Search Results for 'young'
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Search Results
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In reply to: The Hoards of Sanctorum AD26
As soon as Boothroyd had gone, Laddie Bentry, the under gardener, emerged from behind the Dicksonia squarrosa that was planted in a rare French Majolica Onnaing dragon eagle pot. The pot, and in particular the tree fern residing within it, were Laddie’s favourite specimen, reminding him of his homeland far away.
Keeping a cautious eye on the the door leading into the house, Laddie hurried over to the cast iron planter and retrieved the Liz Tattler novel hidden underneath. Quickly he tucked in into the inside pocket of his shabby tweed jacket and hastened to the door leading to the garden. Holding on to his cap, for the wind was cold and gusty, he ran to the old stable and darted inside. Laddie reckoned he had an hour or two free without Boothroyd hovering over him, and he settled himself on a heap of old sacks.
The Vampire Hoarders of Varna. It wasn’t the first time Laddie had seen Boothroyd surreptitiously reading Helier’s books, and it had piqued his curiosity. What was it the old fart found so interesting about Helier’s novels? The library was full of books, if he wanted to read. Not bothering to read the preface, and not having time to start on page one, Laddie Bentry flicked through the book, pausing to read random passages.….the carriage rattled and lurched headlong through the valley, jostling the three occupants unmercifully. “I’ll have the guts of that coachman for garters! The devil take him!” Galfrey exclaimed, after bouncing his head off the door frame of the compartment.
“Is it bleeding?” asked Triviella, inadvertently licking her lips and she inspected his forehead.
“The devil take you too, for your impertinence,” Galfrey scowled and shook her off, his irritation enhanced by his alarm at the situation they found themselves in.
Ignoring his uncharacteristic bad humour, Triviella snuggled close and and stroked his manly thigh, clad in crimson silk breeches. “Just think about the banquet later,” she purred.
Jacobino, austere and taciturn, on the opposite seat, who had thus far been studiously ignoring both of them, heard the mention of the banquet and smiled for the first time since…
Laddie opened the book to another passage.
“……1631, just before the siege of Gloucester, and what a feast it was! It was hard to imagine a time when we’d feasted so well. Such rich and easy pickings and such a delightful cocktail. One can never really predict a perfect cocktail of blood types at a party, and centuries pass between particularly memorable ones. Another is long overdue, and one would hate to miss it,” Jacobino explained to the innocent and trusting young dairy maid, who was in awe that the handsome young gentleman was talking to her at all, yet understood very little of his dialogue.
“Which is why,” Jacobino implored, taking hold of her small calloused hands, “You must come with me to the banquet tonight.”
Little did she know that her soft rosy throat was on the menu…..
In reply to: The Hoards of Sanctorum AD26
“You know,” Helier broke the silence, his mouth half-full of the buffet’s assortments of nuts and crackers, “this was bound to happen… People tend to forget you after a while. I mean, how many new babies named after dear Austreberthe nowadays. None of course. I think our records mention 1907 was the last baby Austreberthe, and a decade ago the last mass in their memory… oh this is too heartbreaking…”
“Why so gloomy?” Cerenise was eyeing the speckled and stained silverware and the chipped Rouen faience in which the potato salad was served. “Your name is still moderately in fashion, you shouldn’t die of forgetfulness any time soon. Enjoy the food while it’s free.”
Yvoise couldn’t help but tut at her. She was half-distracted by the calligraphy on those placeholders which she found exquisite. People in this age… it was a rare find now, some pretty calligraphy. The only ‘calli-‘anything this age does well enough is callipygian, and even then, it’s mostly the Kashtardians… She said to the others “Don’t throw yours away, I must have the full set.”
Spirius was inspecting the candleholders. None had lids, a fact that frustrated him to no end. “I miss the good old time we could just slay dragons and get a good sainthood concession for a nice half-millenium.”
Yvoise tittered “simple people we were back then. Everything funny-looking was a dragon I seem to recall.”
Spirius, his plate full of charcuteries, helped himself of a few appetizing gherkins, holding one large up to contemplate. “Yeah, but those few we slew in that period were still some darn tough-skinned gators I would have you know. Those crazy Roman buggers and their games and old false gods —they couldn’t help but bring those strange beasts from Africa to Gaul, leaving us to clean up after them…”
“Indeed, much harder now. It’s like fifteen minutes of sainthood on Instatok and Faceterest and you’re already has-been.” Yvoise had started to pocket some of the paper menus. “Luckily, we still have those relics spread around to fan the flames of remembrance, don’t we.”
“I guess the young ones must look at us funny…” Cerenise chuckled amused at the thought, almost spilling her truffle brouillade.
“Oh well, apparently our youngest geeks aren’t above dealing in relics.” Helier said. “Speaking of Novena and the coming nine days,… you’ve surely noticed as I did what was mentioned in the will, have you not?”
In reply to: The Hoards of Sanctorum AD26
It must be two hundred years at least since we’ve heard a will read at number 26, Cerenise thought to herself, still in a mild state of shock at the unexpected turn of events. She allowed her mind to wander, as she was wont to do.
Cerenise had spent the best part of a week choosing a suitable outfit to wear for the occasion and the dressing room adjoining her bedroom had become even more difficult to navigate. Making sure her bedroom door was securely locked before hopping out of her wicker bath chair (she didn’t want the others to see how nimble she still was), she spent hours inching her way through the small gaps between wardrobes and storage boxes and old wooden coffers, pulling out garment after garment and taking them to the Napoleon III cheval mirror to try on. She touched the rosewood lovingly each time and sighed. It was a beautiful mirror that had faithfully reflected her image for over 150 years.Holding a voluminous black taffetta mourning dress under her chin, Cerenise scrutinised her appearance. She looked well in black, she always felt, and it was such a good background for exotic shawls and scarves. Pulling the waist of the dress closer, it became apparent that a whalebone corset would be required if she was to wear the dress, a dreadful blight on the fun of wearing Victorian dresses. She lowered the dress and peered at her face. Not bad for, what was it now? One thousand 6 hundred and 43 years old? At around 45 years old, Cerenise decided that her face was perfect, not too young and not too old and old enough to command a modicum of respect. Thenceforth she stopped visibly aging, although she had allowed her fair hair to go silver white.
It was just after the siege of Gloucester in 1643, which often seemed like just yesterday, when Cerenise stopped walking in public. Unlike anyone else, she had relished the opportunity to stay in one place, and not be sent on errands miles away having to walk all the way in all weathers. Decades, or was it centuries, it was hard to keep track, of being a saint of travellers had worn thin by then, and she didn’t care if she never travelled again. She had done her share, although she still bestowed blessings when asked.
It was when she gave up walking in public that the hoarding started. Despite the dwellings having far fewer things in general in those days, there had always been pebbles and feathers, people’s teeth when they fell out, which they often did, and dried herbs and so forth. As the centuries rolled on, there were more and more things to hoard, reaching an awe inspiring crescendo in the last 30 years.
Cerenise, however, had wisely chosen to stop aging her teeth at the age of 21.
Physically, she was in surprisingly good shape for an apparent invalid but she spent hours every day behind locked doors, clambering and climbing among her many treasures, stored in many rooms of the labyrinthine old building. There was always just enough room for the bath chair to enter the door in each of her many rooms, and a good strong lock on the door. As soon as the door was locked, Cerenise parked the bath chair in front of the door and spent the day lifting boxes and climbing over bags and cupboards, a part of herself time travelling to wherever the treasures took her.
Eventually Cerenise settled on a long and shapeless but thickly woven, and thus warm, Neolithic style garment of unknown provenance but likely to be an Arts and Crafts replica. It was going to be cold in the library, and she could dress it up with a colourful shawl.
In reply to: The Elusive Samuel Housley and Other Family Stories
John Brooks
The Father of Catherine Housley’s Mother, Elizabeth Brooks.I had not managed to find out anything about the Brooks family in previous searches. We knew that Elizabeth Brooks father was J Brooks, cooper, from her marriage record. A cooper is a man who makes barrels.
Elizabeth was born in 1819 in Sutton Coldfield, parents John and Mary Brooks. Elizabeth had three brothers, all baptised in Sutton Coldfield: Thomas 1815-1821, John 1816-1821, and William Brooks, 1822-1875. William was known to Samuel Housley, the husband of Elizabeth, which we know from the Housley Letters, sent from the family in Smalley to George, Samuel’s brother, in USA, from the 1850s to 1870s. More to follow on William Brooks.
Elizabeth married Samuel Housley in Wolverhampton in 1844. Elizabeth and Samuel had three daughters in Smalley before Elizabeth’s death from TB in 1849, the youngest, just 6 weeks old at the time, was my great great grandmother Catherine Housley.
Elizabeth’s mother Mary died in 1823, and it not known if Elizabeth, then four, and William, a year old, stayed at home with their father or went to stay with relatives. There were no census records during those years.
John Brooks married Mary Wagstaff in 1814 in Birmingham. A witness at their marriage was Elizabeth Brooks, and this was probably John’s sister.
On the 1841 census (which was the first census in England) John Brooks, cooper, was living on Dudley Road, Wolverhampton, with wife Sarah. I was unable to find a marriage for them before a marriage in 1845 between John Brooks and Sarah Hughes, so presumably they lived together as man and wife before they married.
Then came the lucky find with John Brooks place of birth: Netherseal, Leicestershire. The place of birth on the 1841 census wasn’t specified, thereafter it was. On the 1851 census John Brooks, cooper, and Sarah his wife were living at Queens Cross, Dudley, with a three year old granddaughter E Brooks. John was born in 1791 in Netherseal.
It was commonplace for people to move to the industrial midlands around this time, from the surrounding countryside. However if they died before the 1851 census stating place of birth, it’s usually impossible to find out where they came from, particularly if they had a common name.
John Brooks doesn’t appear on any further census. I found seven deaths registered in Dudley for a John Brooks between 1851 and 1861, so presumably he is one of them.NETHERSEAL
On 27 June 1790 appears in the Netherseal parish register “John Brooks the son of John and Elizabeth Brooks Priestnal was baptised.” The name Priestnal does not appear in the transcription, nor the Bishops Transcripts, nor on any other sibling baptism. The Priestnal mystery will be solved in the next chapter.
John Brooks senior married Elizabeth Wilson by marriage licence on 20 November 1788 in Gresley, a neighbouring town in Derbyshire (incidentally near to Swadlincote and the ancestral lines of the Warren family, which also has branches in Netherseal. The Brooks family is the Marshall side). John Brooks was a farmer.
I haven’t found a baptism yet for John Brooks senior, but his death in Netherseal in 1846 provided the age at death, eighty years old, which puts his birth at 1766. The 1841 census has his birth as 1766 as well.
In 1841 John Brooks was 75, and “independent”, meaning that he was living on his own means. The name Brooks was transcribed as Broster, making this difficult to find, but it is clearly Brooks if you look at the original.
His wife Elizabeth, born in 1762, is also on the census, as well as the Jackson family: Joseph Jackon born 1804, Elizabeth Jackson his wife born 1799, and children Joseph, born 1833, William 1834, Thomas 1835, Stephen 1836, and Mary born 1838.
John and Elizabeths daughter Elizabeth Brooks, born in 1799, married Joseph Jackson, the son of an “opulent farmer” (newspaper archives) of Tatenhill, Staffordshire. They married on the 19th January 1832 in Burton on Trent. (Elizabeth Brooks was probably the witness on John Brooks junior’s marriage to Mary Wagstaff in Birmingham in 1814, although it could have been his mother, also Elizabeth Brooks.)
(Elizabeth Jackson nee Brooks was the aunt of Elizabeth in the portrait)
Joseph Jackson was declared bankrupt in 1833 (newspapers) and in 1834 a noticed in the newspapers “to the creditors of Joseph Jackson junior”, a victualler and farmer late of Netherseal, “following no business, who was lately dischared from his Majesty’s Gaol at Stafford” whose real estate was to be sold by auction. I haven’t yet found what he was in prison for.
In 1841 Joseph appeared again in the newspapers, in which he publicly stated that he had accused Thomas Webb, surgeon of Barton Under Needwood, of owing him money “just to annoy him” and “with a view to extort money from him”. and that he undertakes to pay Thomas Webb or his attorney, the costs within 14 days.
Joseph and Elizabeth had twins in 1841, born in Netherseal, John and Ruth. Elizabeth died in 1850.
Thereafter, Joseph was a labourer at the iron works in Wednesbury, and many generations of Jacksons continued working in the iron industry in Wednesbury ~ all orignially descended from farmers in Netherseal and Tatenhill.In reply to: The Elusive Samuel Housley and Other Family Stories
Gatacre Hall and The Old Book
In the early 1950s my uncle John and his friend, possibly John Clare, ventured into an abandoned old house while out walking in Shropshire. He (or his friend) saved an old book from the vandalised dereliction and took it home. Somehow my mother ended up with the book.
I remember that we had the book when we were living in USA, and that my mother said that John didn’t want the book in his house. He had said the abandoned hall had been spooky. The book was heavy and thick with a hard cover. I recall it was a “magazine” which seemed odd to me at the time; a compendium of information. I seem to recall the date 1553, but also recall that it was during the reign of Henry VIII. No doubt one of those recollections is wrong, probably the date. It was written in English, and had illustrations, presumably woodcuts.
I found out a few years ago that my mother had sold the book some years before. Had I known she was going to sell it, I’d have first asked her not to, and then at least made a note of the name of it, and taken photographs of it. It seems that she sold the book in Connecticut, USA, probably in the 1980’s.
My cousin and I were talking about the book and the story. We decided to try and find out which abandoned house it was although we didn’t have much to go on: it was in Shropshire, it was in a state of abandoned dereliction in the early 50s, and it contained antiquarian books.
I posted the story on a Shropshire History and Nostalgia facebook group, and almost immediately had a reply from someone whose husband remembered such a place with ancient books and manuscripts all over the floor, and the place was called Gatacre Hall in Claverley, near Bridgnorth. She also said that there was a story that the family had fled to Canada just after WWII, even leaving the dishes on the table.
The Gatacre family sailing to Canada in 1947:
When my cousin heard the name Gatacre Hall she remembered that was the name of the place where her father had found the book.
I looked into Gatacre Hall online, in the newspaper archives, the usual genealogy sites and google books searches and so on. The estate had been going downhill with debts for some years. The old squire died in 1911, and his eldest son died in 1916 at the Somme. Another son, Galfrey Gatacre, was already farming in BC, Canada. He was unable to sell Gatacre Hall because of an entail, so he closed the house up. Between 1945-1947 some important pieces of furniture were auctioned, and the rest appears to have been left in the empty house.
The family didn’t suddenly flee to Canada leaving the dishes on the table, although it was true that the family were living in Canada.
An interesting thing to note here is that not long after this book was found, my parents moved to BC Canada (where I was born), and a year later my uncle moved to Toronto (where he met his wife).
Captain Gatacre in 1918:
The Gatacre library was mentioned in the auction notes of a particular antiquarian book:
“Provenance: Contemporary ownership inscription and textual annotations of Thomas Gatacre (1533-1593). A younger son of William Gatacre of Gatacre Hall in Shropshire, he studied at the English college at the University of Leuven, where he rejected his Catholic roots and embraced evangelical Protestantism. He studied for eleven years at Oxford, and four years at Magdalene, Cambridge. In 1568 he was ordained deacon and priest by Bishop of London Edmund Grindal, and became domestic chaplain to Robert Dudley, 1st Earl of Leicester and was later collated to the rectory of St Edmund’s, Lombard Street. His scholarly annotations here reference other classical authors including Plato and Plutarch. His extensive library was mentioned in his will.”
There are thirty four pages in this 1662 book about Thomas Gatacre d 1654:
In reply to: Cofficionados Bandits (vs Lucid Dreamers)
“Solar kettle, my ass,” Chico muttered, failing to resist the urge to spit. After wiping his chin on his tattood forearm, he spoke up loudly, “That was no solar kettle in the gazebo. That was the Sabulmantium!”
An audible gasp echoed around the gathering, with some slight reeling and clutching here and there, dropping jaws, and in the case of young Kit, profoundly confused trembling.
Kit desperately wanted to ask someone what a Sabulmantium was, but chose to remain silent.
Amy was frowning, trying to remember. Sure, she knew about it, but what the hell did it DO?
A sly grin spread across Thiram’s face when he noticed Amy’s perplexed expression. It was a perfect example of a golden opportunity to replace a memory with a new one.
Reading Thiram’s mind, Carob said, “Never mind that now, there’s a typhoon coming and the gazebo has vanished over the top of those trees. I can’t for the life of me imagine how you can be thinking about tinkering with memories at a time like this! And where is the Sabulmantium now?”
“Please don’t distress yourself further, dear lady, ” Sir Humphrey gallantly came to Carob’s aid, much to her annoyance. “Fret not your pretty frizzy oh so tall head.”
Carob elbowed him in the eye goodnaturedly, causing him to stumble and fall. Carob was even more annoyed when the fall rendered Sir Humphrey unconscious, and she found herself trying to explain that she’d meant to elbow him in the ribs with a sporting chuckle and had not intentionally assaulted him.
Kit had been just about to ask Aunt Amy what a Sabulmantium was, but the moment was lost as Amy rushed to her fathers side.
After a few moments of varying degrees of anguish with all eyes on the prone figure of the Padre, Sir Humphrey sat up, asking where his Viking hat was.
And so it went on, at every mention of the Sabulmantium, an incident occured, occasioning a diversion on the memory lanes.
In reply to: The Precious Life and Rambles of Liz Tattler
Moments later, Finnley returned. “There’s a woman at the door. With suitcases. Says you invited her to stay. Nobody told me you were expecting guests.”
“Did you ask who it was?”
“Don’t you know who you invited? She’s a thin woman with awful dreadlocks, too old for dreads if you ask me, speaks with an Australian accent.”
“Ah yes, one of my favourite story characters! She’s come to help me with my new novel.”
“But what about the bedding? Nobody told me to get a bedroom ready for guests,” Finnley replied.
Just then a pretty young French maid appeared through the French windows. “I ‘ave come to ‘elp wiz ze bedding!”
“Fanella, right on cue! Come in dear, and go and help Finnley ~ Finnley, have you shown Aunt Idle in? Take her to the drawing room and I’ll be in directly, then go and help Fanella. And if you’re not careful, I may give Fanella your job, at least she’s willing and doesn’t complain all the time. And take that silly orange mask off, you look a fright.”
In reply to: The Last Cruise of Helix 25
Helix 25 – The Mad Heir
The Wellness Deck was one of the few places untouched by the ship’s collective lunar madness—if one ignored the ambient aroma of algae wraps and rehydrated lavender oil. Soft music played in the background, a soothing contrast to the underlying horror that was about to unfold.
Peryton Price, or Perry as he was known to his patients, took a deep breath. He had spent years here, massaging stress from the shoulders of the ship’s weary, smoothing out wrinkles with oxygenated facials, pressing detoxifying seaweed against fine lines. He was, by all accounts, a model spa technician.
And yet—
His hands were shaking.
Inside his skull, another voice whispered. Urging. Prodding. It wasn’t his voice, and that terrified him.
“A little procedure, Perry. Just a little one. A mild improvement. A small tweak—in the name of progress!”
He clenched his jaw. No. No, no, no. He wouldn’t—
“You were so good with the first one, lad. What harm was it? Just a simple extraction! We used to do it all the time back in my day—what do you think the humors were for?”
Perry squeezed his eyes shut. His reflection stared back at him from the hydrotherapeutic mirror, but it wasn’t his face he saw. The shadow of a gaunt, beady-eyed man lingered behind his pupils, a visage that he had never seen before and yet… he knew.
Bronkelhampton. The Mad Doctor of Tikfijikoo.
He was the closest voice, but it was triggering even older ones, from much further down in time. Madness was running in the family. He’d thought he could escape the curse.
“Just imagine the breakthroughs, my dear boy. If you could only commit fully. Why, we could even work on the elders! The preserved ones! You have so many willing patients, Perry! We had so much success with the tardigrade preservation already.”
A high-pitched giggle cut through his spiraling thoughts.
“Oh, heavens, dear boy, this steam is divine. We need to get one of these back in Quadrant B,” Gloria said, reclining in the spa pool. “Sha, can’t you requisition one? You were a ship steward once.”
Sha scoffed. “Sweetheart, I once tried requisitioning extra towels and ended up with twelve crates of anti-bacterial foot powder.”
Mavis clicked her tongue. “Honestly, men are so incompetent. Perry, dear, you wouldn’t happen to know how to requisition a spa unit, would you?”
Perry blinked. His mind was slipping. The whisper of his ancestor had begun to press at the edges of his control.
“Tsk. They’re practically begging you, Perry. Just a little procedure. A minor adjustment.”
Sha, Gloria, and Mavis watched in bemusement as Perry’s eye twitched.
“…Dear?” Mavis prompted, adjusting the cucumber slice over her eye. “You’re staring again.”
Perry snapped back. He swallowed. “I… I was just thinking.”
“That’s a terrible idea,” Gloria muttered.
“Thinking about what?” Sha pressed.
Perry’s hand tightened around the pulse-massager in his grip. His fingers were pale.
“Scalpel, Perry. You remember the scalpel, don’t you?”
He staggered back from the trio of floating retirees. The pulse-massager trembled in his grip. No, no, no. He wouldn’t.
And yet, his fingers moved.
Sha, Gloria, and Mavis were still bickering about requisition forms when Perry let out a strained whimper.
“RUN,” he choked out.
The trio blinked at him in lazy confusion.
“…Pardon?”
That was at this moment that the doors slid open in a anti-climatic whiz.
Evie knew they were close. Amara had narrowed the genetic matches down, and the final name had led them here.
“Okay, let’s be clear,” Evie muttered as they sprinted down the corridors. “A possessed spa therapist was not on my bingo card for this murder case.”
TP, jogging alongside, huffed indignantly. “I must protest. The signs were all there if you knew how to look! Historical reenactments, genetic triggers, eerie possession tropes! But did anyone listen to me? No!”
Riven was already ahead of them, his stride easy and efficient. “Less talking, more stopping the maniac, yeah?”
They skidded into the spa just in time to see Perry lurch forward—
And Riven tackled him hard.
The pulse-massager skidded across the floor. Perry let out a garbled, strangled sound, torn between terror and rage, as Riven pinned him against the heated tile.
Evie, catching her breath, leveled her stun-gun at Perry’s shaking form. “Okay, Perry. You’re gonna explain this. Right now.”
Perry gasped, eyes wild. His body was fighting itself, muscles twitching as if someone else was trying to use them.
“…It wasn’t me,” he croaked. “It was them! It was him.”
Gloria, still lounging in the spa, raised a hand. “Who exactly?”
Perry’s lips trembled. “Ancestors. Mostly my grandfather. *Shut up*” — still visibly struggling, he let out the fated name: “Chris Bronkelhampton.”
Sha spat out her cucumber slice. “Oh, hell no.”
Gloria sat up straighter. “Oh, I remember that nutter! We practically hand-delivered him to justice!”
“Didn’t we, though?” Mavis muttered. “Are we sure we did?”
Perry whimpered. “I didn’t want to do it. *Shut up, stupid boy!* —No! I won’t—!” Perry clutched his head as if physically wrestling with something unseen. “They’re inside me. He’s inside me. He played our ancestor like a fiddle, filled his eyes with delusions of devilry, made him see Ethan as sorcerer—Mandrake as an omen—”
His breath hitched as his fingers twitched in futile rebellion. “And then they let him in.“
Evie shared a quick look with TP. That matched Amara’s findings. Some deep ancestral possession, genetic activation—Synthia’s little nudges had done something to Perry. Through food dispenser maybe? After all, Synthia had access to almost everything. Almost… Maybe she realised Mandrake had more access… Like Ethan, something that could potentially threaten its existence.
The AI had played him like a pawn.
“What did he make you do, Perry?” Evie pressed, stepping closer.
Perry shuddered. “Screens flickering, they made me see things. He, they made me think—” His breath hitched. “—that Ethan was… dangerous. *Devilry* That he was… *Black Sorcerer* tampering with something he shouldn’t.”
Evie’s stomach sank. “Tampering with what?”
Perry swallowed thickly. “I don’t know”
Mandrake had slid in unnoticed, not missing a second of the revelations. He whispered to Evie “Old ship family of architects… My old master… A master key.”
Evie knew to keep silent. Was Synthia going to let them go? She didn’t have time to finish her thoughts.
Synthia’s voice made itself heard —sending some communiqués through the various channels
“The threat has been contained.
Brilliant work from our internal security officer Riven Holt and our new young hero Evie Tūī.”“What are you waiting for? Send this lad in prison!” Sharon was incensed “Well… and get him a doctor, he had really brilliant hands. Would be a shame to put him in the freezer. Can’t get the staff these days.”
Evie’s pulse spiked, still racing — “…Marlowe had access to everything.”.
Oh. Oh no.
Ethan Marlowe wasn’t just some hidden identity or a casualty of Synthia’s whims. He had something—something that made Synthia deem him a threat.
Evie’s grip on her stun-gun tightened. They had to get to Old Marlowe sooner than later. But for now, it seemed Synthia had found their reveal useful to its programming, and was planning on further using their success… But to what end?
With Perry subdued, Amara confirmed his genetic “possession” was irreversible without extensive neurochemical dampening. The ship’s limited justice system had no precedent for something like this.
And so, the decision was made:
Perry Price would be cryo-frozen until further notice.
Sha, watching the process with arms crossed, sighed. “He’s not the worst lunatic we’ve met, honestly.”
Gloria nodded. “Least he had some manners. Could’ve asked first before murdering people, though.”
Mavis adjusted her robe. “Typical men. No foresight.”
Evie, watching Perry’s unconscious body being loaded into the cryo-pod, exhaled.
This was only the beginning.
Synthia had played Perry like a tool—like a test run.
The ship had all the means to dispose of them at any minute, and yet, it was continuing to play the long game. All that elaborate plan was quite surgical. But the bigger picture continued to elude her.
But now they were coming back to Earth, it felt like a Pyrrhic victory.
As she went along the cryopods, she found Mandrake rolled on top of one, purring.
She paused before the name. Dr. Elias Arorangi. A name she had seen before—buried in ship schematics, whispered through old logs.
Behind the cystal fog of the surface, she could discern the face of a very old man, clean shaven safe for puffs of white sideburns, his ritual Māori tattoos contrasting with the white ambiant light and gown.
As old as he looked, if he was kept here, It was because he still mattered.In reply to: Helix Mysteries – Inside the Case
“Tundra Finds the Shoat-lion”
FADE IN:
EXT. THE GOLDEN TROWEL BAR — DUSK
A golden, muted twilight paints the landscape, illuminating the overgrown ivy and sprawled vines reclaiming the ancient tavern. THE GOLDEN TROWEL sign creaks gently in the breeze above the doorway.
ANGLE DOWN TO — TUNDRA, a spirited and curious 12-year-old girl with a wild, freckled pixie-cut and striking auburn hair, stepping carefully over ivy-covered stones and debris. She wears worn clothes, stitched lovingly by survivors; a scavenged backpack swings on one shoulder.
Behind her, through the windows of the tavern, warm lantern-light flickers. We glimpse MOLLY and GREGOR smiling and chatting quietly through dusty glass.
ANGLE ON — Tundra as she pauses, hearing a soft rustling near the abandoned beer barrels stacked against the tavern wall. Her green eyes widen, alert and intrigued.
SLOW PAN DOWN to reveal a small creature trembling in the shadows—a MARCASSIN, a tiny wild piglet no larger than a rugby ball, with coarse fur streaked ginger and cinnamon stripes along its body. Large dark eyes stare up, innocence mixed with wary curiosity. It’s adorable yet clearly distinct, with sharper canines already hinting at the deeply mutated carnivorous lineage of Hungary’s lion-boars.
Tundra inhales softly, visibly torn between instinctual cautiousness her elders taught and her own irrepressible instinct of compassion.
TUNDRA
(soft, gentle)
“It’s alright…I won’t hurt you.”She crouches slowly, reaching into her pocket—a small piece of stale bread emerges, held in her outstretched hand.
CLOSE-UP on the marcassin’s wary eyes shifting cautiously to her extended palm. A heartbeat of hesitation, and then it takes a tentative step forward, sniffing gently. Tundra holds utterly still, breath held in earnest hope.
The marcassin edges closer, wet nose brushing her fingers softly. Tundra beams, freckles highlighted by the fading sun, warmth and joy glowing on her face.
TUNDRA
(whispering happily)
“You’re not so scary, are you? I’m Tundra… I think we could be friends.”Movement at the tavern door draws her attention. The worn wood creaks as MOLLY and GREGOR step outside, shadows stretching long in the golden sunset. MOLLY’s eyes, initially alert with careful caution, soften at the touching scene.
MOLLY
(gently amused, warmly amused yet apprehensive)
“Careful now, darling. Even the smallest things aren’t always what they seem these days.”GREGOR
(softly chuckling, eyes twinkling)
“But then again, neither are we.”ANGLE ON Tundra, looking up to meet Molly’s eyes. Her determination tempered only by vulnerability, hope, and youthful stubbornness.
TUNDRA
“It needs us, Nana Molly. Everything needs somebody nowadays.”Molly considers the wisdom in Tundra’s young, earnest gaze. Gregor stifles a smile and pats Molly lightly lovingly on the shoulder.
GREGOR
(warmly, quietly)
“Ah, let her find hope where she sees it. Might be that little thing will change how we see hope ourselves.”ANGLE WIDE — the small group beside the tavern: Molly, her wise and caring gaze thoughtful; Gregor’s stance gentle yet cautiously protective; Tundra radiating youthful bravery, cradling newfound companionship as the marcassin squeaks softly, cuddling gently against her worn sweater.
ASCENDING SHOT ABOVE the tumbledown ancient Hungarian tavern, the warm glow of lantern and sunset mingling. Ancient vines and wild weeds whisper forgotten stories as stars blink awake above.
In that gentle hush, beneath a wild and vast sky reclaiming an abandoned land, Tundra’s act of compassion quietly rekindles hope for humanity’s delicate future.
FADE OUT.
In reply to: The Last Cruise of Helix 25
Helix 25 – Gentle Utopia at Upper Decks
The Upper Decks of Helix 25 were a marvel of well-designed choreography and engineered tranquility. Life here was made effortless, thanks to an artful curation of everyday problems. Climate control ensured the air was always crisp, with just enough variation to keep the body alert, while maintaining a perfect balance of warm and cool, hygrometry, with no crazy seasons or climate change upheaval to disrupt the monotony. Food dispensers served gourmet meals for every individual preferences —decadent feasts perfectly prepared at the push of a button. The Helix cruise starships were designed for leisure, an eternity of comfort — and it had succeeded.
For the average resident, the days blended into one another in an animated swirl of hobbyist pursuits. There were the Arboretum Philosophers, who debated meaningfully over the purpose of existence while sipping floral-infused teas. There were the Artisans, who crafted digital masterpieces that vanished into the ship’s archives as soon as they were complete. There were the Virtual Adventurers, who lived entire lifetimes in fully immersive life-like simulations, all while reclining on plush lounges, connected to their brain chips courtesy of Muck Industries.
And then, there were Sharon, Gloria, and Mavis.
Three old ladies who, by all accounts, should have spent their days knitting and reminiscing about their youth, but instead had taken it upon themselves to make Helix 25 a little more interesting.
“Another marvelous day, ladies,” Sharon declared as she strolled along the gilded walkway of the Grand Atrium, a cavernous space filled with floating lounges and soft ambient music. The ceiling was a perfect replica of a sky—complete with drifting, lazy clouds and the occasional simulated flock of birds. Enough to make you almost forget you were in a closed fully-controlled environment.
Mavis sighed, adjusting her gaudy, glittering shawl. “It’s too marvelous, if you ask me. Bit samey, innit? Not even a good scandal to shake things up.”
Gloria scoffed. “Pah! That’s ‘cause we ain’t lookin’ hard enough. Did you hear about that dreadful business down in the Granary? Dried ‘im up like an apricot, they did. Disgustin’.”
“Dreadful,” Sharon agreed solemnly. “And not a single murder for decades, you know. We were overdue.”
Mavis clutched her pearls. “You make it sound like a good thing.”
Gloria waved a dismissive hand. “I’m just sayin’, bit of drama keeps people from losing their minds. No offense, but how many decades of spa treatments can a person endure before they go barmy?”
They passed a Wellness Lounge, where a row of residents were floating in Zero-G Hydrotherapy Pods, their faces aglow with Rejuvenex™ Anti-Aging Serum. Others lounged under mild UV therapy lamps, soaking up synthetic vitamin D while attendants rubbed nutrient-rich oils into their wrinkle-free skin.
Mavis peered at them. “Y’know, I swear some of ‘em are the same age as when we boarded.”
Gloria sniffed. “Not the same, Mavis. Just better preserved.”
Sharon tapped her lips, thoughtful. “I always wondered why we don’t have crime ‘ere. I mean, back on Earth, it were all fights, robbery, someone goin’ absolutely mental over a parking space—”
Gloria nodded. “It’s ‘cause we ain’t got money, Sha. No money, no stress, see? Everyone gets what they need.”
“Needs? Glo, love, people here have twelve-course meals and private VR vacations to Ancient Rome! I don’t reckon that counts as ‘needs’.”
“Well, it ain’t money, exactly,” Mavis pondered, “but we still ‘ave credits, don’t we?”
They fell into deep philosophical debates —or to say, their version of it.
Currency still existed aboard Helix 25, in a way. Each resident had a personal wealth balance, a digital measure of their social contributions—creative works, mentorship, scientific discovery, or participation in ship maintenance (for those who actually enjoyed labor, an absurd notion to most Upper Deckers). It wasn’t about survival, not like on the Lower Decks or the Hold, but about status. The wealthiest weren’t necessarily the smartest or the strongest, but rather those who best entertained or enriched the community.
Gloria finally waved her hand dismissively. “Point is, they keep us comfortable so we don’t start thinkin’ about things too much. Keep us occupied. Like a ship-sized cruise, but forever.”
Mavis wrinkled her nose. “A bit sinister, when you put it like that.”
“Well, I didn’t say it were sinister, I just said it were clever.” Gloria sniffed. “Anyway, we ain’t the ones who need entertainin’, are we? We’ve got a mystery on our hands.”
Sharon clapped excitedly. “Ooooh yes! A real mystery! Ain’t it thrillin’?”
“A proper one,” Gloria agreed. “With dead bodies an’ secrets an’—”
“—murder,” Mavis finished, breathless.
The three of them sighed in unison, delighted at the prospect.
They continued their stroll past the Grand Casino & Theatre, where a live orchestral simulation played for a well-dressed audience. Past the Astronomer’s Lounge, where youngster were taught to chart the stars that Helix 25 would never reach. Past the Crystal Arcade, where another group of youth of the ship enjoyed their free time on holographic duels and tactical board games.
So much entertainment. So much luxury.
So much designed distraction.
Gloria stopped suddenly, narrowing her eyes. “You ever wonder why we ain’t heard from the Captain in years?”
Sharon and Mavis stopped.
A hush fell over them.
Mavis frowned. “I thought you said the Captain were an idea, not a person.”
“Well, maybe. But if that’s true, who’s actually runnin’ the show?” Gloria folded her arms.
They glanced around, as if expecting an answer from the glowing Synthia panels embedded in every wall.
For the first time in a long while, they felt watched.
“…Maybe we oughta be careful,” Sharon muttered.
Mavis shivered. “Oh, Glo. What ‘ave you gotten us into this time?”
Gloria straightened her collar. “Dunno yet, love. But ain’t it excitin’?”
“With all the excitment, I almost forgot to tell you about that absolutely ghastly business,” Gloria declared, moments later, at the Moonchies’ Café, swirling her lavender-infused tea. “Watched a documentary this morning. About man-eating lions of Njombe.”
Sharon gasped, clutching her pearls. “Man eating lions?!”
Mavis blinked. “Wait. Man-eating lions, or man eating lions?”
There was a pause.
Gloria narrowed her eyes. “Mavis, why in the name of clotted cream would I be watchin’ a man eating lions?”
Mavis shrugged. “Well, I dunno, do I? Maybe he ran out of elephants.”
Sharon nodded sagely. “Yes, happens all the time in those travel shows.”
Gloria exhaled through her nose. “It’s not a travel show, Sha. And it’s not fiction.”
Mavis scoffed. “You sure? Sounds ridiculous.”
“Not as ridiculous as a man sittin’ down to a plate of roast lion chops,” Gloria shot back.
Mavis tilted her head. “Maybe it’s in a recipe book?”
Gloria slammed her teacup down. “I give up. I absolutely give up.”
Sharon patted her hand. “There, there, Glo. You can always watch somethin’ lighter tomorrow. Maybe a nice documentary about man-eating otters.”
Mavis grinned. “Or man eating otters.”
Gloria inhaled deeply, resisting the urge to upend her tea.
This, this was why Helix 25 had never known war.
No one had the time.
In reply to: Helix Mysteries – Inside the Case
Some pictures selections
Evie and TP Investigating the Drying Machine Crime Scene
A cinematic sci-fi mini-scene aboard the vast and luxurious Helix 25. In the industrial depths of the ship, a futuristic drying machine hums ominously, crime scene tape lazily flickering in artificial gravity. Evie, a sharp-eyed investigator in a sleek yet practical uniform, stands with arms crossed, listening intently. Beside her, a translucent, retro-stylized holographic detective—Trevor Pee Marshall (TP)—adjusts his tiny mustache with a flourish, pointing dramatically at the drying machine with his cane. The air is thick with mystery, the ship’s high-tech environment reflecting off Evie’s determined face while TP’s flickering presence adds an almost comedic contrast. A perfect blend of noir and high-tech detective intrigue.
Riven Holt and Zoya Kade Confronting Each Other in a Dimly Lit Corridor
A dramatic, cinematic sci-fi scene aboard the vast and luxurious Helix 25. Riven Holt, a disciplined young officer with sharp features, stands in a high-tech corridor, his arms crossed, jaw tense—exuding authority and restraint. Opposite him, Zoya Kade, a sharp-eyed, wiry 83-year-old scientist-prophet, leans slightly forward, her mismatched layered robes adorned with tiny artifacts—beads, old circuits, and a fragment of a key. Her silver-white braid gleams under the soft emergency lighting, her piercing gaze challenging him. The corridor hums with unseen energy, a subtle red glow from a “restricted access” sign casting elongated shadows. Their confrontation is palpable—a struggle between order and untamed knowledge, hierarchy and rebellion. In the background, the walls of Helix 25 curve sleekly, high-tech yet strangely claustrophobic, reinforcing the ship’s ever-present watchfulness.
Romualdo, the Gardener, Among the Bioluminescent Plants
A richly detailed sci-fi portrait of Romualdo, the ship’s gardener, standing amidst the vibrant greenery of the Jardenery. He is a rugged yet gentle figure, dressed in a simple work jumpsuit with soil-streaked hands, a leaf-tipped stem tucked behind his ear like a cigarette. His eyes scan an old, well-worn book—one of Liz Tattler’s novels—that Dr. Amara Voss gave him for his collection. The glowing plants cast an ethereal blue-green light over him, creating an atmosphere both peaceful and mysterious. In the background, the towering vines and suspended hydroponic trays hint at the ship’s careful balance between survival and serenity.
Finja and Finkley – A Telepathic Parallel Across Space
A surreal, cinematic sci-fi composition split into two mirrored halves, reflecting a mysterious connection across vast distances. On one side, Finja, a wiry, intense woman with an almost obsessive neatness, walks through the overgrown ruins of post-apocalyptic Earth, her expression distant as she “listens” to unseen voices. Dust lingers in the air, catching the golden morning light, and she mutters to herself about cleanliness. In her reflection, on the other side of the image, is Finkley, a no-nonsense crew member aboard the gleaming, futuristic halls of Helix 25. She stands with hands on her hips, barking orders at small cleaning bots as they maintain the ship’s pristine corridors. The lighting is cold and artificial, sterile in contrast to the dust-filled Earth. Yet, both women share a strange symmetry—gesturing in unison as if unknowingly mirroring one another across time and space. A faint, ghostly thread of light suggests their telepathic bond, making the impossible feel eerily real.
In reply to: The Last Cruise of Helix 25
Gregor gratefully clambered onto Tundra’s horse, with the assistance of Mikhail and Jian. Molly had long since trained her horse, Berlingo (named after the last car she’d had), to lie down to enable her to mount easily. Riding wasn’t easy at a such an advanced age but it was preferable to walking long distances.
Tundra didn’t mind in the least giving up hers to the old man, as she wanted to walk with Vera and Yulia. “Helix will keep stopping to graze,” Tundra warned Gregor, to which he replied, “Don’t you worry about me, I used to ride and I haven’t forgotten how. Thank you kindly, young miss.”
Mikhail and Anya led the way, and Molly and Gregor brought up the rear, riding side by side.
In reply to: The Last Cruise of Helix 25
The truck disappeared from view as it descended into a valley. They waited for it to reappear over the hill, but they waited in vain. The truck had disappeared.
“It must have been a mirage,” said Vera. “There was no truck, it was wishful thinking.”
“I don’t think any of us were hoping to see a truck this morning, Vera,” Anya replied, “Nobody expected to see a truck, and yet we all saw one.”
“You don’t know much about mirages then, do you. I saw a fata morgana once and so did everyone else on the beach, we weren’t all expecting to see a floating city that day either.”
“Nobody needs to hear about that now,” Mikhail interrupted, “We need to walk over to where we saw it and look for the tyre tracks.”
Tundra moved over to stand next to Vera and impulsively grabbed her arm. “Can you tell me about the fata morgana later? I want to see one too.”
Vera smiled gratefully at the child and patted her shoulder. “I’ll tell you all about it, and lots of other stories if you like. And you can tell me all your stories, and all about your family. Is that your real granny?”
“Great gran actually and she’s as real as any of you are,” Tundra replied, not understanding the question.
“Mikhail is right,” said Jian. Everyone turned to look at young Chinese man who rarely voiced an opinion. “We need to find out what other equipment they have. Where they came from, and where they’re going.”
Anya clapped her hands together loudly. “Right then, we’re all agreed. Gather everything up and let’s go. Mikhail, lead the way!”
Petro made a harrumphing noise and mumbled something about nobody asking him what he thought about traipsing all over the coutryside, but he slung his bag over his shoulder and followed. What else was he to do?
In reply to: The Last Cruise of Helix 25
Upper Decks – The Pilot’s Seat (Sort Of)
Kai Nova reclined in his chair, boots propped against the console, arms folded behind his head. The cockpit hummed with the musical blipping of automation. Every sleek interface, polished to perfection by the cleaning robots under Finkley’s command, gleamed in a lulling self-sustaining loop—self-repairing, self-correcting, self-determining.
And that meant there wasn’t much left for him to do.
Once, piloting meant piloting. Gripping the yoke, feeling the weight of the ship respond, aligning a course by instinct and skill. Now? It was all handled before he even thought to lift a finger. Every slight course adjustment, to the smallest stabilizing thrust were effortlessly preempted by Synthia’s vast, all-knowing “intelligence”. She anticipated drift before it even started, corrected trajectory before a human could perceive the error.
Kai was a pilot in name only.
A soft chime. Then, the clipped, clinical voice of Cadet Taygeta:
“You’re slacking off again.”
Kai cracked one eye open, groaning. “Good morning, buzzkill.”
She stood rigid at the entryway, arms crossed, datapad in hand. Young, brilliant, and utterly incapable of normal human warmth. Her uniform was pristine—always pristine—with a regulation-perfect collar that probably had never been out of place in their entire life.
“Synthia calculates you’ve spent 76% of your shifts in a reclining position,” the Cadet noted. “Which, statistically, makes you more of a chair than a pilot.”
Kai smirked. “And yet, here I am, still getting credits.”
The Cadet face had changed subtly ; she exhaled sharply. “I don’t understand why they keep you here. It’s inefficient.”
Kai swung his legs down and stretched. “They keep me around for when things go wrong. Machines are great at running the show—until something unexpected happens. Then they come crawling back to good ol’ human instinct.”
“Unexpected like what? Absinthe Pirates?” The Cadet smirked, but Kai said nothing.
She narrowed their eyes, her voice firm but wavering. “Things aren’t supposed to go wrong.”
Kai chuckled. “You must be new to space, Taygeta.”
He gestured toward the vast, star-speckled abyss beyond the viewport. Helix 25 cruised effortlessly through the void, a floating city locked in perfect motion. But perfection was a lie. He could feel it.
There were some things off. At the top of his head, one took precedence.
Fuel — it wasn’t infinite, and despite Synthia’s unwavering quantum computing, he knew it was a problem no one liked talking about. The ship wasn’t meant for this—for an endless voyage into the unknown. It was meant to return.
But that wasn’t happening.
He leaned forward, flipping a display open. “Let’s play a game, Cadet. Humor me.” He tapped a few keys, pulling up Helix 25’s projected trajectory. “What happens if we shift course by, say… two degrees?”
The Cadet scoffed. “That would be reckless. At our current velocity, even a fractional deviation—”
“Just humor me.”
After a pause, she exhaled sharply and ran the numbers. A simulation appeared: a slight two-degree shift, a ripple effect across the ship’s calculated path.
And then—
Everything went to hell.
The screen flickered red.
Projected drift. Fuel expenditure spike. The trajectory extending outward into nowhere.
The Cadet’s posture stiffened. “That can’t be right.”
“Oh, but it is,” Kai said, leaning back with a knowing grin. “One little adjustment, and we slingshot into deep space with no way back.”
The Cadet’s eyes flicked to the screen, then back to Kai. “Why would you test that?”
Kai drummed his fingers on the console. “Because I don’t trust a system that’s been in control for decades without oversight.”
A soft chime.
Synthia’s voice slid into the cockpit, smooth and impassive.
“Pilot Nova. Unnecessary simulations disrupt workflow efficiency.”
Kai’s jaw tensed. “Yeah? And what happens if a real course correction is needed?”
“All adjustments are accounted for.”
Kai and the Cadet exchanged a look.
Synthia always had an answer. Always knew more than she said.
He tapped the screen again, running a deeper scan. The ship’s fuel usage log. Projected refueling points.
All were blank.
Kai’s gut twisted. “You know, for a ship that’s supposed to be self-sustaining, we sure don’t have a lot of refueling options.”
The Cadet stiffened. “We… don’t refuel?”
Kai’s eyes didn’t leave the screen. “Not unless Synthia finds us a way.”
Silence.
Then, the Cadet swallowed. For the first time, a flicker of something almost human in her expression.
Uncertainty.
Kai sighed, pushing back from the console. “Welcome to the real job, kid.”
Because the truth was simple.
They weren’t driving this ship.
The ship was driving them.
And it all started when all hell broke lose on Earth, decades back, and when the ships of refugees caught up with the Helix 25 on its way back to Earth. One of those ships, his dad had told him, took over management, made it turn around for a new mission, “upgraded” it with Synthia, and with the new order…
The ship was driving them, and there was no sign of a ghost beyond the machine.
In reply to: The Last Cruise of Helix 25
Zoya clicked her tongue, folding her arms as Evie and her flickering detective vanished into the dead man’s private world. She listened to the sounds of investigation. The sound of others touching what should have been hers first. She exhaled through her nose, slow and measured.
The body was elsewhere, dried and ruined. That didn’t matter. What mattered was here—hairs, nail clippings, that contained traces, strands, fragments of DNA waiting to be read like old parchments.
She stepped forward, the soft layers of her robes shifting.
“You can’t keep me out forever, young man.”
Riven didn’t move. Arms crossed, jaw locked, standing there like a sentry at some sacred threshold. Victor Holt’s grandson, through and through, she thought.
“I can keep you out long enough.”
Zoya clicked her tongue. Not quite amusement, not quite irritation.
“I should have suspected such obstinacy. You take after him, after all.”
Riven’s shoulders tensed.
Good. Let him feel it.
His voice was tight. “If you’re referring to my grandfather, you should choose your words carefully.”
Zoya smiled, slow and knowing. “I always choose my words carefully.”
Riven’s glare could have cut through metal.
Zoya tilted her head, studying him as she would an artifact pulled from the wreckage of an old world. So much of Victor Holt was in him—the posture, the unyielding spine, the desperate need to be right.
But Victor Holt had been wrong.
And that was why he was sleeping in a frozen cell of his own making.
She took another step forward, lowering her voice just enough that the curious would not hear what she said.
“He never understood the ship’s true mission. He clung to his authority, his rigid hierarchies, his outdated beliefs. He would have let us rot in luxury while the real work of survival slipped away. And when he refused to see reason—” she exhaled, her gaze never leaving his, “he stepped aside.”
Riven’s jaw locked. “He was forced aside.”
Zoya only smiled. “A matter of perspective.”
She let that hang. Let him sit with it.
She could see the war in his eyes—the desperate urge to refute her, to throw his grandfather’s legacy in her face, to remind her that Victor Holt was still here, still waiting in cryo, still a looming shadow over the ship. But Victor Holt’s silence was the greatest proof of his failure.
Riven clenched his jaw.
Anuí’s voice, smooth and patient, cut through the tension.
“She is not wrong.”
Zoya frowned. She had expected them to speak eventually. They always did.
They stood just a little apart, hand tucked in their robes, their expression unreadable.
“In its current state, the body is useless,” Anuí said lightly, as if stating something obvious, “but that does not mean it has left no trace.” Then they murmured “Nāvdaṭi hrás’ka… aṣṭīr pālachá.”
Zoya glanced at them, her eyes narrowing. In an old tongue forgotten by all, it meant The bones remember… the blood does not lie. She did not trust the Lexicans’ sudden interest in genetics.
They did not see history in bloodlines, did not place value in the remnants of DNA. They preferred their records rewritten, reclaimed, restructured to suit a new truth, not an old one.
Yet here they were, aligning themselves with her. And that was what gave her pause.
“Your people have never cared for the past as it was,” she murmured. “Only for what it could become.”
Anuí’s lips curved, withholding more than they gave. “Truth takes many forms.”
Zoya scoffed. They were here for their own reasons. That much was certain. She could use that
Riven’s fingers tightened at his sides. “I have my orders.”
Zoya lifted a brow. “And whose orders are those?”
The hesitation was slight. “It’s not up to me.”
Zoya stilled. The words were quiet, bitter, revealing.
Not up to him.
So, someone had ensured she wouldn’t step foot in that room. Not just delayed—denied.
She exhaled, long and slow. “I see.” She paused. “I will find out who gave that order.”
And when she did, they would regret it.
In reply to: The Last Cruise of Helix 25
The corridor outside Mr. Herbert’s suite was pristine, polished white and gold, designed to impress, like most of the ship. Soft recessed lighting reflected off gilded fixtures and delicate, unnecessary embellishments.
It was all Riven had ever known.
His grandfather, Victor Holt, now in cryo sleep, had been among the paying elite, those who had boarded Helix 25, expecting a decadent, interstellar retreat. Riven, however had not been one of them. He had been two years old when Earth fell, sent with his aunt Seren Vega on the last shuttle to ever reach the ship, crammed in with refugees who had fought for a place among the stars. His father had stayed behind, to look for his mother.
Whatever had happened after that—the chaos, the desperation, the cataclysm that had forced this ship to become one of humanity’s last refuges—Riven had no memory of it. He only knew what he had been told. And, like everything else on Helix 25, history depended on who was telling it.
For the first time in his life, someone had been murdered inside this floating palace of glass and gold. And Riven, inspired by his grandfather’s legacy and the immense collection of murder stories and mysteries in the ship’s database, expected to keep things under control.
He stood straight in front of the suite’s sealed sliding door, arms crossed on a sleek uniform that belonged to Victor Holt. He was blocking entry with the full height of his young authority. As if standing there could stop the chaos from seeping in.
A holographic Do Not Enter warning scrolled diagonally across the door in Effin Muck’s signature font—because even crimes on this ship came branded.
People hovered in the corridor, coming and going. Most were just curious, drawn by the sheer absurdity of a murder happening here.
Riven scanned their faces, his muscles coiled with tension. Everyone was a potential suspect. Even the ones who usually didn’t care about ship politics.
Because on Helix 25, death wasn’t supposed to happen. Not anymore.
Someone broke away from the crowd and tried to push past him.
“You’re wasting time. Young man.”
Zoya Kade. Half scientist, half mad Prophet, all irritation. Her gold-green eyes bore into him, sharp beneath the deep lines of her face. Her mismatched layered robes shifting as she moved. Riven had no difficulty keeping the tall and wiry 83 years old woman at a distance.
Her silver-white braid was woven with tiny artifacts—bits of old circuits, beads, a fragment of a key that probably didn’t open anything anymore. A collector of lost things. But not just trinkets—stories, knowledge, genetic whispers of the past. And now, she wanted access to this room like it was another artifact to be uncovered.
“No one is going in.” Riven said slowly, “until we finish securing the area.”
Zoya exhaled sharply, turning her head toward Evie, who had just emerged from the crowd, tablet in hand, TP flickering at her side.
“Evie, tell him.”
Evie did not look pleased to be associated with the old woman. “Riven, we need access to his room. I just need…”
Riven hesitated.
Not for long, barely a second, but long enough for someone to notice. And of course, it was Anuí Naskó.
They had been waiting, standing slightly apart from the others, their tall, androgynous frame wrapped in the deep-colored robes of the Lexicans, fingers lightly tapping the surface of their handheld lexicon. Observing. Listening. Their presence was a constant challenge. When Zoya collected knowledge like artifacts, Anuí broke it apart, reshaped it. To them, history was a wound still open, and it was the Lexicans duty to rewrite the truth that had been stolen.
“Ah,” Anuí murmured, smiling slightly, “I see.”
Riven started to tap his belt buckle. His spine stiffened. He didn’t like that tone.
“See what, exactly?”
Anuí turned their sharp, angular gaze on him. “That this is about control.”
Riven locked his jaw. “This is about security.”
“Is it?” Anuí tapped a finger against their chin. “Because as far as I can tell, you’re just as inexperienced in murder investigation as the rest of us.”
The words cut sharp in Riven’s pride. Rendering him speechless for a moment.
“Oh! Well said,” Zoya added.
Riven felt heat rise to his face, but he didn’t let it show. He had been preparing himself for challenges, just not from every direction at once.
His grip tightened on his belt, but he forced himself to stay calm.
Zoya, clearly enjoying herself now, gestured toward Evie. “And what about them?” She nodded toward TP, whose holographic form flickered slightly under the corridor’s ligthing. “Evie and her self proclaimed detective machine here have no real authority either, yet you hesitate.”
TP puffed up indignantly. “I beg your pardon, madame. I am an advanced deductive intelligence, programmed with the finest investigative minds in history! Sherlock Holmes, Hercule Poirot, Miss Marple, Marshall Pee Stoll…”
Zoya lifted a hand. “Yes, yes. And I am a boar.”
TP’s mustache twitched. “Highly unlikely.”
Evie groaned. “Enough TP.”
But Zoya wasn’t finished. She looked directly at Riven now. “You don’t trust me. You don’t trust Anuí. But you trust her.” She gave a node toward Evie. “Why?
Riven felt his stomach twist. He didn’t have an answer. Or rather, he had too many answers, none of which he could say out loud. Because he did trust Evie. Because she was brilliant, meticulous, practical. Because… he wanted her to trust him back. But admitting that, showing favoritism, expecially here in front of everyone, was impossible.
So he forced his voice into neutrality. “She has technical expertise and no political agenda about it.”
Anuí left out a soft hmm, neither agreeing nor disagreeing, but filing the information away for later.
Evie took the moment to press forward. “Riven, we need access to the room. We have to check his logs before anything gets wiped or overwritten. If there’s something there, we’re losing valuable time just standing there arguing.”
She was right. Damn it, she was right. Riven exhaled slowly.
“Fine. But only you.”
Anuí’s lips curved but just slightly. “How predictable.”
Zoya snorted.
Evie didn’t waste time. She brushed past him, keying in a security override on her tablet. The suite doors slid open with a quiet hiss.
In reply to: The Last Cruise of Helix 25
The Asylum 2050
They had been talking about leaving for a long time.
Not in any urgent way, not in a we must leave now kind of way, but in the slow, circling conversations of people who had too much time and not enough answers.
Those who had left before them had never returned. Perhaps they had found something better, though that seemed unlikely. Perhaps they had found nothing at all. The first group left over twenty years ago—just for supplies. They never came back. Others drifted off over the years. They never came back either.
The core group had stayed because—what else was there? The asylum had been safe, for the most part. It had become home. Overgrown now, with only a fraction of its former inhabitants. The walls had once kept them in; now, they were what kept the rest of the world out.
But the crops were failing. The soil was thinning. The last winter had been long and cruel. Summer was harsh. Water was harder to find.
And so the reasons to stay had been replaced with reasons to go.
She was about forty now—or near enough, though time had softened the numbers. Natalia. A name from a past life; now they called her Tala.
Her family had left her here years ago. Paid well for it, as if they were settling an expensive inconvenience. She had been young then—too young to know how final it would be. They had called her difficult, willful, unable to conform. She wasn’t mad, but they had paid to have her called mad so they could get rid of her. And in the world before, that had been enough.
She had been furious at first. She tried to run away even though the asylum was many miles from anywhere. The drugs they made her take put an end to that. The drugs stopped many years ago, but she no longer wanted to run.
She sat at the edge of the vegetable garden, turning soil between her fingers. It was dry, thinning. No matter how deep she dug, the color stayed the same—pale, lifeless.
“Nothing wants to grow anymore,” said Anya, standing over her. Older—mid-sixties. Once a nurse, before everything had fallen apart. She had been one of the staff members who stayed behind when the first group left for supplies, but now she was the only one remaining. The others had abandoned the asylum years ago. At first, her authority had meant something. Now, it was just a memory, but she still carried it like an old habit. She was practical, sharp-eyed, and had a way of making decisions that others followed without question.
Tala wiped her hands on her skirt and looked up. “We probably should have left last year.”
Anya sighed. She dropped a brittle stalk of something dead into the compost pile. “Doesn’t matter now. We must go soon, or we don’t go at all.”
There was no arguing with that.
Later, in the old communal hall, the last of them gathered. Eleven of them.
Mikhail leaned against the window, his arms crossed. He was a little older than Tala. He thought a long time before he spoke.
“How many weapons do we have?”
Anya shrugged. “A couple of old rifles with half a dozen bullets. A handful of knives. And whatever rocks and sticks we pick up on the way.”
“It’s not enough to defend ourselves,” Tala said. Petro, an older resident who couldn’t remember life before the asylum, moaned and rocked. “But we’ll have our wits about us,” she added, offering a small reassurance.
Mikhail glanced at her. “We don’t know what’s out there.”
Before communication went silent, there had been stories of plagues, wars, starvation, entire cities turning against themselves. People had come through the asylum’s doors shortly before the collapse, mad with what they had seen.
But then, nobody came. The fences had grown thick with vines. And the world had gone quiet.
Over time, they had become a kind of family, bound by necessity rather than blood. They were people who had been left behind for reasons that no longer mattered. In this world, sanity had become a relative thing. They looked after one another, oddities and all.
Mikhail exhaled and pushed off the window. “Tomorrow, then.”
In reply to: Helix Mysteries – Inside the Case
(work in progress)
Chronology elements of Earth & Helix 25
- 2030: Following a catastrophic event during Earth’s history tumultuous period circa 2030, Earth was forever altered.
- The murder victim is found on space cruise ship “Helix 25” in the year of 2050.
Different generations live on the Helix 25, including:- space adults having never known Earth,
- elderly people remembering Earth as it once was,
- and even life-extended pre-digital Earth history people, sometimes called by the younger gents “fossil boomer”.
In reply to: The Precious Life and Rambles of Liz Tattler
“What do you think Godfrey?” Liz’ snapped at her publisher, sightly annoyed by his debonair smile. “And honestly, I sometimes wonder if I shouldn’t ask Finnley, she seems to have more wits about her than you, dear friend. And where is she by the way?”
“Liz’, will you calm down, this interview business is driving you back to your old manic madness; don’t worry about Finnley, she’s had some errands to run, something about coaching the younger generation, and tiktok oven challenge —don’t ask.”
“Exactly! What? what coaching nonsense? Tsk, stop digressing. Yes, that interview is getting bees in my bonnet, if you see what I mean.”
“Driving you nuts, you mean?”
“Obvie. But look, how about that as an intro? ‘Every story begins with something lost, but it’s never about the loss. It’s about what you find because of it.’ ”
“It’s quite brilliant I must say; how much of it is from the artificial box?”
“That’s what I mean Godfrey! None! But you not seeing a difference is worrying to say the least. This thing is every author’s nightmare; it spews nonsense faster, and even with greater details I can manage in one draft. Look at that. It still comes to me as naturally as when I did my first book. Very heavy door curtain, and the wooden pole sags so I’m on tip toe yanking it, and middle of back unsupported, very stupid really. Stuff like that, I can immediately conjure, painting a world of innuendos and mysteries behind a few carefully crafted words. My words’ a stage. And I even managed to write my last book, with impossibly challenging characters, being a scientist without knowing the first thing about science —apart maybe from science of marriage, although one may argue it’s more an art form. The thing is, Godfrey, and pardon that unusual monologue, yes, and please don’t choke on your peanuts. I’m starting to feel like a faulty robot who can’t stick to the robot plan.”
“I can see you do, Liz, but honestly, we can all make out the tree for the forest. Yours is truly an art that cannot be mimicked by machinery. Have a tonic, and let’s get you ready for that interview —the manicurist is downstairs ready for you with the best shades of pink you can ever dream of.
In reply to: Quintessence: Reversing the Fifth
The Waking
Lucien – Early 2024 Darius – Dec 2022 Amei – 2022-2023 Elara – 2022 Matteo – Halloween 2023 Aversion/Reflection Jealousy/Accomplishment Pride/Equanimity Attachment/Discernment Ignorance/Wisdom The sky outside Lucien’s studio window was still dark, the faint glow of dawn breaking on the horizon. He woke suddenly, the echo of footsteps chasing him out of sleep. Renard’s shadow loomed in his mind like a smudge he couldn’t erase. He sat up, rubbing his temples, the remnants of the dream slipping away like water through his fingers. The chase felt endless, but this time, something had shifted. There was no fear in his chest—only a whisper of resolve. “Time to stop running.” The hum of the airplane’s engine filled Darius’s ears as he opened his eyes, the cabin lights dimmed for landing. He glanced at the blinking seatbelt sign and adjusted his scarf. The dream still lingered, faint and elusive, like smoke curling away before he could grasp it. He wasn’t sure where he’d been in his mind, but he felt a pull—something calling him back. South of France was just the next stop. Beyond that,… Beyond that? He didn’t know. Amei sat cross-legged on her living room floor, the guided meditation app still playing its soft tones through her headphones. Her breathing steadied, but her thoughts drifted. Images danced at the edges of her mind—threads weaving together, faces she couldn’t place, a labyrinth spiraling endlessly. The meditation always seemed to end with these fragments, leaving her both unsettled and curious. What was she trying to find? Elara woke with a start, the unfamiliar sensation of a dream etched vividly in her mind. Her dreams usually dissolved the moment she opened her eyes, but this one lingered, sharp and bright. She reached for her notebook on the bedside table, fumbling for the pen. The details spilled out onto the page—a white bull, a labyrinth of light, faces shifting like water. “I never remember my dreams,” she thought, “but this one… this one feels important.” Matteo woke to the sound of children laughing outside, their voices echoing through the streets of Avignon. Halloween wasn’t as big a deal here as elsewhere, but it had its charm. He stretched and sat up, the weight of a restless sleep hanging over him. His dreams had been strange—familiar faces, glowing patterns, a sense of something unfinished. The room seemed to glow for a moment. “Strange,” he thought, brushing it off as a trick of the light. “No resentment, only purpose.” “You’re not lost. You’re walking your own path.” “Messy patterns are still patterns.” “Let go. The beauty is in the flow.” “Everything is connected. Even the smallest light adds to the whole.” The Endless Chase –
Lucien ran through a labyrinth, its walls shifting and alive, made of tangled roots and flickering light. Behind him, the echo of footsteps and Renard’s voice calling his name, mocking him. But as he turned a corner, the walls parted to reveal a still lake, its surface reflecting the stars. He stopped, breathless, staring at his reflection in the water. It wasn’t him—it was a younger boy, wide-eyed and unafraid. The boy reached out, and Lucien felt a calm ripple through him. The chase wasn’t real. It never was. The walls dissolved, leaving him standing under a vast, open sky.The Wandering Maze –
Darius wandered through a green field, the tall grass brushing against his hands. The horizon seemed endless, but each step revealed new paths, twisting and turning like a living map. He saw figures ahead—people he thought he recognized—but when he reached them, they vanished, leaving only their footprints. Frustration welled up in his chest, but then he heard laughter—a clear, joyful sound. A child ran past him, leaving a trail of flowers in their wake. Darius followed, the path opening into a vibrant garden. There, he saw his own footprints, weaving among the flowers. “You’re not lost,” a voice said. “You’re walking your own path.”The Woven Tapestry –
Amei found herself in a dim room, lit only by the soft glow of a loom. Threads of every color stretched across the space, intertwining in intricate patterns. She sat before the loom, her hands moving instinctively, weaving the threads together. Faces appeared in the fabric—Tabitha, her estranged friends, even strangers she didn’t recognize. The threads wove tighter, forming a brilliant tapestry that seemed to hum with life. She saw herself in the center, not separate from the others but connected. This time she heard clearly “Messy patterns are still patterns,” a voice whispered, and she smiled.The Scattered Grains –
Elara stood on a beach, the sand slipping through her fingers as she tried to gather it. The harder she grasped, the more it escaped. A wave rolled in, sweeping the sand into intricate patterns that glowed under the moonlight. She knelt, watching the designs shift and shimmer, each one unique and fleeting. “Let go,” the wind seemed to say. “The beauty is in the flow.” Elara let the sand fall, and as it scattered, it transformed into light, rising like fireflies into the night sky.The Mandala of Light –
Matteo stood in a darkened room, the only light coming from a glowing mandala etched on the floor. As he stepped closer, the patterns began to move, spinning and shifting. Faces appeared—his mother, the friends he hadn’t yet met, and even his own reflection. The mandala expanded, encompassing the room, then the city, then the world. “Everything is connected,” a voice said, low and resonant. “Even the smallest light adds to the whole.” Matteo reached out, touching the edge of the mandala, and felt its warmth spread through him.
Dreamtime
It begins with running—feet pounding against the earth, my breath sharp in my chest. The path twists endlessly, the walls of the labyrinth curling like roots, closing tighter with each turn. I know I’m being chased, though I never see who or what is behind me. The air thickens as I round a corner and come to a halt before a still lake. Its surface gleams under a canopy of stars, too perfect, too quiet. I kneel to look closer, and the face that stares back isn’t mine. A boy gazes up with wide, curious eyes, unafraid. He smiles as though he knows something I don’t, and my breath steadies. The walls of the labyrinth crumble, their roots receding into the earth. Around me, the horizon stretches wide and infinite, and I wonder if I’ve always been here.
The grass is soft under my feet, swaying with a breeze that hums like a song I almost recognize. I walk, though I don’t know where I’m going. Figures appear ahead—shadowy forms I think I know—but as I approach, they dissolve into mist. I call out, but my voice is swallowed by the wind. Laughter ripples through the air, and a child darts past me, their feet leaving trails of flowers in the earth. I follow, unable to stop myself. The path unfolds into a garden, vibrant and alive, every bloom humming with its own quiet song. At the center, I find myself again—my own footprints weaving among the flowers. The laughter returns, soft and knowing. A voice says, “You’re not lost. You’re walking your own path.” But whose voice is it? My own? Someone else’s? I can’t tell.
The scene shifts, or maybe it’s always been this way. Threads of light stretch across the horizon, forming a vast loom. My hands move instinctively, weaving the threads into patterns I don’t understand but feel compelled to create. Faces emerge in the fabric—some I know, others I only feel. Each thread hums with life, vibrating with its own story. The patterns grow more intricate, their colors blending into something breathtaking. At the center, my own face appears, not solitary but connected to all the others. The threads seem to breathe, their rhythm matching my own heartbeat. A voice whispers, teasing but kind: “Messy patterns are still patterns.” I want to laugh, or cry, or maybe both, but my hands keep weaving as the threads dissolve into light.
I’m on the beach now, though I don’t remember how I got here. The sand is cool under my hands, slipping through my fingers no matter how tightly I try to hold it. A wave rolls in, its foam glowing under a pale moon. Where the water touches the sand, intricate patterns bloom—spirals, mandalas, fleeting images that shift with the tide. I try to gather them, to keep them, but the harder I hold on, the faster they fade. A breeze lifts the patterns into the air, scattering them like fireflies. I watch them go, feeling both loss and wonder. “Let go,” a voice says, carried by the wind. “The beauty is in the flow.” I let the sand fall from my hands, and for the first time, I see the patterns clearly, etched not on the ground but in the sky.
The room is dark, yet I see everything. A mandala of light spreads across the floor, its intricate shapes pulsing with a rhythm I recognize but can’t place. I step closer, and the mandala begins to spin, its patterns expanding to fill the room, then the city, then the world. Faces appear within the light—my mother’s, a child’s, strangers I know but have never met. The mandala connects everything it touches, its warmth spreading through me like a flame. I reach out, my hand trembling, and the moment I touch it, a voice echoes in the air: “Everything is connected. Even the smallest light adds to the whole.” The mandala slows, its light softening, and I find myself standing at its center, whole and unafraid.
I feel the labyrinth’s walls returning, but they’re no longer enclosing me—they’re part of the loom, their roots weaving into the threads. The flowers of the garden bloom within the mandala’s light, their petals scattering like sand into the tide. The waves carry them to the horizon, where they rise into the sky, forming constellations I feel I’ve always known.
I wake—or do I? The dream lingers, its light and rhythm threading through my thoughts. It feels like a map, a guide, a story unfinished. I see the faces again—yours, mine, ours—and wonder where the path leads next.
