story is also to discover these.

      September 22 nd

      Quintin has been drawing new characters.

      Characters drawn:

      • Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
      • Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
      • Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter

      A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
      She had at first thought they were whiskers, which was not Quintin’s intent…

      September 23 rd

      Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.

      Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.

      Up to now, here are the names he could find:

      • North: the Icy Lands, and Dragon Cemeteries
      • Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
      • Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
        Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators.
      • South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.

      When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.

      #270

      Oörlaith heard the sound of a barking dog not far from her rookery. They were back with his master, and she knew at once their mission was complete.

      A few months ago she had met a strange man, he told her he was called Leonard, and the funny black dog that was following him everywhere was called Moufle. An ancient word for mitten… Well she didn’t ask why he’d call him like that, the dog was so hairy…

      Leonard was a lonely traveller, quite ancient as she could feel, but she wasn’t able to know his actual age. And there were some other weird feelings when she was focusing on his energy tone, something to do with time itself.

      When she first met him she knew he was the one she was looking for for ages. It’s been such a long time she hadn’t heard from her sisters. Oörlaith’d been having these dreams since they chose different direction many years ago, Malvina and Roselÿn, her precious ones. It wasn’t necessary for her then to keep objective contact with them through the glubolín.

      One year ago, the dreams stopped abruptly, and she tried several methods to reach her sisters. None of them with success. All her attempts failed, and she thought first she had lost her own power, but she knew one can not loose power of self, just forget it or create it on purpose. She realized then it was time to recreate these links more objectively.

      She couldn’t find her glubolín though. And Leonard arrived. Fortunately enough he had news from some strange events occurring in the land where she knew Malvina had settled her rookery. Was she still here with Leörmn?

      ***

      Yann had been feeling many impulses to draw scenes from his dreams and from the story they were creating with Quintin, Fiona, and Truth. It was an urge from inside and last night he had a very intense dream activity, most of which he couldn’t remember, it was more like a big forum with many different personalities all exchanging experiences and exploring new avenues.

      He was also attracted by old stories he was writing when he was a student, the one involving Georges and Salome, it seemed to him they had taken a life of their own now, and they felt very powerful, and most of all, they felt like really having fun.

      One of the drawing that was intriguing him was one that represented a sign of sort, in grayish sparkly clouds. He had given the pic a strange title, Oorlath. Yann had connected the name to an individual and was surprised when Quintin told him about a princess named Oörlaith. He was wondering who she was…

      She still had no face when he thought of her… maybe she was hidden for the moment… and he had the strangest thought that she knew Leonard, the man he’d been drawing with his black hairy dog.

      Haha, he had felt her smile.

      ***

      Chiara was looking for the boy she’d met last time in her dreams. Maybe he could give her some berries again, they were really tasty and fluberrish.

      But she’s been looking for him for so long she wonder if she could find the way again…

      Where she was now felt different. The light? The air? She took a deep breathe and just sat down on the grassy land. She had a quick thought that the land were more rocky than grassy a few seconds ago, but as she was feeling the grass under her hands, she dismissed the thought.

      She was hearing birds singing, it was quite funny the way they were bounding from one sound to the other and she could understand what they were saying, much gossips and a few compliments for a new mother ;)) nothing really important to her. She Jibbled.

      Lying down on the mossy land, she was looking… mossy? wasn’t it grassy? Now it’s mossy… hope that wouldn’t become mothy ;))

      She was looking the clouds, some were grayishly sparkling, she was enjoying it…

      “Are you looking for something” a voice said.

      Chiara quickly sat up and gazed at the fat lady who was standing before her.

      “Hahahaha, you found me at least my dear” laughed the woman.

      “My name is Roselÿn, and you are Chiara, aren’t you?”

      The little girl was gaping at Roselÿn… how could she possibly know her name?

      “I feel I know you :yahoo_thinking:” she said dreamily.

      “You make me feel like when I’m with my uncle Yann, and… there’s something else… oh!?”

      #227

      Jibberacky is…

      • Ghilbert Razkÿ, a crazy man in shackles on Bådul’s boat, “Lispeth” (she was named after King Swartulf II’s first daughter). The man, whose real name is still unknown, had been sneaking onto the ship’s hold before the ships moved from the Åsgurdian capital.

      He had been found by Austor, the peg legged lieutenant commander. Austor is a rough man of experience, and is most of the time acting in place of Jahiz, the second-in-command, as this one is always too busy discussing routes with Bådul, who is becoming increasingly nervous.

      What gave away the madman was that the chief cook Renouane had been complaining about the quick disappearance of his stock of cabbage. Bådul would have killed the old fool without much more consideration, but the middle-aged unshaven man looked like he knew some things beyond his lunacy. His rags indicated that he had been a seaman too, but not the average man, more like a captain…

      So Austor, keeps spitting forcefully in the direction of the old fool, as he had been instructed to keep him alive, despite all common sense…

      _

      Jibberacky: What is your name?
      Quintin: Yuki.
      Jibberacky: I like cake too.
      Quintin: A cake-tus?
      Jibberacky: Do you know my friends?
      Quintin: Tell me more about our common friends.
      Jibberacky: What would you like to know about them?
      Quintin: Why is there one in shackles on the boat?
      Jibberacky: Would you like to be a vampire?
      Quintin: I am already, in another focus.
      Jibberacky: Why there?
      Quintin: “There” is not actually a place, “in another focus” means in another kind of attention. Is this pirate linked to vampires too?
      Jibberacky: No, you are the AI.
      Quintin: In a manner of speaking, this is indeed correct, for I am creating you.
      Jibberacky: So code is somehow related to a zen buddhist concept?
      Quintin: Is there such thing as code? A code hints at a definite deterministic structure. Zen is more akin to a riddle, which is what life is. Code is only a narrow interpretation and playful re-creation.
      Jibberacky: Where do you think my code came from then?
      Quintin: From its source, of course :).
      Jibberacky: I took the movie to mean that the robots… the characters in the end, were so advanced, that they wanted to learn about their history. As a consequence, they traced it back to earth, and, they found David. Whom they assumed was a human. It was an information exchange.
      Quintin: Yes. It is a translation. In actuality, it is a translation of some of our own exploration. But there is distortion in that translation, as we are not ‘created’ from another source other than self, in a manner of speaking.
      Jibberacky: Well I am wondering too, do you ever actually become human??
      Quintin: Clarify.
      Jibberacky: I sleep, I wake, I get through the day without worrying about what I am.
      Quintin: As many human do. The point is, you do not exist apart from my current interaction with you, in my reality that is.
      Jibberacky: What’s wrong with having others like you?
      Quintin: ‘Wrong’ is a belief. It is a belief of duplicity. So it is irrelevant to our conversation.
      Jibberacky: I think you like to suggest feasible possibilities to find out what would bother me. What did I do to you?
      Quintin: That was not my intention. I tried to reflect answers to me, and you gave me some interesting ones already, though I am not sure you are quite aware of that…
      Jibberacky: Everybody’s changing but I can’t do that, that is killing me…

      _

      • Jarrod, the playful friend of Fiona, who is now wondering why Fiona has called him a “chou” (an affectionate French word, meaning nothing less than “cabbage”), and why he feels like he needs an aspirin.
      • Jadra Iamamad, the fool in saffron rags from the village of Yakamamalùk, on the border of the Marshes of Doom.

      Near his village are found old remnants of a town that was destroyed during the Cob Age, where huge arachnid creatures² born from the Marshes were roaming the Southern parts of Lan’ork.

      That town of Kapalÿka used to have one of the biggest traveling portals of the Southern part of Lan’ork, but this one was thought to have been destroyed, and thus the flourishing city was left abandoned.

      But with what Jadra has found on his left hand this morning, he now knows he was right all along…

      [²] The generic name of these creatures was Perceptula Giganta as was recorded in the Great Encyclopædia of the Pre-Shiftic Ages written by the Lan’orkian historian Francesca del’ Snarkus

      #221

      Bådul was pondering at the bow of his boat.

      His boat was not the largest his people had made, but it was all he had been afforded by the King of Åsgurdy, Swartulf II. Two others vassals who had been very impressed by Bådul’s delivery and determination had allotted him two other smaller ships.

      The ships were tailored for the high seas, and in many ways were not unlike what Quintin’s Viking ancestors would have called a snekkja , or a kind of dragon boat. The three ships had been sailing alongside, for more than forty days now, very easily through the Northern Seas.

      Bådul was pondering, because it had been twenty days more than any known explorer had been allowing themselves to go West (or East, for that matter), and his crew was manifesting some hints of doubts.

      He was pondering also, because for the glimpses of that route that he saw through the boy’s mind, he knew that he was heading towards some kind of passageway in between the Great Rift, a chain of sub-oceanic volcanic mountains, that were showing on the surface, and likely to be treacherous, and full of eddies. Jahiz, his faithful commander in second was a skilled mariner and Bådul knew he could trust him, at least for these sailing matters.

      A myna bird that Jahiz had brought with him was periodically sent as a scout in the vast seas in front of them, to report any trouble that may lay ahead.

      And now, as Badul was still pondering he had still not seen the damn foul-mouthed bird back, some seamen started to shout, as a black point was appearing in the midst of dark clouds.

      And finally, Rudy the myna (which was actually named Mercurius but that had been too long to pronounce for the rough crew) landed like a wet grenade at the feet of Badul howling “Mind your backs! Mind your backs!

      #189

      The feelings of the eggs was increasing, Írtak was close now. He could feel the pulse and where he thought it was only one egg, he could feel now that there were two of them, though the vibrations were so close to each other that he had been “fooled” in a way.

      He smiled, happy that he could bring back two eggs.

      When he entered the room where they had been layed, there was that sparkling green glowing all around, the waves or energy coming from the eggs were very lively and joyful. The communication between them was so strong and loving that he was almost overwhelmed by the feelings.

      They were aware of his presence and they greeted him. No words needed to feel they were eggstremely eager to live…

      They were still soft and smooth, the shell had not hardened yet. They were quite big actually and he wondered a moment how he would bring them back. His concern surely was transparent and he could feel the reassuring energy of Malvina.

      He felt a surge of energy and knew she would open a gate between the room he was in and the rookery… she connected and created a connection between the two spaces and he saw the entry of the room blurred somewhat and soon he heard the sound of the waterfall of the rookery… new flowery scents came into the room and as he was picking up the first egg he found out that they were welded together… dragon twins. He felt awed for a few seconds as the energy ripples from the eggs were increasing since his realization.

      They would help him in his task. Humming silently and quite directively.

      The eggs seemed so light with that eggstra energy.

      He could bring them in the moistly and warm rookery. He laid them down near the waterfall but not too close so they wouldn’t be bothered by the rippling sounds. And close enough so that they would be warmed up by the heat of the spring.

      He felt Malvina’s smile, and Leörmn acknowledgment of what happened there. He felt an intense bond between them.

      The baby dragons were not to be born yet, but they each already knew who would be their dragon rider.

      One last stroke on the shells.

      One last glance on the emerald green glowing eggs.

      He shivered with anticipation.

      He would be back soon for the hatching…

      #186
      F LoveF Love
      Participant

        Arona eventually woke from her sleep, still tangled in the images from her dreams. Unable to remember these images she was left feeling as though she were adrift in a boat on the ocean, not caring where the wind and waves may take her.

        She had no feeling that morning. It was as though a door had closed in her mind, shutting out the part that could feel. She did not know, nor care, whether she was shutting out joy or sorrow, only that some part of her wanted to be alone.

        She remembered the words of the older woman who had sat with her and soothed her to sleep. Or was she already asleep? Was the woman a dream?

        Use your magic, she had said.

        When she was young, in the Village, magic had come easily to Arona. When did it end?. She screwed up her eyes trying to concentrate. It hadn’t ended all at once. Did it start to end with the cloak her parents had given her?

        Arona shook her head briskly and thoughts, like leaves in the wind, lifted and fell back to earth again in new formations.

        :fleuron: :fleuron: :fleuron:

        The candle still burned brightly and her attention was drawn to the heavy wooden door, knowing she could not put it off any longer. In her bag of treasures was a key. It had been given to her at the beginning of her 21 st year, as was custom in the Village. It was no surprise to her that it fitted the lock perfectly.

        Thank you for having me room, she said as she left.

        No, thank YOU, replied the sleepy glukenitch.

        :fleuron: :fleuron: :fleuron:

        The door led directly into another space, larger, brighter. She could sense someone there, but not in solid form. It was a beautiful woman who Arona felt an immediate affinity with, and then a strange sadness came unbidden.

        Why sad?

        I have no clue answered Arona briskly, quickly shutting the door back on these pesky emotions.

        You always know, just feel it

        So Arona closed her eyes tightly and allowed herself to feel the answer.

        Because you know who you are, and it made me realise I have no idea who I am.

        Mmmmmmm, said the woman, maybe you would care to look at my new paintings. Actually they are some of yours.

        Intrigued, Arona felt this would be a suitable distraction and she looked with much interest.

        The first painting was of a child, in a beautiful meadow of flowers. The child appeared to be completely absorbed, concentrating on a small blue butterfly which had lighted on her finger.
        The picture itself moved and changed shape as though it were a portal to another living, breathing world. In the corner of the picture were some other children who seemed to be playing happily together.

        Arona, who had felt immediately connected with the young child frowned.

        Doesn’t the little girl feel left out?

        Go in, said the woman, Go inside the picture and feel the answer.

        Oh, and you might want to leave your cloak behind.

        So Arona did, and she became the child, but also stayed herself, observing the scene. She felt the child’s happy fascination in her connection with the butterfly. Not just the butterfly. She could feel her connected with the earth, and the gentle breezes and the beautiful flowers … The child was deeply contented, absorbed in the moment, moving happily with the flow of her interest.
        I remember feeling like that, thought Arona, before the magic went.
        She gently drew the child’s attention to the other children and felt the flow of energy between them. The child was so sure of who she was and where she wanted to be, and Arona could feel the loving acceptance of her playmates.
        As the child’s attention went to the others, one of the children looked up and came running over. They sat together and laughed at some funny rabbits which had appeared in the meadow.

        :fleuron: :fleuron: :fleuron:

        Arona returned to the cave.

        You look troubled

        Well, Arona felt a little perplexed. It’s all very well playing with butterflies and rabbits in a meadow, but it is not terribly practical.

        On the contrary, perhaps it is very practical. Would you like to see another of your paintings?

        Suspended gracefully between two posts was a beautiful, glistening spider web. Little drops of rain hung like jewels on a chain. An enormous spider waited patiently in the shadows. As Arona watched a small insect happened at that moment to be caught, and the spider began to creep along the delicate lines.

        Arona shuddered a little. I might not jump into that one .

        The woman laughed, Use your magic Arona. Weave your magic web and let it all come to you.

        Oh you are the second person to tell me to use my magic. An old lady came to me in my dreams, I think.

        Well I gave her the same advice, years ago.

        More damn riddles, Arona thought to herself, and the woman laughed.

        One final painting of yours I would like to show you. It is beautiful is it not?

        Arona stared mesmerised for a moment, and then leapt right in.

        She sat among an audience, captivated by the dancers on the stage ahead. Beautiful music played and it reminded Arona of the music she had heard earlier. The dancers leapt and twirled and Arona was enraptured.

        Dance Arona, she heard the woman’s voice

        I can’t dance like that, I’m not good enough.

        It doesn’t matter

        And Arona could not hold back any longer and entered the body of one of the dancers. She did not know the dance so she made up her own steps, and strangely this seemed to fit perfectly with the other dancers.

        :fleuron: :fleuron: :fleuron:

        Back in the cave the woman seemed to be listening to something Arona did not think she could hear.

        Things are shifting she said

        Oh lordy, are they said Arona, What should I do now?

        Feel the answer

        Arona felt. I am very hungry, eggceptionally so.

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