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As soon as Boothroyd had gone, Laddie Bentry, the under gardener, emerged from behind the Dicksonia squarrosa that was planted in a rare French Majolica Onnaing dragon eagle pot.  The pot, and in particular the tree fern residing within it, were Laddie’s favourite specimen, reminding him of his homeland far away.

Keeping a cautious eye on the the door leading into the house, Laddie hurried over to the cast iron planter and retrieved the Liz Tattler novel hidden underneath.  Quickly he tucked in into the inside pocket of his shabby tweed jacket and hastened to the door leading to the garden. Holding on to his cap, for the wind was cold and gusty, he ran to the old stable and darted inside.  Laddie reckoned he had an hour or two free without Boothroyd hovering over him, and he settled himself on a heap of old sacks.

The Vampire Hoarders of Varna.  It wasn’t the first time Laddie had seen Boothroyd surreptitiously reading Helier’s books, and it had piqued his curiosity.  What was it the old fart found so interesting about Helier’s novels? The library was full of books, if he wanted to read. Not bothering to read the preface, and not having time to start on page one, Laddie Bentry flicked through the book, pausing to read random passages.

….the carriage rattled and lurched headlong through the valley, jostling the three occupants unmercifully. “I’ll have the guts of that coachman for garters! The devil take him!” Galfrey exclaimed, after bouncing his head off the door frame of the compartment. 

“Is it bleeding?” asked Triviella, inadvertently licking her lips and she inspected his forehead. 

“The devil take you too, for your impertinence,” Galfrey scowled and shook her off, his irritation enhanced by his alarm at the situation they found themselves in.

Ignoring his uncharacteristic bad humour, Triviella snuggled close and and stroked his manly thigh, clad in crimson silk breeches.  “Just think about the banquet later,” she purred. 

Jacobino, austere and taciturn, on the opposite seat, who had thus far been studiously ignoring both of them, heard the mention of the banquet and smiled for the first time since…

Laddie opened the book to another passage.

“……1661, just before the seige of Gloucester, and what a feast it was!  It was hard to imagine a time when we’d feasted so well. Such rich and easy pickings and such a delightful cocktail.  One can never really predict a perfect cocktail of blood types at a party, and centuries pass between particularly memorable ones. Another is long overdue, and one would hate to miss it,” Jacobino explained to the innocent and trusting young dairy maid, who was in awe that the handsome young gentleman was talking to her at all, yet understood very little of his dialogue.

“Which is why,” Jacobino implored, taking hold of her small calloused hands, “You must come with me to the banquet tonight.” 

Little did she know that her soft rosy throat was on the menu…..

“Quite fitting that I should get her sleeves,” Cerenise said with satisfaction. “And what a relief that she left the wolf to you, Spirius. I’d not have been able to manage a wolf.”  Cerenise popped another cashew nut into her mouth.

Spirius looked at her with a raised eyebrow. “My guess is you’d have managed just fine,” he replied drily. He’d heard all the noise she made behind those locked doors.  He’d seen her prancing around the orchard in the moonlight when she thought nobody was watching, naked as the day she was born all those centuries ago. He hadn’t lingered at the window, but he had put two and two together years ago, many years ago, just after the seige of Gloucester.   If truth be told, Cernise’s  secret was known to them all, but they hadn’t interfered with her delusion.

“There’s going to come a point, and very soon, when we will have to deal with the water leak, you know,” Yvoise interrupted the inconsequential chatter.  “Holy and healing as it may be, it will be the ruin of my collection if it reaches the upper floors.”

“And what do you propose?” asked Helier.

“I suggest we call a plumber!” snapped Yvoise. “This is the 21st century is it not? I know tradesmen are in short supply, and I know this isn’t an ordinary leak, but we should start with the obvious, and then adapt accordingly.”

“I must bottle as much of the holy water as possible before we stop the leak,” Spirius said, standing up abruptly in agitation.

Helier put a calming hand on the old boy’s shoulder. “There’s no rush, Spirius, there’s plenty of water in the cellars, it’s already waist deep down there.”

“And the saints only know what has floated into the cellars by now from the tunnels.  Be careful down there, Spirius.   Take Boothroyd the gardener with you,” Yvoise advised.

It must be two hundred years at least since we’ve heard a will read at number 26, Cerenise thought to herself, still in a mild state of shock at the unexpected turn of events. She allowed her mind to wander, as she was wont to do.

Cerenise had spent the best part of a week choosing a suitable outift to wear for the occasion and the dressing room adjoining her bedroom had become even more difficult to navigate. Making sure her bedroom door was securely locked before hopping out of her wicker bath chair  (she didn’t want the others to see how nimble she still was), she spent hours inching her way through the small gaps between wardrobes and storage boxes and old wooden coffers, pulling out garment after garment and taking them to the Napoleon III cheval mirror to try on.  She touched the rosewood lovingly each time and sighed. It was a beautiful mirror that had faithfully reflected her image for over 150 years.

Holding a voluminous black taffetta mourning dress under her chin, Cerenise scrutinised her appearance. She looked well in black, she always felt, and it was such a good background for exotic shawls and scarves. Pulling the waist of the dress closer, it became apparent that a whalebone corset would be required if she was to wear the dress, a dreadful blight on the fun of wearing Victorian dresses.  She lowered the dress and peered at her face. Not bad for, what was it now? One thousand 6 hundred and 43 years old? At around 45 years old, Cerenise decided that her face was perfect, not too young and not too old and old enough to command a modicum of respect. Thenceforth she stopped visibly aging, although she had allowed her fair hair to go silver white.

It was just after the seige of Gloucester in 1643, which often seemed like just yesterday, when Cerenise stopped walking in public.  Unlike anyone else, she had relished the opportunity to stay in one place, and not be sent on errands miles away having to walk all the way in all weathers.  Decades, or was it centuries, it was hard to keep track,  of being a saint of travellers had worn thin by then, and she didn’t care if she never travelled again. She had done her share, although she still bestowed blessings when asked.

It was when she gave up walking in public that the hoarding started.  Despite the dwellings having far fewer things in general in those days, there had always been pebbles and feathers, people’s teeth when they fell out, which they often did, and dried herbs and so forth. As the centuries rolled on, there were more and more things to hoard, reaching an awe inspiring crescendo in the last 30 years.

Cerenise, however, had wisely chosen to stop aging her teeth at the age of 21.

Physically, she was in surprisingly good shape for an apparent invalid but she spent hours every day behind locked doors, clambering and climbing among her many treasures, stored in many rooms of the laybrinthine old building.  There was always just enough room for the bath chair to enter the door in each of her many rooms, and a good strong lock on the door. As soon as the door was locked, Cerenise parked the bath chair in front of the door and spent the day lifting boxes and climbing over bags and cupboards, a part of herself time travelling to wherever the treasures took her.

Eventually Cerenise settled on a long and shapeless but thickly woven, and thus warm, Neolithic style garment of unknown provenence but likely to be an Arts and Crafts replica. It was going to be cold in the library, and she could dress it up with a colourful shawl.

“In the name of god amen I Auftreberthe saint of wafhing and water of the parifh of Gloucefter in the county of Gloucefterfhire being weak of body but of sound and perfect mind and memory do hereby commit my soul to the almighty and hereby do make thif my laft will and teftament in manner and form af followeth…”

And so began the reading of Austreberthe’s will to the small gathering assembled in the library of the emporium. Bartholomew Gosnold, the aged barrister, stood behind the large oak desk, clearing his throat frequently and pausing to peer over his spectacles.  The library was atwinkle with lamps of a variety of styles and ages, but was otherwise dark and vast in the areas outside of the pools of light.  Heavy brocade curtains covered the windows, and a fire glowed in the hearth, for it was winter, the last day of the year, and darkness came early and freshly fallen snow blanketed the town in frigid holy silence.

Despite the fire, it was chilly in the library which was rarely heated, and Cerenise wound her ancient Kashmiri shawl aound her neck and shoulders, pausing to finger the cloth appreciatively. It was an exquisite Kani shawl, woven with intricate floral motifs in warm shades of red and plum, soft as a rabbit. She inched her wicker bath chair closer to the fire, accidentally tipping over a small table and sending the contents of a green glazed Tamegroute bowl skittering across the floor.

Yvoise tutted loudly as she rose from her chair to collect all the buttons and stand the little table back up. Luckily the bowl had landed on the Tabriz rug and hadn’t broken.

Bartholomew Gosnold paused until Yvoise had finished, and then resumed his reading of the will, after first clearing his throat again.

Some ideas for the background thread and character profiles for “The Hoards of Emporium 26.”

The Setting: Emporium 26

They live in Gloucester (ancient Glevum), a city built on Roman bones where the layout of the streets still follows the legions’ sandals. They inhabit a sprawling, shared Georgian townhouse complex that has been knocked through into one labyrinthine dwelling—Number 26.

To the outside world, it looks like a dilapidated heritage site. Inside, it is The Emporium: a geological stratification of history, where layers of Roman pottery are mixed with 1990s Beanie Babies and medieval reliquaries.

The Background Thread: “The Weight of Eternity”

Why do they hoard? Because when you live forever, “letting go” feels like losing a piece of the timeline. Hoarding objects is for them an accumulation of evidence of existence.

• The Curse: They cannot die naturally, but they can fade if they are forgotten. The “stuff” anchors them to the physical plane.
• The “Halo” Effect: Occasionally, when they are arguing over whose turn it is to do the dishes, or when they find a lost treasure, the stained-glass light of their old divinity flickers behind their heads—a neon halo of forgotten holiness.

The Hoarders & Their Stashes

1. Helier ( The Hermit / The Dreamer)

• Saintly Origin: Based on St. Helier (Jersey/Normandy). He was an ascetic hermit who lived in a cave and was eventually beheaded.
• Modern Persona: A soft-spoken agoraphobe who hasn’t left the house since the invention of the internet. He wears oversized cardigans that smell like old library books.
• The Mania: Escapism & Communication.
• Because he spent centuries in silence on a rock, he is now obsessed with human stories and noise.

• The Hoard: ” The Media Mountain.”
• His wing of the house is a fire hazard of pulp fiction, towering stacks of National Geographic (dating back to the first issue), thousands of VHS tapes (he has no VCR), and tangled knots of ethernet cables that he refuses to throw away “in case they fit a port from 1998.”
• The Secret Stash: Beneath a pile of “The Hoarder Vampires” novels lies his true relic: The Stone Pillow. The actual rock he slept on in the 6th century. He still naps on it when his back hurts.

2. Spirius (The Bishop / The Container)

• Saintly Origin: Evocative of St. Exuperius (Bayeux). A driver-out of demons and a man of grand gestures.
• Modern Persona: A nervous, fidgety man who is convinced the world is leaking. He is the “fixer” of the group but usually makes things worse with duct tape.
• The Mania: Containment & Preservation.
• In the old days, he bottled demons. Now, he’s terrified of running out of space to put things.

• The Hoard: “The Vessel Void.”
• Spirius hoards anything that can hold something else. Empty jam jars (washed, mostly), Tupperware with no matching lids, biscuit tins, and thousands of plastic carrier bags stuffed inside other carrier bags (the “Bag of Bags”).
• The Secret Stash: In a locked pantry, he keeps a shelf of sealed mason jars labeled with dates like “1431” or “1789.” He claims they contain the “Sigh of a King” or “The smell of rain before the Plague.” It’s actually just dust, but the jars vibrate slightly.

3. Cerenise (The Weaver / The Mender)

• Saintly Origin: Evocative of St. Ceneri or St. Cerneuf. A saint of travelers, or perhaps needlework.
• Modern Persona: She is the “Wheelchair Girl’s” friend mentioned in the intro? Or perhaps she is in a wheelchair now—not because she can’t walk, but because she’s too tired from walking for 1,500 years. She is sharp-tongued and fashionable in a “crazy bag lady” sort of way.
• The Mania: Potential & Texture.
• She sees the soul in broken things. She cannot throw away anything that “could be fixed.”

• The Hoard: “The Fabric of Time.”
• Her rooms are draped in layers of textiles: velvet curtains from a 1920s cinema, moth-eaten tapestries depicting her own miracles (she thinks the nose is wrong), and buttons. Millions of buttons. She also hoards broken appliances—toasters, lamps, clocks—insisting she will repair them “next Tuesday.”
• The Secret Stash: A mannequin dressed in a perfectly preserved Roman stola, hidden under forty layers of polyester coats. It’s the outfit she wore when she performed her first miracle. She tries it on every New Year’s Eve.

4. Yvoise (The Advocate / The Bureaucrat)

• Saintly Origin: Evocative of St. Yves (Patron of Lawyers/Brittany/Normandy). The arbiter of justice.
• Modern Persona: The “Manager” of Emporium 26. She wears power suits from the 80s and is always carrying a clipboard. She loves rules, even if she invents them.
• The Mania: Proof of Truth.
• She is terrified of being forgotten or cheated. She needs a receipt for everything.

• The Hoard: “The Archive of Nothing.”
• Yvoise hoards paper. Receipts from a coffee bought in 1952, bus tickets, expired warranties, junk mail, and legal disclaimers torn off mattresses. Her room looks like the inside of a shredder that exploded. She claims she is building “The Case for Humanity.”
• The Secret Stash: A filing cabinet labeled “Do Not Open.” Inside is not paper, but Seeds. Seeds from the trees of ancient Gaul. She is saving them for when the paper finally takes over the world and she needs to replant the forest she misses.

Starter: The Reading of Austreberthe’s Will

The story kicks off because Austreberthe (The Saint of Washing/Water) has died. Her hoard was Soap and Water.

• The house is now flooding because her magical containment on the plumbing has broken.
• The remaining four must navigate her “Tsunami Wing”—a treacherous dungeon of accumulated bath bombs, stolen hotel towels, and aggressive washing machines—to find her Will.
• The Will is rumored to reveal the location of the “Golden Key,” an object that can legally terminate their lease on Emporium 26, which none of them want, but all of them crave.

“Solar kettle, my ass,” Chico muttered, failing to resist the urge to spit. After wiping his chin on his tattood forearm, he spoke up loudly, “That was no solar kettle in the gazebo. That was the Sabulmantium!”

An audible gasp echoed around the gathering, with some slight reeling and clutching here and there, dropping jaws, and in the case of young Kit, profoundly confused trembling.

Kit desperately wanted to ask someone what a Sabulmantium was, but chose to remain silent.

Amy was frowning, trying to remember. Sure, she knew about it, but what the hell did it DO?

A sly grin spread across Thiram’s face when he noticed Amy’s perplexed expression. It was a perfect example of a golden opportunity to replace a memory with a new one.

Reading Thiram’s mind, Carob said, “Never mind that now, there’s a typhoon coming and the gazebo has vanished over the top of those trees. I can’t for the life of me imagine how you can be thinking about tinkering with memories at a time like this! And where is the Sabulmantium now?”

“Please don’t distress yourself further, dear lady, ” Sir Humphrey gallantly came to Carob’s aid, much to her annoyance. “Fret not your pretty frizzy oh so tall head.”

Carob elbowed him in the eye goodnaturedly, causing him to stumble and fall.  Carob was even more annoyed when the fall rendered Sir Humphrey unconscious, and she found herself trying to explain that she’d meant to elbow him in the ribs with a sporting chuckle and had not intentionally assaulted him.

Kit had been just about to ask Aunt Amy what a Sabulmantium was, but the moment was lost as Amy rushed to her fathers side.

After a few moments of varying degrees of anguish with all eyes on the prone figure of the Padre, Sir Humphrey sat up, asking where his Viking hat was.

And so it went on, at every mention of the Sabulmantium, an incident occured, occasioning a diversion on the memory lanes.

Chico drank the cup of freshly ground coffee beans. He winked with distaste and jotted a few words on his notebook before trying a second batch of ground coffee beans.

He wasn’t aware of much from his past life, or if he even had a life before the others summoned him. They were a mystery to him, and he didn’t understand the reasons or the purpose of his existence. He didn’t even like coffee; he only pretended to, because the job and his own physical appearance kind of fit with the stereotype. He chuckled thinking it could be a stereotypo.

He thought the taste of coffee was the reason why he chewed betel leaves. Their taste, slightly spicy and pungent with hints of clove and cinnamon helped mask the bitterness of the coffee he had to drink. He suddenly became aware of some other information about himself. He could swear he had forgotten them, they simply weren’t there before. His father had lost his teeth. The reason wasn’t clear yet, but looming behind the jungle trees. What about his mother? Was she slim or fat? Both possibilities flickered in his head and disappeared. Apparently it hadn’t been chosen yet. He pondered about that last remark before forgetting it.

Too many weird questions were passing through his fat head. The heat and sweat were no good for his mental health… because of all the flies. He wondered if that was the reason why the old lady had started breeding them under her rooftop. She claimed it was an infestation but he had seen her secretly releasing swarms of flies in the evening, exciting the cauldron of bats. She had seen him looking at her, but they had tacitly convened they would not betray each other’s secret. Only, Chico wasn’t yet aware of what his own secret was.

He winced as he tasted the third batch of coffee from the plantation.

Theme Song

Welcome to the Flying Fish Inn

[Verse]
Dusty inn of stories wide
Gum-leaf whispers where dreams abide
Mater’s laugh like the crackling fire
Dodo’s show lifts the spirits higher

[Chorus]
Out on the edge where memories spin
Bushland beats and legends begin
With clove and Corrie’s mischievous grin
Here lies the heart of a dusty inn

[Verse 2]
Prune plays tricks by lantern’s gleam
Kookaburras join this timeless theme
Aunt Idle’s wink it holds a spark
Lighting tales in the outback dark

[Bridge]
Rusted signs swing slow with pride
Creaking porch where secrets hide
Every soul has a verse within
And every night’s a new tale to spin

[Chorus]
Out on the edge where memories spin
Bushland beats and legends begin
With clove and Corrie’s mischievous grin
Here lies the heart of a dusty inn

[Verse 3]
Old Bert hums with a pipe in hand
Echoes surf on the scorched red land
Shadows dance on the pub’s embrace
Laugh lines drawn on every face

Thiram Izu

Thiram Izu – The Bookish Tinkerer with Tired Eyes

Explicit Description

• Age: Mid-30s

• Heritage: Half-Japanese, half-Colombian

• Face: Calm but slightly worn—reflecting quiet resilience and perceptiveness.

• Hair: Short, tousled dark hair

• Eyes: Observant, introspective; wears round black-framed glasses

• Clothing (standard look):

  • Olive-green utilitarian overshirt or field jacket

  • Neutral-toned T-shirt beneath

  • Crossbody strap (for a toolkit or device bag)

  • Simple belt, jeans—functional, not stylish

• Technology: Regularly uses a homemade device, possibly a patchwork blend of analog and AI circuitry.

• Name Association: Jokes about being named after a fungicide (Thiram), referencing “brothers” Malathion and Glyphosate.

Inferred Personality & Manner

• Temperament: Steady but simmering—he tries to be the voice of reason, but often ends up exasperated or ignored.

• Mindset: Driven by a need for internal logic and external systems—he’s a fixer, not a dreamer (yet paradoxically surrounded by dreamers).

• Social Role: The least performative of the group. He’s neither aloof nor flamboyant, but remains essential—a grounded presence.

• Habits:

  • Zones out under stress or when overstimulated by dream-logic.

  • Blinks repeatedly to test for lucid dream states.

  • Carries small parts or tools in pockets—likely fidgets with springs or wires during conversations.

• Dialogue Style: Deadpan, dry, occasionally mutters tech references or sarcastic analogies.

• Emotional Core: Possibly a romantic or idealist in denial—hidden under his annoyance and muttered diagnostics.

Function in the Group

• Navigator of Reality – He’s the one most likely to point out when the laws of physics are breaking… and then sigh and fix it.

• Connector of Worlds – Bridges raw tech with dream-invasion mechanisms, perhaps more than he realizes.

• Moral Compass (reluctantly) – Might object to sabotage-for-sabotage’s-sake; he values intent.

Chico Ray

Chico Ray

Directly Stated Visual and Behavioral Details:

• Introduces himself casually: “Name’s Chico,” with no clear past, suggesting a self-aware or recently-written character.

• Chews betel leaves, staining his teeth red, which gives him a slightly unsettling or feral appearance.

• Spits on the floor, even in a freshly cleaned café—suggesting poor manners, or possibly defiance.

• Appears from behind a trumpet tree, implying he lurks or emerges unpredictably.

• Fabricates plausible-sounding geo-political nonsense (e.g., the coffee restrictions in Rwanda), then second-guesses whether it was fiction or memory.

Inferred Traits:

• A sharp smile made more vivid by betel staining.

• Likely wears earth-toned clothes, possibly tropical—evoking Southeast Asian or Central American flavors.

• Comes off as a blend of rogue mystic and unreliable narrator, leaning toward surreal trickster.

• Psychological ambiguity—he doubts his own origins, possibly a hallucination, dream being, or quantum hitchhiker.

What Remains Unclear:

• Precise age or background.

• His affiliations or loyalties—he doesn’t seem clearly aligned with the Bandits or Lucid Dreamers, but hovers provocatively at the edges.

Amy & Carob

☕ Amy Kawanhouse

Directly Stated Visual Traits:

• Hair: Long, light brown

• Eyes: Hazel, often sweaty or affected by heat/rain

• Clothing: Old grey sweatshirt with pushed-up sleeves

• Body: Short and thin, with shapely legs in denim

• Style impression: Understated and practical, slightly tomboyish, no-frills but with a hint of self-aware physicality

Inferred From Behavior:

• Functional but stylish in a low-maintenance way.

• Comfortable with being dirty or goat-adjacent.

• Probably ties her hair back when annoyed.

☕ Carob Latte

Directly Stated Visual Traits:

• Height: Tall (Amy refers to her as “looming”)

• Hair: Frizzled—possibly curly or electrified, chaotic in texture

• General Look: Disheveled but composed; possibly wears layered or unusual clothing (fitting her dreamy reversal quirks)

Inferred From Behavior:

• Movements are languid or deliberately unhurried.

• Likely wears things with big pockets or flowing elements—goat-compatible.

• There’s an aesthetic at play: eccentric wilderness mystic or mad cartographer.

“Look, don’t get upset, ok?” Amy felt she had to nip this in the bud.  “There’s something glaringly wrong with the map.  I mean, yes, it does make a nice picture. A very nice picture,” she added, and then stopped.  Does it really matter? she asked herself. Am I always causing trouble?

Amy sighed. Would life be easier for everyone if she stopped pointing things out and just went along with things?  Was there any stopping it anyway? It’s like a runaway train.

“You were saying?” Ricardo asked.

“Pray, continue,” added Carob with a mischeivous gleam in her eye.  She knew where this was leading.

“Who is he?” Amy whispered to Carob. “Well never mind that now, you can tell me later.”

Amy cleared her throat and faced Ricardo (noting that he was dark complexioned and and of medium height and wiry build, dressed  in a crumpled off white linen suit and a battered Panama hat, and likely to be of Latino heritage)  noticing out of the corner of her eye a smirk on Thiram’s face who was leaning against a tree with his arms folded, looking as if he might start whistling Yankee Doodle any moment.

“According to your map, my good man, nice map that it is, in fact it’s so nice one could make a flag out of it, the colours are great and….”   Amy realised she was waffling.  She cleared her throat and braced her shoulders, glaring at Carob over her shoulder who had started to titter.

Speak your mind even if your voice shakes, and keep the waffling to a minimum.

“My dear Ricardo,” Amy began again, pushing her long light brown hair out of her sweaty hazel eyes, and pushing the sleeves of her old grey sweatshirt up over her elbows and glancing down at her short thin but shapely denim clad legs. “My dear man, as you can see I’m a slightly underweight middle aged woman eminently capable of trudging up and down coffee growing mountains, with a particular flair for maps, and this map of yours begs a few questions.”

“Coffee beans don’t grow in Florida,” Carob interjected, in an attempt to move the discourse along.

“Nor in Morocco,” added Amy quickly, shooting a grateful glance at Carob.

Mars Outpost — Fueling of Dreams (Prune)

I lean against the creaking bulkhead of this rust-stained fueling station, watching Mars breathe. Dust twirls across the ochre plains like it’s got somewhere important to be. The whole place rattles every time the wind picks up—like the metal shell itself is complaining. I find it oddly comforting. Reminds me of the Flying Fish Inn back home, where the fireplace wheezed like a drunk aunt and occasionally spit out sparks for drama.

Funny how that place, with all its chaos and secret stash hidey-holes, taught me more about surviving space than any training program ever could.

“Look at me now, Mater,” I catch myself thinking, tapping the edge of the viewport with a gloved knuckle. “Still scribbling starships in my head. Only now I’m living inside one.”

Behind me, the ancient transceiver gives its telltale blip… blip. I don’t need to check—I recognize the signal. Helix 25, closing in. The one ship people still whisper about like it’s a myth with plumbing. Part of me grins. Half nostalgia, half challenge.

Back in ’27, I shipped off to that mad boarding school with the oddball astronaut program. Professors called me a prodigy. I called it stubborn curiosity and a childhood steeped in ghost stories, half-baked prophecies, and improperly labeled pickle jars. The real trick wasn’t the calculus—it was surviving the Curara clan’s brand of creative chaos.

After graduation, I bought into a settlers’ programme. Big mistake. Turns out it was more con than colonization, sold with just enough truth to sting. Some people cracked. I just adjusted course. Spent some time bouncing between jobs, drifted home a couple times for stew and sideways advice, and kept my head sharp. Lesson logged: deceit’s just another puzzle with missing pieces.

A hiss behind the wall cuts into my thoughts—pipes complaining again. I spin, scan the console. Pressure’s holding. “Fine,” which out here means “still not exploding.” Good enough.

I remember the lottery ticket that got me here— 2049, commercial flights to Mars at last soared skyward— and Effin Muck’s big lottery. At last a seat to Mars, on section D. Just sheer luck that felt like a miracle at the time. But while I was floating spaceward, Earth went sideways: asteroid mining gone wrong, panic, nuclear strikes. I watched pieces of home disappear through a porthole while the Mars colonies went silent, one by one. All those big plans reduced to empty shells and flickering lights.

I was supposed to be evacuated, too. Instead, my lowly post at this fueling station—this rust bucket perched on a dusty plateau—kept me in place. Cosmic joke? Probably. But here I am. Still alive. Still tinkering with things that shouldn’t work. Still me.

I reprogrammed the oxygen scrubbers myself. Hacked them with a dusty old patch from Aunt Idle’s “Dream Time” stash. When the power systems started failing and had to cut all the AI support to save on power, I taught myself enough broken assembly code to trick ancient processors into behaving. Improvisation is my mother tongue.

“Mars is quieter than the Inn,” I say aloud, half to myself. “Only upside, really.”

Another ping from the transceiver—it’s getting closer. The Helix 25, humanity’s last-ditch bottle-in-space. They say it’s carrying what’s left of us. Part myth, part mobile city. If I didn’t have the logs, I’d half believe it was a fever dream.

But no dream prepares you for this kind of quiet.

I think about the Inn again. How everyone swore it had secret tunnels, cursed tiles, hallucinations in the pantry. Honestly, it probably did. But it also had love—scrambled, sarcastic love—and enough stories to keep you wondering if any of them were real. That’s where I learned to spot a lie, tell a better one, and stay grounded when the walls started talking.

I smack the comm panel until it stops crackling. That’s the secret to maintenance on Mars: decisive violence.

“All right, Helix,” I mutter. “Let’s see what you’ve got. I’ve got thruster fuel, half-functional docking protocols, and a mean kettle of tea if you’re lucky.”

I catch my reflection in the viewport glass—older, sure. Forty-two now. Taller. Calmer in the eyes. But the glint’s still there, the one that says I’ve seen worse, and I’m still standing. That kid at the Inn would’ve cheered.

Earth’s collapse wasn’t some natural catastrophe—it was textbook human arrogance. Effin Muck’s greedy asteroid mining scheme. World leaders playing hot potato with nuclear codes. It burned. Probably still does… But I can’t afford to stew in it. We’re not here to mourn; we’re here to rebuild. If someone’s going to help carry that torch, it might as well be someone who’s already walked through fire.

I fiddle with the dials on the fuel board. It hums like a tired dragon, but it’s awake. That’s all I need.

“Might be time to pass some of that brilliance along,” I mutter, mostly to the station walls. Somewhere, I bet my siblings are making fun of me. Probably watching soap dramas and eating improperly reheated stew. Bless them. They were my first reality check, and I still measure the world by how weird it is compared to them. Loved them for how hard they made me feel normal after all.

The wind howls across the shutters. I stand up straight, brush the dust off my sleeves. Helix 25 is almost here.

“Showtime,” I say, and grin. Not the nice kind. The kind that says I’ve got one wrench, three working systems, and no intention of rolling over.

The Flying Fish Inn shaped me with every loud, strange, inexplicable day. It gave me humor. It gave me bite. It gave me an unshakable sense of self when everything else fell apart.

So here I stand—keeper of the last Martian fueling post, scrappy guardian of whatever future shows up next.

I glance once more at the transceiver, then hit the big green button to unlock the landing bay.

“Welcome to Mars,” I say, deadpan. Then add, mostly to myself, “Let’s see if they’re ready for me.”