New Venice, November 2101

Midora was sleeping peacefully in her baby’s bed, and Oscar was dozing on the sofa, exhausted by his new role as a mother.

Bart was slowly finding himself back to his old studies. Just before Oscar became pregnant with their child, he was occupied with an old parchment his mother Indy had given to him.
She had said they had found it years ago with Oscar’s mum, her friend Eugenia. It was under a glass frame, among many other stuff she had accumulated along the years, mundane bric-a-brac flirting with sublime antiques —such was her mother strange decorative style…
Bart had known the parchment all his life, and her mother had sworn he would have it when the time would be right. During all this time he had thought she would most probably forget it altogether.

When Bill, his father had disengaged, two years before (only two months before the New Century’s festivities, at the age of 79) Indy had said she needed to make some room in her apartment, and get rid of old things which were full of memories. After all, she was only 49, and Bill hadn’t wanted to see her wither in sadness, that would be such a waste.
She had given him the old parchment.

Bart had always been so close to his mother, probably because she had him so young. She was 16 when they had married with Bill, and Bart was born right after. Of course, she always played the old flattery trick when people said she must be his big sister; it wasn’t actually far from the truth.

When he was younger, Bart had fearful dreams, of dying in atrocious pain, full of rash, at a young age in an alien and sunny place.
Curious as to what hint it may have been, Indy had been connecting with him to the energy of the dream. And together, they had tried to find the reason of that manifestation in the young boy’s dreams.
Despite her having such a fleeting memory, India Louise was skilled at connecting to other focuses, and particularly group ones, and Bart had found many information thanks to her. And the fearful dreams had disappeared.
He had found he was a young prince heir of the throne of Egypt, who was supposed to marry his sister. But both had died very suddenly. It was not quite clear as to whether the illness was the result of a plot from their father Pharaoh’s enemies, but the death was very unpleasant.
So unlike Bill’s disengagement, which was peaceful and full of love.

So yes, people were not far from the truth when they saw them as brother and sister.
According to Indy, the parchment was found within a cache inside the sister mummy’s sarcophagus, and might be linked to their shared focus. But her own psychic skills only extended as far as to notice connections, not as to go into more depths. That investigation, he would be able to do.

Egypt, 2657 B.C.

Lekshen had finished writing down what the long snouted god of his dream, Set had dictated to him.

It was a strange story, of Set being the god of the pariahs, throwing down structures of the Holy and the Truth, for the sake of expansion. Lekshen couldn’t understand all of what he had been talked into writing, but he had felt an intense activity and thrusts of gushing energy passing through him.

He needed sleep before hiding the text with the mummy.

Paris, 2007

That symbol, Quintin had dreamt repeatedly about it… It was a tile, he was sure. It could be oriented in two ways, and, depending on its orientation, it meant either injection or ejection of energy structures. It was linked to the family of the Speakers.

Let’s insert it again then, he smiled to himself.

When he connected with the symbols written on the parchment, Bartholomew was astounded. The energy was so familiar.
There was a book coming from his mother. She had inherited it from her aunt, Guiny… She probably got it herself from her mother Margaret, or perhaps her step-mother Becky… Bart wasn’t too sure…

Finally, he found it. Inside the cover, there was a dedication. To you, dear Becky, happy birthday! With love, Kathy (2017).
Kathy, Kathy… A flash of a rainbow-coloured anaconda into Bart’s mind… Must have been one of Dory’s friends.

“There was once a god who was not a god — who was not a god, for you are dealing with legends,” he said, nearly whispering. “There was a god in ancient Egypt, and his name was Seth, and he was disreputable. And he threw aside establishments, whenever other gods rose up and said, “We are the truth, we are pure and we are holy,” this disreputable god stood up, and with a voice like thunder, said: “You are nincompoops!”

“And the other gods did not like him,” Seth continued in his story-telling whisper, “and whenever they set up their altars, he came like thunder, but playfully, and tossed the altars asunder, and he said “Storms are natural, and good, and a part of the earth, even as placid skies are. Winds are good. Questions are good. Males and females are good. Even gods and demons are good, if you must believe in demons. But, structures are limited!”.

“And so this god, who was not a god, called Seth, went about kicking apart the structures, and he gathered about him others who kicked apart the structures. And they were themselves, whether they were male or female. Whether they thought of themselves as good or bad, or summer or winter, or as old or as young, they were creators. They were questioners.

“And whenever another personality set itself up and said, “I am the god before you, and my word is law,” then Seth went about saying, “You are a nincompoop,” and began to kick apart the structures. And so you are yourselves, in your way, all Seths, for you kick apart the structures, and you are the black sheep of the religions, and the black sheep of the scientists, and the black sheep of the physicians, and the black sheep of the your mothers and your fathers, and your sisters and your brothers.

“And yet, the mothers and the fathers and the sisters and the brothers listen,” Seth went on in that quiet voice in that quiet room. “for they do not have the courage to be the black sheep…”

Conversations With Seth, Volume 1, Chapter 9, by Susan Watkins

Asaris — The blue men’s world — by Írtak

The race of the blue men was originating from a far off star system they called Asaris in a dimension quite different from the ones of Quintin and of Malvina.
Their connection with us is quite interesting in that they have managed to project aspects of themselves in other dimensions and give them shapes. One blue man, in a manner of speaking, may be the “result” of a common projection by several inhabitants of Asaris, merged aspects and common intent. They can be associated with pop-ins in a way, or with energy exchange, but the action is different.

While projecting, they are aware of their own focus in Asaris and of the other focuses they are projecting in other dimensions. Some of them can do that in many dimensions… I’ve not yet been able to really understand the process and how they can maintain the focuses… but that is filtered through my current understanding of the process. While different focuses of essences are “independent”, the projections of the blue men are quite connected to their originating point in Asaris.

Andrimiñ is one of them. One of the participating essence is connected to Blöhmul who also have focuses in the other dimensions. In him I feel also the essence Tomkin.

— The legend of Mævel — (Part V)

Mævel, opening her eyes, found herself in the middle of the forest. It was still dark and the sky was covered with a dark blue haze. Now, she had to find her friend the fox…
How could she do that, in such a wide forest, she started to whine.

— Well, why not start by asking… hooted a rowl nearby.

Mævel was surprised. She had thought these hot pink speaking owls where found only in legends, not in woods nearby…

— You are in a legend, sweetie retorted the rowl.
— Oh… Surely the legend of someone else then. Who’s legend it is, I am in, dear rowl?
— Oh, you can call me Aromelle, sweetie. It’s your legend of course.
— No kidding? Phew, what a responsibility… I shouldn’t tell you that, but you seem like a rowl I can confide in, err… I’m no hero, I’m not even educated, and I pass winds like any impolite woman or polite green ogress would do… And having everyone know that would be kind of embarrassing… What a legend that would be…
— Then we’ll just say to the bards to skip that part… said wise Aromelle. Now, you wanted to ask something?
— Oh yes, I have to find the blue fox.
— And would you mind being a little more precise about that fox. I know thousands of blue foxes sweetie. Hoohoo, perhaps that’s an exaggeration, but I know quite a few, of others’ legends… You’re not the only legendary one coming into these woods to ask for advice.
— Oh, I’m sorry, blushed Mævel
— No need sweetie, snapped the rowl, in fact I know exactly who you are looking for… Wouldn’t that be Gulniforgf, the hunchback one-eyed cleft-lipped ogre cursed by Nærvel, the Goddess of the Waters? she said with an encouraging wink
— Oh, by Ghört’s sake, no!
— Hoohooo, no need to swear. Of course it isn’t, I knew that, sweetie. That must be Mifilthion, the toothless bald thousand-year-old troll cursed by Agnima, the Goddess of the Flames, you are looking for, hum? she said slyly
— Oh, no, no, no… Mine is Blohmrik, he said he was a god…
— Oh, but you know, everyone is a bit of god in a way, so that’s hardly…
— He said he was cursed by Lejüs
— SHOO–SHOOO, the rowl flapped her wings visibly distraught. That can’t be him! Poor thing… Aromelle added plaintively, you know in these matters of curses, you have to deal with the cursing one, and Shaint Lejüs is a tough one to deal with…
— Oh, for a moment I was afraid that you’d say Blohmrik was a deaf varicosed warty dwarf… I don’t fear that Lejüs, said bravely Mævel… perhaps a bit hastily, she thought to herself
— Oh, no, he’s a nice fine man, sweetie, you both would do such a perfect couple…
— And where do I find him then, Mævel was getting a bit impatient with the winking hooting hoot
— Well, that’s easy, you just happen to have appeared on top of his burrow.

What a waste of time, was thinking Mævel… She couldn’t wait for much longer, and after all, the burrow could be a nice place to rest.

With a quick thanks to Aromelle, she entered the tunnel in front of her.

Even with the help of the buntifluën, which translated the foreign expressions between the men of the Seas and him, young Tomkin had some difficulty to explain some concepts to the men.

When the three boats had landed on the warm shores of Golfindely, Tomkin had been a little anxious about the ominous looking men, especially the giant one, with the big ugly baby face who seemed to be in command.
But apparently, Tomkin had found a faithful friend in the black and white myna, and the ugly baby-faced giant had been interested by his unusual talent of being able to understand and communicate with them.

I had been two weeks now that the men had arranged a settlement for themselves on these friendly shores, and Tomkin had been quickly adopted by the whole crew.
He soon made friend with Jahiz, Austor and even the wild man in shackles —who had told his name unwillingly in energy, that the buntifluën had helped to translate. Tomkin was finding that the wild man, Cpt. Razkÿ, had been a greatly interesting adventurer and had known many places of the lands from where the men came. In fact, he reminded him of Captain Bone.
The most difficult to deal with was the chief cook Renouane, who was complaining about the lack of some kind of unknown vegetable to do the meals. Jahiz had comforted Tomkin saying they were all fed up with “cabbage” anyway.

The villagers around had become slowly aware of the presence of the foreigners on their lands, but they were relatively accustomed to seeing strange people, and upon seeing that these ones were friendly with Tomkin, they returned to their Scotch bonnets harvests, without much more of an afterthought.

Tomkin had helped them to learn basic words of their language, words of greeting (“wallahu”), of thanks (“alami”) etc.
But the ugly baby-faced giant (who had said he was “Badul”) was interested in many other things.
And the concept Tomkin was now struggling with, to clearly explain it to Badul, was that of the traveling portals.

Badul had somehow intuited that the strange shift in the environment they had met in the middle of the Rift, was something due to Unseen action. And when he had heard Tomkin speak about these methods for traveling easily, he had been interested in understanding more of them.
Until now, it was a frustrating experience, as the young boy only knew such and such, probably told to him by some others, and not having actually experienced one himself.
But the information was good to learn.

Bringing back this technology to his land would probably be more interesting than some decorative glowing egg, he was thinking…

October 23 ^rd

“I may express to you that each of these chapters basically, so to speak, are not necessarily identified by one particular action, or that they are accomplishing one particular direction, in a manner of speaking. But that they all incorporate actions and movements that create a contribution to your awareness in this focus.

“They all lend, in a manner of speaking, energy through experiences to you within THIS focus that benefits your movement in allowing yourselves to widen your awareness and insert this shift in consciousness into your actual objective reality.

“As I have stated, this shift in consciousness, in a manner of speaking, is an enormous undertaking. It is a Source Event. And as you are aware, Source Events are so immense within consciousness that they may not be entirely inserted into your physical dimension. They are, in your terms physically speaking, larger than your dimension incorporates the capacity to express.

“Therefore, in recognizing this immensity of this movement and this creation within your reality, one focus, one time framework would be overwhelmed in attempting to create this type of movement singularly, and independent of other energy and other focuses that may be creating experiences that shall offer you as essence the type of opening within this physical experience that shall allow for this insertion of this shift into your actual objective reality.” [Elias, March 02, 2001]

New Venice, year 2101

In the waiting hall, Bart was pacing the floor recklessly. They were having their first baby, but the doctors had hushed him out, because there were some complications…
All he could do was wait.
They were one of the first couple to have tested the new program that allowed same-sex couples to procreate without requiring the assistance of a third-party so to speak. In fact, it had been hypothesized to be possible a long time ago already. Well, theoretically… because the most challenging part had been to bring acceptance to the people, as the old beliefs were still alive in a few moribund activist groups. But what,… nature was doing even more exotic things in the realm of creatures…

Now he was thinking of Oscar, who had chosen to be the bearer of the child —a girl that would be… will be, mentally corrected Bart to himself. Funny thing about genetics was that male-male couples could have either girls or boys, but female-female couples could only have girls. Only because the male “Y” chromosome was carried by men.
It had been a painstakingly long subject of discussion among scientists and philosophers as to the unbalance it would create, but well, for the time being, it was the chosen design for our human natures.
As long as new ways of bypassing this restriction had not been invented, better enjoy it than stretching one’s mind around it.

Looking at the window which showed the stilted structures above the waters, Bart was thinking how it was all an incredible story… What were the probabilities for that to happen?
Bart couldn’t help but feel grateful for all of his blessings.

At the same moment, the big breasted nurse appeared at the door crying with a large smile “it’s a healthy girl!”
Bart burst into the room.

They had already decided how she would be called. Midora, they had agreed.

When he entered, Oscar Wrick’s young face was tired and sprinkled with beads of perspiration, but he had the happiest look on his face. He was still feeling a bit self-conscious about the changes the pregnancy had generated in his body, but for now he was all absorbed by the little breathing thing resting in his arms.

After a warm embrace, Bartholomew Jobsworth thought that he should spread the good news to the family, at least to his mother, dear sparkling Indy and Bart’s parents, Eugenia and Cuthbert. He also had felt the presence of his Dad, Bill, during his wait and was deeply thankful for all of their support.

The unusual overwhelming heat, which had begun with the spring equinox had finally temporarily receded with the appearance of big opaque cumulonimbus filling the sky with a mute thunderous sound. The flickering glow was no longer enough for Raphael to distinguish the small dark characters dancing before his eyes, the storm having let the night pounce on them earlier than it should have.
So, Raphael closed his thick leather-bound book and put it back into his burgundy backpack bag, inhaling deeply the air of the dusk, mollified by the music of the raindrops that ricocheted now discreetly on the rusty steel plates.

The remaining passengers began to hurry around a meager dinner wrapped in dirty newspaper sheets, displaying energy resources that he felt incapable of. Feeling no hunger at all, he decided to go on the pontoon to taste the moisture exuding in the evening, this celestial water, soothing down the fever of this trip, which drew to a close. The boat continued to rend imperturbably through the obsidian sea, and the thick enveloping fog prevented them to distinguish the lights of the city that he could feel at a distance.

This was not the first time, but at each of his return, the city seemed changed, this time ghostly apparition, once glittering pearl. This was undoubtedly one of the reasons which had him leave it, as others would have done with a lover, to better appreciate this fleeting moment of reunion.
The book had been given to him by a stranger he had met, and was part of his mission; he didn’t usually accept assignments in this city where he was too obvious, but the stranger had assured him nothing illegal would be required of him, just delivering a book.
He had leafed through the book, just to make sure there was no foul play on the part of this strange man with amber eyes that seemed to keep changing colours. But the book had seemed innocuous. Even worse, it did not make any sense for Raphael. The chapters were randomly numbered, and the text seemed to keep changing. Perhaps it was Raphael’s mind which played tricks on him, but it was baffling for him, as he was accustomed to keep his senses sharp as a dagger. Whatever,… The man had paid, and a plump pile of money even.

The insistent rumors of a mysterious illness which had already claimed fatalities within the walls of the city had not deterred him to go there —knowing that the few people caring about him would have preferred to see him flee this destination, so certain as they were to be themselves immune to the contingencies of life. Even the bald adipose captain of the ship, Fat Yong Choi had seemed wary of having a pale-skinned foreigner coming on board of his boat, but he had quickly seen that Raphael was no common traveler.

But there was no longer time to rehash those turpitudes, the harbour finally appearing, like a halo glow from the contours of which some faint sounds escaped, soon to be stifled by the purring and cracking of the bulging vessel.

The winds began to sweep the docks violently, causing the cargo, now anchored, to oscillate wildly, like a huge weeble at the hands of the elements. Fortunately, due to the alarming news from the city, the boat was only half full, and the unloading was smooth. Raphael, unnerved by the long journey, only wanted to walk, but patiently followed the slow pace of the procession which led him outside of the harbour’s enclosure, even before he had noticed it.

Raphael wanted above all to rest, but didn’t care to be bothered speaking to someone. He preferred to sink deep down in his thoughts while walking through the streets, rather than lose this feeling of freedom. Freedom to choose his own itinerary, without a word to say, entirely open to the silence of the streets.

The fine drizzle had indeed deserted the streets making the city infinitely enjoyable for him. It was indeed just as he liked it best, at dusk, just faintly resonating with the sound of his own steps.
Empty — a few passersby in search of a shelter nearby. He imagined to be a ghost haunting these places without life, enjoying the feeling of being the predator felinely prowling in this scene without spectators, shrouded in the reassuring complicity of the night.

Quintin couldn’t sleep.
Now he was thinking, he had delayed it for too long.
They all had been thinking of it, talking and glossing over it for so long. Some had dreamed of it, feared it, asked for it to bugger off. Lots of pains and struggles, but it had only been clever or not so clever ways to delay the unavoidable.

Now, he had an urge to insert it. How come he had not thought of it before. All he had to do was insert it in his reality.
Well, that would sure mean lots of changes, but after all, no pain no gain.
Or no abundance.

ABUNDANCE abun·dance [ ə-ˈbən-dəns ] “The ability to do what you need to do, when you need to do it”

That’s how Pasha, a Russian friend of Dory had defined abundance — speaking of Dory, now Quintin was seeing how she was ahead of the herd, and a bit of a coal (slow) mine canary too. Quintin would have changed all the world’s dictionaries to have that new definition everywhere. What a task…

Actually, that’s it! Quintin had feared the implications, as lots of people did.
It would mean everything would be allowed. Everything would be true, even the most blatant contradictions would be harmoniously living side by side. Struggle would be needless, and all that would be needed to do would be to stop paddling upstream.
What a mess it could be for salmons and control freaks as himself.

Perhaps worse, it would change everything, even “past” events where everything would also be allowed, now.
In-of-body travels (rather than the too classical “out-of-body”), meeting other selves appearing out of nowhere, talking with dead people, or sugarplum fairies, traveling instantaneously to meet Tchaikovsky and have him change his dying swan for a stuffed talking Mother Goose, flying, shape-shifting, manifesting objects out of thin air, the possibilities would be extraordinary… All in that physical reality where everyone was struggling to prove none of this was possible.
But if everything would be allowed, then be it! And he would go and live in 23, Dragon Alley, Phœnix Ville, Sunnyvalley with Yann (and the others of course, if they wanted to) and do whatever they wanted to do.

OK. That’s a deal then. Release the camouflages, open the watergates and leave the damn dams to beavers and loosers.

Let’s insert the Shift, now.

And let the fun continue, and worry wither away.

Well, and what’s that Shift all about?

Quintin’s friends Michaela and Elias had said about it :

“You are also bored in the experiences that you have created to this point. You have experienced. You have created in the manner that you have designed previously. Now you choose to be creating in an expanded experience, allowing more of your awareness, more of an opening to consciousness, more of your own creativity and your own abilities, and you are discovering that your abilities are within physical focus limitless. You have merely limited yourselves as an element of your beliefs, but as you are also moving into acceptance of your beliefs, you are widening your awareness and you are allowing yourselves to view how many more abilities you hold and how very creative you are, and not creating your limitations with such severity. Those elements in your reality that have been thought to be impossible are not impossible!” ¹

Al had always hated amusement parks.
Funny, he noticed as he was always the one telling “be playful”…

Anyway, Becky had insisted to bring them all in that new big traveling amusement park that had settled in Central Park, NY this year.
Hopefully, Heavens know how, resourceful Becky Pooh had obtained VIP tickets for the opening, and it would be a very private visit, without too many people.

Now, that could perhaps be interesting… After all, the whole entertainment park had been sponsored by Becky’s friends, the Wrick family, and Al and the others were dying of curiosity to meet the top of the crop, so to speak…

October 12 ^th

Lots of movements have been started, movements of expansion, and the joint efforts and ventures took off for new exciting potentials when the migration to the new “expanded sandbox” (as playfully expressed by Quintin) has been completed.
Interestingly, it has been relatively painless and quick in both the find of the perfect “method”, and the perfect “tools”. In noticing how the feelings where acting as a compass that was telling him whether he was in the right direction or not, and in trusting them, Quintin has incorporated that tool without previous knowledge of its potential use. He just knew it was right.
And so it is.

October 16 ^th

My dear friend Elias has expressed some time ago this, which may be interesting for the adventurers to read and see how it applies to them…

“I expressed to you at our last meeting that some focuses continue each other as ‘sequels’ of books. … They are continuations, so to speak. Although they are not accomplished linearly, you may view them as continuing chapters of the same story. In this, they would be considered parallel focuses. You may view within your new game many focuses in which you have held experiences quite different to each other. Then you may also view some focuses that are seemingly related. You are engaged with all of the same characters within a continuation of the same play.” [Elias, #142]

Tomkin had a keen eye, and despite the dazzling light reflected on the calm glittering surface of the sea, he could see a little dark shape detaching itself from the three bigger forms, and that little dark shape was quickly identifiable as a bird.
Apparently the bird was not from these lands, it was black with white strips, or perhaps the contrary, and was flying like a grake drunk of having gorged on overripe Scotch bonnets.
Obviously the bird was exhausted, and crashed on the shore where it was nearly knocked out by the grogonuts which fell with big *thuds* from the grogonut tree on which it had just finished its erratic course.

Seeing the whole scene from the top of the fatly mossy cliff, Tomkin decided his curiosity was a much more pressing matter than taking care of the herd of grakes, so he ran to the little rocky path which led to the beach below.

Apparently the bird was still alive, and more surprising even, that was a talking bird. It could speak strange words.
And even stranger, though Tomkin knew none of these words, he could understand all of what the bird wanted to communicate to him.

What an odd thing, he wondered… The bird was requesting some food apparently.
Tomkin fumbled in his pocket for some bread crumbs, when the gift of the Captain fell on the sand.
Could it be?

Tomkin’s heart was racing. Could it be that there was magic after all in this strange simple gift? The Captain had said it meant all was connected. That could explain why he could understand that foreign bird… And perhaps it worked on other talking creatures and people too…
A whole realm of potentials seemed to open in front of young dreamy Tomkin, who was quickly brought down to more earthly matter when Rudy the myna pricked his hand with its beck for the bread crumbs, projecting to him “Give it to me! Give it to me!”.

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…