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“Okay,” Al started.
“At the essence of I Ching, is the notion that everything is mutable, and changes. Everything changes, except the law that says that everything changes.
“In many ways, the I Ching is like a book where the pages numbering change every time you start to read it. Not unlike our story composition.”

“I get that,” answered Tina, interested by what would come out.

“So,” Al continued, always disagreeably pondering, Tina would say. “usually, when people are drawing to read from the I Ching, they have six numbers that give an hexagram. And these numbers are carrying into them their potential change, which usually gives another hexagram to read.”
“In our stories, the entries have a fixed identity, which is given by the system; this is our starting point. For your comments, this is ’4-191-328’.
“But as everything evolves, our entries are given an order in the book; this order is changeable, and that’s what I will use for the second hexagram; in your case it’s ’2-151-223’.”
“If you say so…” Tina sighed, a bit lost.
“Oh, I’m inventing the rules as we speak,” Al said trying to reassure her somewhat.
“I don’t know if that makes me feel better” she said.

“Okay. Now, I need to create the hexagrams; hexagrams are defined by six straight or broken lines; zero or one, binary system. Here, Chinese usually use the convention that odd is straight, and even is broken… Ahaha, doesn’t seem to make sense, but odd is male, unbalanced into action, and is associated with single, straight things. Broken is paired, complete in reflection, unbalanced in passivity.”

“And I wonder when we actually start to hear something that makes sense?” whispered Tina, a bit crossly.

“Okay, the thing I see, is that I have trouble making one hexagram with seven numbers, ahaha”, Al laughed a bit embarrassed.

“Oh, then no point in wiggling like that” said Tina very sweetly, “Scrap any bit that bothers you”.

“Okay, anyway we can go deeper into them afterwards if needed; I’ll scrap the first number rather than the last, because you see, 2 and 4 are both even, and thus there is no mutation here.”

“So here we are, if we scrap the bottom one, we get…”

Hopefully, Al was not one to judge a work by the time it takes to produce.
Actually, he was remembering a tale he’s been telling Sam no so long ago, about a Chinese painter who took years of training to be able to execute a painting in a single most perfect stroke. Only thing was that the Prince who had ordered him to paint this was offended when he saw him arrive empty-handed and drawing on the spot in what seemed the most easy, flowing movement that single painting, while he had been provided time and resources to the painter for so long. He had him executed, only for his servants to discover later that the painter’s house was full of tons of sketches.
It is all a work of art, dear Tina…

— Now, I get that you have found your favourite entries.
— Yes, entry number 2 .
— Okay
— Then, the one where Fiona changes her name to Finn, that has to be a significant one; that is 151 …
— Fine
— And 223 , when Arona gets given Yikesy

Al pondered for a moment…

Akita was the first to come back to his senses.
He suddenly felt strangely deserted, in this dark damp atmosphere showered by warm rain above the canopy. But a brief look around showed him that he wasn’t totally alone. The little girl was here, with a couple and that strange man too.

Where was it?… and… When was it?

But there was something more alarming to think of right now. Having spent years in that jungle, he knew the scent well enough. A spider had been here, he could tell without a single shred of doubt.

— Master Tfark , I am pleased to hear that this mission will soon bring me what I requested.
— We are here to serve, Madam, answered obsequiously the chief of the magpies gang. As long as, of course, the promised payment is ready.
— Wasn’t the first part of the payment satisfactory? snapped the woman with an aggressiveness so subtle that no one could have said that there was even a single trace of rudeness in her voice.
— Yes Madam, the device you provided worked perfectly. We are eager to continue our little arrangements.
— Very well. Bring the Arachnid Skull quickly now.

Midora was perplexed. These books were like an open-ended uncharted territory. That territory was so vast and fractal-like in nature that each attempt at following a single thread seemed daunting. There were always details growing like a reckless plant from the entry points where she started her investigations. Badul seemed lost in this jungled maze.
Last time she’d tried to connect, she ended up with another focus of his, a child, vaguely related to the crystal skulls hunt.

All it requires is a proper compass to navigate the thought suddenly appeared in her mind as clear as daylight, carrying with it a trail of concepts and clusters of associated ideas.
One in particular…
She’d had that book of designs she’d always loved to read when she was a child. It was full of colorful symbols which were called by the authors “tiles”. The authors associated some properties to them, and she remembered one which was about a compass…
So she had found a compass… Now, she would have to learn how to use it. The introduction of the book said:

The tiles presented in this book all have different functions; they can be primarily understood as focal points which enhance specific uses of energy. […] As far as we know, they can be discovered in many situations, either objective events (e.g. something that catches your gaze in the street) or in the subjective (dreams, visions, inspirations etc.). In both cases, the recognition is instantaneous, as each tile carries a distinctive energetic signature which is the essence of its “function”, so to speak.
As such, it can be used theoretically in both situations (subjective and objective), though, as far as we have explored, subjective interaction with them seem to be the easiest and most quickly rewarding way of accessing them.

Subjective interaction, yes that was child’s play, she would have said, though she could vaguely understand why people before the Shift completed had more trouble accessing it. Objective wasn’t so difficult, once you get to the idea that it’s all one, and you can easily switch from each of the attentions used to focus on them.

The only thing that doesn’t seem to change, she thought, is the numbering. Even when the events shuffle through the pages and reorder themselves, or even when the very energy of the event subtly changes, their numbers were the same. She could start with that.

She cleared her mind, envisioning the compass, then took a deep breath and asked herself a question, Where do I find Badul?
Slowly, the compass started to shift and turn, while numbers started to roll in front of her mind’s eye, and like a lottery, at each draw a number appeared, slowly revealing a number: 1-2-3-8

She eagerly leafed through the books to find the reference. Well… that was more perplexing than ever, that seemed like a totally unrelated story.
But now, she was not so sure about that, as she read the entry and wondered about the fact that it seemed once again different from the first time she’d read it.

And now, she marveled as a new entry started to write itself under that one. It was the first time she actually saw an entry write itself. Those she had spotted that were not here before, she just assumed they had appeared instantaneously. But not this one… and it started to link Franiel’s and Badul’s explorations…

I must be talking to an angel Yurick thought, as he was feeling the presence of the lady he had seen in his dreams a few times before. Her presence was remarkably soft, yet, she was unmistakably here, like a loving sisterly figure. Yurick could see at times streaks of a shimmering blue-green halo when he was thinking of her, and this morning, walking in the underground corridors, as he was humming and thinking of this angel, his gaze landed on a movie poster, with beautiful women profiles. None of these profiles had attracted his gaze at first, but a name. Salomé.
Then only, the poster slowly began to unfold itself into focus around that name…
The women were beautiful and seemed to be like beams of a multitude of variations from a single energy essence, like some traditional Avalokiteshvara (Kuan Yin) representations.
The title of that movie was “Les Femmes de l’Ombre” (Women of the Shadow), and that “Salomé” he had seen was the name of the director… How interesting symbolic information…

While she reminded him not of the Salomé of Wilde’s play, but of another biblical figure, the Salomé of the New Testament, follower of the Christ, and likely sister of Mary, Yurick decided he would call that gentle feminine presence “Salomé”…
A woman of the Shadow. For now…

Looking at the clearing, where there was seemingly only a little girl on the trunk of a cut down coconut tree, Akita found himself puzzled. A girl, alone, in that dangerous jungle… Might it be a trick from his old enemies? The giant spiders were vicious, and could play some tricks of mind on humans, he’d witnessed before he’d run into Kay, who was granting him some sort of protection. But as far as he knew, they couldn’t do anything that elaborate. They were rather primitive in their projections, and were more inclined to slimy nightmarish visions than cute little dark-skinned girls, however untidy were her clothes…
Besides, Kay seemed to trust her. And she could see him too. Usually, humans other than partners of spirit dogs couldn’t see them, but at times before they reached puberty, children were able to get glimpses of them, Kay had explained him.

Apparently either the girl was a simpleton, or she had an impossible chance not having yet encountered the spiders, being as she were, pretty oblivious to what was around her, and speaking to herself or imaginary friends, while fiddling with a small device the like of which Akita never had seen in his life. The thing was making beeping noises much like a radio emitter, and his heart leapt at the idea that she might break some god-sent transponder found in the wreckage from which she surely had been a miraculous survivor…
Kay, who had been observing and talking to the little girl, came back near Akita in a blink.

— Don’t worry for that device, it’s just a game…
— A game? It seems quite sophisticated for a game…
— It’s my Gamegirl Advanced, said the girl, without detaching her gaze from the tiny screen… But the batteries will soon be dead, she added with a lovely pouting face.
— Better the batteries than you, retorted Akita. So who are you? You can call me Akita… And I guess you’ve already met Kay.
— I’m Anita, but everybody calls me Anu.

She put the tiny thing at her side, and smiled broadly at Akita.

— Wow, you have such strange clothes, it’s like you’re out of one of those black and white war movies that my father used to watch…
— No wonder, little girl, we are at war.
— I’m not a little girl, and I don’t think you’re right. We’re not at war!
— That was probably well intended of your parents to hide you the truth, but thing is we are. I’ve been stranded on this island for months now with these loathsome creatures, and all I can suppose is that these spiders are secret weapons from the Nazis.
— Oh, Nazis? Like in Indiana Jones! Anu started to giggle…
— What do you mean? So you know of Nazis?
— Sure, my great granddad fought them on the beaches of Normandy, that was many years ago.
— I don’t understand… Do you have any idea of what’s going on? Akita asked Kay…
— Grwl… All of your human quandaries don’t usually make a great deal of sense to me, if you ask me, but I guess her friends would probably know more…
— Her friends? You mean, her imaginary friends?
— Oh they are not imaginary, Anu and Kay chorused.

— Let me try something, Kay said.

And the ghostly dog form contours started to wobble like a poked cube of jelly, becoming a single ball of phosphorescent ectoplastic energy that started to rotate around Akita. Akita’s vision, disturbed by the movements started to blink at a more rapid rate until his peripheral vision started to show some distinct coloured St Elmo’s fires. They were four he could count, at least for the closest ones. At time they overlapped, and when he was focusing on his peripheral vision, he could get more and more stability in these visions.

Kay had stopped, and was again crouched near Akita.
— That’s all? Akita asked in dismay…
— Now you know the trick, answered Kay, almost shrugging…

— It’s really easy, said Anita, beaming at a disoriented Akita. Also… Yuki told me that apparently time is considerably slowed down on this island. And while a month passes here, ten years pass in the world we come from…

A cloud-assisted demented rewrite, just for fun…

PERPLEXED BY THAT PARTICULAR case, THE sheriff HAD HIS glassES floatING BEFORE HIS eyeS.

SOME mean rather weird beings… THE brotherHOOD OF magic NEEDED TO SEND Elikozoe INTO A space Craft TO CARE FOR THE boy WHO felt six motherSHIPS COMING IN HIS dreams.

DURING THESE moments easily FORGOTTEN, SOME others young legends WERE sent Aside TO answer AND bounce WITH alone aspects THAT wondered HOW TO keep focused.

THE trees WERE laughing “yeah!” THEY SAID, AS Anita FELT cold AMONG THE roseS randomLY SCATTERED.
SOME told HER ABOUT love, AS SHE asked WHETHER dragons REALLY seemed LIKE nothing ELSE SHE HAD SEEN BEFORE.

Chris turned wondering ABOUT nature THESE days WHEN everyone, Elizabeth INCLUDED, KEPT thinking WHAT THEIR hair looked LIKE FROM behind.

DEEP inside, SOME help began slightly TO COME TO THE lady AS SOON AS THE dark cloud HAD taken HER TO sleep. THE truth IN particular WAS LIKE A friend WITH purple COLOURS AND A skull IN HIS HAND, WHO sat WAITING FOR HER.
“let HOPE COME, despite whatever FATE bringS TO THE door! YOU must wait SOMETIMES, AS factS follow!”

Nice Tina WAS caught floating ON THE STREAM, AND moving ALONG IN A green jogGING GEAR WAS Joe, BOTH full OF IDEAS THAT gave THEIR friends AN experience NEWLY created. BUT THEY needed magpieS AND tried FOR THESE creatureS INSERTION TO work.

FOR Arona, ALL WAS happening ON Earth LIKE SOME important dream. IT WAS LIKE dancing IN A real play, WITH THE sea NEARBY.
A series OF dog-EARED BOOKS WERE NEARLY outside, AND deep INSIDE, SHE KNEW THE novelS WERE close TO surface OUR dimension, WITH HER head looking BEYOND, AS perhaps Yurick WOULD AGREE.
HIS heart often sounds interesting, BUT OF ALL THE ones SHE liked, IT SHOULD BE herself.
THE Duane SHALL BE rememberED, SHE thought, IN DUE times…

WITH THE goat, Anna suddenly giveS THE blue busy spiders SOME NEW reality, AND Kay IS getting hot. SHE HAD forgotten THAT handS COULD BE making names, AND SHOUTING HER CreEd, THE voice OF THE girl SAID IT matterED THAT THE story became shouted IN THE sky.
Eric WAS ENduring Sanso WHO loved THE sandY BEACHES.

STAYING clear THIS NEW year DEMANDS SOME self AWARENESS, ESPECIALLY ON THE yellow CHAKRA points, TO ALLEVIATE UNNECESSARY physical pain.

CLAD IN teal, SHE WAS waiting FOR HIS parents’ words TO HAVE moved AND TO BE connected. Franiel HAD FELT within HIMSELF four OLD fatherS’ ADVICES, AND HAD AGREED TO TALK TO Salome’S face AND ANSWER HER call THAT HAD APPEARED quickly UPON THE wall AND HAD BEEN wandering OVER HIS bed.
HE careD FOR THE past, AND THAT VISION WAS telling. IN THE morning, HE SAW IT AS A gift, SHINING IN SOME DISTANT island, LIKE A moviNG presence.

Yann VowED TO FIND HIS WAY IN THE soup OF linkS, AND FIND THE OLD godS’ energy THAT kept THE planetS MOVING.
HE heard SOMETHING, A FUGACIOUS moment following HIS ADMIRING OF THE beautiful weather, UNDER THE Glistening sun. A SINGLE dragon’S hands COULD nurse POTENT writing abIlITIeS, AND soon WOULD open GREAT awareNESS OF joy AND moveMENTS AND music WHICH WOULD MAKE HIM laugh OF ALL THAT HE WAS creating WITHIN THIS focus.

Tracy FEELS away OF THE action. IT seems QUITE human… NOTHING IS white DURING twilight, SHE noticed, AND FELT given TO understand.
AS MRS Bellamy, SHE WOULD HAVE stopPED LONG ago, HAD NOT come THAT powerful mummy.
WITH Georges startING TO APPEAR, worry BECOMES quietNESS FOR Jib, AND crystal-CLEARNESS FOR Sam.
MANY years AHEAD IN A GALAXY far-AWAY, ANOTHER Dory IS named AND readS ABOUT DR Bronklehampton’s WORKS.
HAVING TAKING leaveS, AND BEING gone FOR ALL, OLD Hrih DELVES INTO THE skulls AND HIS eyes SEE A next hope IN A book.
MovementS HAPPEN FOR Claudio already… THE world woke UP IN surprise.
A known sense OF TIME–SPACE-travel APPEARS IN THE commentS, AS seen THROUGH light.

Akita’S body AND mind started TO ACT LIKE A saint AND FEEL strange under THE change.
“TO danGER, bugger!” WAS HIS decision NO longer… HE FELT warm… Towards THE worlds treeS, askING HIMSELF IF IT WAS A game, HE SAW TWO male children PLAYING against EACH OTHER.
THEY managed TO show HIM THAT THE Murtuane WAS familiar.
THE whole air WAS speaking. IT sort OF opened ITSELF SO THAT HE knew later OF THAT SPECIAL room OF TIME AND SPACE, AND HAD THE WIND AGAIN BRUSH HIS skin similar TO WHEN HE WAS seeing home IN HIS HEAD.

Felicity IN THE BEDlam SAW half-formS, COUNTING three OF THEM, INCLUDING Gustav IN THE saloon, AND Becky WHO WAS THINKING SHE WAS AGAIN IN THE wrong PLACE: A monastery!
SHE’D RATHER HAVE yourself BE A star, AND HERSELF BE HERE TO MAKE THE FUN postS AND playing lost.

Eight powers smiled: true saying!
THE sisters focuses IN THEIR caveS HAD SOME fine land TO PLAY WITH.
Apparently sound WAS key once, BUT THE VOICES IN THE night speak UNCEASINGLY, AND TO write SOME great stories, SPEAK strongLY. THEY seem TO BE feeling yesterday SOME perfect movements…

THE marmoset HAD FOUND A family, AND funny wordS TO process. IT laughed short GIGGLES…
AS FOR myself, SAID THE cat TO Floyd, I’D create A party-LIKE life, WHERE I DO AS I please, AND LET paper WORK AND feelINGS AND desireS AND tryING AND tellING TO monkey.
THAT shapeD SOME fun, AND syncHRONICITIES AGAIN happened SHORTLY.

IN THE FLOWING water, “aum” SOUNDS RIPPLED IN A huge dear dance beginning TO REFLECT himself IN images. HE sighed AS HIS attention GOT INVOLVED IN THE trip AND HE remembered…
ON THE beach, obviously AWARE OF THE synchRONICITIES, THE creatures wanted TO CLAP THUNDEROUS applauseS.
LIVING THE dead GUYS’ ideaS…

January 4 ^th, 2008

A communication about legends, to complement what Yurick had connected to during his sleep, with ties with the dimension of Alienor, and possibly counterparts within his dimension

Starry sky, eternal and boundless waft of dreams and legends…

Many if not all of the physical dimensions possess legends. Legends of their beginnings, and legends of their ends.
The language which legends speak is a language of symbols, and though many of the receivers of legends are prone to erect them as absolute and faithful accounts of historical soundness, they are much more mutable and protean than what may be commonly thought of them.
They are connections, bridges from a locus (point in time/space) drawn as a frontier between what is known of the now, in which civilizations of these worlds are thriving, and a locus which is forgotten, or beyond the commonly perceived world.
As such, they essentially represent boundaries.

And of course, boundaries are only boundaries because they serve a purpose. Much like boundaries drawn on maps are not necessarily representing actual obstacles which cannot be physically crossed. These are mere perceptive frontiers, which tie in the various developments of history and societal relationships.
When the civilizations, or species, as you understand them, come close to one of these perceptive boundaries, there is an interaction with the very nature of the boundary, which is receptive to the inception of volition to cross the perceptive limitation.
And a process of reshaping and expending the borders takes place, by means of insertion of new legends.

Legends, in that way of seeing things, are not necessarily old dusty accounts sung by blind bards with jovian white beards. Not quite. They are much alive. They are created and recreated in the instant where boundaries of perceptions are being tempered with. Which makes it important to notice that they are translations of much wider movements in consciousness, spanning more than the physical dimension in which they manifest.
Many of the legends that humanity is aware of are very similar accounts, throughout your globe. And they are also projected in other dimensional areas vibrationally close to your manifestations.

You are currently fiddling with the legends of your ends of times, and that is the reason why at the same time, you are starting to create new legends. Legends of new beginnings.
In actuality, this is done oftentimes; each time a perceptual limit is crossed and seen beyond. The only difference here would be the unprecedented span of the process which is occurring now. The point where you are standing, prodding into the interactive frontier you have come across is not a single mere frontier, but a converging point of many of tinier, shorter ones. This also creates a singularity which makes the frontier respond with a sort of inertia. In fact, it is like a wide net of fine threads, which possess altogether a high absorbing potential for small energy bumps. Nonetheless, it will give way to a vastly expanded perception, as soon as the collective energy is focused upon, and steadily moving into the direction of pushing that protective envelop.

That process never ends, and during that process, new legends are being remembered. For the lands beyond the frontiers exists when you are aware of it, which in retrospect also means, it is created, or inserted as you are prodding the frontier.
In fact, you are, as you stand before that specific nexus point, being creating new legends, in that you are evaluating the potentials that you see fluctuating as a shadow world through the layer of a soap bubble, and have them blend with legends that you know of.
Your very lives become the legends of these potential worlds, and thus is the importance of your being at that locus of transition. You indeed come at that point, as much for making it possible but more so, to experience the transition and alteration of the legendary landscape. You are the bridges between a future which you are creating as you remember it, and a past which contains the clues that will be seeds for your new discoveries.
And that is a most rewarding travel, as you will come to see…

Linda and Peregrine’s portrait had taken a little longer than expected to realize. Quite abruptly after India’s encounter with the old wrinkled mummy, Bill Jobsworth had fallen ill. An abrupt cold he said he’d caught, that had left him stuck in his bed for a few weeks.
He’d thought that after the stone heads and the mummy, that was good he didn’t believe in maledictions, because he would have been dead by now. India Louise had been taking care of him, to the surprise of the old Lord who, however, barely expressed more than a raised eyebrow at her incongruous request.

That little retardation was in fact the perfect pretext for the young couple of globe-trotters to settle down in the castle, and prepare a little photographic exposition on their last trip in Eastern Africa. Though in 2057, photographic cameras were by far outdated, Linda was very fond of these old contraptions that she could use to render some of their trips with a certain kind of focus.
She’d a custom set of specially adapted cameras that she’d enhanced with devices to free her of the burdens of storage mostly. However, they could function most like the ancient ones. Capturing light through a single lens, in a very focused time and space framework.

She was very proud of the pictures she had taken of the Dragon’s Blood Trees in Socotra Island and the natural lighting of the scene gave a surreal feeling to it as though an actual iridescent dragon had been hovering on clouds above them.
When she saw them, India Louise had been gaping, telling they looked exactly like what delirious Bill had depicted of his visions …
Linda was moved beyond words at how amazingly complex and delicately beautiful this reality was…

December 3 ^rd

^{( Hey, that’s 12.3, might be a hint for growth… Yurick)}

A communication about coordinate points, and how to travel between idea clusters

As the story starts to develop in a rapid and very intertwined manner, much like waves in the ocean, overlapping and rippling from and to many directions, Yurick became concerned that it may be difficult to keep track of, or rather to retain an ability to graciously navigate in it.

Let us imagine for a moment. Take your own life. It is composed of a multitude of moments. Your construct of linear time gives you the impression that there is a continuous succession or stream of moments.
In a manner of speaking, it is easier for you to grok the concept of multiple points of attention for your naturally associate them with your space. You can easily envision your many focuses happening all at once in a variety of places, towns or countries, and having a possibility to zoom in and out, so that to encompass more than your single current focus.
But what you do in engaging your conceptualization with your focuses would be equally valid were you to engage it in relation to that single focus that is you, in all of its moments of actualization.
But that would be far less familiar, as you identify quite strongly with that construct of time.

As that story unfolds, you discover that there are an infinity of points of attention dispersed in many many comments, and one comment can include many more than one point of attention itself. What you would be tempted to do, for it is something that is very automatic in your current associations, would be to attempt to draw lines between the points, to recreate a linearity, and thus facilitate your understanding of a certain action.

This is unnecessary and within your current movement of expansion of awareness would be counterproductive.

But you are familiar with that concept of coordinate points. For most of you, you once again associate them strongly with the space continuum, but they could be used in many many other situations. That story being one of them.
The coordinate points are in a manner of speaking, conglomerate of very coherent energy; they would not be “points” per se, but rather high concentration of these points of attention that your attempt to link together.
As such, they become the links that you are in search of, for in that drawing of energy points of similar expressions, they also become passageways between the associations that the points are linked to.
As a matter of fact, the “point” that you come to identify to the concentrated cluster of points would rather be a tone representative of that coherent energy that you can use to activate the links contained within that cluster of points.

That would be the reason why Yurick, in coming to understand that concept, has slightly adapted the original cloud of tags in the story, so that it can expand and be used to access the coordinate points that the tags are, quite simply.

If you feel like adding new icons, you sure can do that by yourself.

1. Go for instance into Google Images and say you look for a goat icon (seems daft, but that was the first thing on my mind ) – Just type goat gif for instance and look for the small-sized images.
2. locate the address of the image by right-clicking Copy Image Location
3. paste into your comment surrounded by exclamation marks !http://www.vpsingles.com/pics/goat.gif!

And here you go, with a daft goat icon:

NB: of course (if the images are free to use and reproduce) you could also upload it onto your focusphere blog images for instance too, so that it is safe for future use, and doesn’t steal the bandwidth of the other websites…

— The legend of Mævel — (Part IV)

Mævel’s mind was made up, she was leaving tonight. She took a few of her belongings in a little bundle, and all very silently, moved to the door, the bundle in one hand, and the key in the other.

But when she tried to put the key into the lock, she noticed something was wrong. The key was way too big for the small lock. What was the purpose of materializing a big key unfit to the locks that were in front of us? she wondered.
Perhaps the key will have another use, she said to herself, and she put it into her bundle, and wondered whether she could find another way to get out of the bedroom.

« Use your magic,… you don’t need to play by the rules » a tiny voice whispered in her ear.
« What does that mean? » she asked, befuddled, as perhaps her parents where right after all, she was becoming nuts… Well, that might attract squirrels and have them gnaw a hole in that wall, she said giggling to herself.
« You don’t need draw squirrels,… you can draw a door directly »

What a strange idea, Mævel thought, drawing a door… It sounded so funny at the moment, that she could feel her heart lift and her spirits as well. What could she use to draw that door… Her gaze ran quickly through the bedroom, looking for a bit of chalk, or charcoal, or whatever else. What a terrible thing that she was so obsessed by dusting, as there wasn’t even a single dust bunny left to draw that door.

« Now, will you pay attention? »
« I beg your pardon? »
« What did I told you? »
« Mmmm, let me think… Oh! I don’t have to play by the rules… »

So, in a bout of genius, Mævel ran her finger on the wall, starting from the floor, straight upwards, then to the right, and straight down again, until… well, nothing happened.

« That wall hasn’t budged any! »
« Are you sure?… Look closer »

And Mævel saw that the wall had become like a shiny surface of water, right inside where she had drawn the limits of that imaginary door. And when she pressed her finger, it was simply going through it, as though the surface had just been an illusion.

With a thank for the helpful voice in her head, she was about to cross the surface, but was stopped in her track by a moment of hesitation. Could she change the destination behind the wall as well?
Why not, after all, she didn’t have to play by the rules.

« To the forest! » Mævel ordered intently to the wall before jumping in.

The voice smiled to her fondly.