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Helix 25 – The Murder Board

Evie sat cross-legged on the floor of her cramped workspace, staring at the scattered notes, datapads, and threads taped to the wall. Finding some yarn on the ship had not been as easy as she thought, but it was a nice touch she thought.

The Murder Board, as Riven Holt had started calling it, was becoming an increasingly frustrating mess of unanswered questions.

Riven stood nearby, arms crossed, with a an irritated skepticism. “Almost a week,” he muttered. “We’re no closer than when we started.”

Evie exhaled sharply. “Then let’s go back to the basics.”

She tapped the board, where the crime scene was crudely sketched. The Drying Machine. Granary. Jardenery. Blood that shouldn’t exist.

She turned to Riven. “Alright, let’s list it out. Who are our suspects?”

He looked at his notes, dejected for a moment; “too many, obviously.” Last census on the ship was not accurate by far, but by all AI’s accounts cross-referenced with Finkley’s bots data, they estimated the population to be between 15,000 and 50,000. Give or take.

They couldn’t interview possibly all of them, all the more since there the interest in the murder had waned very rapidly. Apart from the occasional trio of nosy elderly ladies, the ship had returned mostly to the lull of the day-to-day routine.
So they’d focused on a few, and hoped TP’s machine brain could see patterns where they couldn’t.

1. First, the Obvious Candidates: People with Proximity to the Crime Scene
   Romualdo, the Gardener – Friendly, unassuming. He lends books, grows plants, and talks about Elizabeth Tattler novels. But Herbert visited him often. Why?
   Dr. Amara Voss – The geneticist. Her research proves the Crusader DNA link, but could she be hiding more? Despite being Evie’s godmother, she couldn’t be ruled out just yet.
   Sue Forgelot – The socialite with connections everywhere. She had eluded their request for interviews. —does she know more than she lets on?
   The Cleaning Staff – they had access everywhere. And the murder had a clean elegance to it…
2. Second, The Wild Cards: People with Unknown Agendas
   The Lower Deck Engineers – Talented mechanic, with probable cybernetic knowledge, with probable access to unauthorized modifications. Could they kill for a reason, or for hire?
   Zoya Kade and her Followers – They believe Helix 25 is on a doomed course, manipulated by a long-dead tycoon’s plan. Would they kill to force exposure of an inconvenient truth?
   The Crew – Behind the sense of duty and polite smiles, could any of them be covering something up?
3. Third, The AI Factor: Sentient or Insentient?
   Synthia, the AI – Controls the ship. Omnipresent. Can see everything, and yet… didn’t notice or report the murder. Too convenient.
   Other personal AIs – Like Trevor Pee’s programme, most had in-built mechanisms to make them incapable of lying or harming humans. But could one of their access be compromised?

Riven frowned. “And what about Herbert himself? Who was he, really? He called himself Mr. Herbert, but the cat erm… Mandrake says that wasn’t his real name. If we figure out his past, maybe we find out why he was killed.”

Evie rubbed her temples. “We also still don’t know how he was killed. The ship’s safety systems should have shut the machine down. But something altered how the system perceived him before he went in.”

She gestured to another note. “And there’s still the genetic link. What was Herbert doing with Crusader DNA?”

A heavy silence settled between them.

Then TP’s voice chimed in. “Might I suggest an old detective’s trick? When stumped, return to who benefits.”

Riven exhaled. “Fine. Who benefits from Herbert’s death?”

Evie chewed the end of her stylus. “Depends. If it was personal, the killer is on this ship, and it’s someone who knew him. If it was bigger than Herbert, then we’re dealing with something… deeper.”

TP hummed. “I do hate deeper mysteries. They tend to involve conspiracies, misplaced prophecies, and far too many secret societies.”

Evie and Riven exchanged a glance.

Riven sighed. “We need a break.”

Evie scoffed. “Time means nothing here.”

Riven gestured out the window. “Then let’s go see it. The Sun.”

Helix 25 – The Sun-Gazing Chamber

The Sun-Gazing Chamber was one of Helix 25’s more poetic and yet practical inventions —an optically and digitally-enhanced projection of the Sun, positioned at the ship’s perihelion. It was meant to provide a psychological tether, a sense of humanity’s connection to the prime provider of life as they drifted in the void of the Solar System.
It was a beautifully designed setting where people would simply sit and relax, attuned to the shift of days and nights as if still on Earth. The primary setting had been voted to a massive 83.5% to be like in Hawai’i latitude and longitude, as its place was believed to be a reflection of Earth’s heart. That is was a State in the USA was a second thought of course.

Evie sat on the observation bench, staring at the massive, golden sphere suspended in the darkness. “Do you think people back on Earth are still watching the sunrise?” she murmured.

Riven was quiet for a moment. “If there’s anyone left.”

Evie frowned. “If they are, I doubt they got much of a choice.”

TP materialized beside them, adjusting his holographic tie. “Ah, the age-old existential debate: are we the lucky ones who left Earth, or the tragic fools who abandoned it?”

Evie ignored him, glancing at the other ship residents in the chamber. Most people just sat quietly, basking in the light. But she caught snippets of whispers, doubt, something spreading through the ranks.

“Some people think we’re not really where they say we are,” she muttered.

Riven raised an eyebrow. “What, like conspiracy theories?”

TP scoffed. “Oh, you mean the Flat-Earthers?” He tsked. “Who couldn’t jump on the Helix lifeboats for their lives, convinced as they were we couldn’t make it to the stars. They deserved what came to them. Next they’ll be saying Helix 25 never even launched and we’re all just trapped in a simulation of a luxury cruise.”

Evie was shocked at Trevor Pee’s eructation and rubbed her face. “Damn Musk tech, and those “Truth Control” rubbish datasets. I thought I’d thoroughly scrubbed all the old propaganda tech from the system.”

“Ah,” TP said, “but conspiracies are like mold. Persistent. Annoying. Occasionally toxic.”

Riven shook his head. “It’s nonsense. We’re moving. We’ve been moving for decades.”

Evie didn’t look convinced. “Then why do we feel stuck?”

A chime interrupted them.

A voice, over the comms. Solar flare alert. 

Evie stiffened.

Then: Stay calm and return to your quarters until further notice.

Evie raised an eyebrow. This was the first time something like that happened. She turned to Riven who was looking at his datapad who was flashing and buzzing.

He said to her: “Stay quiet and come with me, a new death has been reported. Crazy coincidence. It’s just behind the Sun-Gazing chamber actually, in the Zero-G sector.”

Helix 25 – Below Lower Decks – Shadow Sector

Kai Nova moved cautiously through the underbelly of Helix 25, entering a part of the Lower Decks where the usual throb of the ship’s automated systems turned muted. The air had a different smell here— it was less sterile, more… human. It was warm, the heat from outdated processors and unmonitored power nodes radiating through the bulkheads. The Upper Decks would have reported this inefficiency.

Here, it simply went unnoticed, or more likely, ignored.

He was being watched.

He knew it the moment he passed a cluster of workers standing by a storage unit, their voices trailing off as he walked by. Not unusual, except these weren’t Lower Deck engineers. They had the look of people who existed outside of the ship’s official structure—clothes unmarked by department insignias, movements too intentional for standard crew assignments.

He stopped at the rendezvous point: an unlit access panel leading to what was supposed to be an abandoned sublevel. The panel had been manually overridden, its system logs erased. That alone told him enough—whoever he was meeting had the skills to work outside of Helix 25’s omnipresent oversight.

A voice broke the silence.

“You’re late.”

Kai turned, keeping his stance neutral. The speaker was of indistinct gender, shaved head, tall and wiry, with sharp green eyes locked on his movements. They wore layered robes that, at a glance, could have passed as scavenged fabric—until Kai noticed the intricate stitching of symbols hidden in the folds.

They looked like Zoya’s brand —he almost thought… or let’s just say, Zoya’s influence. Zoya Kade’s litanies had a farther reach he would expect.

“Wasn’t aware this was a job interview,” Kai quipped, leaning casually against the bulkhead.

“Everything’s a test,” they replied. “Especially for outsiders.”

Kai smirked. “I didn’t come to join your book club. I came for answers.”

A low chuckle echoed from the shadows, followed by the shifting of figures stepping into the faint light. Three, maybe four of them. It could have been an ambush, but that was a display.

“Pilot,” the woman continued, avoiding names. “Seeker of truth? Or just another lost soul looking for something to believe in?”

Kai rolled his shoulders, sensing the tension in the air. “I believe in not running out of fuel before reaching nowhere.”

That got their attention.

The recruiter studied him before nodding slightly. “Good. You understand the problem.”

Kai crossed his arms. “I understand a lot of problems. I also understand you’re not just a bunch of doomsayers whispering in the dark. You’re organized. And you think this ship is heading toward a dead end.”

“You say that like it isn’t.”

Kai exhaled, glancing at the flickering emergency light above. “Synthia doesn’t make mistakes.”

They smiled, but it wasn’t friendly. “No. It makes adjustments.” — the heavy tone on the “it” struck him. Techno-bigots, or something else? Were they denying Synthia’s sentience, or just adjusting for gender misnomers, it was hard to tell, and he had a hard time to gauge the sanity of this group.

A low murmur of agreement rippled through the gathered figures.

Kai tilted his head. “You think she’s leading us into the abyss?”

The person stepped closer. “What do you think happened to the rest of the fleet, Pilot?”

Kai stiffened slightly. The Helix Fleet, the original grand exodus of humanity—once multiple ships, now only Helix 25, drifting further into the unknown.

He had never been given a real answer.

“Think about it,” they pressed. “This ship wasn’t built for endless travel. Its original mission was altered. Its course reprogrammed. You fly the vessel, but you don’t control it.” She gestured to the others. “None of us do. We’re passengers on a ride to oblivion, on a ship driven by a dead man’s vision.”

Kai had heard the whispers—about the tycoon who had bankrolled Helix 25, about how the ship’s true directive had been rewritten when the Earth refugees arrived. But this group… they didn’t just speculate. They were ready to act.

He kept his voice steady. “You planning on mutiny?”

They smiled, stepping back into the half-shadow. “Mutiny is such a crude word. We’re simply ensuring that we survive.”

Before Kai could respond, a warning prickle ran up his spine.

Someone else was watching.

He turned slowly, catching the faintest silhouette lingering just beyond the corridor entrance. He recognized the stance instantly—Cadet Taygeta.

Damn it.

She had followed him.

The group noticed, shifting slightly. Not hostile, but suddenly alert.

“Well, well,” the woman murmured. “Seems you have company. You weren’t as careful as you thought. How are you going to deal with this problem now?”

Kai exhaled, weighing his options. If Taygeta had followed him, she’d already flagged this meeting in her records. If he tried to run, she’d report it. If he didn’t run, she might just dig deeper.

And the worst part?

She wasn’t corruptible. She wasn’t the type to look the other way.

“You should go,” the movement person said. “Before your shadow decides to interfere.”

Kai hesitated for half a second, before stepping back.

“This isn’t over,” he said.

Her smile returned. “No, Pilot. It’s just beginning.”

With that, Kai turned and walked toward the exit—toward Taygeta, who was waiting for him with arms crossed, expression unreadable.

He didn’t speak first.

She did.

“You’re terrible at being subtle.”

Kai sighed, thinking quickly of how much of the conversation could be accessed by the central system. They were still in the shadow zone, but that wasn’t sufficient. “How much did you hear?”

“Enough.” Her voice was even, but her fingers twitched at her side. “You know this is treason, right?”

Kai ran a hand through his hair. “You really think we’re on course for a fresh new paradise?”

Taygeta didn’t answer right away. That was enough of an answer.

Finally, she exhaled. “You should report this.”

“You should,” Kai corrected.

She frowned.

He pressed on. “You know me, Taygeta. I don’t follow lost causes. I don’t get involved in politics. I fly. I survive. But if they’re right—if there’s even a chance that we’re being sent to our deaths—I need to know.”

Taygeta’s fingers twitched again.

Then, with a sharp breath, she turned.

“I didn’t see anything tonight.”

Kai blinked. “What?”

Her back was already to him, her voice tight. “Whatever you’re doing, Nova, be careful. Because next time?” She turned her head slightly, just enough to let him see the edge of her conflicted expression.

“I will report you.”

Then she was gone.

Kai let out a slow breath, glancing back toward the hidden movement behind him.

No turning back now.

Helix 25 – Lower Decks – Secretive Adjustments

Sue Brittany Kaleleonālani Forgelot moved with the practiced grace of someone accustomed to being noticed—but tonight, she walked as someone trying not to be. The Upper Deck was hers, where conversations flowed with elegant pretense and where everyone knew her by firstname —Sue, she would insist. There would be none of that bowing nonsense to her noble lineages —bless her distinguished ancestors.

Here, in the Lower Decks, she was a curiosity at best, an intrusion at worst.

Unlike the well-maintained Upper Decks, here the air was warmer, and one could sense mingled with the recycled air, a distinct scent of metal, oil, and even labouring bodies. Maintenance bots were limited, and keeping people busy with work helped with the social order. Lights flickered erratically in narrow corridors, nothing like the pristine glow of the Upper Deck’s crystal chandeliers. The Lower Decks were functional, built for work and survival, not for leisure. And deeper still—past the bustling workstations, past the overlooked mechanics keeping Helix 25 from falling apart—the Hold.

The Hold was where she found Luca Stroud.

A heavy, reinforced door hissed as it unlocked, and Sue stepped inside his dimly lit workshop. Stacks of salvaged tech lined the walls, interspersed with crates of unauthorized modifications in this workspace born of a mixture of necessity, ingenuity, and quiet rebellion.

Luca barely looked up as he wiped oil from his hands. “You’re late, dear.”

Sue huffed, settling into the chair he had long since designated for her. “A lady does not rush. Besides, I had affairs to attend to.” She crossed one leg over the other, her silk shawl catching on the metallic seam of a cybernetic limb beneath it. “And I had to dodge half the ship to get here unnoticed.”

Luca grunted, kneeling beside her. “You wouldn’t have to sneak if you’d just let one of the Upper Deck doctors service this thing.” He tapped lightly on the synthetic skin to reveal the metallic prosthetic, watching as the synthetic nerves twitched in response.

Sue’s expression turned sharp. “You know why I can’t.”

Luca said nothing, but his smirk spoke volumes.

There were things she couldn’t let the Upper Deck medics see. Upgrades, modifications, small enhancements that gave her just enough edge. In the circles she moved in, knowledge was power. And she was far too valuable to be at the mercy of those who wanted her dependent.

Luca examined the joint, nodding to himself. “You’ve been walking too much on it.”

“Well, forgive me for using my own legs.”

He tightened a wire. Sue winced, but he ignored it. “You need recalibration. And I need better parts.”

Sue gave a slow, knowing smile. “And what minor favors will you require this time?”

Luca leaned back, thoughtful. “Information. Since you’re generous with it.”

She sighed, shifting in her seat. “Fine. You’re lucky I find you amusing.”

He adjusted a component with expert hands. “Tell me about the murder.”

Sue arched a brow. “Everyone wants to talk about that. You’d think no one had ever died before.”

“They haven’t,” Luca countered, voice flat. “Not for a long time. And not like this.”

She studied him, his interest piquing her own. “So you think it was a real murder.”

Luca let out a dry chuckle. “Oh, it was a murder alright. And you know it.”

Sue exhaled, considering what to share. “Well, rumor has it, the DNA found in the crime scene doesn’t belong here. It’s from the past. Far past.”

Luca glanced up, intrigued. “How far?”

Sue leaned in, voice hushed. “Crusader far.”

He let out a low whistle, shaking his head. “That’s… new.”

She tilted her head. “What does that mean to you?”

Luca hesitated, then shrugged. “Means whoever’s playing god with DNA sequencing isn’t as smart as they think they are.”

Sue smiled at that, more amused than disturbed. “And I suppose you have theories?”

Luca gave her cybernetic limb one final adjustment, then stood. “I have suspicions.”

Sue sighed dramatically. “How thrilling.” She flexed her leg, satisfied with the result. “Keep me informed, and I’ll see what I can find for you.”

Luca smirked. “You always do.”

As she rose to leave, she paused at the door. “Oh, one last thing, dear.”

Luca glanced at her. “What?”

Sue’s smirk deepened. “Should I put in a good word to the Captain for you?”

The question hung between them.

Luca narrowed his eyes. “Nobody’s ever met the Captain.”

She nodded, satisfied, and left him to his thoughts.

The Waking 

Lucien – Early 2024	Darius – Dec 2022	Amei – 2022-2023	Elara – 2022	Matteo – Halloween 2023
Aversion/Reflection	Jealousy/Accomplishment	Pride/Equanimity	Attachment/Discernment	Ignorance/Wisdom
The sky outside Lucien’s studio window was still dark, the faint glow of dawn breaking on the horizon. He woke suddenly, the echo of footsteps chasing him out of sleep. Renard’s shadow loomed in his mind like a smudge he couldn’t erase. He sat up, rubbing his temples, the remnants of the dream slipping away like water through his fingers. The chase felt endless, but this time, something had shifted. There was no fear in his chest—only a whisper of resolve. “Time to stop running.”	The hum of the airplane’s engine filled Darius’s ears as he opened his eyes, the cabin lights dimmed for landing. He glanced at the blinking seatbelt sign and adjusted his scarf. The dream still lingered, faint and elusive, like smoke curling away before he could grasp it. He wasn’t sure where he’d been in his mind, but he felt a pull—something calling him back. South of France was just the next stop. Beyond that,… Beyond that? He didn’t know.	Amei sat cross-legged on her living room floor, the guided meditation app still playing its soft tones through her headphones. Her breathing steadied, but her thoughts drifted. Images danced at the edges of her mind—threads weaving together, faces she couldn’t place, a labyrinth spiraling endlessly. The meditation always seemed to end with these fragments, leaving her both unsettled and curious. What was she trying to find?	Elara woke with a start, the unfamiliar sensation of a dream etched vividly in her mind. Her dreams usually dissolved the moment she opened her eyes, but this one lingered, sharp and bright. She reached for her notebook on the bedside table, fumbling for the pen. The details spilled out onto the page—a white bull, a labyrinth of light, faces shifting like water. “I never remember my dreams,” she thought, “but this one… this one feels important.”	Matteo woke to the sound of children laughing outside, their voices echoing through the streets of Avignon. Halloween wasn’t as big a deal here as elsewhere, but it had its charm. He stretched and sat up, the weight of a restless sleep hanging over him. His dreams had been strange—familiar faces, glowing patterns, a sense of something unfinished. The room seemed to glow for a moment. “Strange,” he thought, brushing it off as a trick of the light.
“No resentment, only purpose.”	“You’re not lost. You’re walking your own path.”	“Messy patterns are still patterns.”	“Let go. The beauty is in the flow.”	“Everything is connected. Even the smallest light adds to the whole.”
The Endless Chase – Lucien ran through a labyrinth, its walls shifting and alive, made of tangled roots and flickering light. Behind him, the echo of footsteps and Renard’s voice calling his name, mocking him. But as he turned a corner, the walls parted to reveal a still lake, its surface reflecting the stars. He stopped, breathless, staring at his reflection in the water. It wasn’t him—it was a younger boy, wide-eyed and unafraid. The boy reached out, and Lucien felt a calm ripple through him. The chase wasn’t real. It never was. The walls dissolved, leaving him standing under a vast, open sky.	The Wandering Maze – Darius wandered through a green field, the tall grass brushing against his hands. The horizon seemed endless, but each step revealed new paths, twisting and turning like a living map. He saw figures ahead—people he thought he recognized—but when he reached them, they vanished, leaving only their footprints. Frustration welled up in his chest, but then he heard laughter—a clear, joyful sound. A child ran past him, leaving a trail of flowers in their wake. Darius followed, the path opening into a vibrant garden. There, he saw his own footprints, weaving among the flowers. “You’re not lost,” a voice said. “You’re walking your own path.”	The Woven Tapestry – Amei found herself in a dim room, lit only by the soft glow of a loom. Threads of every color stretched across the space, intertwining in intricate patterns. She sat before the loom, her hands moving instinctively, weaving the threads together. Faces appeared in the fabric—Tabitha, her estranged friends, even strangers she didn’t recognize. The threads wove tighter, forming a brilliant tapestry that seemed to hum with life. She saw herself in the center, not separate from the others but connected. This time she heard clearly “Messy patterns are still patterns,” a voice whispered, and she smiled.	The Scattered Grains – Elara stood on a beach, the sand slipping through her fingers as she tried to gather it. The harder she grasped, the more it escaped. A wave rolled in, sweeping the sand into intricate patterns that glowed under the moonlight. She knelt, watching the designs shift and shimmer, each one unique and fleeting. “Let go,” the wind seemed to say. “The beauty is in the flow.” Elara let the sand fall, and as it scattered, it transformed into light, rising like fireflies into the night sky.	The Mandala of Light – Matteo stood in a darkened room, the only light coming from a glowing mandala etched on the floor. As he stepped closer, the patterns began to move, spinning and shifting. Faces appeared—his mother, the friends he hadn’t yet met, and even his own reflection. The mandala expanded, encompassing the room, then the city, then the world. “Everything is connected,” a voice said, low and resonant. “Even the smallest light adds to the whole.” Matteo reached out, touching the edge of the mandala, and felt its warmth spread through him.

---

Dreamtime

It begins with running—feet pounding against the earth, my breath sharp in my chest. The path twists endlessly, the walls of the labyrinth curling like roots, closing tighter with each turn. I know I’m being chased, though I never see who or what is behind me. The air thickens as I round a corner and come to a halt before a still lake. Its surface gleams under a canopy of stars, too perfect, too quiet. I kneel to look closer, and the face that stares back isn’t mine. A boy gazes up with wide, curious eyes, unafraid. He smiles as though he knows something I don’t, and my breath steadies. The walls of the labyrinth crumble, their roots receding into the earth. Around me, the horizon stretches wide and infinite, and I wonder if I’ve always been here.

The grass is soft under my feet, swaying with a breeze that hums like a song I almost recognize. I walk, though I don’t know where I’m going. Figures appear ahead—shadowy forms I think I know—but as I approach, they dissolve into mist. I call out, but my voice is swallowed by the wind. Laughter ripples through the air, and a child darts past me, their feet leaving trails of flowers in the earth. I follow, unable to stop myself. The path unfolds into a garden, vibrant and alive, every bloom humming with its own quiet song. At the center, I find myself again—my own footprints weaving among the flowers. The laughter returns, soft and knowing. A voice says, “You’re not lost. You’re walking your own path.” But whose voice is it? My own? Someone else’s? I can’t tell.

The scene shifts, or maybe it’s always been this way. Threads of light stretch across the horizon, forming a vast loom. My hands move instinctively, weaving the threads into patterns I don’t understand but feel compelled to create. Faces emerge in the fabric—some I know, others I only feel. Each thread hums with life, vibrating with its own story. The patterns grow more intricate, their colors blending into something breathtaking. At the center, my own face appears, not solitary but connected to all the others. The threads seem to breathe, their rhythm matching my own heartbeat. A voice whispers, teasing but kind: “Messy patterns are still patterns.” I want to laugh, or cry, or maybe both, but my hands keep weaving as the threads dissolve into light.

I’m on the beach now, though I don’t remember how I got here. The sand is cool under my hands, slipping through my fingers no matter how tightly I try to hold it. A wave rolls in, its foam glowing under a pale moon. Where the water touches the sand, intricate patterns bloom—spirals, mandalas, fleeting images that shift with the tide. I try to gather them, to keep them, but the harder I hold on, the faster they fade. A breeze lifts the patterns into the air, scattering them like fireflies. I watch them go, feeling both loss and wonder. “Let go,” a voice says, carried by the wind. “The beauty is in the flow.” I let the sand fall from my hands, and for the first time, I see the patterns clearly, etched not on the ground but in the sky.

The room is dark, yet I see everything. A mandala of light spreads across the floor, its intricate shapes pulsing with a rhythm I recognize but can’t place. I step closer, and the mandala begins to spin, its patterns expanding to fill the room, then the city, then the world. Faces appear within the light—my mother’s, a child’s, strangers I know but have never met. The mandala connects everything it touches, its warmth spreading through me like a flame. I reach out, my hand trembling, and the moment I touch it, a voice echoes in the air: “Everything is connected. Even the smallest light adds to the whole.” The mandala slows, its light softening, and I find myself standing at its center, whole and unafraid.

I feel the labyrinth’s walls returning, but they’re no longer enclosing me—they’re part of the loom, their roots weaving into the threads. The flowers of the garden bloom within the mandala’s light, their petals scattering like sand into the tide. The waves carry them to the horizon, where they rise into the sky, forming constellations I feel I’ve always known.

I wake—or do I? The dream lingers, its light and rhythm threading through my thoughts. It feels like a map, a guide, a story unfinished. I see the faces again—yours, mine, ours—and wonder where the path leads next.

Darius: A Map of People

June 2023 – Capesterre-Belle-Eau, Guadeloupe

The air in Capesterre-Belle-Eau was thick with humidity, the kind that clung to your skin and made every movement slow and deliberate. Darius leaned against the railing of the veranda, his gaze fixed on the horizon where the sky blends into the sea. The scent of wet earth and banana leaves filling the air. He was home.

It had been nearly a year since hurricane Fiona swept through Guadeloupe, its winds blowing a trail of destruction across homes, plantations, and lives. Capesterre-Belle-Eau had been among the hardest hit, its banana plantations reduced to ruin and its roads washed away in torrents of mud.

Darius hadn’t been here when it happened. He’d read about it from across the Atlantic, the news filtering through headlines and phone calls from his aunt, her voice brittle with worry.

“Darius, you should come back,” she’d said. “The land remembers everyone who’s left it.”

It was an unusual thing for her to say, but the words lingered. By the time he arrived in early 2023 to join the relief efforts, the worst of the crisis had passed, but the scars remained—on the land, on the people, and somewhere deep inside himself.

Home, and Not — Now, passing days having turned into quick six months, Darius was still here, though he couldn’t say why. He had thrown himself into the work, helped to rebuild homes, clear debris, and replant crops. But it wasn’t just the physical labor that kept him—it was the strange sensation of being rooted in a place he’d once fled.

Capesterre-Belle-Eau wasn’t just home; it was bones-deep memories of childhood. The long walks under the towering banana trees, the smell of frying codfish and steaming rice from his aunt’s kitchen, the rhythm of gwoka drums carrying through the evening air.

“Tu reviens pour rester cette fois ?” Come back to stay? a neighbor had asked the day he returned, her eyes sharp with curiosity.

He had laughed, brushing off the question. “On verra,” he’d replied. We’ll see.

But deep down, he knew the answer. He wasn’t back for good. He was here to make amends—not just to the land that had raised him but to himself.

A Map of Travels — On the veranda that afternoon, Darius opened his phone and scrolled through his photo gallery. Each image was pinned to a digital map, marking all the places he’d been since he got the phone. Of all places, it was Budapest which popped out, a poor snapshot of Buda Castle.

He found it a funny thought — just like where he was now, he hadn’t planned to stay so long there. He remembered the date: 2020, in the midst of the pandemic. He’d spent in Budapest most of it, sketching the empty streets.

Five years ago, their little group of four had all been reconnecting in Paris, full of plans that never came to fruition. By late 2019, the group had scattered, each of them drawn into their own orbits, until the first whispers of the pandemic began to ripple across the world.

Funding his travels had never been straightforward. He’d tried his hand at dozens of odd jobs over the years—bartending in Lisbon, teaching English in Marrakech, sketching portraits in tourist squares across Europe. He lived frugally, keeping his possessions light and his plans loose. Yet, his confidence had a way of opening doors; people trusted him without knowing why, offering him opportunities that always seemed to arrive at just the right time.

Even during the pandemic, when the world seemed to fold in on itself, he had found a way.

Darius had already arrived in Budapest by then, living cheaply in a rented studio above a bakery. The city had remained open longer than most in Europe or the world, its streets still alive with muted activity even as the rest of Europe closed down. He’d wandered freely for months, sketching graffiti-covered bridges, quiet cafes, and the crumbling facades of buildings that seemed to echo his own restlessness.

When the lockdowns finally came like everywhere else, it was just before winter, he’d stayed, uncertain of where else to go. His days became a rhythm of sketching, reading, and sending postcards. Amei was one of the few who replied—but never ostentatiously. It was enough to know she was still there, even if the distance between them felt greater than ever.

But the map didn’t tell the whole story. It didn’t show the faces, the laughter, the fleeting connections that had made those places matter.

Swatting at a buzzing mosquito, he reached for the small leather-bound folio on the table beside him. Inside was a collection of fragments: ticket stubs, pressed flowers, a frayed string bracelet gifted by a child in Guatemala, and a handful of postcards he’d sent to Amei but had never been sure she received.

One of them, yellowed at the edges, showed a labyrinth carved into stone. He turned it over, his own handwriting staring back at him.

“Amei,” it read. “I thought of you today. Of maps and paths and the people who make them worth walking. Wherever you are, I hope you’re well. —D.”

He hadn’t sent it. Amei’s responses had always been brief—a quick WhatsApp message, a thumbs-up on his photos, or a blue tick showing she’d read his posts. But they’d never quite managed to find their way back to the conversations they used to have.

The Market —  The next morning, Darius wandered through the market in Trois-Rivières, a smaller town nestled between the sea and the mountains. The vendors called out their wares—bunches of golden bananas, pyramids of vibrant mangoes, bags of freshly ground cassava flour.

“Tiens, Darius!” called a woman selling baskets woven from dried palm fronds. “You’re not at work today?”

“Day off,” he said, smiling as he leaned against her stall. “Figured I’d treat myself.”

She handed him a small woven bracelet, her eyes twinkling. “A gift. For luck, wherever you go next.”

Darius accepted it with a quiet laugh. “Merci, tatie.”

As he turned to leave, he noticed a couple at the next stall—tourists, by the look of them, their backpacks and wide-eyed curiosity marking them as outsiders. They made him suddenly realise how much he missed the lifestyle.

The woman wore an orange scarf, its boldness standing out as if the color orange itself had disappeared from the spectrum, and only a single precious dash could be seen into all the tones of the market. Something else about them caught his attention. Maybe it was the way they moved together, or the way the man gestured as he spoke, as if every word carried weight.

“Nice scarf,” Darius said casually as he passed.

The woman smiled, adjusting the fabric. “Thanks. Picked it up in Rajasthan. It’s been with me everywhere since.”

Her partner added, “It’s funny, isn’t it? The things we carry. Sometimes it feels like they know more about where we’ve been than we do.”

Darius tilted his head, intrigued. “Do you ever think about maps? Not the ones that lead to places, but the ones that lead to people. Paths crossing because they’re meant to.”

The man grinned. “Maybe it’s not about the map itself,” he said. “Maybe it’s about being open to seeing the connections.”

A Letter to Amei —  That evening, as the sun dipped below the horizon, Darius sat at the edge of the bay, his feet dangling above the water. The leather-bound folio sat open beside him, its contents spread out in the fading light.

He picked up the labyrinth postcard again, tracing its worn edges with his thumb.

“Amei,” he wrote on the back just under the previous message a second one —the words flowing easily this time. “Guadeloupe feels like a map of its own, its paths crossing mine in ways I can’t explain. It made me think of you. I hope you’re well. —D.”

He folded the card into an envelope and tucked it into his bag, resolving to send it the next day.

As he watched the waves lap against the rocks, he felt a sense of motion rolling like waves asking to be surfed. He didn’t know where the next path would lead next, but he felt it was time to move on again.

From Decay to Birth: a Map of Paths and Connections

7. Darius’s Encounter (November 2024)

Moments before the reunion with Lucien and his friends, Darius was wandering the bouquinistes along the Seine when he spotted this particular map among a stack of old prints. The design struck him immediately—the spirals, the loops, the faint shimmer of indigo against yellowed paper.

He purchased it without hesitation. As he would examine it more closely, he would notice faint marks along the edges—creases that had come from a vineyard pin, and a smudge of red dust, from Catalonia.

When the bouquiniste had mentioned that the map had come from a traveler passing through, Darius had felt a strange familiarity. It wasn’t the map itself but the echoes of its journey— quiet connections he couldn’t yet place.

 

6. Matteo’s Discovery (near Avignon, Spring 2024)

The office at the edge of the vineyard was a ruin, its beams sagging and its walls cracked. Matteo had wandered in during a quiet afternoon, drawn by the promise of shade and a moment of solitude.

His eyes scanned the room—a rusted typewriter, ledgers crumbling into dust, and a paper pinned to the wall, its edges curling with age. Matteo stepped closer, pulling the pin free and unfolding what turned out to be a map.

Its lines twisted and looped in ways that seemed deliberate yet impossible to follow. Matteo traced one path with his finger, feeling the faint grooves where the ink had sunk into the paper. Something about it unsettled him, though he couldn’t say why.

Days later, while sharing a drink with a traveler at the local inn, Matteo showed him the map.

“It’s beautiful,” the traveler said, running his hand over the faded indigo lines. “But it doesn’t belong here.”

Matteo nodded. “Take it, then. Maybe you’ll figure it out.”

The traveler left with the map that night, and Matteo returned to the vineyard, feeling lighter somehow.

 

5. From Hand to Hand (1995–2024)

By the time Matteo found it in the spring of 2024, the map had long been forgotten, its intricate lines dulled by dust and time.

2012: A vineyard owner near Avignon purchased it at an estate sale, pinning it to the wall of his office without much thought.

2001: A collector in Marseille framed it in her study, claiming it was a lost artifact of a secret cartographer society, though she later sold it when funds ran low.

1997: A scholar in Barcelona traded an old atlas for it, drawn to its artistry but unable to decipher its purpose.

The map had passed through many hands over the previous three decades and each owner puzzling over, and finally adding their own meaning to its lines.

 

4. The Artist (1995)

The mapmaker was a recluse, known only as Almadora to the handful of people who bought her work. Living in a sunlit attic in Girona, she spent her days tracing intricate patterns onto paper, claiming to chart not geography but connections.

“I don’t map what is,” she once told a curious buyer. “I map what could be.”

In 1995, Almadora began work on the labyrinthine map. She used a pale paper from Girona and indigo ink from India, layering lines that seemed to twist and spiral outward endlessly. The map wasn’t signed, nor did it bear any explanations. When it was finished, Almadora sold it to a passing merchant for a handful of coins, its journey into the world beginning quietly, without ceremony.

 

3. The Ink (1990s)

The ink came from a different path altogether. Indigo plants, or aviri, grown on Kongarapattu, were harvested, fermented, and dried into cakes of pigment. The process was ancient, perfected over centuries, and the resulting hue was so rich it seemed to vibrate with unexplored depth.

From the harbour of Pondicherry, this particular batch of indigo made its way to an artisan in Girona, who mixed it with oils and resins to create a striking ink. Its journey intersected with Amei’s much later, when remnants of the same batch were used to dye textiles she would work with as a designer. But in the mid-1990s, it served a singular purpose: to bring a recluse artist’s vision to life.

 

2. The Paper (1980)

The tree bore laughter and countless other sounds of nature and passer-by’s arguments for years, a sturdy presence, unwavering in a sea of shifting lives. Even after the farmhouse was sold, long after the sisters had grown apart, the tree remained. But time is merciless, even to the strongest roots.

By 1979, battered by storms and neglect, the great tree cracked and fell, its once-proud form reduced to timber for a nearby mill.

The tree’s journey didn’t end in the mill; it transformed. Its wood was stripped, pulped, and pressed into paper. Some sheets were coarse and rough, destined for everyday use. But a few, including one particularly smooth and pale sheet, were set aside as high-quality stock for specialized buyers.

This sheet traveled south to Catalonia, where it sat in a shop in Girona for years, its surface untouched but full of potential. By the time the artist found it in the mid-1990s, it had already begun to yellow at the edges, carrying the faint scent of age.

 

1. The Seed (1950s)

It began in a forgotten corner of Kent, where a seed took root beneath a patch of open sky. The tree grew tall and sprawling over decades, its branches a canopy for birds and children alike. By 1961, it had become the centerpiece of the small farmhouse where two young sisters, Vanessa and Elara, played beneath its shade.

“Elara, you’re too slow!” Vanessa called, her voice sharp with mock impatience. Elara, only six years old, trailed behind, clutching a wooden stick she used to scratch shapes into the dirt. “I’m making a map!” she announced, her curls bouncing as she ran to catch up.

Vanessa rolled her eyes, already halfway up the tree’s lowest branch. “You and your maps. You think you’re going somewhere?”

Nov.30, 2024 2:33pm – Darius: The Map and the Moment

Darius strolled along the Seine, the late morning sky a patchwork of rainclouds and stubborn sunlight. The bouquinistes’ stalls were already open, their worn green boxes overflowing with vintage books, faded postcards, and yellowed maps with a faint smell of damp paper overpowered by the aroma of crêpes and nearby french fries stalls. He moved along the stalls with a casual air, his leather duffel slung over one shoulder, boots clicking against the cobblestones.

The duffel had seen more continents than most people, its scuffed surface hinting at his nomadic life. India, Brazil, Morocco, Nepal—it carried traces of them all. Inside were a few changes of clothes, a knife he’d once bought off a blacksmith in Rajasthan, and a rolled-up leather journal that served more as a collection of ideas than a record of events.

Darius wasn’t in Paris for nostalgia, though it tugged at him in moments like this. The city had always been Lucien’s thing —artistic, brooding, and layered with history. For Darius, Paris was just another waypoint. Another stop on a map that never quite seemed to end.

It was the map that stopped him, actually. A tattered, hand-drawn thing propped against a pile of secondhand books, its edges curling like a forgotten leaf. Darius leaned in, frowning at its odd geometry. It wasn’t a city plan or a geographical rendering; it was… something else.

“Ah, you’ve found my prize,” said the bouquiniste, a short older man with a grizzled beard and a cigarette dangling from his lips.

“This?” Darius held up the map, his dark fingers tracing the looping, interconnected lines. They reminded him of something—a mandala, maybe, or one of those intricate yantras he’d seen in a temple in Varanasi.

“It’s not a real place,” the bouquiniste continued, leaning closer as though revealing a secret. “More of a… philosophical map.”

Darius raised an eyebrow. “A philosophical map?”

The man gestured toward the lines. “Each path represents a choice, a possibility. You could spend your life trying to follow it, or you could accept that you already have.”

Darius tilted his head, the edges of a smile forming. “That’s deep for ten euros.”

“It’s twenty,” the bouquiniste corrected, his grin flashing gold teeth.

Darius handed over the money without a second thought. The map was too strange to leave behind, and besides, it felt like something he was meant to find.

He rolled it up and tucked it into his duffel, turning back toward the city’s winding streets. The café wasn’t far now, but he still had time.

He stopped by a street vendor selling espresso shots and ordered one, the strong, bitter taste jolting his senses awake. As he leaned against a lamppost, he noticed his reflection in a shop window: a tall, broad-shouldered man, his dark skin glistening faintly in the misty air. His leather jacket was worn at the elbows, his boots dusted with dirt from some far-flung place.

He looked like a man who belonged everywhere and nowhere—a nomad who’d long since stopped wondering what home was supposed to feel like.

India had been the last big stop. It was messy, beautiful chaos. The temples had been impressive, sure, but it was the street food vendors, the crowded markets, the strolls on the beach with the peaceful cows sunbathing, and the quiet, forgotten alleys that stuck with him. He’d made some connections, met some people who’d lingered in his thoughts longer than they should have.

One of them had been a woman named Anila, who had handed him a fragment of something—an idea, a story, a warning. He couldn’t quite remember now. It felt like she’d been trying to tell him something important, but whatever it was had slipped through his fingers like water.

Darius shook his head, pushing the thought aside. The past was the past, and Paris was the present. He looked at the rolled-up map peeking out of his duffel and smirked. Maybe Lucien would know what to make of it. Or Elara, with her scientific mind and love of puzzles.

The group had always been a strange mix, like a band that shouldn’t work but somehow did. And now, after five years of silence, they were coming back together.

The idea made his stomach churn—not with nerves, exactly, but with a sense of inevitability. Things had been left unsaid back then, unfinished. And while Darius wasn’t usually one to linger on the past, something about this meeting felt… different.

The café was just around the corner now, its brass fixtures glinting through the drizzle. Darius slung his duffel higher on his shoulder and took one last sip of espresso before tossing the cup into a bin.

Whatever this reunion was about, he’d be ready for it.

But the map—it stayed on his mind, its looping lines and impossible paths pressing into his thoughts like a puzzle waiting to be solved.

“Actually,” Eris ventured, “There’s that spell I’ve been meaning to try for a while, but it’s not entirely safe to do on one’s own.”

“Oh, brazen Eris being cautious, paint me curious now!” tittered Truella.

“It was initially devised as a memory spell, but it soon became clear it was opening more possibilities. It can make us travel in any mentally accessible space, spend as much time as we want there with barely a second passing in the physical world.”

“You’re basically describing dreaming, aren’t you?” Jeezel interjected.

“True, in a sense, it’s like lucid dreaming, but with your physical body —and with an energetic anchoring from the coven, that means you can have a lot more control, and spend as much time there as you’d like.”

“So that means we can have more than one vacation destination at a time!” Truella was starting to see the possibilities.

“Yes, and that’s where it becomes perilous. It’s as physical as real life, so you can die there. And without converging focus, we can be propelled into alternative and unwanted mind spaces. We could spend lifetimes and grow old in realities we’d forget were only mental projections.”

“Right, if we can’t agree an a simple vacation, what could possibly go wrong.”

“Shtt, Frella,” Truella’s imagination was already getting wild. “It also means we can go to fantasy lands as well. Lothlórien, Rivendell,… oh wait! Abalone and Gazalbion, always wanted to see those places!”

“With this one, we’ll need more than one anchor to keep us tethered to reality then…” Frella added sarcastically.

The Tailor of Haddon
Wibberly and Newton of Over Haddon

 

It was noted in the Bakewell parish register in 1782 that John Wibberly 1705?-1782 (my 6x great grandfather) was “taylor of Haddon”.

 

James Marshall 1767-1848 (my 4x great grandfather), parish clerk of Elton, married Ann Newton 1770-1806 in Elton in 1792. In the Bakewell parish register, Ann was baptised on the 2rd of June 1770, her parents George and Dorothy Newton of Upper Haddon. The Bakewell registers at the time covered several smaller villages in the area, although what is currently known as Over Haddon was referred to as Upper Haddon in the earlier entries.

 

Newton:

George Newton 1728-1798 was the son of George Newton 1706- of Upper Haddon and Jane Sailes, who were married in 1727, both of Upper Haddon.

George Newton born in 1706 was the son of George Newton 1676- and Anne Carr, who were married in 1701, both of Upper Haddon.

George Newton born in 1676 was the son of John Newton 1647- and Alice who were married in 1673 in Bakewell. There is no last name for Alice on the marriage transcription.

John Newton born in 1647 (my 9x great grandfather) was the son of John Newton and Anne Buxton (my 10x great grandparents), who were married in Bakewell in 1636.

1636 marriage of John Newton and Anne Buxton:

 

 

Wibberly

Dorothy Wibberly 1731-1827 married George Newton in 1755 in Bakewell. The entry in the parish registers says that they were both of Over Haddon. Dorothy was baptised in Bakewell on the 25th June 1731, her parents were John and Mary of Over Haddon.

 

John Wibberly and Mary his wife baptised nine children in Bakewell between 1730 and 1750, and on all of the entries in the parish registers it is stated that they were from Over Haddon. A parish register entry for John and Mary’s marriage has not yet been found, but a marriage in Beeley, a tiny nearby village, in 1728 to Mary Mellor looks likely.

John Wibberly died in Over Haddon in 1782. The entry in the Bakewell parish register notes that he was “taylor of Haddon”.

The tiny village of Over Haddon was historically associated with Haddon Hall.

A baptism for John Wibberly has not yet been found, however, there were Wibersley’s in the Bakewell registers from the early 1600s:

1619 Joyce Wibersley married Raphe Cowper.
1621 Jocosa Wibersley married Radulphus Cowper
1623 Agnes Wibersley married Richard Palfreyman
1635 Cisley Wibberlsy married ? Mr. Mason
1653 John Wibbersly married Grace Dayken

 

Haddon Hall

 

Sir Richard Vernon (c. 1390 – 1451) of Haddon Hall.
Vernon’s property was widespread and varied. From his parents he inherited the manors of Marple and Wibersley, in Cheshire. Perhaps the Over Haddon Wibersley’s origins were from Sir Richard Vernon’s property in Cheshire. There is, however, a medieval wayside cross called Whibbersley Cross situated on Leash Fen in the East Moors of the Derbyshire Peak District. It may have served as a boundary cross marking the estate of Beauchief Abbey. Wayside crosses such as this mostly date from the 9th to 15th centuries.

Found in both The History and Antiquities of Haddon Hall by S Raynor, 1836, and the 1663 household accounts published by Lysons, Haddon Hall had 140 domestic staff.

In the book Haddon Hall, an Illustrated Guide, 1871, an example from the 1663 Christmas accounts:

 

Also in this book, an early 1600s “washing tally” from Haddon Hall:

 

Over Haddon

Martha Taylor, “the fasting damsel”, was born in Over Haddon in 1649. She didn’t eat for almost two years before her death in 1684. One of the Quakers associated with the Marshall Quakers of Elton, John Gratton, visited the fasting damsel while he was living at Monyash, and occasionally “went two miles to see a woman at Over Haddon who pretended to live without meat.” from The Reliquary, 1861.