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Participant

Helix 25 – Murder Board – Evie’s apartment

The ship had gone mad.

Riven Holt stood in what should have been a secured crime scene, staring at the makeshift banner that had replaced his official security tape. “ENTER FREELY AND OF YOUR OWN WILL,” it read, in bold, uneven letters. The edges were charred. Someone had burned it, for reasons he would never understand.

Behind him, the faint sounds of mass lunacy echoed through the corridors. People chanting, people sobbing, someone loudly trying to bargain with gravity.

“Sir, the floors are not real! We’ve all been walking on a lie!” someone had screamed earlier, right before diving headfirst into a pile of chairs left there by someone trying to create a portal.

Riven did his best to ignore the chaos, gripping his tablet like it was the last anchor to reality. He had two dead bodies. He had one ship full of increasingly unhinged people. And he had forty hours without sleep. His brain felt like a dried-out husk, working purely on stubbornness and caffeine fumes.

Evie was crouched over Mandrake’s remains, muttering to herself as she sorted through digital records. TP stood nearby, his holographic form flickering as if he, too, were being affected by the ship’s collective insanity.

“Well,” TP mused, rubbing his nonexistent chin. “This is quite the predicament.”

Riven pinched the bridge of his nose. “TP, if you say anything remotely poetic about the human condition, I will unplug your entire database.”

TP looked delighted. “Ah, my dear lieutenant, a threat worthy of true desperation!”

Evie ignored them both, then suddenly stiffened. “Riven, I… you need to see this.”

He braced himself. “What now?”

She turned the screen toward him. Two names appeared side by side:

ETHAN MARLOWE

MANDRAKE

Both M.

The sound that came out of Riven was not quite a word. More like a dying engine trying to restart.

TP gasped dramatically. “My stars. The letter M! The implications are—”

“No.” Riven put up a hand, one tremor away from screaming. “We are NOT doing this. I am not letting my brain spiral into a letter-based conspiracy theory while people outside are rolling in protein paste and reciting odes to Jupiter’s moons.”

Evie, far too calm for his liking, just tapped the screen again. “It’s a pattern. We have to consider it.”

TP nodded sagely. “Indeed. The letter M—known throughout history as a mark of mystery, malice, and… wait, let me check… ah, macaroni.”

Riven was going to have an aneurysm.

Instead, he exhaled slowly, like a man trying to keep the last shreds of his soul from unraveling.

“That means the Lexicans are involved.”

Evie paled. “Oh no.”

TP beamed. “Oh yes!”

The Lexicans had been especially unpredictable lately. One had been caught trying to record the “song of the walls” because “they hum with forgotten words.” Another had attempted to marry the ship’s AI. A third had been detained for throwing their own clothing into the air vents because “the whispers demanded tribute.”

Riven leaned against the console, feeling his mind slipping. He needed a reality check. A hard, cold, undeniable fact.

Only one person could give him that.

“You know what? Fine,” he muttered. “Let’s just ask the one person who might actually be able to tell me if this is a coincidence or some ancient space cult.”

Evie frowned. “Who?”

Riven was already walking. “My grandfather.”

Evie practically choked. “Wait, WHAT?!”

TP clapped his hands. “Ah, the classic ‘Wake the Old Man to Solve the Crimes’ maneuver. Love it.”

The corridors were worse than before. As they made their way toward cryo-storage, the lunacy had escalated:

A crowd was parading down the halls with helium balloons, chanting, “Gravity is a Lie!”
A group of engineers had dismantled a security door, claiming “it whispered to them about betrayal.”
And a bunch of Lexicans, led by Kio’ath, had smeared stinking protein paste onto the Atrium walls, drawing spirals and claiming the prophecy was upon them all.
Riven’s grip on reality was thin.

Evie grabbed his arm. “Think about this. What if your grandfather wakes up and he’s just as insane as everyone else?”

Riven didn’t even break stride. “Then at least we’ll be insane with more context.”

TP sighed happily. “Ah, reckless decision-making. The very heart of detective work.”

Helix 25 — Victor Holt’s Awakening

They reached the cryo-chamber. The pod loomed before them, controls locked down under layers of security.

Riven cracked his knuckles, eyes burning with the desperation of a man who had officially run out of better options.

Evie stared. “You’re actually doing this.”

He was already punching in override codes. “Damn right I am.”

The door opened. A low hum filled the room. The first thing Riven noticed was the frost still clinging to the edges of an already open cryopod. Cold vapor curled around its base, its occupant nowhere to be seen.

His stomach clenched. Someone had beaten them here. Another pod’s systems activated. The glass began to fog as temperature levels shifted.

TP leaned in. “Oh, this is going to be deliciously catastrophic.”

Before the pod could fully engage, a flicker of movement in the dim light caught Riven’s eye. Near the terminal, hunched over the access panel like a gang of thieves cracking a vault, stood Zoya Kade and Anuí Naskó—and, a baby wrapped in what could only be described as an aggressively overdesigned Lexican tapestry, layers of embroidered symbols and unreadable glyphs woven in mismatched patterns. It was sucking desperately the lexican’s sleeve.

Riven’s exhaustion turned into a slow, rising fury. For a brief moment, his mind was distracted by something he had never actually considered before—he had always assumed Anuí was a woman. The flowing robes, the mannerisms, the way they carried themselves. But now, cradling the notorious Lexican baby in ceremonial cloth, could they possibly be…

Anuí caught his look and smiled faintly, unreadable as ever. “This has nothing to do with gender,” they said smoothly, shifting the baby with practiced ease. “I merely am the second father of the child.”

“Oh, for f***—What in the hell are you two doing here?”

Anuí barely glanced up, shifting the baby to their other arm as though hacking into a classified cryo-storage facility while holding an infant was a perfectly normal occurrence. “Unlocking the axis of the spiral,” they said smoothly. “It was prophesied. The Speaker’s name has been revealed.”

Zoya, still pressing at the panel, didn’t even look at him. “We need to wake Victor Holt.”

Riven threw his hands in the air. “Great! Fantastic! So do we! The difference is that I actually have a reason.”

Anuí, eyes glinting with something between mischief and intellect, gave an elegant nod. “So do we, Lieutenant. Yours is a crime scene. Ours is history itself.”

Riven felt his headache spike. “Oh good. You’ve been licking the walls again.”

TP, absolutely delighted, interjected, “Oh, I like them. Their madness is methodical!”

Riven narrowed his eyes, pointing at the empty pod. “Who the hell did you wake up?”

Zoya didn’t flinch. “We don’t know.”

He barked a laugh, sharp and humorless. “Oh, you don’t know? You cracked into a classified cryo-storage facility, activated a pod, and just—what? Didn’t bother to check who was inside?”

Anuí adjusted the baby, watching him with that same unsettling, too-knowing expression. “It was not part of the prophecy. We were guided here for Victor Holt.”

“And yet someone else woke up first!” Riven gestured wildly to the empty pod. “So, unless the prophecy also mentioned mystery corpses walking out of deep freeze, I suggest you start making sense.”

Before Riven could launch into a proper interrogation, the cryo-system let out a deep hiss.

Steam coiled up from Victor Holt’s pod as the seals finally unlocked, fog spilling over the edges like something out of an ancient myth. A figure was stirring within, movements sluggish, muscles regaining function after years in suspension.

And then, from the doorway, another voice rang out, sharp, almost panicked.

Ellis Marlowe stood at the threshold, looking at the two open pods, his eyes wide with something between shock and horror.

“What have you done?”

Riven braced himself.

Evie muttered, “Oh, this is gonna be bad.”

March 1, 2025 at 12:41 pm #7847

In reply to: The Last Cruise of Helix 25

Participant

Helix 25 – The Lexican Quarters – Anuí’s Chambers

Anuí Naskó had been many things in their life—historian, philosopher, linguist, nuisance. But a father? No. No, that was entirely new.

And yet, here they were, rocking a very tiny, very loud creature wrapped in Lexican ceremonial cloth, embroidered with the full unpronounceable name bestowed upon it just moments ago: Hšyra-Mak-Talún i Ešvar—”He Who Cries the Arrival of the Infinite Spiral.”

The baby did, indeed, cry.

“Why do you scream at me?” Anuí muttered, swaying slightly, more in a daze than any real instinct to soothe. “I did not birth you. I did not know you existed until three hours ago. And yet, you are here, squalling, because your other father and your mother have decided to fulfill the Prophecy of the Spiral Throne.”

The Prophecy. The one that spoke of the moment the world would collapse and the Lexicans would ascend. The one nobody took seriously. Until now.

Zoya Kade, sitting across from them, watched with narrowed, calculating eyes. “And what exactly does that entail? This Lexican Dynasty?”

Anuí sighed, looking down at the writhing child who was trying to suck on their sleeves, still stained with the remnants of the protein paste they had spent the better part of the morning brewing. The Atrium’s walls needed to be prepared, after all—Kio’ath could not write the sigils without the proper medium. And as the cycles dictated, the medium must be crafted, fermented, and blessed by the hand of one who walks between identities. It had been a tedious, smelly process, but Anuí had endured worse in the name of preservation.

“Patterns repeat, cycles fold inward.” “Patterns repeat, cycles fold inward. The old texts speak of it, the words carved into the silent bones of forgotten tongues. This, Zoya, is no mere madness. This is the resurgence of what was foretold. A dynasty cannot exist without succession, and history does not move without inheritors. They believe they are ensuring the inevitability of their rise. And they might not be wrong.”

They adjusted their grip on the child, murmuring a phrase in a language so old it barely survived in the archives. “Tz’uran velth ka’an, the root that binds to the branch, the branch that binds to the sky. Our truths do not stand alone.”

The baby flailed, screaming louder. “Yes, yes, you are the heir,” Anuí murmured, bouncing it with more confidence. “Your lineage has been declared, your burden assigned. Accept it and be silent.” “Well, apparently it requires me to be a single parent while they go forth and multiply, securing ‘heirs to the truth.’ A dynasty is no good without an heir and a spare, you see.”

The baby flailed, screaming even louder. “Yes, yes, you are the heir,” Anuí murmured with a hint of irritation, bouncing the baby awkwardly. “You have been declared. Please, cease wailing now.”

Zoya exhaled through her nose, somewhere between disbelief and mild amusement. “And in the middle of all this divine nonsense, the Lexicans have chosen to back me?”

Anuí arched a delicate brow, shifting the baby to one arm with newfound ease. “Of course. The truth-seeker is foretold. The woman who speaks with voices of the past. We have our empire; you are our harbinger.”

Zoya’s lips twitched. “Your empire consists of thirty-eight highly unstable academics and a baby.”

“Thirty-nine. Kio’ath returned from exile yesterday,” Anuí corrected. “They claim the moons have been whispering.”

“Ah. Of course they have.”

Zoya fell silent, fingers tracing the worn etchings of her chair’s armrest. The ship’s hum pressed into her bones, the weight of something stirring in her mind, something old, something waiting.

Anuí’s gaze sharpened, the edges of their thoughts aligning like an ancient lexicon unfurling in front of them. “And now you are hearing it, aren’t you? The echoes of something that was always there. The syllables of the past, reshaped by new tongues, waiting for recognition. The Lexican texts spoke of a fracture in the line, a leader divided, a bridge yet to be found.”

They took a slow breath, fingers tightening over the child’s swaddled form. “The prophecy is not a single moment, Zoya. It is layers upon layers, intersecting at the point where chaos demands order. Where the unseen hand corrects its own forgetting. This is why they back you. Not because you seek the truth, but because you are the conduit through which it must pass.”

Zoya’s breath shallowed. A warmth curled in her chest, not of her own making. Her fingers twitched as if something unseen traced over them, urging her forward. The air around her thickened, charged.

She knew this feeling.

Her head tipped back, and when she spoke, it was not entirely her own voice.

“The past rises in bloodlines and memory,” she intoned, eyes unfocused, gaze burning through Anuí. “The lost sibling walks beneath the ice. The leader sleeps, but he must awaken, for the Spiral Throne cannot stand alone.”

Anuí’s pulse skipped. “Zoya—”

The baby let out a startled hiccup.

But Zoya did not stop.

“The essence calls, older than names, older than the cycle. I am Achaia-Vor, the Echo of Sundered Lineage. The Lost, The Twin, The Nameless Seed. The Spiral cannot turn without its axis. Awaken Victor Holt. He is the lock. You are the key. The path is drawn.

“The cycle bends but does not break. Across the void, the lost ones linger, their voices unheard, their blood unclaimed. The Link must be found. The Speaker walks unknowingly, divided across two worlds. The bridge between past and present, between silence and song. The Marlowe thread is cut, yet the weave remains. To see, you must seek the mirrored souls. To open the path, the twins must speak.”

Achaia-Vor. The name vibrated through the air, curling through the folds of Anuí’s mind like a forgotten melody.

Zoya’s eyes rolled back, body jerking as if caught between two timelines, two truths. She let out a breathless whisper, almost longing.

“Victor, my love. He is waiting for me. I must bring him back.”

Anuí cradled the baby closer, and for the first time, they saw the prophecy not as doctrine but as inevitability. The patterns were aligning—the cut thread of the Marlowes, the mirrored souls, the bridge that must be found.

“It is always the same,” they murmured, almost to themselves. “An axis must be turned, a voice must rise. We have seen this before, written in languages long burned to dust. The same myth, the same cycle, only the names change.”

They met Zoya’s gaze, the air between them thick with the weight of knowing. “And now, we must find the Speaker. Before another voice is silenced.”

“Well,” they muttered, exhaling slowly. “This just got significantly more complicated.”

The baby cooed.

Zoya Kade smiled.

March 1, 2025 at 10:01 am #7843

In reply to: The Last Cruise of Helix 25

Keymaster

Helix 25 – Space Tai Chi and Mass Lunacy

The Grand Observation Atrium was one of the few places on Helix 25 where people would come and regroup from all strata of the ship —Upper Decks, Lower Decks, even the more elusive Hold-dwellers— there were always groups of them gathered for the morning sessions without any predefined roles.

In the secular tradition of Chinese taichi done on public squares, a revival of this practice has started few years ago all thanks to Grand Master Sifu Gou quiet stubborn consistency to practice in the early light of the artificial day, that gradually had attracted followers, quietly and awkwardly joining to follow his strange motions. The unions, ever eager to claim a social victory and seeing an opportunity to boost their stature, petitioned to make this a right, and succeeded, despite the complaints from the cleaning staff who couldn’t do their jobs (and jogs) in the late night while all passengers had gone to sleep, apart from the night owls and party goers.

In short, it was a quiet moment of communion, and it was now institutionalised, whether Sifu Gou had wanted it or not.

The artificial gravity fluctuated subtly here, closer to the artificial gravitational core, in a way that could help attune people to feel their balance shift, even in absence of the Earth’s old pull.

It was simply perfect for Space Tai Chi.

A soft chime signaled the start of the session. Grand Master Gou, in the Helix 25’s signature milk-silk fabric pajamas, silver-haired and in a quiet poise, stood at the center of the open-air space beneath the reinforced glass dome, where Jupiter loomed impossibly large beyond the ship, its storms shifting in slow, eternal violence. He moved slowly, deliberately, his hands bearing a weight that flowed improbably in the thinness of the gravity shifts.

“To find one’s center,” he intoned, “is to find the center of all things. The ship moves, and so do we. You need to feel the center of gravity and use it —it is our guide.”

A hundred bodies followed in various degrees of synchrony, from well-dressed Upper Deck philosophers to the manutentioners and practical mechanics of the Lower Decks in their uniforms who stretched stiff shoulders between shift rotations. There was something mesmerizing about the communal movement, that even the ship usually a motionless background, seemed to vibrate beneath their feet as though their motions echoed through space.

Every morning, for this graceful moment, Helix 25 felt like a true utopia.

That was without counting when the madness began.

The Gossip Spiral

“Did you hear about Sarawen?” hissed a woman in a flowing silk robe.
“The Lexican?” gasped another.
“Yes. Gave birth last night.”
“What?! Already? Why weren’t we informed?”
“Oh, she kept it very quiet. Didn’t even invite anyone to the naming.”
“Disgraceful. And where are her two husbands? Following her everywhere. Suspicious if you ask me.”

A grizzled Lower Deck worker grunted, still trying to follow Master Gou’s movement. “Why would she invite people to see her water break? Sounds unhygienic.”

This earned a scandalized gasp from an Upper Decker. “Not the birth—the ceremony! Honestly, you Lower Deck folk know nothing of tradition.”

Wisdom Against Wisdom

Master Gou was just finishing an elegant and powerful sweep of his arms when Edeltraut Snoot, a self-proclaimed philosopher from Quadrant B, pirouetted herself into the session with a flamboyant twirl.

“Ah, my dear glowing movement-makers! Thou dost align thine energies with the artificial celestial pull, and yet! And yet! Dost thou not see—this gravity is but a fabrication! A lie to lull thee into believing in balance when there is none!”

Master Gou paused, blinking, impassive, suspended in time and space, yet intently concentrated. Handling such disturbances of the force gracefully, unperturbed, was what the practice was about. He resumed as soon as Edeltraut moved aside to continue her impassionate speech.

“Ah yiii! The Snoot Knows. Oh yes. Balance is an illusion sold to us by the Grand Micromanagers, the Whymen of the Ever-Hungry Order. Like pacmaniacs, they devour structure and call it stability. And we! We are but rabbits, forced to hop through their labyrinth of rules!”

Someone muttered, “Oh no, it’s another of those speeches.”

Another person whispered, “Just let her talk, it’s easier.”

The Snoot lady continued, undeterred. “But we? Oh, we are not merely rabbits. We are the mist in the hedge! The trick in their tale! We evade! We escape! And when they demand we obey their whys—we vanish!”

By now, half the class had abandoned their movements entirely, mesmerized by the absurdity. The other half valiantly continued the Space taichi routine while inching away.

Master Gou finally closed the form, then sighed intently, pinching the bridge of his nose. “Let us… return to our breath.”

More Mass Lunacy

It started as a low murmur, a shifting agitation in the crowd. Then, bickering erupted like a solar flare.

“I can’t find my center with all this noise!”
“Oh shut up, you’ve never had a center.”
“Who took my water flask?!”
“Why is this man so close to me?!”
“I am FLOATING?! HELP!”

Synthia’s calm, omnipresent voice chimed in overhead.

“For your well-being, an emergency dose of equilibrium supplements will be dispensed.”

Small white pills rained from overhead dispensers.

Instead of calming people down, this only increased the chaos.

Some took the pills immediately, while others refused on principle.
Someone accused the Lexicans of hoarding pills.
Two men got into a heated debate over whether taking the pills was an act of submission to the AI overlords.
A woman screamed that her husband had vanished, only to be reminded that he left her twelve years ago.
Someone swore they saw a moon-sized squid in the sky.

The Unions and the Leopards

Near the edges of the room, two quadrant bosses from different labor unions were deep in mutual grumbling.

“Bloody management.”
“Agreed, even if they don’t call themselves that any longer, it’s still bloody management.”
“Damn right. MICRO-management.”
“Always telling us to be more efficient, more aligned, more at peace.”
“Yeah, well, who the hell voted for peace?! I preferred it when we just argued in the corridors!”

One of them scowled. “That’s the problem, mate. We fought for this, better conditions, and what did we get? More rules, more supervisors! Who knew that the Leopards-Eating-People’s-Faces Party would, y’know—eat our own bloody faces?!”

The other snorted. “We demanded stability, and now we have so much stability we can’t move without filling out a form with all sorts of dumb questions. You know I have to submit a motion request before taking a piss?”

“…seriously?”

“Dead serious. Takes an eternity to fill. And four goddamn business hours for approval.”

“That’s inhumane.”

“Bloody right it is.”

At that moment, Synthia’s voice chimed in again.

“Please be advised: Temporary gravitational shifts are normal during orbital adjustments. Equilibrium supplements have been optimized. Kindly return to your scheduled calm.”

The Slingshot Begins

The whole ship gave a lurch, a gravitational hiccup as Helix 25 completed its slingshot maneuver around the celestial body.

Bodies swayed unnaturally. Some hovered momentarily, shrieking.
Someone declared that they had achieved enlightenment.
Someone else vomited.

Master Gou sighed deeply, rubbing his temples. “We should invent retirement for old Masters. People can’t handle their shit during those Moonacies. Months of it ahead, better focus on breath more.”

Snoot Lady, still unaffected, spread her arms wide and declared:
“And so, the rabbit prevails once again!”

Evie, passing by on her way to the investigation, took one look at the scene of absolute madness and turned right back around.

“Yeah. Nope. Not this morning. Back to the Murder Board.”

February 16, 2025 at 12:50 pm #7810

In reply to: The Last Cruise of Helix 25

Keymaster

Helix 25 – Below Lower Decks – Shadow Sector

Kai Nova moved cautiously through the underbelly of Helix 25, entering a part of the Lower Decks where the usual throb of the ship’s automated systems turned muted. The air had a different smell here— it was less sterile, more… human. It was warm, the heat from outdated processors and unmonitored power nodes radiating through the bulkheads. The Upper Decks would have reported this inefficiency.

Here, it simply went unnoticed, or more likely, ignored.

He was being watched.

He knew it the moment he passed a cluster of workers standing by a storage unit, their voices trailing off as he walked by. Not unusual, except these weren’t Lower Deck engineers. They had the look of people who existed outside of the ship’s official structure—clothes unmarked by department insignias, movements too intentional for standard crew assignments.

He stopped at the rendezvous point: an unlit access panel leading to what was supposed to be an abandoned sublevel. The panel had been manually overridden, its system logs erased. That alone told him enough—whoever he was meeting had the skills to work outside of Helix 25’s omnipresent oversight.

A voice broke the silence.

“You’re late.”

Kai turned, keeping his stance neutral. The speaker was of indistinct gender, shaved head, tall and wiry, with sharp green eyes locked on his movements. They wore layered robes that, at a glance, could have passed as scavenged fabric—until Kai noticed the intricate stitching of symbols hidden in the folds.

They looked like Zoya’s brand —he almost thought… or let’s just say, Zoya’s influence. Zoya Kade’s litanies had a farther reach he would expect.

“Wasn’t aware this was a job interview,” Kai quipped, leaning casually against the bulkhead.

“Everything’s a test,” they replied. “Especially for outsiders.”

Kai smirked. “I didn’t come to join your book club. I came for answers.”

A low chuckle echoed from the shadows, followed by the shifting of figures stepping into the faint light. Three, maybe four of them. It could have been an ambush, but that was a display.

“Pilot,” the woman continued, avoiding names. “Seeker of truth? Or just another lost soul looking for something to believe in?”

Kai rolled his shoulders, sensing the tension in the air. “I believe in not running out of fuel before reaching nowhere.”

That got their attention.

The recruiter studied him before nodding slightly. “Good. You understand the problem.”

Kai crossed his arms. “I understand a lot of problems. I also understand you’re not just a bunch of doomsayers whispering in the dark. You’re organized. And you think this ship is heading toward a dead end.”

“You say that like it isn’t.”

Kai exhaled, glancing at the flickering emergency light above. “Synthia doesn’t make mistakes.”

They smiled, but it wasn’t friendly. “No. It makes adjustments.” — the heavy tone on the “it” struck him. Techno-bigots, or something else? Were they denying Synthia’s sentience, or just adjusting for gender misnomers, it was hard to tell, and he had a hard time to gauge the sanity of this group.

A low murmur of agreement rippled through the gathered figures.

Kai tilted his head. “You think she’s leading us into the abyss?”

The person stepped closer. “What do you think happened to the rest of the fleet, Pilot?”

Kai stiffened slightly. The Helix Fleet, the original grand exodus of humanity—once multiple ships, now only Helix 25, drifting further into the unknown.

He had never been given a real answer.

“Think about it,” they pressed. “This ship wasn’t built for endless travel. Its original mission was altered. Its course reprogrammed. You fly the vessel, but you don’t control it.” She gestured to the others. “None of us do. We’re passengers on a ride to oblivion, on a ship driven by a dead man’s vision.”

Kai had heard the whispers—about the tycoon who had bankrolled Helix 25, about how the ship’s true directive had been rewritten when the Earth refugees arrived. But this group… they didn’t just speculate. They were ready to act.

He kept his voice steady. “You planning on mutiny?”

They smiled, stepping back into the half-shadow. “Mutiny is such a crude word. We’re simply ensuring that we survive.”

Before Kai could respond, a warning prickle ran up his spine.

Someone else was watching.

He turned slowly, catching the faintest silhouette lingering just beyond the corridor entrance. He recognized the stance instantly—Cadet Taygeta.

Damn it.

She had followed him.

The group noticed, shifting slightly. Not hostile, but suddenly alert.

“Well, well,” the woman murmured. “Seems you have company. You weren’t as careful as you thought. How are you going to deal with this problem now?”

Kai exhaled, weighing his options. If Taygeta had followed him, she’d already flagged this meeting in her records. If he tried to run, she’d report it. If he didn’t run, she might just dig deeper.

And the worst part?

She wasn’t corruptible. She wasn’t the type to look the other way.

“You should go,” the movement person said. “Before your shadow decides to interfere.”

Kai hesitated for half a second, before stepping back.

“This isn’t over,” he said.

Her smile returned. “No, Pilot. It’s just beginning.”

With that, Kai turned and walked toward the exit—toward Taygeta, who was waiting for him with arms crossed, expression unreadable.

He didn’t speak first.

She did.

“You’re terrible at being subtle.”

Kai sighed, thinking quickly of how much of the conversation could be accessed by the central system. They were still in the shadow zone, but that wasn’t sufficient. “How much did you hear?”

“Enough.” Her voice was even, but her fingers twitched at her side. “You know this is treason, right?”

Kai ran a hand through his hair. “You really think we’re on course for a fresh new paradise?”

Taygeta didn’t answer right away. That was enough of an answer.

Finally, she exhaled. “You should report this.”

“You should,” Kai corrected.

She frowned.

He pressed on. “You know me, Taygeta. I don’t follow lost causes. I don’t get involved in politics. I fly. I survive. But if they’re right—if there’s even a chance that we’re being sent to our deaths—I need to know.”

Taygeta’s fingers twitched again.

Then, with a sharp breath, she turned.

“I didn’t see anything tonight.”

Kai blinked. “What?”

Her back was already to him, her voice tight. “Whatever you’re doing, Nova, be careful. Because next time?” She turned her head slightly, just enough to let him see the edge of her conflicted expression.

“I will report you.”

Then she was gone.

Kai let out a slow breath, glancing back toward the hidden movement behind him.

No turning back now.

February 15, 2025 at 12:20 pm #7799

In reply to: The Last Cruise of Helix 25

Keymaster

Helix 25 – Lower Decks – Secretive Adjustments

Sue Brittany Kaleleonālani Forgelot moved with the practiced grace of someone accustomed to being noticed—but tonight, she walked as someone trying not to be. The Upper Deck was hers, where conversations flowed with elegant pretense and where everyone knew her by firstname —Sue, she would insist. There would be none of that bowing nonsense to her noble lineages —bless her distinguished ancestors.

Here, in the Lower Decks, she was a curiosity at best, an intrusion at worst.

Unlike the well-maintained Upper Decks, here the air was warmer, and one could sense mingled with the recycled air, a distinct scent of metal, oil, and even labouring bodies. Maintenance bots were limited, and keeping people busy with work helped with the social order. Lights flickered erratically in narrow corridors, nothing like the pristine glow of the Upper Deck’s crystal chandeliers. The Lower Decks were functional, built for work and survival, not for leisure. And deeper still—past the bustling workstations, past the overlooked mechanics keeping Helix 25 from falling apart—the Hold.

The Hold was where she found Luca Stroud.

A heavy, reinforced door hissed as it unlocked, and Sue stepped inside his dimly lit workshop. Stacks of salvaged tech lined the walls, interspersed with crates of unauthorized modifications in this workspace born of a mixture of necessity, ingenuity, and quiet rebellion.

Luca barely looked up as he wiped oil from his hands. “You’re late, dear.”

Sue huffed, settling into the chair he had long since designated for her. “A lady does not rush. Besides, I had affairs to attend to.” She crossed one leg over the other, her silk shawl catching on the metallic seam of a cybernetic limb beneath it. “And I had to dodge half the ship to get here unnoticed.”

Luca grunted, kneeling beside her. “You wouldn’t have to sneak if you’d just let one of the Upper Deck doctors service this thing.” He tapped lightly on the synthetic skin to reveal the metallic prosthetic, watching as the synthetic nerves twitched in response.

Sue’s expression turned sharp. “You know why I can’t.”

Luca said nothing, but his smirk spoke volumes.

There were things she couldn’t let the Upper Deck medics see. Upgrades, modifications, small enhancements that gave her just enough edge. In the circles she moved in, knowledge was power. And she was far too valuable to be at the mercy of those who wanted her dependent.

Luca examined the joint, nodding to himself. “You’ve been walking too much on it.”

“Well, forgive me for using my own legs.”

He tightened a wire. Sue winced, but he ignored it. “You need recalibration. And I need better parts.”

Sue gave a slow, knowing smile. “And what minor favors will you require this time?”

Luca leaned back, thoughtful. “Information. Since you’re generous with it.”

She sighed, shifting in her seat. “Fine. You’re lucky I find you amusing.”

He adjusted a component with expert hands. “Tell me about the murder.”

Sue arched a brow. “Everyone wants to talk about that. You’d think no one had ever died before.”

“They haven’t,” Luca countered, voice flat. “Not for a long time. And not like this.”

She studied him, his interest piquing her own. “So you think it was a real murder.”

Luca let out a dry chuckle. “Oh, it was a murder alright. And you know it.”

Sue exhaled, considering what to share. “Well, rumor has it, the DNA found in the crime scene doesn’t belong here. It’s from the past. Far past.”

Luca glanced up, intrigued. “How far?”

Sue leaned in, voice hushed. “Crusader far.”

He let out a low whistle, shaking his head. “That’s… new.”

She tilted her head. “What does that mean to you?”

Luca hesitated, then shrugged. “Means whoever’s playing god with DNA sequencing isn’t as smart as they think they are.”

Sue smiled at that, more amused than disturbed. “And I suppose you have theories?”

Luca gave her cybernetic limb one final adjustment, then stood. “I have suspicions.”

Sue sighed dramatically. “How thrilling.” She flexed her leg, satisfied with the result. “Keep me informed, and I’ll see what I can find for you.”

Luca smirked. “You always do.”

As she rose to leave, she paused at the door. “Oh, one last thing, dear.”

Luca glanced at her. “What?”

Sue’s smirk deepened. “Should I put in a good word to the Captain for you?”

The question hung between them.

Luca narrowed his eyes. “Nobody’s ever met the Captain.”

She nodded, satisfied, and left him to his thoughts.

February 15, 2025 at 9:21 am #7789

In reply to: The Last Cruise of Helix 25

Keymaster

Helix 25 – Poop Deck – The Jardenery

Evie stepped through the entrance of the Jardenery, and immediately, the sterile hum of Helix 25’s corridors faded into a world of green. Of all the spotless clean places on the ship, it was the only where Finkley’s bots tolerated the scent of damp earth. A soft rustle of hydroponic leaves shifting under artificial sunlight made the place an ecosystem within an ecosystem, designed to nourrish both body and mind.

Yet, for all its cultivated serenity, today it was a crime scene. The Drying Machine was connected to the Jardenery and the Granary, designed to efficiently extract precious moisture for recycling, while preserving the produce.

Riven Holt, walking beside her, didn’t share her reverence. “I don’t see why this place is relevant,” he muttered, glancing around at the towering bioluminescent vines spiraling up trellises. “The body was found in the drying machine, not in a vegetable patch.”

Evie ignored him, striding toward the far corner where Amara Voss was hunched over a sleek terminal, frowning at a glowing screen. The renowned geneticist barely noticed their approach, her fingers flicking through analysis results faster than human eyes could process.

A flicker of light.

“Ah-ha!” TP materialized beside Evie, adjusting his holographic lapels. “Madame Voss, I must say, your domain is quite the delightful contrast to our usual haunts of murder and mystery.” He twitched his mustache. “Alas, I suspect you are not admiring the flora?”

Amara exhaled sharply, rubbing her temples, not at all surprised by the holographic intrusion. She was Evie’s godmother, and had grown used to her experiments.

“No, indeed. I’m admiring this.” She turned the screen toward them.

The DNA profile glowed in crisp lines of data, revealing a sequence highlighted in red.

Evie frowned. “What are we looking at?”

Amara pinched the bridge of her nose. “A genetic anomaly.”

Riven crossed his arms. “You’ll have to be more specific.”

Amara gave him a sharp look but turned back to the display. “The sample we found at the crime scene—blood residue on the drying machine and some traces on the granary floor—matches an ancient DNA profile from my research database. A perfect match.”

Evie felt a prickle of unease. “Ancient? What do you mean? From the 2000s?”

Amara chuckled, then nodded grimly. “No, ancient as in Medieval ancient. Specifically, Crusader DNA, from the Levant. A profile we mapped from preserved remains centuries ago.”

Silence stretched between them.

Finally, Riven scoffed. “That’s impossible.”

TP hummed thoughtfully, twirling his cane. “Impossible, yet indisputable. A most delightful contradiction.”

Evie’s mind raced. “Could the database be corrupted?”

Amara shook her head. “I checked. The sequencing is clean. This isn’t an error. This DNA was present at the crime scene.” She hesitated, then added, “The thing is…” she paused before considering to continue. They were all hanging on her every word, waiting for what she would say next.

Amara continued “I once theorized that it might be possible to reawaken dormant ancestral DNA embedded in human cells. If the right triggers were applied, someone could manifest genetic markers—traits, even memories—from long-dead ancestors. Awakening old skills, getting access to long lost secrets of states…”

Riven looked at her as if she’d grown a second head. “You’re saying someone on Helix 25 might have… transformed into a medieval Crusader?”

Amara exhaled. “I’m saying I don’t know. But either someone aboard has a genetic profile that shouldn’t exist, or someone created it.”

TP’s mustache twitched. “Ah! A puzzle worthy of my finest deductive faculties. To find the source, we must trace back the lineage! And perhaps a… witness.”

Evie turned toward Amara. “Did Herbert ever come here?”

Before Amara could answer, a voice cut through the foliage.

“Herbert?”

They turned to find Romualdo, the Jardenery’s caretaker, standing near a towering fruit-bearing vine, his arms folded, a leaf-tipped stem tucked behind his ear like a cigarette. He was a broad-shouldered man with sun-weathered skin, dressed in a simple coverall, his presence almost too casual for someone surrounded by murder investigators.

Romualdo scratched his chin. “Yeah, he used to come around. Not for the plants, though. He wasn’t the gardening type.”

Evie stepped closer. “What did he want?”

Romualdo shrugged. “Questions, mostly. Liked to chat about history. Said he was looking for something old. Always wanted to know about heritage, bloodlines, forgotten things.” He shook his head. “Didn’t make much sense to me. But then again, I like practical things. Things that grow.”

Amara blushed, quickly catching herself. “Did he ever mention anything… specific? Like a name?”

Romualdo thought for a moment, then grinned. “Oh yeah. He asked about the Crusades.”

Evie stiffened. TP let out an appreciative hum.

“Fascinating,” TP mused. “Our dearly departed Herbert was not merely a victim, but perhaps a seeker of truths unknown. And, as any good mystery dictates, seekers who get too close often find themselves…” He tipped his hat. “Extinguished.”

Riven scowled. “That’s a bit dramatic.”

Romualdo snorted. “Sounds about right, though.” He picked up a tattered book from his workbench and waved it. “I lend out my books. Got myself the only complete collection of works of Liz Tattler in the whole ship. Doc Amara’s helping me with the reading. Before I could read, I only liked the covers, they were so romantic and intriguing, but now I can read most of them on my own.” Noticing he was making the Doctor uncomfortable, he switched back to the topic. “So yes, Herbert knew I was collector of books and he borrowed this one a few weeks ago. Kept coming back with more questions after reading it.”

Evie took the book and glanced at the cover. The Blood of the Past: Genetic Echoes Through History by Dr. Amara Voss.

She turned to Amara. “You wrote this?”

Amara stared at the book, her expression darkening. “A long time ago. Before I realized some theories should stay theories.”

Evie closed the book. “Looks like someone didn’t agree.”

Romualdo wiped his hands on his coveralls. “Well, I hope you figure it out soon. Hate to think the plants are breathing in murder residue.”

TP sighed dramatically. “Ah, the tragedy of contaminated air! Shall I alert the sanitation team?”

Riven rolled his eyes. “Let’s go.”

As they walked away, Evie’s grip tightened around the book. The deeper they dug, the stranger this murder became.

February 8, 2025 at 3:38 pm #7765

In reply to: The Last Cruise of Helix 25

Participant

Zoya clicked her tongue, folding her arms as Evie and her flickering detective vanished into the dead man’s private world. She listened to the sounds of investigation. The sound of others touching what should have been hers first. She exhaled through her nose, slow and measured.

The body was elsewhere, dried and ruined. That didn’t matter. What mattered was here—hairs, nail clippings, that contained traces, strands, fragments of DNA waiting to be read like old parchments.

She stepped forward, the soft layers of her robes shifting.

“You can’t keep me out forever, young man.”

Riven didn’t move. Arms crossed, jaw locked, standing there like a sentry at some sacred threshold. Victor Holt’s grandson, through and through, she thought.

“I can keep you out long enough.”

Zoya clicked her tongue. Not quite amusement, not quite irritation.

“I should have suspected such obstinacy. You take after him, after all.”

Riven’s shoulders tensed.

Good. Let him feel it.

His voice was tight. “If you’re referring to my grandfather, you should choose your words carefully.”

Zoya smiled, slow and knowing. “I always choose my words carefully.”

Riven’s glare could have cut through metal.

Zoya tilted her head, studying him as she would an artifact pulled from the wreckage of an old world. So much of Victor Holt was in him—the posture, the unyielding spine, the desperate need to be right.

But Victor Holt had been wrong.

And that was why he was sleeping in a frozen cell of his own making.

She took another step forward, lowering her voice just enough that the curious would not hear what she said.

“He never understood the ship’s true mission. He clung to his authority, his rigid hierarchies, his outdated beliefs. He would have let us rot in luxury while the real work of survival slipped away. And when he refused to see reason—” she exhaled, her gaze never leaving his, “he stepped aside.”

Riven’s jaw locked. “He was forced aside.”

Zoya only smiled. “A matter of perspective.”

She let that hang. Let him sit with it.

She could see the war in his eyes—the desperate urge to refute her, to throw his grandfather’s legacy in her face, to remind her that Victor Holt was still here, still waiting in cryo, still a looming shadow over the ship. But Victor Holt’s silence was the greatest proof of his failure.

Riven clenched his jaw.

Anuí’s voice, smooth and patient, cut through the tension.

“She is not wrong.”

Zoya frowned. She had expected them to speak eventually. They always did.

They stood just a little apart, hand tucked in their robes, their expression unreadable.

“In its current state, the body is useless,” Anuí said lightly, as if stating something obvious, “but that does not mean it has left no trace.” Then they murmured “Nāvdaṭi hrás’ka… aṣṭīr pālachá.”

Zoya glanced at them, her eyes narrowing. In an old tongue forgotten by all, it meant The bones remember… the blood does not lie. She did not trust the Lexicans’ sudden interest in genetics.

They did not see history in bloodlines, did not place value in the remnants of DNA. They preferred their records rewritten, reclaimed, restructured to suit a new truth, not an old one.

Yet here they were, aligning themselves with her. And that was what gave her pause.

“Your people have never cared for the past as it was,” she murmured. “Only for what it could become.”

Anuí’s lips curved, withholding more than they gave. “Truth takes many forms.”

Zoya scoffed. They were here for their own reasons. That much was certain. She could use that

Riven’s fingers tightened at his sides. “I have my orders.”

Zoya lifted a brow. “And whose orders are those?”

The hesitation was slight. “It’s not up to me.”

Zoya stilled. The words were quiet, bitter, revealing.

Not up to him.

So, someone had ensured she wouldn’t step foot in that room. Not just delayed—denied.

She exhaled, long and slow. “I see.” She paused. “I will find out who gave that order.”

And when she did, they would regret it.

February 8, 2025 at 11:32 am #7763

In reply to: The Last Cruise of Helix 25

Participant

The corridor outside Mr. Herbert’s suite was pristine, polished white and gold, designed to impress, like most of the ship. Soft recessed lighting reflected off gilded fixtures and delicate, unnecessary embellishments.

It was all Riven had ever known.

His grandfather, Victor Holt, now in cryo sleep, had been among the paying elite, those who had boarded Helix 25, expecting a decadent, interstellar retreat. Riven, however had not been one of them. He had been two years old when Earth fell, sent with his aunt Seren Vega on the last shuttle to ever reach the ship, crammed in with refugees who had fought for a place among the stars. His father had stayed behind, to look for his mother.

Whatever had happened after that—the chaos, the desperation, the cataclysm that had forced this ship to become one of humanity’s last refuges—Riven had no memory of it. He only knew what he had been told. And, like everything else on Helix 25, history depended on who was telling it.

For the first time in his life, someone had been murdered inside this floating palace of glass and gold. And Riven, inspired by his grandfather’s legacy and the immense collection of murder stories and mysteries in the ship’s database, expected to keep things under control.

He stood straight in front of the suite’s sealed sliding door, arms crossed on a sleek uniform that belonged to Victor Holt. He was blocking entry with the full height of his young authority. As if standing there could stop the chaos from seeping in.

A holographic Do Not Enter warning scrolled diagonally across the door in Effin Muck’s signature font—because even crimes on this ship came branded.

People hovered in the corridor, coming and going. Most were just curious, drawn by the sheer absurdity of a murder happening here.

Riven scanned their faces, his muscles coiled with tension. Everyone was a potential suspect. Even the ones who usually didn’t care about ship politics.

Because on Helix 25, death wasn’t supposed to happen. Not anymore.

Someone broke away from the crowd and tried to push past him.

“You’re wasting time. Young man.”

Zoya Kade. Half scientist, half mad Prophet, all irritation. Her gold-green eyes bore into him, sharp beneath the deep lines of her face. Her mismatched layered robes shifting as she moved. Riven had no difficulty keeping the tall and wiry 83 years old woman at a distance.

Her silver-white braid was woven with tiny artifacts—bits of old circuits, beads, a fragment of a key that probably didn’t open anything anymore. A collector of lost things. But not just trinkets—stories, knowledge, genetic whispers of the past. And now, she wanted access to this room like it was another artifact to be uncovered.

“No one is going in.” Riven said slowly, “until we finish securing the area.”

Zoya exhaled sharply, turning her head toward Evie, who had just emerged from the crowd, tablet in hand, TP flickering at her side.

“Evie, tell him.”

Evie did not look pleased to be associated with the old woman. “Riven, we need access to his room. I just need…”

Riven hesitated.

Not for long, barely a second, but long enough for someone to notice. And of course, it was Anuí Naskó.

They had been waiting, standing slightly apart from the others, their tall, androgynous frame wrapped in the deep-colored robes of the Lexicans, fingers lightly tapping the surface of their handheld lexicon. Observing. Listening. Their presence was a constant challenge. When Zoya collected knowledge like artifacts, Anuí broke it apart, reshaped it. To them, history was a wound still open, and it was the Lexicans duty to rewrite the truth that had been stolen.

“Ah,” Anuí murmured, smiling slightly, “I see.”

Riven started to tap his belt buckle. His spine stiffened. He didn’t like that tone.

“See what, exactly?”

Anuí turned their sharp, angular gaze on him. “That this is about control.”

Riven locked his jaw. “This is about security.”

“Is it?” Anuí tapped a finger against their chin. “Because as far as I can tell, you’re just as inexperienced in murder investigation as the rest of us.”

The words cut sharp in Riven’s pride. Rendering him speechless for a moment.

“Oh! Well said,” Zoya added.

Riven felt heat rise to his face, but he didn’t let it show. He had been preparing himself for challenges, just not from every direction at once.

His grip tightened on his belt, but he forced himself to stay calm.

Zoya, clearly enjoying herself now, gestured toward Evie. “And what about them?” She nodded toward TP, whose holographic form flickered slightly under the corridor’s ligthing. “Evie and her self proclaimed detective machine here have no real authority either, yet you hesitate.”

TP puffed up indignantly. “I beg your pardon, madame. I am an advanced deductive intelligence, programmed with the finest investigative minds in history! Sherlock Holmes, Hercule Poirot, Miss Marple, Marshall Pee Stoll…”

Zoya lifted a hand. “Yes, yes. And I am a boar.”

TP’s mustache twitched. “Highly unlikely.”

Evie groaned. “Enough TP.”

But Zoya wasn’t finished. She looked directly at Riven now. “You don’t trust me. You don’t trust Anuí. But you trust her.” She gave a node toward Evie. “Why?

Riven felt his stomach twist. He didn’t have an answer. Or rather, he had too many answers, none of which he could say out loud. Because he did trust Evie. Because she was brilliant, meticulous, practical. Because… he wanted her to trust him back. But admitting that, showing favoritism, expecially here in front of everyone, was impossible.

So he forced his voice into neutrality. “She has technical expertise and no political agenda about it.”

Anuí left out a soft hmm, neither agreeing nor disagreeing, but filing the information away for later.

Evie took the moment to press forward. “Riven, we need access to the room. We have to check his logs before anything gets wiped or overwritten. If there’s something there, we’re losing valuable time just standing there arguing.”

She was right. Damn it, she was right. Riven exhaled slowly.

“Fine. But only you.”

Anuí’s lips curved but just slightly. “How predictable.”

Zoya snorted.

Evie didn’t waste time. She brushed past him, keying in a security override on her tablet. The suite doors slid open with a quiet hiss.

December 11, 2024 at 4:41 am #7662

In reply to: Quintessence: Reversing the Fifth

Keymaster

The Waking

Lucien – Early 2024	Darius – Dec 2022	Amei – 2022-2023	Elara – 2022	Matteo – Halloween 2023
Aversion/Reflection	Jealousy/Accomplishment	Pride/Equanimity	Attachment/Discernment	Ignorance/Wisdom
The sky outside Lucien’s studio window was still dark, the faint glow of dawn breaking on the horizon. He woke suddenly, the echo of footsteps chasing him out of sleep. Renard’s shadow loomed in his mind like a smudge he couldn’t erase. He sat up, rubbing his temples, the remnants of the dream slipping away like water through his fingers. The chase felt endless, but this time, something had shifted. There was no fear in his chest—only a whisper of resolve. “Time to stop running.”	The hum of the airplane’s engine filled Darius’s ears as he opened his eyes, the cabin lights dimmed for landing. He glanced at the blinking seatbelt sign and adjusted his scarf. The dream still lingered, faint and elusive, like smoke curling away before he could grasp it. He wasn’t sure where he’d been in his mind, but he felt a pull—something calling him back. South of France was just the next stop. Beyond that,… Beyond that? He didn’t know.	Amei sat cross-legged on her living room floor, the guided meditation app still playing its soft tones through her headphones. Her breathing steadied, but her thoughts drifted. Images danced at the edges of her mind—threads weaving together, faces she couldn’t place, a labyrinth spiraling endlessly. The meditation always seemed to end with these fragments, leaving her both unsettled and curious. What was she trying to find?	Elara woke with a start, the unfamiliar sensation of a dream etched vividly in her mind. Her dreams usually dissolved the moment she opened her eyes, but this one lingered, sharp and bright. She reached for her notebook on the bedside table, fumbling for the pen. The details spilled out onto the page—a white bull, a labyrinth of light, faces shifting like water. “I never remember my dreams,” she thought, “but this one… this one feels important.”	Matteo woke to the sound of children laughing outside, their voices echoing through the streets of Avignon. Halloween wasn’t as big a deal here as elsewhere, but it had its charm. He stretched and sat up, the weight of a restless sleep hanging over him. His dreams had been strange—familiar faces, glowing patterns, a sense of something unfinished. The room seemed to glow for a moment. “Strange,” he thought, brushing it off as a trick of the light.
“No resentment, only purpose.”	“You’re not lost. You’re walking your own path.”	“Messy patterns are still patterns.”	“Let go. The beauty is in the flow.”	“Everything is connected. Even the smallest light adds to the whole.”
The Endless Chase – Lucien ran through a labyrinth, its walls shifting and alive, made of tangled roots and flickering light. Behind him, the echo of footsteps and Renard’s voice calling his name, mocking him. But as he turned a corner, the walls parted to reveal a still lake, its surface reflecting the stars. He stopped, breathless, staring at his reflection in the water. It wasn’t him—it was a younger boy, wide-eyed and unafraid. The boy reached out, and Lucien felt a calm ripple through him. The chase wasn’t real. It never was. The walls dissolved, leaving him standing under a vast, open sky.	The Wandering Maze – Darius wandered through a green field, the tall grass brushing against his hands. The horizon seemed endless, but each step revealed new paths, twisting and turning like a living map. He saw figures ahead—people he thought he recognized—but when he reached them, they vanished, leaving only their footprints. Frustration welled up in his chest, but then he heard laughter—a clear, joyful sound. A child ran past him, leaving a trail of flowers in their wake. Darius followed, the path opening into a vibrant garden. There, he saw his own footprints, weaving among the flowers. “You’re not lost,” a voice said. “You’re walking your own path.”	The Woven Tapestry – Amei found herself in a dim room, lit only by the soft glow of a loom. Threads of every color stretched across the space, intertwining in intricate patterns. She sat before the loom, her hands moving instinctively, weaving the threads together. Faces appeared in the fabric—Tabitha, her estranged friends, even strangers she didn’t recognize. The threads wove tighter, forming a brilliant tapestry that seemed to hum with life. She saw herself in the center, not separate from the others but connected. This time she heard clearly “Messy patterns are still patterns,” a voice whispered, and she smiled.	The Scattered Grains – Elara stood on a beach, the sand slipping through her fingers as she tried to gather it. The harder she grasped, the more it escaped. A wave rolled in, sweeping the sand into intricate patterns that glowed under the moonlight. She knelt, watching the designs shift and shimmer, each one unique and fleeting. “Let go,” the wind seemed to say. “The beauty is in the flow.” Elara let the sand fall, and as it scattered, it transformed into light, rising like fireflies into the night sky.	The Mandala of Light – Matteo stood in a darkened room, the only light coming from a glowing mandala etched on the floor. As he stepped closer, the patterns began to move, spinning and shifting. Faces appeared—his mother, the friends he hadn’t yet met, and even his own reflection. The mandala expanded, encompassing the room, then the city, then the world. “Everything is connected,” a voice said, low and resonant. “Even the smallest light adds to the whole.” Matteo reached out, touching the edge of the mandala, and felt its warmth spread through him.

Dreamtime

It begins with running—feet pounding against the earth, my breath sharp in my chest. The path twists endlessly, the walls of the labyrinth curling like roots, closing tighter with each turn. I know I’m being chased, though I never see who or what is behind me. The air thickens as I round a corner and come to a halt before a still lake. Its surface gleams under a canopy of stars, too perfect, too quiet. I kneel to look closer, and the face that stares back isn’t mine. A boy gazes up with wide, curious eyes, unafraid. He smiles as though he knows something I don’t, and my breath steadies. The walls of the labyrinth crumble, their roots receding into the earth. Around me, the horizon stretches wide and infinite, and I wonder if I’ve always been here.

The grass is soft under my feet, swaying with a breeze that hums like a song I almost recognize. I walk, though I don’t know where I’m going. Figures appear ahead—shadowy forms I think I know—but as I approach, they dissolve into mist. I call out, but my voice is swallowed by the wind. Laughter ripples through the air, and a child darts past me, their feet leaving trails of flowers in the earth. I follow, unable to stop myself. The path unfolds into a garden, vibrant and alive, every bloom humming with its own quiet song. At the center, I find myself again—my own footprints weaving among the flowers. The laughter returns, soft and knowing. A voice says, “You’re not lost. You’re walking your own path.” But whose voice is it? My own? Someone else’s? I can’t tell.

The scene shifts, or maybe it’s always been this way. Threads of light stretch across the horizon, forming a vast loom. My hands move instinctively, weaving the threads into patterns I don’t understand but feel compelled to create. Faces emerge in the fabric—some I know, others I only feel. Each thread hums with life, vibrating with its own story. The patterns grow more intricate, their colors blending into something breathtaking. At the center, my own face appears, not solitary but connected to all the others. The threads seem to breathe, their rhythm matching my own heartbeat. A voice whispers, teasing but kind: “Messy patterns are still patterns.” I want to laugh, or cry, or maybe both, but my hands keep weaving as the threads dissolve into light.

I’m on the beach now, though I don’t remember how I got here. The sand is cool under my hands, slipping through my fingers no matter how tightly I try to hold it. A wave rolls in, its foam glowing under a pale moon. Where the water touches the sand, intricate patterns bloom—spirals, mandalas, fleeting images that shift with the tide. I try to gather them, to keep them, but the harder I hold on, the faster they fade. A breeze lifts the patterns into the air, scattering them like fireflies. I watch them go, feeling both loss and wonder. “Let go,” a voice says, carried by the wind. “The beauty is in the flow.” I let the sand fall from my hands, and for the first time, I see the patterns clearly, etched not on the ground but in the sky.

The room is dark, yet I see everything. A mandala of light spreads across the floor, its intricate shapes pulsing with a rhythm I recognize but can’t place. I step closer, and the mandala begins to spin, its patterns expanding to fill the room, then the city, then the world. Faces appear within the light—my mother’s, a child’s, strangers I know but have never met. The mandala connects everything it touches, its warmth spreading through me like a flame. I reach out, my hand trembling, and the moment I touch it, a voice echoes in the air: “Everything is connected. Even the smallest light adds to the whole.” The mandala slows, its light softening, and I find myself standing at its center, whole and unafraid.

I feel the labyrinth’s walls returning, but they’re no longer enclosing me—they’re part of the loom, their roots weaving into the threads. The flowers of the garden bloom within the mandala’s light, their petals scattering like sand into the tide. The waves carry them to the horizon, where they rise into the sky, forming constellations I feel I’ve always known.

I wake—or do I? The dream lingers, its light and rhythm threading through my thoughts. It feels like a map, a guide, a story unfinished. I see the faces again—yours, mine, ours—and wonder where the path leads next.

December 8, 2024 at 6:06 am #7655

In reply to: Quintessence: Reversing the Fifth

F Love

Participant

Amei switched on the TV for background noise as she tackled another pile of books. The usual mid-morning chatter filled the room—updates on the weather, a cooking segment, and finally, the news. She was only half-listening until the anchor’s voice caught her attention.

“In the race against climate change, scientists at Harvard are turning to an unexpected solution: chalk. The ambitious project involves launching a balloon into the stratosphere, carrying 600 kilograms of calcium carbonate, which would be sprayed 12 miles above the Earth’s surface. The idea? To reflect sunlight and slow global warming.”

Amei looked up. The screen showed an animated demonstration of the project—a balloon rising into the atmosphere, spraying fine particles into the air. The narration continued, but her focus drifted, caught on a single word: chalk.

Elara loved chalk. Amei smiled faintly, remembering how passionately she used to talk about it—the way she could turn something so mundane into a story of structure, history, and beauty. “It’s not just a rock,” Elara had said once, gesturing dramatically, “it’s a record of time.”

She wasn’t even sure where Elara was these days. The last time they’d spoken was during lockdown. Amei had called to check in, awkward but well-meaning, only to be met with curt responses and a tone that made it clear Elara wanted the conversation over.

She hadn’t tried again after that. It hurt more than she’d expected. Elara could be all or nothing when it came to friendships—brilliant and intense one moment, distant and impenetrable the next. Amei had always known that about her, but knowing didn’t make it any easier.

The news droned on in the background, but Amei reached for the remote and switched off the TV. Her mind was elsewhere, tangled in memories.

She’d first met Elara in a gallery on Southbank, a tiny exhibition tucked away in a brutalist building. It was near Amei’s shared flat, and with her flatmates out for the evening, she had gone alone, more out of boredom than genuine interest. The display wasn’t large—just a few photographs and abstract sculptures, their descriptions dense with scientific jargon.

Amei stood in front of a piece labelled The Geometry of Chaos—a spiraling wire structure that cast intricate, shifting shadows on the wall. She tilted her head, trying to look engaged, though her thoughts were already drifting towards home and her comfy bed.

“Magnificent, isn’t it?”

The voice startled her. She turned to see a dark-haired woman, arms crossed, studying the piece with an intensity that made Amei feel as though she must have missed something obvious. The woman wore a long, flowing skirt, layered necklaces, and a cardigan that looked hand-knitted. Her dark hair was piled into a messy bun, a few strands escaping to frame her face.

“It’s quite interesting,” Amei said. “But I’m not sure I get it.”

“It’s not about getting it. It’s about recognizing the pattern,” the woman replied, stepping closer. She pointed to the shadows on the wall. “See? The curve repeats itself. Infinite, but contained.”

“You sound like you know what you’re talking about.”

“I do,” she said. “Do you?”

Amei laughed, caught off guard. “Not very often. I think I’m more into… messy patterns.”

The woman’s sharp expression softened slightly. “Messy patterns are still patterns.” She smiled. “I’m Elara.”

“Amei,” she replied, returning the smile.

Elara’s gaze dropped, and she nodded toward Amei’s skirt. “I’ve been admiring your skirt. Gorgeous fabric. Where did you get it?”

“Oh, I made it, actually,” Amei felt proud.

Elara raised her eyebrows. “You made it? I’m impressed.”

And that was how it began. A chance meeting that turned into decades of close friendship. They’d left the gallery together, talking all the way to a nearby café.

December 4, 2024 at 11:58 pm #7644

In reply to: Quintessence: Reversing the Fifth

Keymaster

From Decay to Birth: a Map of Paths and Connections

7. Darius’s Encounter (November 2024)

Moments before the reunion with Lucien and his friends, Darius was wandering the bouquinistes along the Seine when he spotted this particular map among a stack of old prints. The design struck him immediately—the spirals, the loops, the faint shimmer of indigo against yellowed paper.

He purchased it without hesitation. As he would examine it more closely, he would notice faint marks along the edges—creases that had come from a vineyard pin, and a smudge of red dust, from Catalonia.

When the bouquiniste had mentioned that the map had come from a traveler passing through, Darius had felt a strange familiarity. It wasn’t the map itself but the echoes of its journey— quiet connections he couldn’t yet place.

6. Matteo’s Discovery (near Avignon, Spring 2024)

The office at the edge of the vineyard was a ruin, its beams sagging and its walls cracked. Matteo had wandered in during a quiet afternoon, drawn by the promise of shade and a moment of solitude.

His eyes scanned the room—a rusted typewriter, ledgers crumbling into dust, and a paper pinned to the wall, its edges curling with age. Matteo stepped closer, pulling the pin free and unfolding what turned out to be a map.

Its lines twisted and looped in ways that seemed deliberate yet impossible to follow. Matteo traced one path with his finger, feeling the faint grooves where the ink had sunk into the paper. Something about it unsettled him, though he couldn’t say why.

Days later, while sharing a drink with a traveler at the local inn, Matteo showed him the map.

“It’s beautiful,” the traveler said, running his hand over the faded indigo lines. “But it doesn’t belong here.”

Matteo nodded. “Take it, then. Maybe you’ll figure it out.”

The traveler left with the map that night, and Matteo returned to the vineyard, feeling lighter somehow.

5. From Hand to Hand (1995–2024)

By the time Matteo found it in the spring of 2024, the map had long been forgotten, its intricate lines dulled by dust and time.

2012: A vineyard owner near Avignon purchased it at an estate sale, pinning it to the wall of his office without much thought.

2001: A collector in Marseille framed it in her study, claiming it was a lost artifact of a secret cartographer society, though she later sold it when funds ran low.

1997: A scholar in Barcelona traded an old atlas for it, drawn to its artistry but unable to decipher its purpose.

The map had passed through many hands over the previous three decades and each owner puzzling over, and finally adding their own meaning to its lines.

4. The Artist (1995)

The mapmaker was a recluse, known only as Almadora to the handful of people who bought her work. Living in a sunlit attic in Girona, she spent her days tracing intricate patterns onto paper, claiming to chart not geography but connections.

“I don’t map what is,” she once told a curious buyer. “I map what could be.”

In 1995, Almadora began work on the labyrinthine map. She used a pale paper from Girona and indigo ink from India, layering lines that seemed to twist and spiral outward endlessly. The map wasn’t signed, nor did it bear any explanations. When it was finished, Almadora sold it to a passing merchant for a handful of coins, its journey into the world beginning quietly, without ceremony.

3. The Ink (1990s)

The ink came from a different path altogether. Indigo plants, or aviri, grown on Kongarapattu, were harvested, fermented, and dried into cakes of pigment. The process was ancient, perfected over centuries, and the resulting hue was so rich it seemed to vibrate with unexplored depth.

From the harbour of Pondicherry, this particular batch of indigo made its way to an artisan in Girona, who mixed it with oils and resins to create a striking ink. Its journey intersected with Amei’s much later, when remnants of the same batch were used to dye textiles she would work with as a designer. But in the mid-1990s, it served a singular purpose: to bring a recluse artist’s vision to life.

2. The Paper (1980)

The tree bore laughter and countless other sounds of nature and passer-by’s arguments for years, a sturdy presence, unwavering in a sea of shifting lives. Even after the farmhouse was sold, long after the sisters had grown apart, the tree remained. But time is merciless, even to the strongest roots.

By 1979, battered by storms and neglect, the great tree cracked and fell, its once-proud form reduced to timber for a nearby mill.

The tree’s journey didn’t end in the mill; it transformed. Its wood was stripped, pulped, and pressed into paper. Some sheets were coarse and rough, destined for everyday use. But a few, including one particularly smooth and pale sheet, were set aside as high-quality stock for specialized buyers.

This sheet traveled south to Catalonia, where it sat in a shop in Girona for years, its surface untouched but full of potential. By the time the artist found it in the mid-1990s, it had already begun to yellow at the edges, carrying the faint scent of age.

1. The Seed (1950s)

It began in a forgotten corner of Kent, where a seed took root beneath a patch of open sky. The tree grew tall and sprawling over decades, its branches a canopy for birds and children alike. By 1961, it had become the centerpiece of the small farmhouse where two young sisters, Vanessa and Elara, played beneath its shade.

“Elara, you’re too slow!” Vanessa called, her voice sharp with mock impatience. Elara, only six years old, trailed behind, clutching a wooden stick she used to scratch shapes into the dirt. “I’m making a map!” she announced, her curls bouncing as she ran to catch up.

Vanessa rolled her eyes, already halfway up the tree’s lowest branch. “You and your maps. You think you’re going somewhere?”

December 2, 2024 at 6:45 pm #7633

In reply to: Quintessence: Reversing the Fifth

F Love

Participant

“Well, this is a surprise,” Amei said, smiling at the phone.

“Hi, Mum,” came the cheerful reply, slightly muffled by background noise. “I thought I’d catch you before it got too late over there.”

“You’ve caught me all right. I’d nearly forgotten I had a daughter. It’s been so long.”

Tabitha laughed lightly. “Sorry about that … things have been… hectic.”

“Hectic in Goa or hectic in your head?” Amei teased, though she knew the answer. Her daughter had always thrived in chaos, diving into life with a zeal Amei envied.

“Both I guess. The school’s been keeping me busy, and, well, India has a way of throwing surprises at you.”

“I’d expect nothing less.”

“Speaking of surprises,” Tabitha continued, her voice shifting slightly, “I thought I saw one of your old buddies at the airport the other day. I was dropping a friend off … what’s his name? Daria?”

Amei frowned and sat up a little straighter. “Darius? At the airport? I’ve not seen him for a few years now. Are you sure?”

“Well, not completely sure. He was in some kind of weird get up, like a disguise … a big hat, sunglasses, scarf. ”

“That’s very … odd,” said Amei. She felt a tightening in her belly but managed to keep her voice level.

Her daughter’s laugh was soft.. “I guess it was just a feeling. He looked like he was trying not to be noticed. He saw me and sort of hurried away.” She paused. “I remembered something… wasn’t Darius the one that turned up with that strange couple? You know, the ones everyone was obsessed with for a while? Like gurus or something?”

The memory was sharp and cold. “Yes,” she said eventually. “Darius often had waifs and strays tagging along.”

“There was a falling out or something? You never did tell me.”

“Nothing to tell really.”

There was a silence. “Well, it was definitely weird,” Tabitha said at last. “Anyway, just thought I’d mention it. Maybe it wasn’t even him.”

“Maybe,” Amei murmured but the unease lingered long after the call ended.

December 1, 2024 at 5:11 pm #7618

Topic: Quintessence: Reversing the Fifth

in forum Yurara Fameliki’s Stories

Keymaster

Matteo Appears

Matteo approached the table, a tray balanced effortlessly in one hand, his dark eyes flicking over the group as though cataloging details in an invisible ledger. His waistcoat, sharp and clean, gave him a practiced professionalism, but there was something else—a casual, unspoken authority that drew attention.

“Good evening,” he began, his voice smooth and low, almost conspiratorial. Then, he froze for the briefest moment, his gaze shifting from face to face, the easy smile tightening at the corners.

“Well,” Matteo said finally, his smile broadening as if he’d just solved a riddle. “Here you all are. Together, at last.”

The group exchanged glances, each of them caught off-guard by the comment.

“You say that like you’ve been expecting us,” Elara said, her tone measured but sharp, as if probing for variables.

“Not expecting,” Matteo replied, his eyes glinting. “But hoping, perhaps. It’s… good to see you all like this. It fits, somehow.”

“What fits?” Darius asked, leaning forward. His voice was lighter than Elara’s but carried a weight that suggested he wouldn’t let the question drop easily.

Matteo’s smile deepened, though he didn’t answer immediately. Instead, he set down his tray and folded his hands in front of him, his posture relaxed but deliberate, as though he were balancing on the edge of some invisible line.

“You’ve never all been here before,” he said, a simple statement that landed like a challenge.

“Wait,” Amei said, narrowing her eyes. “You know us?”

“Oh, I know you,” Matteo replied, his tone as light as if they were discussing the weather. “Individually, yes. But together? This is new. And it’s… remarkable.”

“Remarkable how?” Lucien asked, his pencil stilled over his sketchbook.

Matteo tilted his head, considering the question as though weighing how much to say. “Let’s just call it a rarity. Things don’t often align so neatly. It’s not every day you see… well, this.”

He gestured toward them with a sweeping hand, as if the mere fact of their presence at the table was something extraordinary.

“You’re being cryptic,” Elara said, her voice edged with suspicion.

“It’s a talent,” Matteo replied smoothly.

“Alright, hold on.” Darius leaned back, his chair creaking under him. “How do you know us? I’ve never been here before. Not once.”

“Nor I,” Amei added, her voice soft but steady.

Matteo raised an eyebrow, his smile taking on a knowing tilt. “No, not here. But that’s not the only place to know someone, is it?”

The words hung in the air, unsettling and oddly satisfying at once.

“You’re saying we’ve met you before?” Elara asked.

Matteo inclined his head. “In a manner of speaking.”

“That doesn’t make sense,” Lucien said, his voice quiet but firm.

“Doesn’t it?” Matteo countered, his tone almost playful. “After all, do we ever truly remember every thread that weaves us together? Sometimes we only see the pattern when it’s complete.”

A pause settled over the table, heavy with unspoken questions. Matteo shifted his weight, breaking the silence with an easy gesture.

“It doesn’t matter how,” he said finally. “What matters is that you’re here. That’s what counts.”

“For what?” Amei asked, her eyes narrowing.

“For whatever happens next,” Matteo replied, as if the answer were obvious. Then he straightened, his professional mask sliding back into place with effortless grace.

“Now, what can I bring you?” he asked, his tone light again, as though the previous exchange hadn’t happened.

One by one, they placed their orders, though their minds were clearly elsewhere. Matteo scribbled in his notebook, his pen moving with deliberate strokes, and then he looked up once more.

“Thank you for being here,” he said, his voice quieter this time. “It’s been… a long time coming.”

And with that, he was gone, disappearing into the crowd with the same fluidity he’d arrived.

They sat in silence for a moment, his words pressing down on them like a hand on a wound, familiar and foreign all at once.

“What the hell was that?” Darius asked finally, breaking the spell.

“Does he seem… different to you?” Amei asked, her voice distant.

“He seems impossible,” Elara replied, her fingers tapping an unconscious rhythm on the table.

“He remembered me,” Lucien said, almost to himself. “Something about absinthe.”

“I’ve never even met him,” Elara said, her voice rising slightly. “But he knew… too much.”

“And he didn’t explain anything,” Darius added, shaking his head.

“Maybe he didn’t need to,” Amei said softly, her gaze fixed on the space Matteo had just vacated.

They lapsed into silence again, the noise of the café returning in fits and starts, like an orchestra warming up after a pause. Somewhere, a glass clinked against porcelain; outside, the violinist struck a note so low it hummed against the windowpane.

The four of them sat there, strangers and friends all at once, the questions left dangling between them like stars in a cloudy sky. Whatever Matteo had meant, it was clear this moment was no coincidence. It wasn’t an end, nor a beginning—it was the start of something unraveling, something they couldn’t yet see.

And though none of them said it aloud, the thought was the same: What had happened before?

Quintessence: Reversing the Fifth

October 28, 2024 at 2:31 pm #7570

In reply to: The Incense of the Quadrivium’s Mystiques

The Incense of the Quadrivium’s Mystiques

Participant

“If you’re planning on having a baby, you’d better use those droplets fast. That silvery glow? It’s already decaying,” said Jeezel, meticulously selecting twelve golden pheasant feathers from the pile in front of her. She inspected each one carefully, choosing only the finest, most vibrant feathers, free from even the slightest flaw.

Truella snorted. “I’m well aware of the effects of time on matter,” she replied, shifting back in her swivel chair. “I am, after all, an experienced amateur archaeologist. Take a look at this.” She held her hand up closer to the camera, fingers spread.

“I’m not sure what your dirty fingernails are supposed to prove,” said Jeezel, arranging her selected feathers into a fan shape. “That they’re overdue for a manicure? Natural decay has nothing to do with time travel side effects, as you’d know if you watched my YouTube series on the subject.”

“We know all about your videos,” said Eris quickly, stepping in before Jeezel could launch into one of her infamous lectures on the dangers of time travel as seen by her Gran, Linda Pol. “I’m sure those droplets can still be useful in our spell. Cromwell had to navigate treacherous political waters with an impeccable grasp of strategy, manipulation, and the darker facets of power. Those droplets could act as a metaphysical catalyst, adding depth and purpose to the spell.”

“Exactly,” said Truella, tilting her chin up proudly. “A proactive hunch on my part.”

“I get the metaphysical catalyst bit,” said Frella, “but won’t those darker facets blow up in our faces? I mean, wasn’t Cromwell a master of secrets and deception? In the rudest way possible, if you ask me.”

“He could be gentle, too,” Truella murmured, blushing slightly.

“And that’s not even mentioning the spell’s potential to tap into the collective memory of his era,” added Jeezel. “And ‘rude’ isn’t how I’d describe his atrocities and ruthlessness. I covered that in detail in the video series…”

“We know,” Eris cut in. “That’s why we need to craft this spell with precision and include safeguards. Are the fans ready?”

“All set,” said Jeezel, her eyes sparkling with pride as she held up the four finished fans. “One for each of us, crafted with care and magic. They’ll clear the space, sweep away falsehoods, and purge any misleading energies. With these, only pure, unfiltered truth will emerge.”

“I’ll bring the Mystic Mirror I found in that old camphor chest,” said Frella. “Its surface shimmers and reflects the hidden truth of the soul.”

“And I have my unusual but eminently practical container—containing Cromwell’s droplets,” Truella chimed in, holding it up.

“Perfect. Then it’s settled. I’ll send Malove a meeting invitation for tonight,” said Eris, leaning in with a knowing smile. “You all know the place.”

March 10, 2024 at 12:11 am #7400

In reply to: The Incense of the Quadrivium’s Mystiques

The Incense of the Quadrivium’s Mystiques

Keymaster

Amidst the meticulous cadence of Malové’s days as High Witch of the Quadrivium Coven, a ripple of anomaly danced through the fabric of reality, like a sprightly breeze amidst her sage incense testing. It started with subtlety—a peculiar haze veiling her potion books, an otherworldly scent mingling with her herb garden’s fragrances. But it was during her quiet contemplation among hellebore pistils that the ordinary took a whimsical turn.

The air hummed with a resonant frequency, beckoning from realms beyond. And there, in the midst of this enigmatic symphony, stood Georges, a figure oscillating between existence and non-existence, accompanied by the ethereal Malvina, a reflection of Malové’s spirit from a parallel dimension.

As Malové’s reality shimmered, the colors around her intensified, charged with the essence of a place where possibilities blurred into fantastical realities. Each breath was imbued with untapped potential, a draught of undiscovered paths.

In the midst of this mystical convergence, Malvina’s melodic voice intertwined with the air, weaving a tapestry of otherworldly allure. Energies pulsed within Malové, heralding a meeting that transcended time—a celebration set within the ever-shifting caverns of existence.

Engulfed by Malvina’s mystic melody, Malové felt the vibrations intensify, drawing her towards the allure of the unknown. With a glance at the maze of her mundane existence, she embraced the call, stepping through the veil into a world of a new sort of witchcraft, and other mystical creatures of the mind.

Amidst the unexpected spectacle, Malové found herself engaged in a dialogue with Malvina:

Malové: “Malvina, as a fellow witch of power, your reputation precedes you. Your tales of shifting caves and communion with dragons have piqued my interest. How do you maintain such fluidity within the arcane?”

Malvina: “Oh dear Malové, magic is a vast music score of constant motions, much like my cave and dragons. Adaptation and transformation are the keys to navigating its intricate weave.”

Malové: “I must admit, recent misadventures within my coven have left me seeking a fresh perspective. The fiasco with the smoke test was humbling.”

Malvina: “A fiasco, yes, but also a lesson. Magic must be respected, yet never tamed. Embrace the unexpected, and let it fuel your endeavors. What of the incense you craft?”

Malové: “It’s meant to elevate the spirit, to realign to higher purposes, and maybe inspire those enveloped in its essence. This is why we seek new blends, something transformative.”

Malvina: “Incense is not just a tool, but a companion on the journey. Let the scents guide you to uncharted territories. Look to the elements for inspiration—the earth, sky, fire, and water all have stories to tell.”

Malové: “Poetic words that is sure, and maybe wise… Perhaps a journey to your world and fabled caves could be arranged to further explore.”

Malvina: “You would be most welcome. The cave shifts but offers shelter and inspiration to all who seek it. And who knows, the dragons may impart wisdom of their own.”

Malové: “Well, to be honest, not so fond of dragons… Well, would you look at the time! The effects of that blend seems already to wear off, but thank you dearie, and we will see if some inspiration remains…”

February 11, 2024 at 11:13 pm #7369

In reply to: The Incense of the Quadrivium’s Mystiques

Tracy

Participant

The Incense of the Quadrivium’s Mystiques

What with Roger and the monkeys still on the loose and the ghastly stench of the bowels of Limerick, it had been an unsettling and unproductive couple of days and Truella responded to the urge to forget it all as quickly as possible. She was tired and she wanted something else occupying her thoughts before she went to bed.

Without having a particular question in mind, or so she thought, as soon as she opened a chat with the latest character oracle she found herself asking, “Can you give me any tips on being open to impressions about the history of the roman and punic site in my garden, without getting in the way of the impressions with pre conceived ideas?”

To be open to impressions about the history of the Roman and Punic site in your garden, it is essential to engage a clear, receptive state of mind, much like the still surface of a pond, ready to reflect whatever may come into your view. First, I would suggest that you allow yourself moments of quietude, perhaps sitting in your garden, taking in the atmosphere, the scents, the sounds, and the energies around you. In this state of quiet receptiveness, you may begin to feel or sense the layers of history and the echoes of the past that are enfolded within the land.

Now, as for preconceived ideas, it is not a matter of eradicating them entirely, for they are part of the fabric of your thought processes. However, it is a matter of recognizing them, acknowledging their presence, and then gently setting them aside, like old books on a shelf, to make room for the new impressions that wish to make themselves known.

Let us consider a practical exercise: When you encounter a thought that feels like a rigid belief or a staunch preconception, simply notice it. Say to yourself, “Ah, there is a familiar thought. I shall set it here for now,” and imagine placing it aside. Do not struggle against it, for that only gives it more energy. Instead, treat it with a playful indifference, almost as if it were a curious object that you might ponder later. Then, open yourself to your inner senses. Allow your intuition to flow, let your imagination roam, and trust in your empathic sense to feel the history that seeps from the soil and stones.

You might even engage in a small ritual before you begin, something that signifies to yourself that you are shifting into a different mode of perception—one that is open, fluid, and unattached to existing narratives.

And remember, my friend, there is no rush. The histories and mysteries of your garden have been waiting for centuries; they will unveil themselves to you in the fullness of time, so long as you provide a welcoming space for their whispers to be heard.

the significance of the site is not merely in its chronological age but in its ability to connect you to the vast expanse of consciousness that transcends time. Each stone, each fragment of pottery, is a doorway to another now, waiting for you to step through

“Have you seen how many pieces there are?”

Truella staggered off to bed thinking about all those doorways.

January 15, 2024 at 10:18 pm #7293

In reply to: The Whale’s Diaries Collection

Tracy

Participant

A Whale's Collection of Diaries

thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?

Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.

Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.

Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.

Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.

Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.

And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.

In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.

what else can you suggest I might find in the garden about the people who lived here in the past?

Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.

Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.

Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.

Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.

You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.

Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.

And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.

Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.

the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?

Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.

Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.

Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.

Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.

You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.

Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.

And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.

In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.

What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?

Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.

Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.

Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.

Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.

The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.

Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.

And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.

The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.

you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories

Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.

Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.

Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.

Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.

Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.

Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.

In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.

Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together

Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.

Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.

Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.

Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.

Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.

The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.

In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.

That’s wonderful. Can you offer anything else, something I haven’t thought of?

Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.

Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.

Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.

Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.

Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.

What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?

Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.

In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.

Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.

A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.

This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.

And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.

why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden

What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.

In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.

The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.

Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.

Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.

Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.

thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us

Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.

Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.

If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.

Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.

Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.

Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.

Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.

Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery

Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.

Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.

Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.

Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.

Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.

Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.

The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.

what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?

Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.

Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.

If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.

Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.

Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.

Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.

Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.

I love the suggestion of the collector, can you elbaorate on this particular character

Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.

Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.

Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.

His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.

Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.

Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.

In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.

thank you very much. Very good!

Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.

sweet dreams

Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.

February 18, 2023 at 3:56 pm #6553

In reply to: The Jorid’s Travels – 14 years on

Keymaster

The Jorid

Luckily for them, the sand structure with the nearby nests of snapping sand turtles was also a graveyard for the military drones that weren’t apparently programmed to register natural elements as threats.

They quickly found four of them who weren’t completely damaged, and with some technical assist from Jorid, Georges was able to repair the propulsion and deactivate the military programs and tracking beacons.

Klatu had some ropes in his speedster that they tied to their rudimentary drive and the drones, so they could carry Léonard’s body while he was still in stasis.

His vitals were generally positive, and Salomé kept checking on him, while Georges and Klatu managed attaching the odd assemblage of drones to their craft.

The ride back wasn’t as bad as the first time, maybe due to the extra cargo that made maneuvres more complex for their green driver.

“This is worth the detour. Seems like Klatu really wanted to save time and avoided to show us the scenic route the first time,” said Georges trying to break the tense worried silence.

Salomé smiled weakly “Léonard’s consciousness is embroiled into complex thoughts; they have to deal about some threat, the nature of which eludes me for now. It looks as though he’s absorbed some sort of forbidden knowledge, something potentially dangerous,” Salomé said to Georges. “I’m no longer as sure he was imprisoned for his punishment, but rather for protection…” she sighed. “for everyone else’s protection… I will feel better when we’re all back to the Jorid and we can run a full diagnosis.”

Georges looked at his friend apparently sleeping, and wrapped a loving arm around Salomé’s shoulder “It’s not going to be long now. He’s going to be fine.”

“Horrible doing business with you.” Klatu said as they parted, rubbing his hands together in gleeful satisfaction. Whatever the Jorid had organised as a deal for his payment, it seemed the added drones weren’t part of it and came as an extra bonus.

Inside the Jorid, while Salomé was setting up space for Léonard and making the preparation for the diagnosis, Georges looked at the tiles board, readying the craft for imminent departure.

A new tile had appeared, with a distinct pattern form, almost like an ogee.

“Jorid, is this new?”

“Indeed Georges, our adventure has inspired me to create new avenues of exploration.”

“Oh, that’s fresh.” Georges looked into the shifting symbol at its surface. After it stabilised, he could see there was a sort of spiral shell with forms reminiscent of the mocking turtles peeking out from the centre, surrounded by sand dunes.

“Jorid, tell me more please.”

“Sure, I’d call it ‘Sandshell‘. Do you want the full curriculum?”

“Absolutely, colour me intrigued!”

“The Sandshell:
Function: A reminder of the fragility of our perceived reality and the importance of questioning our assumptions
Families: Vold, Zuli, Ilda
Significance: The Sandshell represents the shifting and unstable nature of our beliefs, assumptions, and understandings. Like the sand that slips through our fingers, so too can our perception of the world around us be ephemeral and illusory. The image of the mock turtle serves as a reminder that we often live under assumed identities and in a world built on questionable foundations.
As advice: The Sandshell encourages one to question their beliefs and assumptions, to examine the foundations upon which they have built their reality, and to search for a deeper understanding of truth.
Depiction: The Sandshell can be depicted as a spiral shell with a mocking turtle peeking out from the center, surrounded by sand dunes. The sand symbolizes the instability of our perceptions and the turtle represents the assumed identities and neurotic fairy tales that make up our reality. The spiral form of the shell represents the journey of discovery and self-reflection.”

“I love it,” said Georges enthusiastically “can we use it to plot our next course?”

“As a matter of fact we can Georges. Let me realign the grid and propose some suggestions. Do you have a seed thought to offer for this journey?”

Georges pondered for a while, when the image of the fishboard sprung forth in his mind. “Our little adventure is reminding me of our origins, Jorid —Léonard, working on the fishboard, your ancestor in a way… Us, finding Léonard… It feels like an adventure back to our origins. Can you project a destination on this vector…” then thinking at Salomé’s worried face “… that would be safe for our next stop, and allow us to find help for Léonard.”

“Verily.” Jorid answered back. “Course plotted. Please get comfortable until we arrive at our destination.”

February 11, 2023 at 10:10 pm #6538

In reply to: The Jorid’s Travels – 14 years on