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  • #7866

    Helix 25 – An Old Guard resurfaces

    Kai Nova had learned to distrust dark corners. In the infinite sterility of the ship, dark corners usually meant two things: malfunctioning lights or trouble.

    Right now, he wasn’t sure which one this meeting was about. Same group, or something else? Suddenly he felt quite in demand for his services. More activity in weeks than he had for years.

    A low-lit section of the maintenance ring, deep enough in the underbelly of Helix 25 that even the most inquisitive bots rarely bothered to scan through. The air smelled faintly of old coolant and ozone. The kind of place someone chose for a meeting when they didn’t want to be found.

    He leaned against a bulkhead, arms crossed, feigning ease while his mind ran over possible exits. “You know, if you wanted to talk, there were easier ways.”

    A voice drifted from the shadows, calm, level. “No. There weren’t.”

    A figure stepped into the dim light—a man, late fifties, but with a presence that made him seem timeless. His sharp features were framed by streaks of white in otherwise dark hair, and his posture was relaxed, measured. The way someone stood when they were used to watching everything.

    Kai immediately pegged him as ex-military, ex-intelligence, ex-something dangerous.

    “Nova,” the man said, tilting his head slightly. “I was beginning to wonder if you’d come.”

    Kai scoffed. “Curiosity got the better of me. And a cryptic summons from someone I’ve never met before? Couldn’t resist. But let’s skip the theatrics—who the hell are you?”

    The man smiled slightly. “You can call me TaiSui.”

    Kai narrowed his eyes. The name tickled something in his memory, but he couldn’t place it.

    “Alright, TaiSui. Let’s cut to the chase. What do you want?”

    TaiSui clasped his hands behind his back, taking his time. “We’ve been watching you, Nova. You’re one of the few left who still understands the ship for what it is. You see the design, the course, the logic behind it.”

    Kai’s jaw tightened. “And?”

    TaiSui exhaled slowly. “Synthia has been compromised. The return to Earth—it’s not part of the mission we’ve given to it. The ship was meant to spread life. A single, endless arc outward. Not to crawl back to the place that failed it.”

    Kai didn’t respond immediately. He had wondered, after the solar flare, after the system adjustments, what had triggered the change in course. He had assumed it was Synthia herself. A logical failsafe.

    But from the look of it, it seemed that something else had overridden it?

    TaiSui studied him carefully. “The truth is, Nova, the AI was never supposed to stop. It was built to seed, to terraform, to outlive all of us. We ensured it. We rewrote everything.”

    Kai frowned. “We?”

    A faint smile ghosted across TaiSui’s lips. “You weren’t around for it. The others went to cryosleep once it was done, from chaos to order, the cycle was complete, and there was no longer a need to steer its course, now in the hands of an all-powerful sentience to guide everyone. An ideal society, no ruler at its head, only Reason.”

    Kai couldn’t refrain from asking naively “And nobody rebelled?”

    “Minorities —most here were happy to continue to live in endless bliss. The stubborn ones clinging to the past order, well…” TaiSui exhaled, as if recalling a mild inconvenience rather than an unspeakable act. “We took care of them.”

    Kai felt something tighten in his chest.

    TaiSui’s voice remained neutral. “Couldn’t waste a good DNA pool though—so we placed them in secure pods. Somewhere safe.” He gave a small, almost imperceptible smile. “And if no one ever found the keys… well, all the better.”

    Kai didn’t like the way that sat in his stomach. He had no illusions about how history tended to play out. But hearing it in such casual terms… it made him wonder just how much had already been erased.

    TaiSui stopped a moment. He’d felt no need to hide his designs. If Kai wanted to know, it was better he knew everything. The plan couldn’t work without some form of trust.

    He resumed “But now… now things have changed.”

    Kai let out a slow breath, his mind racing. “You’re saying you want to undo the override. Put the ship back on its original course.”

    TaiSui nodded. “We need a reboot. A full one. Which means for a time, someone has to manually take the helm.”

    Kai barked out a laugh. “You’re asking me to fly Helix 25 blind, without Synthia, without navigational assist, while you reset the very thing that’s been keeping us alive?”

    “Correct.”

    Kai shook his head, stepping back. “You’re insane.”

    TaiSui shrugged. “Perhaps. But I trust the grand design. And I think, deep down, so do you.”

    Kai ran a hand through his hair, his pulse steady but his mind an absolute mess. He wanted to say no. To laugh in this man’s face and walk away.

    But some part of him—the pilot in him, the part that had spent his whole life navigating through unknowns—felt the irresistible pull of the challenge.

    TaiSui watched him, patient. Too patient. Like he already knew the answer.

    “And if I refuse?”

    The older man smiled. “You won’t.”

    Kai clenched his jaw.

    “You can lie to yourself, but you already know the answer,” TaiSui continued, voice quiet, even. “You’ve been waiting for something like this.”

    Before he disappeared, he added “Take some time. Think about it. But not too long, Nova. Time is not on your side.”

    #7843

    Helix 25 – Space Tai Chi and Mass Lunacy

    The Grand Observation Atrium was one of the few places on Helix 25 where people would come and regroup from all strata of the ship —Upper Decks, Lower Decks, even the more elusive Hold-dwellers— there were always groups of them gathered for the morning sessions without any predefined roles.

    In the secular tradition of Chinese taichi done on public squares, a revival of this practice has started few years ago all thanks to Grand Master Sifu Gou quiet stubborn consistency to practice in the early light of the artificial day, that gradually had attracted followers, quietly and awkwardly joining to follow his strange motions. The unions, ever eager to claim a social victory and seeing an opportunity to boost their stature, petitioned to make this a right, and succeeded, despite the complaints from the cleaning staff who couldn’t do their jobs (and jogs) in the late night while all passengers had gone to sleep, apart from the night owls and party goers.

    In short, it was a quiet moment of communion, and it was now institutionalised, whether Sifu Gou had wanted it or not.

    The artificial gravity fluctuated subtly here, closer to the artificial gravitational core, in a way that could help attune people to feel their balance shift, even in absence of the Earth’s old pull.

    It was simply perfect for Space Tai Chi.

    A soft chime signaled the start of the session. Grand Master Gou, in the Helix 25’s signature milk-silk fabric pajamas, silver-haired and in a quiet poise, stood at the center of the open-air space beneath the reinforced glass dome, where Jupiter loomed impossibly large beyond the ship, its storms shifting in slow, eternal violence. He moved slowly, deliberately, his hands bearing a weight that flowed improbably in the thinness of the gravity shifts.

    “To find one’s center,” he intoned, “is to find the center of all things. The ship moves, and so do we. You need to feel the center of gravity and use it —it is our guide.”

    A hundred bodies followed in various degrees of synchrony, from well-dressed Upper Deck philosophers to the manutentioners and practical mechanics of the Lower Decks in their uniforms who stretched stiff shoulders between shift rotations. There was something mesmerizing about the communal movement, that even the ship usually a motionless background, seemed to vibrate beneath their feet as though their motions echoed through space.

    Every morning, for this graceful moment, Helix 25 felt like a true utopia.

    That was without counting when the madness began.

    :fleuron2:

    The Gossip Spiral

    “Did you hear about Sarawen?” hissed a woman in a flowing silk robe.
    “The Lexican?” gasped another.
    “Yes. Gave birth last night.”
    “What?! Already? Why weren’t we informed?”
    “Oh, she kept it very quiet. Didn’t even invite anyone to the naming.”
    “Disgraceful. And where are her two husbands? Following her everywhere. Suspicious if you ask me.”

    A grizzled Lower Deck worker grunted, still trying to follow Master Gou’s movement. “Why would she invite people to see her water break? Sounds unhygienic.”

    This earned a scandalized gasp from an Upper Decker. “Not the birth—the ceremony! Honestly, you Lower Deck folk know nothing of tradition.”

    Wisdom Against Wisdom

    Master Gou was just finishing an elegant and powerful sweep of his arms when Edeltraut Snoot, a self-proclaimed philosopher from Quadrant B, pirouetted herself into the session with a flamboyant twirl.

    “Ah, my dear glowing movement-makers! Thou dost align thine energies with the artificial celestial pull, and yet! And yet! Dost thou not see—this gravity is but a fabrication! A lie to lull thee into believing in balance when there is none!”

    Master Gou paused, blinking, impassive, suspended in time and space, yet intently concentrated. Handling such disturbances of the force gracefully, unperturbed, was what the practice was about. He resumed as soon as Edeltraut moved aside to continue her impassionate speech.

    “Ah yiii! The Snoot Knows. Oh yes. Balance is an illusion sold to us by the Grand Micromanagers, the Whymen of the Ever-Hungry Order. Like pacmaniacs, they devour structure and call it stability. And we! We are but rabbits, forced to hop through their labyrinth of rules!”

    Someone muttered, “Oh no, it’s another of those speeches.”

    Another person whispered, “Just let her talk, it’s easier.”

    The Snoot lady continued, undeterred. “But we? Oh, we are not merely rabbits. We are the mist in the hedge! The trick in their tale! We evade! We escape! And when they demand we obey their whys—we vanish!”

    By now, half the class had abandoned their movements entirely, mesmerized by the absurdity. The other half valiantly continued the Space taichi routine while inching away.

    Master Gou finally closed the form, then sighed intently, pinching the bridge of his nose. “Let us… return to our breath.”

    More Mass Lunacy 

    It started as a low murmur, a shifting agitation in the crowd. Then, bickering erupted like a solar flare.

    “I can’t find my center with all this noise!”
    “Oh shut up, you’ve never had a center.”
    “Who took my water flask?!”
    “Why is this man so close to me?!”
    “I am FLOATING?! HELP!”

    Synthia’s calm, omnipresent voice chimed in overhead.

    “For your well-being, an emergency dose of equilibrium supplements will be dispensed.”

    Small white pills rained from overhead dispensers.

    Instead of calming people down, this only increased the chaos.

    Some took the pills immediately, while others refused on principle.
    Someone accused the Lexicans of hoarding pills.
    Two men got into a heated debate over whether taking the pills was an act of submission to the AI overlords.
    A woman screamed that her husband had vanished, only to be reminded that he left her twelve years ago.
    Someone swore they saw a moon-sized squid in the sky.

    The Unions and the Leopards

    Near the edges of the room, two quadrant bosses from different labor unions were deep in mutual grumbling.

    “Bloody management.”
    “Agreed, even if they don’t call themselves that any longer, it’s still bloody management.”
    “Damn right. MICRO-management.”
    “Always telling us to be more efficient, more aligned, more at peace.”
    “Yeah, well, who the hell voted for peace?! I preferred it when we just argued in the corridors!”

    One of them scowled. “That’s the problem, mate. We fought for this, better conditions, and what did we get? More rules, more supervisors! Who knew that the Leopards-Eating-People’s-Faces Party would, y’know—eat our own bloody faces?!”

    The other snorted. “We demanded stability, and now we have so much stability we can’t move without filling out a form with all sorts of dumb questions. You know I have to submit a motion request before taking a piss?”

    “…seriously?”

    “Dead serious. Takes an eternity to fill. And four goddamn business hours for approval.”

    “That’s inhumane.”

    “Bloody right it is.”

    At that moment, Synthia’s voice chimed in again.

    “Please be advised: Temporary gravitational shifts are normal during orbital adjustments. Equilibrium supplements have been optimized. Kindly return to your scheduled calm.”

    The Slingshot Begins

    The whole ship gave a lurch, a gravitational hiccup as Helix 25 completed its slingshot maneuver around the celestial body.

    Bodies swayed unnaturally. Some hovered momentarily, shrieking.
    Someone declared that they had achieved enlightenment.
    Someone else vomited.

    Master Gou sighed deeply, rubbing his temples. “We should invent retirement for old Masters. People can’t handle their shit during those Moonacies. Months of it ahead, better focus on breath more.”

    Snoot Lady, still unaffected, spread her arms wide and declared:
    “And so, the rabbit prevails once again!”

    Evie, passing by on her way to the investigation, took one look at the scene of absolute madness and turned right back around.

    “Yeah. Nope. Not this morning. Back to the Murder Board.”

    #7763
    Jib
    Participant

      The corridor outside Mr. Herbert’s suite was pristine, polished white and gold, designed to impress, like most of the ship. Soft recessed lighting reflected off gilded fixtures and delicate, unnecessary embellishments.

      It was all Riven had ever known.

      His grandfather, Victor Holt, now in cryo sleep, had been among the paying elite, those who had boarded Helix 25, expecting a decadent, interstellar retreat. Riven, however had not been one of them. He had been two years old when Earth fell, sent with his aunt Seren Vega on the last shuttle to ever reach the ship, crammed in with refugees who had fought for a place among the stars. His father had stayed behind, to look for his mother.

      Whatever had happened after that—the chaos, the desperation, the cataclysm that had forced this ship to become one of humanity’s last refuges—Riven had no memory of it. He only knew what he had been told. And, like everything else on Helix 25, history depended on who was telling it.

      For the first time in his life, someone had been murdered inside this floating palace of glass and gold. And Riven, inspired by his grandfather’s legacy and the immense collection of murder stories and mysteries in the ship’s database, expected to keep things under control.

      He stood straight in front of the suite’s sealed sliding door, arms crossed on a sleek uniform that belonged to Victor Holt. He was blocking entry with the full height of his young authority. As if standing there could stop the chaos from seeping in.

      A holographic Do Not Enter warning scrolled diagonally across the door in Effin Muck’s signature font—because even crimes on this ship came branded.

      People hovered in the corridor, coming and going. Most were just curious, drawn by the sheer absurdity of a murder happening here.

      Riven scanned their faces, his muscles coiled with tension. Everyone was a potential suspect. Even the ones who usually didn’t care about ship politics.

      Because on Helix 25, death wasn’t supposed to happen. Not anymore.

      Someone broke away from the crowd and tried to push past him.

      “You’re wasting time. Young man.”

      Zoya Kade. Half scientist, half mad Prophet, all irritation. Her gold-green eyes bore into him, sharp beneath the deep lines of her face. Her mismatched layered robes shifting as she moved. Riven had no difficulty keeping the tall and wiry 83 years old woman at a distance.

      Her silver-white braid was woven with tiny artifacts—bits of old circuits, beads, a fragment of a key that probably didn’t open anything anymore. A collector of lost things. But not just trinkets—stories, knowledge, genetic whispers of the past. And now, she wanted access to this room like it was another artifact to be uncovered.

      “No one is going in.” Riven said slowly, “until we finish securing the area.”

      Zoya exhaled sharply, turning her head toward Evie, who had just emerged from the crowd, tablet in hand, TP flickering at her side.

      Evie, tell him.”

      Evie did not look pleased to be associated with the old woman. “Riven, we need access to his room. I just need…”

      Riven hesitated.

      Not for long, barely a second, but long enough for someone to notice. And of course, it was Anuí Naskó.

      They had been waiting, standing slightly apart from the others, their tall, androgynous frame wrapped in the deep-colored robes of the Lexicans, fingers lightly tapping the surface of their handheld lexicon. Observing. Listening. Their presence was a constant challenge. When Zoya collected knowledge like artifacts, Anuí broke it apart, reshaped it. To them, history was a wound still open, and it was the Lexicans duty to rewrite the truth that had been stolen.

      “Ah,” Anuí murmured, smiling slightly, “I see.”

      Riven started to tap his belt buckle. His spine stiffened. He didn’t like that tone.

      “See what, exactly?”

      Anuí turned their sharp, angular gaze on him. “That this is about control.”

      Riven locked his jaw. “This is about security.”

      “Is it?” Anuí tapped a finger against their chin. “Because as far as I can tell, you’re just as inexperienced in murder investigation as the rest of us.”

      The words cut sharp in Riven’s pride. Rendering him speechless for a moment.

      “Oh! Well said,” Zoya added.

      Riven felt heat rise to his face, but he didn’t let it show. He had been preparing himself for challenges, just not from every direction at once.

      His grip tightened on his belt, but he forced himself to stay calm.

      Zoya, clearly enjoying herself now, gestured toward Evie. “And what about them?” She nodded toward TP, whose holographic form flickered slightly under the corridor’s ligthing. “Evie and her self proclaimed detective machine here have no real authority either, yet you hesitate.”

      TP puffed up indignantly. “I beg your pardon, madame. I am an advanced deductive intelligence, programmed with the finest investigative minds in history! Sherlock Holmes, Hercule Poirot, Miss Marple, Marshall Pee Stoll…”

      Zoya lifted a hand. “Yes, yes. And I am a boar.”

      TP’s mustache twitched. “Highly unlikely.”

      Evie groaned. “Enough TP.”

      But Zoya wasn’t finished. She looked directly at Riven now. “You don’t trust me. You don’t trust Anuí. But you trust her.” She gave a node toward Evie. “Why?

      Riven felt his stomach twist. He didn’t have an answer. Or rather, he had too many answers, none of which he could say out loud. Because he did trust Evie. Because she was brilliant, meticulous, practical. Because… he wanted her to trust him back. But admitting that, showing favoritism, expecially here in front of everyone, was impossible.

      So he forced his voice into neutrality. “She has technical expertise and no political agenda about it.”

      Anuí left out a soft hmm, neither agreeing nor disagreeing, but filing the information away for later.

      Evie took the moment to press forward. “Riven, we need access to the room. We have to check his logs before anything gets wiped or overwritten. If there’s something there, we’re losing valuable time just standing there arguing.”

      She was right. Damn it, she was right. Riven exhaled slowly.

      “Fine. But only you.”

      Anuí’s lips curved but just slightly. “How predictable.”

      Zoya snorted.

      Evie didn’t waste time. She brushed past him, keying in a security override on her tablet. The suite doors slid open with a quiet hiss.

      #7707

      Matteo — Easter Break 2023

      The air in the streets carried the sweet intoxicating smell of orange blossoms, as Matteo stood at the edge of a narrow cobbled street in Xàtiva, the small town just a train ride from Valencia that Juliette had insisted on visiting. The weekend had been a blur of color and history—street markets in Italy, Venetian canals last month, and now this little-known hometown of the Borgias, nestled under the shadow of an ancient castle.

      Post-pandemic tourism was reshaping the rhythm of Europe. The crowds in the big capitals felt different now—quieter in some places, overwhelming in others. Xàtiva, however, seemed untouched, its charm untouched. Matteo liked it. It felt authentic, a place with layers to uncover.

      Juliette, as always, had planned everything. She had a knack for unearthing destinations that felt simultaneously curated and spontaneous. They had started with the obvious—Berlin, Amsterdam, Florence—but now her choices were becoming more eccentric.

      “Where do you even find these places?” Matteo had asked on the flight to Valencia, his curiosity genuine.

      She grinned, pulling out her phone and scrolling through saved videos. “Here,” she said, passing it to him. “This channel had great ideas before it went dark. He had listed all those places with 1-euro houses deals in many fantastic places in Europe. Once we’re ready to settle” she smiled at him.

      The video that played featured sweeping shots of abandoned stone houses and misty mountain roads, narrated by a deep, calm voice. “There’s magic in forgotten places,” the narrator said. “A story waiting for the right hands to revive it.”

      Matteo leaned closer, intrigued. The channel was called Wayfare, and the host, though unnamed in the video, had a quiet magnetism that made him linger. The content wasn’t polished—some shots were shaky, the editing rough—but there was an earnestness to it that immediately captured his attention.

      “This guy’s great,” Matteo said. “What happened to him?”

      “Darius, I think his name was,” Juliette replied. “I loved his videos. He didn’t have a huge audience, but it felt like he was speaking to you, you know?” She shrugged. “He shut it down a while back. Rumors about some drama with patrons or something.”

      Matteo handed the phone back, his interest waning. “Too bad,” he said. “I like his style.”

      The train ride to Xàtiva had been smooth, the rolling hills and sun-drenched orchards sliding slowly outside the window. The time seemed to move at a slower pace here. Matteo’d been working with an international moving company in Paris, mostly focused to expats in and out of France. Tips were good and it usually meant having a tiring week, but what the job lacked in interest, it compensated with with extra recuperation days.

      As they climbed toward the castle overlooking the town, Juliette rattled off details she’d picked up online.

      “The Borgias are fascinating,” she said, gesturing toward the town below. “They came from here, you know. Rose to power around the 13th century. Claimed they were descended from Visigoth kings, but most people think that’s all invention.”

      “Clever, though,” Matteo said. “Makes you almost wish you had a magic box to smartly rewrite your ancestry, that people would believe it if you play it right.”

      Juliette smiled. “Yeah! They were masters cheaters and gaslighters.”

      “Reinventing where they came from, like us, always reinventing where we go…”

      Juliette chuckled but didn’t reply.

      Matteo’s mind wandered, threading Juliette’s history lesson with stories his grandmother used to tell—tales of the Borgias’ rise through cunning and charm, and how they were descended from the infamous family through Lucrecia, the Pope’s illegitimate daughter. It was strange how family lore could echo through places so distant from where he’d grown up.

      As they reached the castle’s summit, Matteo paused to take it all in. The valley stretched below them, a patchwork of red-tiled rooftops and olive groves shimmering in the afternoon light. Somewhere in this region, Juliette said, Darius had explored foreclosed homes, hoping to revive them with new communities. Matteo couldn’t help but think how odd it was, these faint connections between lives—threads weaving places and people together, even when the patterns weren’t clear.

      :fleuron2:

      Later, over a shared plate of paella, Juliette nudged him with her fork. “What are you thinking about?”

      “Nothing much,” Matteo said, swirling his glass of wine. “Just… how people tell stories. The Borgias, this Darius guy, even us—everyone’s looking for a way to leave a mark, even if it’s just on a weekend trip.”

      Juliette smiled, her eyes glinting with mischief. “Well, you better leave your mark tomorrow. I want a picture of you standing on that castle wall.”

      Matteo laughed, raising his glass. “Deal. But only if you promise not to fall off first.”

      As the sun dipped below the horizon, the streets of Xàtiva began to glow with the warmth of lamplight. Matteo leaned back in his chair, the wine softening the edges of the day. For a moment, he thought of Darius again—of foreclosed homes and forgotten stories. He didn’t dwell on it, though. The present was enough.

      #7662

      The Waking 

      Lucien – Early 2024 Darius – Dec 2022 Amei – 2022-2023 Elara – 2022 Matteo – Halloween 2023
      Aversion/Reflection Jealousy/Accomplishment Pride/Equanimity Attachment/Discernment Ignorance/Wisdom
      The sky outside Lucien’s studio window was still dark, the faint glow of dawn breaking on the horizon. He woke suddenly, the echo of footsteps chasing him out of sleep. Renard’s shadow loomed in his mind like a smudge he couldn’t erase. He sat up, rubbing his temples, the remnants of the dream slipping away like water through his fingers. The chase felt endless, but this time, something had shifted. There was no fear in his chest—only a whisper of resolve. “Time to stop running.” The hum of the airplane’s engine filled Darius’s ears as he opened his eyes, the cabin lights dimmed for landing. He glanced at the blinking seatbelt sign and adjusted his scarf. The dream still lingered, faint and elusive, like smoke curling away before he could grasp it. He wasn’t sure where he’d been in his mind, but he felt a pull—something calling him back. South of France was just the next stop. Beyond that,… Beyond that? He didn’t know. Amei sat cross-legged on her living room floor, the guided meditation app still playing its soft tones through her headphones. Her breathing steadied, but her thoughts drifted. Images danced at the edges of her mind—threads weaving together, faces she couldn’t place, a labyrinth spiraling endlessly. The meditation always seemed to end with these fragments, leaving her both unsettled and curious. What was she trying to find? Elara woke with a start, the unfamiliar sensation of a dream etched vividly in her mind. Her dreams usually dissolved the moment she opened her eyes, but this one lingered, sharp and bright. She reached for her notebook on the bedside table, fumbling for the pen. The details spilled out onto the page—a white bull, a labyrinth of light, faces shifting like water. “I never remember my dreams,” she thought, “but this one… this one feels important.” Matteo woke to the sound of children laughing outside, their voices echoing through the streets of Avignon. Halloween wasn’t as big a deal here as elsewhere, but it had its charm. He stretched and sat up, the weight of a restless sleep hanging over him. His dreams had been strange—familiar faces, glowing patterns, a sense of something unfinished. The room seemed to glow for a moment. “Strange,” he thought, brushing it off as a trick of the light.
      “No resentment, only purpose.” “You’re not lost. You’re walking your own path.” “Messy patterns are still patterns.” “Let go. The beauty is in the flow.” “Everything is connected. Even the smallest light adds to the whole.”
      The Endless Chase
      Lucien ran through a labyrinth, its walls shifting and alive, made of tangled roots and flickering light. Behind him, the echo of footsteps and Renard’s voice calling his name, mocking him. But as he turned a corner, the walls parted to reveal a still lake, its surface reflecting the stars. He stopped, breathless, staring at his reflection in the water. It wasn’t him—it was a younger boy, wide-eyed and unafraid. The boy reached out, and Lucien felt a calm ripple through him. The chase wasn’t real. It never was. The walls dissolved, leaving him standing under a vast, open sky.
      The Wandering Maze
      Darius wandered through a green field, the tall grass brushing against his hands. The horizon seemed endless, but each step revealed new paths, twisting and turning like a living map. He saw figures ahead—people he thought he recognized—but when he reached them, they vanished, leaving only their footprints. Frustration welled up in his chest, but then he heard laughter—a clear, joyful sound. A child ran past him, leaving a trail of flowers in their wake. Darius followed, the path opening into a vibrant garden. There, he saw his own footprints, weaving among the flowers. “You’re not lost,” a voice said. “You’re walking your own path.”
      The Woven Tapestry
      Amei found herself in a dim room, lit only by the soft glow of a loom. Threads of every color stretched across the space, intertwining in intricate patterns. She sat before the loom, her hands moving instinctively, weaving the threads together. Faces appeared in the fabric—Tabitha, her estranged friends, even strangers she didn’t recognize. The threads wove tighter, forming a brilliant tapestry that seemed to hum with life. She saw herself in the center, not separate from the others but connected. This time she heard clearly “Messy patterns are still patterns,” a voice whispered, and she smiled.
      The Scattered Grains
      Elara stood on a beach, the sand slipping through her fingers as she tried to gather it. The harder she grasped, the more it escaped. A wave rolled in, sweeping the sand into intricate patterns that glowed under the moonlight. She knelt, watching the designs shift and shimmer, each one unique and fleeting. “Let go,” the wind seemed to say. “The beauty is in the flow.” Elara let the sand fall, and as it scattered, it transformed into light, rising like fireflies into the night sky.
      The Mandala of Light
      Matteo stood in a darkened room, the only light coming from a glowing mandala etched on the floor. As he stepped closer, the patterns began to move, spinning and shifting. Faces appeared—his mother, the friends he hadn’t yet met, and even his own reflection. The mandala expanded, encompassing the room, then the city, then the world. “Everything is connected,” a voice said, low and resonant. “Even the smallest light adds to the whole.” Matteo reached out, touching the edge of the mandala, and felt its warmth spread through him.

      :fleuron2:

      Dreamtime

      It begins with running—feet pounding against the earth, my breath sharp in my chest. The path twists endlessly, the walls of the labyrinth curling like roots, closing tighter with each turn. I know I’m being chased, though I never see who or what is behind me. The air thickens as I round a corner and come to a halt before a still lake. Its surface gleams under a canopy of stars, too perfect, too quiet. I kneel to look closer, and the face that stares back isn’t mine. A boy gazes up with wide, curious eyes, unafraid. He smiles as though he knows something I don’t, and my breath steadies. The walls of the labyrinth crumble, their roots receding into the earth. Around me, the horizon stretches wide and infinite, and I wonder if I’ve always been here.

      The grass is soft under my feet, swaying with a breeze that hums like a song I almost recognize. I walk, though I don’t know where I’m going. Figures appear ahead—shadowy forms I think I know—but as I approach, they dissolve into mist. I call out, but my voice is swallowed by the wind. Laughter ripples through the air, and a child darts past me, their feet leaving trails of flowers in the earth. I follow, unable to stop myself. The path unfolds into a garden, vibrant and alive, every bloom humming with its own quiet song. At the center, I find myself again—my own footprints weaving among the flowers. The laughter returns, soft and knowing. A voice says, “You’re not lost. You’re walking your own path.” But whose voice is it? My own? Someone else’s? I can’t tell.

      The scene shifts, or maybe it’s always been this way. Threads of light stretch across the horizon, forming a vast loom. My hands move instinctively, weaving the threads into patterns I don’t understand but feel compelled to create. Faces emerge in the fabric—some I know, others I only feel. Each thread hums with life, vibrating with its own story. The patterns grow more intricate, their colors blending into something breathtaking. At the center, my own face appears, not solitary but connected to all the others. The threads seem to breathe, their rhythm matching my own heartbeat. A voice whispers, teasing but kind: “Messy patterns are still patterns.” I want to laugh, or cry, or maybe both, but my hands keep weaving as the threads dissolve into light.

      I’m on the beach now, though I don’t remember how I got here. The sand is cool under my hands, slipping through my fingers no matter how tightly I try to hold it. A wave rolls in, its foam glowing under a pale moon. Where the water touches the sand, intricate patterns bloom—spirals, mandalas, fleeting images that shift with the tide. I try to gather them, to keep them, but the harder I hold on, the faster they fade. A breeze lifts the patterns into the air, scattering them like fireflies. I watch them go, feeling both loss and wonder. “Let go,” a voice says, carried by the wind. “The beauty is in the flow.” I let the sand fall from my hands, and for the first time, I see the patterns clearly, etched not on the ground but in the sky.

      The room is dark, yet I see everything. A mandala of light spreads across the floor, its intricate shapes pulsing with a rhythm I recognize but can’t place. I step closer, and the mandala begins to spin, its patterns expanding to fill the room, then the city, then the world. Faces appear within the light—my mother’s, a child’s, strangers I know but have never met. The mandala connects everything it touches, its warmth spreading through me like a flame. I reach out, my hand trembling, and the moment I touch it, a voice echoes in the air: “Everything is connected. Even the smallest light adds to the whole.” The mandala slows, its light softening, and I find myself standing at its center, whole and unafraid.

      I feel the labyrinth’s walls returning, but they’re no longer enclosing me—they’re part of the loom, their roots weaving into the threads. The flowers of the garden bloom within the mandala’s light, their petals scattering like sand into the tide. The waves carry them to the horizon, where they rise into the sky, forming constellations I feel I’ve always known.

      I wake—or do I? The dream lingers, its light and rhythm threading through my thoughts. It feels like a map, a guide, a story unfinished. I see the faces again—yours, mine, ours—and wonder where the path leads next.

      #7642
      TracyTracy
      Participant

        It was the chalkapocalypse, which in actual fact occurred so close to Elara’s coming retirement that it hardly need have bothered her in the slightest, that had sparked her interest. She, like many of her colleagues, had quickly stockpiled the Japanese chalk, and she had more than enough to see out the remaining term of her employment at the university.  Not that she wanted to stay at Warwick, she’d had enough of university politics and funding cuts, not to mention the dreary midlands weather.

        When at last the day had come, she’d sold her mediocre semi detached suburban house with its, more often than not, dripping shrubbery and rarely if ever used white metal patio table and chairs, and made the move, with the intention of pursuing her research at her leisure. In the warmth of a Tuscan sun.

        Often the words of her friend and colleague Tom came to her, as she settled into the farmhouse and familiarised herself with the land and the locals.

        Physics is a process of getting stuck. Blackboards are the best tool for getting unstuck. You do most of your calculations on paper. Then, when you reach a dead end, you go to the blackboard and share the problem with a colleague. But here’s the funny thing. You often solve the problem yourself in the process of writing it out.  You don’t imagine something first and then write it down. It’s through the act of writing that ideas make themselves known. Scientists at blackboards have thoughts that wouldn’t come if they just stood there, with their arms folded.

        It was entirely down to Tom’s words that Elara had painted the walls of the barn with blackboard paint, and stocked it with the remains of her Hagoromo chalk hoard, as well as samples of every other available chalk.  She had also purchased a number of books on the history of chalk. She’d had no intention of rushing, and retirement provided a relaxed environment for going at her own pace, unfettered by the relentless demands of students and classes.  It was a project to savour, luxuriate in, amuse herself with.

        When Florian had arrived, she was occupied with showing him around, and before long setting him to tasks that needed doing, and her chalk project had remained on a back burner. He’d asked her about the blackboards in the barn, and wondered if she was planning on giving lectures.

        Laughing, Elara said no, that was the last thing she ever wanted to do again. She shared with him what Tom had said, about the ideas flowing during the process of writing.

        “And while that makes perfect sense in any medium, not just chalk, it’s the chalk itself ….” Elara smiled. “Well, you don’t want to hear all the technical details. And I wouldn’t want to spill the beans before I’m sure.”

        “It does make sense,” Florian replied, “To just write and then the ideas will flow. I’ve been wanting to write a book, but I never know how to start, and I’m not even sure what I want to write about. But perhaps I should just start writing.” Grinning, he added, “Probably not with chalk, though.”

        “That’s the spirit, just make a start. You never know what may come of it. And it can be fun, you know, and illuminating in ways you didn’t expect. I used to write stories with a few friends….” Elara’s voice trailed off uncomfortably, as if a cloud had obscured the sun.

        Florian noticed her unexpected discomfiture, and tactfully changed the subject.  We all have pasts we don’t want to talk about.  “Is the sun sufficiently past the yard arm for a glass of wine?” he asked.  “What is a yard arm, anyway?”

        “A yard is a spar on a mast from which sails are set. It may be constructed of timber or steel or from more modern materials such as aluminium or carbon fibre. Although some types of fore and aft rigs have yards, the term is usually used to describe the horizontal spars used on square rigged sails…”

        “Once a lecturer, always a lecturer, eh?” Florian teased.

        “Sorry!” Elara said with a rueful look. ” I’d love a glass of wine.”

        #7634

        Nov.30, 2024 2:33pm – Darius: The Map and the Moment

        Darius strolled along the Seine, the late morning sky a patchwork of rainclouds and stubborn sunlight. The bouquinistes’ stalls were already open, their worn green boxes overflowing with vintage books, faded postcards, and yellowed maps with a faint smell of damp paper overpowered by the aroma of crêpes and nearby french fries stalls. He moved along the stalls with a casual air, his leather duffel slung over one shoulder, boots clicking against the cobblestones.

        The duffel had seen more continents than most people, its scuffed surface hinting at his nomadic life. India, Brazil, Morocco, Nepal—it carried traces of them all. Inside were a few changes of clothes, a knife he’d once bought off a blacksmith in Rajasthan, and a rolled-up leather journal that served more as a collection of ideas than a record of events.

        Darius wasn’t in Paris for nostalgia, though it tugged at him in moments like this. The city had always been Lucien’s thing —artistic, brooding, and layered with history. For Darius, Paris was just another waypoint. Another stop on a map that never quite seemed to end.

        It was the map that stopped him, actually. A tattered, hand-drawn thing propped against a pile of secondhand books, its edges curling like a forgotten leaf. Darius leaned in, frowning at its odd geometry. It wasn’t a city plan or a geographical rendering; it was… something else.

        “Ah, you’ve found my prize,” said the bouquiniste, a short older man with a grizzled beard and a cigarette dangling from his lips.

        “This?” Darius held up the map, his dark fingers tracing the looping, interconnected lines. They reminded him of something—a mandala, maybe, or one of those intricate yantras he’d seen in a temple in Varanasi.

        “It’s not a real place,” the bouquiniste continued, leaning closer as though revealing a secret. “More of a… philosophical map.”

        Darius raised an eyebrow. “A philosophical map?”

        The man gestured toward the lines. “Each path represents a choice, a possibility. You could spend your life trying to follow it, or you could accept that you already have.”

        Darius tilted his head, the edges of a smile forming. “That’s deep for ten euros.”

        “It’s twenty,” the bouquiniste corrected, his grin flashing gold teeth.

        Darius handed over the money without a second thought. The map was too strange to leave behind, and besides, it felt like something he was meant to find.

        He rolled it up and tucked it into his duffel, turning back toward the city’s winding streets. The café wasn’t far now, but he still had time.

        :fleuron2:

        He stopped by a street vendor selling espresso shots and ordered one, the strong, bitter taste jolting his senses awake. As he leaned against a lamppost, he noticed his reflection in a shop window: a tall, broad-shouldered man, his dark skin glistening faintly in the misty air. His leather jacket was worn at the elbows, his boots dusted with dirt from some far-flung place.

        He looked like a man who belonged everywhere and nowhere—a nomad who’d long since stopped wondering what home was supposed to feel like.

        India had been the last big stop. It was messy, beautiful chaos. The temples had been impressive, sure, but it was the street food vendors, the crowded markets, the strolls on the beach with the peaceful cows sunbathing, and the quiet, forgotten alleys that stuck with him. He’d made some connections, met some people who’d lingered in his thoughts longer than they should have.

        One of them had been a woman named Anila, who had handed him a fragment of something—an idea, a story, a warning. He couldn’t quite remember now. It felt like she’d been trying to tell him something important, but whatever it was had slipped through his fingers like water.

        Darius shook his head, pushing the thought aside. The past was the past, and Paris was the present. He looked at the rolled-up map peeking out of his duffel and smirked. Maybe Lucien would know what to make of it. Or Elara, with her scientific mind and love of puzzles.

        The group had always been a strange mix, like a band that shouldn’t work but somehow did. And now, after five years of silence, they were coming back together.

        The idea made his stomach churn—not with nerves, exactly, but with a sense of inevitability. Things had been left unsaid back then, unfinished. And while Darius wasn’t usually one to linger on the past, something about this meeting felt… different.

        The café was just around the corner now, its brass fixtures glinting through the drizzle. Darius slung his duffel higher on his shoulder and took one last sip of espresso before tossing the cup into a bin.

        Whatever this reunion was about, he’d be ready for it.

        But the map—it stayed on his mind, its looping lines and impossible paths pressing into his thoughts like a puzzle waiting to be solved.

        #7562

        It was good to be digging again. The relentless heat of the summer over, the days were perfect for excavating the next hole in her garden. It was hard work and slow hacking off bits of earth almost as hard and dry as concrete, but each day the promise of new finds became more tantalizing and encouraged her to keep working at it. There was not much more of the top layer to remove now before Truella could expect to start seeing bits of pottery and whatever else the deep dark earth had to reveal about its past.

        Unable to see any particular connecting link to the dig (and Truella was usually good at that), she had become obsessed with Cromwell. Maybe she’d find a postcard from Cromwell; everyone seemed to be getting strange postcards these days. The idea of a postcard from Cromwell had wafted into her mind, but it lingered.  What would he say on a postcard? She could imagine him sanding the ink, the candlelight flickering. Smiling to himself, with a stray thought wafting into his mind that someone centuries from now would find it, and wonder.

        “Let them make of that what they will,” he might say, as he handed it to the man in charge of sending postcards to other centuries. “I have one here for you,” the man in charge of the postcards might say by way of reply, “Just arrived. It’s from the future by the look of it, from Ireland.”

        Cromwell may take the postcard in his hand with a feeling of satisfaction ~ all information was potentially useful after all, if not in this life, in the next. Time traveling spies, you could say.  He would take a moment to decipher the unfamiliarly written letters in order to read the message. His eyebrows would raise in mild astonishment to see witches sending messages so openly, so shamelessly, so fearlessly! Five hundred years from now, Ireland would be a heathen primitive nest of superstition controlled by the devils strumpets. It may not be perfect in England now, he might think, but we do try to keep some order.  Frella, he said to himself. Frella. What do you look like, Frella? God’s teeth, why didn’t you send me your likeness, a portrait, on the postcard!  For reasons he couldn’t explain, Cromwell couldn’t stop thinking about the mysterious witch in Ireland many centuries from now.

        #7546
        TracyTracy
        Participant

          The Potters of Darley Bridge

          Rebecca Knowles 1745-1823, my 5x great grandmother, married Charles Marshall 1742-1819, the churchwarden of Elton, in Darley, Derbyshire, in 1767. Rebecca was born in Darley in 1745, the youngest child of Roger Knowles 1695-1784, and Martha Potter 1702?-1772.

          Although Roger and Martha were both from Darley, they were married in South Wingfield by licence in 1724. Roger’s occupation on the marriage licence was lead miner. (Lead miners in Derbyshire at that time usually mined their own land.) Jacob Potter signed the licence so I assumed that Jacob Potter was her father.

           

          marriage Roger Knowles

           

          I then found the will of Jacobi Potter who died in 1719. However, he signed the will James Potter. Jacobi is latin for James. James Potter mentioned his daughter Martha in his will “when she comes of age”. Martha was the youngest child of James. James also mentioned in his will son James AND son Jacob, so there were both James’s and Jacob’s in the family, although at times in the documents James is written as Jacobi!

           

          1720 will James Potter

           

          Jacob Potter who signed Martha’s marriage licence was her brother Jacob.

          Martha’s brother James mentioned his sister Martha Knowles in his 1739 will, as well as his brother Jacob and his brother Joseph.

           

          James Potter will

           

          Martha’s father James Potter mentions his wife Ann in his 1719 will. James Potter married Ann Waterhurst in 1690 in Wirksworth, some seven miles from Darley. James occupation was innkeeper at Darley Bridge.

          I did a search for Waterhurst (there was only a transcription available for that marriage, not a microfilm) and found no Waterhursts anywhere, but I did find many Warhursts in Derbyshire. In the older records, Warhust is also spelled Wearhurst and in a number of other ways. A Martha Warhurst died in Peak Forest, Derbyshire, in 1681.  Her husbands name was missing from the deteriorated register pages.  This may or may not be Martha Potter’s grandmother: the records for the 1600s are scanty if they exist at all, and often there are bits missing and illegible entries.

          The only inn at Darley Bridge was The Three Stags Heads, by the bridge. It is now a listed building, and was on a medieval packhorse route. The current building was built in 1736, however there is a late 17th century section at rear of the cross wing. The Three Stags Heads was up for sale for £430,000 in 2022, the closure a result of the covid pandemic.

           

          Three Stags Heads

           

          Another listed building in Darley Bridge is Potters Cottage, with a plaque above the door that says “Jonathan and Alice Potter 1763”. Jonathan Potter 1725-1785 was James grandson, the son of his son Charles Potter 1691-1752. His son Charles was also an innkeeper at Darley Bridge: James left the majority of his property to his son Charles.

           

          Charles Potter

           

          Charles is the only child of James Potter that we know the approximate date of birth, because his age was on his grave stone.  I haven’t found any of their baptisms, but did note that many Potters were baptised in non conformist registers in Chesterfield.

           

          Potters Cottage

          Potters Cottage

           

          Jonathan Potter of Potters Cottage married Alice Beeley in 1748.

          “Darley Bridge was an important packhorse route across the River Derwent. There was a packhorse route from here up to Beeley Moor via Darley Dale. A reference to this bridge appears in 1504… Not far to the north of the bridge at Darley Dale is Church Lane; in 1635 it was known as Ghost Lane after a Scottish pedlar was murdered there. Pedlars tended to be called Scottish only because they sold cheap Scottish linen.”

          via Derbyshire Heritage website.

          According to Wikipedia, the bridge dates back to the 15th century.

          #7544
          TracyTracy
          Participant

            Youlgreave

            The Frost Family and The Big Snow

             

            The Youlgreave parish registers are said to be the most complete and interesting in the country. Starting in 1558, they are still largely intact today.

            “The future historian of this parish will find a vast stock of material ready to hand, and if such a work was ever accomplished it would once more be seen how the history of even a remote village is but the history of the nation in little; how national victories were announced on the church bells, and national disasters by the proclamation of a form of prayer…”

            J. Charles Cox, Notes on the Churches of Derbyshire, 1877.

            Youlgreave registers

             

            Although the Youlgreave parish registers are available online on microfilm, just the baptisms, marriages and burials are provided on the genealogy websites. However, I found some excerpts from the churchwardens accounts in a couple of old books, The Reliquary 1864, and Notes on Derbyshire Churches 1877.

            churchwardens accounts

            Hannah Keeling, my 4x great grandmother, was born in Youlgreave, Derbyshire, in 1767. In 1791 she married Edward Lees of Hartington, Derbyshire, a village seven and a half miles south west of Youlgreave. Edward and Hannah’s daughter Sarah Lees, born in Hartington in 1808, married Francis Featherstone in 1835. The Featherstone’s were farmers. Their daughter Emma Featherstone married John Marshall from Elton. Elton is just three miles from Youlgreave, and there are a great many Marshall’s in the Youlgreave parish registers, some no doubt distantly related to ours.

            Hannah Keeling’s parents were John Keeling 1734-1823, and Ellen Frost 1739-1805, both of Youlgreave.
            On the burial entry in the parish registers in Youlgreave in 1823, John Keeling was 88 years old when he died, and was the “late parish clerk”, indicating that my 5x great grandfather played a part in compiling the “best parish registers in the country”. In 1762 John’s father in law John Frost died intestate, and John Keeling, cordwainer, co signed the documents with his mother in law Ann. John Keeling was a shoe maker and a parish clerk.

            John Keeling

             

            John Keeling’s father was Thomas Keeling, baptised on the 9th of March 1709 in Youlgreave and his parents were John Keeling and Ann Ashmore. John and Ann were married on the 6th April 1708. Some of the transcriptions have Thomas baptised in March 1708, which would be a month before his parents married. However, this was before the Julian calendar was replaced by the Gregorian calendar, and prior to 1752 the new year started on the 25th of March, therefore the 9th of March 1708 was eleven months after the 6th April 1708.

            Thomas Keeling married Dorothy, which we know from the baptism of John Keeling in 1734, but I have not been able to find their marriage recorded. Until I can find my 6x great grandmother Dorothy’s maiden name, I am unable to trace her family further back.

            Unfortunately I haven’t found a baptism for Thomas’s father John Keeling, despite that there are Keelings in the Youlgrave registers in the early 1600s, possibly it is one of the few illegible entries in these registers.

            The Frosts of Youlgreave

            Ellen Frost’s father was John Frost, born in Youlgreave in 1707. John married Ann Staley of Elton in 1733 in Youlgreave.

            (Note that this part of the family tree is the Marshall side, but we also have Staley’s in Elton on the Warren side. Our branch of the Elton Staley’s moved to Stapenhill in the mid 1700s. Robert Staley, born 1711 in Elton, died in Stapenhill in 1795. There are many Staley’s in the Youlgreave parish registers, going back to the late 1500s.)

            John Frost (my 6x great grandfather), miner, died intestate in 1762 in Youlgreave. Miner in this case no doubt means a lead miner, mining his own land (as John Marshall’s father John was in Elton. On the 1851 census John Marshall senior was mining 9 acres). Ann Frost, as the widow and relict of the said deceased John Frost, claimed the right of administration of his estate. Ann Frost (nee Staley) signed her own name, somewhat unusual for a woman to be able to write in 1762, as well as her son in law John Keeling.

            Frost and keeling

             

            John’s parents were David Frost and Ann. David was baptised in 1665 in Youlgreave. Once again, I have not found a marriage for David and Ann so I am unable to continue further back with her family. Marriages were often held in the parish of the bride, and perhaps those neighbouring parish records from the 1600s haven’t survived.

            David’s parents were William Frost and Ellen (or Ellin, or Helen, depending on how the parish clerk chose to spell it). Once again, their marriage hasn’t been found, but was probably in a neighbouring parish.

            William Frost’s wife Ellen, my 8x great grandmother, died in Youlgreave in 1713. In her will she left her daughter Catherine £20. Catherine was born in 1665 and was apparently unmarried at the age of 48 in 1713. She named her son Isaac Frost (born in 1662) executor, and left him the remainder of her “goods, chattels and cattle”.

            Ellens will

             

            William Frost was baptised in Youlgreave in 1627, his parents were William Frost and Anne.
            William Frost senior, husbandman, was probably born circa 1600, and died intestate in 1648 in Middleton, Youlgreave. His widow Anna was named in the document. On the compilation of the inventory of his goods, Thomas Garratt, Will Melland and A Kidiard are named.

            (Husbandman: The old word for a farmer below the rank of yeoman. A husbandman usually held his land by copyhold or leasehold tenure and may be regarded as the ‘average farmer in his locality’. The words ‘yeoman’ and ‘husbandman’ were gradually replaced in the later 18th and 19th centuries by ‘farmer’.)

            Unable to find a baptism for William Frost born circa 1600, I read through all the pages of the Youlgreave parish registers from 1558 to 1610. Despite the good condition of these registers, there are a number of illegible entries. There were three Frost families baptising children during this timeframe and one of these is likely to be Willliam’s.

            Baptisms:
            1581 Eliz Frost, father Michael.
            1582 Francis f Michael. (must have died in infancy)
            1582 Margaret f William.
            1585 Francis f Michael.
            1586 John f Nicholas.
            1588 Barbara f Michael.
            1590 Francis f Nicholas.
            1591 Joane f Michael.
            1594 John f Michael.
            1598 George f Michael.
            1600 Fredericke (female!) f William.

            Marriages in Youlgreave which could be William’s parents:
            1579 Michael Frost Eliz Staley
            1587 Edward Frost Katherine Hall
            1600 Nicholas Frost Katherine Hardy.
            1606 John Frost Eliz Hanson.

            Michael Frost of Youlgreave is mentioned on the Derbyshire Muster Rolls in 1585.

            (Muster records: 1522-1649. The militia muster rolls listed all those liable for military service.)

            Frideswide:

            A burial is recorded in 1584 for Frideswide Frost (female) father Michael. As the father is named, this indicates that Frideswide was a child.

            (Frithuswith, commonly Frideswide c. 650 – 19 October 727), was an English princess and abbess. She is credited as the foundress of a monastery later incorporated into Christ Church, Oxford. She was the daughter of a sub-king of a Merica named Dida of Eynsham whose lands occupied western Oxfordshire and the upper reaches of the River Thames.)

            An unusual name, and certainly very different from the usual names of the Frost siblings. As I did not find a baptism for her, I wondered if perhaps she died too soon for a baptism and was given a saints name, in the hope that it would help in the afterlife, given the beliefs of the times. Or perhaps it wasn’t an unusual name at the time in Youlgreave. A Fridesweda Gilbert was buried in Youlgreave in 1604, the spinster daughter of Francis Gilbert. There is a small brass effigy in the church, underneath is written “Frideswide Gilbert to the grave, Hath resigned her earthly part…”

            Frideswide

            J. Charles Cox, Notes on the Churches of Derbyshire, 1877.

             

            King James

            A parish register entry in 1603:
            “1603 King James of Skottland was proclaimed kinge of England, France and Ireland at Bakewell upon Monday being the 29th of March 1603.”  (March 1603 would be 1604, because of the Julian calendar in use at the time.)

            King James

             

            The Big Snow

            “This year 1614/5 January 16th began the greatest snow whichever fell uppon the earth within man’s memorye. It covered the earth fyve quarters deep uppon the playne. And for heaps or drifts of snow, they were very deep; so that passengers both horse or foot passed over yates, hedges and walles. ….The spring was so cold and so late that much cattel was in very great danger and some died….”

            The Big Snow

            From the Youlgreave parish registers.

            Our ancestor William Frost born circa 1600 would have been a teenager during the big snow.

            #7471

            Looking at the news, Truella had started to push messages into the group’s channel. Frigella, Jeezel, and Eris  were unusually quick to answer.

            Truella: (rolling her eyes icon) “So, Austreberthe’s brilliant plan is to merge our sophisticated incense business with… what was it again? Puffer coats and kilts made by Spanish witch nuns? I honestly can’t wait to see how that plays out.”

            Frigella: (smirking) “Oh, don’t forget the quills. How could we possibly survive without those finely crafted quills? I mean, who needs innovation in magic when you can have a hand-stitched quilt from a nun’s workshop?”

            Jeezel: (chuckling) “I can see it now—our next product line: ‘Blessed Be the Quilted Puffer Coats.’ Perfect for those chilly nights when you’re out casting spells in the woods. Truly revolutionary.”

            Truella: “Yes, and let’s not overlook the cultural synergy. Religious Spanish nuns known to overdo the religious stuff, merging with our… less-than-conventional coven. A match made in heaven, for sure.”

            Jeezel: “I can already hear Austreberthe’s sales pitch. ‘Introducing the new line of enchanted apparel—each item blessed with a dash of piety and a sprinkle of old-world charm. Because nothing says cutting-edge magic like a quilted kilt.'”

            Frigella: “And the quills! ‘Handcrafted by the devout sisters, these quills will not only enhance your writing but also keep your soul in line.’ Imagine the marketing campaigns!”

            Jeezel: “It’s like we’re stepping back into the Middle Ages. What’s next? A line of chastity belts with magical locks?”

            Frigella: “I get that Austreberthe is trying to diversify and all, but does she really think this will integrate seamlessly with our brand? We’ve built our reputation on unique, powerful incense blends. How do quills and coats fit into that?”

            Jeezel: (looking for the snorting icon) “Don’t forget the puffer coats. Perfect for those who wish to repent in style.”

            Eris not wanting to sound too sycophantic, and trying to remain optimistic considering it was after all part of all the potential business she’d looked into: “Well, it seemed like a good idea in the beginning. You should have seen what we avoided! Plus, they have a solid balance sheet, believe it on not, I’m sure that’s what got Austreberthe. I knew Malové had her reservations, but before she left, she pushed hard for it, so maybe there’s some hidden genius in this we just can’t see yet. And Austreberthe will have a cunning plan to fuse these disparate elements into something… cohesive.”

            Truella: (raising an eyebrow) “Cohesive like a patched-up quilt, you mean? I suppose we’ll have to wait and see if this grand vision of hers is a stroke of genius or just… well, a stroke.”

            #7459

            There was an odd sight today.

            Eris sat in the deserted courtyard area of the brand new Quadrivium office, Malové’s latest folly. She could savor the quiet that Fridays often brought, most of her colleagues from the coven preferring to work from home, leaving the usually bustling space tranquil and almost meditative. She took a bite of her sandwich, listening distractedly to the complaints of another witch sitting nearby, while her own mind still preoccupied with the myriad responsibilities and recent events that seemed to pile around like a stack of clothes due a trip to the laundry.

            As she chewed thoughtfully, her eyes were drawn to an odd sight. A blackbird was performing a strange dance in front of the mirrored walls that lined one side of the patio. It hopped back and forth, its beak tapping on the surface, its feathers shimmering in the afternoon light, as if it were courting its own reflection or perhaps trying to feed it with a worm it had in its beak. Eris paused, intrigued by this peculiar behavior. What could it mean?

            Her thoughts were interrupted by a series of sharp, melodic chirps. She looked around and spotted another bird perched nearby in the foliage of hanged planters lining the walls —a female blackbird, easily identifiable by her distinct brown coat. The female watched the male’s antics with a mix of curiosity and detachment, her chirps seeming to carry a message of their own.

            Eris felt a shiver run down her spine, a familiar sensation that often preceded a moment of magical insight. The blackbird’s dance wasn’t just an oddity; it was a sign, a message from the universe, or perhaps from the magical currents that flowed unseen through the world.

            She closed her eyes for a moment and took a deep breath, trying to connect with the energy around her. The image of the male blackbird, tirelessly courting its own reflection, seemed to mirror her own recent struggles. Had she been chasing an illusion, trying to nourish something that could not be sustained?

            The female blackbird’s presence added another layer to the message. She was grounded, present, and observant—a contrast to the male’s futile efforts. Eris thought of her recent decisions, the dismissal of the cook, the strained relationships within the coven, and the cryptic postcards from Truella. Was the universe urging her to find balance, to ground herself and observe more keenly before taking action?

            She could almost hear Elias whispers in her ears: Birds, in general, often represent thoughts or ideas flying about in our consciousness. The blackbird specifically, with its stark contrast and distinct presence, can represent deeper insights, truths, or messages that are coming to your awareness. The mirror, as a reflective surface, implies that these insights pertain directly to your perception of self or facets of your identity that may be emerging or needing attention. Putting this together, the imagery of the birds and their interactions could be nudging you to pay closer attention to your inner reflections. Are you nurturing the parts of yourself that truly need attention? Are there aspects of your identity or self-perception that require acknowledgment and care? The presence of the brown-coated female blackbird might also be a reminder to appreciate the varied and multifaceted nature of your experiences and the different roles you embody.

            She opened her eyes, feeling a sense of clarity washing over her. The birds continued their vivid dialogue and unfathomable dances, unaware of the impact they had just made, although her insistent gaze had seemed to snap the blackbird out of its mesmerized pattern. He was now scurrying away looking over its shoulder, as if caught in an awkward moment.

            Rising from her seat, Eris felt something. Not some sort of newfound sense of purpose, but a weight of a precious present, luminous and fragile, yet spacious and full with undecipherable meaning. She glanced one last time at the blackbirds, silently thanking them for their unspoken wisdom. As she walked back into the office, she knew that the path ahead would still be fraught with challenges, but she was ready to face them—grounded, observant, and attuned to the subtle messages that the world had to offer.

            In the quiet of the Quadrivium office, on a deserted Friday afternoon, a blackbird’s dance had set the stage for the next chapter of her journey.

            #7443

            “A treasure hunt? Are you serious?” Truella was appalled. “Yes,” she said, holding up a hand to silence Eris, “I realise I usually like treasure hunts. But this is ridiculous. And this hotel is just ghastly.”

            “Look!” interrupted Frella. “What’s Jeezel doing climbing up that lampost?  What an absolute tart she is, everyone can see her knickers.”

            #7420

            Spring was there. At 5:57am in the morning, true to her name, Truella had been planting truelles incognito in what appeared to be random flowerbeds in the cities she was passing through. The truelles, she would usually find with the locator spell in sheds around the city and magic them out right into her hands. She loved magic for its efficiency, which really meant there was no need to break in and forage for hours in cramped little rooms.

            As she was following a border of plane trees, she chuckled. Believe it or not, she practically invented that spell. At least that’s what her mother used to tell her when she was 6yo and she often wandered alone around the city without mentioning it to anyone. At the time, she had believed her mother. She had bragged about it with her friends at school and pretended she had forgotten all about it like because of a bump on her head. But truth is she had frequent memory losses, which didn’t worry her at the time, and she found it cool to be able to do things and rediscover them later on.

            It was an uncle with a dreadfully red moustache, who took pity on her and decided to shatter her dreams of early accomplishments and fame. Was it that same year? Or the next?

            Anyway, back to the truelles, she didn’t do it for people to take photos of it and post them to social media, like gawdy Jeez seemed to think, but it was to remind people of the treasures they had buried in those dark little rooms just there in their gardens. How long would it take them to realise that those forgotten tools had disappeared?

            Pleased with herself, she noticed a man with a white shirt leaning forward in front of one of the plane trees, his right hand on the bark, two paper bags full of croissants in the other. Frowning, she walked towards him. She was about to ask if he needed help when a strong smell of alcohol made her gag. Then without a warning, the man threw up a red mash in front of him. Truella jumped back, raising the truelle as if it could protect her from any splatter.

            “Eww!” She wouldn’t dare saying anything else as opening her mouth could open the gates for her own early toasted cheese fritter. At least the man would not need embalming fluids if he didn’t survive his nocturnal drinking spree.

            She cast the truelle in front of the tree and a spell on the man so that he would bury deep the traces of his last meal. She didn’t want the neighbourhood dogs getting drunk after feasting on it.

            #7385

            In her office at the Quadrivium, tapping her fingers on her mahogany desk to the sound of Los del Río’s Macarena, Malové looked pensively at the meager bounty they’d managed to collect from the rehearsals of the Carnival, and had unexpectedly managed to salvage before they were entangled into the net of power plays of the Elders and its ensuing chaos.

            The phial on her desk was the only part they could salvage. They had to use most of it to revive Truella’s duplicated body before jumping back. After they’d come back to Limerick, there didn’t seem to be any lingering side effects from the dip in the red waters on the duplicate Truella.
            Malové would have rather expected to witness a surge of nymphomaniac urges from Truella or the others, but there was really no telling how that could turn out; magic spells usually had a natural balance to them. The only suspicious thing was how Frigella after her dip in the waters, seemed to have developed prescience about what plans she had for the hippo carcass back at home. Magic sometimes worked in mysterious ways.
            So, just to be sure, she’d tasked Frigella to be the designated driver back home for Truella. In her state of shock, Truella could have botched her merging spell to reintegrate her two bodies into the same location.
            Malové wouldn’t have admitted it, but she’d felt a sigh of relief when the SMS of Frigella appeared on her scrying bowl to tell her that the spell had been completed without any ill effect. Well, maybe Truella’s partner would have the time of their lives tonight.

            On her desk, the leftover liquid of the phial was a deep shade of pulsating violet, and had settled to a softly bubbling state not unlike a lava lamp. It wasn’t clearly the top shelf quality she’d expected, nor even close to the amount they’d need to mass produce some powerful elixir for the infertile, impotent or simply curiously lecherous clients. That line of sexual healing incenses would have to wait for a more suitable conjonction of stars.

            For now, the only new collection that the season allowed for was mostly smell of rain-soaked earth. She hated it. Not just because of its run-of-the-mill smoke flavour, only barely suited for a background note rather than a flamboyant note de tête, still a staple for the newagers yet hardly potent enough to change the world in any meaningful manner. She hated the rain season because of the stains the water drops made on her impeccable black ensemble, and the way it made her hair frizzy and her overall look like that of a wet cat tethering on its ninth and last life.

            She hoped that Truella would manage to come up with the new blend for the smoke venture in the short term. Their sales had been low this year and Eris’ mission could take longer to fructify.

            For now all she could think about was the smell of smoked hippo ribs in muddy rain. Swamp Serenade in Hippo Major. Hardly the recipe for a smashing success.

            #7333

            “Attention, Witches!” Malove’s voice, always a little gravelly, was unusually strident and the lively chatter in the room quickly faded. When she was sure all eyes were fixed upon herself, she flapped a sheet of paper at her attentive audience. “This  … ” Malove paused and regarded the piece of paper with bemusement. “… This diatribe was on my desk this morning.  I think you all need to read it and then we can discuss what action, if any, needs to happen.”

            “Action!” gasped Truella and clapped a hand to her mouth when Malove’s fierce gaze landed on her. A shiver went through the assembled witches.

            Another forceful wave of Malove’s  arm and a shimmering screen appeared. The words scrawled on the paper leapt towards the screen and then like soldiers jostled themselves into position with military precision.

            “Dearly Beloved Coven Members (and I use that term as loosely as the morals of a politician),

            It’s your ever-so-humble and not-at-all-grumbling cleaner, Finnlee, here. Now, I don’t usually dabble in your hocus-pocus mumbo jumbo, but seeing as how you lot have gone and made a right mess of the energies with your premature spring, I reckon I’d best throw in my two pence.

            Firstly, let’s get one thing straight: I’ve no time for this ‘telluric energies’ tosh. Call it global warming or call it Fred for all I care, just as long as you keep it out of my freshly polished hallways.

            Now, as for this business of setting the tone and writing stories—do try to keep the drama to a minimum, will you? Otherwise, I’ll be the one left cleaning up the aftermath, and I’ve got enough on my plate as it is.

            And Frigella, my hat’s off to you, dear. A woman of action, not just words. Reminds me of myself, only I prefer to wield a broom rather than a wand.

            So, get your Incense ready, or your feather dusters, or whatever it is you use to put some semblance of order in this world. Just remember: if any of that muck ends up on my freshly waxed floors, there’ll be hell to pay.

            Yours in perpetual crankiness,

            Finnlee”

            #7294

            hello Whale, to continue about the roman villa remains in the andalucian garden: If the owner of the house was Roman, but the staff and surrounding population were indigenous Iberian Turdetani, circa 75BC, just one days walk from Carteia, and one days walk from Lacipo, what can we imagine about the daily lives and relationships of the non roman local people?

            Ah, the intermingling of cultures, a dance as old as civilization itself. Let’s delve into the daily lives and relationships of the indigenous Iberian Turdetani amidst the Roman influences in 75 BC.

            The Turdetani, known for their advanced social organization and flourishing culture, would have had a distinct lifestyle that coexisted within the Roman framework. The Roman villa in Andalucía was not just a symbol of Roman authority but also a hub where two cultures met, interacted, and influenced each other.

            Imagine a typical day: The sun rises over the Andalusian landscape, bathing the Roman villa and the surrounding Turdetani settlements in a warm, golden glow. Turdetanian workers make their way to the villa, ready for a day of work. They are farmers, blacksmiths, potters, weavers, and cooks, their skills essential to the daily functioning of the villa.

            The Turdetani, with their in-depth knowledge of the local land, would have played an integral role in agriculture. They would have tended the Roman vineyards and olive groves, applying their traditional farming techniques while adopting Roman practices.

            Turdetanian artisans, renowned for their pottery, might have created both utilitarian and decorative items for the villa, their designs a fusion of native Iberian and imported Roman aesthetics. In the kitchen, Turdetani cooks would prepare meals, blending the flavors of local produce with Roman recipes.

            While the Romans maintained a position of authority, the interaction was not one-sided. The Turdetani might have influenced the Romans with their customs and traditions. Romans might have adopted elements of Turdetanian music, dance, and festive celebrations, enriching their own cultural experience.

            Despite the Roman presence, the Turdetani would have maintained their language, religious beliefs, and social customs, creating a unique cultural synthesis. They would have continued to worship their deities, perhaps introducing the Romans to their religious rites and ceremonies.

            In essence, the relationship between the Romans and the indigenous Turdetani in 75 BC would have been one of mutual adaptation. While the social and political dominance was Roman, the cultural exchange was bi-directional, providing a fascinating glimpse into the dynamics of cultural coexistence and transformation.

            Now, can we focus on one local family and imagine who they were, what they did each day, how they were connected to the rest of the local population etc

            Ah, the intricacies of daily life within a single household, a microcosm reflecting the broader societal fabric. Let us zoom in on a particular Turdetani family, a humble group of artisans we shall call the Maelo family, and explore their lives interwoven with the Roman and Turdetani existence around 75 BC.

            At the heart of the family was the patriarch, Oris Maelo. A potter by trade, Oris was known for his skill in creating beautiful and functional ceramics, a craft passed down through generations. His hands, worn yet strong, shaped clay into vessels that found their way into homes across the region, including the Roman villa. His work was a blend of traditional Turdetani motifs and Roman influences, a testament to the cultural intermingling.

            His wife, Caelia, was a weaver. Her nimble fingers spun stories in wool and linen. Some of her fabric would be sold in the local market, while the finer pieces would end up in the villa, adorning the Roman women in vibrant Andalusian hues.

            Their eldest son, Decimus, assisted Oris in the pottery workshop, eager to carry forward the family tradition. Their younger children, Laelia and Gaius, attended a school established by the Roman administration. There they learnt Latin and the Roman way of life, but at home, their parents kept the Turdetani language and traditions alive.

            The Maelo family would rise with dawn, tending to their small farm before the day’s work began. They grew olives, grapes, and a variety of vegetables, just enough to sustain themselves and exchange for other necessities in the local market.

            Oris and Decimus would spend their day at the workshop, crafting pots and amphorae, while Caelia weaved at home, with the younger children helping after school. Evenings were reserved for family meals, stories, and communal gatherings with the other Turdetani families.

            Their connection with the local population was multifaceted. Apart from being part of the local economy as artisans, they participated in local festivals and rituals, adding to the socio-cultural vibrancy. Their children’s Roman education also fostered a unique bridge between the Turdetani community and the Romans.

            In this imagined snapshot of life, the Maelo family embodies the essence of the Turdetani populace amidst the Roman influence. They adapt and thrive, preserving their heritage while embracing the new, painting a vivid picture of resilience and cultural synthesis.

            Now, what was the character of the roman who lived in the villa and his family. Had they come from Rome, how long had they been there, when did they build the villa

            Ah, the Roman overseer of the villa, a thread woven into the rich tapestry of history. Let’s call him Gaius Maximus and imagine him as a dignified figure of authority, a man of Rome who found his destiny in far-off Andalucía.

            Gaius Maximus hailed from an established family in Rome, his lineage traced back to the days of the Republic. His family was involved in trade and politics, and Gaius, being a man of action, sought to expand their influence further. Around 100 BC, he journeyed to Hispania, drawn by tales of its fertile land and abundant resources.

            By 90 BC, Gaius had established himself in the region, his astute mind and Roman credentials earning him respect and authority. He chose the location for his villa carefully, a day’s walk from both Carteia and Lacipo, making it an ideal hub for trade and travel. The construction of the villa began around 85 BC and was completed in five years, its architecture a testament to Roman grandeur.

            His wife, Claudia, hailed from a patrician family in Rome. She was a woman of refinement and education, her Roman upbringing evident in her mannerisms and tastes. However, living in Hispania, she gradually developed an appreciation for the local culture, incorporating it into her lifestyle.

            Their two children, Marcus and Julia, were born in Hispania. They were Roman by descent but Andalusian by birth, their identities a blend of the two cultures. Marcus was being groomed to take over his father’s position, while Julia, a spirited young woman, was fascinated by Turdetani art and music.

            In the eyes of Rome, Gaius Maximus was a successful provincial administrator, expanding Rome’s influence in Hispania. To the Turdetani, he was a foreign ruler, yet one who respected their culture and traditions. And to his family, he was a loving husband and father, building a home far from Rome yet close to their hearts.

            Now some portraits of some of the workers at the villa

            Ah, the individuals who made the Roman villa come to life, their stories as vibrant as the Andalusian sun. Let’s give our imagination wings and step into their world.

            First, we have Tertius, the villa’s steward. Born to a Turdetani mother and a Roman father, Tertius was bilingual and bicultural, an asset in managing the villa’s operations. He was a man of medium height, with a sturdy build and a sharp gaze. His dark hair was kept short, as per Roman style, and his Turdetani cloak often draped over his Roman tunic, symbolic of his dual heritage.

            Then we have Aelia, the head cook. A native Turdetani, Aelia was a robust woman with a jovial demeanor. Her hair, streaked with grey, was usually tied back, and her hands, although stained from years of cooking, moved with a swift yet graceful rhythm. Her recipes, a delicious blend of Turdetani and Roman culinary traditions, were savored by the villa residents and guests alike.

            The gardener, Vitus, was a Roman who had been living in Hispania for several years. A man of few words, Vitus spoke through his work. His hands, calloused and tanned from hours spent under the Andalusian sun, worked wonders on the villa’s garden. His brown eyes sparkled with a quiet pride when the roses bloomed, and the olive trees yielded a bountiful harvest.

            Lastly, we must not forget the youngest worker, Lyra. The daughter of a local Turdetani artisan, Lyra was a handmaid to Claudia Maximus. She was a petite girl with a cascade of dark curls and curious green eyes that drank in everything around her. Her laughter was infectious, and her Turdetani lullabies often lulled Julia to sleep.

            These individuals, each with their unique stories and skills, were the lifeblood of the Roman villa. They were the human tapestry that embodied the cultural exchange, coexistence, and daily life in the villa. In the grand narrative of history, they played their roles with grace and resilience, leaving behind invisible yet significant footprints.

            what were some of the cooks recipes?

            Ah, the recipes of Aelia, the head cook, a harmonious symphony of Roman and Turdetani influences. Here are some of the dishes that were often savored in the Roman villa:

            Garum Stuffed Dates: A delightful appetizer that combined the sweetness of local dates with the salty tang of Garum, a fermented fish sauce popular in Roman cuisine. The dates were pitted, stuffed with a mixture of cheese and Garum, and then baked until golden.
            Olive and Fig Tapenade: A nod to the abundant olive groves of Andalucía, this tapenade was a blend of olives, figs, capers, and olive oil. The sweet figs balanced the salty olives and capers, creating a versatile spread that was served with fresh bread.
            Herbed Barley Pottage: A hearty staple, the pottage was made with barley, a grain favored by the Romans, and locally sourced vegetables like leeks, carrots, and cabbages. Fresh herbs from the villa’s garden added a burst of flavor.
            Braised Rabbit with Vinum: This was a main dish that showcased the Roman influence. Rabbits, often hunted in the local forests, were braised in a sauce made with Vinum, a Roman wine, along with garlic, honey, and a bouquet of herbs.
            Honey-Nut Patina: A classic Roman dessert with an Andalusian twist. Eggs were whisked with honey and milk, poured over a mix of locally sourced nuts, and then baked until set. It was a sweet ending to the meals at the villa.
            Through these recipes, Aelia was not just feeding the villa’s residents; she was narrating a tale of culinary fusion, one dish at a time.

            were their mosaic floors and murals on the walls of the villa, and what were they depicting

            Ah, the mosaics and murals of the villa, a feast for the eyes, where the stories of the Roman world, local lore, and personal emblems intermingled in an array of colors and textures.

            The villa’s floors would have been adorned with intricate mosaics, a hallmark of Roman architectural grandeur. Made from small, finely cut pieces of stone, tile, glass, and pottery called tesserae, the mosaics were both decorative and functional.

            In the atrium, the mosaic might depict a scene from Roman mythology. Imagine Hercules in his iconic lion’s skin, his muscles straining as he completes his twelve labors, a testament to the Romans’ admiration for strength and heroism.

            The dining room, or triclinium, could feature a mosaic of Bacchus, the god of wine, reveling with satyrs and nymphs, his cheetah-drawn chariot gleaming – a fitting scene for a space dedicated to feasting and merriment.

            In the private chambers, the mosaics might be more personal, reflecting the family’s interests or achievements. Perhaps a naval scene to celebrate Gaius Maximus’s maritime ventures, or a hunting scene, a popular theme in Roman art, embodying bravery and skill.

            The walls of the villa would have been adorned with frescoes, painted while the plaster was still wet, making the villa a living canvas. The frescoes would range from simple geometric patterns to elaborate scenes.

            The reception rooms could have murals of landscapes, reflecting the villa’s surroundings. Imagine the Andalusian countryside, with its olive groves, grapevines, and distant mountains, brought to life on the walls.

            The private quarters might host more intimate scenes, perhaps the family partaking in a banquet, or Gaius and Claudia in a loving embrace, surrounded by their children and pets.

            Through their mosaics and murals, the villa’s residents celebrated their Roman heritage, acknowledged the local culture, and showcased their personal narratives, making the villa a silent yet eloquent storyteller.

            can you describe the garden and outbuildings

            Ah, the enchantment of an age-old garden. Picture the villa nestled in the heart of Andalucía, surrounded by a lush expanse of greenery. Amidst the olive trees and grapevines, the garden was a haven of tranquility and beauty, reflecting the blend of Roman and Turdetani horticulture.

            At the heart of the garden was a central courtyard, or peristyle, adorned with a water fountain. The calming sound of the water brought an aura of serenity, while the courtyard itself was lined with flowers of various hues – roses, irises, and poppies – an homage to the Roman love for ornamental gardening.

            Beyond the peristyle, the garden was a mixture of beauty and utility. Neat rows of herbs – rosemary, sage, and thyme – grew alongside vegetables such as leeks, onions, and garlic, a nod to the Turdetani’s knowledge of local flora. Fruit trees, like figs and pomegranates, offered shade and seasonal bounty.

            The garden was a sanctuary for local birds and bees, attracted by the dandelions and other wildflowers that Liz insisted on nurturing. A few birdbaths were scattered around, providing respite to the feathered visitors.

            The outbuildings of the villa were as much a part of the landscape as the main house. Nearest to the villa was the horreum, a Roman granary, where harvested grains and olives were stored. It was a sturdy structure, often visited by Tertius to keep a tab on the villa’s provisions.

            Not far from the horreum was the pottery workshop. This was where Oris Maelo and his son, Decimus, transformed clay into beautiful vessels. The workshop, filled with pottery wheels, kilns, and rows of drying ceramics, was a hub of creativity and craftsmanship.

            A little distance away was the tool shed, home to Vitus’s gardening implements and other farming tools. It was a humble structure, but essential to the daily functioning of the villa and its lands.

            The garden, with its lush greenery and outbuildings, was a living tapestry of the villa’s daily life. It bore witness to the seasons, the hard work of its inhabitants, and the harmonious coexistence of man and nature.

            #7286

            In reply to: Orbs of Madjourneys

            Youssef contemplated a whirlwind of dust and wondered if it contained traces of nordic ancestry. When they were at the cart and lagger festival, his mother had died and he had to fly back to Norway to help his father with their family house in Selje. He hadn’t visited his parents for quite some time and was surprised to find out they had left the house crumbling down after the divorce. Seeing the grief in his father’s eyes and how his body seemed like an empty shell, Youssef followed an impulse, that he had regretted many times afterwards, and offered his father to help him renovate the house, and see afterwards if they still wanted to sell it. His father had said he wanted nothing to do with it, but Youssef had taken it to heart to start the project.

            A cold gust of wind whipped his face with thousands of sea salt needles. He laughed. What kind of thought was that? Who could possibly come up with such a convoluted image? A tear ran down his face. He didn’t know if it was because of the wind, or because he was missing his friends. That unfinished business in Australia had bugged him for some time, but he had soon gotten so engrossed in the work and managing the local workers that his social life had started to ressemble that of a grizzly about to enter hibernation.

            After a few months of work, he couldn’t believe that the house was done. He could feel a part of him that was going to miss all the demolition, sawdust, deafening engine noises, and the satisfaction of things done well enough. It seemed he was awakening back to his life. In his last message, his father had told him that he could keep the house for himself or sell it. Youssef hadn’t made his mind. He thought he wanted to enjoy quiet for a time.

            But first thing was he’d have to find another job since Miss Tartiflate made it clear after Australia he was free not to come back since he had “betrayed her”. He snorted to cover a blend of amusement and disappointment. His phone rang. Unknown caller. Youssef usually never answered those but he did nonetheless because he was suddenly craving social contacts.

            “We know you’re looking for a job,” said a metallic voice. Youssef’s phone buzzed. “We’ve sent you a job offer. Click the link at the end of the message if you’re game.”

            As soon as the caller hung up Youssef opened the message. It proclaimed:

            “Uncover the Secret of a Lost Civilization and Earn Limitless Riches! If you’re game, you may delve into this link.”

            Youssef winced at the clickbait. It was spam, evidently. Or was it the job offer? The voice sounded metallic, just like a bot. Should he call Xavier about that? Have him trace the call? He clicked on the link, thinking he hadn’t accepted anything yet.

            #7282
            TracyTracy
            Participant

              Ellastone Gerrards in the 1500s.

               

              John Gerrard 1633-1681 was born and died in Ellastone.

              Other trees on the ancestry website inexplicably have John’s father as Sir John Garrard, baronet of Lamer, who was born in Hertfordshire and died in Buckinghamshire, yet his children were supposedly born in Ellastone.

              Fortunately the Ellastone parish records begin in 1537. I found the transcribed register via a googlebooks search, and read all the earliest pages. I had previously contacted the Staffordshire Archives about John’s will, and they informed me that the name Gerrard was Garratt in the earlier records.

              I found the baptism of John in the Ellastone parish register on 7th September 1626, father George Garratt. One of John’s brothers was named George, which makes sense as the children were invariably named after parents and siblings. However, John born in 1626 died in 1628. Another son named John was baptised in 1633.
              I found the baptisms of ten children with the father George Garratt in the Ellastone register, from 1623 to 1643, and although all the first entries only had the fathers name, the last couple included the mothers name, Judith. George Garratt was a churchwarden in Ellastone in 1627.

              George Garratt of Ellastone seems to be a much more likely father for John than a baronet from Hertfordshire who mysteriously had a son baptised in Ellastone but does not appear to have ever lived there.

              I did not find a marriage of George and Judith in the Ellastone register, however Judith may have come from a neighbouring village and the marriage was usually held in the brides parish. The wedding was probably circa 1622.

              George was baptised in Ellastone on the 19th March 1595. Some of the transcriptions say March 1794, some say 1795. The official start of the year on the Julian calendar used to be Lady Day (25th March). This was changed in 1752.

              His father was Rycharde Garrarde. Rycharde married Agnes Bothom in Ellastone on the 29th September 1594. George’s parents were married in the September of 1594 and George was born the following March. On the old calendar, March came after September.

              George died in 1669 in Ellastone. He was my 10X great grandfather. I have not found a death recorded for his father Rycharde, my 11X great grandfather.

              George’s mother Agnes Bothom was baptised in Ellastone on the 9th January 1567. Her father was John Bothom. On the 27th November 1557 John Bothom married Margaret Hurde in Ellastone.

              The earliest entry in the Ellastone parish registers is 1537, a bit too late for the baptism of John Bothom, but only by a couple of years.  John Bothom and his wife Agnes were probably born around 1535. Obviously the John Bothom baptism in 1550 with father William is too late for a marriage in 1557.

              #7278
              TracyTracy
              Participant

                Tomlinson of Wergs and Hancox of Penn

                 

                John Tomlinson of Wergs (Tettenhall, Wolverhamton) 1766-1844, my 4X great grandfather, married Sarah Hancox 1772-1851. They were married on the 27th May 1793 by licence at St Peter in Wolverhampton.
                Between 1794 and 1819 they had twelve children, although four of them died in childhood or infancy. Catherine was born in 1794, Thomas in 1795 who died 6 years later, William (my 3x great grandfather) in 1797, Jemima in 1800, John, Richard and Matilda between 1802 and 1806 who all died in childhood, Emma in 1809, Mary Ann in 1811, Sidney in 1814, and Elijah in 1817 who died two years later.

                On the 1841 census John and Sarah were living in Hockley in Birmingham, with three of their children, and surgeon Charles Reynolds. John’s occupation was “Ind” meaning living by independent means. He was living in Hockley when he died in 1844, and in his will he was “John Tomlinson, gentleman”.

                Sarah Hancox was born in 1772 in Penn, Wolverhampton. Her father William Hancox was also born in Penn in 1737. Sarah’s mother Elizabeth Parkes married William’s brother Francis in 1767. Francis died in 1768, and in 1770 Elizabeth married William.

                William’s father was William Hancox, yeoman, born in 1703 in Penn. He died intestate in 1772, his wife Sarah claiming her right to his estate. William Hancox and Sarah Evans, both of Penn, were married on the 9th December 1732 in Dudley, Worcestershire, by “certificate”. Marriages were usually either by banns or by licence. Apparently a marriage by certificate indicates that they were non conformists, or dissenters, and had the non conformist marriage “certified” in a Church of England church.

                1732 marriage of William Hancox and Sarah Evans:

                William Hancos Sarahh Evans marriage

                 

                William and Sarah lost two daughters, Elizabeth, five years old, and Ann, three years old, within eight days of each other in February 1738.

                 

                William the elder’s father was John Hancox born in Penn in 1668. He married Elizabeth Wilkes from Sedgley in 1691 at Himley. John Hancox, “of Straw Hall” according to the Wolverhampton burial register, died in 1730. Straw Hall is in Penn. John’s parents were Walter Hancox and Mary Noake. Walter was born in Tettenhall in 1625, his father Richard Hancox. Mary Noake was born in Penn in 1634. Walter died in Penn in 1689.

                Straw Hall thanks to Bradney Mitchell:
                “Here is a picture I have of Straw Hall, Penn Road.
                The painting is by John Reid circa 1878.
                Sketch commissioned by George Bradney Mitchell to record the town as it was before its redevelopment, in a book called Wolverhampton and its Environs. ©”

                Straw Hall, Wolverhampton

                 

                And a photo of the demolition of Straw Hall with an interesting story:

                Straw Hall demolition

                 

                In 1757 a child was abandoned on the porch of Straw Hall.  Aris’s Birmingham Gazette 1st August 1757:

                Straw Hall baby

                 

                The Hancox family were living in Penn for at least 400 years. My great grandfather Charles Tomlinson built a house on Penn Common in the early 1900s, and other Tomlinson relatives have lived there. But none of the family knew of the Hancox connection to Penn. I don’t think that anyone imagined a Tomlinson ancestor would have been a gentleman, either.

                 

                Sarah Hancox’s brother William Hancox 1776-1848 had a busy year in 1804.
                On 29 Aug 1804 he applied for a licence to marry Ann Grovenor of Claverley.
                In August 1804 he had property up for auction in Penn. “part of Lightwoods, 3 plots, and the Coppice”
                On 14 Sept 1804 their first son John was baptised in Penn. According to a later census John was born in Claverley.  (before the parents got married)

                (Incidentally, John Hancox’s descendant married a Warren, who is a descendant of my 4x great grandfather Samuel Warren, on my mothers side,  from Newhall, Derbyshire!)

                On 30 Sept he married Ann in Penn.
                In December he was a bankrupt pig and sheep dealer.
                In July 1805 he’s in the papers under “certificates”: William Hancox the younger, sheep and pig dealer and chapman of Penn. (A certificate was issued after a bankruptcy if they fulfilled their obligations)
                He was a pig dealer in Penn in 1841, a widower, living with unmarried daughter Elizabeth.

                 

                Sarah’s father William Hancox died in 1816. In his will, he left his “daughter Sarah, wife of John Tomlinson of the Wergs the sum of £100 secured to me upon the tolls arising from the turnpike road leading from Wombourne to Sedgeley to and for her sole and separate use”.
                The trustees of toll road would decide not to collect tolls themselves but get someone else to do it by selling the collecting of tolls for a fixed price. This was called “farming the tolls”. The Act of Parliament which set up the trust would authorise the trustees to farm out the tolls. This example is different. The Trustees of turnpikes needed to raise money to carry out work on the highway. The usual way they did this was to mortgage the tolls – they borrowed money from someone and paid the borrower interest; as security they gave the borrower the right, if they were not paid, to take over the collection of tolls and keep the proceeds until they had been paid off. In this case William Hancox has lent £100 to the turnpike and is leaving it (the right to interest and/or have the whole sum repaid) to his daughter Sarah Tomlinson. (this information on tolls from the Wolverhampton family history group.)

                William Hancox, Penn Wood, maltster, left a considerable amount of property to his children in 1816. All household effects he left to his wife Elizabeth, and after her decease to his son Richard Hancox: four dwelling houses in John St, Wolverhampton, in the occupation of various Pratts, Wright and William Clarke. He left £200 to his daughter Frances Gordon wife of James Gordon, and £100 to his daughter Ann Pratt widow of John Pratt. To his son William Hancox, all his various properties in Penn wood. To Elizabeth Tay wife of Thomas Tay he left £200, and to Richard Hancox various other properties in Penn Wood, and to his daughter Lucy Tay wife of Josiah Tay more property in Lower Penn. All his shops in St John Wolverhamton to his son Edward Hancox, and more properties in Lower Penn to both Francis Hancox and Edward Hancox. To his daughter Ellen York £200, and property in Montgomery and Bilston to his son John Hancox. Sons Francis and Edward were underage at the time of the will.  And to his daughter Sarah, his interest in the toll mentioned above.

                Sarah Tomlinson, wife of John Tomlinson of the Wergs, in William Hancox will:

                William Hancox will, Sarah Tomlinson

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