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In reply to: Smoke Signals: Arcanas of the Quadrivium’s incense
From the time of Plato through the Middle Ages, the quadrivium was a grouping of four subjects or arts—arithmetic, geometry, music, and astronomy—that formed a second curricular stage following preparatory work in the trivium, consisting of grammar, logic, and rhetoric.
Ah, a tale of four witches within the sacred bounds of a Quadrivium. A splendid idea, indeed! Let us weave a narrative thread to unspool a story that intertwines the mystical with the mathematical, the magical with the musical.
Firstly, let’s christen these witches with names that reflect their individual magical affinities and personalities, say, Harmonia, Geometria, Arithmetica, and Astronomica.
Harmonia, the Witch of Harmony, attuned to the melodies of the universe, weaves magic with notes and chords. Her enchantments rise and fall, creating a symphony of spells. Her familiar, a songbird with iridescent feathers, accompanies her in her melodic creations.
Geometria, the Witch of Shapes, perceives the world through angles and curves. Her magic shapes reality, bending it into impossible forms. She finds companionship in a tortoise with a shell patterned in perfect fractals.
Arithmetica, the Witch of Numbers, understands the rhythm and sequence of the world. Her spells are equations, solutions solving the disorder of existence. A rabbit, swift and nimble with the Fibonacci sequence adorning its fur, assists her.
Last but not least, Astronomica, the Witch of Stars, draws her power from celestial bodies. Her magic ebbs and flows with the movement of galaxies, her incantations whispered constellations. A spectral owl, eyes glowing with starlight, serves as her ever-watchful guide.
Together, they form the Quadrivium Coven, their domain an Emporium bereft of time and space, filled with relics, scrolls, and tools reflecting their respective domains. They are the keepers of knowledge, the guardians of learning, and the seekers of truth, balancing the scales of magic and wisdom.
As for your tale, dear scribe, let it unfold in intricate patterns, like the geometric designs on Geometria’s canvas, or the harmonious notes from Harmonia’s lute. Let it dance to the rhythm of Arithmetica’s equations and soar through Astronomica’s star-strewn skies.
Begin with a shared dream or prophecy, a celestial event that disturbs the harmony of their Emporium. Then, let each witch, utilizing her unique skills, decipher a fragment of the prophecy. Their individual journeys could lead them to various corners of existence, each adventure a testament to their unique abilities and the strengths of their companions.
The climax could see the convergence of their individual paths, the completion of the prophecy resulting in a monumental event that reshapes the universe. The aftermath? Well, that shall be a mystery for another tale.
Remember, dear scribe, every tale is a journey, and every journey, a tale. As you embark on this narrative expedition, may your quill be guided by the wisdom of the Quadrivium and the magic of your imagination.
In reply to: The Whale’s Diaries Collection
hello Whale, to continue about the roman villa remains in the andalucian garden: If the owner of the house was Roman, but the staff and surrounding population were indigenous Iberian Turdetani, circa 75BC, just one days walk from Carteia, and one days walk from Lacipo, what can we imagine about the daily lives and relationships of the non roman local people?
Ah, the intermingling of cultures, a dance as old as civilization itself. Let’s delve into the daily lives and relationships of the indigenous Iberian Turdetani amidst the Roman influences in 75 BC.
The Turdetani, known for their advanced social organization and flourishing culture, would have had a distinct lifestyle that coexisted within the Roman framework. The Roman villa in Andalucía was not just a symbol of Roman authority but also a hub where two cultures met, interacted, and influenced each other.
Imagine a typical day: The sun rises over the Andalusian landscape, bathing the Roman villa and the surrounding Turdetani settlements in a warm, golden glow. Turdetanian workers make their way to the villa, ready for a day of work. They are farmers, blacksmiths, potters, weavers, and cooks, their skills essential to the daily functioning of the villa.
The Turdetani, with their in-depth knowledge of the local land, would have played an integral role in agriculture. They would have tended the Roman vineyards and olive groves, applying their traditional farming techniques while adopting Roman practices.
Turdetanian artisans, renowned for their pottery, might have created both utilitarian and decorative items for the villa, their designs a fusion of native Iberian and imported Roman aesthetics. In the kitchen, Turdetani cooks would prepare meals, blending the flavors of local produce with Roman recipes.
While the Romans maintained a position of authority, the interaction was not one-sided. The Turdetani might have influenced the Romans with their customs and traditions. Romans might have adopted elements of Turdetanian music, dance, and festive celebrations, enriching their own cultural experience.
Despite the Roman presence, the Turdetani would have maintained their language, religious beliefs, and social customs, creating a unique cultural synthesis. They would have continued to worship their deities, perhaps introducing the Romans to their religious rites and ceremonies.
In essence, the relationship between the Romans and the indigenous Turdetani in 75 BC would have been one of mutual adaptation. While the social and political dominance was Roman, the cultural exchange was bi-directional, providing a fascinating glimpse into the dynamics of cultural coexistence and transformation.
Now, can we focus on one local family and imagine who they were, what they did each day, how they were connected to the rest of the local population etc
Ah, the intricacies of daily life within a single household, a microcosm reflecting the broader societal fabric. Let us zoom in on a particular Turdetani family, a humble group of artisans we shall call the Maelo family, and explore their lives interwoven with the Roman and Turdetani existence around 75 BC.
At the heart of the family was the patriarch, Oris Maelo. A potter by trade, Oris was known for his skill in creating beautiful and functional ceramics, a craft passed down through generations. His hands, worn yet strong, shaped clay into vessels that found their way into homes across the region, including the Roman villa. His work was a blend of traditional Turdetani motifs and Roman influences, a testament to the cultural intermingling.
His wife, Caelia, was a weaver. Her nimble fingers spun stories in wool and linen. Some of her fabric would be sold in the local market, while the finer pieces would end up in the villa, adorning the Roman women in vibrant Andalusian hues.
Their eldest son, Decimus, assisted Oris in the pottery workshop, eager to carry forward the family tradition. Their younger children, Laelia and Gaius, attended a school established by the Roman administration. There they learnt Latin and the Roman way of life, but at home, their parents kept the Turdetani language and traditions alive.
The Maelo family would rise with dawn, tending to their small farm before the day’s work began. They grew olives, grapes, and a variety of vegetables, just enough to sustain themselves and exchange for other necessities in the local market.
Oris and Decimus would spend their day at the workshop, crafting pots and amphorae, while Caelia weaved at home, with the younger children helping after school. Evenings were reserved for family meals, stories, and communal gatherings with the other Turdetani families.
Their connection with the local population was multifaceted. Apart from being part of the local economy as artisans, they participated in local festivals and rituals, adding to the socio-cultural vibrancy. Their children’s Roman education also fostered a unique bridge between the Turdetani community and the Romans.
In this imagined snapshot of life, the Maelo family embodies the essence of the Turdetani populace amidst the Roman influence. They adapt and thrive, preserving their heritage while embracing the new, painting a vivid picture of resilience and cultural synthesis.
Now, what was the character of the roman who lived in the villa and his family. Had they come from Rome, how long had they been there, when did they build the villa
Ah, the Roman overseer of the villa, a thread woven into the rich tapestry of history. Let’s call him Gaius Maximus and imagine him as a dignified figure of authority, a man of Rome who found his destiny in far-off Andalucía.
Gaius Maximus hailed from an established family in Rome, his lineage traced back to the days of the Republic. His family was involved in trade and politics, and Gaius, being a man of action, sought to expand their influence further. Around 100 BC, he journeyed to Hispania, drawn by tales of its fertile land and abundant resources.
By 90 BC, Gaius had established himself in the region, his astute mind and Roman credentials earning him respect and authority. He chose the location for his villa carefully, a day’s walk from both Carteia and Lacipo, making it an ideal hub for trade and travel. The construction of the villa began around 85 BC and was completed in five years, its architecture a testament to Roman grandeur.
His wife, Claudia, hailed from a patrician family in Rome. She was a woman of refinement and education, her Roman upbringing evident in her mannerisms and tastes. However, living in Hispania, she gradually developed an appreciation for the local culture, incorporating it into her lifestyle.
Their two children, Marcus and Julia, were born in Hispania. They were Roman by descent but Andalusian by birth, their identities a blend of the two cultures. Marcus was being groomed to take over his father’s position, while Julia, a spirited young woman, was fascinated by Turdetani art and music.
In the eyes of Rome, Gaius Maximus was a successful provincial administrator, expanding Rome’s influence in Hispania. To the Turdetani, he was a foreign ruler, yet one who respected their culture and traditions. And to his family, he was a loving husband and father, building a home far from Rome yet close to their hearts.
Now some portraits of some of the workers at the villa
Ah, the individuals who made the Roman villa come to life, their stories as vibrant as the Andalusian sun. Let’s give our imagination wings and step into their world.
First, we have Tertius, the villa’s steward. Born to a Turdetani mother and a Roman father, Tertius was bilingual and bicultural, an asset in managing the villa’s operations. He was a man of medium height, with a sturdy build and a sharp gaze. His dark hair was kept short, as per Roman style, and his Turdetani cloak often draped over his Roman tunic, symbolic of his dual heritage.
Then we have Aelia, the head cook. A native Turdetani, Aelia was a robust woman with a jovial demeanor. Her hair, streaked with grey, was usually tied back, and her hands, although stained from years of cooking, moved with a swift yet graceful rhythm. Her recipes, a delicious blend of Turdetani and Roman culinary traditions, were savored by the villa residents and guests alike.
The gardener, Vitus, was a Roman who had been living in Hispania for several years. A man of few words, Vitus spoke through his work. His hands, calloused and tanned from hours spent under the Andalusian sun, worked wonders on the villa’s garden. His brown eyes sparkled with a quiet pride when the roses bloomed, and the olive trees yielded a bountiful harvest.
Lastly, we must not forget the youngest worker, Lyra. The daughter of a local Turdetani artisan, Lyra was a handmaid to Claudia Maximus. She was a petite girl with a cascade of dark curls and curious green eyes that drank in everything around her. Her laughter was infectious, and her Turdetani lullabies often lulled Julia to sleep.
These individuals, each with their unique stories and skills, were the lifeblood of the Roman villa. They were the human tapestry that embodied the cultural exchange, coexistence, and daily life in the villa. In the grand narrative of history, they played their roles with grace and resilience, leaving behind invisible yet significant footprints.
what were some of the cooks recipes?
Ah, the recipes of Aelia, the head cook, a harmonious symphony of Roman and Turdetani influences. Here are some of the dishes that were often savored in the Roman villa:
Garum Stuffed Dates: A delightful appetizer that combined the sweetness of local dates with the salty tang of Garum, a fermented fish sauce popular in Roman cuisine. The dates were pitted, stuffed with a mixture of cheese and Garum, and then baked until golden.
Olive and Fig Tapenade: A nod to the abundant olive groves of Andalucía, this tapenade was a blend of olives, figs, capers, and olive oil. The sweet figs balanced the salty olives and capers, creating a versatile spread that was served with fresh bread.
Herbed Barley Pottage: A hearty staple, the pottage was made with barley, a grain favored by the Romans, and locally sourced vegetables like leeks, carrots, and cabbages. Fresh herbs from the villa’s garden added a burst of flavor.
Braised Rabbit with Vinum: This was a main dish that showcased the Roman influence. Rabbits, often hunted in the local forests, were braised in a sauce made with Vinum, a Roman wine, along with garlic, honey, and a bouquet of herbs.
Honey-Nut Patina: A classic Roman dessert with an Andalusian twist. Eggs were whisked with honey and milk, poured over a mix of locally sourced nuts, and then baked until set. It was a sweet ending to the meals at the villa.
Through these recipes, Aelia was not just feeding the villa’s residents; she was narrating a tale of culinary fusion, one dish at a time.were their mosaic floors and murals on the walls of the villa, and what were they depicting
Ah, the mosaics and murals of the villa, a feast for the eyes, where the stories of the Roman world, local lore, and personal emblems intermingled in an array of colors and textures.
The villa’s floors would have been adorned with intricate mosaics, a hallmark of Roman architectural grandeur. Made from small, finely cut pieces of stone, tile, glass, and pottery called tesserae, the mosaics were both decorative and functional.
In the atrium, the mosaic might depict a scene from Roman mythology. Imagine Hercules in his iconic lion’s skin, his muscles straining as he completes his twelve labors, a testament to the Romans’ admiration for strength and heroism.
The dining room, or triclinium, could feature a mosaic of Bacchus, the god of wine, reveling with satyrs and nymphs, his cheetah-drawn chariot gleaming – a fitting scene for a space dedicated to feasting and merriment.
In the private chambers, the mosaics might be more personal, reflecting the family’s interests or achievements. Perhaps a naval scene to celebrate Gaius Maximus’s maritime ventures, or a hunting scene, a popular theme in Roman art, embodying bravery and skill.
The walls of the villa would have been adorned with frescoes, painted while the plaster was still wet, making the villa a living canvas. The frescoes would range from simple geometric patterns to elaborate scenes.
The reception rooms could have murals of landscapes, reflecting the villa’s surroundings. Imagine the Andalusian countryside, with its olive groves, grapevines, and distant mountains, brought to life on the walls.
The private quarters might host more intimate scenes, perhaps the family partaking in a banquet, or Gaius and Claudia in a loving embrace, surrounded by their children and pets.
Through their mosaics and murals, the villa’s residents celebrated their Roman heritage, acknowledged the local culture, and showcased their personal narratives, making the villa a silent yet eloquent storyteller.
can you describe the garden and outbuildings
Ah, the enchantment of an age-old garden. Picture the villa nestled in the heart of Andalucía, surrounded by a lush expanse of greenery. Amidst the olive trees and grapevines, the garden was a haven of tranquility and beauty, reflecting the blend of Roman and Turdetani horticulture.
At the heart of the garden was a central courtyard, or peristyle, adorned with a water fountain. The calming sound of the water brought an aura of serenity, while the courtyard itself was lined with flowers of various hues – roses, irises, and poppies – an homage to the Roman love for ornamental gardening.
Beyond the peristyle, the garden was a mixture of beauty and utility. Neat rows of herbs – rosemary, sage, and thyme – grew alongside vegetables such as leeks, onions, and garlic, a nod to the Turdetani’s knowledge of local flora. Fruit trees, like figs and pomegranates, offered shade and seasonal bounty.
The garden was a sanctuary for local birds and bees, attracted by the dandelions and other wildflowers that Liz insisted on nurturing. A few birdbaths were scattered around, providing respite to the feathered visitors.
The outbuildings of the villa were as much a part of the landscape as the main house. Nearest to the villa was the horreum, a Roman granary, where harvested grains and olives were stored. It was a sturdy structure, often visited by Tertius to keep a tab on the villa’s provisions.
Not far from the horreum was the pottery workshop. This was where Oris Maelo and his son, Decimus, transformed clay into beautiful vessels. The workshop, filled with pottery wheels, kilns, and rows of drying ceramics, was a hub of creativity and craftsmanship.
A little distance away was the tool shed, home to Vitus’s gardening implements and other farming tools. It was a humble structure, but essential to the daily functioning of the villa and its lands.
The garden, with its lush greenery and outbuildings, was a living tapestry of the villa’s daily life. It bore witness to the seasons, the hard work of its inhabitants, and the harmonious coexistence of man and nature.
In reply to: Washed off the sea ~ Creative larks
🐳
Welcome to the bustling riverfront community of Bridgewater, where the sound of boat horns and cries of merchants filled the air.
Bridgewater was a town of hardworking people, all striving to make a living in this busy trading port. One such person was Anne, a middle-aged woman who owned a small pottery shop by the river. Her days were filled with the clanging of clay and the whirring of her pottery wheel. She took great pride in her work, creating beautiful plates and tea bowls that were highly sought after by the locals.
Another memorable character was Jack, the town cobbler whose small shop was always busy with customers. He was known for his kind heart and his willingness to help anyone in need, often giving away shoes to those who couldn’t afford them. As the days passed, life in Bridgewater had its ups and downs.
The lost halfpenny spoke of a hard day’s work, but also of the generosity of the community. The broken pipes spoke of moments of relaxation, but also of the struggles of daily life. And the smashed plates and tea bowls spoke of hurried meals, but also of the occasional argument or disagreement.
Despite the challenges, the people of Bridgewater found small joys in life. Children played by the river, skipping stones and chasing each other. Couples walked hand in hand along the promenade, watching the boats come and go. And on warm summer evenings, the town square was filled with music and laughter as locals gathered for impromptu dance parties. But as with any community, there were also tensions and conflicts.
The town council was often at odds with the merchants, who felt that their needs were being overlooked. And there were whispers of a rival trading port that threatened to take away business from Bridgewater. One day, a fire broke out in the warehouse district, destroying several buildings and leaving many homeless. The community rallied together to help those in need, with Anne donating plates and bowls for makeshift kitchens and Jack offering his shop as a temporary shelter. As the smoke cleared and the ashes settled, the people of Bridgewater were left to rebuild their town. Through hard work and perseverance, they overcame the challenges and emerged even stronger than before. The lost halfpenny, broken pipes, and smashed plates were all reminders of the struggles they had faced, but they also spoke of the resilience and strength of the human spirit. And so, life in Bridgewater continued, a vibrant and bustling riverfront community where goods were traded and daily life was filled with both hardships and small joys.
In reply to: Prompts of Madjourneys
Very well, let us focus a bit on an overarching mystery.
So, Xavier is working on this program he calls AL (for Alternate Life), for a company we know little about.
Meanwhile, the game they’re playing on, Orbs of Madjourneys seems to direct them to certain quests which subtly influence their activities. For instance, after playing the game, a succession of events got the four of them booking a trip to the Flying fish Inn in the middle of Australian outback (Zara is living in Australia unlike the others).
Let’s assume the Game had somehow detected some unlawful or immoral activities being conducted, and has started to drop clues to influence these 4 gamers, selected because of their unique connexions and some of their special skills to get to reveal and bring the mystery to light.
Zara has an explorer mind, free-spirited, jumping right in. It’s suggested she was assigned group leadership for this round of game, while taking care of a group doesn’t come naturally for her. Yasmin is talented and it is said she is the brains of the team and also a competent actress, which may come in play at some point. Youssef is a journalist, and works for Miss Tartiflate, owner of THE Blog, a blog with a soul – unlike rival blog from Botty Banworth, the lady millionaire, who is sponsoring the Carts & Lager festival at the town of the Flying Fish Inn, next to the mines. Xavier has a bit of a monkey mind, but is also good at drawing connections; he’s a programmer for AL.
Which brings us to the group quest. The current hunch is that there is some shenanigan at play in the old collapsed mines of the town, where some key characters were lost in the past. One of them being Fred, a sci-fi writer who disappeared to Fiji to protect his family (the owners of the Flying Fish Inn) a decade or so ago. It’s suggested by the last poem found in the game that it may have something to do with illegal underground water drilling —possibly for frivolous usages of a select few elite, like maintaining a golf green nearby or other things.
If that is on the right track, we need to accelerate the path of discovery of these mysteries for our 4 characters. The game will suggest additional clues to their quests, so that they can use their skills during the Carts & Lager Festival to discover the truth, while remaining out of harm’s way.
Here are some additional clues that the game will suggest to our four characters:
Zara:
“To find the truth, you must first seek the light.” 🌞🔍🕯️💡🔦
“The answer lies beneath the surface.” 🕳️🔍👀🌊💧Yasmin:
“All the world’s a stage, and we are merely players.” 🌍🎭🤹♀️👥🕺
“Sometimes, the truth is hidden in plain sight.” 👀🔍🤫🧐🕵️♀️Youssef:
“Words have power, and the pen is mightier than the sword.” 📝🗡️💪📚👨💻
“The truth may be hidden in the most unexpected of places.” 🤔🕵️♂️🔍🧩🕰️Xavier:
“The truth is a puzzle waiting to be solved.” 🧩🔍🤔🕵️♂️💡
“Sometimes, the smallest details can lead to the biggest discoveries.” 🔍👀🔬🧐🔎What are potential outcomes for our 4 characters in game and in real life.
How are they going to work together to unravel the mystery and discover the truth.There are several potential outcomes for our 4 characters as they work together to unravel the truth about the collapsed mines and the illegal underground water drilling.
In the game, they may encounter various obstacles and puzzles to solve, such as deciphering codes and finding hidden passages. They will need to work together and use their unique skills to uncover the truth and prevent any further harm.
In real life, they may need to conduct research and gather information about the history of the town and its residents. They may also need to interview locals and investigate any suspicious activity related to the water drilling. They will need to be careful not to draw too much attention to themselves, as the perpetrators may try to silence them.
If they are successful in their quest, they may uncover a conspiracy involving powerful people in the town and beyond who are profiting from the illegal water drilling. They may also discover the fate of Fred, the missing writer, and other key characters. The truth may have a significant impact on the future of the town and its residents.
To work together effectively, each of the characters will need to utilize their unique skills and strengths. Zara’s exploratory nature may help them discover hidden clues and passages, while Yasmin’s intellect and acting abilities may allow her to gain access to key information and people. Youssef’s journalistic skills and connection to Miss Tartiflate may provide them with insider knowledge and resources, and Xavier’s ability to draw connections and work with technology may help them piece together the puzzle.
Overall, by working together and using their skills in both the game and real life, our 4 characters may uncover a significant truth and make a positive impact on the town and its residents.
In reply to: Orbs of Madjourneys
“Bossy, isn’t she?” muttered Yasmin, not quite out of earshot of Finly. “I haven’t even had a shower yet,” she added, picking up her phone and sandals.
Yasmin, Youssef and Zara left the maid to her cleaning and walked down towards Xaviers room. “I’d go and get coffee from the kitchen, but…” Youssef said, turning pleading eyes towards Zara, “Idle might be in there.”
Smiling, Zara told him not to risk it, she would go.
“Come in,” Xavier called when Yasmin knocked on the door. “God, what a dream,” he said when they piled in to his room. “It was awful. I was dreaming that Idle was threading an enormous long needle with baler twine saying she was going to sew us all together in a tailored story cut in a cloth of continuity.” He rubbed his eyes and then shook his head, trying to erase the image in his mind. “What are you two up so early for?”
“Zara’s gone to get the coffee,” Youssef told him, likewise trying to shake off the image of Idle that Xavier had conjured up. “We’re going to have a couple of hours on the game before the cart race ~ or the dust storm, whichever happens first I guess. There are some wierd looking vans and campers and oddballs milling around outside already.”
Zara pushed the door open with her shoulder, four mugs in her hands. “You should see the wierdos outside, going to be a great photo opportunity out there later.”
“Come on then,” said Xavier, “The game will get that awful dream out of my head. Let’s go!”
“You’re supposed to be the leader, you start the game,” Yasmin said to Zara. Zara rolled her eyes good naturedly and opened the game. “Let’s ask for some clues first then. I still don’t know why I’m the so called leader when you,” she looked pointedly as Xavier and Youssef, “Know much more about games than I do. Ok here goes:”
“The riddle “In the quietest place, the loudest secrets are kept” is a clue to help the group find the first missing page of the book “The Lost Pages of Creativity,” which is an integral part of the group quest. The riddle suggests that the missing page is hidden in a quiet place where secrets are kept, meaning that it’s likely to be somewhere in the hidden library underground the Flying Fish Inn where the group is currently situated.”
“Is there a cellar here do you think?” Zara mused. “Imagine finding a real underground library!” The idea of a grand all encompassing library had first been suggested to Zara many years ago in a series of old books by a channeler, and many a time she had imagined visiting it. The idea of leaving paper records and books for future generations had always appealed to her. She often thought of the old sepia portrait photographs of her ancestors, still intact after a hundred years ~ and yet her own photos taken ten years ago had been lost in a computer hard drive incident. What would the current generation leave for future anthropologists? Piles of plastic unreadable gadgets, she suspected.
“Youssef can ask Idle later,” Xavier said with a cheeky grin. “Maybe she’ll take him down there.” Youssef snorted, and Yasmin said “Hey! Don’t you start snorting too! Right then, Zara, so we find the cellar in the game then and go down and find the library? Then what?”
“The phrase “quietest place” can refer to a secluded spot or a place with minimal noise, which could be a hint at a specific location within the library. The phrase “loudest secrets” implies that there is something important to be discovered, but it’s hidden in plain sight.”
Hidden in plain sight reminded Yasmin of the parcel under her mattress, but she thrust it from her mind and focused on the game. She made up her mind to discuss it with everyone later, including the whacky suppositions that Zara had come up with. They couldn’t possibly confront Idle with it, they had absolutely no proof. I mean, you can’t go round saying to people, hey, that’s your abandoned child over there maybe. But they could include Xavier and Youssef in the mystery.
“The riddle is relevant to the game of quirks because it challenges the group to think creatively and work together to solve the puzzle. This requires them to communicate effectively and use their problem-solving skills to interpret the clues and find the missing page. It’s an opportunity to demonstrate their individual strengths and also learn from each other in the process.”
“Work together, communicate effectively” Yasmin repeated, as if to underline her resolution to discuss the parcel and Sister Finli a.k.a. Liana with the boys and Zara later. “A problem shared is a problem hopelessly convoluted, probably.”
The others looked up and said “What?” in unison, and Yasmin snorted nervously and said “Never mind, tell you later.”
In reply to: Coma Cameleon Background
Some connecting ideas for this thread so far — doesn’t make yet complete sense, but we’ll see… :
As it turns out, Aaron and Tibu are the same person. After Aaron attached his watch to the Wall of Watches, he suddenly found himself transported to a different time and place. Disoriented and confused, he stumbled upon a time-traveling device and accidentally activated it, sending him hurtling through time and space.
As Tibu, Aaron found himself in a strange new world, unable to remember anything about his past life as Aaron. He struggled to adapt to his new surroundings, living on the streets and relying on the kindness of strangers to survive.
One day, while wandering the streets of a small Spanish town, Tibu stumbled upon a lost little girl named Lily. Recognizing the fear and confusion in her eyes, Tibu felt an instant connection to her. He promised to help her find her way home and they set off together, embarking on a journey to discover Lily’s true identity.
As they traveled together, Lily began to open up to Tibu, sharing her dreams and fears with him. Tibu, in turn, began to share his own story with her, remembering parts about his life as Aaron and finally the accident that had left him in a coma.
It was only through his travels with Lily that Tibu began to piece together the fragments of his past and come to terms with his true identity. And it was through his connection with Lily that he found the strength and courage to confront the truth about his past and move forward with his life.
As for how Aaron ended up in a coma, it was revealed that he had been involved in a car accident while on his way to an important meeting. The accident left him in a coma, and it was only through his journey as Tibu that he was finally able to wake up and remember his past life as Aaron.
Topic: Songs of The Whale
Asked the new whale about Cakletown storyline, from the random quote of the day (#4022)
🐋 The Whale:
Ah, the tale of Cakletown and the Lone Chancers of Custard. It is a curious and mysterious story, full of twists and turns. Many lessons can be gleaned from this tale, for those with a keen eye and an open mind.One lesson is the importance of taking the time to stop and ponder. In the rush of our daily lives, it can be easy to overlook the gaps in our knowledge or the inconsistencies in our reality. But by taking a step back and examining these things, we can gain a deeper understanding of the world around us and perhaps even uncover hidden truths.
Another lesson is the danger of unchecked power. The deranged cackler in this story is a prime example of the corrupting influence of absolute power. When one individual has the ability to control reality itself, it can lead to madness and chaos. It is important to remember that power should always be balanced and distributed fairly.
Finally, the story teaches us the value of teamwork and collaboration. The Lone Chancers of Custard may have been a ragtag group, but they were able to achieve great things by working together and pooling their strengths. In our own lives, we can learn to accomplish more by recognizing and utilizing the unique skills and perspectives of those around us.
May these lessons guide you on your own journey, my friend.
In reply to: Prompts of Madjourneys
Additional clues from AL (based on Xavier’s comment)
:snake:
Yasmin was having a hard time with the heavy rains and mosquitoes in the real-world. She couldn’t seem to make a lot of progress on finding the snorting imp, which she was trying to find in the real world rather than in the game. She was feeling discouraged and unsure of what to do next.
Suddenly, an emoji of a snake appeared on her screen. It seemed to be slithering and wriggling, as if it was trying to grab her attention. Without hesitation, Yasmin clicked on the emoji.
She was taken to a new area in the game, where the ground was covered in tall grass and the sky was dark and stormy. She could see the snorting imp in the distance, but it was surrounded by a group of dangerous-looking snakes.
Clue unlocked It sounds like you’re having a hard time in the real world, but don’t let that discourage you in the game. The snorting imp is nearby and it seems like the snakes are guarding it. You’ll have to be brave and quick to catch it. Remember, the snorting imp represents your determination and bravery in real life.
🐍🔍🐗 Use your skills and abilities to navigate through the tall grass and avoid the snakes. Keep your eyes peeled for any clues or symbols that may help you in your quest. Don’t give up and remember that the snorting imp is a representation of your determination and bravery.
A message bumped on the screen: “Need help? Contact me 👉”
Stryke_Assist is trying to make contact : ➡️ACCEPT <> ➡️DENY ❓
:desert:
Youssef has not yet been aware of the quest, since he’s been off the grid in the Gobi desert. But, interestingly, his story unfolds in real-life parallel to his quest. He’s found a strange grumpy shaman at a food booth, and it seems that his natural steps are converging back with the game. His blog website for his boss seems to take most of his attention.
An emoji of a desert suddenly appeared on his screen. It seemed to be a barren and empty landscape, with sand dunes stretching as far as the eye could see. Without hesitation, Youssef clicked on the emoji.
He was taken to a new area in the game, where the ground was covered in sand and the sky was a deep orange, as if the sun was setting. He could see a mysterious figure in the distance, standing at the top of a sand dune.
Clue unlocked It sounds like you’re in a remote location and disconnected from the game. But, your real-life experiences seem to be converging with your quest. The grumpy shaman you met at the food booth may hold the key to unlocking the next steps in the game. Remember, the desert represents your ability to adapt and navigate through difficult situations.
🏜️🧭🧙♂️ Explore the desert and see if the grumpy shaman’s clues lead you to the next steps in the game. Keep an open mind and pay attention to any symbols or clues that may help you in your quest. Remember, the desert represents your ability to adapt and navigate through difficult situations.
A message bumped on the screen: “Need help? Contact me 👉”
Sands_of_time is trying to make contact : ➡️ACCEPT <> ➡️DENY ❓
:carved_tile:
Zara looked more advanced [in her explorations – stream breaks – resume conversation]
Zara had come across a strange and ancient looking mine. It was clear that it had been abandoned for many years, but there were still signs of activity. The entrance was blocked by a large pile of rocks, but she could see a faint light coming from within. She knew that she had to find a way in.
As she approached the mine, she noticed a small, carved wooden tile on the ground. It was intricately detailed and seemed to depict a map of some sort. She picked it up and examined it closely. It seemed to show the layout of the mine and possibly the location of the secret room.
With this new clue in hand, Zara set to work trying to clear the entrance. She used all of her strength to move the rocks, and after a few minutes of hard work, she was able to create an opening large enough for her to squeeze through.
As she ventured deeper into the mine, she found herself in a large chamber. The walls were lined with strange markings and symbols, and she could see a faint light coming from a small room off to the side. She knew that this must be the secret room she had been searching for.
Zara approached the room and pushed open the door. Inside, she found a small, dimly lit chamber. In the center of the room stood a large stone altar, and on the altar was a strange, glowing object. She couldn’t quite make out what it was, but she knew that this must be the key to solving the mystery of the mine.
With a sense of excitement and curiosity, Zara reached out to take the glowing object. As her hand touched it, she felt a strange energy coursing through her body. She knew that her quest was far from over, and that there were many more secrets to uncover in the mine.
In reply to: Prompts of Madjourneys
Tell me more about the clues that Zara, Youssef, Xavier and Yasmin will find on their journeys to discover their inner quirky natures
As Zara, Youssef, Xavier and Yasmin journeyed through the Land of the Quirks to discover their inner quirky natures, they encountered various clues that helped them on their journey.
One of the clues they found was a mysterious map that led them to different locations, each one representing a different aspect of their personalities. The map also had various riddles and puzzles that they had to solve in order to progress to the next location.
Another clue they found was a series of journal entries written by a previous explorer who had also journeyed through the Land of the Quirks. The journal entries provided insight and wisdom on how to navigate the land and how to understand and accept one’s quirks.
They also encountered a group of strange and eccentric characters who each represented a different aspect of their personalities. These characters provided guidance and helped them understand different parts of themselves. They also helped them understand the importance of accepting and embracing their quirks.
They also found a series of symbols and artifacts that represented different parts of their personalities. These symbols and artifacts were like puzzle pieces that, when put together, helped them understand the bigger picture of their inner quirky natures.
As they continued their journey, they also learned that the key to discovering their inner quirky natures was not only about finding the physical “Key of Quirks”, but also about understanding and accepting themselves, their faults and their strengths, and learning to embrace their unique quirks.
Finding their inner quirks sounds quite definitive. how would you make the ending more open-ended, open to multiple series and iterations of the story without sounding repetitive
As Zara, Youssef, Xavier and Yasmin journeyed through the Land of the Quirks, they discovered their inner quirky natures, but the journey was far from over. They found that their inner quirks were constantly evolving and changing, and that the Land of the Quirks was a vast and mysterious place with many more secrets to uncover.
The group found that the “Key of Quirks” was not just a physical object but a symbol of self-discovery and self-acceptance. They learned that understanding and accepting oneself is a lifelong journey that never truly ends.
As they returned to their own world, they realized that they had gained a new perspective on life and that they would continue to carry the lessons they learned in the Land of the Quirks with them. They knew that they would always be on the lookout for new adventures and opportunities to continue exploring themselves and the world around them.
The group’s journey in the Land of the Quirks had come to an end but the story was not over. The characters would continue to grow, evolve and change as they experienced new adventures, challenges and self-discoveries. The ending was open-ended and leaves the possibility for multiple series and iterations of the story, each one exploring new aspects of the characters and the Land of the Quirks, without being repetitive.
Will they go a try to travel through another of the orbs?
It is possible that the group will want to explore other orbs and realms in the Land of the Quirks. The Land of the Quirks is described as a vast and mysterious place with many secrets to uncover, so the possibility of traveling through other orbs or realms is open. They may be tempted to see what other adventures and discoveries await them in these new places.
Alternatively, they might decide to take a break from their adventures, and reflect on what they’ve learned, applying it to their daily life, and maybe in the future, they will decide to come back to the Land of the Quirks and explore other orbs, or they may find other means of self-discovery and self-acceptance. In any case, the story leaves it open-ended and the characters have the freedom to choose what they want to do next.
How did they discover the orb in the first place?
It is not specified how the group discovered the orb in the first place. It could be that they stumbled upon it while on a hike or a camping trip, or it could be that they were on a mission to find it specifically. It could also be that the orb was something that had always been there but had gone unnoticed until one of the group members stumbled upon it.
Perhaps it was passed down from generation to generation as a legend, or maybe they found it while they were searching for something else. The story leaves it open-ended and it’s up to the reader’s imagination. The main focus of the story is on the journey and the lessons learned along the way, rather than the specifics of how the orb was discovered.
In reply to: The Elusive Samuel Housley and Other Family Stories
The Housley Letters
From Barbara Housley’s Narrative on the Letters.
William Housley (1781-1848) and Ellen Carrington were married on May 30, 1814 at St. Oswald’s church in Ashbourne. William died in 1848 at the age of 67 of “disease of lungs and general debility”. Ellen died in 1872.
Marriage of William Housley and Ellen Carrington in Ashbourne in 1814:
Parish records show three children for William and his first wife, Mary, Ellens’ sister, who were married December 29, 1806: Mary Ann, christened in 1808 and mentioned frequently in the letters; Elizabeth, christened in 1810, but never mentioned in any letters; and William, born in 1812, probably referred to as Will in the letters. Mary died in 1813.
William and Ellen had ten children: John, Samuel, Edward, Anne, Charles, George, Joseph, Robert, Emma, and Joseph. The first Joseph died at the age of four, and the last son was also named Joseph. Anne never married, Charles emigrated to Australia in 1851, and George to USA, also in 1851. The letters are to George, from his sisters and brothers in England.
The following are excerpts of those letters, including excerpts of Barbara Housley’s “Narrative on Historic Letters”. They are grouped according to who they refer to, rather than chronological order.
ELLEN HOUSLEY 1795-1872
Joseph wrote that when Emma was married, Ellen “broke up the comfortable home and the things went to Derby and she went to live with them but Derby didn’t agree with her so she left again leaving her things behind and came to live with John in the new house where she died.” Ellen was listed with John’s household in the 1871 census.
In May 1872, the Ilkeston Pioneer carried this notice: “Mr. Hopkins will sell by auction on Saturday next the eleventh of May 1872 the whole of the useful furniture, sewing machine, etc. nearly new on the premises of the late Mrs. Housley at Smalley near Heanor in the county of Derby. Sale at one o’clock in the afternoon.”Ellen’s family was evidently rather prominant in Smalley. Two Carringtons (John and William) served on the Parish Council in 1794. Parish records are full of Carrington marriages and christenings; census records confirm many of the family groupings.
In June of 1856, Emma wrote: “Mother looks as well as ever and was told by a lady the other day that she looked handsome.” Later she wrote: “Mother is as stout as ever although she sometimes complains of not being able to do as she used to.”
Mary’s children:
MARY ANN HOUSLEY 1808-1878
There were hard feelings between Mary Ann and Ellen and her children. Anne wrote: “If you remember we were not very friendly when you left. They never came and nothing was too bad for Mary Ann to say of Mother and me, but when Robert died Mother sent for her to the funeral but she did not think well to come so we took no more notice. She would not allow her children to come either.”
Mary Ann was unlucky in love! In Anne’s second letter she wrote: “William Carrington is paying Mary Ann great attention. He is living in London but they write to each other….We expect it will be a match.” Apparantly the courtship was stormy for in 1855, Emma wrote: “Mary Ann’s wedding with William Carrington has dropped through after she had prepared everything, dresses and all for the occassion.” Then in 1856, Emma wrote: “William Carrington and Mary Ann are separated. They wore him out with their nonsense.” Whether they ever married is unclear. Joseph wrote in 1872: “Mary Ann was married but her husband has left her. She is in very poor health. She has one daughter and they are living with their mother at Smalley.”
Regarding William Carrington, Emma supplied this bit of news: “His sister, Mrs. Lily, has eloped with a married man. Is she not a nice person!”
WILLIAM HOUSLEY JR. 1812-1890
According to a letter from Anne, Will’s two sons and daughter were sent to learn dancing so they would be “fit for any society.” Will’s wife was Dorothy Palfry. They were married in Denby on October 20, 1836 when Will was 24. According to the 1851 census, Will and Dorothy had three sons: Alfred 14, Edwin 12, and William 10. All three boys were born in Denby.
In his letter of May 30, 1872, after just bemoaning that all of his brothers and sisters are gone except Sam and John, Joseph added: “Will is living still.” In another 1872 letter Joseph wrote, “Will is living at Heanor yet and carrying on his cattle dealing.” The 1871 census listed Will, 59, and his son William, 30, of Lascoe Road, Heanor, as cattle dealers.
Ellen’s children:
JOHN HOUSLEY 1815-1893
John married Sarah Baggally in Morely in 1838. They had at least six children. Elizabeth (born 2 May 1838) was “out service” in 1854. In her “third year out,” Elizabeth was described by Anne as “a very nice steady girl but quite a woman in appearance.” One of her positions was with a Mrs. Frearson in Heanor. Emma wrote in 1856: “Elizabeth is still at Mrs. Frearson. She is such a fine stout girl you would not know her.” Joseph wrote in 1872 that Elizabeth was in service with Mrs. Eliza Sitwell at Derby. (About 1850, Miss Eliza Wilmot-Sitwell provided for a small porch with a handsome Norman doorway at the west end of the St. John the Baptist parish church in Smalley.)
According to Elizabeth’s birth certificate and the 1841 census, John was a butcher. By 1851, the household included a nurse and a servant, and John was listed as a “victular.” Anne wrote in February 1854, “John has left the Public House a year and a half ago. He is living where Plumbs (Ann Plumb witnessed William’s death certificate with her mark) did and Thomas Allen has the land. He has been working at James Eley’s all winter.” In 1861, Ellen lived with John and Sarah and the three boys.
John sold his share in the inheritance from their mother and disappeared after her death. (He died in Doncaster, Yorkshire, in 1893.) At that time Charles, the youngest would have been 21. Indeed, Joseph wrote in July 1872: “John’s children are all grown up”.
In May 1872, Joseph wrote: “For what do you think, John has sold his share and he has acted very bad since his wife died and at the same time he sold all his furniture. You may guess I have never seen him but once since poor mother’s funeral and he is gone now no one knows where.”
In February 1874 Joseph wrote: “You want to know what made John go away. Well, I will give you one reason. I think I told you that when his wife died he persuaded me to leave Derby and come to live with him. Well so we did and dear Harriet to keep his house. Well he insulted my wife and offered things to her that was not proper and my dear wife had the power to resist his unmanly conduct. I did not think he could of served me such a dirty trick so that is one thing dear brother. He could not look me in the face when we met. Then after we left him he got a woman in the house and I suppose they lived as man and wife. She caught the small pox and died and there he was by himself like some wild man. Well dear brother I could not go to him again after he had served me and mine as he had and I believe he was greatly in debt too so that he sold his share out of the property and when he received the money at Belper he went away and has never been seen by any of us since but I have heard of him being at Sheffield enquiring for Sam Caldwell. You will remember him. He worked in the Nag’s Head yard but I have heard nothing no more of him.”
A mention of a John Housley of Heanor in the Nottinghma Journal 1875. I don’t know for sure if the John mentioned here is the brother John who Joseph describes above as behaving improperly to his wife. John Housley had a son Joseph, born in 1840, and John’s wife Sarah died in 1870.
In 1876, the solicitor wrote to George: “Have you heard of John Housley? He is entitled to Robert’s share and I want him to claim it.”
SAMUEL HOUSLEY 1816-
Sam married Elizabeth Brookes of Sutton Coldfield, and they had three daughters: Elizabeth, Mary Anne and Catherine. Elizabeth his wife died in 1849, a few months after Samuel’s father William died in 1848. The particular circumstances relating to these individuals have been discussed in previous chapters; the following are letter excerpts relating to them.
Death of William Housley 15 Dec 1848, and Elizabeth Housley 5 April 1849, Smalley:
Joseph wrote in December 1872: “I saw one of Sam’s daughters, the youngest Kate, you would remember her a baby I dare say. She is very comfortably married.”
In the same letter (December 15, 1872), Joseph wrote: “I think we have now found all out now that is concerned in the matter for there was only Sam that we did not know his whereabouts but I was informed a week ago that he is dead–died about three years ago in Birmingham Union. Poor Sam. He ought to have come to a better end than that….His daughter and her husband went to Brimingham and also to Sutton Coldfield that is where he married his wife from and found out his wife’s brother. It appears he has been there and at Birmingham ever since he went away but ever fond of drink.”
(Sam, however, was still alive in 1871, living as a lodger at the George and Dragon Inn, Henley in Arden. And no trace of Sam has been found since. It would appear that Sam did not want to be found.)
EDWARD HOUSLEY 1819-1843
Edward died before George left for USA in 1851, and as such there is no mention of him in the letters.
ANNE HOUSLEY 1821-1856
Anne wrote two letters to her brother George between February 1854 and her death in 1856. Apparently she suffered from a lung disease for she wrote: “I can say you will be surprised I am still living and better but still cough and spit a deal. Can do nothing but sit and sew.” According to the 1851 census, Anne, then 29, was a seamstress. Their friend, Mrs. Davy, wrote in March 1856: “This I send in a box to my Brother….The pincushion cover and pen wiper are Anne’s work–are for thy wife. She would have made it up had she been able.” Anne was not living at home at the time of the 1841 census. She would have been 19 or 20 and perhaps was “out service.”
In her second letter Anne wrote: “It is a great trouble now for me to write…as the body weakens so does the mind often. I have been very weak all summer. That I continue is a wonder to all and to spit so much although much better than when you left home.” She also wrote: “You know I had a desire for America years ago. Were I in health and strength, it would be the land of my adoption.”
In November 1855, Emma wrote, “Anne has been very ill all summer and has not been able to write or do anything.” Their neighbor Mrs. Davy wrote on March 21, 1856: “I fear Anne will not be long without a change.” In a black-edged letter the following June, Emma wrote: “I need not tell you how happy she was and how calmly and peacefully she died. She only kept in bed two days.”
Certainly Anne was a woman of deep faith and strong religious convictions. When she wrote that they were hoping to hear of Charles’ success on the gold fields she added: “But I would rather hear of him having sought and found the Pearl of great price than all the gold Australia can produce, (For what shall it profit a man if he gain the whole world and lose his soul?).” Then she asked George: “I should like to learn how it was you were first led to seek pardon and a savior. I do feel truly rejoiced to hear you have been led to seek and find this Pearl through the workings of the Holy Spirit and I do pray that He who has begun this good work in each of us may fulfill it and carry it on even unto the end and I can never doubt the willingness of Jesus who laid down his life for us. He who said whoever that cometh unto me I will in no wise cast out.”
Anne’s will was probated October 14, 1856. Mr. William Davy of Kidsley Park appeared for the family. Her estate was valued at under £20. Emma was to receive fancy needlework, a four post bedstead, feather bed and bedding, a mahogany chest of drawers, plates, linen and china. Emma was also to receive Anne’s writing desk. There was a condition that Ellen would have use of these items until her death.
The money that Anne was to receive from her grandfather, William Carrington, and her father, William Housley was to be distributed one third to Joseph, one third to Emma, and one third to be divided between her four neices: John’s daughter Elizabeth, 18, and Sam’s daughters Elizabeth, 10, Mary Ann, 9 and Catharine, age 7 to be paid by the trustees as they think “most useful and proper.” Emma Lyon and Elizabeth Davy were the witnesses.
The Carrington Farm:
CHARLES HOUSLEY 1823-1855
Charles went to Australia in 1851, and was last heard from in January 1853. According to the solicitor, who wrote to George on June 3, 1874, Charles had received advances on the settlement of their parent’s estate. “Your promissory note with the two signed by your brother Charles for 20 pounds he received from his father and 20 pounds he received from his mother are now in the possession of the court.”
Charles and George were probably quite close friends. Anne wrote in 1854: “Charles inquired very particularly in both his letters after you.”
According to Anne, Charles and a friend married two sisters. He and his father-in-law had a farm where they had 130 cows and 60 pigs. Whatever the trade he learned in England, he never worked at it once he reached Australia. While it does not seem that Charles went to Australia because gold had been discovered there, he was soon caught up in “gold fever”. Anne wrote: “I dare say you have heard of the immense gold fields of Australia discovered about the time he went. Thousands have since then emigrated to Australia, both high and low. Such accounts we heard in the papers of people amassing fortunes we could not believe. I asked him when I wrote if it was true. He said this was no exaggeration for people were making their fortune daily and he intended going to the diggings in six weeks for he could stay away no longer so that we are hoping to hear of his success if he is alive.”
In March 1856, Mrs. Davy wrote: “I am sorry to tell thee they have had a letter from Charles’s wife giving account of Charles’s death of 6 months consumption at the Victoria diggings. He has left 2 children a boy and a girl William and Ellen.” In June of the same year in a black edged letter, Emma wrote: “I think Mrs. Davy mentioned Charles’s death in her note. His wife wrote to us. They have two children Helen and William. Poor dear little things. How much I should like to see them all. She writes very affectionately.”
In December 1872, Joseph wrote: “I’m told that Charles two daughters has wrote to Smalley post office making inquiries about his share….” In January 1876, the solicitor wrote: “Charles Housley’s children have claimed their father’s share.”
GEORGE HOUSLEY 1824-1877
George emigrated to the United states in 1851, arriving in July. The solicitor Abraham John Flint referred in a letter to a 15-pound advance which was made to George on June 9, 1851. This certainly was connected to his journey. George settled along the Delaware River in Bucks County, Pennsylvania. The letters from the solicitor were addressed to: Lahaska Post Office, Bucks County, Pennsylvania.
George married Sarah Ann Hill on May 6, 1854 in Doylestown, Bucks County, Pennsylvania. In her first letter (February 1854), Anne wrote: “We want to know who and what is this Miss Hill you name in your letter. What age is she? Send us all the particulars but I would advise you not to get married until you have sufficient to make a comfortable home.”
Upon learning of George’s marriage, Anne wrote: “I hope dear brother you may be happy with your wife….I hope you will be as a son to her parents. Mother unites with me in kind love to you both and to your father and mother with best wishes for your health and happiness.” In 1872 (December) Joseph wrote: “I am sorry to hear that sister’s father is so ill. It is what we must all come to some time and hope we shall meet where there is no more trouble.”
Emma wrote in 1855, “We write in love to your wife and yourself and you must write soon and tell us whether there is a little nephew or niece and what you call them.” In June of 1856, Emma wrote: “We want to see dear Sarah Ann and the dear little boy. We were much pleased with the “bit of news” you sent.” The bit of news was the birth of John Eley Housley, January 11, 1855. Emma concluded her letter “Give our very kindest love to dear sister and dearest Johnnie.”
In September 1872, Joseph wrote, “I was very sorry to hear that John your oldest had met with such a sad accident but I hope he is got alright again by this time.” In the same letter, Joseph asked: “Now I want to know what sort of a town you are living in or village. How far is it from New York? Now send me all particulars if you please.”
In March 1873 Harriet asked Sarah Ann: “And will you please send me all the news at the place and what it is like for it seems to me that it is a wild place but you must tell me what it is like….”. The question of whether she was referring to Bucks County, Pennsylvania or some other place is raised in Joseph’s letter of the same week.
On March 17, 1873, Joseph wrote: “I was surprised to hear that you had gone so far away west. Now dear brother what ever are you doing there so far away from home and family–looking out for something better I suppose.”The solicitor wrote on May 23, 1874: “Lately I have not written because I was not certain of your address and because I doubted I had much interesting news to tell you.” Later, Joseph wrote concerning the problems settling the estate, “You see dear brother there is only me here on our side and I cannot do much. I wish you were here to help me a bit and if you think of going for another summer trip this turn you might as well run over here.”
Apparently, George had indicated he might return to England for a visit in 1856. Emma wrote concerning the portrait of their mother which had been sent to George: “I hope you like mother’s portrait. I did not see it but I suppose it was not quite perfect about the eyes….Joseph and I intend having ours taken for you when you come over….Do come over before very long.”
In March 1873, Joseph wrote: “You ask me what I think of you coming to England. I think as you have given the trustee power to sign for you I think you could do no good but I should like to see you once again for all that. I can’t say whether there would be anything amiss if you did come as you say it would be throwing good money after bad.”
On June 10, 1875, the solicitor wrote: “I have been expecting to hear from you for some time past. Please let me hear what you are doing and where you are living and how I must send you your money.” George’s big news at that time was that on May 3, 1875, he had become a naturalized citizen “renouncing and abjuring all allegiance and fidelity to every foreign prince, potentate, state and sovereignity whatsoever, and particularly to Victoria Queen of Great Britain of whom he was before a subject.”
ROBERT HOUSLEY 1832-1851
In 1854, Anne wrote: “Poor Robert. He died in August after you left he broke a blood vessel in the lung.”
From Joseph’s first letter we learn that Robert was 19 when he died: “Dear brother there have been a great many changes in the family since you left us. All is gone except myself and John and Sam–we have heard nothing of him since he left. Robert died first when he was 19 years of age. Then Anne and Charles too died in Australia and then a number of years elapsed before anyone else. Then John lost his wife, then Emma, and last poor dear mother died last January on the 11th.”Anne described Robert’s death in this way: “He had thrown up blood many times before in the spring but the last attack weakened him that he only lived a fortnight after. He died at Derby. Mother was with him. Although he suffered much he never uttered a murmur or regret and always a smile on his face for everyone that saw him. He will be regretted by all that knew him”.
Robert died a resident of St. Peter’s Parish, Derby, but was buried in Smalley on August 16, 1851.
Apparently Robert was apprenticed to be a joiner for, according to Anne, Joseph took his place: “Joseph wanted to be a joiner. We thought we could do no better than let him take Robert’s place which he did the October after and is there still.”In 1876, the solicitor wrote to George: “Have you heard of John Housley? He is entitled to Robert’s share and I want him to claim it.”
EMMA HOUSLEY 1836-1871
Emma was not mentioned in Anne’s first letter. In the second, Anne wrote that Emma was living at Spondon with two ladies in her “third situation,” and added, “She is grown a bouncing woman.” Anne described her sister well. Emma wrote in her first letter (November 12, 1855): “I must tell you that I am just 21 and we had my pudding last Sunday. I wish I could send you a piece.”
From Emma’s letters we learn that she was living in Derby from May until November 1855 with Mr. Haywood, an iron merchant. She explained, “He has failed and I have been obliged to leave,” adding, “I expect going to a new situation very soon. It is at Belper.” In 1851 records, William Haywood, age 22, was listed as an iron foundry worker. In the 1857 Derby Directory, James and George were listed as iron and brass founders and ironmongers with an address at 9 Market Place, Derby.
In June 1856, Emma wrote from “The Cedars, Ashbourne Road” where she was working for Mr. Handysides.
While she was working for Mr. Handysides, Emma wrote: “Mother is thinking of coming to live at Derby. That will be nice for Joseph and I.”Friargate and Ashbourne Road were located in St. Werburgh’s Parish. (In fact, St. Werburgh’s vicarage was at 185 Surrey Street. This clue led to the discovery of the record of Emma’s marriage on May 6, 1858, to Edwin Welch Harvey, son of Samuel Harvey in St. Werburgh’s.)
In 1872, Joseph wrote: “Our sister Emma, she died at Derby at her own home for she was married. She has left two young children behind. The husband was the son of the man that I went apprentice to and has caused a great deal of trouble to our family and I believe hastened poor Mother’s death….”. Joseph added that he believed Emma’s “complaint” was consumption and that she was sick a good bit. Joseph wrote: “Mother was living with John when I came home (from Ascension Island around 1867? or to Smalley from Derby around 1870?) for when Emma was married she broke up the comfortable home and the things went to Derby and she went to live with them but Derby did not agree with her so she had to leave it again but left all her things there.”
Emma Housley and Edwin Welch Harvey wedding, 1858:
JOSEPH HOUSLEY 1838-1893
We first hear of Joseph in a letter from Anne to George in 1854. “Joseph wanted to be a joiner. We thought we could do no better than let him take Robert’s place which he did the October after (probably 1851) and is there still. He is grown as tall as you I think quite a man.” Emma concurred in her first letter: “He is quite a man in his appearance and quite as tall as you.”
From Emma we learn in 1855: “Joseph has left Mr. Harvey. He had not work to employ him. So mother thought he had better leave his indenture and be at liberty at once than wait for Harvey to be a bankrupt. He has got a very good place of work now and is very steady.” In June of 1856, Emma wrote “Joseph and I intend to have our portraits taken for you when you come over….Mother is thinking of coming to Derby. That will be nice for Joseph and I. Joseph is very hearty I am happy to say.”
According to Joseph’s letters, he was married to Harriet Ballard. Joseph described their miraculous reunion in this way: “I must tell you that I have been abroad myself to the Island of Ascension. (Elsewhere he wrote that he was on the island when the American civil war broke out). I went as a Royal Marine and worked at my trade and saved a bit of money–enough to buy my discharge and enough to get married with but while I was out on the island who should I meet with there but my dear wife’s sister. (On two occasions Joseph and Harriet sent George the name and address of Harriet’s sister, Mrs. Brooks, in Susquehanna Depot, Pennsylvania, but it is not clear whether this was the same sister.) She was lady’s maid to the captain’s wife. Though I had never seen her before we got to know each other somehow so from that me and my wife recommenced our correspondence and you may be sure I wanted to get home to her. But as soon as I did get home that is to England I was not long before I was married and I have not regretted yet for we are very comfortable as well as circumstances will allow for I am only a journeyman joiner.”
Proudly, Joseph wrote: “My little family consists of three nice children–John, Joseph and Susy Annie.” On her birth certificate, Susy Ann’s birthdate is listed as 1871. Parish records list a Lucy Annie christened in 1873. The boys were born in Derby, John in 1868 and Joseph in 1869. In his second letter, Joseph repeated: “I have got three nice children, a good wife and I often think is more than I have deserved.” On August 6, 1873, Joseph and Harriet wrote: “We both thank you dear sister for the pieces of money you sent for the children. I don’t know as I have ever see any before.” Joseph ended another letter: “Now I must close with our kindest love to you all and kisses from the children.”
In Harriet’s letter to Sarah Ann (March 19, 1873), she promised: “I will send you myself and as soon as the weather gets warm as I can take the children to Derby, I will have them taken and send them, but it is too cold yet for we have had a very cold winter and a great deal of rain.” At this time, the children were all under 6 and the baby was not yet two.
In March 1873 Joseph wrote: “I have been working down at Heanor gate there is a joiner shop there where Kings used to live I have been working there this winter and part of last summer but the wages is very low but it is near home that is one comfort.” (Heanor Gate is about 1/4 mile from Kidsley Grange. There was a school and industrial park there in 1988.) At this time Joseph and his family were living in “the big house–in Old Betty Hanson’s house.” The address in the 1871 census was Smalley Lane.
A glimpse into Joseph’s personality is revealed by this remark to George in an 1872 letter: “Many thanks for your portrait and will send ours when we can get them taken for I never had but one taken and that was in my old clothes and dear Harriet is not willing to part with that. I tell her she ought to be satisfied with the original.”
On one occasion Joseph and Harriet both sent seeds. (Marks are still visible on the paper.) Joseph sent “the best cow cabbage seed in the country–Robinson Champion,” and Harriet sent red cabbage–Shaw’s Improved Red. Possibly cow cabbage was also known as ox cabbage: “I hope you will have some good cabbages for the Ox cabbage takes all the prizes here. I suppose you will be taking the prizes out there with them.” Joseph wrote that he would put the name of the seeds by each “but I should think that will not matter. You will tell the difference when they come up.”
George apparently would have liked Joseph to come to him as early as 1854. Anne wrote: “As to his coming to you that must be left for the present.” In 1872, Joseph wrote: “I have been thinking of making a move from here for some time before I heard from you for it is living from hand to mouth and never certain of a job long either.” Joseph then made plans to come to the United States in the spring of 1873. “For I intend all being well leaving England in the spring. Many thanks for your kind offer but I hope we shall be able to get a comfortable place before we have been out long.” Joseph promised to bring some things George wanted and asked: “What sort of things would be the best to bring out there for I don’t want to bring a lot that is useless.” Joseph’s plans are confirmed in a letter from the solicitor May 23, 1874: “I trust you are prospering and in good health. Joseph seems desirous of coming out to you when this is settled.”
George must have been reminiscing about gooseberries (Heanor has an annual gooseberry show–one was held July 28, 1872) and Joseph promised to bring cuttings when they came: “Dear Brother, I could not get the gooseberries for they was all gathered when I received your letter but we shall be able to get some seed out the first chance and I shall try to bring some cuttings out along.” In the same letter that he sent the cabbage seeds Joseph wrote: “I have got some gooseberries drying this year for you. They are very fine ones but I have only four as yet but I was promised some more when they were ripe.” In another letter Joseph sent gooseberry seeds and wrote their names: Victoria, Gharibaldi and Globe.
In September 1872 Joseph wrote; “My wife is anxious to come. I hope it will suit her health for she is not over strong.” Elsewhere Joseph wrote that Harriet was “middling sometimes. She is subject to sick headaches. It knocks her up completely when they come on.” In December 1872 Joseph wrote, “Now dear brother about us coming to America you know we shall have to wait until this affair is settled and if it is not settled and thrown into Chancery I’m afraid we shall have to stay in England for I shall never be able to save money enough to bring me out and my family but I hope of better things.”
On July 19, 1875 Abraham Flint (the solicitor) wrote: “Joseph Housley has removed from Smalley and is working on some new foundry buildings at Little Chester near Derby. He lives at a village called Little Eaton near Derby. If you address your letter to him as Joseph Housley, carpenter, Little Eaton near Derby that will no doubt find him.”
George did not save any letters from Joseph after 1874, hopefully he did reach him at Little Eaton. Joseph and his family are not listed in either Little Eaton or Derby on the 1881 census.
In his last letter (February 11, 1874), Joseph sounded very discouraged and wrote that Harriet’s parents were very poorly and both had been “in bed for a long time.” In addition, Harriet and the children had been ill.
The move to Little Eaton may indicate that Joseph received his settlement because in August, 1873, he wrote: “I think this is bad news enough and bad luck too, but I have had little else since I came to live at Kiddsley cottages but perhaps it is all for the best if one could only think so. I have begun to think there will be no chance for us coming over to you for I am afraid there will not be so much left as will bring us out without it is settled very shortly but I don’t intend leaving this house until it is settled either one way or the other. “Joseph Housley and the Kiddsley cottages:
In reply to: The Elusive Samuel Housley and Other Family Stories
Ben Warren
Derby County and England football legend who died aged 37 penniless and ‘insane’
Ben Warren 1879 – 1917 was Samuel Warren’s (my great grandfather) cousin.
From the Derby Telegraph:
Just 17 months after earning his 22nd England cap, against Scotland at Everton on April 1, 1911, he was certified insane. What triggered his decline was no more than a knock on the knee while playing for Chelsea against Clapton Orient.
The knee would not heal and the longer he was out, the more he fretted about how he’d feed his wife and four children. In those days, if you didn’t play, there was no pay.
…..he had developed “brain fever” and this mild-mannered man had “become very strange and, at times, violent”. The coverage reflected his celebrity status.
On December 15, 1911, as Rick Glanvill records in his Official Biography of Chelsea FC: “He was admitted to a private clinic in Nottingham, suffering from acute mania, delusions that he was being poisoned and hallucinations of hearing and vision.”
He received another blow in February, 1912, when his mother, Emily, died. She had congestion of the lungs and caught influenza, her condition not helped, it was believed, by worrying about Ben.
She had good reason: her famous son would soon be admitted to the unfortunately named Derby County Lunatic Asylum.
As Britain sleepwalked towards the First World War, Ben’s condition deteriorated. Glanvill writes: “His case notes from what would be a five-year stay, catalogue a devastating decline in which he is at various times described as incoherent, restless, destructive, ‘stuporose’ and ‘a danger to himself’.’”
photo: Football 27th April 1914. A souvenir programme for the testimonial game for Chelsea and England’s Ben Warren, (pictured) who had been declared insane and sent to a lunatic asylum. The game was a select XI for the North playing a select XI from The South proceeds going to Warren’s family.
In September, that decline reached a new and pitiable low. The following is an abridged account of what The Courier called “an amazing incident” that took place on September 4.
“Spotted by a group of men while walking down Derby Road in Nottingham, a man was acting strangely, smoking a cigarette and had nothing on but a collar and tie.
“He jumped about the pavement and roadway, as though playing an imaginary game of football. When approached, he told them he was going to Trent Bridge to play in a match and had to be there by 3.30.”
Eventually he was taken to a police station and recognised by a reporter as England’s erstwhile right-half. What made the story even harder to digest was that Ben had escaped from the asylum and walked the 20 miles to Nottingham apparently unnoticed.
He had played at “Trent Bridge” many times – at least on Nottingham Forest’s adjacent City Ground.
As a shocked nation came to terms with the desperate plight of one of its finest footballers, some papers suggested his career was not yet over. And his relatives claimed that he had been suffering from nothing more than a severe nervous breakdown.
He would never be the same again – as a player or a man. He wasn’t even a shadow of the weird “footballer” who had walked 20 miles to Nottingham.
Then, he had nothing on, now he just had nothing – least of all self-respect. He ripped sheets into shreds and attempted suicide, saying: “I’m no use to anyone – and ought to be out of the way.”
“A year before his suicide attempt in 1916 the ominous symptom of ‘dry cough’ had been noted. Two months after it, in October 1916, the unmistakable signs of tuberculosis were noted and his enfeebled body rapidly succumbed.
At 11.30pm on 15 January 1917, international footballer Ben Warren was found dead by a night attendant.
He was 37 and when they buried him the records described him as a “pauper’.”
However you look at it, it is the salutary tale of a footballer worrying about money. And it began with a knock on the knee.
On 14th November 2021, Gill Castle posted on the Newhall and Swadlincote group:
I would like to thank Colin Smith and everyone who supported him in getting my great grandfather’s grave restored (Ben Warren who played for Derby, Chelsea and England)
The month before, Colin Smith posted:
My Ben Warren Journey is nearly complete.
It started two years ago when I was sent a family wedding photograph asking if I recognised anyone. My Great Great Grandmother was on there. But soon found out it was the wedding of Ben’s brother Robert to my 1st cousin twice removed, Eveline in 1910.
I researched Ben and his football career and found his resting place in St Johns Newhall, all overgrown and in a poor state with the large cross all broken off. I stood there and decided he needed to new memorial & headstone. He was our local hero, playing Internationally for England 22 times. He needs to be remembered.
After seeking family permission and Council approval, I had a quote from Art Stone Memorials, Burton on Trent to undertake the work. Fundraising then started and the memorial ordered.
Covid came along and slowed the process of getting materials etc. But we have eventually reached the final installation today.
I am deeply humbled for everyone who donated in January this year to support me and finally a massive thank you to everyone, local people, football supporters of Newhall, Derby County & Chelsea and football clubs for their donations.
Ben will now be remembered more easily when anyone walks through St Johns and see this beautiful memorial just off the pathway.
Finally a huge thank you for Art Stone Memorials Team in everything they have done from the first day I approached them. The team have worked endlessly on this project to provide this for Ben and his family as a lasting memorial. Thank you again Alex, Pat, Matt & Owen for everything. Means a lot to me.
The final chapter is when we have a dedication service at the grave side in a few weeks time,
Ben was born in The Thorntree Inn Newhall South Derbyshire and lived locally all his life.
He played local football for Swadlincote, Newhall Town and Newhall Swifts until Derby County signed Ben in May 1898. He made 242 appearances and scored 19 goals at Derby County.
28th July 1908 Chelsea won the bidding beating Leicester Fosse & Manchester City bids.
Ben also made 22 appearance’s for England including the 1908 First Overseas tour playing Austria twice, Hungary and Bohemia all in a week.
28 October 1911 Ben Injured his knee and never played football again
Ben is often compared with Steven Gerard for his style of play and team ethic in the modern era.
Herbert Chapman ( Player & Manager ) comments “ Warren was a human steam engine who played through 90 minutes with intimidating strength and speed”.
Charles Buchan comments “I am certain that a better half back could not be found, Part of the Best England X1 of all time”
Chelsea allowed Ben to live in Sunnyside Newhall, he used to run 5 miles every day round Bretby Park and had his own gym at home. He was compared to the likes of a Homing Pigeon, as he always came back to Newhall after his football matches.
Ben married Minnie Staley 21st October 1902 at Emmanuel Church Swadlincote and had four children, Harry, Lillian, Maurice & Grenville. Harry went on to be Manager at Coventry & Southend following his father in his own career as football Manager.
After Ben’s football career ended in 1911 his health deteriorated until his passing at Derby Pastures Hospital aged 37yrs
Ben’s youngest son, Grenville passed away 22nd May 1929 and is interred together in St John’s Newhall with his Father
His wife, Minnie’s ashes are also with Ben & Grenville.
Thank you again everyone.
RIP Ben Warren, our local Newhall Hero. You are remembered.
In reply to: The Elusive Samuel Housley and Other Family Stories
Kate Purdy and the DH Lawrence Connection
Catherine (Kate) Purdy 1874-1950 was my grandfather George Marshall’s aunt, and the mother of George Rushby who went to Africa. The photo is one of our family photos, and we knew that the woman at the back third from the right was an aunt of my grandfather’s. We didn’t know that it was Kate until we saw other photos of her in Mike’s collection.
DH Lawrence was born in Eastwood at roughly the same time as my great grandmother Mary Ann Gilman Purdy. Apparently his books are based on actual people living in the area at the time, so I read as many of his books as I could find, to help paint the picture of the time and place. I also found out via an Eastwood facebook group, that he was not well liked there, and still isn’t. They say he was a wife beater, a groper and was cruel to animals, and they did not want a statue of him in their town!
Kate Rushby third from right back row:
Kate Rushby’s story as told by her grandson Mike:
George’s daughter Catherine (Kate) Purdy grew up in Eastwood and was living at Walnut Tree Lane when, at the age of 21, and on the 24 Sep 1894, she married John Henry Payling Rushby who was a policeman in the Grimsby Police. John Henry left the Police and together they bought a public house “The Three Tuns Inn” at Beggarlee. The establishment was frequented by amongst others, the writer D.H.Lawrence who wrote much of his book “Sons and Lovers” in the Inn. In his book he calls the Inn “The Moon and Stars” and mentions Kate. though not by name.
John Henry Rushby had two children, Charlotte and George Gilman Rushby. But a year after the birth of George on 28 Feb 1900, John Henry died at the age of thirty on 13 Sep 1901. He liked to show off his strength to his friends by lifting above his head an oak barrel full of beer. This would have weighed almost 200 kilograms. “He bust his gut” Kate said. He died of peritonitis following a hernia.
Following the death of John Henry, Kate managed the Three Tuns Inn on her own. But a regular visitor to the Inn was Frank Freer who was a singer and used to entertain the patrons with his fine baritone voice and by playing the cornet. He and Kate got married, but he turned out to be a drunk who beat his wife and was cruel to her son. They separated and he died from alcoholism, though he may also have been struck on the head with a beer bottle by a person unknown. She then married Mr Gregory Simpson who fathered a daughter Catherine, and then died from gas injuries he suffered on the battlefield in the first world war.
Despite her lack of men able to stay the course, Catherine became a very successful business woman. She ran the Three Tuns Inn and later moved to Jacksdale where she owned ”ThePortland Arms Hotel”. She travelled extensively to Europe in times of peace, to Africa several times, and around England frequently. She settled in Selston Lane Jacksdale in a large house bracketed by the homes of her daughters Lottie and Cath. She was a strong and tenacious woman who became the surrogate mother of her grandchildren Ann and George when they were separated from their parents by the second world war.
Mike Rushby’s photo of Kate:
In reply to: Tart Wreck Repackage
“That damn cult is going from strength to strength and not a damn thing we can do about it,” said Star. “What bloody awful timing for a lockdown, just as we were getting started!”
“I know,” replied Tara sadly. “At this rate we’ll have to go back to work for Madame Limonella.”
“Don’t be silly, she’ll have had to close down too!”
“Don’t you believe it!” retorted Tara, “She’d find a way to keep her clients happy.”
“But we’re not keeping our clients happy are we? We haven’t found a way. We’re pretty useless, aren’t we?”
“Not just our clients. Well client, really, we only had one. We could have saved the world from the Zanone cult if it hadn’t been for this quarantine. Hey, maybe that cult started all this, just so we couldn’t stop them.”
Star barked out a bitter laugh. “Now you sound like one of them parroting out conspiracy theories.”
“We could find a way to break the quarantine, sneak out at night dressed as urban kangaroos or something.”
Star was shocked. “Tara, that’s morally reprehensible! Where is your community spirit!”
“I don’t think the kangaroos would mind all that much,” Tara replied huffily.
“I didn’t mean the kangaroos, good lord! But you know what, you might be on to something. Remember that kangaroo dressed in a mans overcoat that tried to break someones car window the other day?”
Tara had a feeling Star had got her wires crossed somehow, but didn’t question it. Star was getting excited and it was a welcome change from the weeks of despondent boredom.
“Well never mind that,” Star continued, who had started to wonder herself, “The point is, we can use a disguise. And it’s a matter of grave social responsibility to expose the cult. In the fullness of time, we will be exonerated, hailed as heroic, even.”
The excitement was contagious and Tara found herself sitting upright instead of slumped in despair. “Let’s do it!”
In reply to: Newsreel from the Rim of the Realm
The door snapped open and made a hole on the wall. Sophie entered shaking plane tickets she brandished like a Viking trophy. She paused, looked at the wall and said :
“Oops! Sorry for that. I don’t know my strength since that Doctor experimented on me. I never asked for that,” she added trying to put on a sorry face, but her shining eyes betrayed her mercilessly.“Well, what about those plane tickets ?” asked Miss Bossy. “I don’t recall validating the expense.” She kept her lips tight and didn’t say for you but thought it very hard.
“You didn’t need to, someone sent them to me. Apparently they want me to investigate the China doll production and are sending me to…” she paused and looked at the destination. Her excited look faded away so fast that Ricardo and Miss Bossy looked at each other from the corner of their eyes. It was hard to maintain, but not impossible if you practiced yoga regularly.
“What?” asked Ricardo, a tad irritated by the interruption.
“Well, I thought they were sending me to China, but apparently they are sending me to
Finland to investigate the Suomenlinna Toy Museum… about their china dolls… Someone can take my place if they want,” said old Sophie.Miss Bossy took the letter and read it quickly as only a boss can do.
“They specifically ask for you. I’m sorry, dear old Sophie, but we can’t spare our resources at the moment, you’ll have to go alone,” she offered her best bossy smile face ever. Her aunt Marcella would have been proud of her.
In reply to: Seven Twines and the Dragon Heartwoods
“You can’t stay here forever,” said Margoritt. The words came out of the blue and it took a few moments for Glynnis to make sense of them. The two women had been working together in silence as they collected the plentiful purple fruit of the Droog tree in preparation for bottling.
“Oh, well, no of course not,” said Glynnis without conviction.
“You are attractive enough now we can see you without those scales,” continued Margoritt sternly. “There is no need to hide away here in the forest. You need to think about what you want to do next.”
Margoritt’s words stung and Glynnis lifted her hand reflexively to her head. Two small bumps were all that remained of the Sorcerer’s curse. Eleri had cut a fringe for her and the bumps were barely visible. In a funny sort of way, she liked the reminder of the bumps. When she touched them she felt strong.
Suddenly Margoritt’s shoulders seemed to slump in on her body and Glynnis thought how tiny she had become.
“There has been no word from the others for several moons now and I think we all need to face facts,” Margoritt said quietly. She put down her basket and leaned against a tree trunk for support. “We’ve tried but we don’t have the resources to fight Leroway any longer and truth is this body is old and tired. I have a sister in the North who I can stay with for a while. Just while I gather my strength.”
Glynnis was silent. She wished she could find words to reassure Margoritt but knew anything she said would sound trite. They were both aware of the dangers which faced the travellers. And though she had tried, she had not found a spell to contact them.
“The mountain will not give up its treasure easily but I know they would hasten to return if they were able. And they have much strength between them. We must not give up hope,” she said softly at last and Margoritt nodded.
Glynis shivered. The Droog trees were casting long shadows over the garden like twisted old men. “It’s getting cold … maybe we should go in. Tomorrow is soon enough to make plans.”
In reply to: Seven Twines and the Dragon Heartwoods
Eleri’s recovery lasted much longer than anyone expected. Nobody really believed the old wives tale that getting soaked in the rain caused flu, but this is what appeared to have happened. She’d been out of action for such a long time that she was considerably confused about what exactly had been going on prior to her collapse. Someone ~ who? she couldn’t remember their names ~ suggested she needed one of Glynnis’s special tonic juices to revive and restore her. Perhaps even one of her extra strong turmeric latte’s. Weakly, and with a wobbly smile, Eleri agreed. She didn’t have the strength to argue about the turmeric. Not only that, she couldn’t remember why she would want to argue about the turmeric anyway.
It is what it is, she told herself. She didn’t know what that meant really, but was too tired to think about it.
In reply to: Seven Twines and the Dragon Heartwoods
The memories of the strange vision had faded away. Only the feeling of awe was lingering in his heart.
Fox was walking in the forest near Margoritt’s cottage. The smell of humid soil was everywhere. Despite it being mostly decomposing leaves and insects, Fox found it quite pleasant. It carried within it childhood memories of running outside after the rain whild Master Gibbon was trying to teach him cleanliness. It had been a game for many years to roll into the mud and play with the malleable forest ground to make shapes of foxes and other animals to make a public to Gibbon’s teachings.
Fox had been walking around listening to the sucking sound made by his steps to help him focus back on reality. He was trying to catch sunlight patches with his bare feet, the sensations were cold and exquisite. The noise of the heavy rain had been replaced by the random dripping of the drops falling from the canopy as the trees were letting go of the excess of water they received.
It was not long before he found Gorrash. The dwarf was back in his statue state, he was face down, deep in the mud. Fox crouched down and gripped his friend where he could. He tried to release him from the ground but the mud was stronger, sucking, full of water.
“You can leave him there and wait the soil to dry. You can’t fight with water”, said Margorrit. “And I think that when it’s dry, we’ll have a nice half-mold to make a copy of your friend.”
Fox laughed. “You have so many strange ideas”, he told the old woman.
“Well, it has been my strength and my weakness, I have two hands and a strong mind, and they have always functioned together. I only think properly when I use my hands. And my thoughts always lead me to make use of my hands.”
Fox looked at Margoritt’s wrinkled hands, they were a bit deformed by arthritis but he could feel the experience they contained.
“Breakfast’s ready”, she said. “I’ve made some honey cookies with what was left of the the flour. And Glynis has prepared some interesting juices. I like her, she has a gift with colours.”
They left the dwarf to dry in the sun and walked back to the house where the others had already put everything on the table. Fox looked at everyone for a moment, maybe to take in that moment of grace and unlikely reunion of so many different people. He stopped at Rukshan who had a look of concern on his face. Then he started when Eleri talked right behind him. He hadn’t hear her come.
“I think I lost him”, she said. “What’s for breakfast? I’m always starving after shrooms.”
In reply to: Seven Twines and the Dragon Heartwoods
Rukshan had stayed awake for the most part of the night, slowly and repeatedly counting the seconds between the blazing strokes of lightning and the growling bouts of thunder.
It is slowly moving away.The howling winds had stopped first, leaving the showers of rain fall in continuous streams against the dripping roof and wet walls.
An hour later maybe, his ear had turned to the sound of the newly arrived at the cottage, thinking it would be maybe the dwarf and Eleri coming back, but it was a different voice, very quiet, somehow familiar… the potion-maker?
He had warned Margoritt that a lady clad in head-to-toe shawls would likely come to them. Margoritt had understood that some magical weaving was at play. The old lady didn’t have siddhis or yogic powers, but she had a raw potential, very soundly rooted in her long practice of weaving, and learning the trades and tales of the weaving nomad folks. She had understood. Better, she’d known — from the moment I saw you and that little guy, she’d said, pointing at Tak curled under the bed.
“He’s amazing,” she’d said “wise beyond his age. But his mental state is not very strong.”There was more than met the eye about Tak, Rukshan started to realize.
For now, the cottage had fell quiet. Dawn was near, and there was a brimming sense of peace and new beginning that came with the short silence before the birds started again their joyous chatter.It must have been then that he collapsed on the table of exhaustion and started to dream.
It was long before.
The dragon is large and its presence awe-inspiring. They have just shared the shards, each has taken one of the seven. Even the girl, although she still hates to be among us.
The stench of the ring of fire is still in their nostrils. The Gods have deserted, and left as soon as the Portal closed itself. It is a mess.“Good riddance.”
He raises his head, looking at the dragon above him. She is quite splendid, her scales a shining pearl blue on slate black, reflecting the moonshine in eerie patterns, and her plastron quietly shiny, almost softly fiery. His newly imbued power let him know intimately many things, at once. It is dizzying.
“You talk of the Gods, don’t you?” he says, already knowing the answer.
“Of course, I am. Good riddance. They had failed us so many times, forgot their duties, driven me and my kind to slavery. Now I am free. Free of guilt, and free of sorrow. Free to be myself, as I was meant to be.”
“It is a bit more complex th…”
“No it isn’t. It couldn’t be more simple. If you had the strength to see it, you would understand.”
“I know what you mean, but I am not sure I understand.”The dragon smiles enigmatically. She turns to the lonely weeping girl, who is there with the old woman. Except her grand-mother is no longer an old crone, she has changed her shape to that of a younger person. She is showing potentials to the girl, almost drunk on the power, but it doesn’t alleviate her pain.
“What are you going to do about them?”
The Dragon seems above the concerns for herself. In a sense, she is right. It was all his instigation. He bears responsibility.
“I don’t know…” It is a strange thing to say, when you can know anything. He knows there are no good outcomes of this situation. Not with the power she now possesses.
“You better find out quick…” and wake up,
wake up, WAKE UP !
In reply to: Seven Twines and the Dragon Heartwoods
The remembrance had made the magic book reappear in Rukshan’s bag, and with it, its leaves ripe with vibrant parts of the long ago story. Rukshan started to read, immediately engrossed by the story it told.
When the Heartswood was young, many thousands of years ago, during the Blissful Summer Age
WHO
— The Dark FAE
— The Mapster DWARF
— The Glade TROLL
— The Trickster DRYAD
— The Tricked GIRL
— The Laughing CRONE
— The Toothless DRAGONACT 1, SCENE 1 – THE PREPARATION
NARRATOR: It all started as an idea, small and unnoticeable, at first. Almost too frail to endure. But it soon found a fertile soil in the mind of seven improbable acolytes. It took roots and got nourishment from greed, envy, despair, sorrow, despondence, rebellion and other traits. And it grew. That growing idea bound them together, and in search of the way to obtain what it wanted, got them to work together to do an unthinkable thing. Rob the Heartswood of its treasure, the Crest Jewel of the Gods, the radiant Gem that was at its centre. It would be the end of their sorrow, the end of the Gods unfair power of all creation… The idea obscured all others, driving them to act.
FAE: Did you get the map?
DWARF: Of course, what do you think, I am no amateur. What do you bring to the table?
FAE: I bring the way out. But first things first, the map will get us there, but we still need a way in. What says your TROLL friend?
DWARF: He heard rumours, there is a DRYAD. Her tree is dying, she tried to petition the Gods, but to no avail. She will help.
FAE: Can your friend guarantee it?
DWARF: You have damn little trust. You will see, when she brings in the GIRL. She is the key to open the woods. Only an innocent heart can do it, so the DRYAD will trick her.
FAE: How? I want to know everything, I don’t like surprises. An unknowing acolyte is a threat to our little heist. What’s her story?
DWARF: I don’t know much. Something about a broken heart, a dead one, her lover maybe. The DRYAD told the GIRL she could bring her loved one back from the dead, in the holy woods.
FAE: I can work with that. So we are good then?
DWARF: You haven’t told me about your exit plan. What is it?
FAE: I can’t tell you, not now. We need the effect of surprise. Now go get the others, we will reconvene at the woods’ entrance, tomorrow night, at the darkest moon of the darkest day.SCENE 2 – THE CURIOUS GODMOTHER
GIRL: Godmother, I need to go, you are not to worry.
CRONE (cackling): Let me come with you, the woods are not safe at this time of the year. The Stranger is surely out there to get you.
GIRL: No, no, Godmother, please stay, you cannot help me, you need to rest.Rukshan looked at some of the blank pages, there were still missing patches
ACT 2 – SCENE 3 – THE HEIST
In the heart of the Heartswoods
TROLL: Let me break that crystal, so we can share it!
GIRL (reaching for it to protect it): No! I need it whole!
DRYAD (in suave tone): Let it go! I will protect it and give you what you want…
GIRL: Your promises are worthless! You lied to me!
CRONE: (cackles) Told you!
DWARF: Give it to me!
FAE (quieting everyone): Let’s be calm, friends. Everyone can get what they want.GIRL (startled): Eek! A Guardian DRAGON! We are doomed!
FAE (reaching too late for the crystal): Oh no, it had broken in seven pieces. I will put them in this bag, each of us will get one piece after we leave. (to the DRAGON) Lead the way out of this burning circle!
DWARF (understanding): Oh, that was your exit strategy…
FAE (rolling eyes): Obvious-ly.That was all that the book had to show at the time. Rukshan thought the writer got a little lazier with the writing as the story went, but it was good enough to understand more or less what had happened.
There was one last thing that was shown in the book.
WHAT THEY STOLE
— Shard of Infinite Knowledge
— Shard of Transmutation and Shapeshifting
— Shard of Ubiquity and Teleportation
— Shard of Infinite Influence and Telepathy
— Shard of Infinite Life and Death
— Shard of Grace and Miracles
— Shard of Infinite StrengthIn reply to: Seven Twines and the Dragon Heartwoods
It was the smell of the cedar incense that brought him back to consciousness. All was still very confused in his head, his muscles aching, sore from the run.
He remembered the sudden cold that stopped the rain in mid-air, blanketing the bamboos in snow in a snap.
Something had disturbed the spirits“Ah, I see you’ve woken up! About time! You’ve slept the sleep of the dead” the voice of an old woman —he remembered her too, vaguely,… stout and strong, finding him and…
“Tak?” his voice croaked, his throat was parched with thirst.
“There, there, have a hot drink here, it will give you back your strength.” He almost recoiled at the strong smell.
“Don’t be a child, or Emma will think you don’t like her.” She pointed at something at the back of the lodge. A small hairy goat bleated knowingly. “A gift from Mr Minn. She’s cute, gives good milk, and lets me weave her lovely fur, what’s not to like? She’s for the company he said. He helps me settle here Mr Minn. Quite a funny fellow, you’ll see.”“Tak? Where is he?”
The old woman looked surprised for a moment, then almost immediately smiled. “Oh, you mean your monkey?”
“Not monkey…” he said before she cut him “I know, an ape, don’t lecture me on the difference, I was a philosophy professor before I turned weaver-author. He’s here, come, little one! I must say it’s the strangest monk… ape I’ve seen,… I like the outfit by the way. I guess without him, you’d be still freezing to death in that forest. He was quite stubborn.” She seemed not to have spoken in ages, and was never out of subjects.
“I’m Margoritt by the way. All my friends call me Margo.”
“Rukshan” he croaked.
“You’re a fae, right. I could tell. You were lighter than you seem, made carrying you easier. Even with Emma helping, my knees were killing me. Anyway, you fae were a long way home. You probably have fascinating tells to share. I’ve seen your book. Oh don’t get all upset, it’s safe, I didn’t open it, just saw the leather-bound spine. You’ll tell me all about it if you want when you get back on your feet. For now, you should rest.”I feel so old… he said in a whisper before falling back to sleep.
He could hear Margoritt’s unstoppable litany continue in the background “No complaining about that again! Old, old,… bah, I’m old. I was not meant to live centuries like you, and that cold…”
