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“Franiel, dear lad, are you here?”
The voice was sweet yet authoritative.

“Yes, M’am. Is there anything I could do for you?”

Franiel had been at the service of Madame Chesterhope for a few moons, but he felt like it had been his whole life. He quite enjoyed the peaceful life at her mansion, which was interestingly only seldom visited.

He was offered food and shelter for his doing some repair work for Madame Chesterhope when she was requesting it. The rest of his time was free, and he used to go wander in the calm neighbourhoor to observe the nature which was so different from anything he had seen before. It was as though the whole countryside was by eerie mimicry perfectly suited to the strange lady with the foreign accent.

The simple work in communion with this nature had streams of words rise inside him like seeds sprouting after a warm rain. He wasn’t sure he wanted to express them however.
He had tried a few times to tell Lydia, but her merciless laughter alone would have nipped any of his attempts in the bud.

One of his greatest satisfaction was to go to the ‘motorbike’ and try to figure out its functioning. Lydia had laughed at his stubbornness to try to make the old piece of junk work —by her own words, she’d rather delete the whole thing out of reality, if it was for her to decide. Luckily enough, it wasn’t for her to decide, and nobody else really cared for his attempts.

He wasn’t seeing Madame Chesterhope so often, and sometimes she seemed gone for hexades without anyone being able to tell if she was there or not. She simply seemed to have disappeared.
He had been buggered for a while to figure out who the “Others” she had mentioned on their first encounter were, but apparently, had said chatty Lydia who believed the lady to be completely nuts, she was referring to “TEAFERS” (said in a mock-conspiratorial tone). “Teafers?” Franiel had asked puzzled. “Ahaha, you’re so thick sometimes.” had answered Lydia almost chocking herself into gales of laughter “Thieves! She’s obsessed about thieves! I suspect she’s got some precious stuff she would hate to lose. But believe me, to be as obsessed by thieves as she is, she probably hasn’t got all this stuff willingly given to her…”

Anyway, with all that being said about Madame Chesterhope, she remained to Franiel as much a mystery as she was the first day he’d met her.

— “Yes. There is something I’d love you to do, sweetheart. There are people who seem to be coming, and the mansion hasn’t received that many gentlemen for a while, as you can obviously tell. I would love you to assist Lydia in preparing the ball room, and the main hall, do some fixing where it’s needed, that kind of things.”
— “Yes, sure M…”
— “I won’t be there the next days, so be sure to make all things necessary before I come back. I count on you.”
— “Very well M’am.”

January 4 ^th, 2008

A communication about legends, to complement what Yurick had connected to during his sleep, with ties with the dimension of Alienor, and possibly counterparts within his dimension

Starry sky, eternal and boundless waft of dreams and legends…

Many if not all of the physical dimensions possess legends. Legends of their beginnings, and legends of their ends.
The language which legends speak is a language of symbols, and though many of the receivers of legends are prone to erect them as absolute and faithful accounts of historical soundness, they are much more mutable and protean than what may be commonly thought of them.
They are connections, bridges from a locus (point in time/space) drawn as a frontier between what is known of the now, in which civilizations of these worlds are thriving, and a locus which is forgotten, or beyond the commonly perceived world.
As such, they essentially represent boundaries.

And of course, boundaries are only boundaries because they serve a purpose. Much like boundaries drawn on maps are not necessarily representing actual obstacles which cannot be physically crossed. These are mere perceptive frontiers, which tie in the various developments of history and societal relationships.
When the civilizations, or species, as you understand them, come close to one of these perceptive boundaries, there is an interaction with the very nature of the boundary, which is receptive to the inception of volition to cross the perceptive limitation.
And a process of reshaping and expending the borders takes place, by means of insertion of new legends.

Legends, in that way of seeing things, are not necessarily old dusty accounts sung by blind bards with jovian white beards. Not quite. They are much alive. They are created and recreated in the instant where boundaries of perceptions are being tempered with. Which makes it important to notice that they are translations of much wider movements in consciousness, spanning more than the physical dimension in which they manifest.
Many of the legends that humanity is aware of are very similar accounts, throughout your globe. And they are also projected in other dimensional areas vibrationally close to your manifestations.

You are currently fiddling with the legends of your ends of times, and that is the reason why at the same time, you are starting to create new legends. Legends of new beginnings.
In actuality, this is done oftentimes; each time a perceptual limit is crossed and seen beyond. The only difference here would be the unprecedented span of the process which is occurring now. The point where you are standing, prodding into the interactive frontier you have come across is not a single mere frontier, but a converging point of many of tinier, shorter ones. This also creates a singularity which makes the frontier respond with a sort of inertia. In fact, it is like a wide net of fine threads, which possess altogether a high absorbing potential for small energy bumps. Nonetheless, it will give way to a vastly expanded perception, as soon as the collective energy is focused upon, and steadily moving into the direction of pushing that protective envelop.

That process never ends, and during that process, new legends are being remembered. For the lands beyond the frontiers exists when you are aware of it, which in retrospect also means, it is created, or inserted as you are prodding the frontier.
In fact, you are, as you stand before that specific nexus point, being creating new legends, in that you are evaluating the potentials that you see fluctuating as a shadow world through the layer of a soap bubble, and have them blend with legends that you know of.
Your very lives become the legends of these potential worlds, and thus is the importance of your being at that locus of transition. You indeed come at that point, as much for making it possible but more so, to experience the transition and alteration of the legendary landscape. You are the bridges between a future which you are creating as you remember it, and a past which contains the clues that will be seeds for your new discoveries.
And that is a most rewarding travel, as you will come to see…

November 9 ^th

For Yurick, or perhaps shall we say, The Artist Formerly Known As Quintin this sequence of sequence of 911 has the signification of a reminder to be paying attention to self, and being present to himself.
The last few days have been, in appearance, quite devoid of exciting new installments of the story, yet, we nudge him not to judge this lack of activity on his part as categorically as he has been used to do. It was a time of self-retreat, a time we have shared with many other essences, as all is connected.
A very fine point which has been brought forth by Elias a few days ago (in Yurick’s perception of time) has been that you want to appreciate the process. His illustration was that of a beautiful flower bud that you hold, and that you don’t want to tear open, but rather let itself reveal its splendor, and also, its surprises.

It has prompted Yurick to remember something, which had lots of meaning to him.
Some years ago, when he was in Kyoto’s forests, he picked up an acorn, as he liked to have seeds or tree corns in his pockets. Back from his trip, in his home, there was this big pot of earth were an old plant had died from the summer heat, and he planted the acorn in it.
And he waited. Till he had to move, some months later, having renounced to have the acorn grow at all, as the soil’s surface was remaining desperately flat. Perhaps it had rotten altogether. Before leaving the apartment, Yurick started to rummage with his bare hands into the soil, to look for the remains of the acorn he believed had rotten, only to find it perfectly healthy. And even more, it had grown lots of long roots.
So he took it back home, where it was planted and still continues to grow at a rapid rate.

Looking at the now big sapling reminds Yurick how that process of growing roots was important for the plant, as they were essential for the oak to be able to survive the winters colds and the summers heats.

Such is the importance of these moments were inspiration seem to be scarce, or away. It is ever present, growing its roots very carefully inside the soil of your being, and expanding your connexions, redefining some, bringing new nourishments to yourself… The effects are not always immediately visible, but things never cease to move.

Be prepared to be amazed by the colors of the flowers and leaves your seed produces, for as Yurick’s oak was an unusual kind of oak (a chestnut oak ), the very seeds that are in your pockets or waiting in the soils of your dream gardens may reveal their own surprises…

Al was concerned about Tina. He wondered why at times it was like their moods were at the antipodes of each other. Like one was in summer when the other one was in winter. Of course, seasons had gone awfully awry in the past (well, in people’s perception at least), and cherry trees were at times blooming in the late autumn, so that was hardly a good metaphore. Enfin bref…
Sometimes he wished they could move to a part of the Earth were the differences were leveled or not so dramatic, but of course, that would be focusing unduly on what seems awry, and not appreciating the differences for what they brought in understanding for each other.

Like most people now, Tina and him were living in a free relationship, not bonded by written contracts, just by a mutual wish to be experiencing a common exploration. But lately, especially with the play writing, deep issues had surfaced between them, and he was no longer sure of what they were exploring, as it was like shifting sands. Of course, now, most people were shifted themselves, thanks to the new generations of children who were exceptionally gifted in accessing their own essence. But for them, in their mid-30s, there were still issues linked to their old patterns of thoughts, many deeply ingrained ways of thinking, coming from many generations before them.
That T.R.A.P. attraction thing was a good example of the differences. It was mostly an attraction park for his generation, not really for children, as they were greatly able of doing these kinds of inner-travels without the aid of technology —not that they didn’t enjoy it either.

Al was thinking of a gift for Tina. He wanted to show her that she had really transformed Jadra, or that they had come a long way since the wandering in the cave tunnels, or that everything started to make sense, even the invisible friend Blohmul…
Well, there were still mysteries around him, (not mysteries really, but things yet at the state of seeds, or potentials) but he was no longer a hair on the soup they cooked. He was the blue fox of Mævel, and more interestingly, that cursed god was the son of Mirÿnda, the Goddess of Mirth —but that, Tina had not realized yet…

Actually, now that he was looking at the entry, Al noticed that Jadra was last seen with Mirÿnda, and that struck him as something more than a coincidence…

October 21 ^st

What’s the use of a new-born baby?

An interesting reflection is prompted by Armelle about the need to understand things for some of our focuses.

« I can do whatever I like with your Stories, give them any Meaning I want. It doesn’t matter… » (Armelle)
« Of course! that is the Magic of it » (Rafaela)
« And we can see them as Seeds. You don’t need to understand how Seeds work to have them grow » (Yuki)
« Yes, in a wild Wilderness. A weedy, overgrown, yet mysteriously lovely Wilderness » (Armelle)
« A modicum of Cooperation but largely total Freedom to make what you Want » (Rafaela)
« It’s a repository of Energy Seeds » (Yuki)
« A weedy, overgrown, yet mysteriously lovely Wilderness » (Armelle)
« Yes, that too! Or,… an Eden Garden, with a hovering scaly stinky beast . May it be either an English, Chinese or French Garden, whatever pleases your tastes… » (Yuki)